1
00:00:07,480 --> 00:00:10,480
Speaker 1: Gid A. It's Deary here from the Headachey Breakfast, just

2
00:00:10,560 --> 00:00:12,600
Speaker 1: letting you know that if you're listening to the podcast

3
00:00:12,800 --> 00:00:15,240
Speaker 1: but didn't know that we also do a live radio show,

4
00:00:15,520 --> 00:00:17,560
Speaker 1: we do. And if you're wondering how to find out

5
00:00:17,600 --> 00:00:20,400
Speaker 1: what frequency to listen to us in your area, just

6
00:00:20,440 --> 00:00:23,840
Speaker 1: takes North or South as An Island to three four

7
00:00:23,840 --> 00:00:26,800
Speaker 1: eight three and we'll let you know. And now let's

8
00:00:26,840 --> 00:00:40,159
Speaker 1: get on with the podcast. Won't mind to the podcast

9
00:00:40,159 --> 00:00:43,879
Speaker 1: Fight at the seventy in October twenty twenty five. Jeremy Wells,

10
00:00:44,440 --> 00:00:49,960
Speaker 1: Mash Ruder, Yoel and attendance nomon I Stuart. He is

11
00:00:50,000 --> 00:00:51,840
Speaker 1: still in Texas.

12
00:00:52,000 --> 00:00:54,960
Speaker 2: Good morning, Jeff, gentlemen, Good morning.

13
00:00:54,680 --> 00:00:57,600
Speaker 3: Mash, Good morning Zoe, Good morning Zoe.

14
00:00:57,920 --> 00:00:59,960
Speaker 2: I've just realized that he's out there. God, she has

15
00:01:00,120 --> 00:01:01,200
Speaker 2: ship during the show, doesn't she.

16
00:01:01,240 --> 00:01:03,360
Speaker 3: It's awful some of the stuff off here with g Lane.

17
00:01:03,400 --> 00:01:04,800
Speaker 3: You're just going to have to do. The person out

18
00:01:04,800 --> 00:01:06,240
Speaker 3: there listening to this, she just.

19
00:01:06,240 --> 00:01:08,800
Speaker 2: Has to die with it, does she, Zoey, Yeah, she

20
00:01:08,800 --> 00:01:12,040
Speaker 2: can handle it, man, I don't know that she can

21
00:01:12,080 --> 00:01:18,280
Speaker 2: handle it tough and Hamburg, you know, it's definitely not

22
00:01:18,920 --> 00:01:20,880
Speaker 2: I'm not concerned about the fact that she can't take it.

23
00:01:20,920 --> 00:01:24,679
Speaker 2: I just don't know if you know, it makes you know,

24
00:01:24,720 --> 00:01:26,759
Speaker 2: we don't really cover ourselves in glory with the tops

25
00:01:26,760 --> 00:01:28,840
Speaker 2: of conversation we have off here here radio.

26
00:01:29,560 --> 00:01:31,959
Speaker 1: That's not good for her, But at the same time

27
00:01:33,120 --> 00:01:33,880
Speaker 1: it's better explain.

28
00:01:33,959 --> 00:01:36,560
Speaker 3: Thankskin, Yeah exactly. And you should have heard some of

29
00:01:36,560 --> 00:01:38,479
Speaker 3: the stuff Lyle and Hurley were saying off here.

30
00:01:38,560 --> 00:01:40,120
Speaker 2: Yeah, that would have been Jesus.

31
00:01:41,120 --> 00:01:43,800
Speaker 1: Potty mouth early, mate is what they call on potty

32
00:01:43,840 --> 00:01:44,360
Speaker 1: mouth early.

33
00:01:44,680 --> 00:01:45,800
Speaker 2: What's going on with you, Jerry?

34
00:01:45,959 --> 00:01:49,080
Speaker 1: You well, I'm good, Thank you, Mesh. Just came back

35
00:01:49,080 --> 00:01:51,640
Speaker 1: from Texas. That was good fun. Austin. What a great

36
00:01:51,640 --> 00:01:52,520
Speaker 1: city that is. Yeah.

37
00:01:52,520 --> 00:01:54,480
Speaker 2: I suppose people listen to this before they listen to

38
00:01:54,520 --> 00:01:56,720
Speaker 2: the radio show Highlights podcast, don't they? So this is

39
00:01:56,760 --> 00:01:58,600
Speaker 2: the first time that they're hearing you in quite some time.

40
00:01:58,720 --> 00:02:03,120
Speaker 2: So good times over there in Texas. You've been to Texas, Meagre, No, bro,

41
00:02:03,920 --> 00:02:05,080
Speaker 2: we would have been to Texas.

42
00:02:05,160 --> 00:02:07,680
Speaker 3: I've never visited the States, only been through as a

43
00:02:07,680 --> 00:02:10,480
Speaker 3: little bit of a linking flight whatever they call those

44
00:02:10,480 --> 00:02:11,160
Speaker 3: connecting flight.

45
00:02:11,320 --> 00:02:13,400
Speaker 1: I thought about you a lot while I was over there, yeh,

46
00:02:13,880 --> 00:02:16,520
Speaker 1: I did. I thought about you a lot you would

47
00:02:16,520 --> 00:02:19,079
Speaker 1: have loved it because it's a place that Austin's a

48
00:02:19,120 --> 00:02:20,680
Speaker 1: place that you want to go. Two hundred and fifty

49
00:02:20,800 --> 00:02:25,320
Speaker 1: live music venues in Austin. It's really it's really a

50
00:02:25,520 --> 00:02:28,240
Speaker 1: music city, like it's all about music. I felt the

51
00:02:28,280 --> 00:02:30,160
Speaker 1: same thing in Memphis when I went to Memphis.

52
00:02:30,360 --> 00:02:33,400
Speaker 2: I know Nashville's very much like that too, those places

53
00:02:33,400 --> 00:02:36,240
Speaker 2: that are Nationville the home of country music and Memphis

54
00:02:36,240 --> 00:02:38,200
Speaker 2: being the home of rock and roll and the blues.

55
00:02:40,560 --> 00:02:43,359
Speaker 2: It's not a pretend thing, no, you know those places.

56
00:02:43,400 --> 00:02:47,480
Speaker 2: When you hear music in Austin and that particular brand

57
00:02:47,480 --> 00:02:50,000
Speaker 2: of alternative country that they have there, you go, oh,

58
00:02:50,040 --> 00:02:51,640
Speaker 2: this is where it's meant to be. Let's get the

59
00:02:51,680 --> 00:02:53,240
Speaker 2: map out. I've just realized that I don't really know

60
00:02:53,280 --> 00:02:56,240
Speaker 2: exactly where these things sit correlation to each other. So

61
00:02:56,280 --> 00:03:00,480
Speaker 2: we have the State Long podcast. So we're about are

62
00:03:00,520 --> 00:03:04,280
Speaker 2: we are compared to Nashville when it comes to so

63
00:03:04,360 --> 00:03:07,880
Speaker 2: Nashville was in Nashville's in Mississippi, Tennessee.

64
00:03:08,040 --> 00:03:11,320
Speaker 1: I was in Tennessee. Nashville, Tennessee, Tennessee and Mississippi beside

65
00:03:11,320 --> 00:03:13,560
Speaker 1: each other, right, Okay, So that's so that's kind of

66
00:03:13,639 --> 00:03:16,240
Speaker 1: quite a long way north of where we were, which

67
00:03:16,280 --> 00:03:19,560
Speaker 1: is basically two hours. Austin's about two and a half

68
00:03:19,600 --> 00:03:22,800
Speaker 1: hours north of Houston, which is on the coast down there,

69
00:03:23,160 --> 00:03:26,000
Speaker 1: and Dallas, which is the other big city in Texas.

70
00:03:26,000 --> 00:03:29,320
Speaker 1: That's a long way and that's further north. Yeah, so

71
00:03:29,320 --> 00:03:32,639
Speaker 1: so Houston and Austin. It goes Houston and Austin, Dallas. Yeah.

72
00:03:32,720 --> 00:03:35,880
Speaker 1: Texas is a massive state. Ye, it's a big state,

73
00:03:35,960 --> 00:03:39,960
Speaker 1: and it's it's green and flat and yeah, it's a

74
00:03:39,960 --> 00:03:41,040
Speaker 1: really interesting place.

75
00:03:41,200 --> 00:03:44,720
Speaker 2: So those are your observations. Are they green? Yeah?

76
00:03:44,760 --> 00:03:46,880
Speaker 1: Green and flat. Borders with Mexico obviously used to be

77
00:03:46,880 --> 00:03:51,280
Speaker 1: part of Mexico. Build that wall, mate, tarhouse, tearhouse. It

78
00:03:51,320 --> 00:03:55,080
Speaker 1: was originally called Tahas, which was the local Indian tribes.

79
00:03:55,200 --> 00:03:57,680
Speaker 1: That was their their word for it, which means friendly

80
00:03:57,840 --> 00:04:01,640
Speaker 1: and inviting. So they are the house tribes. Yeah, they

81
00:04:01,640 --> 00:04:05,480
Speaker 1: were very friendly. That it's been called Texas now tick

82
00:04:05,520 --> 00:04:06,200
Speaker 1: called Texas.

83
00:04:07,320 --> 00:04:07,720
Speaker 4: It was t.

84
00:04:09,200 --> 00:04:13,240
Speaker 2: J A s Tas right and how because you know

85
00:04:14,000 --> 00:04:18,680
Speaker 2: the way that we hear about southern states in our

86
00:04:18,720 --> 00:04:23,599
Speaker 2: country here, it feels like it's a fairly politically focused

87
00:04:24,000 --> 00:04:26,320
Speaker 2: area of the world. Is that actually do you feel

88
00:04:26,320 --> 00:04:28,080
Speaker 2: that when you were there? Or not really, you don't

89
00:04:28,080 --> 00:04:30,000
Speaker 2: feel it when you're there. And also Austin is a

90
00:04:30,040 --> 00:04:34,320
Speaker 2: democratic traditionally a democratic, so it's and amongst a very

91
00:04:34,360 --> 00:04:38,159
Speaker 2: red state. So Texas is a red state generally, which

92
00:04:38,160 --> 00:04:40,320
Speaker 2: means it's a Republican state, which means that the Trump

93
00:04:41,040 --> 00:04:44,720
Speaker 2: Trump fans, which is odd because he's so not Texan.

94
00:04:44,800 --> 00:04:46,760
Speaker 2: I mean he's born in New York, which is a

95
00:04:46,800 --> 00:04:48,880
Speaker 2: Texan and a New York could not a New York

96
00:04:48,920 --> 00:04:52,360
Speaker 2: in could not be different. They're so different you might

97
00:04:52,360 --> 00:04:55,960
Speaker 2: as well, yeah, you're growing differently. That's a different, completely

98
00:04:56,000 --> 00:04:56,760
Speaker 2: different life in it.

99
00:04:56,839 --> 00:04:59,080
Speaker 1: Yeah, and that there's all of it. The Southern hospitality

100
00:04:59,120 --> 00:05:01,960
Speaker 1: is real, man like. They are friendly, friendly people that

101
00:05:02,080 --> 00:05:04,279
Speaker 1: love to chat, They love to sit down. They will

102
00:05:04,320 --> 00:05:06,200
Speaker 1: take time out to talk to you, very interested in

103
00:05:06,200 --> 00:05:08,320
Speaker 1: where you come from. We met this one guy up

104
00:05:08,320 --> 00:05:11,120
Speaker 1: at the pool. He was wearing a mega hat and

105
00:05:11,560 --> 00:05:16,119
Speaker 1: he was he goes, are where are you all from?

106
00:05:16,320 --> 00:05:18,400
Speaker 1: And we said in New Zealand and he goes, ah,

107
00:05:18,520 --> 00:05:21,320
Speaker 1: that's by Australia, right, And we're like, yeah, you know

108
00:05:21,320 --> 00:05:25,960
Speaker 1: where it is he has Yeah in Europe. No, no,

109
00:05:26,279 --> 00:05:26,680
Speaker 1: you couldn't.

110
00:05:26,720 --> 00:05:28,359
Speaker 2: I mean he was close with the first part and

111
00:05:28,400 --> 00:05:30,480
Speaker 2: then he couldn't have got further away with the second part.

112
00:05:30,560 --> 00:05:33,480
Speaker 1: There was that giant continent that's in the south, in

113
00:05:33,520 --> 00:05:36,760
Speaker 1: the Southern Ocean. There, it's a huge, huge, big continent

114
00:05:36,839 --> 00:05:39,440
Speaker 1: that you've missed there. That's Australia down there.

115
00:05:39,440 --> 00:05:40,960
Speaker 2: I don't know how true this is, but I'm pretty

116
00:05:41,000 --> 00:05:42,760
Speaker 2: sure there was a stack getting banded around for a

117
00:05:42,760 --> 00:05:44,800
Speaker 2: while that like eighty percent of Americans didn't know that

118
00:05:44,839 --> 00:05:46,520
Speaker 2: New Zealand was actually a real place. They all thought

119
00:05:46,560 --> 00:05:48,360
Speaker 2: it was a made up place like a timbuctoo or

120
00:05:48,400 --> 00:05:48,880
Speaker 2: something like that.

121
00:05:48,960 --> 00:05:52,760
Speaker 1: You know, yeah, well you live in Texas, like probably

122
00:05:52,760 --> 00:05:55,000
Speaker 1: a lot of them Louisiana. They know who that is.

123
00:05:55,040 --> 00:05:56,960
Speaker 1: That's right next door to them. Know where Mexico is.

124
00:05:57,000 --> 00:05:59,920
Speaker 1: By the way, the food in Texas Mexican to text,

125
00:06:00,320 --> 00:06:03,800
Speaker 1: that's what they call it. Outstanding. Well let's start there.

126
00:06:03,880 --> 00:06:07,720
Speaker 1: I understand you went to a bit of a barbecue gaff. Yeah,

127
00:06:08,000 --> 00:06:12,560
Speaker 1: Terry Black's Barbecue now barbecue food text mixes. That's the

128
00:06:12,560 --> 00:06:16,000
Speaker 1: food that they they're in the South. Beer, whiskey, obviously

129
00:06:16,040 --> 00:06:18,560
Speaker 1: a lot of whiskey drinking going on there, and good beers.

130
00:06:19,080 --> 00:06:24,320
Speaker 1: Austin's was originally founded by German people, ah, and so

131
00:06:24,400 --> 00:06:26,560
Speaker 1: they brewed beer when they arrived there, like a lot

132
00:06:26,600 --> 00:06:30,160
Speaker 1: of beer Burghs, Budweiser, obviously, Miller. A lot of those

133
00:06:30,200 --> 00:06:32,800
Speaker 1: big brands are German families. That makes sense, Yeah, it

134
00:06:32,839 --> 00:06:35,200
Speaker 1: makes sense that. So we went to this place called

135
00:06:35,279 --> 00:06:38,279
Speaker 1: Terry Black's, and Terry Blacks is a huge barbecue restaurant.

136
00:06:38,360 --> 00:06:40,240
Speaker 1: It's a chain. I think there's four or five of them,

137
00:06:40,920 --> 00:06:43,280
Speaker 1: and you line up outside on a line. It was

138
00:06:43,320 --> 00:06:46,040
Speaker 1: really stinking hot day, like thirty two degrees, but it's

139
00:06:46,040 --> 00:06:47,760
Speaker 1: all covered because they know that there's going to be

140
00:06:47,800 --> 00:06:49,640
Speaker 1: people they're going to turn up. It's a buffet. I

141
00:06:49,680 --> 00:06:52,760
Speaker 1: don't even realize it's a buffet. But the queue goes

142
00:06:52,960 --> 00:06:55,200
Speaker 1: right miles out the door and around like a Disneyland

143
00:06:55,200 --> 00:06:57,040
Speaker 1: style queue, you know, around, and you can see that

144
00:06:57,080 --> 00:06:58,159
Speaker 1: they're ready for a lot of people.

145
00:06:58,240 --> 00:06:58,600
Speaker 2: Awesome.

146
00:06:58,680 --> 00:07:01,200
Speaker 1: Yeah, and we lined up. But and this is the

147
00:07:01,240 --> 00:07:03,240
Speaker 1: genius part. I'm thinking, oh man, this is going to

148
00:07:03,279 --> 00:07:05,280
Speaker 1: take a while, because it probably took the que is

149
00:07:05,279 --> 00:07:08,679
Speaker 1: probably twenty minutes maybe right, but it was always moving.

150
00:07:08,920 --> 00:07:11,400
Speaker 1: And the other thing about the queue, they've got bars

151
00:07:11,400 --> 00:07:13,920
Speaker 1: in the queue. They've got bartenders in the queue that

152
00:07:13,960 --> 00:07:17,080
Speaker 1: when you're walking along they go wan beer. We're like, oh, yeah,

153
00:07:17,120 --> 00:07:18,720
Speaker 1: you're supposed to do, and you pay for the beer.

154
00:07:18,760 --> 00:07:20,840
Speaker 1: You know, you've got your tap and go and you

155
00:07:20,840 --> 00:07:22,440
Speaker 1: can have it. You can have a drink and you'd

156
00:07:22,480 --> 00:07:24,040
Speaker 1: never be allowed to do that New Zealand. You can

157
00:07:24,120 --> 00:07:27,080
Speaker 1: have a beer while you're standing in the queue. Yeah,

158
00:07:27,160 --> 00:07:31,120
Speaker 1: I mean you get your drinks before you're getting inside.

159
00:07:31,200 --> 00:07:31,520
Speaker 2: They don't.

160
00:07:31,760 --> 00:07:33,360
Speaker 1: You don't get your food and then get your drinks.

161
00:07:33,480 --> 00:07:36,240
Speaker 1: You get your drinks first, and the bloody queue genius.

162
00:07:36,520 --> 00:07:39,000
Speaker 2: Yeah, I just spent a cup. Not to defer too much,

163
00:07:39,040 --> 00:07:40,440
Speaker 2: we'll get back to Texas, but I spent in the

164
00:07:40,520 --> 00:07:43,080
Speaker 2: last couple of weeks in Southeast Asia, in Vietnam, and

165
00:07:43,600 --> 00:07:45,720
Speaker 2: one of the things I noticed every time we travel,

166
00:07:45,760 --> 00:07:48,520
Speaker 2: no matter where it has been so far in my life,

167
00:07:49,040 --> 00:07:51,960
Speaker 2: I come back thinking something very similar. And it's always

168
00:07:51,960 --> 00:07:55,840
Speaker 2: around the way that we've set up alcohol consumption strict

169
00:07:56,400 --> 00:08:00,920
Speaker 2: that is so not right. Whatever we're doing, I'm not

170
00:08:00,960 --> 00:08:03,120
Speaker 2: I can't even put my finger on it exactly, but

171
00:08:03,280 --> 00:08:05,800
Speaker 2: just for whatever reason, like you know, we've just been

172
00:08:05,840 --> 00:08:07,480
Speaker 2: the last two weeks going up to seven elevens and

173
00:08:07,520 --> 00:08:08,880
Speaker 2: that lunch being a little bit hot and then being

174
00:08:08,880 --> 00:08:10,640
Speaker 2: able to buy you a beer out of the fridge

175
00:08:10,640 --> 00:08:12,200
Speaker 2: for a couple of bikes, not getting that drunk, but

176
00:08:12,200 --> 00:08:14,760
Speaker 2: two beers flating around hoe to minute in an afternoon.

177
00:08:14,800 --> 00:08:16,600
Speaker 2: That's that's how I want to spend my day. Imagine

178
00:08:16,600 --> 00:08:17,800
Speaker 2: being able to do the same down here at VIC

179
00:08:17,880 --> 00:08:20,320
Speaker 2: Park or whatever. I understand that things are a bit

180
00:08:20,360 --> 00:08:21,280
Speaker 2: different once you're here.

181
00:08:21,240 --> 00:08:23,520
Speaker 1: Just we're obsessed with it here. It's real weird.

182
00:08:23,560 --> 00:08:23,960
Speaker 3: I don't know.

183
00:08:24,120 --> 00:08:26,880
Speaker 1: I don't know whether it would be with people. You

184
00:08:26,960 --> 00:08:29,280
Speaker 1: treat people like children, then they act like children. I

185
00:08:29,280 --> 00:08:31,320
Speaker 1: don't know. Yeah, generally that's mine.

186
00:08:31,360 --> 00:08:33,080
Speaker 2: It feels a little bit chicken in the egg, doesn't it?

187
00:08:33,120 --> 00:08:35,080
Speaker 2: Like what came first our ship drinking culture, or the

188
00:08:35,080 --> 00:08:37,880
Speaker 2: way that we restricted our our culture only be sold

189
00:08:38,000 --> 00:08:41,480
Speaker 2: in the evenings at bars for fucking a ridiculous amount

190
00:08:41,520 --> 00:08:41,840
Speaker 2: of money.

191
00:08:41,880 --> 00:08:43,160
Speaker 1: Well, they would never get in the way in the

192
00:08:43,160 --> 00:08:46,000
Speaker 1: States of And I know people say, well, it's capitalism

193
00:08:46,040 --> 00:08:48,840
Speaker 1: gone mad, and there's a fair argument for that. But

194
00:08:49,320 --> 00:08:52,160
Speaker 1: I would say in the States there's a level of

195
00:08:52,440 --> 00:08:54,920
Speaker 1: freedom around capitalism, which means that if you are going

196
00:08:55,000 --> 00:08:57,640
Speaker 1: to make some money, yeah, and you're going to employ people,

197
00:08:57,840 --> 00:09:01,199
Speaker 1: and it's going to help run things, drive things. Forty economically,

198
00:09:01,280 --> 00:09:03,880
Speaker 1: then they go, well, okay, if it's a real social

199
00:09:03,920 --> 00:09:05,560
Speaker 1: cost is massive, will deal with it. But if not,

200
00:09:05,880 --> 00:09:07,160
Speaker 1: we're not getting going to get in your way.

201
00:09:07,160 --> 00:09:09,760
Speaker 2: I suppose it's a very basic approach from me, But

202
00:09:09,840 --> 00:09:12,120
Speaker 2: it seems almost as simple as if you know, the

203
00:09:12,160 --> 00:09:14,000
Speaker 2: more people making money, the less people we have to

204
00:09:14,000 --> 00:09:15,600
Speaker 2: worry about. Kind of there's a.

205
00:09:15,520 --> 00:09:19,079
Speaker 1: Lot of that, certainly, certainly there and and but interestingly,

206
00:09:19,080 --> 00:09:21,000
Speaker 1: you know, they still have they've got some big problems

207
00:09:21,000 --> 00:09:24,880
Speaker 1: over there obviously, like home, massive homelessness, you know, a

208
00:09:25,000 --> 00:09:27,160
Speaker 1: huge discrepancy between the rich and the poor, all that

209
00:09:27,200 --> 00:09:27,720
Speaker 1: sort of stuff.

210
00:09:27,760 --> 00:09:29,360
Speaker 2: There's a lot of that. If you're not able to

211
00:09:31,480 --> 00:09:34,000
Speaker 2: fuck man, there's there's a lot of opportunity, isn't there

212
00:09:34,720 --> 00:09:36,160
Speaker 2: to make a bit of money over there. And people

213
00:09:36,200 --> 00:09:37,800
Speaker 2: often say that, like, you know, if you can't make

214
00:09:37,840 --> 00:09:39,520
Speaker 2: money in the States, and we ken, yeah.

215
00:09:39,760 --> 00:09:43,160
Speaker 1: Totally, Like it's it's very it's it's a money driven In.

216
00:09:43,160 --> 00:09:45,720
Speaker 2: The same time, the amount of homelessness over there.

217
00:09:45,640 --> 00:09:48,559
Speaker 1: Is pretty scary. They don't have the same safety and

218
00:09:48,640 --> 00:09:50,839
Speaker 1: that's that we have and I think we've got that right,

219
00:09:50,880 --> 00:09:53,160
Speaker 1: and also stuff around healthcare and all sorts of stuff.

220
00:09:53,160 --> 00:09:55,959
Speaker 1: But still they've got their system, They've got their problems,

221
00:09:55,960 --> 00:09:58,600
Speaker 1: We've got ours. They're all you know, every country realizes

222
00:09:58,640 --> 00:10:00,920
Speaker 1: that I've go to. Every country has problems, so just different.

223
00:10:01,160 --> 00:10:04,120
Speaker 2: So you've bought your first beer in the Terry Blacks, yeah,

224
00:10:04,840 --> 00:10:07,520
Speaker 2: gril whatever you were calling a barbecue line.

225
00:10:07,320 --> 00:10:09,520
Speaker 1: Yep, And you're lined up and they're moving you forward

226
00:10:09,600 --> 00:10:11,920
Speaker 1: and they are putting pressure on you. It's essentially like

227
00:10:12,000 --> 00:10:14,400
Speaker 1: being in a prison cafeteria line and they're just yelling

228
00:10:14,440 --> 00:10:18,000
Speaker 1: at you. Jim moving on, came, come on, Kim moment,

229
00:10:18,440 --> 00:10:20,120
Speaker 1: come on, move up, you need to move up.

230
00:10:20,920 --> 00:10:21,959
Speaker 3: Is it like military school?

231
00:10:22,040 --> 00:10:25,240
Speaker 2: It is a yes, it's intense. I'm picturing a red tray.

232
00:10:25,880 --> 00:10:27,640
Speaker 1: Ye, there was a red tray. And then and then

233
00:10:27,640 --> 00:10:30,520
Speaker 1: you arrive at the actual buffet part after being pushed

234
00:10:30,520 --> 00:10:32,880
Speaker 1: through real quick. But you've got your drinks on board

235
00:10:32,880 --> 00:10:35,800
Speaker 1: and stuff as you go. So is it just meat? No,

236
00:10:36,000 --> 00:10:38,160
Speaker 1: that's the first is a salad bar section run by

237
00:10:38,200 --> 00:10:40,480
Speaker 1: these women and they are yelling at you and you

238
00:10:40,520 --> 00:10:42,440
Speaker 1: don't even know like, am I meant to be getting

239
00:10:42,440 --> 00:10:44,079
Speaker 1: stuff here? Am I paying for the whole thing? Or

240
00:10:44,080 --> 00:10:44,920
Speaker 1: what is this buffet?

241
00:10:45,040 --> 00:10:46,520
Speaker 2: Is it a pick a mixed situation? Am I going

242
00:10:46,559 --> 00:10:46,960
Speaker 2: off weight.

243
00:10:47,640 --> 00:10:50,480
Speaker 1: It's weight, but you don't know that right until the end.

244
00:10:51,800 --> 00:10:55,840
Speaker 1: I'm in the cellar now some beans and I'm like,

245
00:10:55,920 --> 00:10:56,520
Speaker 1: I don't know.

246
00:10:56,640 --> 00:10:59,280
Speaker 2: Have some cold slaw with more mayonnaise, And.

247
00:11:00,160 --> 00:11:02,600
Speaker 1: Then next the mac and cheese as coalsal, there's beans,

248
00:11:02,640 --> 00:11:05,079
Speaker 1: there's bloody salad, there's this, and they are changed, and

249
00:11:05,160 --> 00:11:07,520
Speaker 1: next thing you know, I'm ordering for three. Apparently I've

250
00:11:07,520 --> 00:11:10,160
Speaker 1: got three lots of beans, you fairy, and there's heaps

251
00:11:10,160 --> 00:11:11,160
Speaker 1: of it.

252
00:11:11,400 --> 00:11:12,200
Speaker 2: Stay that fuck.

253
00:11:13,040 --> 00:11:16,280
Speaker 1: And then I've got bloody Tolsey and and Kate's and

254
00:11:16,400 --> 00:11:18,920
Speaker 1: Kate all of their stuff as well, and I'm ordering

255
00:11:18,920 --> 00:11:21,520
Speaker 1: for three it turns out, and that double ordering on salad.

256
00:11:21,559 --> 00:11:24,120
Speaker 1: And I'm like, hold on, girls, we need to rethink this.

257
00:11:24,760 --> 00:11:26,160
Speaker 1: We are going to end up with way too much

258
00:11:26,200 --> 00:11:30,000
Speaker 1: stuff here unless we are careful, and we're going to overorder.

259
00:11:30,160 --> 00:11:32,679
Speaker 2: And I have seen you in a situation like this

260
00:11:32,760 --> 00:11:35,400
Speaker 2: before where if it's on your plate, you'll eat it, yes,

261
00:11:35,520 --> 00:11:38,120
Speaker 2: And so you're not. So we have to be because

262
00:11:38,160 --> 00:11:39,880
Speaker 2: whatever you take back to the table with you is

263
00:11:40,240 --> 00:11:41,640
Speaker 2: you're going to have to eat it, so.

264
00:11:41,800 --> 00:11:44,120
Speaker 1: You can't get teriprible waste food.

265
00:11:44,160 --> 00:11:47,440
Speaker 2: I'm I I couldn't agree more so you've got you Barzie,

266
00:11:48,040 --> 00:11:50,079
Speaker 2: and you love the partner Toulsi, who I keep forgetting here.

267
00:11:50,080 --> 00:11:52,200
Speaker 2: And I'm going to ask more questions because I can

268
00:11:52,200 --> 00:11:54,640
Speaker 2: only imagine what she got up to it and see limits.

269
00:11:54,679 --> 00:11:56,480
Speaker 1: Anyway, she had a good time. So then and then

270
00:11:56,520 --> 00:11:59,080
Speaker 1: we were we were in that next thing. You know,

271
00:11:59,160 --> 00:12:02,199
Speaker 1: we've been aware getting ushered through. We're under pressure, yeah,

272
00:12:02,400 --> 00:12:05,199
Speaker 1: them and I comes through. He is under immense pressure.

273
00:12:05,400 --> 00:12:08,040
Speaker 2: Was he wearing the same shirt the entire track he was?

274
00:12:08,559 --> 00:12:10,640
Speaker 1: He's wearing that same shirt. What was this smell like

275
00:12:10,720 --> 00:12:13,120
Speaker 1: black and black and white shirt? I didn't I didn't

276
00:12:13,120 --> 00:12:15,320
Speaker 1: get too close to it. Okay, it was like a

277
00:12:15,320 --> 00:12:16,880
Speaker 1: warning signs, I don't get too close to me. And

278
00:12:16,880 --> 00:12:19,079
Speaker 1: I'm doing the same shirt, just so you know. Okay,

279
00:12:19,200 --> 00:12:21,560
Speaker 1: So he's coming through it. He's under pressure. He is

280
00:12:21,559 --> 00:12:23,640
Speaker 1: saying yes to everything, which is a dangerous thing in

281
00:12:23,679 --> 00:12:26,760
Speaker 1: an American buffet. And then we're at the other part,

282
00:12:26,760 --> 00:12:28,880
Speaker 1: which is the meat section. We've moved through the meats

283
00:12:29,040 --> 00:12:30,000
Speaker 1: we're being moved from.

284
00:12:30,640 --> 00:12:31,760
Speaker 3: That's quick language.

285
00:12:31,880 --> 00:12:34,600
Speaker 1: And they've got barbecue meat which has that beautiful black

286
00:12:34,640 --> 00:12:38,400
Speaker 1: that rub on the outside of it, slicing that dic thing.

287
00:12:38,440 --> 00:12:39,840
Speaker 1: They how many bits do you want? I don't know.

288
00:12:40,000 --> 00:12:42,280
Speaker 1: You want a sausage. That's a huge sausage.

289
00:12:42,280 --> 00:12:45,880
Speaker 2: I'm like, back to the German thing. You suppose we've.

290
00:12:45,679 --> 00:12:49,360
Speaker 1: Got sausage, helipinio sausage. There's a whole lot of other men,

291
00:12:50,040 --> 00:12:53,319
Speaker 1: all right, And it is really that, honey this morning.

292
00:12:53,600 --> 00:12:55,280
Speaker 2: And then you just rolled on in that like you're

293
00:12:55,280 --> 00:12:57,280
Speaker 2: just picking it up by your hands and off in

294
00:12:57,320 --> 00:12:57,640
Speaker 2: the back.

295
00:12:58,040 --> 00:12:59,520
Speaker 1: Well, this stage, we're still on the tray.

296
00:12:59,600 --> 00:13:01,920
Speaker 2: Sorry, you know, I'm still forgive.

297
00:13:02,000 --> 00:13:05,199
Speaker 1: And then he's got bloody what he's got to he's

298
00:13:05,240 --> 00:13:07,719
Speaker 1: got weight scales out, and next thing, you know, all

299
00:13:07,720 --> 00:13:10,760
Speaker 1: of the meats being weighed, and then they've come back

300
00:13:10,960 --> 00:13:15,040
Speaker 1: and that's that'll be eighty three to ninety two US.

301
00:13:15,440 --> 00:13:16,880
Speaker 2: I thought you were going to say, it's like when

302
00:13:16,920 --> 00:13:17,959
Speaker 2: you go to the dump.

303
00:13:18,200 --> 00:13:21,440
Speaker 1: Eighty one hundred and seventy bucks.

304
00:13:21,440 --> 00:13:24,920
Speaker 2: Holy fucking well for three people it is expensive over there.

305
00:13:24,920 --> 00:13:27,079
Speaker 2: I thought you were going to say, it's like wait,

306
00:13:27,160 --> 00:13:29,200
Speaker 2: you on the end. They were you on the way

307
00:13:29,200 --> 00:13:31,880
Speaker 2: in and they should And then I was like, okay,

308
00:13:31,880 --> 00:13:37,400
Speaker 2: so you've gained we would have actually by the night

309
00:13:37,440 --> 00:13:39,520
Speaker 2: has got the NIS was like one hundred and five

310
00:13:39,679 --> 00:13:41,640
Speaker 2: or something. Holy shows.

311
00:13:41,760 --> 00:13:43,400
Speaker 1: Durors is like ninety Are.

312
00:13:43,240 --> 00:13:44,280
Speaker 2: We still doubling things?

313
00:13:44,440 --> 00:13:47,960
Speaker 1: Yeah, we're doublin fifty eight cents. You were still fifty

314
00:13:47,960 --> 00:13:49,040
Speaker 1: eight cents to our dollar.

315
00:13:49,880 --> 00:13:51,679
Speaker 2: When I was in Vegas, I was fuck, we were

316
00:13:51,679 --> 00:13:54,000
Speaker 2: spending money quick, because I went over there not quite

317
00:13:54,320 --> 00:13:57,120
Speaker 2: understanding how the exchange rate was currently working, and I

318
00:13:57,120 --> 00:14:00,160
Speaker 2: imagine it's the same stell like it's expensive over there.

319
00:14:00,200 --> 00:14:03,360
Speaker 1: Brutally expensive. I went swen over there about ten years

320
00:14:03,400 --> 00:14:07,480
Speaker 1: ago and it was eighty one eighty one US since

321
00:14:07,559 --> 00:14:09,640
Speaker 1: the New Zealand doll. It was amazing, Oh my god.

322
00:14:09,760 --> 00:14:12,719
Speaker 1: And it was before pre inflation days, and everything was

323
00:14:12,760 --> 00:14:15,000
Speaker 1: actually cheaper in America than it was, you know, by

324
00:14:15,000 --> 00:14:17,280
Speaker 1: a pair of shows for like fifty US. It's like

325
00:14:17,880 --> 00:14:20,640
Speaker 1: it's like eighty bucks, seventy bucks, eighty bucks. It's real good.

326
00:14:20,680 --> 00:14:22,720
Speaker 2: And if you went to those places without GST or whatever,

327
00:14:22,720 --> 00:14:24,960
Speaker 2: then you'd even get better deals. I feel like my

328
00:14:24,960 --> 00:14:26,560
Speaker 2: parents came back from the States a couple of times

329
00:14:26,680 --> 00:14:29,280
Speaker 2: with some good prizing, good time. They considered it to

330
00:14:29,280 --> 00:14:29,720
Speaker 2: be cheap.

331
00:14:29,920 --> 00:14:32,160
Speaker 1: This is this is the second I went another time

332
00:14:32,200 --> 00:14:36,440
Speaker 1: when it was fifty two, So fifty eight's you know,

333
00:14:36,640 --> 00:14:39,160
Speaker 1: not great. Should be sick normally sixty five ish, you know,

334
00:14:39,280 --> 00:14:43,280
Speaker 1: sixty sixty three. So anyway, get the meal, go and

335
00:14:43,360 --> 00:14:46,200
Speaker 1: sit down. We realized we've got way too much stuff.

336
00:14:47,440 --> 00:14:50,280
Speaker 1: Has already had drunk a bottle of wine. Where it's eleventh,

337
00:14:50,440 --> 00:14:54,160
Speaker 1: she's gone for the bottle. She went for really in

338
00:14:54,240 --> 00:14:56,160
Speaker 1: half of it, but generally got out of the line.

339
00:14:56,320 --> 00:15:00,040
Speaker 3: No very, You're so familiar when you talk about it.

340
00:15:00,800 --> 00:15:03,160
Speaker 2: Tulsi and I go way back. Well, everyone knows this,

341
00:15:03,800 --> 00:15:05,640
Speaker 2: and Jerry knows this. He's fine with it. I mean

342
00:15:05,640 --> 00:15:08,560
Speaker 2: at first he wasn't just a cop gear force. But

343
00:15:08,680 --> 00:15:11,280
Speaker 2: now they go way back, way back.

344
00:15:11,120 --> 00:15:12,680
Speaker 3: And you've sat there with a gormless look for the

345
00:15:12,760 --> 00:15:14,320
Speaker 3: last three and a half hours. But as soon as

346
00:15:14,320 --> 00:15:16,440
Speaker 3: the word teulsy, it's just this little glint in the

347
00:15:16,440 --> 00:15:17,040
Speaker 3: eye jar.

348
00:15:17,080 --> 00:15:19,920
Speaker 1: Yep, that a lot of people have that with her.

349
00:15:21,800 --> 00:15:24,920
Speaker 2: Okay, so sorry people. I mean, I think to be fair,

350
00:15:24,920 --> 00:15:27,680
Speaker 2: I think people, I think anyway, and I'm not going

351
00:15:27,720 --> 00:15:30,360
Speaker 2: to go into that. You make a break, Oh yeah

352
00:15:30,360 --> 00:15:32,200
Speaker 2: we should do you have to come back?

353
00:15:32,400 --> 00:15:32,640
Speaker 1: Yep?

354
00:15:35,800 --> 00:15:36,160
Speaker 3: How was that?

355
00:15:38,240 --> 00:15:40,600
Speaker 2: Oh my god, this is really sitting the vibe. So

356
00:15:40,640 --> 00:15:44,280
Speaker 2: we were blood bro it's called telsy. So she was

357
00:15:44,400 --> 00:15:46,760
Speaker 2: smashing that wine. It was so sexy.

358
00:15:46,840 --> 00:15:52,800
Speaker 1: She was smashing wine, smashing eating meat. About your partner

359
00:15:52,960 --> 00:15:54,560
Speaker 1: just tucking into meat.

360
00:15:55,480 --> 00:15:58,800
Speaker 3: I find it, hut that Helopino sausage. Was she into that?

361
00:15:58,960 --> 00:16:01,800
Speaker 1: She loved the helopini no sausage that much.

362
00:16:03,640 --> 00:16:08,680
Speaker 2: So now I've got the meat sweets. We were we

363
00:16:08,840 --> 00:16:10,920
Speaker 2: Manaiah so man I had bought about one hundred and

364
00:16:10,920 --> 00:16:13,920
Speaker 2: five years d with of meat. Yes, he did you

365
00:16:13,960 --> 00:16:18,120
Speaker 2: find him? Did you find him quite you know, sexually appealing? Yeah,

366
00:16:18,120 --> 00:16:18,720
Speaker 2: You're like, hang on.

367
00:16:18,720 --> 00:16:20,920
Speaker 1: No, I keep so people. I keep giving him grape.

368
00:16:20,960 --> 00:16:23,560
Speaker 1: So he was sitting at the table beside us, and

369
00:16:23,720 --> 00:16:25,480
Speaker 1: I was like, you're gonna have meet their mate. Yeah,

370
00:16:25,640 --> 00:16:27,880
Speaker 1: he goes, I don't mean there's under prison, I said,

371
00:16:27,920 --> 00:16:30,200
Speaker 1: with that being brown slim down. Oh yes, had a

372
00:16:30,200 --> 00:16:33,760
Speaker 1: lot of meat going turning up some of the other

373
00:16:33,880 --> 00:16:35,480
Speaker 1: some of the other people of our tour buddies just

374
00:16:35,480 --> 00:16:38,600
Speaker 1: start turning up and taking photos of him, and that

375
00:16:38,800 --> 00:16:40,840
Speaker 1: he got. He got a bit self conscious at that point.

376
00:16:40,880 --> 00:16:43,200
Speaker 2: Yes, it's Augustus Gloop in the chocolate cake in front

377
00:16:43,200 --> 00:16:46,000
Speaker 2: of the school. That's Gloop. That's Matilda.

378
00:16:46,080 --> 00:16:50,080
Speaker 3: Yeah, yeah, Augustus Gloop and ly and the chocolate.

379
00:16:50,440 --> 00:16:51,040
Speaker 2: It would have worked.

380
00:16:51,040 --> 00:16:55,560
Speaker 3: I just went with both both rolled out, so yeah, yeah, okay,

381
00:16:55,600 --> 00:16:56,720
Speaker 3: Matilda rolled out.

382
00:16:56,760 --> 00:16:58,720
Speaker 2: Okay, so did Ma and I get through with mate.

383
00:16:59,200 --> 00:17:01,480
Speaker 1: No, then he and them and Joe got so much

384
00:17:01,520 --> 00:17:03,720
Speaker 1: meat that they ended up going back to the hotel.

385
00:17:03,760 --> 00:17:05,960
Speaker 1: We were close to Austin SE's limits where we were.

386
00:17:06,000 --> 00:17:08,840
Speaker 1: There was a whole idea, and they went. They scooted

387
00:17:08,840 --> 00:17:10,720
Speaker 1: back to the hotel to put more of their meat

388
00:17:10,720 --> 00:17:12,639
Speaker 1: and their fridge, which by the stage was filling up

389
00:17:12,640 --> 00:17:16,639
Speaker 1: with burritos. Because one night we went to some food

390
00:17:16,640 --> 00:17:19,280
Speaker 1: trucks and when I somehow bought things from three different

391
00:17:19,280 --> 00:17:23,199
Speaker 1: food trucks okay, not sure why, and that was so

392
00:17:23,280 --> 00:17:27,520
Speaker 1: that was his in his fridge, and now they were

393
00:17:27,560 --> 00:17:28,920
Speaker 1: adding all this meat to the fridge.

394
00:17:28,960 --> 00:17:32,840
Speaker 2: It was like, man, yeah, I spent about forty five

395
00:17:32,880 --> 00:17:36,320
Speaker 2: minutes discussing Joe Jerry's bowel movements with him. You see,

396
00:17:36,320 --> 00:17:38,200
Speaker 2: when he got back, it's goin a front of mine

397
00:17:38,200 --> 00:17:40,359
Speaker 2: at the moment for me, he claimed that he actually

398
00:17:40,359 --> 00:17:42,080
Speaker 2: hasn't been able to a blute since.

399
00:17:43,320 --> 00:17:45,560
Speaker 1: Terry Black's Oh I've read a barbecue. Yeah, it was

400
00:17:45,960 --> 00:17:46,840
Speaker 1: it was a lot, man.

401
00:17:46,960 --> 00:17:49,240
Speaker 2: You got to say so you loved it though the

402
00:17:49,320 --> 00:17:53,000
Speaker 2: meat part as it was that you loved the whole situation.

403
00:17:54,080 --> 00:17:54,720
Speaker 2: The barbecue.

404
00:17:54,960 --> 00:17:56,800
Speaker 1: It was good. It was tasting love the barbecue. I

405
00:17:56,840 --> 00:17:58,840
Speaker 1: would go back to Terry Black's any day of the way.

406
00:17:59,000 --> 00:18:00,800
Speaker 1: I was. I'm a big fan of the of the

407
00:18:00,800 --> 00:18:03,560
Speaker 1: text and barbecue, to be honest, right, So Goodbay, if

408
00:18:03,560 --> 00:18:06,080
Speaker 1: you didn't get Ushure through quite so intensely, like you

409
00:18:06,080 --> 00:18:07,040
Speaker 1: didn't feel like you're in prison?

410
00:18:07,119 --> 00:18:09,439
Speaker 2: Oh my god, take me back. This is something's happening

411
00:18:09,480 --> 00:18:12,480
Speaker 2: right now that really reminds me of Laurence. Lauren.

412
00:18:12,600 --> 00:18:13,720
Speaker 1: How are you with a coffee?

413
00:18:14,400 --> 00:18:15,879
Speaker 2: Good morning? Thank you?

414
00:18:16,080 --> 00:18:17,040
Speaker 3: Round of applause for Lauren.

415
00:18:18,280 --> 00:18:19,000
Speaker 2: Have you been listening?

416
00:18:19,240 --> 00:18:21,560
Speaker 1: Was okay?

417
00:18:21,680 --> 00:18:24,280
Speaker 2: Now you seem to be not that impressed by what's

418
00:18:24,320 --> 00:18:25,200
Speaker 2: going on here.

419
00:18:26,880 --> 00:18:27,360
Speaker 3: Podcast?

420
00:18:28,280 --> 00:18:32,320
Speaker 2: Yeah, oh you did hear that? Okay you just I'll

421
00:18:32,359 --> 00:18:35,240
Speaker 2: be out soon, darling, love you. Okay, all right.

422
00:18:35,119 --> 00:18:38,520
Speaker 1: You've got this knee pads, so I've got something that

423
00:18:38,560 --> 00:18:40,399
Speaker 1: I want to play you just quickly. You just get

424
00:18:40,440 --> 00:18:46,560
Speaker 1: away from Mete just please, I'm here as that's not that.

425
00:18:46,600 --> 00:18:49,880
Speaker 2: Sounds like a bit of my playing that's mine, I think.

426
00:18:50,000 --> 00:18:52,920
Speaker 3: Okay, sorry, so okay, that's sorry.

427
00:18:53,040 --> 00:18:55,320
Speaker 2: Because I've got a picture of a life stream of

428
00:18:55,359 --> 00:18:56,479
Speaker 2: pandas up on my computer.

429
00:18:57,000 --> 00:18:58,480
Speaker 3: Sure, that's sure, that's what it was.

430
00:18:58,680 --> 00:19:00,000
Speaker 1: So I just want to run to close your eyes,

431
00:19:00,400 --> 00:19:01,520
Speaker 1: really run close your eyes.

432
00:19:01,600 --> 00:19:03,679
Speaker 2: I have to look at the button thing we end

433
00:19:03,760 --> 00:19:06,000
Speaker 2: up rubbing mark.

434
00:19:05,960 --> 00:19:09,359
Speaker 1: No, not that, okay. I just want you guys to

435
00:19:09,400 --> 00:19:12,520
Speaker 1: picture picture this music. Okay, I just picture really.

436
00:19:13,880 --> 00:19:16,680
Speaker 4: The devil and the devil do come? Said to the devil?

437
00:19:16,760 --> 00:19:19,840
Speaker 3: Devil? Do you like Jones? Do you like cigarettes? Someone?

438
00:19:19,880 --> 00:19:23,800
Speaker 4: Those one said on the Sunda on Sundays Christmas Sundays.

439
00:19:23,840 --> 00:19:26,440
Speaker 4: And when I need a few friends now and again,

440
00:19:26,560 --> 00:19:28,960
Speaker 4: I can never hope to keep them. Thought they give friends,

441
00:19:29,000 --> 00:19:31,560
Speaker 4: but I thought that they wanted never hit. They needed

442
00:19:31,640 --> 00:19:34,480
Speaker 4: a good friend is happening? Don't give me venting on friends,

443
00:19:34,480 --> 00:19:36,600
Speaker 4: service and ship because you've ever done has been a

444
00:19:36,680 --> 00:19:39,040
Speaker 4: noose to hang on to the with a necklace and

445
00:19:39,119 --> 00:19:42,040
Speaker 4: redless the gang help you both hanging up in to

446
00:19:42,200 --> 00:19:45,560
Speaker 4: do with scratch gad the grab. It went like fo

447
00:19:45,840 --> 00:19:48,840
Speaker 4: this the grab and it went like you can leave

448
00:19:48,880 --> 00:19:53,280
Speaker 4: it all behind, leaving the devil time alone. Sometimes you

449
00:19:53,320 --> 00:19:54,240
Speaker 4: can let it all.

450
00:19:55,640 --> 00:20:04,760
Speaker 2: You can let it all. This is quite good, Jerry.

451
00:20:05,280 --> 00:20:09,879
Speaker 2: It is the lead singer. Why the reason I ask

452
00:20:10,040 --> 00:20:12,040
Speaker 2: is because it feels like a fake accent is the

453
00:20:12,040 --> 00:20:14,320
Speaker 2: only the only exlightly bizarre thing about it?

454
00:20:14,359 --> 00:20:14,679
Speaker 1: Really?

455
00:20:14,720 --> 00:20:16,560
Speaker 2: But it's quite good, isn't it?

456
00:20:16,600 --> 00:20:17,160
Speaker 1: Isn't that good?

457
00:20:17,359 --> 00:20:19,200
Speaker 3: I know that because of my eleven year old daughter.

458
00:20:19,400 --> 00:20:21,480
Speaker 3: It's on her playlist and I just can't remember. It's cooled.

459
00:20:21,800 --> 00:20:22,600
Speaker 1: She knows the song.

460
00:20:22,680 --> 00:20:26,520
Speaker 3: She knows this song. She she's got remarkably interesting taste

461
00:20:26,560 --> 00:20:26,960
Speaker 3: in music.

462
00:20:27,160 --> 00:20:28,840
Speaker 1: Wow, she's got a good taste of music.

463
00:20:29,240 --> 00:20:30,680
Speaker 2: Oh is it Jerry? This here?

464
00:20:31,440 --> 00:20:33,400
Speaker 1: There's a bit actually where it kicks in at the end.

465
00:20:34,040 --> 00:20:39,919
Speaker 2: It's kind of like if some reggae artist and Mumford

466
00:20:39,960 --> 00:20:43,040
Speaker 2: and Sons. Yeah, and maybe it almost like a King's

467
00:20:43,040 --> 00:20:43,400
Speaker 2: of Leon.

468
00:20:43,720 --> 00:20:44,800
Speaker 3: Yeah, it's going a bit that.

469
00:20:45,200 --> 00:20:47,240
Speaker 1: I can't listen to this little last but here it's

470
00:20:47,240 --> 00:20:49,639
Speaker 1: only got a little bit longer. Okay, crank it of that.

471
00:20:50,400 --> 00:20:50,920
Speaker 1: That's the star.

472
00:20:50,920 --> 00:21:08,080
Speaker 4: I read it down like a ship free before up

473
00:21:08,359 --> 00:21:09,680
Speaker 4: that ship easy then.

474
00:21:09,600 --> 00:21:10,639
Speaker 1: To show you how it was.

475
00:21:14,640 --> 00:21:15,040
Speaker 2: That's good.

476
00:21:15,119 --> 00:21:16,600
Speaker 1: It has a nice release at the end.

477
00:21:17,400 --> 00:21:19,600
Speaker 3: Song would work really well on a radio station I

478
00:21:19,680 --> 00:21:23,880
Speaker 3: know called radio Hodaki, wouldn't it? This song in particular

479
00:21:23,960 --> 00:21:25,520
Speaker 3: would work really well.

480
00:21:25,640 --> 00:21:26,520
Speaker 2: So who is this?

481
00:21:26,520 --> 00:21:29,240
Speaker 1: This is Rainbow Kid in surprise. This is the band

482
00:21:29,280 --> 00:21:32,040
Speaker 1: that we saw. Is that this is the band we

483
00:21:32,080 --> 00:21:34,640
Speaker 1: saw when we arrived at Austin see limits on day

484
00:21:34,640 --> 00:21:36,520
Speaker 1: two days where I can't remember, and we walked up

485
00:21:36,600 --> 00:21:38,600
Speaker 1: now playing on the main stage at like five o'clock,

486
00:21:39,119 --> 00:21:41,200
Speaker 1: and I was like, wow, who the hell are these guys?

487
00:21:41,200 --> 00:21:43,080
Speaker 1: Because that's one of this one of their songs. But

488
00:21:43,119 --> 00:21:46,480
Speaker 1: the rest of the songs are also quite catchy and

489
00:21:46,680 --> 00:21:50,000
Speaker 1: quite rocky, but got a little country kind of twenty

490
00:21:50,119 --> 00:21:52,439
Speaker 1: a little very Kings of Leon. You're right, man, it

491
00:21:52,480 --> 00:21:53,919
Speaker 1: feels very Kings of Leon to me.

492
00:21:54,240 --> 00:21:57,359
Speaker 2: It's cool, isn't it.

493
00:21:57,400 --> 00:22:01,080
Speaker 1: Yeah, it's great music. It's really great music. And then

494
00:22:01,160 --> 00:22:05,880
Speaker 1: interestingly from North Carolina, North Carolina, and then the lead

495
00:22:06,000 --> 00:22:12,280
Speaker 1: singer was a man as now I think identifies now

496
00:22:12,280 --> 00:22:12,960
Speaker 1: as a female.

497
00:22:13,080 --> 00:22:16,320
Speaker 2: Okay, breasts, Well we can just refer to them is

498
00:22:16,359 --> 00:22:19,719
Speaker 2: that they m suppose for the sake of this podcast,

499
00:22:19,840 --> 00:22:23,200
Speaker 2: so they yeah, have have got a sit of breasts.

500
00:22:23,320 --> 00:22:25,080
Speaker 1: That's right, they got a sit of brest and they

501
00:22:25,280 --> 00:22:30,399
Speaker 1: and great breasts, very good, wonderful brist and then so

502
00:22:30,600 --> 00:22:32,320
Speaker 1: walked up and saw them on the stage. The rest

503
00:22:32,359 --> 00:22:34,720
Speaker 1: of the band look like they are straight out of

504
00:22:34,960 --> 00:22:38,320
Speaker 1: North Carolina like they really do look like North Carolina beers,

505
00:22:39,960 --> 00:22:42,879
Speaker 1: hellibilly kind of vibe. And then meanwhile, the lead singers

506
00:22:42,960 --> 00:22:49,639
Speaker 1: dressed and black, like little hot pants with kind of

507
00:22:49,680 --> 00:22:52,280
Speaker 1: a strap, a black strap, kind of like a bondage outfit.

508
00:22:52,400 --> 00:22:54,960
Speaker 1: I'd describe it as a bondage outfit, but not much

509
00:22:55,000 --> 00:22:57,360
Speaker 1: stuff going on, and a pair of a pair of boots,

510
00:22:57,359 --> 00:22:58,000
Speaker 1: black boots.

511
00:22:58,119 --> 00:23:00,240
Speaker 2: Were they wearing that when you took the photo with them?

512
00:23:00,320 --> 00:23:02,840
Speaker 1: Yes, and then we met them backstage. Have you still

513
00:23:02,840 --> 00:23:04,480
Speaker 1: got their photo up there? I don't have that on

514
00:23:04,520 --> 00:23:04,880
Speaker 1: your phone?

515
00:23:04,920 --> 00:23:07,040
Speaker 2: I do, okay, because I'd actually quite like to see

516
00:23:07,040 --> 00:23:09,200
Speaker 2: that again now that I have some context around. Rainbow

517
00:23:09,280 --> 00:23:11,359
Speaker 2: Kitten Surprise obviously quite a big band of the playing

518
00:23:11,359 --> 00:23:12,240
Speaker 2: at a c L.

519
00:23:12,440 --> 00:23:15,000
Speaker 1: Well, they've got that song. There's got six hundred million

520
00:23:15,720 --> 00:23:17,520
Speaker 1: wow plays.

521
00:23:16,960 --> 00:23:19,120
Speaker 3: On Spotify, So it's so they're doing all right, they're

522
00:23:19,119 --> 00:23:19,800
Speaker 3: doing okay.

523
00:23:20,680 --> 00:23:23,800
Speaker 1: We should I put the photo? Should I put it

524
00:23:23,840 --> 00:23:24,320
Speaker 1: on our.

525
00:23:25,160 --> 00:23:27,679
Speaker 2: I know that's I've just gone to Rambow's ends Instagram.

526
00:23:28,600 --> 00:23:32,040
Speaker 3: So many things around given boobs a whole different thing

527
00:23:32,560 --> 00:23:36,600
Speaker 3: like given boobs put on when you're a dude. But

528
00:23:36,600 --> 00:23:37,720
Speaker 3: then a few liked.

529
00:23:38,160 --> 00:23:42,439
Speaker 1: Super interesting and because that's how that's how they sound.

530
00:23:42,520 --> 00:23:45,159
Speaker 1: You know, they've got such an interesting sound to have

531
00:23:45,200 --> 00:23:47,440
Speaker 1: a singer that looks like I found it fascinating.

532
00:23:47,520 --> 00:23:50,320
Speaker 2: Yeah, awesome, I found them absolutely So they were a

533
00:23:50,359 --> 00:23:52,960
Speaker 2: bit of a hidden gym from your time at a

534
00:23:53,040 --> 00:23:53,320
Speaker 2: c L.

535
00:23:53,560 --> 00:23:55,520
Speaker 1: Yeah, because I had never heard of them before. I

536
00:23:55,600 --> 00:23:58,080
Speaker 1: was just super impressients. And also the lead singer that

537
00:23:58,640 --> 00:24:02,440
Speaker 1: cockroaching on the floor of the that's not the outfit

538
00:24:02,520 --> 00:24:06,160
Speaker 1: that the outfit that he's got. They've got that I'm

539
00:24:06,200 --> 00:24:10,840
Speaker 1: with them in is like a post post performance out there,

540
00:24:10,840 --> 00:24:12,440
Speaker 1: there's a lot less going on.

541
00:24:12,720 --> 00:24:15,920
Speaker 2: Yeah, that's kind of a cocktail garment running there. Okay, nice,

542
00:24:16,440 --> 00:24:17,040
Speaker 2: but what I'm.

543
00:24:16,880 --> 00:24:19,879
Speaker 1: Cockroaching on the ground like kept falling over like a

544
00:24:19,960 --> 00:24:25,000
Speaker 1: two year old. Quite a rock and roll performance, really good.

545
00:24:25,240 --> 00:24:27,199
Speaker 3: Are you happy with if I put that up on

546
00:24:27,200 --> 00:24:29,879
Speaker 3: the conclaim or is that just put that out?

547
00:24:29,920 --> 00:24:31,840
Speaker 2: I think you'd lasted it up on your socials at

548
00:24:31,840 --> 00:24:33,760
Speaker 2: the time. So how was a CL was a festival?

549
00:24:33,800 --> 00:24:35,480
Speaker 2: You're you're a massive music fan.

550
00:24:36,520 --> 00:24:38,520
Speaker 1: You're good, I mean if you like music, And that's

551
00:24:38,560 --> 00:24:40,720
Speaker 1: what I was. The thing about Ruda in the situation, there's

552
00:24:40,760 --> 00:24:46,200
Speaker 1: so many interesting acts, like really cool alternative country music acts,

553
00:24:46,440 --> 00:24:49,919
Speaker 1: alternative rock acts. Also the big big ax like the Killers,

554
00:24:50,480 --> 00:24:53,560
Speaker 1: KG Elephant, you know, the Strokes. So there's those big

555
00:24:53,640 --> 00:24:56,040
Speaker 1: commercial acts that you know, rock and roll acts. There's

556
00:24:56,080 --> 00:24:59,040
Speaker 1: also cool dance area. It's it reminded me a lot

557
00:24:59,040 --> 00:25:02,800
Speaker 1: of the Big Day Out of the same kind of Yeah, it.

558
00:25:02,760 --> 00:25:05,000
Speaker 2: Sounded like I feel like it's just a it's a

559
00:25:05,000 --> 00:25:07,040
Speaker 2: great way to see music as well, like those festivals

560
00:25:07,080 --> 00:25:09,280
Speaker 2: that because you know those three X just there that

561
00:25:09,320 --> 00:25:11,359
Speaker 2: you mentioned for a lot of people at once in

562
00:25:11,400 --> 00:25:13,920
Speaker 2: a lifetime, you know, solo gigs that they might be

563
00:25:13,960 --> 00:25:16,080
Speaker 2: able to get to it spark or or you know

564
00:25:16,119 --> 00:25:18,320
Speaker 2: the Horny or if it's still called dead or or

565
00:25:18,359 --> 00:25:20,960
Speaker 2: wherever it might be for example. But like going to

566
00:25:20,960 --> 00:25:22,720
Speaker 2: see it, Like when we saw the line up for

567
00:25:22,920 --> 00:25:25,080
Speaker 2: a c L I was thinking like that, this is

568
00:25:25,080 --> 00:25:27,200
Speaker 2: insane here and.

569
00:25:27,200 --> 00:25:29,640
Speaker 1: Hosi and Sabrina Carpener. I mean for people who that's

570
00:25:29,640 --> 00:25:33,120
Speaker 1: the other big commercial X as well, but pop commercial

571
00:25:33,119 --> 00:25:33,920
Speaker 1: as Brenda.

572
00:25:33,720 --> 00:25:35,720
Speaker 2: Carpenter, I mean on the same I mean all on

573
00:25:35,760 --> 00:25:37,600
Speaker 2: the same lineup, mate, Like this is huge. I always

574
00:25:37,640 --> 00:25:38,880
Speaker 2: understand John Summit was there.

575
00:25:38,800 --> 00:25:41,480
Speaker 1: For something for the summer, something for the mums, something

576
00:25:41,560 --> 00:25:44,040
Speaker 1: for the mums Man John Summits. So G Lane is

577
00:25:44,040 --> 00:25:46,400
Speaker 1: a huge up the front.

578
00:25:46,520 --> 00:25:48,359
Speaker 2: Yeah, he would be. He's got a touch of the

579
00:25:48,400 --> 00:25:51,359
Speaker 2: modern data route, does he. Well, I don't know if

580
00:25:51,359 --> 00:25:53,000
Speaker 2: he does or not. I think I think John Summitt

581
00:25:53,040 --> 00:25:55,480
Speaker 2: might be almost offended by that disco lines.

582
00:25:55,560 --> 00:25:56,360
Speaker 1: You know, just go line.

583
00:25:56,359 --> 00:25:57,600
Speaker 2: I know, I've just line right.

584
00:25:57,840 --> 00:25:59,639
Speaker 3: And that was the thing that really struck me listening

585
00:25:59,640 --> 00:26:02,200
Speaker 3: to the Ace is the Agenda podcast, which then got

586
00:26:02,240 --> 00:26:04,679
Speaker 3: on our podcast feed as well as is all of

587
00:26:04,720 --> 00:26:06,800
Speaker 3: this great music that you wanted to go see, But

588
00:26:07,240 --> 00:26:10,159
Speaker 3: someone like g Lane took so much pleasure out of

589
00:26:10,160 --> 00:26:12,360
Speaker 3: going to the X that he'd never heard of. Yeah, yeah,

590
00:26:12,520 --> 00:26:14,320
Speaker 3: and that's what I love about those festivals.

591
00:26:14,440 --> 00:26:17,880
Speaker 1: Yeah, he's a he's a musical traveler.

592
00:26:18,440 --> 00:26:21,440
Speaker 2: Ge Lane's got an interesting music music taste in general, isn't.

593
00:26:21,280 --> 00:26:24,400
Speaker 1: He He does. Actually, he's it's quite a clicktic. It's

594
00:26:24,520 --> 00:26:28,800
Speaker 1: very a clicktic. He likes vibe t pain man. He

595
00:26:29,119 --> 00:26:32,240
Speaker 1: got right into pain, and he got into pain and

596
00:26:32,280 --> 00:26:33,160
Speaker 1: he got into doci.

597
00:26:35,160 --> 00:26:37,439
Speaker 2: So he was a swamp bach, wasn't he. Yeah? She

598
00:26:37,520 --> 00:26:39,919
Speaker 2: was good again, what I mean we go into it

599
00:26:40,000 --> 00:26:42,800
Speaker 2: a little bit deeper on the show. I think, well,

600
00:26:43,080 --> 00:26:45,840
Speaker 2: maybe we don't what what is the swamp bitch? And

601
00:26:45,880 --> 00:26:47,359
Speaker 2: who was doci? What does she sing?

602
00:26:48,560 --> 00:26:52,600
Speaker 1: Pop? Slash artist, slash singer female?

603
00:26:53,040 --> 00:26:59,000
Speaker 2: This song? Yeah, oh man, this is like massive on TikTok.

604
00:26:59,280 --> 00:27:04,240
Speaker 1: It's a great song. I can say singing. But she

605
00:27:04,280 --> 00:27:07,000
Speaker 1: also does mainly hip hop. But she can't really box

606
00:27:07,040 --> 00:27:09,000
Speaker 1: he out as she's saying, you can't box me old,

607
00:27:09,000 --> 00:27:11,320
Speaker 1: I am is a swamp bitch? Yeah right, his old

608
00:27:11,320 --> 00:27:14,200
Speaker 1: school bro? Is that like? Is that like focused? There's

609
00:27:14,240 --> 00:27:16,000
Speaker 1: a lot of a lot of it's spent a lot

610
00:27:16,040 --> 00:27:20,000
Speaker 1: of time with the butt, to the to the audience.

611
00:27:20,200 --> 00:27:21,200
Speaker 2: Love that, there's not a problem.

612
00:27:22,680 --> 00:27:23,479
Speaker 1: Shook her shoes off.

613
00:27:23,480 --> 00:27:24,959
Speaker 2: Sorry, I just felt like, resu, you might have an

614
00:27:24,960 --> 00:27:27,480
Speaker 2: issue with that. No, I would have thought that that

615
00:27:27,560 --> 00:27:32,439
Speaker 2: would be right up your right. So, but but what

616
00:27:32,560 --> 00:27:33,320
Speaker 2: is a swamp bach?

617
00:27:34,119 --> 00:27:34,320
Speaker 1: You know?

618
00:27:35,920 --> 00:27:36,879
Speaker 2: You know what a swamp bitches?

619
00:27:37,640 --> 00:27:39,240
Speaker 1: Is that someone from Louisiana?

620
00:27:39,920 --> 00:27:42,480
Speaker 2: Do you have any idea what a swamp bitches from?

621
00:27:42,760 --> 00:27:45,240
Speaker 1: From Louisiana?

622
00:27:45,480 --> 00:27:46,320
Speaker 3: Swamp bitches?

623
00:27:47,400 --> 00:27:49,880
Speaker 1: Where is the swamp bitch from? Oh?

624
00:27:49,960 --> 00:27:51,800
Speaker 2: Is that like a geographical thing? Like if you're from

625
00:27:51,880 --> 00:27:53,480
Speaker 2: you know? Right?

626
00:27:53,720 --> 00:28:00,560
Speaker 1: Okay, where's dot she from? What's from she's from? Already? Yeah,

627
00:28:00,600 --> 00:28:02,320
Speaker 1: so there's an that.

628
00:28:02,359 --> 00:28:05,760
Speaker 2: Actually makes sense. So you're from you know, remors, what

629
00:28:05,840 --> 00:28:08,800
Speaker 2: was that kind of what would be the swamp bitches.

630
00:28:08,440 --> 00:28:20,239
Speaker 1: Of fertile soil and warm slopes. This is sweep, all right.

631
00:28:20,280 --> 00:28:21,960
Speaker 2: So she kind of cramps it up about that song

632
00:28:22,040 --> 00:28:26,520
Speaker 2: that we all know. Okay, let you set up.

633
00:28:26,680 --> 00:28:30,400
Speaker 3: Don't feed it, don't she then diva walking over.

634
00:28:32,640 --> 00:28:35,399
Speaker 2: That's quite good, Diva, she's quite good.

635
00:28:35,440 --> 00:28:37,600
Speaker 1: Okay, it's good. Yeahs and pressed.

636
00:28:37,760 --> 00:28:40,320
Speaker 2: So you did three days of a c L.

637
00:28:40,440 --> 00:28:41,280
Speaker 3: Yeah, three days.

638
00:28:41,320 --> 00:28:43,920
Speaker 1: But we hung out. We worked a lot of the time,

639
00:28:44,000 --> 00:28:47,480
Speaker 1: of course, and then and we're working when we're now.

640
00:28:47,680 --> 00:28:50,959
Speaker 1: But but we'd going at about four thirty five o'clock,

641
00:28:51,000 --> 00:28:53,440
Speaker 1: five o'clock we'd leave because it was like thirty three degrees.

642
00:28:53,440 --> 00:28:54,560
Speaker 2: It's very hot in the evening.

643
00:28:55,000 --> 00:28:55,200
Speaker 3: Yeah.

644
00:28:55,320 --> 00:28:58,080
Speaker 1: Yeah, I started at about eleven in the morning.

645
00:28:58,320 --> 00:28:58,680
Speaker 2: Awesome.

646
00:28:58,840 --> 00:29:01,080
Speaker 1: Yeah, and we're going a little later. And that was

647
00:29:01,080 --> 00:29:02,920
Speaker 1: a good way to do it. Sort of the heated

648
00:29:02,960 --> 00:29:04,280
Speaker 1: of the day is sort of coming out a little bit.

649
00:29:04,280 --> 00:29:06,120
Speaker 1: It was probably about twenty eight degrees by that.

650
00:29:06,080 --> 00:29:09,720
Speaker 2: Stage, so mineasy on one day it had spent you know,

651
00:29:10,320 --> 00:29:12,000
Speaker 2: the middle of the day just piling up. On about

652
00:29:12,000 --> 00:29:15,200
Speaker 2: two hundred dollars worth of Terry Blake's meat.

653
00:29:15,280 --> 00:29:16,920
Speaker 1: Yeah, and before that, we'd spent a lot of time

654
00:29:16,960 --> 00:29:19,960
Speaker 1: in the pole bar, in the pole drinking, and the

655
00:29:20,000 --> 00:29:23,640
Speaker 1: actual poll a lot of fatties down south from because

656
00:29:23,640 --> 00:29:24,800
Speaker 1: I can only imagine.

657
00:29:24,440 --> 00:29:25,160
Speaker 2: What two hundred.

658
00:29:25,640 --> 00:29:27,360
Speaker 1: It's a good point there, because it.

659
00:29:27,360 --> 00:29:32,760
Speaker 2: Doesn't really feel like their choice of delicacies would lend

660
00:29:32,800 --> 00:29:36,480
Speaker 2: itself to remaining slim for that long. It doesn't really better.

661
00:29:36,600 --> 00:29:38,760
Speaker 2: But but then the heat would help. I suppose, yeah,

662
00:29:38,960 --> 00:29:40,560
Speaker 2: I don't know. There didn't seem to be a huge

663
00:29:40,560 --> 00:29:43,040
Speaker 2: amount of fatties. I mean maybe Also the Terry Black's

664
00:29:43,040 --> 00:29:45,520
Speaker 2: meat is two hundred dollars worth of Terry Black's meat.

665
00:29:45,600 --> 00:29:48,280
Speaker 2: Is a mistake you only make once, isn't it. I suppose, yeah,

666
00:29:48,600 --> 00:29:51,920
Speaker 2: a great thing it was. Their mistake was our reward,

667
00:29:54,440 --> 00:29:56,720
Speaker 2: I know, I know it's something. Yeah, benefit.

668
00:29:57,040 --> 00:29:59,040
Speaker 1: We benefited from the mistake because we went back to

669
00:29:59,080 --> 00:30:00,920
Speaker 1: their room later on it like two in the morning,

670
00:30:01,000 --> 00:30:03,320
Speaker 1: and there was meat there ready to go. So I

671
00:30:03,400 --> 00:30:06,040
Speaker 1: tucked into I ate a lot of that. Something was

672
00:30:06,040 --> 00:30:10,800
Speaker 1: a gift, what is it? Steak? Was our reward?

673
00:30:10,880 --> 00:30:13,480
Speaker 2: No, I thought, you know, another man's trash is another

674
00:30:13,520 --> 00:30:16,440
Speaker 2: man's pleasure, treasure, treasure? Is that is that what we

675
00:30:16,480 --> 00:30:16,920
Speaker 2: want to hit with?

676
00:30:18,520 --> 00:30:23,920
Speaker 3: Treasure? Pleasure yourself, treasure, It doesn't matter. I'm just reading

677
00:30:23,920 --> 00:30:26,080
Speaker 3: some of the lyrics to swamp it ches man. Yeah,

678
00:30:28,200 --> 00:30:28,880
Speaker 3: the spaghetio.

679
00:30:29,600 --> 00:30:32,080
Speaker 2: Right, I don't know if we had to say that,

680
00:30:32,560 --> 00:30:34,720
Speaker 2: what's going on there? So I want to go to

681
00:30:34,760 --> 00:30:38,880
Speaker 2: Louisiana next? Why going on there?

682
00:30:39,000 --> 00:30:39,680
Speaker 1: New Orleans?

683
00:30:39,760 --> 00:30:40,040
Speaker 3: Is there?

684
00:30:40,200 --> 00:30:43,040
Speaker 2: Yees sack bro Cajun food? Is that what you're into?

685
00:30:43,280 --> 00:30:44,720
Speaker 2: Is that where they're into the jazz? Or is that

686
00:30:44,800 --> 00:30:45,520
Speaker 2: somewhere else.

687
00:30:45,400 --> 00:30:48,080
Speaker 1: That is the jazz is up in Chicago?

688
00:30:48,440 --> 00:30:49,080
Speaker 2: Okay?

689
00:30:49,160 --> 00:30:49,360
Speaker 3: Right?

690
00:30:49,960 --> 00:30:51,440
Speaker 2: I thought there was New Orleans jazz on.

691
00:30:51,800 --> 00:30:53,320
Speaker 1: They do play. I think they play a little bit

692
00:30:53,320 --> 00:30:55,040
Speaker 1: of there's a bit of jazz going on down there.

693
00:30:55,040 --> 00:30:57,080
Speaker 1: But is that the home of jazz New Orleans?

694
00:30:57,080 --> 00:30:57,280
Speaker 3: Maybe?

695
00:30:57,280 --> 00:30:59,520
Speaker 1: Betters, But I know that there was a lot that

696
00:30:59,600 --> 00:31:01,880
Speaker 1: was in cargo to developed up there. But I think

697
00:31:01,920 --> 00:31:03,600
Speaker 1: a lot of people from New Orleans went north up

698
00:31:03,640 --> 00:31:04,280
Speaker 1: into Chicago.

699
00:31:04,440 --> 00:31:05,680
Speaker 2: So I mean, you can go there when if you

700
00:31:05,760 --> 00:31:08,840
Speaker 2: locks bose, well, you know when holidays provide. But why

701
00:31:08,880 --> 00:31:09,560
Speaker 2: not get over there?

702
00:31:09,640 --> 00:31:13,880
Speaker 1: Oh well at some stages that's my next American American stop.

703
00:31:14,040 --> 00:31:16,800
Speaker 2: Take me with you sure, is it all right? Yeah, totally,

704
00:31:16,960 --> 00:31:19,560
Speaker 2: and tells the kids, I'll look after the kids. I'll

705
00:31:19,600 --> 00:31:22,280
Speaker 2: come I'll come on an uncle MESHI capacity.

706
00:31:21,960 --> 00:31:26,760
Speaker 1: You'll be like a many Yeah, that's right.

707
00:31:26,840 --> 00:31:29,520
Speaker 3: Actually, the manny I like it. We start, we should

708
00:31:29,520 --> 00:31:31,440
Speaker 3: start a sitcom. Your kids would be pretty Lomitte.

709
00:31:33,040 --> 00:31:34,240
Speaker 1: They kind of look after themselves.

710
00:31:34,280 --> 00:31:36,840
Speaker 2: Now there are they what's the situation next at the moment?

711
00:31:36,840 --> 00:31:41,000
Speaker 2: Because I remember being their age around travel. Are they

712
00:31:41,040 --> 00:31:43,360
Speaker 2: both in the you've still you've got to be quite

713
00:31:43,640 --> 00:31:46,200
Speaker 2: because there's a phase of like I remember my parents

714
00:31:46,240 --> 00:31:47,640
Speaker 2: took we were lucky to do quite a lot of

715
00:31:47,680 --> 00:31:50,680
Speaker 2: travel in between the age of about six and twelve.

716
00:31:50,680 --> 00:31:53,360
Speaker 2: We were receptive of all of all things and very

717
00:31:53,360 --> 00:31:55,480
Speaker 2: excited about all things and gave everything a crack. And

718
00:31:55,880 --> 00:31:59,080
Speaker 2: then about thirteen to seventeen, I suppose things got a

719
00:31:59,120 --> 00:32:02,160
Speaker 2: little bit harder. You want to go because things got

720
00:32:02,160 --> 00:32:03,440
Speaker 2: to you know, you want to be make sure that

721
00:32:03,560 --> 00:32:04,720
Speaker 2: it's credible what you're doing.

722
00:32:04,760 --> 00:32:05,760
Speaker 3: And then they're on.

723
00:32:05,720 --> 00:32:08,040
Speaker 1: Their phones and yeah, they're just sort of in that zone.

724
00:32:08,160 --> 00:32:08,840
Speaker 2: So they're in that zone.

725
00:32:09,600 --> 00:32:12,440
Speaker 1: Could be something that they're like, yeah, okay, I think

726
00:32:12,440 --> 00:32:15,800
Speaker 1: they'd like Louisiana. I feel totally.

727
00:32:15,960 --> 00:32:18,280
Speaker 2: I really do. I mean people will say that this

728
00:32:18,400 --> 00:32:21,760
Speaker 2: is a fairly basic bitch want and need, but I

729
00:32:22,120 --> 00:32:23,760
Speaker 2: really do want to go to New York. I haven't

730
00:32:23,800 --> 00:32:26,320
Speaker 2: been able to go to New York yet. Great place,

731
00:32:26,440 --> 00:32:28,200
Speaker 2: and I'd love to be able to get there next.

732
00:32:28,200 --> 00:32:30,600
Speaker 1: The crazy thing the States, though, Like New York's great.

733
00:32:30,640 --> 00:32:35,600
Speaker 1: You know, Chicago's amazing, Austin's a great is a great place.

734
00:32:35,680 --> 00:32:38,480
Speaker 1: You quite like Chicago. Cago's a great, great place. I

735
00:32:38,520 --> 00:32:42,520
Speaker 1: know where you're like, La is great. San Francisco is amazing. Friend,

736
00:32:42,880 --> 00:32:45,680
Speaker 1: I went to Minneapolis once. That was a great place.

737
00:32:45,840 --> 00:32:48,720
Speaker 2: Did you ever do anything with over there?

738
00:32:49,400 --> 00:32:52,000
Speaker 1: Yep, to New York and we went to La and

739
00:32:52,040 --> 00:32:54,240
Speaker 1: stuff like that. I haven't been to the Carolinas. I'd

740
00:32:54,320 --> 00:32:56,479
Speaker 1: like to go to Washington. But anyway, the whole bloody country,

741
00:32:56,680 --> 00:32:59,959
Speaker 1: it's all interesting. It's all different places, different parts of it.

742
00:33:00,080 --> 00:33:04,920
Speaker 2: Tennessee is a great state. Well are you still reading

743
00:33:04,920 --> 00:33:05,400
Speaker 2: swam bitch?

744
00:33:06,000 --> 00:33:08,560
Speaker 3: I'm weirder than Hurricane Katrina.

745
00:33:09,000 --> 00:33:09,440
Speaker 1: That's good.

746
00:33:09,800 --> 00:33:10,440
Speaker 3: That's a good line.

747
00:33:11,600 --> 00:33:15,720
Speaker 1: Like a beat box, Well, that's okay. She's quite into

748
00:33:15,760 --> 00:33:22,240
Speaker 1: a I mean she's very sexual. She's very sexual. She's

749
00:33:22,280 --> 00:33:26,920
Speaker 1: a young one with twenty seven, she's showing her sexuality

750
00:33:26,960 --> 00:33:30,000
Speaker 1: through music. Good on fair all powdered her.

751
00:33:29,920 --> 00:33:32,200
Speaker 2: Before we wrap things up today, though, Jerry, haven't seen

752
00:33:32,200 --> 00:33:34,040
Speaker 2: you in a while. You're good on a personal note,

753
00:33:34,560 --> 00:33:35,239
Speaker 2: chicken on each other?

754
00:33:35,280 --> 00:33:40,840
Speaker 1: Yeah good, Yeah, you're good. Yeah we're fine. Yeah, well

755
00:33:41,000 --> 00:33:44,400
Speaker 1: you'll be fine. I'll be right. Oh you'll be fine.

756
00:33:44,440 --> 00:33:47,360
Speaker 3: Yeah's something wrong?

757
00:33:47,480 --> 00:33:50,400
Speaker 2: No, I should know what happened. You know. The only

758
00:33:50,440 --> 00:33:52,920
Speaker 2: thing that I'm now in a position in life with

759
00:33:53,000 --> 00:33:55,280
Speaker 2: the only thing that really can I've got no responsibilities still,

760
00:33:55,320 --> 00:34:00,280
Speaker 2: which is fantastic, But there are logistics and Edmundsta to

761
00:34:00,280 --> 00:34:03,480
Speaker 2: pick up in my life. Like I'm having to become

762
00:34:03,520 --> 00:34:08,240
Speaker 2: a little bit too there, I say it busy really yeah,

763
00:34:08,280 --> 00:34:09,840
Speaker 2: and like I actually have to sit here because you know,

764
00:34:10,200 --> 00:34:12,760
Speaker 2: when I used to do this show, it was great.

765
00:34:13,120 --> 00:34:15,680
Speaker 2: You know, I get to leave work at midday. I'd

766
00:34:15,680 --> 00:34:18,399
Speaker 2: have nothing on seven days a week after the show.

767
00:34:18,560 --> 00:34:20,080
Speaker 2: I was able to do whatever I want. But now

768
00:34:20,080 --> 00:34:23,800
Speaker 2: you know, life gets busy. Start hanging out more people again,

769
00:34:24,960 --> 00:34:25,960
Speaker 2: the same clocks and.

770
00:34:27,040 --> 00:34:29,240
Speaker 1: Mate, it's good operating the same clock as everyone.

771
00:34:29,360 --> 00:34:30,680
Speaker 2: Oh fucking love that part.

772
00:34:31,040 --> 00:34:34,480
Speaker 1: Yeah, Jesus, I just can't imagine what it's.

773
00:34:34,360 --> 00:34:37,400
Speaker 2: Like, yeah, you know what kind of clock opera that

774
00:34:37,719 --> 00:34:40,479
Speaker 2: has been. That's been the biggest change I think since

775
00:34:40,520 --> 00:34:44,400
Speaker 2: living the BRITSIH show was the fact that now I

776
00:34:44,440 --> 00:34:46,160
Speaker 2: can stay up in the evening. I'm getting more sleep

777
00:34:46,160 --> 00:34:47,640
Speaker 2: than I either have seven eight hours a night.

778
00:34:48,360 --> 00:34:50,200
Speaker 1: I think it's important for a man of your age.

779
00:34:50,480 --> 00:34:52,520
Speaker 2: Yeah, I feel good, for sure. I mist the radio show,

780
00:34:53,280 --> 00:34:57,480
Speaker 2: but getting some sleep, getting some fucking decent sleepers has

781
00:34:57,560 --> 00:35:00,200
Speaker 2: been gone. Oh man, it's amazing the difference between five

782
00:35:00,280 --> 00:35:02,000
Speaker 2: six hours a night and then see it and.

783
00:35:02,000 --> 00:35:04,600
Speaker 1: It's quite a big difference. You find yourself, you find

784
00:35:04,600 --> 00:35:05,600
Speaker 1: yourself again, feel a.

785
00:35:05,600 --> 00:35:07,960
Speaker 2: Little bit more positive about all things and you're still

786
00:35:07,960 --> 00:35:10,440
Speaker 2: getting making the most out of your day. How's are

787
00:35:10,520 --> 00:35:13,719
Speaker 2: you when you have time after you stress about? Like

788
00:35:14,200 --> 00:35:15,840
Speaker 2: is it hard to get back to the stage of

789
00:35:15,840 --> 00:35:17,600
Speaker 2: doing I mean, you've been doing this for so long now,

790
00:35:17,719 --> 00:35:19,839
Speaker 2: Like it's a question that you get asked the time

791
00:35:19,920 --> 00:35:22,319
Speaker 2: as a breakfast radio ano answer because I remember it.

792
00:35:22,360 --> 00:35:23,799
Speaker 2: But like, you know, what are the early mornings though?

793
00:35:23,840 --> 00:35:23,960
Speaker 1: Bro?

794
00:35:24,040 --> 00:35:25,160
Speaker 2: Like what times you have to get up?

795
00:35:25,160 --> 00:35:25,319
Speaker 1: Bro?

796
00:35:25,920 --> 00:35:27,839
Speaker 2: Are you finding that you get used to that after all?

797
00:35:27,920 --> 00:35:28,120
Speaker 1: Don't you?

798
00:35:28,200 --> 00:35:31,200
Speaker 2: Are you still? Because I don't know if I ever

799
00:35:31,280 --> 00:35:32,040
Speaker 2: did and.

800
00:35:32,040 --> 00:35:32,560
Speaker 3: Get used to it.

801
00:35:33,200 --> 00:35:35,560
Speaker 1: Yeah, I think it's a good thing to do breakfast

802
00:35:35,600 --> 00:35:38,000
Speaker 1: radio after you've had little kids, because they get you

803
00:35:38,080 --> 00:35:39,799
Speaker 1: up real early, and all of a sudden, you start

804
00:35:39,800 --> 00:35:41,759
Speaker 1: getting up at six thirty all the time because the kids.

805
00:35:41,960 --> 00:35:44,000
Speaker 1: We get up when the kids. Yeah, and then you're

806
00:35:44,160 --> 00:35:48,239
Speaker 1: at their beck and core, so you immediately your your

807
00:35:48,440 --> 00:35:51,000
Speaker 1: body clock changes. Yeah, and you're not going out as

808
00:35:51,040 --> 00:35:52,680
Speaker 1: late anyway, So it's not a bit. I think when

809
00:35:52,719 --> 00:35:54,759
Speaker 1: you're in a twenties, they doing breakfast radio, and that's

810
00:35:54,760 --> 00:35:57,080
Speaker 1: hard because, yeah, you wanted to go out and party

811
00:35:57,080 --> 00:35:58,880
Speaker 1: on the weekend and live a bit of a life,

812
00:35:59,480 --> 00:36:01,920
Speaker 1: you know. I I reckon the breakfast rad is good

813
00:36:01,920 --> 00:36:04,400
Speaker 1: ones you've had kids. Yeah, I'd love to go before that.

814
00:36:04,880 --> 00:36:05,800
Speaker 1: It's too hard.

815
00:36:06,120 --> 00:36:08,640
Speaker 3: So we're saying Mash needs to have some kids, yep,

816
00:36:08,640 --> 00:36:09,680
Speaker 3: and then he can come back.

817
00:36:10,200 --> 00:36:13,080
Speaker 1: I think I think you're about ready kids.

818
00:36:13,160 --> 00:36:15,400
Speaker 2: Yeah, you reckon shit.

819
00:36:15,640 --> 00:36:17,960
Speaker 1: A few years away, but I think you's just about.

820
00:36:17,719 --> 00:36:18,680
Speaker 2: This thinking about it.

821
00:36:18,800 --> 00:36:22,400
Speaker 1: Yeah, about thirty, you're a couple of years. You're getting older.

822
00:36:22,440 --> 00:36:25,200
Speaker 3: Me she wee problem with your theory and scenario. What

823
00:36:25,280 --> 00:36:28,320
Speaker 3: about manaia Mania has not had kids yet? Surely on

824
00:36:28,360 --> 00:36:29,600
Speaker 3: the horizon at some point.

825
00:36:29,719 --> 00:36:32,879
Speaker 1: Yeah, probably, I think he's I think he'll be open

826
00:36:32,920 --> 00:36:33,920
Speaker 1: to it at some stage.

827
00:36:34,040 --> 00:36:37,560
Speaker 2: Chrold's Minia thirty four? Is he ten years older the night? No,

828
00:36:37,600 --> 00:36:38,480
Speaker 2: that's our years older than I.

829
00:36:38,800 --> 00:36:40,319
Speaker 3: Good mine, good mats.

830
00:36:40,760 --> 00:36:41,600
Speaker 2: How old are you these days?

831
00:36:41,640 --> 00:36:46,080
Speaker 1: Jared forty eight, Ship forty eight, Rude is forty four,

832
00:36:46,719 --> 00:36:50,560
Speaker 1: Thanks forty six, forty six. Hold Zoe twenty one?

833
00:36:50,760 --> 00:36:54,280
Speaker 3: Twenty one man twenty one. She's the most mature person

834
00:36:54,320 --> 00:36:56,080
Speaker 3: on the show.

835
00:36:56,280 --> 00:36:57,359
Speaker 2: Are you only twenty one?

836
00:36:58,120 --> 00:36:58,400
Speaker 3: Fucked?

837
00:36:58,480 --> 00:37:00,399
Speaker 2: Is that? And the things that has been saying off

838
00:37:00,680 --> 00:37:06,840
Speaker 2: all morning? Yeah? Do you go like, be honest? You

839
00:37:06,840 --> 00:37:09,520
Speaker 2: can just kind of thumbs up, thumbs down. See, I

840
00:37:09,560 --> 00:37:12,160
Speaker 2: don't want to know. I want to ask you. I'll

841
00:37:12,200 --> 00:37:17,040
Speaker 2: just like, do you go home and kind of and go,

842
00:37:17,160 --> 00:37:19,360
Speaker 2: oh my god, fucking today?

843
00:37:19,400 --> 00:37:24,239
Speaker 3: Right, have a shower, Yeah, and a great place to

844
00:37:24,239 --> 00:37:25,360
Speaker 3: cry the shower, And.

845
00:37:25,480 --> 00:37:27,680
Speaker 2: I understand you just have to think about all those

846
00:37:27,719 --> 00:37:31,080
Speaker 2: things that Jerim and I seie today and then g

847
00:37:31,239 --> 00:37:33,480
Speaker 2: Lane comes in on a Friday. The shower has to.

848
00:37:33,480 --> 00:37:35,680
Speaker 3: Be extra and he always has a fifteen minute debrief

849
00:37:35,719 --> 00:37:37,279
Speaker 3: off here, doesn't it every time?

850
00:37:37,719 --> 00:37:39,840
Speaker 2: Is that a normal thing? Is what happened? Today.

851
00:37:40,080 --> 00:37:42,399
Speaker 3: Oh yeah, right, so there's nothing wrong with it.

852
00:37:43,160 --> 00:37:45,279
Speaker 2: There is nothing wrong with it. But that explains why

853
00:37:45,400 --> 00:37:47,319
Speaker 2: on a Friday night, because now I sit on the

854
00:37:47,320 --> 00:37:49,399
Speaker 2: other side of the office, That's why I don't see

855
00:37:49,440 --> 00:37:51,560
Speaker 2: him to call the past nine and I do often think.

856
00:37:51,640 --> 00:37:54,040
Speaker 2: I'm pretty sure his voice breakers starts at nine forty five.

857
00:37:54,320 --> 00:37:56,480
Speaker 2: And if I know Toddy, he is not that open

858
00:37:57,000 --> 00:37:59,279
Speaker 2: your content directors not that open to a half an

859
00:37:59,320 --> 00:38:03,120
Speaker 2: hour long voice break. And so right, that's because ge

860
00:38:03,200 --> 00:38:05,480
Speaker 2: Lane hangs around for a yeah, fifteen minutes for a

861
00:38:05,480 --> 00:38:05,680
Speaker 2: bit of.

862
00:38:05,640 --> 00:38:10,880
Speaker 3: A debris fascinating chat though. The Lane chats are.

863
00:38:09,680 --> 00:38:11,480
Speaker 2: Were you going to get off your chat about today

864
00:38:11,560 --> 00:38:14,239
Speaker 2: show from speaking of PIXI.

865
00:38:14,040 --> 00:38:15,279
Speaker 1: Yeah, yeah, we'll get it.

866
00:38:15,360 --> 00:38:19,000
Speaker 3: Yeah right, because because you're not on next week, so

867
00:38:19,040 --> 00:38:20,080
Speaker 3: we didn't need to have fun.

868
00:38:20,200 --> 00:38:22,439
Speaker 2: Yeah, because I'm not on next week. Ju Lane is back.

869
00:38:22,600 --> 00:38:24,959
Speaker 2: Yeah yeah, but can you write me out of ten today?

870
00:38:24,960 --> 00:38:25,120
Speaker 1: Bro?

871
00:38:26,200 --> 00:38:26,439
Speaker 2: Yeah?

872
00:38:26,480 --> 00:38:26,880
Speaker 1: For sure?

873
00:38:31,000 --> 00:38:34,799
Speaker 2: I like I reckon like her, like a like a

874
00:38:34,880 --> 00:38:40,279
Speaker 2: high seven high seven. Do you know what annoys me

875
00:38:40,320 --> 00:38:43,399
Speaker 2: about the high seven is that that it's honest as

876
00:38:43,400 --> 00:38:44,960
Speaker 2: a high I give you a high sent it still

877
00:38:45,000 --> 00:38:46,360
Speaker 2: not as high as I'd like it to be. A

878
00:38:46,480 --> 00:38:49,680
Speaker 2: high seven's good, man, you'll take jeez, I'd always take

879
00:38:49,719 --> 00:38:53,120
Speaker 2: a high seven. I was expecting coming and then running

880
00:38:53,160 --> 00:38:57,120
Speaker 2: a high seven. Yeah, are you happy with a ten?

881
00:38:57,200 --> 00:38:59,640
Speaker 2: Nobody's ever getting a ten? Right to get a nine,

882
00:38:59,680 --> 00:39:01,440
Speaker 2: you've got I have done something quite special. You have

883
00:39:01,520 --> 00:39:03,000
Speaker 2: to get in a g string and maybe go to

884
00:39:03,000 --> 00:39:04,719
Speaker 2: a beach or something like that. You know, that's something

885
00:39:04,760 --> 00:39:06,279
Speaker 2: outside of the studio for next time.

886
00:39:06,360 --> 00:39:10,200
Speaker 1: Yeah, eights would have just been absolute blindness.

887
00:39:11,280 --> 00:39:12,680
Speaker 2: High seven are good.

888
00:39:13,440 --> 00:39:16,960
Speaker 3: I was expecting a for four point five, mainly because

889
00:39:17,000 --> 00:39:19,200
Speaker 3: of the fact that normally, when you're in the studio,

890
00:39:19,239 --> 00:39:21,000
Speaker 3: you're in charge of the buttons, and it's kind of

891
00:39:21,040 --> 00:39:24,040
Speaker 3: like taking an arm away from you, which then makes

892
00:39:24,120 --> 00:39:27,279
Speaker 3: you feel uncomfortable, and I worried that would impact your performance.

893
00:39:27,520 --> 00:39:30,879
Speaker 3: I'd give you a performance today seven point three.

894
00:39:31,000 --> 00:39:31,719
Speaker 1: Oh see, there we go.

895
00:39:31,800 --> 00:39:36,799
Speaker 2: So that's a low seven, high load of mid. But

896
00:39:36,800 --> 00:39:38,400
Speaker 2: if we're rounding, we're rounding down.

897
00:39:38,480 --> 00:39:40,640
Speaker 3: Well, if you're rounding, i'd round that to a seven

898
00:39:40,640 --> 00:39:41,120
Speaker 3: point five.

899
00:39:42,160 --> 00:39:46,160
Speaker 2: I don't know if that's how rounding quite so negative

900
00:39:46,400 --> 00:39:49,760
Speaker 2: myself a seven point five and you give me a high.

901
00:39:49,640 --> 00:39:52,719
Speaker 1: Seven, A certain point eight. I'll tell you what you

902
00:39:52,760 --> 00:39:56,080
Speaker 1: were today. I was pretty ordinary, you know, I was

903
00:39:56,080 --> 00:39:59,320
Speaker 1: pretty ordinary, That's what I mean. But look my ordinary

904
00:39:59,400 --> 00:40:05,680
Speaker 1: is you know, not as you know all right, yeah, yeah, okay,

905
00:40:06,400 --> 00:40:08,680
Speaker 1: it's fair. I quite enjoyed not pushing the buttons. On

906
00:40:08,760 --> 00:40:12,280
Speaker 1: a technical note, it's very different being able to stay

907
00:40:12,280 --> 00:40:14,040
Speaker 1: in a conversation. I remember back in the day, I'd

908
00:40:14,120 --> 00:40:16,080
Speaker 1: quite often come in with something and then like your

909
00:40:16,120 --> 00:40:18,960
Speaker 1: Matt would look at me like we've just been the

910
00:40:19,040 --> 00:40:21,520
Speaker 1: last three minutes talking about you all.

911
00:40:21,640 --> 00:40:21,839
Speaker 3: Matt.

912
00:40:23,280 --> 00:40:24,719
Speaker 1: Well, that's the thing with the buns. You've got to

913
00:40:24,719 --> 00:40:28,759
Speaker 1: go elsewhere, and then you go to think to come back, mate,

914
00:40:28,880 --> 00:40:30,239
Speaker 1: heaps to think about to think.

915
00:40:31,120 --> 00:40:33,960
Speaker 3: It is one of the harder job job, am I right,

916
00:40:34,000 --> 00:40:37,359
Speaker 3: Mash a lot like what you were doing over there

917
00:40:37,360 --> 00:40:39,200
Speaker 3: in Texas, which was working hard apparently.

918
00:40:39,360 --> 00:40:40,600
Speaker 1: Yeah, it's a hard job.

919
00:40:40,680 --> 00:40:44,560
Speaker 2: These are hard jobs and people love to hear us

920
00:40:44,560 --> 00:40:45,439
Speaker 2: complain about them.

921
00:40:45,960 --> 00:40:49,399
Speaker 1: Have hard jobs. Let's go, yeah,