1 00:00:12,840 --> 00:00:16,560 Speaker 1: Come on, come on, come on baby, come on baby, 2 00:00:17,440 --> 00:00:18,760 Speaker 1: let's get visit. 3 00:00:26,079 --> 00:00:29,479 Speaker 2: That was that was confusing, That was crazy. That was 4 00:00:29,520 --> 00:00:31,280 Speaker 2: something right out of left field. 5 00:00:31,240 --> 00:00:32,080 Speaker 3: But how did it feel? 6 00:00:33,200 --> 00:00:33,520 Speaker 2: Weird? 7 00:00:33,960 --> 00:00:36,520 Speaker 4: It's the twentieth of August of the Year of Our Lord, 8 00:00:36,520 --> 00:00:40,280 Speaker 4: twenty twenty four. Welcome, well you bespoke, you do the dirt, pocasset. 9 00:00:40,280 --> 00:00:42,879 Speaker 4: We were just talking about the Beatles and what songs 10 00:00:42,880 --> 00:00:45,640 Speaker 4: of the Beatles have stood the test of time because 11 00:00:45,640 --> 00:00:47,560 Speaker 4: little Meshi over there got a book for his birthday 12 00:00:47,600 --> 00:00:49,280 Speaker 4: and it's got some interesting facts on it. 13 00:00:49,360 --> 00:00:51,320 Speaker 5: Do you know, I'm just reading a list now, actually, Fellas. 14 00:00:51,560 --> 00:00:53,040 Speaker 5: It's got a whole lot of facts about everything, but 15 00:00:53,120 --> 00:00:55,800 Speaker 5: I'm just focused on the Beatles page. But there's a 16 00:00:55,880 --> 00:00:58,720 Speaker 5: list of every single song the Beatles have written, and 17 00:00:58,760 --> 00:01:01,200 Speaker 5: then who had him put into each thing? Oh wow, 18 00:01:01,520 --> 00:01:03,480 Speaker 5: So I don't know. Do you want to Let's start 19 00:01:03,960 --> 00:01:05,959 Speaker 5: a song called I saw her standing there? 20 00:01:07,040 --> 00:01:10,720 Speaker 2: Saw her standing covered by Tiffany. 21 00:01:10,640 --> 00:01:12,600 Speaker 5: So that who was involved with that? 22 00:01:12,760 --> 00:01:14,959 Speaker 3: I saw him standing there? Though? Didn't she change it? 23 00:01:15,040 --> 00:01:16,039 Speaker 3: So the Blue wouldn't do that? 24 00:01:16,040 --> 00:01:19,240 Speaker 5: Now as Paul McCartney, I assume, Oh yeah, so that 25 00:01:19,280 --> 00:01:19,759 Speaker 5: was all Paul. 26 00:01:19,800 --> 00:01:20,600 Speaker 3: That song Paul. 27 00:01:20,760 --> 00:01:23,400 Speaker 5: Yeah, both that's on writer and lead vocals. 28 00:01:23,440 --> 00:01:26,240 Speaker 4: Because they used to call it Lennon and McCartney Lennon McCartney, 29 00:01:27,000 --> 00:01:28,880 Speaker 4: but it wasn't really Leona McCartney. It was just because 30 00:01:28,880 --> 00:01:30,200 Speaker 4: they were mates when they were young, and they said 31 00:01:30,200 --> 00:01:32,920 Speaker 4: we're just going to go Halvesey's because it's like say, 32 00:01:32,920 --> 00:01:37,760 Speaker 4: for example, Hey Jude. That was because Paul McCartney went 33 00:01:37,840 --> 00:01:41,240 Speaker 4: round to bloody John Lennon's house and he could see 34 00:01:41,240 --> 00:01:43,639 Speaker 4: how sad Julie and his son was because his dad. 35 00:01:43,560 --> 00:01:45,440 Speaker 2: Had left for. 36 00:01:47,160 --> 00:01:49,880 Speaker 4: For Yoko and left Linda McCartney. And he wrote the 37 00:01:49,920 --> 00:01:53,080 Speaker 4: song about Hey you just about Jude's wife, do you know? 38 00:01:53,200 --> 00:01:53,440 Speaker 2: Do you know? 39 00:01:53,480 --> 00:01:56,320 Speaker 4: Paul asked Linda to marry him at that point because 40 00:01:56,320 --> 00:01:57,720 Speaker 4: he was like he was felt so bad that she 41 00:01:57,800 --> 00:01:59,160 Speaker 4: was left all on his lone. He went round there, 42 00:01:59,200 --> 00:02:02,200 Speaker 4: went into this deep state of sadness, wrote that song 43 00:02:02,240 --> 00:02:06,920 Speaker 4: Hey Jude, and then he played on Cynthia Cynthia sorry London, 44 00:02:07,000 --> 00:02:09,600 Speaker 4: Yeah sorry, was his partner, Yes Cynthia Sorry sorry, yes, 45 00:02:09,600 --> 00:02:14,400 Speaker 4: Cynthia Cynthia something Synthony Lennon, who's John Lennon's first wife, 46 00:02:15,280 --> 00:02:20,040 Speaker 4: and bloody Paul asked her to marry him. He's sin Sin, Yeah, 47 00:02:20,240 --> 00:02:23,600 Speaker 4: poor old Sin. He was upset about that, but then 48 00:02:23,639 --> 00:02:25,840 Speaker 4: he played that song Hey Jude to John and John 49 00:02:25,919 --> 00:02:27,920 Speaker 4: was like, John goes, I heard that song, and I 50 00:02:27,919 --> 00:02:28,640 Speaker 4: was like, he gets it. 51 00:02:28,760 --> 00:02:29,560 Speaker 3: And he thought it was. 52 00:02:29,480 --> 00:02:33,960 Speaker 4: About how much he loved Yoko, and he was like, 53 00:02:34,040 --> 00:02:36,679 Speaker 4: oh my god, Paul is in love. He's really in love. 54 00:02:36,720 --> 00:02:38,760 Speaker 4: But he didn't realize he was actually in love with 55 00:02:39,160 --> 00:02:40,359 Speaker 4: sadness for over his son. 56 00:02:40,560 --> 00:02:45,600 Speaker 2: I went deep recently into John Lennon's watch that went 57 00:02:45,800 --> 00:02:47,400 Speaker 2: missing that. 58 00:02:47,720 --> 00:02:50,040 Speaker 4: Yoko is anything in the book about back. 59 00:02:49,919 --> 00:02:51,840 Speaker 2: We'll come back to the book and the second to 60 00:02:51,840 --> 00:02:56,560 Speaker 2: come back to the book, come back the book. 61 00:02:56,560 --> 00:02:57,560 Speaker 4: I've got a fell into the book. 62 00:02:59,120 --> 00:02:59,799 Speaker 2: We gotta come back. 63 00:03:00,480 --> 00:03:01,560 Speaker 4: I want to go. I want to go to the 64 00:03:01,560 --> 00:03:05,240 Speaker 4: page later about every song that's from that year that's 65 00:03:05,280 --> 00:03:05,839 Speaker 4: still big. 66 00:03:05,880 --> 00:03:11,400 Speaker 2: Now to that later at Yoko. Yoko bought John a 67 00:03:11,480 --> 00:03:15,320 Speaker 2: watch right at the end of his life, fasinating it was. 68 00:03:15,840 --> 00:03:19,760 Speaker 2: It was a Patack. It was a Patack, Philip Philip Patak, 69 00:03:20,680 --> 00:03:23,760 Speaker 2: and they're very expensive watches, and she bought it for 70 00:03:23,919 --> 00:03:27,639 Speaker 2: his fortieth forty It was fortieth. 71 00:03:27,960 --> 00:03:29,560 Speaker 3: John Lennan, you brought me that. 72 00:03:29,600 --> 00:03:31,040 Speaker 4: It's very expensive to get it, but we've got she 73 00:03:31,080 --> 00:03:32,840 Speaker 4: had bank accounts, and who's putting all the money in there? 74 00:03:32,880 --> 00:03:33,600 Speaker 3: That's what I'd say to that. 75 00:03:34,080 --> 00:03:37,600 Speaker 2: And then it was the last It was the last 76 00:03:37,640 --> 00:03:40,800 Speaker 2: gift from Yoko, and he's seen and photos wearing it, 77 00:03:41,480 --> 00:03:44,840 Speaker 2: and then he put it down somewhere. And then Yoko 78 00:03:45,000 --> 00:03:48,400 Speaker 2: had had a cleaner and a personal assistant, and the 79 00:03:48,520 --> 00:03:52,600 Speaker 2: assistant went rogue and stole a whole lot. 80 00:03:52,480 --> 00:03:54,840 Speaker 4: Of stuff and Nick the watch, Nick the watch after 81 00:03:54,920 --> 00:03:56,040 Speaker 4: John Lennon was dead. 82 00:03:55,880 --> 00:03:58,360 Speaker 2: Whole lot of stuff that was inside of their apartment 83 00:03:58,520 --> 00:04:02,440 Speaker 2: in America and New York cold and then he sold 84 00:04:02,480 --> 00:04:04,760 Speaker 2: it to someone else. It was authenticated. It sold it 85 00:04:04,800 --> 00:04:07,920 Speaker 2: to someone else, and then the person who bought it said, well, 86 00:04:07,960 --> 00:04:10,240 Speaker 2: I bought it fear and square. The guy who stole 87 00:04:10,280 --> 00:04:12,280 Speaker 2: it said, Yoko said to me that I could take 88 00:04:12,280 --> 00:04:15,000 Speaker 2: anything out of this particular thing as a gift. Bought 89 00:04:15,040 --> 00:04:19,200 Speaker 2: it and that's that's how and he's it's currently it's 90 00:04:19,240 --> 00:04:22,320 Speaker 2: currently in court at the moment. Yoko's still fighting it 91 00:04:22,480 --> 00:04:22,880 Speaker 2: and so and. 92 00:04:22,920 --> 00:04:24,760 Speaker 4: Yoko said, I definitely did not say that. 93 00:04:24,839 --> 00:04:28,200 Speaker 2: Yeah, a whole lot of stuff, and Sean Lennon's upset 94 00:04:28,279 --> 00:04:31,160 Speaker 2: because a whole lot of their stuff, memorabilia went the same. 95 00:04:31,279 --> 00:04:33,600 Speaker 2: That's worth millions and millions. W That's not the point 96 00:04:33,600 --> 00:04:36,560 Speaker 2: to him, because Sean Lenon is worth millions of millions himself. 97 00:04:36,800 --> 00:04:39,000 Speaker 2: It doesn't have to worry about money. It's more that 98 00:04:39,480 --> 00:04:41,919 Speaker 2: it's a whole lot of his dad's stuff's connection to 99 00:04:41,960 --> 00:04:42,320 Speaker 2: his dad. 100 00:04:42,360 --> 00:04:44,680 Speaker 4: You know how weird for Sean and Julian Lennon that 101 00:04:44,680 --> 00:04:48,320 Speaker 4: they're now older than their dad. So their dad, who 102 00:04:48,839 --> 00:04:51,640 Speaker 4: they're completely defined by diet at forty one. 103 00:04:51,640 --> 00:04:55,320 Speaker 3: Was now forty. It was two months into his fortieth forty, 104 00:04:55,400 --> 00:04:56,599 Speaker 3: quite a lot younger than us. 105 00:04:56,720 --> 00:05:01,120 Speaker 4: And Julian Lennon, who looks so much like John Lennon, 106 00:05:01,640 --> 00:05:04,360 Speaker 4: he I saw. I saw an interview with him, and 107 00:05:04,400 --> 00:05:06,919 Speaker 4: he was just going to so strange to be defined 108 00:05:06,960 --> 00:05:11,640 Speaker 4: completely by a guy your whole life that's now considerably 109 00:05:11,680 --> 00:05:14,040 Speaker 4: younger than I am. 110 00:05:14,279 --> 00:05:17,200 Speaker 2: Yeah, was Sean's about our age? 111 00:05:17,800 --> 00:05:20,240 Speaker 5: So the New Yorker was this the article that you're reading. 112 00:05:20,920 --> 00:05:22,800 Speaker 5: I'll put this link just that the bespokey dorkis can 113 00:05:22,800 --> 00:05:23,000 Speaker 5: read it. 114 00:05:23,040 --> 00:05:23,359 Speaker 6: Ull put it on. 115 00:05:24,120 --> 00:05:27,360 Speaker 2: So interesting actually, And then it turns out Yoko was 116 00:05:27,400 --> 00:05:33,000 Speaker 2: having an affair with this photographer guy, this particularly handsome 117 00:05:33,040 --> 00:05:35,400 Speaker 2: photographer guy at the time. Was he an artist? He 118 00:05:35,480 --> 00:05:39,440 Speaker 2: might have been an artist slash photographer. And John knew 119 00:05:39,480 --> 00:05:41,920 Speaker 2: all about it and he didn't mind. No, it wasn't 120 00:05:41,960 --> 00:05:44,279 Speaker 2: that Yoko and John broke up. They had that having 121 00:05:44,320 --> 00:05:46,600 Speaker 2: a bad time there, but then they just got back 122 00:05:46,640 --> 00:05:49,359 Speaker 2: together again and then she bought him that watch. 123 00:05:49,560 --> 00:05:51,760 Speaker 3: I'm just waving to stain her. He was giving us 124 00:05:51,760 --> 00:05:54,920 Speaker 3: a big wave. That's why he wrote the song starting over. Yes, 125 00:05:54,960 --> 00:05:57,440 Speaker 3: that's right, because we take off a loan, take a 126 00:05:57,480 --> 00:05:58,720 Speaker 3: trips and we're far away. 127 00:05:58,760 --> 00:06:01,240 Speaker 5: If you were wondering. So there's been a rollics that 128 00:06:01,360 --> 00:06:05,120 Speaker 5: was sold from of of Lenon's. It was worth seventeen 129 00:06:05,160 --> 00:06:06,760 Speaker 5: point eight million dollars, is what it's on for action 130 00:06:06,920 --> 00:06:09,480 Speaker 5: and they're thinking that this is probably worth about fifty million. 131 00:06:09,560 --> 00:06:12,440 Speaker 2: Yeah, it's worth because it's actually the watch itself is 132 00:06:12,440 --> 00:06:16,080 Speaker 2: worth haty know how crazy are humans? Which is so wild. 133 00:06:16,480 --> 00:06:19,880 Speaker 4: Imagine Paul McCartney walking around here we've interviewed on the show, 134 00:06:19,920 --> 00:06:23,440 Speaker 4: but walking around and knowing that his just because a 135 00:06:23,600 --> 00:06:27,520 Speaker 4: watch had belonged to his best mate. Yeah, it's now 136 00:06:27,600 --> 00:06:31,000 Speaker 4: worth fifty million dollars. That the importance of those guys 137 00:06:31,080 --> 00:06:36,000 Speaker 4: to people is so phenomenal that. I mean, that's insane. 138 00:06:36,040 --> 00:06:38,320 Speaker 4: I mean, what do you do with that watch? I 139 00:06:38,360 --> 00:06:39,960 Speaker 4: mean I can imagine something like, you know, one of 140 00:06:40,000 --> 00:06:43,080 Speaker 4: the jackets from Sergeant Peppers or one of their guitars 141 00:06:43,120 --> 00:06:44,599 Speaker 4: that they played a song and like how much would 142 00:06:44,680 --> 00:06:47,600 Speaker 4: you pay for the guitar with a riff from Here 143 00:06:47,640 --> 00:06:50,520 Speaker 4: Comes the Sun was played on or or something like that. 144 00:06:50,640 --> 00:06:53,240 Speaker 4: I mean that that that's exciting. But just the watch 145 00:06:53,320 --> 00:06:56,679 Speaker 4: he wore for me, that's just it's a consumer item 146 00:06:56,720 --> 00:06:57,440 Speaker 4: that was on his wrist. 147 00:06:57,520 --> 00:06:57,839 Speaker 3: Briefly. 148 00:06:57,960 --> 00:07:01,880 Speaker 2: Yeah, it hasn't done much for what he is, no, 149 00:07:02,400 --> 00:07:05,480 Speaker 2: but also because it's such a rare watch anyway, it's 150 00:07:05,560 --> 00:07:07,920 Speaker 2: on top of that fact that it's a really really fancy, 151 00:07:08,080 --> 00:07:11,600 Speaker 2: nice watch. Yees, it was worn by it's the double yeah. 152 00:07:11,680 --> 00:07:14,240 Speaker 5: Yeah, it's also gotten and engraving in the back from 153 00:07:14,360 --> 00:07:17,600 Speaker 5: Yoko to John and it's his open bracket just like 154 00:07:17,840 --> 00:07:22,320 Speaker 5: close bracket. That's the first line starting over, Oh Love Yoko. 155 00:07:22,760 --> 00:07:25,040 Speaker 5: The date which is the tenth of the ninth, nineteen 156 00:07:25,080 --> 00:07:27,520 Speaker 5: eightyeth birthday. 157 00:07:27,600 --> 00:07:30,760 Speaker 4: Yeah, so just that just before the songs that were released, 158 00:07:30,800 --> 00:07:32,720 Speaker 4: because John Lenna had recorded album, so there was these 159 00:07:32,760 --> 00:07:35,960 Speaker 4: songs that came out Double fantasy was that album Afre 160 00:07:35,960 --> 00:07:40,480 Speaker 4: he died Beautiful, Watch beaudfol Watch the Wheels Keep turning. 161 00:07:40,560 --> 00:07:43,440 Speaker 5: That's particularly known for the more square watches, aren't they 162 00:07:43,480 --> 00:07:45,720 Speaker 5: I think? And then they did these beautiful kind of 163 00:07:45,760 --> 00:07:47,720 Speaker 5: vintage watches in the eighties that look so nice. 164 00:07:47,800 --> 00:07:50,400 Speaker 4: My god, I reckon someone's going to But that was 165 00:07:50,560 --> 00:07:52,080 Speaker 4: that was the best music for a long time, like 166 00:07:52,240 --> 00:07:55,440 Speaker 4: just like starting over, You've got You've Got. 167 00:07:55,520 --> 00:08:00,400 Speaker 2: Woman, yeah again, hard right song got. 168 00:08:01,040 --> 00:08:04,480 Speaker 4: I'm just watching the wheels go round and around. I 169 00:08:04,600 --> 00:08:07,120 Speaker 4: really loved to watch them rule about how he wasn't 170 00:08:07,120 --> 00:08:09,280 Speaker 4: interested in being in the music industry anymore and he 171 00:08:09,360 --> 00:08:12,240 Speaker 4: was just chilling out. He said he got out of 172 00:08:12,280 --> 00:08:13,840 Speaker 4: the music industry, didn't he, But not in a way 173 00:08:13,880 --> 00:08:14,560 Speaker 4: that he was hoping. 174 00:08:14,640 --> 00:08:17,040 Speaker 2: Well, he could pretty much do anything he wanted. I mean, 175 00:08:17,080 --> 00:08:18,720 Speaker 2: he was living in New York, wasn't He's kind of 176 00:08:18,760 --> 00:08:22,280 Speaker 2: hiding away from his past, yeah, but also dangerously wealthy. 177 00:08:22,440 --> 00:08:24,560 Speaker 2: Also on the smack, he. 178 00:08:24,760 --> 00:08:25,360 Speaker 3: Enjoyed the snack. 179 00:08:25,520 --> 00:08:28,160 Speaker 4: He'd also go up to LA and get absolutely steamed 180 00:08:28,160 --> 00:08:30,800 Speaker 4: with people, and Yoko be like, you're disgusting, because he'd 181 00:08:30,840 --> 00:08:33,199 Speaker 4: gone and get on the on the ronts. He was 182 00:08:33,240 --> 00:08:35,280 Speaker 4: actually excited about playing live again because he'd done a 183 00:08:35,320 --> 00:08:38,000 Speaker 4: performance without John live and he just couldn't believe how 184 00:08:38,040 --> 00:08:41,079 Speaker 4: good the technology had gone in terms of the you know, 185 00:08:41,200 --> 00:08:44,280 Speaker 4: the sound system, pas and such, compared to their days 186 00:08:44,400 --> 00:08:46,800 Speaker 4: touring with the Beatles when they couldn't even hear themselves. 187 00:08:47,800 --> 00:08:49,920 Speaker 2: And and so he's so well to think about. 188 00:08:50,320 --> 00:08:51,920 Speaker 4: Yeah, fold back to and then he was like he 189 00:08:52,600 --> 00:08:54,839 Speaker 4: changes he could hear playing? Is I love this? This 190 00:08:54,960 --> 00:08:58,360 Speaker 4: is freaking great. He'd recorded that song with David Bowie. 191 00:08:58,720 --> 00:09:02,040 Speaker 3: Because John Lennon ordered whatever gets you through the night 192 00:09:02,160 --> 00:09:04,640 Speaker 3: with Elton John, and Elton John was like, I will 193 00:09:04,840 --> 00:09:06,439 Speaker 3: play piano for this and I will sing on this, 194 00:09:07,000 --> 00:09:09,000 Speaker 3: but you will get up on stage with me in 195 00:09:09,120 --> 00:09:12,960 Speaker 3: New York and play. Apparently Lennon was absolutely packing himself, 196 00:09:13,160 --> 00:09:14,440 Speaker 3: really terrified to get back. 197 00:09:14,640 --> 00:09:19,600 Speaker 2: So when he win, Elton John wrote Empty Garden, which 198 00:09:19,640 --> 00:09:23,160 Speaker 2: I love that song. I love that song loomed larger 199 00:09:23,160 --> 00:09:24,880 Speaker 2: over my childhood for some reason, because he must have 200 00:09:25,000 --> 00:09:27,240 Speaker 2: just died, like he died when I was you know, 201 00:09:27,679 --> 00:09:30,400 Speaker 2: when I was three, but I remember the kind of 202 00:09:30,480 --> 00:09:33,920 Speaker 2: after it for some reason vaguely, and because my mum 203 00:09:34,040 --> 00:09:36,880 Speaker 2: was a huge Beatles fan. Although a Paul McCartney fan. 204 00:09:36,960 --> 00:09:40,720 Speaker 2: Actually more than a John Lennon fan. She loved Paul 205 00:09:40,800 --> 00:09:44,320 Speaker 2: McCartney because he was kind of straighter as in sexually 206 00:09:44,840 --> 00:09:47,600 Speaker 2: or like the personality. I think personality was a little 207 00:09:47,640 --> 00:09:49,240 Speaker 2: bit you know, John was a bit of a rogue. 208 00:09:49,880 --> 00:09:52,480 Speaker 2: In fact, that's a good question for everyone. Watch Beetle. 209 00:09:52,760 --> 00:09:56,559 Speaker 2: Let's just pretend that John's alive, Watch beetle. Would everyone 210 00:09:56,760 --> 00:09:56,960 Speaker 2: like to. 211 00:09:57,000 --> 00:09:58,800 Speaker 4: Be We pretend that George is alive as well. 212 00:09:58,880 --> 00:10:02,800 Speaker 2: Yep, George is alive too, and Ringo as just ringer, Okay, 213 00:10:02,840 --> 00:10:03,200 Speaker 2: I reckon. 214 00:10:03,240 --> 00:10:05,480 Speaker 4: I would most like to be Paul McCartney because he 215 00:10:06,200 --> 00:10:08,800 Speaker 4: was always the most well balanced and he went through 216 00:10:08,840 --> 00:10:10,520 Speaker 4: a lot like I think he's enjoyed his life more. 217 00:10:10,520 --> 00:10:12,360 Speaker 4: He had a little problem with Hi the lock there 218 00:10:12,400 --> 00:10:14,960 Speaker 4: when he married that one leaguered woman and she turned 219 00:10:14,960 --> 00:10:16,760 Speaker 4: out to be a bit of a psycho. And he's 220 00:10:16,840 --> 00:10:18,559 Speaker 4: had us ups and downs, but generally, if you see 221 00:10:18,720 --> 00:10:22,880 Speaker 4: interviews with Paul McCartney through the years, he's pretty balanced. 222 00:10:22,920 --> 00:10:25,600 Speaker 4: He had a really sort of quite a good outlook 223 00:10:25,600 --> 00:10:27,920 Speaker 4: on life. I think Paul McCartney, so in terms of 224 00:10:28,559 --> 00:10:31,319 Speaker 4: happiness and enjoying your life, it's poor for me. And 225 00:10:31,400 --> 00:10:35,640 Speaker 4: also he's the I would argue, he's his body of 226 00:10:35,720 --> 00:10:37,320 Speaker 4: work actually stands. 227 00:10:37,040 --> 00:10:39,559 Speaker 3: Up over John's vegetarian though, So no stakes for you, 228 00:10:39,679 --> 00:10:40,040 Speaker 3: all right. 229 00:10:40,000 --> 00:10:42,079 Speaker 2: I'll be terrible farts. You'd have to wander around you 230 00:10:42,160 --> 00:10:43,520 Speaker 2: and that shocking gas. 231 00:10:43,600 --> 00:10:44,760 Speaker 4: Okay, in that case, I'll be ringing. 232 00:10:48,080 --> 00:10:50,079 Speaker 2: That's buddy, where did sat? Because also with all his 233 00:10:50,160 --> 00:10:53,920 Speaker 2: success and Wings huge because he had so many number ones, 234 00:10:54,040 --> 00:10:55,560 Speaker 2: Wings had heaps the number ones. 235 00:10:56,600 --> 00:10:59,800 Speaker 5: According to my book here, Paul McCartney was far more successful. 236 00:11:00,080 --> 00:11:02,920 Speaker 5: Quotation marks he wrote, He wrote he wrote thirty eight 237 00:11:02,920 --> 00:11:05,959 Speaker 5: percent of the Beatles songs, John had thirty nine. He 238 00:11:06,320 --> 00:11:08,520 Speaker 5: sing lead vocals on thirty eight or John had forty two. 239 00:11:08,679 --> 00:11:12,480 Speaker 5: But today in twenty twenty two, has all the Paul 240 00:11:12,520 --> 00:11:15,400 Speaker 5: McCartney lead songs, whether that's him leading the vocals or 241 00:11:15,440 --> 00:11:18,200 Speaker 5: writing it, has got They are far more successful. 242 00:11:17,760 --> 00:11:21,000 Speaker 2: Than any conspiracy there. He's been driving that, you. 243 00:11:21,040 --> 00:11:21,800 Speaker 5: Reckon, he's doing that. 244 00:11:22,240 --> 00:11:24,839 Speaker 3: John Lennon's not looking at the stuff on Spotify, is he? 245 00:11:24,960 --> 00:11:25,000 Speaker 1: No? 246 00:11:25,120 --> 00:11:27,280 Speaker 5: No, I mean RNGO is definitely not fucking crunching the 247 00:11:27,360 --> 00:11:30,600 Speaker 5: numbers here, because no, he's he's fudging the numbers. 248 00:11:30,920 --> 00:11:33,800 Speaker 2: Basically gave it. I mean he gave him octopus Garden, 249 00:11:33,840 --> 00:11:34,160 Speaker 2: didn't they? 250 00:11:34,480 --> 00:11:36,400 Speaker 4: Yeah, well they wrote all those songs from anyone that 251 00:11:36,480 --> 00:11:36,959 Speaker 4: he was singing. 252 00:11:37,120 --> 00:11:38,760 Speaker 2: Is there a ringo that octopus? 253 00:11:43,200 --> 00:11:43,800 Speaker 3: Octopus? 254 00:11:47,400 --> 00:11:47,880 Speaker 2: Terrible song? 255 00:11:49,520 --> 00:11:52,760 Speaker 4: Okay, let's go a little bit let's go a little 256 00:11:52,760 --> 00:11:55,520 Speaker 4: bit negative. Let's go a little bit negative on this. Guys, 257 00:11:56,000 --> 00:11:57,640 Speaker 4: what's your least favorite Beatles song? 258 00:11:57,800 --> 00:11:57,920 Speaker 1: Well? 259 00:11:57,960 --> 00:11:58,280 Speaker 2: Can we go? 260 00:11:58,400 --> 00:11:59,640 Speaker 5: Can we take a break and come back with this? 261 00:11:59,720 --> 00:12:00,560 Speaker 4: So if that's all right? 262 00:12:00,760 --> 00:12:01,880 Speaker 2: Okay, sweet, here we go. 263 00:12:07,120 --> 00:12:07,720 Speaker 3: So what are we doing? 264 00:12:08,880 --> 00:12:09,200 Speaker 6: Rudy? 265 00:12:09,280 --> 00:12:10,920 Speaker 2: We never got around to what he run us? Who 266 00:12:12,040 --> 00:12:13,920 Speaker 2: wanted to be? You just focused on yourself there with 267 00:12:14,040 --> 00:12:17,240 Speaker 2: the Paul McCartney didn't even ask anyone else. 268 00:12:17,400 --> 00:12:19,040 Speaker 5: I'm going to go Yoko. I said it before and 269 00:12:19,080 --> 00:12:19,720 Speaker 5: I'll say it again. 270 00:12:19,800 --> 00:12:22,560 Speaker 7: She was, She's the fifth Beatle. She's not, She's not allowed. 271 00:12:23,240 --> 00:12:25,280 Speaker 7: George Martin was the fifth beat Well, there's so many people. 272 00:12:25,280 --> 00:12:31,000 Speaker 7: What about Epstein? Ave no, no, sorry, she's. 273 00:12:30,880 --> 00:12:32,640 Speaker 3: Not Jeffrey Epstein, Ruder? 274 00:12:32,679 --> 00:12:33,480 Speaker 2: Who would you like to be? 275 00:12:34,679 --> 00:12:38,200 Speaker 3: I feel like i'd like to be John Lennon. Yeah, 276 00:12:38,200 --> 00:12:40,599 Speaker 3: I feel like he would have really played out the 277 00:12:40,720 --> 00:12:43,079 Speaker 3: eighties and nineties really well, ridden a whole lot of 278 00:12:43,280 --> 00:12:47,439 Speaker 3: awesome material, had some awesome Comeback specials got together with 279 00:12:47,520 --> 00:12:52,800 Speaker 3: Paul written some new music. Imagine if they'd got back together. 280 00:12:53,000 --> 00:12:54,960 Speaker 4: It's funny because people think that they weren't mates anymore, 281 00:12:55,000 --> 00:12:56,800 Speaker 4: but they'd actually become friends. 282 00:12:56,520 --> 00:12:57,760 Speaker 3: Again pretty soon after. 283 00:12:57,760 --> 00:12:59,679 Speaker 4: I remember I remember por mccumpany saying that he has 284 00:13:00,040 --> 00:13:02,679 Speaker 4: special experience with guns because his best friend was a 285 00:13:02,800 --> 00:13:04,959 Speaker 4: victim of gun violence. And I couldn't work out, and 286 00:13:05,000 --> 00:13:05,920 Speaker 4: I was like, wonder who his mate was. 287 00:13:05,960 --> 00:13:09,880 Speaker 2: It was, Oh, Mesh, who would you like to be? 288 00:13:10,120 --> 00:13:11,839 Speaker 5: I don't know, but I'm just reading a list of 289 00:13:11,920 --> 00:13:15,000 Speaker 5: the greatest musical acts of all time according to this 290 00:13:15,040 --> 00:13:16,800 Speaker 5: book here. And what they've done is they've studied the chart, 291 00:13:16,840 --> 00:13:19,600 Speaker 5: so they've gone off statistics. Number one is the Beatles, right, 292 00:13:19,679 --> 00:13:23,480 Speaker 5: which makes sense. Number five is outon John, but number 293 00:13:23,520 --> 00:13:27,120 Speaker 5: thirteen is Paul McCartney. This man, Paul McCartney was very impressive, 294 00:13:27,200 --> 00:13:29,360 Speaker 5: wasn't he? So he was thirteen and one on this 295 00:13:29,480 --> 00:13:31,960 Speaker 5: list of the greatest most successful musicians of all times. 296 00:13:32,120 --> 00:13:34,840 Speaker 2: He's quite a musician. I mean, when you watch Come Together, 297 00:13:35,000 --> 00:13:38,000 Speaker 2: is it called come Together? What's it called get Back? 298 00:13:38,120 --> 00:13:40,400 Speaker 2: Get Back? When you watch Get Back and you see 299 00:13:40,480 --> 00:13:43,200 Speaker 2: him writing a song, and then you see him playing drums, 300 00:13:43,760 --> 00:13:45,480 Speaker 2: and then you see him playing bass, you see him 301 00:13:45,480 --> 00:13:48,880 Speaker 2: playing guitar, you see him basically doing everything. You're like, wow, okay, 302 00:13:49,040 --> 00:13:50,959 Speaker 2: you're just shitting ideas for breakfast, don't you. 303 00:13:51,200 --> 00:13:54,520 Speaker 4: Whilst John Lennond a bit of lyricist though, because that 304 00:13:54,640 --> 00:13:57,480 Speaker 4: line he blew his mind down. 305 00:13:57,520 --> 00:14:00,880 Speaker 2: And he was aware he don't know about that. How 306 00:14:00,960 --> 00:14:02,600 Speaker 2: you went for more surreal lyrics. 307 00:14:02,920 --> 00:14:05,560 Speaker 4: He often just read a line from a newspaper or something. 308 00:14:05,559 --> 00:14:07,160 Speaker 4: You to do it on the TV the night before 309 00:14:07,160 --> 00:14:08,200 Speaker 4: and put it in there because. 310 00:14:08,640 --> 00:14:10,679 Speaker 2: This is lyrics were weird. They seem to have kind 311 00:14:10,720 --> 00:14:12,360 Speaker 2: of stood the tist of time and away because they 312 00:14:12,400 --> 00:14:13,040 Speaker 2: were so surreal. 313 00:14:13,400 --> 00:14:15,720 Speaker 4: Get Back's got great lyrics. But what's it actually about? 314 00:14:15,720 --> 00:14:17,000 Speaker 4: That's the weird thing when you see them writing it. 315 00:14:17,080 --> 00:14:18,760 Speaker 4: I don't know about anything about anything? 316 00:14:19,440 --> 00:14:22,400 Speaker 5: Good point okay, pop quois hot shots. How many number 317 00:14:22,480 --> 00:14:25,800 Speaker 5: one singles did Paul McCartney have, not including the Beatles? 318 00:14:25,880 --> 00:14:27,000 Speaker 5: The Beatles had twenty, Just. 319 00:14:27,000 --> 00:14:28,240 Speaker 3: So does that include wings? 320 00:14:29,000 --> 00:14:30,800 Speaker 4: When I told Paul McCartney that I liked the song? 321 00:14:31,080 --> 00:14:31,280 Speaker 2: Question? 322 00:14:31,400 --> 00:14:33,520 Speaker 4: When I told Paul McCartney that I liked the song? 323 00:14:33,720 --> 00:14:37,640 Speaker 4: When we're interviewing no More learnely Nights Beautiful. That was 324 00:14:37,680 --> 00:14:39,640 Speaker 4: one of his least successful songs, but he was stoked 325 00:14:39,720 --> 00:14:41,560 Speaker 4: to never be another. 326 00:14:44,560 --> 00:14:47,160 Speaker 2: It's a great song. And just the other day I 327 00:14:47,320 --> 00:14:49,720 Speaker 2: spotify what was the question from what was? 328 00:14:49,920 --> 00:14:51,480 Speaker 4: What was Paul McCartneys. 329 00:14:51,480 --> 00:14:52,880 Speaker 5: P McCartney had nine number ones? 330 00:14:53,080 --> 00:14:53,720 Speaker 2: Wow, what were they? 331 00:14:53,960 --> 00:14:58,000 Speaker 5: I don't know, that's just including wings the question this 332 00:14:58,080 --> 00:15:01,920 Speaker 5: is what that's what we asked me. Paul with the 333 00:15:01,960 --> 00:15:04,800 Speaker 5: most weeks in chart, say say say twenty two. 334 00:15:04,720 --> 00:15:08,120 Speaker 3: Weeks in the chart showing Michael Jackson. What saying with 335 00:15:08,200 --> 00:15:08,840 Speaker 3: Michael Jackson? 336 00:15:09,960 --> 00:15:14,160 Speaker 2: Oh hey, this song or just hold on it just 337 00:15:14,320 --> 00:15:16,520 Speaker 2: is an heard going So just let's just not just 338 00:15:16,680 --> 00:15:20,560 Speaker 2: wait for a good mission. That's here. I just spotify 339 00:15:20,880 --> 00:15:23,520 Speaker 2: just the other day and I thought this is a baner. 340 00:15:23,920 --> 00:15:34,080 Speaker 2: Here we go, classic McCartney squib at the beginning, Oh yeah, 341 00:15:35,000 --> 00:15:39,200 Speaker 2: hump mission trump it, honey, listen to the drum sounds. 342 00:15:39,240 --> 00:15:43,200 Speaker 1: Just soften a little rock. You can help it out. 343 00:15:43,840 --> 00:15:48,960 Speaker 1: You can make this whole damn thing work written a little. 344 00:15:50,240 --> 00:15:51,840 Speaker 1: You can lay it down. 345 00:15:52,920 --> 00:15:55,360 Speaker 4: He's going on with the organ exploded. 346 00:16:01,240 --> 00:16:05,720 Speaker 1: It's just so beat usy this but yeah, a. 347 00:16:08,680 --> 00:16:15,320 Speaker 2: That that could be on the side the stairs, the 348 00:16:15,360 --> 00:16:17,040 Speaker 2: bit where it cuts back to the me and you. 349 00:16:17,520 --> 00:16:25,800 Speaker 2: It's coming out. It's quite. 350 00:16:37,160 --> 00:16:37,560 Speaker 3: So good. 351 00:16:37,920 --> 00:16:41,000 Speaker 2: What is it about the song song? 352 00:16:41,800 --> 00:16:42,720 Speaker 4: Can I play one as well? 353 00:16:42,920 --> 00:16:43,080 Speaker 2: Yeah? 354 00:16:43,280 --> 00:16:46,560 Speaker 4: Because we're playing songs that no one even celebrates as 355 00:16:46,640 --> 00:16:48,080 Speaker 4: being Paul McCartney big songs. 356 00:16:48,120 --> 00:16:49,600 Speaker 2: He it's from London town. 357 00:16:49,880 --> 00:16:52,520 Speaker 4: Oh yeah, I mean, listen to this freaking song here. 358 00:16:53,520 --> 00:16:54,280 Speaker 3: It's so good. 359 00:16:56,280 --> 00:17:03,840 Speaker 2: It's not it's not a song. Oh what what's this? 360 00:17:04,840 --> 00:17:06,840 Speaker 1: I can will you another day? 361 00:17:10,920 --> 00:17:13,800 Speaker 6: And Jill, I can't do. 362 00:17:14,000 --> 00:17:16,000 Speaker 2: People get angry at one. It's because there's a better, 363 00:17:16,080 --> 00:17:16,640 Speaker 2: a soft. 364 00:17:17,920 --> 00:17:19,320 Speaker 3: This is just mycan sold. 365 00:17:19,960 --> 00:17:22,959 Speaker 4: This is mechanild and everything flutter. 366 00:17:26,240 --> 00:17:28,520 Speaker 3: But another lonely night? 367 00:17:32,400 --> 00:17:33,040 Speaker 6: My take? 368 00:17:34,480 --> 00:17:36,439 Speaker 2: What did fool say about? That's when you sit there, 369 00:17:36,440 --> 00:17:38,000 Speaker 2: you love the song and you say, I'll pass off. 370 00:17:38,080 --> 00:17:40,960 Speaker 1: We've only got each other, so. 371 00:17:47,400 --> 00:17:47,879 Speaker 3: Oh here we go. 372 00:17:48,640 --> 00:17:51,879 Speaker 6: What that is to me? 373 00:17:52,200 --> 00:17:52,400 Speaker 5: Right? 374 00:17:54,240 --> 00:17:54,480 Speaker 4: Yeah? 375 00:17:55,680 --> 00:18:19,600 Speaker 6: No lonely nights, no mong this but like he so good. 376 00:18:20,640 --> 00:18:22,320 Speaker 4: I love how he can drop beetles like that and 377 00:18:22,400 --> 00:18:24,479 Speaker 4: you go, he's doing a beetles, but you goes, oh 378 00:18:24,520 --> 00:18:25,080 Speaker 4: he was a beetle. 379 00:18:26,000 --> 00:18:26,200 Speaker 2: Oh. 380 00:18:28,240 --> 00:18:30,959 Speaker 8: I got so much love for coming, so much love 381 00:18:31,040 --> 00:18:36,159 Speaker 8: for Jim's just everything about him, Like I love us 382 00:18:36,160 --> 00:18:38,359 Speaker 8: again anyway for that. 383 00:18:40,160 --> 00:18:41,160 Speaker 4: You put. 384 00:18:49,080 --> 00:18:51,480 Speaker 3: Right off of its range because right at the top 385 00:18:51,520 --> 00:18:53,239 Speaker 3: of the vocal range being poor. 386 00:18:53,320 --> 00:18:55,160 Speaker 4: My Cardie has got a whole nother boat coming out 387 00:18:56,160 --> 00:19:03,359 Speaker 4: y the streamers as I love this. 388 00:19:03,480 --> 00:19:04,240 Speaker 5: My Sonna. 389 00:19:13,600 --> 00:19:33,160 Speaker 3: Che got this guitar solo those benches. I guess. 390 00:19:34,720 --> 00:19:36,320 Speaker 2: It would I be. 391 00:19:50,680 --> 00:19:51,160 Speaker 6: Great song. 392 00:19:51,240 --> 00:19:53,679 Speaker 4: I've got a friend who works for pau McCartney now, 393 00:19:54,800 --> 00:19:57,560 Speaker 4: and she sent me every Beatles single that's ever been 394 00:19:57,600 --> 00:19:58,840 Speaker 4: released on seven inch the other day. 395 00:20:00,000 --> 00:20:01,560 Speaker 2: Do you know what Paul McCartney's fact? 396 00:20:01,760 --> 00:20:04,760 Speaker 4: You seen me every Beatles single that's been released on 397 00:20:04,920 --> 00:20:06,840 Speaker 4: seven and that's yeah. 398 00:20:07,320 --> 00:20:09,760 Speaker 2: What is Paul McCartney's favorite song? Do you think that 399 00:20:09,920 --> 00:20:16,040 Speaker 2: there are the songs that he's written yesterday? No, I no, Here, 400 00:20:16,160 --> 00:20:18,040 Speaker 2: There and everywhere? Great? 401 00:20:18,280 --> 00:20:20,639 Speaker 5: Its aid doctor SEUs Novel. I think Jerry mistaken. 402 00:20:20,960 --> 00:20:24,600 Speaker 2: Here There, I don't, I'm off And he said I'm off, 403 00:20:24,600 --> 00:20:26,600 Speaker 2: and alse what my favorite song I've ever written is? 404 00:20:26,640 --> 00:20:28,600 Speaker 2: And I don't ever really want to answer it, but 405 00:20:28,920 --> 00:20:32,360 Speaker 2: if I was pushed, I would go to here, there 406 00:20:32,480 --> 00:20:35,399 Speaker 2: and everywhere. I remember writing this song while we were 407 00:20:35,440 --> 00:20:37,440 Speaker 2: waiting for John One day. I would go for his 408 00:20:37,520 --> 00:20:40,480 Speaker 2: ours for a writing session. He wasn't always up, so 409 00:20:40,640 --> 00:20:43,919 Speaker 2: I'd start writing and I wrote that one, you know, the. 410 00:20:44,560 --> 00:20:47,679 Speaker 3: No More Lonely notes Caitaslo that I was absolutely zumping 411 00:20:47,720 --> 00:20:52,080 Speaker 3: over just before David Gilmore from Pink Floyd Oh Ship. 412 00:20:52,240 --> 00:20:53,919 Speaker 3: Well you can do that when you're Paul McCarty. 413 00:20:54,280 --> 00:20:57,159 Speaker 2: You can just call someone up and say, hey, Paul McCarty. 414 00:20:57,040 --> 00:20:58,120 Speaker 1: I'm singing a song. 415 00:21:00,080 --> 00:21:07,280 Speaker 2: League, you can do anything. Gilmore, I'm singing a song. 416 00:21:07,520 --> 00:21:09,280 Speaker 2: I'm not heavy. The one thing I have no love 417 00:21:09,359 --> 00:21:12,800 Speaker 2: for Paul McCartney is his runs. Why it's just an 418 00:21:12,840 --> 00:21:14,280 Speaker 2: intense runs. He could do better than that. 419 00:21:14,840 --> 00:21:17,000 Speaker 4: He could at Another thing I don't like is when 420 00:21:17,000 --> 00:21:20,240 Speaker 4: he admitted that when he when he was young and 421 00:21:20,680 --> 00:21:24,120 Speaker 4: they hadn't had much woman that'd sit in the dark 422 00:21:24,119 --> 00:21:27,119 Speaker 4: and John would say names of hot woman from the 423 00:21:27,200 --> 00:21:28,600 Speaker 4: movies and stuff, or people from school. 424 00:21:30,000 --> 00:21:30,800 Speaker 2: Yeah, that's a bit weird. 425 00:21:31,119 --> 00:21:33,400 Speaker 4: He'd be like, Look, he'd be like Rita Hayward. 426 00:21:36,280 --> 00:21:42,200 Speaker 2: But as Marilyn Monroe yesterday and and the dog in 427 00:21:42,320 --> 00:21:46,119 Speaker 2: the podcast with Steve Brauneus, I mean, who in this 428 00:21:46,280 --> 00:21:49,200 Speaker 2: room doesn't have something? Nobody has anything that they don't want. 429 00:21:49,240 --> 00:21:56,800 Speaker 5: You know, Okay, lights out route it, let's go, all right, 430 00:21:57,800 --> 00:21:59,760 Speaker 5: said the name to you Steve Boys or the like, 431 00:22:02,480 --> 00:22:05,120 Speaker 5: whoa how was Steve you stair? 432 00:22:05,200 --> 00:22:05,560 Speaker 6: Was he right? 433 00:22:05,760 --> 00:22:07,120 Speaker 2: It was a really freaking good chat. 434 00:22:08,160 --> 00:22:09,399 Speaker 4: Go back and listen to that one rather than this 435 00:22:09,520 --> 00:22:11,960 Speaker 4: one that was really good in depth look into Pokinghorn 436 00:22:12,040 --> 00:22:12,679 Speaker 4: and actually. 437 00:22:12,440 --> 00:22:14,560 Speaker 2: We can't say was it's nice? 438 00:22:14,720 --> 00:22:16,600 Speaker 4: And I'll tell you what. We can't actually say what 439 00:22:16,760 --> 00:22:19,600 Speaker 4: he said. But he told us about some bond shell 440 00:22:19,800 --> 00:22:22,359 Speaker 4: evidence that's coming out very soon that is going to 441 00:22:22,400 --> 00:22:24,760 Speaker 4: flip this whole thing on its head, this whole polking 442 00:22:24,840 --> 00:22:29,639 Speaker 4: Horn situation is all right, okay, okay, all right, actually, bluddy, 443 00:22:30,000 --> 00:22:31,080 Speaker 4: I'm going to shove that and. 444 00:22:31,320 --> 00:22:33,280 Speaker 5: Up on the conclave if you want to go on. Okay, 445 00:22:33,560 --> 00:22:36,080 Speaker 5: today's what's it called when you'd get like when you 446 00:22:36,160 --> 00:22:37,920 Speaker 5: were doing an assignment and you'd have to read like 447 00:22:38,000 --> 00:22:39,119 Speaker 5: additional text. 448 00:22:39,280 --> 00:22:44,600 Speaker 2: Ah material, additional material, research material. I've just posted today's podcast, 449 00:22:44,640 --> 00:22:46,840 Speaker 2: research the readings. You got to go and do the reading. 450 00:22:48,240 --> 00:22:54,160 Speaker 4: Yeah, all right, all right, the same bloody busy. Actually, hello, 451 00:22:54,320 --> 00:22:56,800 Speaker 4: I'm Matt Heath. You have been listening to the Matt 452 00:22:56,840 --> 00:22:59,960 Speaker 4: and Jerry Daily Bespoke podcast. Right now you can listen 453 00:23:00,160 --> 00:23:04,160 Speaker 4: to our Radio Highlights podcast, which you will absolutely get 454 00:23:04,200 --> 00:23:07,879 Speaker 4: barred up about anyway, sit to download, like, subscribe, write, review, 455 00:23:07,960 --> 00:23:10,440 Speaker 4: all those great things. It really helps myself and Jerry 456 00:23:10,560 --> 00:23:12,920 Speaker 4: and to a lesser extent, mess and ruder. If you 457 00:23:12,960 --> 00:23:15,120 Speaker 4: want to discuss anything raised in this pod, check out 458 00:23:15,160 --> 00:23:17,920 Speaker 4: the Conclave, a Matt and Jerry Facebook discussion group. And 459 00:23:18,000 --> 00:23:20,919 Speaker 4: while I'm plugging stuff, my book A Lifeless Punishing Thirteen 460 00:23:20,960 --> 00:23:23,360 Speaker 4: Ways to Love the Life You Got is out. Now 461 00:23:23,520 --> 00:23:26,040 Speaker 4: get it wherever you get your books, or just google 462 00:23:26,160 --> 00:23:29,200 Speaker 4: the bastard. Anyway you seem busy, I'll let you go. 463 00:23:29,760 --> 00:23:32,119 Speaker 4: Bless Blessed, blessed. Give them a taste of key we 464 00:23:32,240 --> 00:23:32,520 Speaker 4: from me,