1 00:00:00,280 --> 00:00:04,800 Speaker 1: Frame Bridge event promoter Brent Eenkles has made a suggestion 2 00:00:04,960 --> 00:00:07,720 Speaker 1: for how to avoid another Juicy Fest to Barkle the 3 00:00:08,520 --> 00:00:09,959 Speaker 1: to catch you up on this, The promoter of the 4 00:00:10,000 --> 00:00:14,120 Speaker 1: Juicy Fest and Timeless Summer events have gone bust. They 5 00:00:14,960 --> 00:00:17,599 Speaker 1: it's looking like people who bought their tickets to those 6 00:00:17,600 --> 00:00:21,000 Speaker 1: events won't be able to get refunds because the money's well, 7 00:00:21,000 --> 00:00:24,479 Speaker 1: it's all gone. Brent Eckles of Eckles Entertainment spoke to 8 00:00:24,720 --> 00:00:28,360 Speaker 1: Matt and Tyler on ZB Afternoons. He says ticketing companies 9 00:00:28,440 --> 00:00:31,080 Speaker 1: should be forced to hold on to all the ticket 10 00:00:31,080 --> 00:00:33,640 Speaker 1: money until after an event has actually happened. 11 00:00:34,000 --> 00:00:36,760 Speaker 2: The only effect would be that the punter is protected 12 00:00:37,440 --> 00:00:39,680 Speaker 2: and if things go wrong, and they do go wrong, 13 00:00:39,680 --> 00:00:42,040 Speaker 2: they go wrong for me as well. But you know 14 00:00:42,159 --> 00:00:45,279 Speaker 2: that the money, the ticket money goes straight back to 15 00:00:45,360 --> 00:00:48,479 Speaker 2: the ticket buyer as the free person you do it for. 16 00:00:48,560 --> 00:00:49,400 Speaker 2: Show is canceled. 17 00:00:49,600 --> 00:00:53,120 Speaker 1: So how will this work with smaller productions? Owen Evans 18 00:00:53,240 --> 00:00:56,240 Speaker 1: is an event promoter managing director of Low Fire Productions. 19 00:00:56,600 --> 00:01:00,920 Speaker 1: Hello Owen, good, how are you good? Thank you? So? 20 00:01:01,040 --> 00:01:03,960 Speaker 1: How does it normally work? Do you if it's particularly 21 00:01:04,000 --> 00:01:07,919 Speaker 1: a smaller event, would you hold on to the money 22 00:01:08,600 --> 00:01:12,199 Speaker 1: until the event or do you need to spend it first? 23 00:01:12,880 --> 00:01:17,120 Speaker 3: Look, that's this is very nuanced. We've been on both sides. 24 00:01:18,480 --> 00:01:21,160 Speaker 3: We're dealing with an industry with a massive lack of 25 00:01:21,160 --> 00:01:25,039 Speaker 3: integrity a lot of the time. So whereas I don't 26 00:01:25,040 --> 00:01:29,280 Speaker 3: have the answer, but I will say the size that 27 00:01:29,360 --> 00:01:33,200 Speaker 3: we are. We if if the ticketing company held onto 28 00:01:33,240 --> 00:01:37,640 Speaker 3: the ticketing money until after the event, we we wouldn't 29 00:01:37,640 --> 00:01:40,520 Speaker 3: be able to throw events. We we rely on early 30 00:01:40,560 --> 00:01:42,840 Speaker 3: bird ticketing and ticketing systems to get cash flow and 31 00:01:42,880 --> 00:01:46,720 Speaker 3: so that we can throw events. Now where of the size, 32 00:01:46,760 --> 00:01:51,040 Speaker 3: where we where how we work is we will we 33 00:01:51,080 --> 00:01:54,640 Speaker 3: will throw four or five smaller gigs a year, club 34 00:01:54,680 --> 00:01:56,880 Speaker 3: gigs to get money in the bank, and then we'll 35 00:01:56,920 --> 00:02:00,360 Speaker 3: take a risk on a festival and usually most of 36 00:02:00,400 --> 00:02:02,600 Speaker 3: the time festivals lose money. We do it for the 37 00:02:02,600 --> 00:02:04,280 Speaker 3: love and the passion. It's just the size we are. 38 00:02:04,320 --> 00:02:07,080 Speaker 3: We're also we're also housing techno in a in a 39 00:02:07,400 --> 00:02:10,320 Speaker 3: in a country that predominantly predominantly loves drum and base, 40 00:02:10,720 --> 00:02:14,280 Speaker 3: so we're always up against it. But if we didn't 41 00:02:14,320 --> 00:02:17,440 Speaker 3: have that cash flow, we wouldn't be able to to 42 00:02:17,440 --> 00:02:20,640 Speaker 3: to run basically, so you would kill. You would kill 43 00:02:20,800 --> 00:02:26,000 Speaker 3: a lot of small time promoters like myself if you 44 00:02:26,080 --> 00:02:26,959 Speaker 3: went down that track. 45 00:02:27,240 --> 00:02:30,519 Speaker 1: What's the reason gigs are normally canceled? Is it? Is 46 00:02:30,560 --> 00:02:33,400 Speaker 1: it usually because the artist pulls out, or you know, 47 00:02:33,440 --> 00:02:36,960 Speaker 1: because they often give the excuse you know, un forseeen 48 00:02:37,080 --> 00:02:39,560 Speaker 1: circumstances or whatever. What's the real reason that stuff? 49 00:02:40,760 --> 00:02:46,760 Speaker 3: Well? I don't know. For us. The only the only 50 00:02:46,800 --> 00:02:50,399 Speaker 3: time we we struggled to pay people was either knock 51 00:02:50,400 --> 00:02:52,680 Speaker 3: on effect from from not being paid by other people 52 00:02:53,320 --> 00:02:57,359 Speaker 3: or things like the floods and COVID, and we we 53 00:02:57,400 --> 00:03:01,520 Speaker 3: had to we had to dig into our own pockets 54 00:03:01,520 --> 00:03:05,079 Speaker 3: to pay that or I think with the I think 55 00:03:05,080 --> 00:03:06,920 Speaker 3: with COVID we had to do a couple more gigs 56 00:03:06,919 --> 00:03:12,840 Speaker 3: to get the money into to pay the past. But yeah, 57 00:03:11,600 --> 00:03:18,080 Speaker 3: if if an act cancels, we're so far we're so 58 00:03:18,200 --> 00:03:21,960 Speaker 3: far away from everything that Like, if an act cancels, 59 00:03:22,000 --> 00:03:24,520 Speaker 3: you can't just replace it with another DJ or act 60 00:03:24,560 --> 00:03:27,400 Speaker 3: because we don't have that level of quality and pull in. 61 00:03:28,080 --> 00:03:30,360 Speaker 3: We have acts that are amazing, But if you have 62 00:03:30,400 --> 00:03:33,200 Speaker 3: an act that pulls ten thousand people and then they 63 00:03:33,200 --> 00:03:35,760 Speaker 3: pull out, like you can't replace them like she had 64 00:03:35,840 --> 00:03:41,760 Speaker 3: or something unexpected to work like, yeah, yeah, there's no answer, so. 65 00:03:41,760 --> 00:03:44,760 Speaker 1: The tyranny of distance. I appreciate you coming on the 66 00:03:44,760 --> 00:03:47,600 Speaker 1: show mate, thanks for your time. Yeah no, thanks bout 67 00:03:47,920 --> 00:03:50,880 Speaker 1: cheers and that's own Evans. He's an event promoter, pushing 68 00:03:50,920 --> 00:03:53,080 Speaker 1: back a little bit at this idea that you should 69 00:03:53,080 --> 00:03:57,760 Speaker 1: get all big festivals, small festivals, any size festival to 70 00:03:57,840 --> 00:03:59,960 Speaker 1: hold onto all the ticket money until the event is 71 00:04:00,120 --> 00:04:03,680 Speaker 1: actually been held to avoid another juicy fest. For more 72 00:04:03,760 --> 00:04:07,080 Speaker 1: from Hither Duplessy, Allen Drive, listen live to news talks. 73 00:04:07,080 --> 00:04:10,280 Speaker 1: It'd be from four pm weekdays, or follow the podcast 74 00:04:10,360 --> 00:04:11,360 Speaker 1: on iHeartRadio