1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack team podcast 2 00:00:10,573 --> 00:00:11,693 Speaker 1: from News Talks AB. 3 00:00:12,773 --> 00:00:16,973 Speaker 2: Horror is dominating cinema right now. The horror genre was 4 00:00:17,013 --> 00:00:19,133 Speaker 2: the biggest winner at this year's Oscars, with the film 5 00:00:19,173 --> 00:00:23,293 Speaker 2: Sinners taking a record sixteen nominations, as well as Frankenstein 6 00:00:23,413 --> 00:00:26,733 Speaker 2: and Weapons getting their respective nods, and a man who 7 00:00:26,773 --> 00:00:30,613 Speaker 2: will forever be synonymous with the genre as the character 8 00:00:30,893 --> 00:00:35,173 Speaker 2: of Free Krueger is Robert England. Although Robert has long 9 00:00:35,253 --> 00:00:38,893 Speaker 2: since hung up his fedora striped sweater and razor fingered gloves, 10 00:00:38,933 --> 00:00:43,013 Speaker 2: he's still involved in hugely influential thriller and horror projects. 11 00:00:43,053 --> 00:00:45,853 Speaker 2: He's appeared in over eighty feature films and was most 12 00:00:45,933 --> 00:00:50,093 Speaker 2: recently involved in Netflix juggernaut Stranger Things. Robert is coming 13 00:00:50,133 --> 00:00:52,613 Speaker 2: to New Zealand very soon to meet his fans at 14 00:00:52,613 --> 00:00:55,453 Speaker 2: the Armageddon Expo, and he's with us this morning. Galda, 15 00:00:55,533 --> 00:00:56,453 Speaker 2: Good morning. 16 00:00:57,093 --> 00:00:58,373 Speaker 3: Well, good morning Jack. 17 00:00:59,613 --> 00:01:01,653 Speaker 2: It is great to be speaking with you ahead of 18 00:01:01,693 --> 00:01:05,253 Speaker 2: your New Zealand appearance. But I've got to start with 19 00:01:05,853 --> 00:01:10,333 Speaker 2: Halloween twenty twenty five, and it felt like, for whatever reason, 20 00:01:10,373 --> 00:01:14,213 Speaker 2: the universe had decent timing because Freddy Krueger got his 21 00:01:14,293 --> 00:01:17,213 Speaker 2: star on the Hollywood Walker Fame on the thirty first 22 00:01:17,213 --> 00:01:17,773 Speaker 2: of October. 23 00:01:17,813 --> 00:01:21,813 Speaker 3: How was that, Well, you know, I sort of managed 24 00:01:21,853 --> 00:01:25,173 Speaker 3: that a little bit. When I was notified that I 25 00:01:25,253 --> 00:01:28,413 Speaker 3: was going to be honored, I figured I was told 26 00:01:28,413 --> 00:01:31,573 Speaker 3: the other honorees for the year, and one of them 27 00:01:31,653 --> 00:01:37,213 Speaker 3: was John Carpenter, the great director John Carpenter, and I figured, well, 28 00:01:37,533 --> 00:01:41,733 Speaker 3: naturally John Carpenter will take the Halloween date, you know, 29 00:01:41,933 --> 00:01:46,293 Speaker 3: because of the Halloween franchise. Well he didn't. He opted 30 00:01:46,373 --> 00:01:51,213 Speaker 3: to get his star in the spring. So I said, please, sir, 31 00:01:51,733 --> 00:01:56,013 Speaker 3: you know more Porridge, I'd be happy, happy to be 32 00:01:56,093 --> 00:02:00,373 Speaker 3: honored on Halloween because it would dovetail with thematically, with 33 00:02:00,493 --> 00:02:04,293 Speaker 3: me being a horror actor. And also, we have a 34 00:02:04,333 --> 00:02:09,373 Speaker 3: tradition on Hollywood Boulevard and the adjacent West Hollywood there's 35 00:02:09,413 --> 00:02:16,293 Speaker 3: a huge Halloween parade and there's huge costume cosplay, as 36 00:02:16,293 --> 00:02:19,533 Speaker 3: we call it here in the States. People dress up 37 00:02:20,133 --> 00:02:22,693 Speaker 3: and they sort of take over the streets in that 38 00:02:22,813 --> 00:02:26,213 Speaker 3: part of town. So I knew that that festival always 39 00:02:26,293 --> 00:02:28,773 Speaker 3: goes on for Halloween. I figured it would be great 40 00:02:28,813 --> 00:02:32,533 Speaker 3: to kind of bleed no pun, intended into that with 41 00:02:32,693 --> 00:02:33,613 Speaker 3: my ceremony. 42 00:02:33,733 --> 00:02:38,213 Speaker 2: Yeah, I think at the time you mentioned being cemented 43 00:02:38,293 --> 00:02:40,853 Speaker 2: into American popular culture. I think we can kind of 44 00:02:40,853 --> 00:02:42,253 Speaker 2: broaden it out from there. I think it can be 45 00:02:42,293 --> 00:02:45,373 Speaker 2: cemented into global popular culture. But when you look back, 46 00:02:46,173 --> 00:02:49,653 Speaker 2: was there a single moment that you realized Freddy had 47 00:02:49,893 --> 00:02:52,573 Speaker 2: escaped the movies and become something bigger? 48 00:02:54,493 --> 00:02:57,253 Speaker 3: Well, there was a couple, you know. I saw a 49 00:02:57,333 --> 00:03:03,853 Speaker 3: Hell's Angel in November of eighty four. I was doing 50 00:03:03,973 --> 00:03:12,053 Speaker 3: a big holiday raid for my network then NBC in Hollywood. 51 00:03:12,653 --> 00:03:15,053 Speaker 3: They were the network that I had a television show on, 52 00:03:15,813 --> 00:03:18,973 Speaker 3: and I was promoting, still promoting this hit television series. 53 00:03:19,053 --> 00:03:22,373 Speaker 3: I had a science fiction show back then called V 54 00:03:23,173 --> 00:03:27,213 Speaker 3: for visitors, and I was at the end of the parade. 55 00:03:27,293 --> 00:03:31,573 Speaker 3: I took off my little bow tie and my suspenders 56 00:03:31,613 --> 00:03:35,853 Speaker 3: that my character wore. I was sort of this malapropping 57 00:03:36,013 --> 00:03:40,093 Speaker 3: benign alien, and I was getting a lot of fan mail, 58 00:03:40,173 --> 00:03:44,333 Speaker 3: and I was kind of going international with a success 59 00:03:44,373 --> 00:03:47,253 Speaker 3: from this show. And this Hell's Angel pulled up on 60 00:03:47,293 --> 00:03:53,053 Speaker 3: a Harley Davidson extended fork motorcycle and he got off, 61 00:03:53,533 --> 00:03:56,253 Speaker 3: and he took off his shirt and he pulled his 62 00:03:56,373 --> 00:04:01,333 Speaker 3: pants down to his knees, and he had a massive 63 00:04:02,093 --> 00:04:08,613 Speaker 3: anime styled a Japanese mafia Yak, who's a anime tattoo 64 00:04:09,013 --> 00:04:13,773 Speaker 3: of Freddie and Jason wrestling, And it went all around 65 00:04:13,813 --> 00:04:17,613 Speaker 3: his torso and down to his knees and his buttocks 66 00:04:17,613 --> 00:04:20,053 Speaker 3: and his back and his arms down to the elbows, 67 00:04:20,493 --> 00:04:23,453 Speaker 3: and it kind of moved with his muscles as he moved, 68 00:04:23,933 --> 00:04:28,653 Speaker 3: and I thought, my gun, I said, I'm really part 69 00:04:28,773 --> 00:04:32,453 Speaker 3: of some subculture here that I'm not that familiar with, 70 00:04:32,773 --> 00:04:35,613 Speaker 3: you know, because it was really crossing over between biker 71 00:04:35,693 --> 00:04:41,253 Speaker 3: culture and heavy metal and punk rock and tattoo and 72 00:04:41,373 --> 00:04:45,093 Speaker 3: goth and even as far back as then, a little 73 00:04:45,093 --> 00:04:47,733 Speaker 3: bit of anime interest, you know, because it was in 74 00:04:47,773 --> 00:04:52,653 Speaker 3: that style, you know, on this American you know, biker 75 00:04:53,093 --> 00:04:56,573 Speaker 3: and I sort of knew then. And then I was 76 00:04:56,613 --> 00:05:00,493 Speaker 3: in Europe for a nightmare, I mean, for v again 77 00:05:01,013 --> 00:05:06,493 Speaker 3: in Italy, accepting an award from my television series. And 78 00:05:06,573 --> 00:05:10,133 Speaker 3: I was in Milan and I literally we pulled up 79 00:05:10,333 --> 00:05:13,893 Speaker 3: in the limousine, my girlfriend and I and I opened 80 00:05:13,893 --> 00:05:16,853 Speaker 3: a door to let her out, and I was yanked 81 00:05:16,853 --> 00:05:20,533 Speaker 3: off my feet and passed over the crowd like I 82 00:05:20,653 --> 00:05:25,013 Speaker 3: was in some punk rock mosh pit, you know, in 83 00:05:25,093 --> 00:05:29,293 Speaker 3: front of La Scala, you know, the famed ancient Opera 84 00:05:29,333 --> 00:05:34,093 Speaker 3: House of Milan, Italy, and I and all the fans 85 00:05:34,093 --> 00:05:38,013 Speaker 3: were chanting Freddie, Freddy, Freddie. And I was there for 86 00:05:38,053 --> 00:05:41,733 Speaker 3: an entirely different project. And this was very early on 87 00:05:42,573 --> 00:05:46,173 Speaker 3: in the in the franchise history. I don't even think 88 00:05:46,213 --> 00:05:49,253 Speaker 3: we'd made part two yet, so I'm going to say 89 00:05:49,253 --> 00:05:53,373 Speaker 3: maybe early eighty five that I was there. And that 90 00:05:53,533 --> 00:05:57,973 Speaker 3: also made me realize that it was international and that 91 00:05:58,013 --> 00:06:00,533 Speaker 3: it had this life of its own, you know, you know, 92 00:06:00,573 --> 00:06:04,773 Speaker 3: in a foreign country. Literally, I'm not kidding. I was 93 00:06:04,853 --> 00:06:09,453 Speaker 3: jet lagged and they shut her all the all the buildings, 94 00:06:09,573 --> 00:06:12,293 Speaker 3: they shut her all the shops. So I went to 95 00:06:12,373 --> 00:06:16,573 Speaker 3: a local park at dawn. I couldn't sleep anymore. And 96 00:06:16,613 --> 00:06:19,853 Speaker 3: this is before I had been yanked out of the car. 97 00:06:20,013 --> 00:06:22,933 Speaker 3: But I was in this park with a zoo at down, 98 00:06:23,013 --> 00:06:26,293 Speaker 3: and well, I'll wander over and look at the zoo animals. 99 00:06:26,333 --> 00:06:28,733 Speaker 3: I'm not a big fan of zoos, but I was. 100 00:06:28,813 --> 00:06:32,013 Speaker 3: I couldn't sleep, and there were nobody in the park, 101 00:06:32,653 --> 00:06:36,933 Speaker 3: beautiful urban park in Milan, and there was no one 102 00:06:37,013 --> 00:06:41,173 Speaker 3: there except for the grandmothers. And the grandmothers were all 103 00:06:41,213 --> 00:06:46,453 Speaker 3: there with their grandchildren in the perambulators, in the baby carriages, 104 00:06:46,973 --> 00:06:50,373 Speaker 3: being walked, you know, giving giving the young mothers, you know, 105 00:06:50,533 --> 00:06:54,253 Speaker 3: a respite from motherhood, and the grandmother's getting up early 106 00:06:54,293 --> 00:06:57,053 Speaker 3: because old people get up early and pushing the babies 107 00:06:57,293 --> 00:07:02,013 Speaker 3: around the park. And the grandmothers recognized me and they 108 00:07:02,093 --> 00:07:05,413 Speaker 3: knew my name. Yeah, and I literally a couple of 109 00:07:05,413 --> 00:07:09,693 Speaker 3: them pinched my chins and said me, you know, and 110 00:07:09,853 --> 00:07:13,013 Speaker 3: they but it was they were saying, fred you know, 111 00:07:13,253 --> 00:07:17,013 Speaker 3: it's free because the Italians have a great tradition of 112 00:07:17,053 --> 00:07:19,933 Speaker 3: horror movies. They know, they're not judge thement, they're not 113 00:07:20,013 --> 00:07:24,333 Speaker 3: judgmental about them. They just think they're another genre like 114 00:07:24,373 --> 00:07:28,213 Speaker 3: the western, or the science fiction movie or the romantic comedy. 115 00:07:28,413 --> 00:07:32,093 Speaker 3: And that was my other inkling. You know that that 116 00:07:32,493 --> 00:07:38,013 Speaker 3: I that horror movies and science fiction projects travel. They 117 00:07:38,053 --> 00:07:41,613 Speaker 3: sort of speak that international language of film. 118 00:07:41,853 --> 00:07:44,213 Speaker 2: You're listening to Jack Time on Newstalks, he'd be I 119 00:07:44,253 --> 00:07:49,293 Speaker 2: am speaking too. Freddy Krueger himself, Robert England is here 120 00:07:49,693 --> 00:07:52,613 Speaker 2: for the Amagidoni ex bo. You know, it feels like 121 00:07:53,093 --> 00:07:55,173 Speaker 2: horror films are going through a bit of a moment 122 00:07:55,693 --> 00:07:57,853 Speaker 2: right now. And you know, you look at the success 123 00:07:57,853 --> 00:08:00,133 Speaker 2: of the likes of Sinners and. 124 00:08:00,213 --> 00:08:04,093 Speaker 3: You know, well, you know, I'm so proud of Sinners 125 00:08:04,453 --> 00:08:08,573 Speaker 3: for for kind of one of the first horror films 126 00:08:08,573 --> 00:08:12,573 Speaker 3: since Silence of the Lambs and then before that, perhaps 127 00:08:12,653 --> 00:08:18,213 Speaker 3: Rosemary's Baby to really kind of be taken seriously at 128 00:08:18,813 --> 00:08:22,773 Speaker 3: its time by the Academy. And I've been a member 129 00:08:22,773 --> 00:08:29,253 Speaker 3: of the Academy since nineteen seventy five. But it's just 130 00:08:29,413 --> 00:08:32,813 Speaker 3: great that that happens. I know that there's a sort 131 00:08:32,853 --> 00:08:37,413 Speaker 3: of feeling that the Academy does not respect comedy and 132 00:08:37,533 --> 00:08:41,533 Speaker 3: horror as much as genres. But I you know, Sinners 133 00:08:41,693 --> 00:08:47,653 Speaker 3: was such an amazing amalgam a mashup, you know, like 134 00:08:47,773 --> 00:08:51,533 Speaker 3: almost like a graphic novel that came alive for me. 135 00:08:52,813 --> 00:08:55,653 Speaker 3: And so many things were going on in that movie, 136 00:08:55,653 --> 00:08:59,933 Speaker 3: whether they were about either politically about race, or about 137 00:09:00,253 --> 00:09:04,173 Speaker 3: the organic nature of the growth of music and the 138 00:09:04,173 --> 00:09:08,813 Speaker 3: evolution of music in America and the influences of the 139 00:09:08,853 --> 00:09:13,653 Speaker 3: Irish and the black influence to music, and then and 140 00:09:13,693 --> 00:09:16,493 Speaker 3: then it's just totally mutated into a vampire film, and 141 00:09:16,533 --> 00:09:21,973 Speaker 3: I was like, okay, sign me up. And wonderful, wonderful 142 00:09:22,053 --> 00:09:28,133 Speaker 3: acting in that movie. So many terrific performances in that movie. Yeah, yeah, 143 00:09:28,253 --> 00:09:33,973 Speaker 3: So Sinners really, I think Sitters has really begun another 144 00:09:34,173 --> 00:09:38,013 Speaker 3: kind of renaissance. Was I sort of thought for a 145 00:09:38,053 --> 00:09:42,413 Speaker 3: minute there that maybe all the zombie projects had sort 146 00:09:42,453 --> 00:09:46,453 Speaker 3: of exhausted the audience, you know, for a while. But 147 00:09:46,933 --> 00:09:51,133 Speaker 3: you know, Sinners was so fresh and so wonderful. And 148 00:09:51,173 --> 00:09:53,493 Speaker 3: we have another one out. I don't know if it's 149 00:09:53,533 --> 00:09:56,573 Speaker 3: out in New Zealand yet, but you must see it. 150 00:09:56,573 --> 00:10:02,453 Speaker 3: It's called Weapons, and it's just so original and it 151 00:10:02,533 --> 00:10:06,213 Speaker 3: completely fakes you out, and it just has a gang 152 00:10:06,773 --> 00:10:11,093 Speaker 3: performance from Ed Harris's wife, Amy Madigan. She won the 153 00:10:11,093 --> 00:10:14,533 Speaker 3: Oscar this year, but you know, Amy's been around forever. 154 00:10:14,613 --> 00:10:18,893 Speaker 3: Most audiences know her from Field of Dreams with Kevin Costner, 155 00:10:19,293 --> 00:10:23,933 Speaker 3: but she's just rock and roll spectacular in Weapons. So 156 00:10:23,973 --> 00:10:26,253 Speaker 3: you should all check it out if you're fans of 157 00:10:26,293 --> 00:10:26,853 Speaker 3: the genre. 158 00:10:27,333 --> 00:10:29,653 Speaker 2: It's funny, like you say, there's a bit of a renaissance, 159 00:10:29,693 --> 00:10:33,933 Speaker 2: and maybe there has been a kind of underlying sense 160 00:10:34,053 --> 00:10:37,013 Speaker 2: that some people turn their noses at horror films a 161 00:10:37,013 --> 00:10:39,613 Speaker 2: little bit. But you know, they might have assumed that 162 00:10:39,653 --> 00:10:43,373 Speaker 2: horror actors, for example, just show up and snarl. But 163 00:10:43,493 --> 00:10:46,853 Speaker 2: you trained it Rada, you did Shakespeare, So how much 164 00:10:46,853 --> 00:10:49,493 Speaker 2: of that classical background is actually in Freddy Krueger. 165 00:10:50,853 --> 00:10:53,813 Speaker 3: Well, you know what that does for you when you're 166 00:10:53,853 --> 00:10:57,053 Speaker 3: trained as an actor like that. What it does is 167 00:10:57,093 --> 00:11:00,253 Speaker 3: it gives you technique if you need it. It gives 168 00:11:00,293 --> 00:11:04,573 Speaker 3: you help if you require it. And actors don't always 169 00:11:04,693 --> 00:11:08,013 Speaker 3: need it because sometimes you re script and you can 170 00:11:08,053 --> 00:11:11,253 Speaker 3: see yourself in that role in your mind's eye, and 171 00:11:11,293 --> 00:11:16,173 Speaker 3: that makes preparation a lot easier and memorization easier, and 172 00:11:16,253 --> 00:11:22,933 Speaker 3: the actual rehearsal and performance easier. But sometimes there's scenes 173 00:11:23,613 --> 00:11:27,773 Speaker 3: or there's roles we get. I sometimes get parts I 174 00:11:27,773 --> 00:11:30,293 Speaker 3: can't believe they want me, you know, for these roles, 175 00:11:30,493 --> 00:11:33,013 Speaker 3: I don't feel like I'm right for it. And this 176 00:11:33,093 --> 00:11:35,533 Speaker 3: goes way back, you know, this goes back to when 177 00:11:35,533 --> 00:11:38,973 Speaker 3: I was like eighteen or nineteen, and so then you 178 00:11:39,053 --> 00:11:42,893 Speaker 3: have this technique to rely on. It's an opening. It's 179 00:11:42,893 --> 00:11:47,773 Speaker 3: like a door that opens for preparation. So that's part 180 00:11:47,813 --> 00:11:52,293 Speaker 3: of it. What happened for me playing Freddy was I 181 00:11:52,373 --> 00:11:57,573 Speaker 3: had discarded a lot of my theatrical tricks, a lot 182 00:11:57,613 --> 00:12:00,733 Speaker 3: of stuff that I could do in the theater with 183 00:12:00,773 --> 00:12:05,933 Speaker 3: my voice and with my face and physically some of 184 00:12:05,973 --> 00:12:09,493 Speaker 3: my physics acting. I had to put that on Simmer 185 00:12:10,013 --> 00:12:14,853 Speaker 3: on camera because on camera, you know, there's a formula 186 00:12:14,933 --> 00:12:18,133 Speaker 3: there as well, right, and sometimes you want to air 187 00:12:18,333 --> 00:12:23,013 Speaker 3: in the direction of simplicity. But there's also that problem 188 00:12:23,013 --> 00:12:25,533 Speaker 3: of there's a little voice going off in your head going, 189 00:12:25,613 --> 00:12:29,133 Speaker 3: don't act, don't act, don't get caught acting whatever you do. 190 00:12:29,453 --> 00:12:33,693 Speaker 3: And that's really frustrating too, because when you're really allowed 191 00:12:33,733 --> 00:12:37,493 Speaker 3: to perform and really allowed to act, it's very liberating. 192 00:12:37,813 --> 00:12:39,893 Speaker 3: And when I was covered with all of that foam 193 00:12:39,973 --> 00:12:44,493 Speaker 3: latex and all of that medical adhesive, the glue they 194 00:12:44,613 --> 00:12:47,653 Speaker 3: used to attach it to me, and I had that 195 00:12:47,773 --> 00:12:51,253 Speaker 3: all on, I didn't worry about my thinning hair, and 196 00:12:51,293 --> 00:12:54,653 Speaker 3: I didn't worry about my good side or my bad side. 197 00:12:55,013 --> 00:12:57,653 Speaker 3: And I was able to change my voice, and I 198 00:12:57,733 --> 00:13:00,653 Speaker 3: was able to move differently than Robert England would normally 199 00:13:00,733 --> 00:13:05,893 Speaker 3: move on film, because Freddie occupies this sort of surreal 200 00:13:06,453 --> 00:13:12,853 Speaker 3: imagination landscape of the dream of the nightmare. You know, 201 00:13:12,933 --> 00:13:16,373 Speaker 3: in the subconscious, he's not really walking around on the streets, 202 00:13:16,813 --> 00:13:19,293 Speaker 3: and so I was able to I don't want to, 203 00:13:19,333 --> 00:13:21,973 Speaker 3: I don't like to use the word dance, but I 204 00:13:22,053 --> 00:13:25,413 Speaker 3: was able to physicalize him more kind of paint him 205 00:13:25,693 --> 00:13:29,213 Speaker 3: into the frame of the imagination of whoever was having 206 00:13:29,213 --> 00:13:32,253 Speaker 3: a nightmare about him, and that was really liberating. And 207 00:13:32,253 --> 00:13:36,533 Speaker 3: when I got done with the nightmare movies, I found 208 00:13:36,533 --> 00:13:38,733 Speaker 3: that when I did, and I was still doing a 209 00:13:38,733 --> 00:13:41,573 Speaker 3: lot of horror movies because by now I was established 210 00:13:41,933 --> 00:13:45,253 Speaker 3: as a horror a genre star. But what I was 211 00:13:45,293 --> 00:13:48,613 Speaker 3: doing the ones out of makeup, playing an old scientist, 212 00:13:48,733 --> 00:13:52,893 Speaker 3: you know, or a psychiatrist, or an old priest, or 213 00:13:52,933 --> 00:13:57,813 Speaker 3: a you know, a mad doctor or something. When when 214 00:13:57,853 --> 00:14:00,733 Speaker 3: I got those roles, the sort of vincent price roles 215 00:14:01,293 --> 00:14:05,333 Speaker 3: I was, I had been liberated from playing Freddie and 216 00:14:05,413 --> 00:14:09,613 Speaker 3: I found other parts of me and more courage, you know, 217 00:14:09,973 --> 00:14:14,813 Speaker 3: with accents and with my behavior on camera. So you know, 218 00:14:14,973 --> 00:14:18,933 Speaker 3: the playing Freddy for all those years was actually a 219 00:14:19,053 --> 00:14:21,253 Speaker 3: very liberating thing for me, and it kind of gave 220 00:14:21,293 --> 00:14:26,133 Speaker 3: me a career on the other side that I know 221 00:14:26,213 --> 00:14:29,413 Speaker 3: I wouldn't normally have had because I had been established 222 00:14:29,453 --> 00:14:30,493 Speaker 3: as a genre star. 223 00:14:30,813 --> 00:14:33,173 Speaker 2: Yeah, well, look at it is such a pleaser to speak. 224 00:14:33,213 --> 00:14:35,573 Speaker 2: We are so excited to have you in New Zealand, Robert, 225 00:14:35,613 --> 00:14:38,093 Speaker 2: travel safely and we look forward to seeing you in person. 226 00:14:39,173 --> 00:14:42,373 Speaker 3: Well, thank you so much. You know, New Zealand is 227 00:14:42,413 --> 00:14:45,013 Speaker 3: the home of a couple of my favorite actors tomorrow 228 00:14:45,053 --> 00:14:49,093 Speaker 3: Morrison and Cliff Curtis, and of course you know all 229 00:14:49,173 --> 00:14:53,053 Speaker 3: my friends and I worshiped Flight of the Concords and 230 00:14:53,893 --> 00:14:57,333 Speaker 3: all the wonderfully funny young actors on that. And I've 231 00:14:57,333 --> 00:15:00,933 Speaker 3: been to your paradise before, and I'm looking forward to 232 00:15:01,493 --> 00:15:04,413 Speaker 3: coming back to Auckland and maybe sneaking over on the 233 00:15:04,453 --> 00:15:08,693 Speaker 3: ferry to Davenport for an meal. Anyway, thanks for talking 234 00:15:08,733 --> 00:15:12,013 Speaker 3: with me, and I hope to see everybody at Armageddon. 235 00:15:12,453 --> 00:15:14,493 Speaker 2: We really look forward to it. Thanks so much, Robert. 236 00:15:14,573 --> 00:15:16,053 Speaker 2: You take care and we'll see you very soon. 237 00:15:17,213 --> 00:15:18,933 Speaker 3: Thank you, Bye bye, so good. 238 00:15:19,013 --> 00:15:22,413 Speaker 2: There's Robert England aka Freddy Krueger. He will be at 239 00:15:22,493 --> 00:15:24,413 Speaker 2: Armageddon this year. All the details will be up on 240 00:15:24,413 --> 00:15:26,413 Speaker 2: the news Talks. He'd be website for. 241 00:15:26,453 --> 00:15:29,533 Speaker 1: More from Saturday morning with Jack Tame. Listen live to 242 00:15:29,613 --> 00:15:32,613 Speaker 1: news Talks he'd be from nine am Saturday, or follow 243 00:15:32,653 --> 00:15:34,253 Speaker 1: the podcast on iHeartRadio