1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,573 --> 00:00:11,693 Speaker 1: from Newstalk ZEDB. 3 00:00:13,453 --> 00:00:16,173 Speaker 2: Twenty three minutes past ten on news Talks eDV means 4 00:00:16,173 --> 00:00:20,093 Speaker 2: it's screen time time. Our screen time expert is Tara Awards. 5 00:00:20,133 --> 00:00:23,333 Speaker 2: She's here with her three picks for this week. Hey Tara, 6 00:00:23,573 --> 00:00:26,053 Speaker 2: good morning. Okay, let's begin with a new show Starnie 7 00:00:26,413 --> 00:00:29,733 Speaker 2: streaming on Netflix. It's a legal kind of British drama 8 00:00:30,053 --> 00:00:31,333 Speaker 2: tell Us about adolescens. 9 00:00:32,333 --> 00:00:34,333 Speaker 3: Yeah, this is a new British drama that is one 10 00:00:34,373 --> 00:00:36,413 Speaker 3: of the best things I have seen on TV in 11 00:00:36,453 --> 00:00:38,893 Speaker 3: a long time, but also also one of the most 12 00:00:38,893 --> 00:00:43,133 Speaker 3: intense and heartbreaking. This is created and written by the 13 00:00:43,173 --> 00:00:45,493 Speaker 3: actor Stephen Graham who stars in this as well, and 14 00:00:45,693 --> 00:00:47,973 Speaker 3: Jack Thorne, who created a show I talked about a 15 00:00:47,973 --> 00:00:50,933 Speaker 3: couple of weeks ago called Toxic Town. And it's directed 16 00:00:50,933 --> 00:00:53,653 Speaker 3: by Philip Baranteiny who directed Boiling Points. So there's some 17 00:00:53,733 --> 00:00:57,373 Speaker 3: real talent behind this show, and it tells the story 18 00:00:57,453 --> 00:01:00,333 Speaker 3: of a teenager who is accused of murder. Now, the 19 00:01:00,893 --> 00:01:03,173 Speaker 3: thing to know about this show is that each episode 20 00:01:03,333 --> 00:01:06,893 Speaker 3: is filmed in a single continuous take, so there are 21 00:01:06,893 --> 00:01:09,693 Speaker 3: no cutaway shots, there are no breaks in the drama. 22 00:01:09,813 --> 00:01:13,053 Speaker 3: Everything plays out in real time, So the first episode 23 00:01:13,053 --> 00:01:15,733 Speaker 3: starts with the arrest at the family house, and then 24 00:01:15,773 --> 00:01:18,853 Speaker 3: we drive to the police station and go through the 25 00:01:18,893 --> 00:01:21,493 Speaker 3: first hour of the boy being processed and interviewed, and 26 00:01:21,573 --> 00:01:24,333 Speaker 3: it feels like you're there. It feels like real life, 27 00:01:24,373 --> 00:01:27,333 Speaker 3: like you're experiencing this with these characters as it's happening, 28 00:01:27,413 --> 00:01:30,493 Speaker 3: and you just can't look away. Each of the four 29 00:01:30,533 --> 00:01:34,373 Speaker 3: episodes looks at what is actually going on with this boy, 30 00:01:34,493 --> 00:01:37,253 Speaker 3: and it's not your typical crime drama because he's a 31 00:01:37,293 --> 00:01:40,053 Speaker 3: good kid from a good family. But as the series 32 00:01:40,133 --> 00:01:42,853 Speaker 3: goes on, things like social media and the influence of 33 00:01:42,893 --> 00:01:47,613 Speaker 3: that dark in cell online culture and technology comes into play. 34 00:01:48,093 --> 00:01:52,733 Speaker 3: So it's incredibly powerful, heartbreaking television. I watched an episode 35 00:01:52,773 --> 00:01:55,413 Speaker 3: last night and I couldn't sleep afterwards. It just really 36 00:01:55,693 --> 00:02:00,933 Speaker 3: gets you from the opening moments. It's incredible. But it 37 00:02:01,013 --> 00:02:02,173 Speaker 3: is a lot as well. 38 00:02:02,373 --> 00:02:05,453 Speaker 2: Oh man, this sounds fantastic. When you say it's like 39 00:02:05,493 --> 00:02:09,533 Speaker 2: a single take, do you mean like one shot. 40 00:02:09,013 --> 00:02:12,933 Speaker 3: One shot the whole episode? So five for a few minutes, 41 00:02:13,053 --> 00:02:16,373 Speaker 3: And apparently they've they've captured a lot of behind the 42 00:02:16,413 --> 00:02:18,493 Speaker 3: scenes pottage, which I would love to see to see 43 00:02:18,493 --> 00:02:21,333 Speaker 3: how they actually because you're you're moving, You're moving through 44 00:02:21,373 --> 00:02:22,813 Speaker 3: the house, and then you're moving on the road, and 45 00:02:22,813 --> 00:02:24,973 Speaker 3: then you're moving through the police station, and it switches 46 00:02:25,013 --> 00:02:28,453 Speaker 3: from the parents to the police officers, to the lawyer 47 00:02:28,493 --> 00:02:31,653 Speaker 3: to the detective, and you're just continually moving and shifting, 48 00:02:31,773 --> 00:02:35,093 Speaker 3: and it's just like logistically incredible. 49 00:02:35,253 --> 00:02:37,573 Speaker 2: That's crazy because a few shows have tried it. I 50 00:02:37,613 --> 00:02:40,933 Speaker 2: think Bear tried it, did it for an episode, or 51 00:02:40,973 --> 00:02:43,373 Speaker 2: did like something very similar for an episode, which was 52 00:02:43,373 --> 00:02:46,533 Speaker 2: all the Beard did, which was good. And then there 53 00:02:46,573 --> 00:02:48,493 Speaker 2: was that movie as well, what was the one, you know, 54 00:02:48,493 --> 00:02:49,333 Speaker 2: the movie. 55 00:02:49,813 --> 00:02:53,173 Speaker 3: Boiling Point, which is directed by the guy who has 56 00:02:53,173 --> 00:02:56,533 Speaker 3: directed this, which also featured Stephen Graham. So a lot 57 00:02:56,613 --> 00:02:59,373 Speaker 3: of the people in this show have worked together before, 58 00:02:59,413 --> 00:03:02,013 Speaker 3: and I think that really is key to making it work. 59 00:03:02,013 --> 00:03:03,973 Speaker 3: They all really trust each other and trust the process, 60 00:03:04,013 --> 00:03:05,213 Speaker 3: and it just has paid off. 61 00:03:05,413 --> 00:03:08,253 Speaker 2: Nineteen seventeen as well, it's just as seem I'm always like, what, 62 00:03:09,093 --> 00:03:12,933 Speaker 2: why why are you doing this? Yeah? You don't have 63 00:03:13,013 --> 00:03:14,493 Speaker 2: to do this? Yeah yeah, yeah. 64 00:03:14,533 --> 00:03:16,493 Speaker 3: I think I think the director was asking himself the 65 00:03:16,493 --> 00:03:18,293 Speaker 3: same thing because it's just such a mission. 66 00:03:18,453 --> 00:03:22,613 Speaker 2: Yeahs fantastic though, great recommendation. Okay, so that's Adolescence. That's 67 00:03:22,653 --> 00:03:25,373 Speaker 2: on Netflix now on Apple TV plus tell us about 68 00:03:25,413 --> 00:03:25,973 Speaker 2: Dope Thief. 69 00:03:26,933 --> 00:03:29,253 Speaker 3: Yeah, another crime drama. This one has quite a different 70 00:03:29,373 --> 00:03:31,653 Speaker 3: feel to it though. This is gritty and dark and 71 00:03:32,373 --> 00:03:35,733 Speaker 3: time's really really funny. This is said in Philadelphia and 72 00:03:35,773 --> 00:03:38,653 Speaker 3: the first episode as directed by Ridley Scott, who also 73 00:03:38,773 --> 00:03:42,453 Speaker 3: executive produced this. But Dope Thief is about two longtime 74 00:03:42,493 --> 00:03:46,613 Speaker 3: friends and low level criminals who run this scheme where 75 00:03:46,613 --> 00:03:49,493 Speaker 3: they pretend to be police officers, so they run into 76 00:03:49,533 --> 00:03:51,893 Speaker 3: drug houses pretending to be the law. They take all 77 00:03:51,893 --> 00:03:53,773 Speaker 3: the money and the drugs that they can find, and 78 00:03:53,813 --> 00:03:56,733 Speaker 3: then they sell what they can take and it's a 79 00:03:56,813 --> 00:03:59,613 Speaker 3: very successful plan until they choose the wrong neighborhood and 80 00:03:59,653 --> 00:04:02,693 Speaker 3: the wrong house and find themselves and over their head 81 00:04:02,693 --> 00:04:06,133 Speaker 3: and tangled up in a real undercover police case. Now, 82 00:04:06,373 --> 00:04:07,933 Speaker 3: this is not the type of show that I would 83 00:04:07,973 --> 00:04:10,333 Speaker 3: usually watch, but I really enjoyed this. It feels like 84 00:04:10,373 --> 00:04:14,093 Speaker 3: a cross between The Wire and Breaking Bad, with a 85 00:04:14,093 --> 00:04:17,453 Speaker 3: lot of humor as well. The writing is sharp and 86 00:04:17,493 --> 00:04:20,533 Speaker 3: self aware, and the two main characters are really likable 87 00:04:20,533 --> 00:04:23,933 Speaker 3: and sympathetic, and the show shifts between the more serious 88 00:04:23,973 --> 00:04:26,213 Speaker 3: moments of drama and those moments of comedy quite well 89 00:04:26,253 --> 00:04:29,213 Speaker 3: as well. So it's taking that heist format and playing 90 00:04:29,213 --> 00:04:31,133 Speaker 3: with it a little bit, but still keeping all the 91 00:04:31,173 --> 00:04:33,533 Speaker 3: shootouts and the chases that people would expect. 92 00:04:33,653 --> 00:04:35,733 Speaker 2: Yeah right, Okay, cool, that's Dope Thief. So that's on 93 00:04:35,773 --> 00:04:38,613 Speaker 2: Apple TV Plus and on Netflix a brand new season 94 00:04:38,733 --> 00:04:40,693 Speaker 2: of IF One Drive to Survive. 95 00:04:41,653 --> 00:04:44,213 Speaker 3: Yeah, the seventh season of Drive to Survive. And I 96 00:04:44,213 --> 00:04:46,333 Speaker 3: know we've talked about this show before, Jack, but it 97 00:04:46,413 --> 00:04:48,973 Speaker 3: is one of the best sports documentary series out there. 98 00:04:49,773 --> 00:04:51,653 Speaker 3: This is the season that go this is the series 99 00:04:51,653 --> 00:04:54,853 Speaker 3: that goes behind the scenes of Formula One and pulls 100 00:04:54,893 --> 00:04:57,773 Speaker 3: back that curtain on what really goes on and is 101 00:04:57,853 --> 00:05:00,893 Speaker 3: less about the car racing and more about the personalities 102 00:05:00,933 --> 00:05:03,533 Speaker 3: and the money and the politics that are playing out 103 00:05:03,653 --> 00:05:05,813 Speaker 3: in the background. And it's the show that has a 104 00:05:05,853 --> 00:05:08,493 Speaker 3: little bit of a everything, And I think it has 105 00:05:08,573 --> 00:05:11,373 Speaker 3: changed the way we watch sport on television over the 106 00:05:11,453 --> 00:05:14,333 Speaker 3: last few years and has also made Formula one really 107 00:05:14,373 --> 00:05:16,893 Speaker 3: accessible for a lot of people. But it takes what 108 00:05:17,013 --> 00:05:20,213 Speaker 3: is essentially cars driving around in circles and makes it entertaining. 109 00:05:20,453 --> 00:05:24,613 Speaker 3: The photography is beautiful, the editing is slick. You've got 110 00:05:24,613 --> 00:05:27,373 Speaker 3: all that juicy behind the scenes footage, and it doesn't 111 00:05:27,413 --> 00:05:29,813 Speaker 3: patronize the people who already know a lot about the 112 00:05:29,813 --> 00:05:31,533 Speaker 3: spot sport as well, which I think is quite a 113 00:05:31,573 --> 00:05:36,053 Speaker 3: tricky balance to achieve. Netflix have tried this with other 114 00:05:36,133 --> 00:05:39,693 Speaker 3: sports like golf and tennis and American football and athletics, 115 00:05:39,733 --> 00:05:42,013 Speaker 3: but Drive to Survive is the best, and I think 116 00:05:42,053 --> 00:05:44,893 Speaker 3: that's because there is so much money and ego involved 117 00:05:44,933 --> 00:05:48,013 Speaker 3: here and the action is such high stakes. This season 118 00:05:48,053 --> 00:05:51,093 Speaker 3: features Liam Lawson. The last episode of the season, episode eight, 119 00:05:51,213 --> 00:05:53,173 Speaker 3: is all about Liam, and that's a great episode. If 120 00:05:53,173 --> 00:05:55,093 Speaker 3: you just want to watch one episode of Drive to Survive, 121 00:05:55,173 --> 00:05:56,133 Speaker 3: I would watch that one. 122 00:05:56,213 --> 00:05:58,813 Speaker 2: Ah, yes, very good. I've just started it and I 123 00:05:58,853 --> 00:06:01,293 Speaker 2: was wondering, you know, when we would see his side 124 00:06:01,293 --> 00:06:03,413 Speaker 2: of things. I'm looking forward to that. I think you're right. 125 00:06:03,453 --> 00:06:06,093 Speaker 2: I think it is probably the best of the style 126 00:06:06,133 --> 00:06:08,653 Speaker 2: of thing. Although I am also a huge fan of 127 00:06:08,653 --> 00:06:12,413 Speaker 2: Tour de France unchained. Yeah, that's excellent as well. Yeah, 128 00:06:12,453 --> 00:06:14,453 Speaker 2: that's a close secondary. It's something like you say, it's 129 00:06:14,493 --> 00:06:18,693 Speaker 2: the combination of like big personalities, big money, high drama. 130 00:06:19,093 --> 00:06:19,373 Speaker 1: You know. 131 00:06:20,293 --> 00:06:22,493 Speaker 2: Anyway, that sounds superb. Thank you so much, Tara. So 132 00:06:22,533 --> 00:06:25,973 Speaker 2: those shows once again Adolescence is that fantastic new drama 133 00:06:26,173 --> 00:06:28,733 Speaker 2: the one done in a single shot on Netflix, Dope 134 00:06:28,773 --> 00:06:32,333 Speaker 2: Thiefs on Apple tv Plus and Drive to Survive Season 135 00:06:32,413 --> 00:06:34,893 Speaker 2: seven is on Netflix. And if you are an F 136 00:06:34,933 --> 00:06:38,653 Speaker 2: one fan, of course, that's being the first Formula one 137 00:06:38,853 --> 00:06:42,133 Speaker 2: race weekend of twenty twenty five and Melbourne just former day. 138 00:06:42,213 --> 00:06:43,733 Speaker 2: We've got a book that we're going to tell you about. 139 00:06:43,773 --> 00:06:46,413 Speaker 2: This amazing new book from a journo who's been chasing 140 00:06:46,453 --> 00:06:48,773 Speaker 2: the F one scene around the world. His name's Luke Smith, 141 00:06:48,813 --> 00:06:51,173 Speaker 2: and the book gives a real kind of insiders look 142 00:06:51,333 --> 00:06:54,693 Speaker 2: at Formula one, has a few really interesting little tidbits 143 00:06:54,693 --> 00:06:57,013 Speaker 2: and exclusive information, So we're going to tell you about 144 00:06:57,013 --> 00:06:57,773 Speaker 2: that for mid day. 145 00:06:58,653 --> 00:07:01,773 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 146 00:07:01,853 --> 00:07:04,653 Speaker 1: to news talks that'd b from nine am Saturday, or 147 00:07:04,773 --> 00:07:06,653 Speaker 1: follow the podcast on Iheartware Video