1 00:00:00,040 --> 00:00:03,360 Speaker 1: One of New Zealand's most influential groups back after five years. 2 00:00:03,440 --> 00:00:05,640 Speaker 1: Fly My Pretties, formed in two thousand and four. Can 3 00:00:05,680 --> 00:00:08,000 Speaker 1: you Believe It? Brought musicians together from a lot of 4 00:00:08,000 --> 00:00:10,319 Speaker 1: well known Kiwi bands to record live albums tomorrow their 5 00:00:10,440 --> 00:00:14,239 Speaker 1: seventh album, Elemental Drops. While the group is a host 6 00:00:14,280 --> 00:00:17,160 Speaker 1: of people involved, the co founder, leader musical director Barnaby Weir, 7 00:00:17,720 --> 00:00:19,960 Speaker 1: front man for the Black SuDS, of course, has been 8 00:00:20,000 --> 00:00:23,120 Speaker 1: involved since the very start and he's well as Barnaby morning. 9 00:00:23,880 --> 00:00:26,119 Speaker 2: Yeah, good morning, Mike, Good morning New Zealand. 10 00:00:26,280 --> 00:00:29,240 Speaker 1: Now, last time we talked was twenty thirteen, so that 11 00:00:29,480 --> 00:00:34,519 Speaker 1: was twelve years ago. Yeah, you're a man, You're a 12 00:00:34,520 --> 00:00:36,320 Speaker 1: man on the rise. What happened. 13 00:00:37,440 --> 00:00:39,640 Speaker 2: Well twenty thirteen, I think the Black Seeds were getting 14 00:00:39,680 --> 00:00:42,440 Speaker 2: pretty busy. We're about to do a lot more overseas 15 00:00:42,479 --> 00:00:44,960 Speaker 2: during at that time, and Fly My Pretties would have 16 00:00:45,040 --> 00:00:47,880 Speaker 2: done had done a story, a third album and twenty 17 00:00:48,000 --> 00:00:50,519 Speaker 2: ten and we're probably working on the next one the 18 00:00:50,560 --> 00:00:52,120 Speaker 2: in here. But it seems like an age ago. 19 00:00:52,320 --> 00:00:56,040 Speaker 1: Wow, Fly My Pretty is what you thought they would. 20 00:00:55,880 --> 00:00:59,400 Speaker 2: Be, Fly My prittyce as it was just been growing 21 00:00:59,440 --> 00:01:02,480 Speaker 2: and bubbling away and simmering away in its own way. 22 00:01:03,120 --> 00:01:05,120 Speaker 2: At the start of the projects in two thousand and four, 23 00:01:05,760 --> 00:01:08,200 Speaker 2: you know, the idea is still there, that the main 24 00:01:08,240 --> 00:01:11,200 Speaker 2: concept is still still operating in that way, a collaboration 25 00:01:11,319 --> 00:01:15,000 Speaker 2: of unlikely people together with different stories to tell through music. 26 00:01:15,080 --> 00:01:18,200 Speaker 2: So yeah, I mean, it's it's growing. It's different to 27 00:01:18,240 --> 00:01:19,880 Speaker 2: how I would have imagined it. It's it's you know, 28 00:01:19,959 --> 00:01:21,399 Speaker 2: had long jevity, which has been great. 29 00:01:21,520 --> 00:01:23,760 Speaker 1: Exactly will it go forever? Potentially? 30 00:01:25,000 --> 00:01:27,160 Speaker 2: I hope that there's still a lot of you know, 31 00:01:27,160 --> 00:01:30,520 Speaker 2: more leads in it. This new album is really strong 32 00:01:30,600 --> 00:01:33,280 Speaker 2: and and you know, in the future, I might might 33 00:01:33,319 --> 00:01:35,240 Speaker 2: not be on the stage. It might be just more 34 00:01:35,240 --> 00:01:38,200 Speaker 2: of a mental kind of character involved with it. But 35 00:01:38,600 --> 00:01:40,280 Speaker 2: the concept can just you know, continue. 36 00:01:40,400 --> 00:01:42,200 Speaker 1: I'll come to the detail because it was done, but 37 00:01:42,360 --> 00:01:45,039 Speaker 1: sort of you can explain massive university and the facilities 38 00:01:45,040 --> 00:01:46,680 Speaker 1: there and some of the students that were helping you 39 00:01:46,720 --> 00:01:48,600 Speaker 1: out and all of that sort of stuff. But but 40 00:01:48,600 --> 00:01:52,200 Speaker 1: but what I'm fascinated most about is as a group, 41 00:01:53,080 --> 00:01:55,080 Speaker 1: you get a sound, you get a vibe, there's a 42 00:01:55,280 --> 00:01:57,760 Speaker 1: there's a sense of whatever it is you know that 43 00:01:57,840 --> 00:01:59,960 Speaker 1: you're about. But what you've done with flym My Pretty 44 00:02:00,200 --> 00:02:04,360 Speaker 1: it changes every time. Is that creatively complex or difficult? 45 00:02:05,520 --> 00:02:08,639 Speaker 2: Yeah, So you know, the core band create that kind 46 00:02:08,680 --> 00:02:12,480 Speaker 2: of consistency in the music, and so some of those 47 00:02:12,520 --> 00:02:16,000 Speaker 2: people are like Johnie Murphy on drums or Ei fucking 48 00:02:16,080 --> 00:02:18,400 Speaker 2: More on drums, or Nigel Pedison from the Black Seeds 49 00:02:18,400 --> 00:02:21,600 Speaker 2: on keys, or write people on guitar. Those people keep 50 00:02:21,600 --> 00:02:24,040 Speaker 2: that core consistency of the sounds, and then you know, 51 00:02:24,120 --> 00:02:27,400 Speaker 2: the guest singer or songwriter comes in and it matches 52 00:02:27,440 --> 00:02:29,000 Speaker 2: with that. We you know, we put them on top 53 00:02:29,040 --> 00:02:31,960 Speaker 2: of that and it can be it's kind of simple 54 00:02:32,000 --> 00:02:33,680 Speaker 2: and complicated, like you've got to get it right, but 55 00:02:33,960 --> 00:02:37,360 Speaker 2: you let the lead singer songwriter be themselves, you know, 56 00:02:37,400 --> 00:02:40,880 Speaker 2: and tell their story using that plummer pretty's core sound. 57 00:02:41,560 --> 00:02:43,760 Speaker 1: How do you deal with egos? Have there been egos 58 00:02:43,800 --> 00:02:46,040 Speaker 1: over the years or not? 59 00:02:46,040 --> 00:02:50,040 Speaker 2: Not? Not really not really too many egos? You know, 60 00:02:50,480 --> 00:02:53,280 Speaker 2: people can you know, because this everyone's a special guest 61 00:02:54,480 --> 00:02:57,959 Speaker 2: and so everyone's on the same wicket as it were, 62 00:02:59,520 --> 00:02:59,880 Speaker 2: not not. 63 00:03:00,320 --> 00:03:02,680 Speaker 1: Do you invite them? Do you invite them as a 64 00:03:02,680 --> 00:03:06,120 Speaker 1: fan of what they're doing, or do you invite them 65 00:03:06,200 --> 00:03:10,120 Speaker 1: as a truly creative expression that you might go, yeah, 66 00:03:10,160 --> 00:03:11,839 Speaker 1: it's not really my cup of tea. But let's bring 67 00:03:11,840 --> 00:03:13,040 Speaker 1: them along and see what they do. 68 00:03:14,160 --> 00:03:16,919 Speaker 2: Yeah, sometimes a bit of both. Often often it's because 69 00:03:16,960 --> 00:03:19,160 Speaker 2: you've just discovered them and we're looking for new people 70 00:03:19,240 --> 00:03:22,600 Speaker 2: that are outside of what I already know, and so 71 00:03:22,680 --> 00:03:26,000 Speaker 2: we're selecting based on the you know, their songwriting skills. 72 00:03:26,240 --> 00:03:28,080 Speaker 2: And sometimes you're like, hey, well that that tone that 73 00:03:28,120 --> 00:03:30,360 Speaker 2: they recorded wasn't how I'd do it, So let's do 74 00:03:30,400 --> 00:03:32,000 Speaker 2: it the way I'd like to do it, but using 75 00:03:32,000 --> 00:03:33,840 Speaker 2: that beautiful talent in storytelling. 76 00:03:34,040 --> 00:03:36,080 Speaker 1: And so from those twenty one years, we're talking about 77 00:03:36,080 --> 00:03:38,800 Speaker 1: this is your seventh album, so it's won every three years? 78 00:03:39,600 --> 00:03:42,280 Speaker 1: How does it? Who calls who? And when you go, 79 00:03:42,360 --> 00:03:45,080 Speaker 1: oh it's been three years ish, or I feel the vibe? 80 00:03:45,480 --> 00:03:46,440 Speaker 1: How does that unfold? 81 00:03:46,480 --> 00:03:49,440 Speaker 2: Yeah? Yeah, this particular one took a little bit longer. 82 00:03:49,520 --> 00:03:51,600 Speaker 2: You know, you had you had the COVID thing debacle 83 00:03:51,680 --> 00:03:53,440 Speaker 2: and all those kind of things happening, all the said 84 00:03:53,880 --> 00:03:56,040 Speaker 2: of my own children were born, and it was a 85 00:03:56,080 --> 00:03:59,160 Speaker 2: bit slower on this one. Loop and Mike yet Luke 86 00:03:59,520 --> 00:04:03,480 Speaker 2: coprad ucer and founder of Look Recordings. I work with 87 00:04:03,520 --> 00:04:06,480 Speaker 2: them closely in their team, so they're always planning in 88 00:04:06,520 --> 00:04:08,720 Speaker 2: the background. You know, when's a good time to do it, 89 00:04:09,160 --> 00:04:11,360 Speaker 2: and then you have to have the people and you 90 00:04:11,360 --> 00:04:13,200 Speaker 2: have to be available, have them available, and you have 91 00:04:13,240 --> 00:04:15,080 Speaker 2: to get some ideas. So all those things do have 92 00:04:15,120 --> 00:04:16,480 Speaker 2: to come together for it to work there. 93 00:04:16,760 --> 00:04:20,080 Speaker 1: Okay, tell me about Massy. So I wasn't cognizant of 94 00:04:20,080 --> 00:04:23,159 Speaker 1: Massy having such a facility and why you use it, 95 00:04:23,240 --> 00:04:25,760 Speaker 1: how you used what it provided and all the students 96 00:04:25,760 --> 00:04:27,360 Speaker 1: have helped out because this is brilliant. 97 00:04:28,440 --> 00:04:30,839 Speaker 2: It is brilliant and in a great kind of extension 98 00:04:30,880 --> 00:04:33,480 Speaker 2: of the collaboration process for flym My Pretty So Massy 99 00:04:33,560 --> 00:04:37,159 Speaker 2: Music School there is a state of the art, world 100 00:04:37,160 --> 00:04:42,720 Speaker 2: class facility with you know, a big orchestral studio, kind 101 00:04:42,720 --> 00:04:45,640 Speaker 2: of bigger than Abbey Roads, you style. You can do 102 00:04:45,680 --> 00:04:48,240 Speaker 2: a lot of things in there. They've got the TV 103 00:04:48,320 --> 00:04:53,000 Speaker 2: production crew as well, is really onto it music production 104 00:04:53,520 --> 00:04:57,320 Speaker 2: school and producing school, as well as some just beautiful 105 00:04:57,320 --> 00:05:01,880 Speaker 2: equipment vintage and digital. So it's a real joy to 106 00:05:01,920 --> 00:05:05,800 Speaker 2: go there. A big, comfortable space and we really utilized 107 00:05:06,400 --> 00:05:09,159 Speaker 2: all the all the facilities, including the Great Hall which 108 00:05:09,200 --> 00:05:12,120 Speaker 2: was the old museum in Wellington and there's now the 109 00:05:12,160 --> 00:05:15,880 Speaker 2: Great Hall, you know, and we use their massive, massive 110 00:05:16,000 --> 00:05:19,520 Speaker 2: led screen which is probably the biggest and most high 111 00:05:19,600 --> 00:05:23,159 Speaker 2: death in the Southern hemisphere, I believe so. And we 112 00:05:23,279 --> 00:05:25,720 Speaker 2: used you know, we went with and used the students 113 00:05:26,200 --> 00:05:30,160 Speaker 2: help as part of their courses and outside of their courses. 114 00:05:30,160 --> 00:05:33,440 Speaker 2: So we we literally recorded and filmed the shows. Its 115 00:05:33,480 --> 00:05:36,120 Speaker 2: sent directly back to the music studios through the desk 116 00:05:36,600 --> 00:05:39,240 Speaker 2: onto hard drives. A lot of people evolved with that 117 00:05:39,360 --> 00:05:42,359 Speaker 2: and the video into a control room. You know. It 118 00:05:42,440 --> 00:05:44,720 Speaker 2: was like it was like a like a big kind 119 00:05:44,720 --> 00:05:48,600 Speaker 2: of TV production for for three nights the students. 120 00:05:49,000 --> 00:05:51,120 Speaker 1: I mean, are you so cool that the students knew 121 00:05:51,120 --> 00:05:52,600 Speaker 1: who you all you guys were or no? 122 00:05:54,279 --> 00:05:56,640 Speaker 2: I think I think the students were aware. And then 123 00:05:56,640 --> 00:05:58,760 Speaker 2: then obviously we're seeing wants to get involved in a 124 00:05:58,800 --> 00:06:02,360 Speaker 2: professional level or volunteer. At the time, I'm not sure 125 00:06:02,400 --> 00:06:04,400 Speaker 2: how well known we are, but you know, we became 126 00:06:04,600 --> 00:06:06,960 Speaker 2: kind of well known when people, you know, we're hearing 127 00:06:07,000 --> 00:06:07,800 Speaker 2: that that was happening. 128 00:06:07,880 --> 00:06:11,080 Speaker 1: Yeah, but what an amazing thing if you're studying and 129 00:06:11,160 --> 00:06:12,960 Speaker 1: the real deal and and you're a bit of a 130 00:06:13,040 --> 00:06:15,240 Speaker 1: legend and all that stuff, and suddenly you're there and 131 00:06:15,240 --> 00:06:17,640 Speaker 1: you are part of a real project. It's not like 132 00:06:17,800 --> 00:06:20,600 Speaker 1: universe theory. It's real, that's right. 133 00:06:20,680 --> 00:06:22,599 Speaker 2: Yeah, I reckon. It's really it's a really cool, yeah, 134 00:06:22,680 --> 00:06:26,120 Speaker 2: really cool extension of the collaboration process. And we've never 135 00:06:26,160 --> 00:06:28,960 Speaker 2: done anything like that before. It was well well brought 136 00:06:28,960 --> 00:06:31,000 Speaker 2: through and we're you know, we're bloody lucky actually to 137 00:06:31,000 --> 00:06:33,560 Speaker 2: be able to you know, get you know, bro deals 138 00:06:33,600 --> 00:06:36,960 Speaker 2: and use all their facilities and equipment and people and. 139 00:06:36,920 --> 00:06:39,600 Speaker 1: The whole thing you're telling me, is this true? I 140 00:06:39,920 --> 00:06:42,240 Speaker 1: can understand recorded in a week, but the whole thing 141 00:06:42,360 --> 00:06:46,360 Speaker 1: was written, done dusted in our week. 142 00:06:47,960 --> 00:06:50,960 Speaker 2: Yes, well, you know, the singers would have been songwriters, 143 00:06:50,960 --> 00:06:52,560 Speaker 2: would have had these songs that they might have had 144 00:06:52,560 --> 00:06:53,919 Speaker 2: them for a couple of years, or they might have 145 00:06:54,240 --> 00:06:58,040 Speaker 2: just made them. You know, the write increase process was longer, 146 00:06:58,080 --> 00:07:01,800 Speaker 2: but the actual putting together of the show was basically 147 00:07:01,800 --> 00:07:04,159 Speaker 2: a week in terms of the you know, in terms 148 00:07:04,160 --> 00:07:07,680 Speaker 2: of the recordings and the visual side of it in 149 00:07:07,720 --> 00:07:10,440 Speaker 2: the stage performance. Yes, it was very it's a very 150 00:07:10,480 --> 00:07:13,680 Speaker 2: quick and intense turnaround, fantastic. 151 00:07:13,680 --> 00:07:14,880 Speaker 1: What do you do the rest of the time. 152 00:07:16,600 --> 00:07:20,720 Speaker 2: A lot of parenting and and scheming and writing, writing 153 00:07:20,800 --> 00:07:23,720 Speaker 2: songs and you know, working with the Black Seeds a lot, 154 00:07:23,880 --> 00:07:27,240 Speaker 2: and and you know, thinking about the future of what 155 00:07:27,600 --> 00:07:29,400 Speaker 2: plans have been put together in the musical world. 156 00:07:29,520 --> 00:07:32,480 Speaker 1: Give me the prices as a seasoned player in this industry, 157 00:07:32,520 --> 00:07:36,520 Speaker 1: give me a current scenario of the New Zealand music 158 00:07:36,600 --> 00:07:37,960 Speaker 1: scene as you see it. 159 00:07:38,960 --> 00:07:43,320 Speaker 2: Oh well, it's quite hard to express that. As an 160 00:07:43,360 --> 00:07:46,280 Speaker 2: older person who's been doing my thing, which is, you know, 161 00:07:46,320 --> 00:07:50,240 Speaker 2: necessarily the most modern sounding music. I see it as 162 00:07:50,680 --> 00:07:54,000 Speaker 2: quite a healthy industry. Lots of young talent coming through, 163 00:07:54,440 --> 00:07:56,400 Speaker 2: lots of new music all the time, which is quite 164 00:07:56,440 --> 00:07:58,480 Speaker 2: hard to listen to it all. I mean, I don't 165 00:07:58,480 --> 00:08:00,320 Speaker 2: know who who can actually listen to it all. But 166 00:08:00,360 --> 00:08:03,680 Speaker 2: there's some exciting talent that I think that's coming through, 167 00:08:03,840 --> 00:08:06,520 Speaker 2: and it all rise to the top, and hopefully people 168 00:08:06,560 --> 00:08:10,120 Speaker 2: have longevity in their interest in music, not just a 169 00:08:10,160 --> 00:08:12,240 Speaker 2: single here and then that's you later. And so I 170 00:08:12,240 --> 00:08:14,840 Speaker 2: hope that people stick with it and I think the 171 00:08:14,880 --> 00:08:16,400 Speaker 2: good stuff will always rise to the top. 172 00:08:16,600 --> 00:08:19,080 Speaker 1: Fantastic, all right, So the album tomorrow elementally, you've got 173 00:08:19,080 --> 00:08:21,040 Speaker 1: a couple of shows. I'll give the details on that. 174 00:08:21,640 --> 00:08:23,480 Speaker 1: Is everyone going to the shows, by the way, is 175 00:08:23,520 --> 00:08:25,440 Speaker 1: it like a cost one thousand? 176 00:08:25,600 --> 00:08:29,880 Speaker 2: Yes, yes, everyone's going to the shows that's on the album. 177 00:08:30,000 --> 00:08:34,080 Speaker 2: So we're literally directly doing that same show it'll be 178 00:08:34,120 --> 00:08:37,120 Speaker 2: slightly different here and there, but this time we're not 179 00:08:37,200 --> 00:08:38,920 Speaker 2: needing to record it or anything like that, so that 180 00:08:38,960 --> 00:08:41,720 Speaker 2: pressures off. It's just about expressing it. Now. 181 00:08:41,760 --> 00:08:45,920 Speaker 1: Brilliant, and you've recorded something exclusive for us. What is it? 182 00:08:46,679 --> 00:08:49,000 Speaker 2: Yeah? Sure, So it's a song called Face the Sun, 183 00:08:49,120 --> 00:08:53,280 Speaker 2: which my good friend in compadre and co producer, Lawton 184 00:08:53,360 --> 00:08:56,199 Speaker 2: Corter wrote with me and mind. Actually it was actually 185 00:08:56,200 --> 00:08:57,960 Speaker 2: a gift, a song as a gift, which is a 186 00:08:57,960 --> 00:09:00,640 Speaker 2: great gift to get. He made me co rider and 187 00:09:00,760 --> 00:09:02,440 Speaker 2: he said, this is you know, this is suit to you. 188 00:09:02,559 --> 00:09:06,680 Speaker 2: It's it's it's kind of it's about morality really in 189 00:09:06,760 --> 00:09:08,960 Speaker 2: facing facing that. Not that you know we all face that, 190 00:09:09,000 --> 00:09:11,439 Speaker 2: but I don't see myself as an old old gentlemen. 191 00:09:11,480 --> 00:09:17,960 Speaker 2: But imagine imagine Bond John Jovi on on horseback, you know, 192 00:09:18,080 --> 00:09:20,480 Speaker 2: telling you about his thoughts on morality. 193 00:09:20,679 --> 00:09:23,840 Speaker 1: Yeah, okay, fantastic. And you recorded that for us? Did 194 00:09:23,880 --> 00:09:25,000 Speaker 1: you get in one take or not? 195 00:09:26,640 --> 00:09:29,559 Speaker 2: And I did it yesterday. It's just me and a guitar. 196 00:09:29,760 --> 00:09:32,440 Speaker 2: It's it's an exclusive track for you. Might because it's not. 197 00:09:33,040 --> 00:09:34,280 Speaker 2: People haven't heard it ever. 198 00:09:34,640 --> 00:09:34,920 Speaker 3: Wow. 199 00:09:34,960 --> 00:09:38,040 Speaker 2: From two at three shows, there are only five hundred 200 00:09:38,040 --> 00:09:41,160 Speaker 2: people in October last year, so it's an exclusive year. 201 00:09:41,160 --> 00:09:42,520 Speaker 2: It's just me and a guitar. Yet it took a 202 00:09:42,559 --> 00:09:43,040 Speaker 2: few takes. 203 00:09:43,120 --> 00:09:44,840 Speaker 1: Good on you, mate, well done, lovely to catch up. 204 00:09:44,840 --> 00:09:46,840 Speaker 1: We'll see you in thirteen years or eleven or twelve. Actually, 205 00:09:46,920 --> 00:09:49,480 Speaker 1: let's make it sooner than that. Barnaby weir fly, my 206 00:09:49,559 --> 00:09:51,520 Speaker 1: pretty is. They're coming the end of May May thirty 207 00:09:51,600 --> 00:09:54,640 Speaker 1: Q Theater, Auckland, thirty one Q Theater, Auckland, June fourteenth 208 00:09:54,679 --> 00:09:58,040 Speaker 1: at the Isaac Royal, The Beautiful Isaac in christ Church. 209 00:09:58,200 --> 00:10:00,560 Speaker 1: The song face the Sun. 210 00:10:16,720 --> 00:10:18,840 Speaker 4: Don't call me a good man. 211 00:10:19,559 --> 00:10:24,600 Speaker 3: Too many wrongs that I've done. When the clock starts falling, 212 00:10:24,960 --> 00:10:29,600 Speaker 3: I'll be calling his name right in his son, I 213 00:10:29,640 --> 00:10:33,920 Speaker 3: can tell the words of wisdom and the things that 214 00:10:33,960 --> 00:10:37,760 Speaker 3: I've underne But I'm feeling my shoulder. 215 00:10:38,120 --> 00:10:39,719 Speaker 4: I just wanted my. 216 00:10:39,800 --> 00:10:44,319 Speaker 3: Last days in the sun. The nights are getting colder. 217 00:10:44,760 --> 00:10:50,880 Speaker 3: I just won my last days the son. Feeling my choulder, 218 00:10:51,240 --> 00:11:18,560 Speaker 3: I just wonted them, my last days in the The 219 00:11:18,679 --> 00:11:25,440 Speaker 3: knights are getting corner. Lost days in the sun, feeling 220 00:11:25,760 --> 00:11:31,440 Speaker 3: much older. Love my lost days into the sun. The 221 00:11:31,600 --> 00:11:35,360 Speaker 3: knights are getting corner. I just fall into my last 222 00:11:35,440 --> 00:11:36,840 Speaker 3: days into the sun. 223 00:11:41,120 --> 00:11:44,959 Speaker 4: So don't call me here good man to men and 224 00:11:45,200 --> 00:11:49,600 Speaker 4: wrongs that I've done. When the clock starts falling, I'll 225 00:11:49,640 --> 00:11:51,959 Speaker 4: be cold, and you make you ride. 226 00:11:51,800 --> 00:11:56,320 Speaker 5: Into the sun. I can tell you word to wisdom 227 00:11:56,880 --> 00:12:02,200 Speaker 5: and the things that I've thundered. Feeling much older, I 228 00:12:02,480 --> 00:12:05,439 Speaker 5: just walled my last days in in the sun. 229 00:12:06,640 --> 00:12:10,120 Speaker 3: The nights I get in colder. I just won't my 230 00:12:10,320 --> 00:12:15,560 Speaker 3: last days in the sun, nights getting colder. I just 231 00:12:15,760 --> 00:12:18,480 Speaker 3: want to live my last days in the sun. 232 00:12:22,600 --> 00:12:28,360 Speaker 1: Hey, there you go, just for us and that nice. 233 00:12:28,400 --> 00:12:32,080 Speaker 1: We'll get them on again once again. May thirty, Q Theater, 234 00:12:32,160 --> 00:12:35,360 Speaker 1: May thirty one, Q Theater, fourteen June Isaac Royal Fly 235 00:12:35,520 --> 00:12:39,160 Speaker 1: my prettiest album, out tomorrow. For more from the Mic 236 00:12:39,200 --> 00:12:42,280 Speaker 1: Asking Breakfast, listen live to news talks. It'd be from 237 00:12:42,400 --> 00:12:45,840 Speaker 1: six am weekdays, or follow the podcast on iHeartRadio.