1 00:00:00,880 --> 00:00:05,080 Speaker 1: For all your mad bastards loving the Big Show podcast, 2 00:00:05,320 --> 00:00:07,240 Speaker 1: Get up even Closer. 3 00:00:06,960 --> 00:00:11,559 Speaker 2: On Instagram, YouTube and ticked off for raw targets. 4 00:00:11,119 --> 00:00:19,200 Speaker 3: For seven every weekday on radio. 5 00:00:19,640 --> 00:00:21,320 Speaker 1: That is the worst. 6 00:00:22,720 --> 00:00:24,120 Speaker 2: Jasey love a Belch brother. 7 00:00:25,560 --> 00:00:28,960 Speaker 1: I hate beouchers more than I hate fathers fathers. 8 00:00:29,280 --> 00:00:29,720 Speaker 2: That right. 9 00:00:29,800 --> 00:00:34,720 Speaker 3: Yeah. I had a mate, me mate, the Master Fader who. 10 00:00:34,680 --> 00:00:38,760 Speaker 1: Every erind no ivery fucking know his name is Aaron. Actually, 11 00:00:39,680 --> 00:00:42,240 Speaker 1: every fucking morning when we would have breakfast at the school, 12 00:00:43,200 --> 00:00:48,280 Speaker 1: he would eat his breakfast then drink a massive carton 13 00:00:48,360 --> 00:00:55,080 Speaker 1: of milk and let out the most disgusting foul bouchers 14 00:00:55,320 --> 00:00:57,800 Speaker 1: every single day. And that did my head. To give 15 00:00:57,840 --> 00:01:00,800 Speaker 1: you wood, It didn't give me wood. He was also 16 00:01:00,960 --> 00:01:02,800 Speaker 1: he he was a weird dude. 17 00:01:02,880 --> 00:01:04,640 Speaker 2: Like so, he was a weird dude. 18 00:01:04,640 --> 00:01:08,080 Speaker 1: He'd have he'd have toast, right, yeah, and he'd do 19 00:01:08,160 --> 00:01:11,280 Speaker 1: the mamte first and then he'd put the butter on top, 20 00:01:11,360 --> 00:01:13,000 Speaker 1: and they go, Aaron, why are you doing that? 21 00:01:13,040 --> 00:01:13,200 Speaker 3: Man? 22 00:01:13,280 --> 00:01:15,560 Speaker 1: He'd go, who goes down the fucking zwme way? 23 00:01:15,600 --> 00:01:18,000 Speaker 2: Man, you keep doing the north through and you fuck 24 00:01:18,080 --> 00:01:18,800 Speaker 2: with you And it. 25 00:01:18,800 --> 00:01:20,920 Speaker 1: Was just like, what what are you doing. 26 00:01:20,680 --> 00:01:22,880 Speaker 2: With your life? And what is he doing? With his 27 00:01:22,920 --> 00:01:27,000 Speaker 2: life down in Huntley. Yeah. 28 00:01:27,160 --> 00:01:29,600 Speaker 1: No, Actually, I've got to be honest with your fellows. 29 00:01:29,600 --> 00:01:30,880 Speaker 2: I've got to be honest with you. 30 00:01:31,160 --> 00:01:33,759 Speaker 1: He was a really good looking fella. Did you give 31 00:01:33,800 --> 00:01:36,080 Speaker 1: him to him? I think he's a fisherman. I think 32 00:01:36,080 --> 00:01:40,400 Speaker 1: he's a fisherman. Yeah, genuinely. But he was a Stallion 33 00:01:41,640 --> 00:01:42,160 Speaker 1: boys school. 34 00:01:42,240 --> 00:01:43,319 Speaker 2: He was a Stallion? Was he just? 35 00:01:44,200 --> 00:01:45,880 Speaker 1: But I mean, you know, you go on the shower 36 00:01:45,920 --> 00:01:46,520 Speaker 1: block and it. 37 00:01:46,520 --> 00:01:49,880 Speaker 3: Was like, I'm just going to go now right because 38 00:01:49,920 --> 00:01:51,720 Speaker 3: his body was so beautiful. 39 00:01:51,720 --> 00:01:53,400 Speaker 1: His body and appendages. 40 00:01:53,440 --> 00:01:55,520 Speaker 3: But you've got a massive down CSJ. So was that 41 00:01:55,600 --> 00:01:56,800 Speaker 3: sort of growing over the years. 42 00:01:57,960 --> 00:02:00,080 Speaker 1: Well, mine's more of what do you call it a 43 00:02:00,160 --> 00:02:02,920 Speaker 1: show and grow? Is it a show and grow? No? 44 00:02:04,200 --> 00:02:06,080 Speaker 3: Leave it with them, Leave it with them. You see 45 00:02:06,080 --> 00:02:06,680 Speaker 3: how it goes? 46 00:02:06,800 --> 00:02:11,280 Speaker 1: Yeah, you know, surf to look at to look at Max, 47 00:02:11,680 --> 00:02:13,960 Speaker 1: to look at it, and it's reclining. 48 00:02:14,080 --> 00:02:16,640 Speaker 2: You to recline like a lazy but you go hands 49 00:02:16,639 --> 00:02:19,000 Speaker 2: behind its head. Is all good. 50 00:02:19,160 --> 00:02:21,280 Speaker 1: But then when it's enraged. 51 00:02:21,600 --> 00:02:25,400 Speaker 3: It starts effing and Jeff doesn't find hard to maintain 52 00:02:25,440 --> 00:02:28,200 Speaker 3: its anger as the years of going on, man does 53 00:02:28,200 --> 00:02:32,000 Speaker 3: it sure fires up and then it's like it starts 54 00:02:32,040 --> 00:02:38,480 Speaker 3: getting It's like, yeah, got to do some more reclining. 55 00:02:38,639 --> 00:02:40,160 Speaker 1: How's your rage? You're going kesy? 56 00:02:41,240 --> 00:02:44,480 Speaker 4: Rock solid as far as yeah, good as gold, rock 57 00:02:44,639 --> 00:02:47,799 Speaker 4: solid like a rock yeah yeah yeah, yeah. 58 00:02:47,760 --> 00:02:50,799 Speaker 2: Yeah, you know, good stuff. Well, when does it stop happening? Hey? 59 00:02:50,840 --> 00:02:53,480 Speaker 1: I tell you what. It's great to have all the 60 00:02:53,520 --> 00:02:53,960 Speaker 1: team back. 61 00:02:54,800 --> 00:02:59,200 Speaker 2: Everybody, welcome back, welcome back. It's great. That's so great. 62 00:02:59,600 --> 00:03:00,679 Speaker 1: When does what start to happen? 63 00:03:00,760 --> 00:03:03,800 Speaker 2: Kezy? When do you? When does your ranger go away? 64 00:03:04,720 --> 00:03:08,320 Speaker 1: Varies from person to person, I imagine, and you know, 65 00:03:08,639 --> 00:03:10,480 Speaker 1: I've got I've got a hell of a way to live. 66 00:03:10,600 --> 00:03:14,720 Speaker 4: There is yours like that famous statue of the eight 67 00:03:14,840 --> 00:03:16,160 Speaker 4: soldiers putting the flag up. 68 00:03:16,720 --> 00:03:17,120 Speaker 2: Yeah it is. 69 00:03:17,160 --> 00:03:19,120 Speaker 3: It's our flags of our father, they call it. 70 00:03:19,200 --> 00:03:19,440 Speaker 2: Yeah. 71 00:03:19,639 --> 00:03:22,880 Speaker 3: I was directed by Clint Eastwood. Do you ever notice 72 00:03:23,560 --> 00:03:28,280 Speaker 3: it's the flag of a regima, you know, and there's 73 00:03:28,280 --> 00:03:31,360 Speaker 3: those guys erecting it. Yes, six guys trying to get 74 00:03:31,400 --> 00:03:31,640 Speaker 3: it up. 75 00:03:32,480 --> 00:03:35,920 Speaker 1: I'm always fascinated by like Greek statues and just male 76 00:03:36,000 --> 00:03:39,120 Speaker 1: nudity in general and male nudity in general. But those statues, 77 00:03:39,360 --> 00:03:42,960 Speaker 1: how tiny they always are. I mean, I suppose. 78 00:03:43,120 --> 00:03:45,080 Speaker 3: Well when he was standing for that, and he would 79 00:03:45,080 --> 00:03:46,040 Speaker 3: have been standing for that. 80 00:03:46,120 --> 00:03:49,000 Speaker 2: It's probably quite cold, very cold. Yeah. 81 00:03:49,040 --> 00:03:52,800 Speaker 1: And also it would be weird if you had a 82 00:03:52,800 --> 00:03:54,720 Speaker 1: statue with a massive shine. 83 00:03:54,520 --> 00:03:57,640 Speaker 3: And Michaelangelo is a notorious ruder as well, there would 84 00:03:57,680 --> 00:03:59,960 Speaker 3: have been some nervousness around that as he was there again, 85 00:04:00,040 --> 00:04:01,320 Speaker 3: Oh god, when're you going to try? 86 00:04:01,320 --> 00:04:02,560 Speaker 2: And really? 87 00:04:02,920 --> 00:04:05,760 Speaker 3: Right? Yeah, it's quite a pay Have you seen that? 88 00:04:05,800 --> 00:04:09,120 Speaker 3: And you wouldn't have seen that in person? Oh no, David? 89 00:04:09,200 --> 00:04:12,240 Speaker 2: I mean is that in Greece or is that in London? 90 00:04:12,840 --> 00:04:15,640 Speaker 4: I think it's in Greasy Okay, yeah, because I went 91 00:04:15,680 --> 00:04:17,160 Speaker 4: to London and saw a whole lot of his works 92 00:04:17,160 --> 00:04:18,279 Speaker 4: that have been cut off the wall. 93 00:04:18,760 --> 00:04:22,280 Speaker 3: It's pretty cool. Yeah, it's cool. That's the trek in 94 00:04:22,320 --> 00:04:23,800 Speaker 3: their arms are off and all that sort of shit. 95 00:04:23,839 --> 00:04:24,520 Speaker 3: It's good stuff. 96 00:04:24,560 --> 00:04:27,400 Speaker 4: And the Christians went through and chopped off all the 97 00:04:27,440 --> 00:04:29,919 Speaker 4: bullos and and did you know that all the bullers 98 00:04:29,920 --> 00:04:31,599 Speaker 4: They chopped off all the statues and replaced with the 99 00:04:31,600 --> 00:04:33,840 Speaker 4: cabbage leaves. Those are all just in a back room 100 00:04:33,880 --> 00:04:37,040 Speaker 4: and the Vatican the cabbage leaves or the bullers, the bullos, 101 00:04:37,760 --> 00:04:39,440 Speaker 4: the leaves a where the bullos were. 102 00:04:39,839 --> 00:04:40,680 Speaker 2: It's in Italy. 103 00:04:41,080 --> 00:04:45,040 Speaker 3: The original David statue is located in the true, be true, Bean, 104 00:04:45,080 --> 00:04:49,040 Speaker 3: that's probably not right true buying into the Academia Gallery 105 00:04:49,080 --> 00:04:50,560 Speaker 3: in Florence, Italy. 106 00:04:50,600 --> 00:04:54,719 Speaker 1: Haven't been there, so they'll have like a massive tupperware 107 00:04:54,760 --> 00:04:56,080 Speaker 1: container full of bullers. 108 00:04:56,279 --> 00:04:58,960 Speaker 3: And feast your eyes on that down stairs operation Keezy. 109 00:04:59,279 --> 00:05:03,040 Speaker 3: Look at it, Look at look at him drinking the gutters. Yeah, 110 00:05:03,080 --> 00:05:03,839 Speaker 3: pretty good gutters. 111 00:05:05,320 --> 00:05:06,279 Speaker 2: Shout to the camera that. 112 00:05:07,360 --> 00:05:10,400 Speaker 3: The whole Archy B Show one days from four on 113 00:05:10,560 --> 00:05:16,600 Speaker 3: Radio Hierarchy, They Big Show podcast. 114 00:05:16,680 --> 00:05:18,400 Speaker 1: Have you guys ever done nude modeling? 115 00:05:20,560 --> 00:05:25,360 Speaker 3: No? But I made of mind dude, Yeah, yeah, he 116 00:05:25,400 --> 00:05:28,640 Speaker 3: did it at university at while he was going to 117 00:05:28,680 --> 00:05:31,599 Speaker 3: attend him Messy. He was attending Messy and Parmerson North 118 00:05:32,440 --> 00:05:36,040 Speaker 3: and he would go along and do that. And what happened? 119 00:05:36,839 --> 00:05:41,040 Speaker 3: What happened somehow, I'm guessing arection. Somehow everybody found out 120 00:05:41,560 --> 00:05:44,080 Speaker 3: that he was the life model for the right. 121 00:05:44,120 --> 00:05:47,279 Speaker 2: So he's about eighteen. Hell of a rugby player. 122 00:05:47,360 --> 00:05:50,880 Speaker 3: I'm going to add him here, Old Sulzy and he 123 00:05:51,160 --> 00:05:53,840 Speaker 3: was the selectors for the New Zealand under twenty one 124 00:05:53,920 --> 00:05:55,760 Speaker 3: were at a game watching him, players playing for Horrif 125 00:05:56,800 --> 00:05:58,440 Speaker 3: and he was as he was running around, he played 126 00:05:58,480 --> 00:06:00,480 Speaker 3: flanker as he was running around. He's singing to himself, 127 00:06:00,480 --> 00:06:02,120 Speaker 3: this is the best game of rugby I've ever played 128 00:06:02,120 --> 00:06:04,960 Speaker 3: in my life. He was a fucking animal and he 129 00:06:05,040 --> 00:06:07,719 Speaker 3: had a ruck and someone hit him, came in behind 130 00:06:07,760 --> 00:06:08,599 Speaker 3: and broke his neck. 131 00:06:08,920 --> 00:06:11,400 Speaker 2: Oh far out, So that was the end of that. 132 00:06:12,240 --> 00:06:14,359 Speaker 3: However, he did get he got the you know, like 133 00:06:14,400 --> 00:06:18,560 Speaker 3: the scaffolding around his head, and he's up and about 134 00:06:18,600 --> 00:06:19,880 Speaker 3: now he's all good. But that was the end of 135 00:06:19,920 --> 00:06:22,440 Speaker 3: the rugby. One of the boys had a twenty first. 136 00:06:23,240 --> 00:06:24,760 Speaker 3: One of the boys had a twenty first and the 137 00:06:24,760 --> 00:06:26,600 Speaker 3: theme was s He had to get dressed up as 138 00:06:26,600 --> 00:06:29,880 Speaker 3: something beginning with sight. So one of my other mates 139 00:06:30,000 --> 00:06:32,800 Speaker 3: raz he'd win his souls and he made his own 140 00:06:32,839 --> 00:06:37,720 Speaker 3: scaffolding just to rub it into my mate with a 141 00:06:37,720 --> 00:06:40,640 Speaker 3: broken neck. But yeah, the boys found out about him 142 00:06:40,680 --> 00:06:44,719 Speaker 3: doing his live nude thingy, and so they all went. 143 00:06:46,240 --> 00:06:48,119 Speaker 3: They all turned up, they all paid to go along, 144 00:06:48,160 --> 00:06:51,760 Speaker 3: and so is turned up and there's all of the 145 00:06:51,800 --> 00:06:56,560 Speaker 3: rest of the flat are there going with crayons. 146 00:06:57,760 --> 00:07:00,400 Speaker 2: Hb. That didn't even bring any pen or paper. 147 00:07:02,480 --> 00:07:02,919 Speaker 1: I don't know that. 148 00:07:02,960 --> 00:07:05,760 Speaker 2: I tell very brave thing for a man from doing 149 00:07:05,880 --> 00:07:12,080 Speaker 2: that kind of age. Sorry, just quickly suls suss mag and. 150 00:07:12,960 --> 00:07:18,160 Speaker 3: Well I wasn't then I'm not telling you sloth sloth 151 00:07:18,960 --> 00:07:22,960 Speaker 3: also slug farm, slug far that's right, and yeah, that's 152 00:07:23,280 --> 00:07:24,120 Speaker 3: variations there. 153 00:07:24,360 --> 00:07:26,080 Speaker 2: What a great name. I'm picturing the guys from the 154 00:07:26,120 --> 00:07:30,360 Speaker 2: in between us. For some reason, I. 155 00:07:32,720 --> 00:07:36,480 Speaker 1: Just on the old nude modeling. I don't know, I 156 00:07:36,480 --> 00:07:41,440 Speaker 1: can really tell you. And he's a good maid of mine, 157 00:07:41,560 --> 00:07:44,640 Speaker 1: and can I just en you both know him very 158 00:07:44,840 --> 00:07:45,840 Speaker 1: very well. And he's not. 159 00:07:45,880 --> 00:07:47,120 Speaker 2: Brendan, okay. 160 00:07:47,120 --> 00:07:53,560 Speaker 1: And he went to art school, okay. And so they 161 00:07:53,600 --> 00:07:55,560 Speaker 1: had a nude model coming and they had. 162 00:07:55,440 --> 00:07:57,880 Speaker 2: To draw the nude model a man or a lady. 163 00:07:58,000 --> 00:08:03,119 Speaker 1: A lady, and this particular person how many out of five? 164 00:08:04,880 --> 00:08:09,480 Speaker 1: Johnny said, he's out of him. It was like she 165 00:08:09,720 --> 00:08:13,720 Speaker 1: was beautiful. But anyway, so they all took up the 166 00:08:13,720 --> 00:08:15,920 Speaker 1: position and then she assumed her position. 167 00:08:16,440 --> 00:08:20,640 Speaker 3: Oh god, she didn't put herself in and did she 168 00:08:20,680 --> 00:08:21,640 Speaker 3: have orthopedic slippers. 169 00:08:21,760 --> 00:08:28,520 Speaker 1: Let's just say she was sort of arched forward, kind 170 00:08:28,520 --> 00:08:30,760 Speaker 1: of like when you fell over on the steps. 171 00:08:30,400 --> 00:08:34,000 Speaker 2: They shoulder like a dragon. 172 00:08:34,080 --> 00:08:38,040 Speaker 1: Yeah, but and that position and Johnny completely he had 173 00:08:38,040 --> 00:08:43,480 Speaker 1: already seated himself, was looking right right in the line 174 00:08:43,520 --> 00:08:47,720 Speaker 1: of fire, and and he was so mortified and shocked 175 00:08:47,800 --> 00:08:50,760 Speaker 1: and he just couldn't really look, and he was trying 176 00:08:50,800 --> 00:08:55,600 Speaker 1: to draw it, and apparently his tutor came up behind 177 00:08:55,640 --> 00:08:57,120 Speaker 1: him and put his hand on his shoulder and had 178 00:08:57,120 --> 00:09:00,760 Speaker 1: a look and went sweet Jesus, and then just walked 179 00:09:00,800 --> 00:09:05,680 Speaker 1: off again. And Johnny was like desperately trying not to 180 00:09:05,720 --> 00:09:06,760 Speaker 1: make a big issue of it. 181 00:09:07,120 --> 00:09:10,280 Speaker 2: He said, sweet Jesus about his drawing, or about about 182 00:09:10,320 --> 00:09:11,319 Speaker 2: the person. 183 00:09:13,160 --> 00:09:15,360 Speaker 1: Might not have been. Sweet Jesus was like it might 184 00:09:15,360 --> 00:09:19,080 Speaker 1: have been. He just started laughing or something, then just 185 00:09:19,080 --> 00:09:22,280 Speaker 1: sort of walked off and Johnny was like, oh god, gosh, 186 00:09:22,400 --> 00:09:28,040 Speaker 1: Jesus drawing, You know, but I don't know if I'd 187 00:09:28,040 --> 00:09:31,040 Speaker 1: be into doing nude modeling, and I think I don't 188 00:09:31,480 --> 00:09:32,199 Speaker 1: comfortable enough. 189 00:09:33,640 --> 00:09:38,360 Speaker 2: You probably get a bit of work to workshopping, and 190 00:09:38,360 --> 00:09:40,520 Speaker 2: that the beast. 191 00:09:40,679 --> 00:09:42,840 Speaker 1: The deformities totally. 192 00:09:42,840 --> 00:09:45,319 Speaker 2: I would, I definitely. And then they do. 193 00:09:45,320 --> 00:09:48,120 Speaker 1: They do the picture and no, hang on, that's massively 194 00:09:48,160 --> 00:09:48,760 Speaker 1: out of proportion. 195 00:09:50,320 --> 00:09:52,360 Speaker 4: Everyone would fail, and the two would walk past and 196 00:09:52,400 --> 00:09:56,720 Speaker 4: looking at me like, sweet, sweet Jesus. 197 00:09:58,840 --> 00:10:01,200 Speaker 2: I've been sending him by. You guys probably have as well. 198 00:10:01,559 --> 00:10:06,480 Speaker 3: Yeah, for the Lord of the Rings, Oh a musical tale, Oh. 199 00:10:08,000 --> 00:10:15,640 Speaker 2: My God, now this is free. 200 00:10:16,280 --> 00:10:18,760 Speaker 3: No, I just don't do musical. You know what I 201 00:10:18,840 --> 00:10:21,360 Speaker 3: might do what might make it worthwhile? Because if you 202 00:10:21,440 --> 00:10:24,880 Speaker 3: go on the mushies right yeah, yeah, true, that might 203 00:10:24,920 --> 00:10:28,680 Speaker 3: become something of a performance soon. 204 00:10:29,120 --> 00:10:33,000 Speaker 1: My wife used to book checkets for musicals all the 205 00:10:33,000 --> 00:10:35,160 Speaker 1: time just to annoy me because she knew how much 206 00:10:35,200 --> 00:10:38,160 Speaker 1: I hated them. Oh that's quite nasty. 207 00:10:38,240 --> 00:10:40,600 Speaker 2: Heh, that's really nice. You guys should break up? 208 00:10:40,720 --> 00:10:45,240 Speaker 1: Yeah, too late now peasy. Hey That Die is cast. 209 00:10:45,520 --> 00:10:48,120 Speaker 4: Four till seven every week down Radio Hodaki is the 210 00:10:48,120 --> 00:10:51,800 Speaker 4: big show you should listen to. Also, this podcast will 211 00:10:51,800 --> 00:10:53,559 Speaker 4: be available on YouTube tomorrow night if you want to 212 00:10:53,559 --> 00:10:54,720 Speaker 4: watch it. I think so. 213 00:10:54,840 --> 00:10:57,240 Speaker 2: Yeah, yeah, good ship. Pretty exciting when I see my 214 00:10:57,280 --> 00:10:57,800 Speaker 2: new haircut