1 00:00:01,560 --> 00:00:04,400 Speaker 1: Hello, it's Matt Heath here with a massive self source. 2 00:00:04,680 --> 00:00:07,400 Speaker 1: My number one best selling book, Are Lifeless Punishing Thirteen 3 00:00:07,440 --> 00:00:09,680 Speaker 1: Ways to Love the Life You've Got, is out now. 4 00:00:09,880 --> 00:00:11,600 Speaker 1: It's the result of a deep dive I took into 5 00:00:11,600 --> 00:00:13,440 Speaker 1: how to deal with the emotions that make our lives 6 00:00:13,440 --> 00:00:15,600 Speaker 1: more punishing than they need to be. I reckon, I 7 00:00:15,680 --> 00:00:20,720 Speaker 1: found a way to live a life less bored, less stressed, angry, worried, annoyed, scared, dissatisfied, 8 00:00:20,720 --> 00:00:23,400 Speaker 1: and more. Karen Reid wrote, Matt has a hilarious way 9 00:00:23,400 --> 00:00:26,520 Speaker 1: of articulating an important message, highly valuable advice for anyone. 10 00:00:26,720 --> 00:00:29,760 Speaker 1: The newsroom described it as good, very good, indeed, and 11 00:00:29,880 --> 00:00:32,120 Speaker 1: Kitty Book said this is wisdom which could save my 12 00:00:32,159 --> 00:00:34,360 Speaker 1: teenage son a lot of ants as he negotiates the 13 00:00:34,360 --> 00:00:37,400 Speaker 1: slings and arrows of adult life. And under juris Drmy 14 00:00:37,400 --> 00:00:38,920 Speaker 1: well S he had met as a deep thinking, highly 15 00:00:39,000 --> 00:00:41,560 Speaker 1: intelligent human being, which was nice of him. The number 16 00:00:41,600 --> 00:00:44,279 Speaker 1: one best selling are Lifeless Punishing Thirteen Ways to Love 17 00:00:44,320 --> 00:00:47,280 Speaker 1: the Life You Got, as available in all good bookstores now. 18 00:00:47,720 --> 00:00:49,199 Speaker 1: Shocking self source. 19 00:00:49,200 --> 00:01:14,080 Speaker 2: Over bizarre, Oh creepers. 20 00:01:20,160 --> 00:01:23,200 Speaker 3: It's the seventeenth of June twenty twenty four. Welcome all 21 00:01:23,280 --> 00:01:28,880 Speaker 3: you bespokey dokies to the Daily Bespoke podcast. I listened 22 00:01:28,920 --> 00:01:34,119 Speaker 3: to our podcast with the the voices of Reck and Morning, 23 00:01:34,600 --> 00:01:37,520 Speaker 3: and I'm saying, it's a great technique before someone comes 24 00:01:37,560 --> 00:01:40,160 Speaker 3: in to talk about what you're going to say, and 25 00:01:40,160 --> 00:01:42,839 Speaker 3: then do the interview and then rate them afterwards. 26 00:01:43,840 --> 00:01:43,960 Speaker 4: Ye. 27 00:01:44,319 --> 00:01:45,640 Speaker 3: It's a little worried when I was listening to it 28 00:01:45,640 --> 00:01:48,920 Speaker 3: that maybe though that those people that came in to 29 00:01:48,960 --> 00:01:50,680 Speaker 3: talk to it listened to it. But I mean we 30 00:01:50,720 --> 00:01:53,440 Speaker 3: were nothing but nice. But you know, like we were 31 00:01:53,480 --> 00:01:56,120 Speaker 3: discussing whether we were going to raise the question of 32 00:01:56,160 --> 00:02:03,600 Speaker 3: whether Spencer Elsey Grammar's daughter, and we didn't. We didn't 33 00:02:03,640 --> 00:02:05,880 Speaker 3: raise it in the podcast, but we were. We mentioned 34 00:02:05,920 --> 00:02:07,360 Speaker 3: at the start and at the end we talked about 35 00:02:07,360 --> 00:02:09,880 Speaker 3: how hot she was. That was. That was a good 36 00:02:09,880 --> 00:02:11,800 Speaker 3: wave because a lot of people people don't see what 37 00:02:11,880 --> 00:02:14,720 Speaker 3: goes in, do they They don't see they ain't see 38 00:02:14,919 --> 00:02:18,040 Speaker 3: the preparation and the aftermath of what we do. 39 00:02:18,240 --> 00:02:19,920 Speaker 5: There was deep prep going into that on the Daily. 40 00:02:20,200 --> 00:02:21,200 Speaker 5: It was deep prep. 41 00:02:21,520 --> 00:02:24,360 Speaker 6: It was an interesting circumstance, that wasn't it. And also 42 00:02:24,919 --> 00:02:27,320 Speaker 6: they were lovely and they parted the episode out on 43 00:02:27,360 --> 00:02:29,320 Speaker 6: their socials as well. And I couldn't help but think 44 00:02:29,360 --> 00:02:32,880 Speaker 6: if you listened to this episode, because there is five 45 00:02:32,880 --> 00:02:34,280 Speaker 6: minutes at the end after the air break that I 46 00:02:34,280 --> 00:02:35,959 Speaker 6: put in there just to kind of hide it away 47 00:02:36,000 --> 00:02:38,040 Speaker 6: from as much as any kind of possibility of being 48 00:02:38,040 --> 00:02:41,079 Speaker 6: heard by them, the idea that maybe the offans of 49 00:02:41,160 --> 00:02:43,680 Speaker 6: tuned in to just hear a couple of dudes talking 50 00:02:43,720 --> 00:02:44,960 Speaker 6: about how hot or. 51 00:02:45,000 --> 00:02:47,360 Speaker 5: They were busy. They were busy at Armageddno the weekend 52 00:02:47,400 --> 00:02:49,640 Speaker 5: with they yeah, yeah, yeah tell. 53 00:02:49,680 --> 00:02:52,080 Speaker 3: It was a massive change in Armageddon over the years. 54 00:02:52,120 --> 00:02:54,519 Speaker 3: Like when my kids first started going to Armageddon was 55 00:02:54,560 --> 00:03:01,920 Speaker 3: all Star Wars, Yes, Marvel, Doctor Who, and none of 56 00:03:01,919 --> 00:03:02,880 Speaker 3: that exists there anymore. 57 00:03:02,880 --> 00:03:03,720 Speaker 5: Oh what is it now? 58 00:03:03,840 --> 00:03:07,880 Speaker 3: It's all anime. It's all anime. It's all weird animes. 59 00:03:07,919 --> 00:03:10,240 Speaker 3: Like there's a million animes and that's what people give 60 00:03:10,240 --> 00:03:12,160 Speaker 3: a shit about now. So all the costumes, you wouldn't 61 00:03:12,160 --> 00:03:15,239 Speaker 3: recognize them. You'd be hard pressed to see a Darlk anywhere. 62 00:03:15,919 --> 00:03:18,160 Speaker 3: No one gives a shit about a storm trooper, right, 63 00:03:18,240 --> 00:03:22,160 Speaker 3: you know, It's it's interesting how much things have changed. 64 00:03:22,760 --> 00:03:25,079 Speaker 3: I'm not surprised. Actually, I watched the Acolyte that New 65 00:03:25,160 --> 00:03:27,560 Speaker 3: Star Wars series, and it cost one hundred and eighty 66 00:03:27,560 --> 00:03:30,320 Speaker 3: million dollars to make. It might be the worst thing 67 00:03:30,360 --> 00:03:31,040 Speaker 3: I've ever seen. 68 00:03:31,280 --> 00:03:32,160 Speaker 5: Right, what's the plot. 69 00:03:32,840 --> 00:03:34,960 Speaker 3: It's kind of the stupid plot that makes no sense 70 00:03:35,000 --> 00:03:36,960 Speaker 3: about twin sisters. One of them's good, one of them 71 00:03:37,000 --> 00:03:40,320 Speaker 3: is bad. And as soon as there's as soon as 72 00:03:40,360 --> 00:03:43,960 Speaker 3: there's identical twin sisters in a murder mystery, you know, 73 00:03:44,000 --> 00:03:47,160 Speaker 3: that's considered the one of the rules of writing a 74 00:03:47,240 --> 00:03:49,720 Speaker 3: murder mystery that you can't go for the identical twin thing. 75 00:03:49,960 --> 00:03:51,560 Speaker 3: Not that they use this very well, but in the 76 00:03:51,600 --> 00:03:55,360 Speaker 3: third episode it's very controversial because it's so shit. People 77 00:03:55,360 --> 00:03:58,320 Speaker 3: are saying people don't like it because it's for the 78 00:03:58,320 --> 00:04:01,000 Speaker 3: cultural war reasons. I don't give a about the culture wars. 79 00:04:01,040 --> 00:04:05,200 Speaker 3: But in the third episodes there's this lesbian space witches 80 00:04:05,280 --> 00:04:09,560 Speaker 3: that create a pair of identical twins using the Force 81 00:04:10,600 --> 00:04:13,280 Speaker 3: so they don't have any men on their in their 82 00:04:13,400 --> 00:04:17,480 Speaker 3: little cult, and they're saying, we nearly go and extinct. 83 00:04:17,520 --> 00:04:19,360 Speaker 3: And then they use the Force, which they've changed the 84 00:04:19,400 --> 00:04:23,280 Speaker 3: name of it to the Thread, and they create these babies. 85 00:04:23,360 --> 00:04:25,440 Speaker 5: Do they have sperm? Does the Force? Can the Force 86 00:04:25,480 --> 00:04:26,119 Speaker 5: create sperm? 87 00:04:26,240 --> 00:04:30,160 Speaker 3: Well, the Force created Anakin, but that took a lot. 88 00:04:30,200 --> 00:04:32,440 Speaker 3: And anyway, it's very controversial because it misses with the 89 00:04:32,480 --> 00:04:35,800 Speaker 3: law of Star Wars. But also it's just so bad. 90 00:04:36,000 --> 00:04:38,520 Speaker 3: It's like, there's got this like sort of pantomime sets 91 00:04:38,560 --> 00:04:40,880 Speaker 3: that look like this from like that bad sci fi 92 00:04:40,920 --> 00:04:43,320 Speaker 3: that used to watch, well, like really cheap sci fi, 93 00:04:43,360 --> 00:04:45,800 Speaker 3: where everything looks like it's on a set in these 94 00:04:45,880 --> 00:04:51,479 Speaker 3: terrible costumes, and then like this this coven singing the 95 00:04:51,520 --> 00:04:54,560 Speaker 3: song that goes the power of one, the power of two, 96 00:04:55,080 --> 00:04:58,080 Speaker 3: the power of men. I've got a question, and I 97 00:04:58,080 --> 00:05:00,839 Speaker 3: was thinking, just to finish my point, it might be 98 00:05:01,000 --> 00:05:03,479 Speaker 3: that Star Wars has just got so bad that's why 99 00:05:03,600 --> 00:05:05,480 Speaker 3: the kids aren't into it anymore. Not the anime has 100 00:05:05,520 --> 00:05:06,640 Speaker 3: taken over, if you know what I mean. 101 00:05:06,720 --> 00:05:10,040 Speaker 5: Like my question relates to that. So you've watched every 102 00:05:10,080 --> 00:05:11,960 Speaker 5: Star Wars. You're a huge fan of Star Wars, the 103 00:05:11,960 --> 00:05:14,080 Speaker 5: original Star Wars films and that sort of stuff you love. 104 00:05:14,160 --> 00:05:15,000 Speaker 3: I think I've watched everything. 105 00:05:15,040 --> 00:05:18,920 Speaker 5: Yet you watched everything. You watched The Mandalorian, you watch 106 00:05:18,960 --> 00:05:21,320 Speaker 5: anything that comes out that has anything to Star Wars. 107 00:05:21,760 --> 00:05:24,120 Speaker 5: Will you continue to watch everything that comes out? I 108 00:05:24,160 --> 00:05:26,839 Speaker 5: think that's the last of it, right, Okay, you enough. 109 00:05:26,880 --> 00:05:30,200 Speaker 3: I think it's absolutely I think that's third episode of 110 00:05:30,240 --> 00:05:31,440 Speaker 3: the Acolyte's killed. 111 00:05:31,240 --> 00:05:31,520 Speaker 5: It for you. 112 00:05:31,760 --> 00:05:33,920 Speaker 3: It's just so bad. And have you seen the movie 113 00:05:34,240 --> 00:05:40,000 Speaker 3: Godzilla minus one? No fantastic movie. Each episode of this 114 00:05:40,120 --> 00:05:43,159 Speaker 3: costs more. The Achote costs more than the entire movie 115 00:05:43,200 --> 00:05:46,080 Speaker 3: Godzilla minus one. There's been one hundred and eighty million 116 00:05:46,120 --> 00:05:49,599 Speaker 3: dollars on this series and it looks so budget. I 117 00:05:49,600 --> 00:05:52,680 Speaker 3: think it's the City Rail Network of televisions. It ever 118 00:05:52,720 --> 00:05:55,120 Speaker 3: since Disney took over, Yeah, ever since Disney took over, 119 00:05:55,160 --> 00:05:58,720 Speaker 3: they've completely lost the plot. I think it's because they 120 00:05:58,760 --> 00:06:01,440 Speaker 3: have to make a lot of content. And like I 121 00:06:01,480 --> 00:06:03,240 Speaker 3: was saying to my kids, when I was growing up, 122 00:06:03,800 --> 00:06:06,520 Speaker 3: we saw the original Star Wars movies and we love them, 123 00:06:06,520 --> 00:06:08,760 Speaker 3: and then it was fricking ages before there was anything else, 124 00:06:09,080 --> 00:06:11,600 Speaker 3: and so we were just feverish for it. And it's 125 00:06:11,680 --> 00:06:15,000 Speaker 3: quite different when they just brand any load of shit 126 00:06:15,080 --> 00:06:19,960 Speaker 3: about a lesbian space which cult as Star Wars, when 127 00:06:19,960 --> 00:06:22,159 Speaker 3: it's got absolutely nothing to do with Star Wars. The 128 00:06:22,200 --> 00:06:24,520 Speaker 3: Gedo's are there, but they're kind of really uncool Judis. 129 00:06:24,720 --> 00:06:27,040 Speaker 3: There's also a bumble Atti Jedi, which is pretty funny. 130 00:06:28,640 --> 00:06:31,000 Speaker 5: Is it a little bit like the way that I 131 00:06:31,080 --> 00:06:34,599 Speaker 5: kind of feel about rugby sometimes, where there's been so 132 00:06:34,680 --> 00:06:36,600 Speaker 5: much about Yeah, there's just so much of it and 133 00:06:36,640 --> 00:06:38,440 Speaker 5: you actually know you've got to want it. 134 00:06:38,640 --> 00:06:40,240 Speaker 3: You've got to want it. So it was definitely bad 135 00:06:40,320 --> 00:06:42,880 Speaker 3: Star Wars, you know, let the Star Wars Christmas Special 136 00:06:42,960 --> 00:06:45,160 Speaker 3: was not good and that came out all those years ago. 137 00:06:45,160 --> 00:06:45,279 Speaker 2: I mean. 138 00:06:45,320 --> 00:06:47,400 Speaker 5: The idea of demand and supply is really interesting one 139 00:06:47,400 --> 00:06:49,360 Speaker 5: when it comes to entertainment because if you do, if 140 00:06:49,400 --> 00:06:53,560 Speaker 5: you do basically choke the supply, then you will increase demand. 141 00:06:54,480 --> 00:06:54,920 Speaker 5: It works. 142 00:06:55,040 --> 00:06:56,720 Speaker 3: This happens with tournaments all the time. They think, oh, 143 00:06:56,720 --> 00:06:58,360 Speaker 3: this is going really well, Let's put more and more 144 00:06:58,360 --> 00:07:00,520 Speaker 3: games in there and extend it out so it goes 145 00:07:00,520 --> 00:07:04,960 Speaker 3: for longer, and it never works. That's always Six Nations 146 00:07:04,960 --> 00:07:08,000 Speaker 3: are such a successful tournament in rugby. It's very simple. 147 00:07:08,160 --> 00:07:09,720 Speaker 3: Six nations, they all play each other once. 148 00:07:10,880 --> 00:07:12,760 Speaker 7: How do you reckon it would go? Like obviously, back 149 00:07:12,800 --> 00:07:15,040 Speaker 7: in the eighties they had the movie Return of the Jedi, 150 00:07:15,080 --> 00:07:16,880 Speaker 7: which was huge. How do you reckon it would go? 151 00:07:16,920 --> 00:07:20,000 Speaker 7: If they had a movie called Return of the Bombalaty Jedi. 152 00:07:20,720 --> 00:07:22,000 Speaker 3: I don't know, I don't know how well it will 153 00:07:22,000 --> 00:07:22,200 Speaker 3: have gone. 154 00:07:22,480 --> 00:07:24,360 Speaker 5: How is this Jedi. 155 00:07:24,600 --> 00:07:30,720 Speaker 3: Pretty large upiring the other day or four people being 156 00:07:30,720 --> 00:07:34,440 Speaker 3: whatever weight they want to be and blessed you know everyone? 157 00:07:34,920 --> 00:07:37,800 Speaker 3: You do you? But I mean, you know, we've been 158 00:07:37,840 --> 00:07:40,360 Speaker 3: showing that Jedis have to go through a really really 159 00:07:40,480 --> 00:07:42,440 Speaker 3: rigorous training. I mean that was the whole point of 160 00:07:42,800 --> 00:07:46,000 Speaker 3: Empire Strikes Back. It's already pretty fit. Guy wasn't fit 161 00:07:46,120 --> 00:07:47,960 Speaker 3: enough to be a Jedi, so he had to go 162 00:07:48,000 --> 00:07:52,960 Speaker 3: and train, running through the woods of Dagabar with a 163 00:07:53,040 --> 00:07:55,280 Speaker 3: muppet on his back telling him how to that he 164 00:07:55,320 --> 00:07:57,080 Speaker 3: wasn't trying out that you know that he wasn't doing 165 00:07:57,080 --> 00:07:57,560 Speaker 3: well enough. 166 00:07:57,600 --> 00:08:01,800 Speaker 5: So on the top pettick, since there's Jedi training or why, 167 00:08:02,000 --> 00:08:04,000 Speaker 5: I mean why how did he become He's. 168 00:08:03,960 --> 00:08:07,600 Speaker 3: Very young, young Jedi. This guy, he's not a big 169 00:08:07,640 --> 00:08:10,560 Speaker 3: part of it. But I don't know. And it just 170 00:08:10,920 --> 00:08:13,760 Speaker 3: made me a bit sad because I was like, yeah, 171 00:08:13,920 --> 00:08:15,600 Speaker 3: I think it's right. Yet if they've done no more 172 00:08:15,640 --> 00:08:18,200 Speaker 3: Star Wars, I mean the last Disney all the Disney 173 00:08:18,240 --> 00:08:20,640 Speaker 3: Star Wars have been terrible. Apart from Rogue one, which 174 00:08:20,680 --> 00:08:24,360 Speaker 3: was quite good, I think it was okay. Yeah, and 175 00:08:24,400 --> 00:08:26,600 Speaker 3: also and Or was really good. I thought and Or 176 00:08:26,680 --> 00:08:27,320 Speaker 3: was bloody good. 177 00:08:27,240 --> 00:08:28,920 Speaker 5: Didn't you like The Mandalorian? 178 00:08:29,000 --> 00:08:31,400 Speaker 3: Like the first series of The Mandalorian, But then it 179 00:08:31,440 --> 00:08:33,200 Speaker 3: went massively off off. 180 00:08:33,520 --> 00:08:35,040 Speaker 5: It just got so stupid. It was like. 181 00:08:37,120 --> 00:08:39,200 Speaker 3: These TV shows they become like video games where you're 182 00:08:39,200 --> 00:08:42,400 Speaker 3: constantly doing side missions. So you go to a planet 183 00:08:42,400 --> 00:08:44,319 Speaker 3: and then you meet someone and they say, oh, you've 184 00:08:44,320 --> 00:08:46,079 Speaker 3: got to go and get this from this and then 185 00:08:46,120 --> 00:08:48,560 Speaker 3: bring it back, and then the plot will continue, and 186 00:08:48,640 --> 00:08:50,560 Speaker 3: you just get sick of that. Really, go yeah, it 187 00:08:50,559 --> 00:08:53,280 Speaker 3: doesn't doesn't. It doesn't give you the emotional buzz that 188 00:08:53,320 --> 00:08:53,680 Speaker 3: you want. 189 00:08:53,920 --> 00:08:55,880 Speaker 5: Yeah, right, Sometimes you just got to straighten the attack. 190 00:08:56,120 --> 00:08:59,000 Speaker 5: But it's just going across, across, across, across, phase after 191 00:08:59,040 --> 00:09:00,720 Speaker 5: phase after phase, going across the field. 192 00:09:01,160 --> 00:09:02,880 Speaker 3: I mean, I've got to go forward. I wonder if 193 00:09:02,880 --> 00:09:05,920 Speaker 3: this show The Acolytes money laundering or something. 194 00:09:07,280 --> 00:09:07,360 Speaker 5: Like. 195 00:09:08,559 --> 00:09:10,480 Speaker 3: It just doesn't look like that amount of money. It 196 00:09:10,480 --> 00:09:12,040 Speaker 3: does not look like one hundred and eighty million dollars. 197 00:09:12,080 --> 00:09:14,000 Speaker 3: Have you read anything about it before you watched it? 198 00:09:14,320 --> 00:09:14,480 Speaker 8: No? 199 00:09:15,000 --> 00:09:17,400 Speaker 3: Okay no, But I was confused because there's been and 200 00:09:17,600 --> 00:09:21,520 Speaker 3: Or a Shoker and then Acolytes. So there was these 201 00:09:21,559 --> 00:09:24,080 Speaker 3: three in rapid success, and there was these three Star 202 00:09:24,120 --> 00:09:26,560 Speaker 3: Wars shows beginning with a But when I was watching that, 203 00:09:26,640 --> 00:09:29,120 Speaker 3: I felt quite depressed because it's been a whole lifetime 204 00:09:29,160 --> 00:09:32,320 Speaker 3: of mine loving Star Wars, and then you get to 205 00:09:32,360 --> 00:09:34,160 Speaker 3: this one show and these people who have taken it 206 00:09:34,200 --> 00:09:37,400 Speaker 3: over have no interest in the topic at all. They 207 00:09:37,480 --> 00:09:39,079 Speaker 3: kind of just want to destroy it. I think that's 208 00:09:39,080 --> 00:09:41,199 Speaker 3: part of it, this kind of this postmodern thing where 209 00:09:41,720 --> 00:09:44,040 Speaker 3: to move forward you have to destroy what was before, 210 00:09:44,520 --> 00:09:46,840 Speaker 3: which you know, obviously that happens in art quite a lot, 211 00:09:46,880 --> 00:09:50,720 Speaker 3: and it's a legitimate approach to things. But as a 212 00:09:50,760 --> 00:09:52,520 Speaker 3: long term fan, I guess that just means it's not 213 00:09:52,559 --> 00:09:54,800 Speaker 3: for me anymore. Maybe it's fine. 214 00:09:54,640 --> 00:09:56,439 Speaker 5: Run out of there's just you get to a certain 215 00:09:56,440 --> 00:09:59,840 Speaker 5: point and then that universe just runs out of gas. Maybe, yeah, 216 00:10:00,040 --> 00:10:02,160 Speaker 5: I mean that's what happens in the universe, isn't it. Yeah, 217 00:10:02,320 --> 00:10:04,880 Speaker 5: things just run out of gas eventually. Yeah, maybe that's it, 218 00:10:05,160 --> 00:10:07,280 Speaker 5: and maybe things just can't go forever. But my son, 219 00:10:08,679 --> 00:10:11,800 Speaker 5: who he just said, why are we watching this? And 220 00:10:11,840 --> 00:10:14,040 Speaker 5: I said, you know, and that's a really good point, 221 00:10:14,040 --> 00:10:15,880 Speaker 5: and he said, why. This is clearly terrible. 222 00:10:16,040 --> 00:10:18,600 Speaker 3: They clearly have put no effort in, you know, it's 223 00:10:18,640 --> 00:10:20,240 Speaker 3: clearly just been a money grab for the people that 224 00:10:20,280 --> 00:10:22,400 Speaker 3: are making it. So while we're watching it, and I said, 225 00:10:22,440 --> 00:10:23,800 Speaker 3: I guess because I like Star Wars, and he goes, well, 226 00:10:23,840 --> 00:10:26,400 Speaker 3: you did like Star Wars, Dad. It's terrible in your 227 00:10:26,440 --> 00:10:28,080 Speaker 3: fourteen year olds telling all these things. And it goes 228 00:10:28,480 --> 00:10:30,079 Speaker 3: just because this is rubbish. Now, it doesn't mean the 229 00:10:30,080 --> 00:10:32,760 Speaker 3: stuff that you liked has changed. It doesn't actually affect 230 00:10:32,840 --> 00:10:35,240 Speaker 3: the stuff that you like. Just watch the stuff you 231 00:10:35,400 --> 00:10:38,320 Speaker 3: like and then move on. It's not it doesn't matter. 232 00:10:38,360 --> 00:10:40,960 Speaker 3: It's just a big corporate product that's been thrown out there. 233 00:10:41,200 --> 00:10:43,040 Speaker 3: You don't have to consume their content just because they 234 00:10:43,040 --> 00:10:43,520 Speaker 3: produce it. 235 00:10:44,000 --> 00:10:46,720 Speaker 5: No, you know, no, geez your footing, you're not smart. 236 00:10:46,840 --> 00:10:49,480 Speaker 3: Yes, I mean this burger's being produced every day that 237 00:10:49,520 --> 00:10:51,400 Speaker 3: I don't et yep, because I think they're not good 238 00:10:51,400 --> 00:10:51,600 Speaker 3: for me. 239 00:10:51,679 --> 00:10:52,800 Speaker 5: Yeah. I used to love burgers. 240 00:10:52,960 --> 00:10:54,120 Speaker 3: Yeah. Yeah. 241 00:10:54,280 --> 00:10:57,559 Speaker 7: To prove your point a little bit, Google users rate 242 00:10:57,600 --> 00:11:01,599 Speaker 7: the show twenty two percent like it im dB I 243 00:11:01,640 --> 00:11:04,320 Speaker 7: think it's three point six out of ten, but strangely 244 00:11:04,400 --> 00:11:06,280 Speaker 7: Rodden Tomatoes think it's eighty four percent. 245 00:11:06,520 --> 00:11:09,040 Speaker 3: Well, go to rodin Tomatoes, but go to the audience score. 246 00:11:09,080 --> 00:11:10,559 Speaker 3: Can you flick that over to the audience score and 247 00:11:10,640 --> 00:11:14,240 Speaker 3: Rod and tomatoes. Oh okay, okay, because because there's a 248 00:11:14,280 --> 00:11:18,200 Speaker 3: lot of people that fifteen percent per so. 249 00:11:18,280 --> 00:11:20,960 Speaker 5: Just wait for six So so okay, so you've got 250 00:11:20,960 --> 00:11:23,520 Speaker 5: this thing right, Disney pay one hundred and eighty million, yeah, 251 00:11:23,600 --> 00:11:28,079 Speaker 5: yeah to make this thing and then people clearly don't 252 00:11:28,080 --> 00:11:31,240 Speaker 5: really like it. Yeah, people mustn't be down like, people 253 00:11:31,320 --> 00:11:33,600 Speaker 5: mustn't be viewing it in the right amount. You know, 254 00:11:33,640 --> 00:11:37,240 Speaker 5: it's not going to take off. Yeah, So do they 255 00:11:37,280 --> 00:11:40,280 Speaker 5: do a review at any stage? Do they go, Okay, 256 00:11:40,320 --> 00:11:41,439 Speaker 5: why did this not work? 257 00:11:41,480 --> 00:11:42,040 Speaker 3: Like? They must? 258 00:11:42,120 --> 00:11:43,320 Speaker 5: It's Disney like it's. 259 00:11:43,200 --> 00:11:45,160 Speaker 3: A huge corperation. They must, I know. But they keep 260 00:11:45,360 --> 00:11:47,800 Speaker 3: doing the same thing over and over again, which is 261 00:11:47,920 --> 00:11:51,720 Speaker 3: which is really really weird. But I think sometimes it's 262 00:11:51,720 --> 00:11:54,000 Speaker 3: hard to change directions because maybe you want to change directions, 263 00:11:54,000 --> 00:11:57,360 Speaker 3: but your projects are booked five years in advance. So actually, 264 00:11:57,400 --> 00:11:59,880 Speaker 3: course correcting on productions because they take a while to 265 00:12:00,080 --> 00:12:01,120 Speaker 3: make is a bit of a problem. 266 00:12:01,160 --> 00:12:02,760 Speaker 5: Can they just what I just maybe put the Star 267 00:12:02,840 --> 00:12:04,760 Speaker 5: Wars thing to bid for a while, because they've forgot 268 00:12:04,800 --> 00:12:07,400 Speaker 5: that They've got the Star Wars right apparently as amazing 269 00:12:07,559 --> 00:12:10,360 Speaker 5: it doesn't Star Wars World, I'd love to disney Land 270 00:12:10,400 --> 00:12:14,200 Speaker 5: apparently is next level. Yeah, so that's good enough. You've 271 00:12:14,200 --> 00:12:16,560 Speaker 5: got that operating you're and the other ones you own 272 00:12:16,600 --> 00:12:17,480 Speaker 5: there all the old. 273 00:12:17,320 --> 00:12:19,160 Speaker 3: Crap, and like, don't get me wrong, I'm all for 274 00:12:19,280 --> 00:12:21,040 Speaker 3: lesbian space witchers. Like I've got a lot of time 275 00:12:21,040 --> 00:12:23,120 Speaker 3: for them. I mean that sounds like a great lesbian 276 00:12:23,240 --> 00:12:24,920 Speaker 3: I'd go to the movie Lesbian space witcheres. 277 00:12:25,120 --> 00:12:28,080 Speaker 5: Well, but when when have you ever been into lesbian 278 00:12:28,160 --> 00:12:31,840 Speaker 5: space witches? I mean, I haven't space witches ever exist. 279 00:12:31,920 --> 00:12:33,680 Speaker 3: I used to have this post for all slave girls 280 00:12:33,679 --> 00:12:37,959 Speaker 3: from from Beyond defind Infinity, so that you know, slightly 281 00:12:37,960 --> 00:12:40,480 Speaker 3: different than space is slightly different. But I mean it's 282 00:12:40,480 --> 00:12:42,600 Speaker 3: not even the lesbian space witches. But because because people 283 00:12:42,600 --> 00:12:44,440 Speaker 3: are saying the reason why that it's only on fifteen 284 00:12:44,440 --> 00:12:48,040 Speaker 3: percent or whatever on Roden Tomatoes is because people are 285 00:12:48,200 --> 00:12:50,480 Speaker 3: review bombing it because the cultural wars. They're like, why 286 00:12:50,480 --> 00:12:52,000 Speaker 3: are we're doing this sort of stuff? But no one 287 00:12:52,000 --> 00:12:54,160 Speaker 3: actually gives a ship. Like Fallout just came out and 288 00:12:54,160 --> 00:12:56,440 Speaker 3: that had a female lead and everyone freaking loved it. 289 00:12:56,480 --> 00:12:58,320 Speaker 3: No one gave a ship. No one gives a ship 290 00:12:58,360 --> 00:13:01,400 Speaker 3: if someone's no one really, I mean there's weird ohs 291 00:13:01,440 --> 00:13:02,200 Speaker 3: that have a problem with that. 292 00:13:02,280 --> 00:13:02,760 Speaker 5: Kind of stuff. 293 00:13:02,800 --> 00:13:05,360 Speaker 3: But no one really cares if it's a good story. 294 00:13:05,400 --> 00:13:08,760 Speaker 3: People people are are app so hungry for a good 295 00:13:08,800 --> 00:13:11,840 Speaker 3: story and so hungry for a good adventure. I don't 296 00:13:11,880 --> 00:13:14,520 Speaker 3: really give a shit about the culture. Wars doesn't exist 297 00:13:14,600 --> 00:13:16,920 Speaker 3: on a good story, does it. No? 298 00:13:16,920 --> 00:13:17,079 Speaker 8: No. 299 00:13:17,160 --> 00:13:18,800 Speaker 5: But the other thing is when you're watching something, you 300 00:13:18,840 --> 00:13:22,280 Speaker 5: can just sometimes smell when something's been shoehorned quite right. 301 00:13:22,480 --> 00:13:24,480 Speaker 3: Yeah, it's it's just a vibe you get. 302 00:13:24,559 --> 00:13:26,320 Speaker 5: You go, this has got a vibe that it's trying to. 303 00:13:28,240 --> 00:13:31,160 Speaker 3: Something that's quite right. That got a vibe with the 304 00:13:31,200 --> 00:13:33,960 Speaker 3: people that are making it, trying to project themselves into 305 00:13:34,000 --> 00:13:37,720 Speaker 3: it rather than trying to make the best freaking story 306 00:13:37,720 --> 00:13:41,520 Speaker 3: they possibly can for the entertainment of the audience and 307 00:13:41,559 --> 00:13:45,440 Speaker 3: making every decision they make to make you excited, you know, 308 00:13:45,520 --> 00:13:49,880 Speaker 3: stimulated and inspired. I mean that. I mean, if you 309 00:13:49,920 --> 00:13:52,520 Speaker 3: don't have that goal when you start making something, it's 310 00:13:52,600 --> 00:13:55,000 Speaker 3: even people have that goal. They make shitters. People make 311 00:13:55,040 --> 00:13:56,840 Speaker 3: shitters all the time when they're trying their very best 312 00:13:56,840 --> 00:13:59,040 Speaker 3: to make something good. When you're coming in with a 313 00:13:59,040 --> 00:14:00,679 Speaker 3: whole lot of other stuff that you're trying to make 314 00:14:00,720 --> 00:14:03,959 Speaker 3: it around and and not that goal, then you've good 315 00:14:04,040 --> 00:14:06,840 Speaker 3: luck trying to make something that people give a shit about. 316 00:14:08,640 --> 00:14:10,720 Speaker 5: Yeah, I was going to say, I saw this thing 317 00:14:10,800 --> 00:14:13,840 Speaker 5: on on the weekend that you've probably seen before, hopefully. 318 00:14:14,000 --> 00:14:18,240 Speaker 5: Unfortunately my computer only seems to play in one bloody thing, 319 00:14:18,280 --> 00:14:22,960 Speaker 5: which is really really annoying. Is it playing one year? 320 00:14:24,360 --> 00:14:25,760 Speaker 5: Why is there only playing one year? 321 00:14:26,960 --> 00:14:32,160 Speaker 3: Have you enjoying Eric continuing to enjoy? Yeah? 322 00:14:29,760 --> 00:14:34,160 Speaker 7: Right, I've got the last episode to go, so please, 323 00:14:34,720 --> 00:14:35,240 Speaker 7: I'm not up. 324 00:14:35,200 --> 00:14:35,920 Speaker 5: To the last episode. 325 00:14:35,960 --> 00:14:37,960 Speaker 3: And that's a show that people give a fuck about 326 00:14:38,040 --> 00:14:40,040 Speaker 3: that have made one. The people that have made that 327 00:14:40,120 --> 00:14:42,440 Speaker 3: have put a lot of effort into that show, haven't they. 328 00:14:43,880 --> 00:14:46,160 Speaker 5: I love it. I love really good, I love the 329 00:14:46,920 --> 00:14:49,440 Speaker 5: I love the sitting, I love I love New York 330 00:14:49,440 --> 00:14:51,080 Speaker 5: in the nineteen eighties. That's such a great time, and 331 00:14:51,120 --> 00:14:53,600 Speaker 5: I love I was a big Jim Henson fan. I've 332 00:14:53,600 --> 00:14:56,520 Speaker 5: always loved the Muppets. I didn't like Sisimes Street as 333 00:14:56,520 --> 00:14:58,800 Speaker 5: a Sismme Street annoyed me, but I still like some 334 00:14:58,840 --> 00:15:00,800 Speaker 5: of the characters on Sisme Street. Are such a big 335 00:15:00,840 --> 00:15:03,560 Speaker 5: fan of Kermit, which has got me, which is what 336 00:15:03,640 --> 00:15:05,880 Speaker 5: I was going to say. I saw the thing on 337 00:15:05,920 --> 00:15:11,080 Speaker 5: the during the weekend that featured Kermit and this little 338 00:15:11,080 --> 00:15:13,640 Speaker 5: girl on Sesame Street. You may have seen this before, 339 00:15:14,080 --> 00:15:16,840 Speaker 5: but it was the most amazing interaction between a human 340 00:15:16,880 --> 00:15:18,640 Speaker 5: and a puppet. I saw this as popped up on 341 00:15:18,680 --> 00:15:19,640 Speaker 5: my feet. 342 00:15:19,280 --> 00:15:20,640 Speaker 3: And I can I play it? 343 00:15:20,720 --> 00:15:23,160 Speaker 5: Yeah, because it's not very long, It's only a minute long. 344 00:15:23,200 --> 00:15:24,920 Speaker 3: Why don't you copy it, paste it and put in 345 00:15:24,920 --> 00:15:27,320 Speaker 3: the dock so someone that can muster up to. 346 00:15:27,840 --> 00:15:29,520 Speaker 5: A good idea. I'll just go like that and then 347 00:15:29,560 --> 00:15:32,000 Speaker 5: I'll copy that. Yeah, because when I saw it, I'm 348 00:15:32,000 --> 00:15:35,000 Speaker 5: going to put it in the dock under promo scripts 349 00:15:35,040 --> 00:15:40,320 Speaker 5: to read there, okay, a break there? Yeahlst. We do 350 00:15:40,440 --> 00:15:42,480 Speaker 5: need to we do need to go to break to. 351 00:15:42,480 --> 00:15:51,200 Speaker 5: Why don't we played after that? Okay? Okay? So yeah, 352 00:15:51,200 --> 00:15:53,600 Speaker 5: it was something that blasted up on my on my 353 00:15:53,680 --> 00:15:56,360 Speaker 5: Instagram and I was like, this is the cutest interaction 354 00:15:56,440 --> 00:15:59,760 Speaker 5: between a puppet and a little girl. But the interesting 355 00:15:59,800 --> 00:16:03,440 Speaker 5: part about it was what happened afterwards, because apparently I 356 00:16:03,480 --> 00:16:06,320 Speaker 5: read about it. Jim Henson was filming with this little 357 00:16:06,320 --> 00:16:08,400 Speaker 5: girl and she was being really naughty. Well she wasn't 358 00:16:08,440 --> 00:16:10,520 Speaker 5: being naughty, but she wasn't playing ball. Yeah, yeah, she 359 00:16:10,560 --> 00:16:13,600 Speaker 5: was quite cheeky, and he actually got annoyed and you 360 00:16:13,640 --> 00:16:17,960 Speaker 5: can detect his annoyance because Kerman actually sounds slightly different, 361 00:16:18,480 --> 00:16:19,520 Speaker 5: which is quite weird. 362 00:16:19,800 --> 00:16:21,200 Speaker 3: But they put it out as as. 363 00:16:21,240 --> 00:16:22,920 Speaker 5: Yeah, they ended up putting it out as us because 364 00:16:22,920 --> 00:16:25,000 Speaker 5: it was actually the end of it was actually incredibly 365 00:16:25,040 --> 00:16:26,040 Speaker 5: cute and quite real. 366 00:16:26,680 --> 00:16:27,920 Speaker 3: Okay, well, let's give a listen to EE. 367 00:16:28,920 --> 00:16:32,400 Speaker 8: Can you sing the alphabet? Ye? Yes, sCOD let's hear 368 00:16:32,440 --> 00:16:40,440 Speaker 8: you sing the alphabet ABC. Good you last you didn't 369 00:16:40,480 --> 00:16:48,520 Speaker 8: singing the alphabet ab CD after charge jk l mn 370 00:16:48,680 --> 00:16:59,760 Speaker 8: op Cooking Monster isn't the letter of the alphabet they 371 00:16:59,840 --> 00:17:13,600 Speaker 8: got q RS. You're just teasing me w X why ze. 372 00:17:16,920 --> 00:17:17,320 Speaker 2: Next time? 373 00:17:17,359 --> 00:17:19,719 Speaker 8: Coking Master can do I'm believing. 374 00:17:21,400 --> 00:17:21,919 Speaker 3: I love you. 375 00:17:23,400 --> 00:17:24,120 Speaker 8: I love you too. 376 00:17:24,840 --> 00:17:29,960 Speaker 3: Okay, oh my god, that is beautiful as Christ at 377 00:17:29,960 --> 00:17:33,280 Speaker 3: the ind there. I love you. She's funny though. She's 378 00:17:33,320 --> 00:17:35,320 Speaker 3: got a great comic timing on her cocky monster. She 379 00:17:35,359 --> 00:17:38,639 Speaker 3: does because you can see she's grimy frog here. You 380 00:17:38,680 --> 00:17:39,480 Speaker 3: can see her. 381 00:17:39,400 --> 00:17:41,199 Speaker 5: Sort of thinking, when am I going to come in 382 00:17:41,240 --> 00:17:42,080 Speaker 5: with the cookie monster? 383 00:17:42,560 --> 00:17:44,679 Speaker 3: But she decided to hi, but she's trying to hire us. 384 00:17:44,720 --> 00:17:45,679 Speaker 5: She's still doing ABC. 385 00:17:45,880 --> 00:17:49,360 Speaker 3: She's probably about four maybe three, yeah, three I think, 386 00:17:49,520 --> 00:17:49,720 Speaker 3: But you. 387 00:17:49,720 --> 00:17:52,240 Speaker 5: Can see Jim Henson's actually kind, and he goes, what 388 00:17:52,240 --> 00:17:53,120 Speaker 5: would you do with cooking? 389 00:17:53,200 --> 00:17:53,480 Speaker 8: Monster? 390 00:17:53,520 --> 00:17:57,800 Speaker 5: Next time walks off and then leaves the frame. And 391 00:17:57,800 --> 00:17:59,800 Speaker 5: then she says I love you, and he comes being 392 00:17:59,840 --> 00:18:03,639 Speaker 5: ah and then and then she curs. 393 00:18:03,680 --> 00:18:05,280 Speaker 3: I wonder what happened with that Gil. I wonder how 394 00:18:05,320 --> 00:18:06,040 Speaker 3: her life went. 395 00:18:06,359 --> 00:18:09,160 Speaker 7: We names Joey Calvin. She was born October thirty one, 396 00:18:09,240 --> 00:18:11,480 Speaker 7: nineteen sixty seven. Just trying to do a little deep 397 00:18:11,520 --> 00:18:11,879 Speaker 7: dove on it. 398 00:18:12,240 --> 00:18:16,120 Speaker 5: Wow, because she was going on the seventies. 399 00:18:16,200 --> 00:18:18,679 Speaker 3: She's a cheeky, funny girl, isn't she? 400 00:18:18,840 --> 00:18:21,080 Speaker 5: Yeah, but it was it was such a it was 401 00:18:21,119 --> 00:18:23,159 Speaker 5: a weird moment because it was a little girl and 402 00:18:23,200 --> 00:18:26,520 Speaker 5: a puppet. Yeah, And I was thinking, she can't see 403 00:18:26,560 --> 00:18:29,760 Speaker 5: Jim Henson. So is Jim Henson underneath something or behind 404 00:18:29,800 --> 00:18:33,560 Speaker 5: a curtain or something, because is she looking at She's 405 00:18:33,560 --> 00:18:34,880 Speaker 5: looking at Kermit the puppet. 406 00:18:35,000 --> 00:18:37,320 Speaker 3: I reckon she'd be able to see him standing underneath her. 407 00:18:37,359 --> 00:18:38,719 Speaker 5: Because the way it used to work is that they 408 00:18:38,800 --> 00:18:41,000 Speaker 5: used to have the camera and the camera was up. 409 00:18:41,359 --> 00:18:44,080 Speaker 5: They would put her up on a plump so ye girl, 410 00:18:44,320 --> 00:18:47,840 Speaker 5: and then everyone else would work standing up yeah, and 411 00:18:47,880 --> 00:18:51,480 Speaker 5: then you'd operate your puppets above your head, and they 412 00:18:51,520 --> 00:18:54,760 Speaker 5: had headsets on with with Mike's that were and they 413 00:18:54,760 --> 00:18:58,240 Speaker 5: were the people first people Children's Television workshop to design 414 00:18:58,320 --> 00:19:00,440 Speaker 5: those headsets with the microphones that came out with the 415 00:19:00,480 --> 00:19:03,119 Speaker 5: kid bends around them and stuff. Before that, nobody they 416 00:19:03,200 --> 00:19:05,560 Speaker 5: had those. Yeah, yeah, right, and so yeah, they'd wander 417 00:19:05,600 --> 00:19:07,960 Speaker 5: around and do their puppeteering that way. I mean it's 418 00:19:08,040 --> 00:19:11,800 Speaker 5: amazing what they did. Yeah, Nson's a genius. 419 00:19:11,560 --> 00:19:13,760 Speaker 3: He absolutely is. There's a new movie coming out called 420 00:19:13,960 --> 00:19:17,280 Speaker 3: Jim Henson Ideas Man apparently right because he was blown. 421 00:19:17,560 --> 00:19:20,359 Speaker 5: When John Henson first started, like kerm At the Frog, 422 00:19:20,520 --> 00:19:23,040 Speaker 5: was was quite sort of adult. 423 00:19:23,240 --> 00:19:25,360 Speaker 3: Yeah he was. It was quite shocking, wasn't he. That's 424 00:19:25,359 --> 00:19:27,760 Speaker 3: why they may meet the feebles, which was like the 425 00:19:27,880 --> 00:19:31,320 Speaker 3: natural end of if the muppets had stayed filthy, because 426 00:19:31,320 --> 00:19:33,800 Speaker 3: they'd have violence in them and stuff. Yeah, that is 427 00:19:33,840 --> 00:19:36,600 Speaker 3: so freaking cute, that kid. But yes, but you can 428 00:19:36,920 --> 00:19:38,840 Speaker 3: believe that a puppets a puppett even though you can 429 00:19:38,840 --> 00:19:40,600 Speaker 3: see the person running out. I mean I've done it before. 430 00:19:40,600 --> 00:19:42,920 Speaker 3: You know, like when people do Ventriloka stuff, you start 431 00:19:42,920 --> 00:19:46,040 Speaker 3: staring at the oh yeah, I think he just immediately 432 00:19:46,400 --> 00:19:48,320 Speaker 3: breaks people in two. If they've got a puppet, you 433 00:19:48,359 --> 00:19:52,520 Speaker 3: know what I mean. Yeah, but I love everything about that. 434 00:19:52,560 --> 00:19:55,320 Speaker 3: I love I love Kerm and I love his performance. 435 00:19:55,359 --> 00:19:57,520 Speaker 3: That little girl's amazing. I love the background that it's 436 00:19:57,560 --> 00:20:01,040 Speaker 3: just this gray, this beautiful gray back, but it's beautifully lit. 437 00:20:02,640 --> 00:20:03,480 Speaker 5: Yeah. 438 00:20:03,480 --> 00:20:05,120 Speaker 3: But at the end, which she goes, I love Luke. 439 00:20:05,200 --> 00:20:07,480 Speaker 3: So she said the joke. She's a huge fan because 440 00:20:07,520 --> 00:20:10,320 Speaker 3: she finds cookie Monster funny. Right, Yeah, so she's a 441 00:20:10,400 --> 00:20:12,439 Speaker 3: huge fan and she's gonna say cookie Monster. 442 00:20:13,600 --> 00:20:16,399 Speaker 5: And then when kim it sort of goes, Kermit kinda 443 00:20:16,480 --> 00:20:19,440 Speaker 5: does a joke. Yeah, but he's slightly actually slightly annoyed. 444 00:20:19,920 --> 00:20:21,760 Speaker 5: And then she's like, oh, I love you. 445 00:20:21,880 --> 00:20:26,080 Speaker 3: She actually yeah, and such a nice ways as he's 446 00:20:26,119 --> 00:20:26,840 Speaker 3: got walking away. 447 00:20:27,200 --> 00:20:27,800 Speaker 5: I love you. 448 00:20:28,720 --> 00:20:30,840 Speaker 3: We play that again, God, that's cute. 449 00:20:31,080 --> 00:20:31,560 Speaker 2: Facts. 450 00:20:31,760 --> 00:20:42,560 Speaker 8: Why asy next time? Master, can I'm believing. 451 00:20:43,880 --> 00:20:44,480 Speaker 4: I love you. 452 00:20:45,880 --> 00:20:48,040 Speaker 2: I love you tool Okay? 453 00:20:48,560 --> 00:20:52,480 Speaker 3: Oh she goes, well, thanks, I love you. I love 454 00:20:52,520 --> 00:20:52,880 Speaker 3: you too. 455 00:20:53,000 --> 00:20:55,040 Speaker 5: Oh my god, that's a sweet way to finish. 456 00:20:55,240 --> 00:20:55,680 Speaker 3: Jesus. 457 00:20:55,920 --> 00:20:57,520 Speaker 5: And so that went out to hear on the air 458 00:20:57,600 --> 00:20:59,359 Speaker 5: like that, yeah, because they thought they weren't going to 459 00:20:59,440 --> 00:21:00,840 Speaker 5: use it. It was like an out take, and then they 460 00:21:00,840 --> 00:21:04,160 Speaker 5: went actually it was so beautiful in such a such 461 00:21:04,200 --> 00:21:06,560 Speaker 5: a sweet, real moment that I thought, actually we'll use that. 462 00:21:06,600 --> 00:21:08,320 Speaker 5: I remember it as a kid, I remember watching that. 463 00:21:08,600 --> 00:21:11,440 Speaker 3: You can see how Henson would have got a little 464 00:21:11,440 --> 00:21:13,440 Speaker 3: annoyed by that, because you're trying to get through the shoot. 465 00:21:13,480 --> 00:21:15,240 Speaker 3: You know, there's a lot to do, lots of shots. 466 00:21:15,680 --> 00:21:17,800 Speaker 3: You got to get it done, and so this isn't 467 00:21:17,800 --> 00:21:21,520 Speaker 3: going quite right. I mean, he's not nastily annoyed. It 468 00:21:21,560 --> 00:21:25,080 Speaker 3: doesn't go fuck you and stomp off for anything like 469 00:21:25,560 --> 00:21:27,320 Speaker 3: Bennet at Cumberbatch and Eric would. 470 00:21:27,840 --> 00:21:31,960 Speaker 5: No, no, he doesn't. But yeah, there would have been 471 00:21:32,000 --> 00:21:35,000 Speaker 5: I know how you don't know what happened before or 472 00:21:35,760 --> 00:21:37,879 Speaker 5: you know, for the days or weeks leading into that 473 00:21:37,880 --> 00:21:41,360 Speaker 5: particular moment for Jim Henson. But I mean also Jim 474 00:21:41,400 --> 00:21:43,360 Speaker 5: Henson was running the production part of it as well. 475 00:21:43,640 --> 00:21:46,800 Speaker 5: Jim Henson was a intensely busy man. 476 00:21:46,880 --> 00:21:49,320 Speaker 3: And then he just died. He's just Jim Henson just died. 477 00:21:49,440 --> 00:21:51,600 Speaker 3: He's been in his fifties. Yeah, he was young. He 478 00:21:51,680 --> 00:21:54,080 Speaker 3: got some kind of sickness, ay, and just just just 479 00:21:54,160 --> 00:21:55,359 Speaker 3: dropped dead. Old Jim Henson. 480 00:21:55,920 --> 00:21:58,000 Speaker 5: So something weird happened with his kids where they owned 481 00:21:58,040 --> 00:22:00,640 Speaker 5: all of the all of the muppets, all the sisame 482 00:22:00,680 --> 00:22:03,080 Speaker 5: street stuff. And then they sold it, didn't they. And 483 00:22:03,119 --> 00:22:05,119 Speaker 5: then the company that bought it went bankrupt, and then 484 00:22:05,160 --> 00:22:08,240 Speaker 5: they bought it back again for nothing. Now they own 485 00:22:08,280 --> 00:22:08,720 Speaker 5: it again. 486 00:22:09,080 --> 00:22:09,800 Speaker 3: That's smart, isn't it. 487 00:22:09,880 --> 00:22:12,800 Speaker 5: I'm sure the Henson family have sold it twice. Well, 488 00:22:12,840 --> 00:22:14,480 Speaker 5: they've sold it once and they've brought it back for 489 00:22:14,600 --> 00:22:16,960 Speaker 5: really really cheap and they made like six hundred million extra. 490 00:22:17,680 --> 00:22:19,960 Speaker 3: So Hanson appeared with Keiman on the arsen A Short 491 00:22:19,960 --> 00:22:22,960 Speaker 3: Hall show in May nineteen ninety. That was his final 492 00:22:23,000 --> 00:22:27,360 Speaker 3: television appearance. So what he returned home? When did he die? 493 00:22:27,400 --> 00:22:30,000 Speaker 3: As he's been dead that long nineteen ninety? Wow? 494 00:22:30,240 --> 00:22:33,199 Speaker 5: Yeah, I just wow. I remember as a kid when 495 00:22:33,240 --> 00:22:35,200 Speaker 5: they were not as kid, as a teenager, when he 496 00:22:35,280 --> 00:22:36,960 Speaker 5: year when he died. But he must have been born 497 00:22:37,000 --> 00:22:39,040 Speaker 5: in the forties. I feel like he was the same 498 00:22:39,080 --> 00:22:40,640 Speaker 5: age as someone like that. It was like our parents. 499 00:22:40,760 --> 00:22:44,600 Speaker 5: He's born in nineteen thirty six, ninety thirty six, right, Yeah, Okay. 500 00:22:44,359 --> 00:22:48,760 Speaker 3: She's died at fifty three. But Brian, Brian, Brian jumped 501 00:22:48,800 --> 00:22:50,200 Speaker 3: on and has done well, isn't he. 502 00:22:50,280 --> 00:22:52,560 Speaker 7: Yeah, there was a documentary made in nineteen ninety I 503 00:22:52,560 --> 00:22:54,880 Speaker 7: don't know if you guys remember this called the Muppets 504 00:22:54,920 --> 00:22:57,520 Speaker 7: Celebrate Jim Henson. I just remember watching it as a kid, 505 00:22:58,040 --> 00:23:00,199 Speaker 7: and they were all really sad and really confused us 506 00:23:00,280 --> 00:23:03,399 Speaker 7: because the creator had died and they didn't know how 507 00:23:03,440 --> 00:23:06,000 Speaker 7: to explain it, and so they were trying to explain 508 00:23:06,040 --> 00:23:08,920 Speaker 7: it to the audience. And in fact, that girl Joey 509 00:23:09,640 --> 00:23:12,720 Speaker 7: appeared on that and she must have earned or like 510 00:23:12,800 --> 00:23:16,240 Speaker 7: twenty two old, So she appeared on that documentary where 511 00:23:16,280 --> 00:23:18,359 Speaker 7: they're trying to explain what happened to Jim Henson. 512 00:23:18,359 --> 00:23:18,520 Speaker 8: Wow. 513 00:23:18,720 --> 00:23:20,400 Speaker 3: Interesting what her memory of that would be though, as 514 00:23:20,400 --> 00:23:23,040 Speaker 3: you say, Jeremy, she would have just remembered the frog. 515 00:23:23,760 --> 00:23:25,520 Speaker 3: As a kid, she remember talking to a frog, not 516 00:23:25,520 --> 00:23:26,800 Speaker 3: talking to Jim Henson. Yeah. 517 00:23:26,880 --> 00:23:29,399 Speaker 5: Do you remember there was another kid who who was 518 00:23:29,520 --> 00:23:32,320 Speaker 5: my memory from sis mistering Nose days called John John. 519 00:23:33,320 --> 00:23:36,600 Speaker 5: Remember he was a little African American kid, John John. 520 00:23:37,160 --> 00:23:39,359 Speaker 5: I wonder if they've got John John John John was 521 00:23:39,960 --> 00:23:44,520 Speaker 5: underface John John? Was John John kill him? 522 00:23:44,520 --> 00:23:45,440 Speaker 3: To get more than one name? 523 00:23:45,960 --> 00:23:49,199 Speaker 5: John John John John John John. Just to clarify, was 524 00:23:49,200 --> 00:23:50,600 Speaker 5: that of the last name John as well? 525 00:23:51,240 --> 00:23:53,679 Speaker 3: They both felt John or is it John John? Here 526 00:23:53,880 --> 00:23:54,800 Speaker 3: is John John. 527 00:23:54,880 --> 00:23:57,879 Speaker 5: Here are the monster and John John counting? All right, 528 00:23:58,040 --> 00:23:59,639 Speaker 5: there's people one here, weren't there? 529 00:24:00,320 --> 00:24:02,639 Speaker 3: Just put it put it on the thing again. No, no, 530 00:24:02,880 --> 00:24:04,040 Speaker 3: not just put it on nothing again. 531 00:24:04,160 --> 00:24:05,600 Speaker 5: Yeah, I'm going to I'm going to. 532 00:24:05,800 --> 00:24:08,440 Speaker 3: Just we can't. We don't have your one like the 533 00:24:08,480 --> 00:24:09,160 Speaker 3: one a bandit? 534 00:24:09,320 --> 00:24:11,280 Speaker 5: Why is my thing only comes from one ear? It's 535 00:24:11,320 --> 00:24:16,160 Speaker 5: not fear if they if they come. It's been four years. 536 00:24:16,800 --> 00:24:19,080 Speaker 3: Is there anyone interested in foxing I've done something. 537 00:24:19,160 --> 00:24:21,320 Speaker 5: I've done nothing wrong. I haven't done anything to deserve this, 538 00:24:21,359 --> 00:24:23,639 Speaker 5: and I haven't been cheating on someone or something. Well, 539 00:24:23,680 --> 00:24:24,840 Speaker 5: I mean no one has said there. 540 00:24:24,880 --> 00:24:25,879 Speaker 6: That feels like a weird thing to say. 541 00:24:26,119 --> 00:24:28,720 Speaker 5: No where Jerry, I'm wondering why my computer is the 542 00:24:28,760 --> 00:24:31,080 Speaker 5: only one that goes through in money because you've been 543 00:24:31,119 --> 00:24:32,920 Speaker 5: cheating on something. To be a bit paranoid about something. 544 00:24:33,040 --> 00:24:34,480 Speaker 3: There's only one person who could have been cheating. 545 00:24:34,520 --> 00:24:36,600 Speaker 5: But after we were talking about that cheating this morning. 546 00:24:36,760 --> 00:24:39,680 Speaker 3: Okay, let's listen to John John's excuses. See what John John's. 547 00:24:43,040 --> 00:24:46,639 Speaker 2: Yeah, Okay, I'll go first, you second. 548 00:24:46,680 --> 00:24:49,040 Speaker 3: Okay, remember that you. 549 00:24:50,840 --> 00:24:51,560 Speaker 4: Want to go first. 550 00:24:51,920 --> 00:24:53,040 Speaker 3: Okay, you go first? 551 00:24:55,440 --> 00:25:12,639 Speaker 4: Who five sheets, seven, eight, nine, ten, eleven, twelve thirteen? 552 00:25:13,760 --> 00:25:22,040 Speaker 4: What kay? Chapter fifteen? 553 00:25:24,800 --> 00:25:26,639 Speaker 5: After fifteen comes. 554 00:25:30,119 --> 00:25:30,600 Speaker 4: Sixteen? 555 00:25:31,560 --> 00:25:42,760 Speaker 3: Oh hey, n care. 556 00:25:45,960 --> 00:25:46,440 Speaker 2: I got that? 557 00:25:47,000 --> 00:25:51,800 Speaker 3: Nineteen moy, John John? 558 00:25:52,200 --> 00:25:53,560 Speaker 4: Is that you're grown up? 559 00:25:54,160 --> 00:25:54,400 Speaker 2: Sure? 560 00:25:54,760 --> 00:25:55,040 Speaker 5: Sary? 561 00:25:55,240 --> 00:25:56,800 Speaker 3: Oh wow, great to see. 562 00:25:56,880 --> 00:26:00,159 Speaker 8: I guess I don't call you John John anymore. Here 563 00:26:00,280 --> 00:26:02,160 Speaker 8: they're doing now they call me John Williams. 564 00:26:02,960 --> 00:26:03,960 Speaker 2: What's this you got on? 565 00:26:04,240 --> 00:26:04,520 Speaker 1: John? 566 00:26:05,040 --> 00:26:08,720 Speaker 8: No, I'm in the Air Force. Whoa I've been in 567 00:26:08,920 --> 00:26:09,560 Speaker 8: for about. 568 00:26:09,320 --> 00:26:10,000 Speaker 6: A year and a half. 569 00:26:10,640 --> 00:26:12,879 Speaker 4: Maby for all times sake, we could just do a 570 00:26:12,920 --> 00:26:15,880 Speaker 4: little jounty sure from sixteen? 571 00:26:17,000 --> 00:26:19,960 Speaker 2: Okay, I'll go first, you go second. 572 00:26:20,040 --> 00:26:20,280 Speaker 1: Bang? 573 00:26:20,920 --> 00:26:34,000 Speaker 2: This is six bless. 574 00:26:35,119 --> 00:26:36,400 Speaker 3: That's fucking beautiful. 575 00:26:37,000 --> 00:26:40,320 Speaker 5: John John, John John. What a great name? John John is? 576 00:26:40,800 --> 00:26:43,720 Speaker 7: Yeah, John, there's a lot of dark rumors floating around 577 00:26:43,880 --> 00:26:46,560 Speaker 7: online about John John. It's not but no, no, no, 578 00:26:47,240 --> 00:26:51,920 Speaker 7: because unfortunately John John his real name is John Bernard Williams. 579 00:26:52,680 --> 00:26:54,760 Speaker 7: His birth year is nineteen sixty nine. His mother's first 580 00:26:54,840 --> 00:26:58,240 Speaker 7: name is Trina. He is from Texas, and there is 581 00:26:58,280 --> 00:27:01,280 Speaker 7: a sex offender call John Burne Williams with all the 582 00:27:01,320 --> 00:27:03,720 Speaker 7: same stats, and so everyone says that he is the 583 00:27:03,760 --> 00:27:05,040 Speaker 7: Sex's not true. 584 00:27:05,920 --> 00:27:13,119 Speaker 3: All of that, just not John John. People there, ever, 585 00:27:13,200 --> 00:27:16,000 Speaker 3: go John John didn't do that? John. 586 00:27:16,040 --> 00:27:17,640 Speaker 5: John's a great New Zealand. And you could tell he's 587 00:27:17,640 --> 00:27:19,440 Speaker 5: a great New Zealand from day one. He gave it 588 00:27:19,480 --> 00:27:20,320 Speaker 5: a hund Yeah. 589 00:27:21,960 --> 00:27:25,639 Speaker 3: And also you knew he was, you know, destined to 590 00:27:25,760 --> 00:27:27,600 Speaker 3: great things because he was like, oh, they're first. You know, 591 00:27:28,400 --> 00:27:30,520 Speaker 3: there was a massive blue monster in front of you, 592 00:27:30,560 --> 00:27:32,400 Speaker 3: and you go, no, I'm going first. 593 00:27:32,560 --> 00:27:34,639 Speaker 5: Counting kids are the fucking beast of us. 594 00:27:35,280 --> 00:27:39,119 Speaker 3: Bless, bless. You know, you see something terrible like the 595 00:27:39,160 --> 00:27:41,879 Speaker 3: Echolte and you feel like childhood has been destroyed by 596 00:27:42,000 --> 00:27:45,720 Speaker 3: people that are just greedy and money, you know, money focused. 597 00:27:45,760 --> 00:27:48,440 Speaker 3: And then you see this with John John, and you 598 00:27:48,560 --> 00:27:51,280 Speaker 3: see that you know, some of these artists and creatives 599 00:27:51,560 --> 00:27:53,000 Speaker 3: actually did it for the right reasons. 600 00:27:53,040 --> 00:27:53,200 Speaker 4: You know. 601 00:27:54,560 --> 00:27:59,440 Speaker 5: Yeah, beautiful, beautiful, Okay, all right, okay. 602 00:27:59,280 --> 00:28:01,600 Speaker 3: Okay, then alright then chess, you seem busy. 603 00:28:02,640 --> 00:28:05,240 Speaker 5: God love you alright, Love you, love you, love you, 604 00:28:05,480 --> 00:28:07,359 Speaker 5: Love you too,