1 00:00:00,080 --> 00:00:03,920 Speaker 1: Regent Cinema where you've caught Elinor not the good but 2 00:00:04,360 --> 00:00:07,920 Speaker 1: the great. I'm moving to Manhattan for the first time today, 3 00:00:09,840 --> 00:00:12,800 Speaker 1: my condolences. What am I going to do here all 4 00:00:12,880 --> 00:00:14,600 Speaker 1: day along? What's this one about? 5 00:00:15,360 --> 00:00:18,320 Speaker 2: It's it's a it's a very bittersweet story. I don't 6 00:00:18,320 --> 00:00:23,200 Speaker 2: want to give too much away, but Eleanor is grieving 7 00:00:23,239 --> 00:00:27,479 Speaker 2: the loss of her lifelong best friend, moves back to 8 00:00:27,520 --> 00:00:28,520 Speaker 2: New York with her daughter. 9 00:00:29,040 --> 00:00:31,760 Speaker 1: Is New York sort of her hometown, yeah, because. 10 00:00:31,560 --> 00:00:35,640 Speaker 2: She's originally from the Bronx, but then they moved to Florida, 11 00:00:35,720 --> 00:00:38,640 Speaker 2: and then she's moved back into Manhattan where her daughter lives. 12 00:00:41,200 --> 00:00:43,880 Speaker 2: It is very lonely, and goes down to like the 13 00:00:44,280 --> 00:00:47,479 Speaker 2: y m c a but it's not called that to 14 00:00:47,520 --> 00:00:52,560 Speaker 2: find a group, but accidentally stumbles upon a Holocaust survivors group. 15 00:00:53,000 --> 00:00:55,120 Speaker 1: Oh okay, she is survivor. 16 00:00:55,320 --> 00:01:00,560 Speaker 2: No, but her friend Bessie was more. Eleanor the only 17 00:01:00,600 --> 00:01:03,720 Speaker 2: person that Bussie told her stories to. So to help 18 00:01:03,800 --> 00:01:10,240 Speaker 2: sort of calm her grief, she tells Busy's stories, but 19 00:01:11,360 --> 00:01:14,679 Speaker 2: doesn't tell people that it's not her story to tell. 20 00:01:14,959 --> 00:01:17,280 Speaker 1: Oh, so a bit of identity theft a. 21 00:01:17,200 --> 00:01:21,760 Speaker 2: Little bit, but I can see where the emotion came from, 22 00:01:21,840 --> 00:01:25,399 Speaker 2: of wanting her best friend's story to live on. Yeah, 23 00:01:25,440 --> 00:01:26,480 Speaker 2: because no one else will. 24 00:01:26,600 --> 00:01:29,120 Speaker 1: I can see that being pretty powerful. So Eleanor in 25 00:01:29,200 --> 00:01:32,120 Speaker 1: the movie is a seventy four year old but played 26 00:01:32,160 --> 00:01:36,800 Speaker 1: by Academy Award nominee June Squib, who's ninety five. Wait 27 00:01:36,800 --> 00:01:39,000 Speaker 1: did I say seventy four? I mean ninety four and 28 00:01:39,040 --> 00:01:41,880 Speaker 1: then ninety five, So she's older than the character in 29 00:01:41,880 --> 00:01:44,400 Speaker 1: the film. Yeah, yeah, yeah, yeah, no. Sloving her down 30 00:01:44,480 --> 00:01:48,160 Speaker 1: featured in Selma, which was the movie about her escaping 31 00:01:48,160 --> 00:01:50,480 Speaker 1: from a wrist home on the scooter. Yeah. 32 00:01:50,600 --> 00:01:52,920 Speaker 2: Yeah, I haven't seen that one personally. I've seen the 33 00:01:52,920 --> 00:01:56,919 Speaker 2: trailers for it, but no, she June Squab are absolute legend, 34 00:01:56,920 --> 00:01:58,560 Speaker 2: defying the Hollywood norms. 35 00:01:58,600 --> 00:02:00,640 Speaker 1: At the moment, she sounds a bit like Audrey Lily 36 00:02:00,720 --> 00:02:04,120 Speaker 1: of Methan. No slowing herd down neither. Actually quick side note, 37 00:02:04,120 --> 00:02:07,400 Speaker 1: they've broken the fifty thousand dollar mark almost fifty four k, 38 00:02:07,520 --> 00:02:09,680 Speaker 1: so halfway toward that one hundred and one goal. Oh 39 00:02:10,000 --> 00:02:13,120 Speaker 1: love that, which is pretty outstanding. This here also a 40 00:02:13,240 --> 00:02:16,040 Speaker 1: directorial debut for Scarlett Johanson. 41 00:02:16,120 --> 00:02:19,560 Speaker 2: Yes, yes, I read that and I thought, oh. 42 00:02:19,000 --> 00:02:20,400 Speaker 1: What a shame. She's not on the other side of 43 00:02:20,440 --> 00:02:20,760 Speaker 1: the camera. 44 00:02:20,880 --> 00:02:24,799 Speaker 2: Yeah, but she was quite a good job. Yeah, yeah, absolutely, 45 00:02:24,880 --> 00:02:27,799 Speaker 2: that's another feather in her cap, honestly. 46 00:02:27,480 --> 00:02:29,160 Speaker 1: So it gives all the feels. Was there one scene 47 00:02:29,160 --> 00:02:31,079 Speaker 1: in particular that really struck a chord? 48 00:02:31,600 --> 00:02:36,120 Speaker 2: There was. It's about part way through the movie, everything 49 00:02:36,160 --> 00:02:40,400 Speaker 2: starts falling apart and Eleanor is yelling out to her 50 00:02:40,480 --> 00:02:46,760 Speaker 2: newly made younger friend, Nina, who's starting journalism. She's just 51 00:02:46,840 --> 00:02:49,000 Speaker 2: yelling her name over and over again. And that dugged 52 00:02:49,000 --> 00:02:50,160 Speaker 2: at my heartstrings, honestly. 53 00:02:50,520 --> 00:02:55,000 Speaker 1: Yeah. To see ninety four year old pulling that. Wow. 54 00:02:55,040 --> 00:02:57,200 Speaker 1: So how many zimmer frames out of five? Movie man? 55 00:02:57,360 --> 00:02:59,480 Speaker 2: I would give it a four zimmer frames out of five. 56 00:03:00,080 --> 00:03:00,640 Speaker 1: Pretty solid. 57 00:03:00,720 --> 00:03:03,400 Speaker 2: It's pretty solid. It's an hour and a half long, 58 00:03:03,440 --> 00:03:05,040 Speaker 2: so it's not going to take too much time out 59 00:03:05,040 --> 00:03:05,680 Speaker 2: of your day. 60 00:03:05,760 --> 00:03:07,040 Speaker 1: Oh good, or time off our life. 61 00:03:07,120 --> 00:03:09,760 Speaker 2: Yet it's a good bit of sweet cathartic movie. 62 00:03:09,760 --> 00:03:13,840 Speaker 1: I find that is a nice word. You've been practicing that. 63 00:03:14,480 --> 00:03:17,680 Speaker 1: Get along for a cathartic fix at the recent cinema. 64 00:03:17,720 --> 00:03:18,160 Speaker 1: Cheers mate,