1 00:00:17,440 --> 00:00:21,520 Speaker 1: It's a request from Charlie Brown. And if you've got 2 00:00:21,520 --> 00:00:22,840 Speaker 1: a song that you'd like to hear at the start 3 00:00:22,840 --> 00:00:27,080 Speaker 1: of our potty, please send it into us on the Conclave. 4 00:00:27,720 --> 00:00:30,120 Speaker 1: We'll be happy to start the podcast with it. That 5 00:00:30,200 --> 00:00:33,279 Speaker 1: there's busy and by jungle. Get busy in or get busy. 6 00:00:35,600 --> 00:00:36,879 Speaker 2: Keep evan no. 7 00:00:38,680 --> 00:00:44,640 Speaker 1: Ossie band, No, I think American. I've seen them. I 8 00:00:44,760 --> 00:00:48,040 Speaker 1: saw them at It's about fifty of them are there. Yeah, 9 00:00:48,040 --> 00:00:50,120 Speaker 1: there's heaps of them on stage. I saw them at 10 00:00:50,920 --> 00:00:54,480 Speaker 1: Lollapalooza in Chicago. It's a they're a good time jungle 11 00:00:55,320 --> 00:00:59,680 Speaker 1: Grants Park. There's a female vocalists and a male vocalist 12 00:00:59,720 --> 00:01:02,360 Speaker 1: as well. Grant Park. Never heard of it. 13 00:01:02,560 --> 00:01:06,399 Speaker 2: Yeah, sounds a good place. So Jesus is a buzzer 14 00:01:06,480 --> 00:01:08,120 Speaker 2: on the office today. Have you guys notice that? 15 00:01:08,680 --> 00:01:09,200 Speaker 1: Do you know why? 16 00:01:10,440 --> 00:01:15,640 Speaker 2: There's a special gift coming Yeah, but also the Christmas 17 00:01:15,720 --> 00:01:19,440 Speaker 2: do today, but there's also a special guest coming. 18 00:01:22,280 --> 00:01:27,919 Speaker 1: Center. Basically he's the center of jobs. He gives out jobs. 19 00:01:28,319 --> 00:01:28,679 Speaker 1: He's Sai. 20 00:01:29,600 --> 00:01:31,679 Speaker 2: You know when the boss shows up in a full suit, 21 00:01:32,280 --> 00:01:33,400 Speaker 2: You're like, something's. 22 00:01:33,080 --> 00:01:37,479 Speaker 1: On here, something's wrong. Yeah, what's happened? Especially in radio 23 00:01:37,600 --> 00:01:39,679 Speaker 1: I'm not wrong. I've noticed that. 24 00:01:41,840 --> 00:01:43,839 Speaker 2: Our big meetings don't warrant a suit. 25 00:01:44,120 --> 00:01:49,880 Speaker 3: No, no, they infect go the other way. Yeah, likes 26 00:01:49,920 --> 00:01:53,600 Speaker 3: to put across a bit more of a casual feels. 27 00:01:54,040 --> 00:01:57,520 Speaker 1: Hey, do we do a nude meeting at some stage? 28 00:01:58,880 --> 00:02:01,800 Speaker 3: No, we can't. We can't do that. It wouldn't be 29 00:02:01,800 --> 00:02:07,560 Speaker 3: appropriate with I don't think so that's and I'm sick like. 30 00:02:07,560 --> 00:02:09,720 Speaker 1: Maybe if you went there, I think I think you're 31 00:02:09,720 --> 00:02:11,720 Speaker 1: just good to treat everyone like that, that we're all 32 00:02:11,760 --> 00:02:14,480 Speaker 1: the same, like real humans. Yeah, like people. I don't 33 00:02:14,680 --> 00:02:19,040 Speaker 1: see the world through that leans anyone cold. 34 00:02:19,919 --> 00:02:24,639 Speaker 2: I notice you've done the puffer does the catabatic wind 35 00:02:24,639 --> 00:02:26,600 Speaker 2: has come through thick and fast. 36 00:02:27,639 --> 00:02:28,280 Speaker 1: I've noticed that. 37 00:02:28,400 --> 00:02:30,760 Speaker 2: So there's a cure across the way and the reception 38 00:02:30,880 --> 00:02:32,239 Speaker 2: to go and pick up all the wrist bands for 39 00:02:32,320 --> 00:02:35,440 Speaker 2: the for the work Christmas though, I'm thinking of going 40 00:02:35,480 --> 00:02:37,720 Speaker 2: down there and given the higher up peace of my mind, 41 00:02:38,360 --> 00:02:41,239 Speaker 2: thinking about getting real sloppy and just you know, you 42 00:02:41,320 --> 00:02:46,280 Speaker 2: know it should be when I'm frequency in South Kenby, I. 43 00:02:46,280 --> 00:02:48,000 Speaker 1: Think you should come in with some jokes around some 44 00:02:48,120 --> 00:02:51,720 Speaker 1: maybe controversial topics as well for the for the business. 45 00:02:51,840 --> 00:02:54,440 Speaker 2: Maybe maybe some should I get into some of my 46 00:02:54,520 --> 00:02:59,000 Speaker 2: ethnic stuff, maybe some of my gender, right the people, Yeah, 47 00:02:59,360 --> 00:03:02,079 Speaker 2: we're the brown people on this other comes you in 48 00:03:02,200 --> 00:03:02,800 Speaker 2: brown face. 49 00:03:05,680 --> 00:03:08,919 Speaker 1: Hey, should we should call that cadabatic wind that flows 50 00:03:08,919 --> 00:03:11,560 Speaker 1: through the studio, we should call it the duchess. Yes, 51 00:03:12,080 --> 00:03:15,480 Speaker 1: because she remember when she let off that that thing 52 00:03:15,560 --> 00:03:17,600 Speaker 1: and it went up there and it put the silver 53 00:03:17,720 --> 00:03:19,720 Speaker 1: things up in the ear conditioning. They're still there. 54 00:03:19,960 --> 00:03:23,320 Speaker 3: So you're okay saying maybe once a day the duchess 55 00:03:23,400 --> 00:03:25,040 Speaker 3: is blying and. 56 00:03:25,000 --> 00:03:26,840 Speaker 1: Then when the duchess let that thing off. Yea, the 57 00:03:26,960 --> 00:03:28,239 Speaker 1: duchess has coming today. 58 00:03:29,600 --> 00:03:32,720 Speaker 2: Yeah, I mean it is the Duchess. It's howls straight 59 00:03:32,800 --> 00:03:35,200 Speaker 2: through you, makes the hair on the back of your 60 00:03:35,240 --> 00:03:35,920 Speaker 2: neck stand up. 61 00:03:36,120 --> 00:03:38,240 Speaker 1: Yeah. It doesn't ever seem to And when you send 62 00:03:38,280 --> 00:03:41,000 Speaker 1: it home, it doesn't come. It keeps, the returns, keeps 63 00:03:41,040 --> 00:03:44,800 Speaker 1: coming back and sending ubers back. It returns. Yeah. It 64 00:03:44,920 --> 00:03:49,600 Speaker 1: ends up on the end of your bed, well dressing 65 00:03:49,680 --> 00:03:53,760 Speaker 1: your boss, does it? Yep? Ends up on the end 66 00:03:53,800 --> 00:03:54,880 Speaker 1: of your bed. It end up on the end of 67 00:03:54,880 --> 00:03:57,839 Speaker 1: your bed, Yeah, we did. I've heard of it ended 68 00:03:57,920 --> 00:03:59,720 Speaker 1: up in a lot of places. Do you know what 69 00:03:59,800 --> 00:04:00,480 Speaker 1: I it? On the. 70 00:04:03,160 --> 00:04:06,880 Speaker 2: On the Cricket Commentary on the cricket comment I was 71 00:04:06,920 --> 00:04:09,960 Speaker 2: listening to the mainstream commentary yesterday and I heard Scotty 72 00:04:11,080 --> 00:04:13,160 Speaker 2: talking about that would because you know how they got 73 00:04:13,200 --> 00:04:18,279 Speaker 2: the museum there, a base reserve, Yeah and understand muse Yeah. 74 00:04:18,279 --> 00:04:19,800 Speaker 2: And part of it is they've got one of those 75 00:04:20,000 --> 00:04:22,760 Speaker 2: little VR headsets that you can chuck on and you 76 00:04:22,800 --> 00:04:25,000 Speaker 2: can play you know, virtual cricket down there. 77 00:04:26,000 --> 00:04:26,200 Speaker 1: Yeah. 78 00:04:26,240 --> 00:04:28,480 Speaker 2: And so they had a little shot of that and 79 00:04:28,520 --> 00:04:34,320 Speaker 2: then the hero Jeb turned to Scotty and said, you 80 00:04:34,360 --> 00:04:36,520 Speaker 2: ever had a hone on that? And he goes, no, 81 00:04:36,680 --> 00:04:39,160 Speaker 2: not on the cricket one. I'd shudder to think what 82 00:04:39,200 --> 00:04:40,600 Speaker 2: I'd do on that. I've only ever done it on 83 00:04:40,800 --> 00:04:41,440 Speaker 2: the headset. 84 00:04:42,240 --> 00:04:42,920 Speaker 1: You might have been going. 85 00:04:43,320 --> 00:04:46,000 Speaker 2: You were there at at Matt Heat's house and he 86 00:04:46,200 --> 00:04:48,800 Speaker 2: regaled the herey jab with the story of the time 87 00:04:48,880 --> 00:04:51,520 Speaker 2: he knocked out Heats TV. Ah did he Yeah, he 88 00:04:51,640 --> 00:04:54,039 Speaker 2: told him the story about it. He even name dropped Heath. 89 00:04:54,080 --> 00:04:56,320 Speaker 2: It was just like, yeah, I broke Matt Heats TV. 90 00:04:56,760 --> 00:04:58,840 Speaker 2: It was so we were Heath had just got the 91 00:04:58,920 --> 00:05:02,000 Speaker 2: VR headset. This would have being pretty new at that stage. 92 00:05:02,000 --> 00:05:04,719 Speaker 1: When day I'm thinking it's like seven or eight years ago. Yeah, 93 00:05:05,200 --> 00:05:05,920 Speaker 1: twenty nineteen. 94 00:05:05,960 --> 00:05:08,240 Speaker 2: I would say, I guess, And we were fresh off 95 00:05:08,320 --> 00:05:12,880 Speaker 2: actually our Christmas party and yeah, yeah, we'd been out 96 00:05:12,920 --> 00:05:15,400 Speaker 2: on the boats that day. There was a social media 97 00:05:15,480 --> 00:05:19,320 Speaker 2: blackout and then we got back ashore. Lee Hart was 98 00:05:19,360 --> 00:05:23,000 Speaker 2: placed into an uber with mett Ward to chaperonem. 99 00:05:24,880 --> 00:05:25,040 Speaker 1: There. 100 00:05:25,120 --> 00:05:26,679 Speaker 2: We'd fished him out of the viaduct harbor. 101 00:05:27,480 --> 00:05:29,880 Speaker 1: It was a four man job. I was one of 102 00:05:29,920 --> 00:05:30,560 Speaker 1: the men that did that. 103 00:05:30,800 --> 00:05:34,159 Speaker 2: Yeah, oh, there's a plank I did. Wait, Oh my god, 104 00:05:34,640 --> 00:05:37,560 Speaker 2: there was I hope it doesn't mind assume the story. 105 00:05:37,600 --> 00:05:39,640 Speaker 2: But we had moored up in the viaduct. 106 00:05:39,920 --> 00:05:42,159 Speaker 1: We'll get back to Scotty. We're moored up in the. 107 00:05:42,200 --> 00:05:45,560 Speaker 2: Viaduct and Lee was just leaning against the wall of 108 00:05:45,640 --> 00:05:46,920 Speaker 2: the boat that we were sitting on. It was like 109 00:05:47,040 --> 00:05:50,120 Speaker 2: right next to the sort of the bathroom. There was 110 00:05:50,240 --> 00:05:53,320 Speaker 2: heat up against it. But as you know, a boat 111 00:05:53,440 --> 00:05:57,160 Speaker 2: moored to the dock, it's still listing lazily to the left. 112 00:05:57,720 --> 00:06:00,320 Speaker 2: And every time it would lazily list to the right, 113 00:06:00,720 --> 00:06:02,760 Speaker 2: as head would come off the wall, and then it 114 00:06:02,800 --> 00:06:06,120 Speaker 2: would lest back the other way, and then just everything 115 00:06:07,720 --> 00:06:10,440 Speaker 2: and it was happening over and over and over again. 116 00:06:10,480 --> 00:06:12,120 Speaker 2: He was just in that stage of the night where 117 00:06:12,200 --> 00:06:14,560 Speaker 2: like he wasn't asleep, he was away and he was 118 00:06:14,560 --> 00:06:16,960 Speaker 2: still talking to people, but it just motor function had gone. 119 00:06:16,960 --> 00:06:20,960 Speaker 1: And did we end up in Swashies that night? And 120 00:06:21,080 --> 00:06:23,360 Speaker 1: the restaurant part of Swashes? I feel like we got 121 00:06:23,440 --> 00:06:25,520 Speaker 1: booted out? We did? We did that? 122 00:06:25,720 --> 00:06:28,480 Speaker 2: Yeah, we did, because we immediately disembarked the vessel and 123 00:06:28,480 --> 00:06:29,520 Speaker 2: we're like, where do we go from here? 124 00:06:30,040 --> 00:06:31,440 Speaker 1: Swashies Swashies And there. 125 00:06:31,440 --> 00:06:33,720 Speaker 2: Was a function on I believe we crashed a function. 126 00:06:33,800 --> 00:06:35,200 Speaker 1: They were crashed a function. And then we got we 127 00:06:35,320 --> 00:06:38,839 Speaker 1: actually got frog marched out. Yeah, that was embarrassing. And then. 128 00:06:40,839 --> 00:06:44,880 Speaker 2: We ended up back at Heath's house and that's when 129 00:06:45,040 --> 00:06:49,119 Speaker 2: the VR headset came out and we were taking turns. 130 00:06:49,160 --> 00:06:51,880 Speaker 2: It's quite freaky. He had the boxing game on. It's 131 00:06:51,960 --> 00:06:54,080 Speaker 2: quite intense. You've got this giant dude bearing down on 132 00:06:54,120 --> 00:06:57,800 Speaker 2: your thrown punches. Well, Scotty decided to cut the cut 133 00:06:57,880 --> 00:06:59,560 Speaker 2: the ring off on him and took a couple of 134 00:06:59,600 --> 00:07:02,360 Speaker 2: steps forward. It's setting them up quite nicely with the jab, 135 00:07:02,680 --> 00:07:04,440 Speaker 2: and just when we had to close the distance, he 136 00:07:04,600 --> 00:07:07,720 Speaker 2: just he just threw a devastating right cross straight through 137 00:07:07,760 --> 00:07:10,600 Speaker 2: the middle of Heaths TV. Everyone in the room could 138 00:07:10,600 --> 00:07:14,520 Speaker 2: see what what was happening. He took a couple of 139 00:07:14,520 --> 00:07:18,080 Speaker 2: steps forward and bomb. It was a good blow. He 140 00:07:18,160 --> 00:07:19,840 Speaker 2: lit that bitch up Christmas tree. 141 00:07:19,800 --> 00:07:21,840 Speaker 1: And that was the end of man Heats TV. Well, 142 00:07:22,040 --> 00:07:23,760 Speaker 1: I can't I can't imagine we would have been drinking 143 00:07:23,800 --> 00:07:25,480 Speaker 1: at that stage, because if back at Heat's house, he 144 00:07:25,480 --> 00:07:26,560 Speaker 1: wouldn't have had any alcohol. 145 00:07:26,680 --> 00:07:29,120 Speaker 2: Here, I think we had the We were thought to 146 00:07:29,200 --> 00:07:31,960 Speaker 2: take some with us, but we wouldn't have needed to. 147 00:07:32,000 --> 00:07:33,360 Speaker 2: We were pretty passed by that stage. 148 00:07:34,120 --> 00:07:34,840 Speaker 3: How was his hand? 149 00:07:35,200 --> 00:07:38,440 Speaker 1: Obviously the TV didn't go so well, but scottis and 150 00:07:38,720 --> 00:07:41,720 Speaker 1: is fine. Yeah, fine, But there was a lot of 151 00:07:41,800 --> 00:07:45,480 Speaker 1: dispute over the TV. The TV was fucked, TV was 152 00:07:45,640 --> 00:07:49,040 Speaker 1: yeah the TV. There was a lot of toing and 153 00:07:49,120 --> 00:07:51,280 Speaker 1: frying over who pays for the TV, what happens to 154 00:07:51,280 --> 00:07:51,640 Speaker 1: the TV. 155 00:07:51,880 --> 00:07:55,200 Speaker 2: My memory was there was a real forgiveness and hey, 156 00:07:55,280 --> 00:07:58,040 Speaker 2: don't worry about it. These things happen on the night. 157 00:07:58,720 --> 00:08:00,920 Speaker 2: But then the next day I think it was revealed 158 00:08:00,960 --> 00:08:03,080 Speaker 2: that that actually wasn't Heath's TV, and that he was 159 00:08:03,160 --> 00:08:08,400 Speaker 2: borrowing it from someone else. That I think complicated the 160 00:08:08,480 --> 00:08:11,040 Speaker 2: mere Copper because it wasn't really his to give his 161 00:08:11,680 --> 00:08:14,960 Speaker 2: it wasn't his forgiveness to give. I think that that 162 00:08:15,120 --> 00:08:20,560 Speaker 2: complicated situations. But anyway, Yeah, Scotty Jake knocked out of TV. 163 00:08:20,760 --> 00:08:23,360 Speaker 1: Yeah, so he told the storys in the Creeryeah he did, and. 164 00:08:23,480 --> 00:08:27,040 Speaker 2: He issued another apology to Heath for knocking out his TV. 165 00:08:27,920 --> 00:08:31,120 Speaker 2: It was it was Scotty's got hands man. Yeah, yeah, 166 00:08:31,200 --> 00:08:31,640 Speaker 2: he threw some. 167 00:08:31,840 --> 00:08:32,760 Speaker 1: He he can throw them. 168 00:08:32,760 --> 00:08:35,800 Speaker 2: Don'torry about Scotty's. I think he threw the fifteen punch 169 00:08:35,880 --> 00:08:37,200 Speaker 2: combo from the Power of One. 170 00:08:39,000 --> 00:08:44,240 Speaker 1: Book it's from Yeah, yeah, he constructed. I think I 171 00:08:44,360 --> 00:08:47,280 Speaker 1: think Scotty constructors and typeers around there. But The Power 172 00:08:47,280 --> 00:08:49,760 Speaker 1: of One. Yeah, right. He grew up in South Africa? 173 00:08:49,920 --> 00:08:52,480 Speaker 1: Why was it? Did he? Yeah? Scotty, Yeah did he? Yeah? 174 00:08:52,520 --> 00:08:54,400 Speaker 1: I didn't know that he went to went to school. 175 00:08:54,440 --> 00:08:57,800 Speaker 2: And I always wonder why it was such a lek 176 00:08:57,880 --> 00:08:59,679 Speaker 2: a dime on the gorse of Lot with Scotts. 177 00:08:59,520 --> 00:09:01,880 Speaker 1: Mothers fricking Oh yeah's a smart bro. Yeah. 178 00:09:02,040 --> 00:09:06,800 Speaker 2: I Why was there a whole chapter dedicated to four 179 00:09:06,840 --> 00:09:07,680 Speaker 2: skins in that book? 180 00:09:08,520 --> 00:09:11,640 Speaker 1: Good question. It's one of my son's favorite books, that one, 181 00:09:11,679 --> 00:09:12,800 Speaker 1: The Power of One. Yeah, loved it. 182 00:09:12,880 --> 00:09:16,400 Speaker 2: I loved it too well because he just like I 183 00:09:16,480 --> 00:09:20,719 Speaker 2: forget the kid's name. He has been packed up and 184 00:09:20,760 --> 00:09:22,880 Speaker 2: shipped off the boarding school by parents that don't love him, 185 00:09:22,960 --> 00:09:24,400 Speaker 2: just like the main character in the book. 186 00:09:24,480 --> 00:09:27,480 Speaker 1: Yeah, I suppose he understands it. And also he's my 187 00:09:27,600 --> 00:09:30,280 Speaker 1: son's into the muy Thai, loves the muay Thai. 188 00:09:30,400 --> 00:09:34,199 Speaker 2: The five finger death punch, right, and it should take 189 00:09:34,200 --> 00:09:36,040 Speaker 2: a quick break and come back and cant oat of TV? 190 00:09:42,679 --> 00:09:43,240 Speaker 1: Who's seen on? 191 00:09:43,360 --> 00:09:49,600 Speaker 3: Chris Cross, Michael D. Cook, Michael D Kok, Michael Mike 192 00:09:50,280 --> 00:09:54,520 Speaker 3: Maybe maybe you're right, Michael, Mike Cook, Mike D. 193 00:09:54,920 --> 00:10:01,000 Speaker 1: Cook, Mike D Cook, Chris Cross goes hard? Yeah, did 194 00:10:01,360 --> 00:10:05,679 Speaker 1: the mac daddy makeer? The Daddy Mac make you? You 195 00:10:05,760 --> 00:10:07,280 Speaker 1: could have come up with a new one. Why would 196 00:10:07,320 --> 00:10:15,760 Speaker 1: you go mac Daddy? And then Daddy Mac mac Daddy? 197 00:10:15,840 --> 00:10:20,760 Speaker 1: Was Mike Huddho? Wasn't it water on on my him? 198 00:10:21,040 --> 00:10:22,880 Speaker 1: Was that the mac daddy? Yeah? What did to come 199 00:10:22,920 --> 00:10:25,760 Speaker 1: my water? Mike Huddo was the mac daddy? I don't 200 00:10:25,760 --> 00:10:30,480 Speaker 1: remember remember? Mike, what did to come my water? What 201 00:10:30,679 --> 00:10:32,760 Speaker 1: was he on? Obviously wanted to go my water? He 202 00:10:32,880 --> 00:10:36,719 Speaker 1: was on water? But what what station? Was it? My 203 00:10:36,880 --> 00:10:43,360 Speaker 1: fim water? Top of the dot. No, I was more 204 00:10:43,400 --> 00:10:52,240 Speaker 1: of a point. I was more of a port If 205 00:10:52,640 --> 00:10:53,720 Speaker 1: port If him. 206 00:10:56,280 --> 00:10:58,880 Speaker 2: Live local and loving it on port If him with Melano. 207 00:10:58,640 --> 00:11:02,679 Speaker 1: Ja for Breakfast. Melano who was oj o J? 208 00:11:03,520 --> 00:11:06,480 Speaker 2: I think still doing the dance Simpson for the Breeze, 209 00:11:06,920 --> 00:11:09,880 Speaker 2: No J Simpson or thought James Simpson was his name? Yeah, 210 00:11:11,800 --> 00:11:18,079 Speaker 2: rhythm Yeah, No, he used to driver no Ford Bronco 211 00:11:18,559 --> 00:11:22,360 Speaker 2: white Ford. There's weird gloves and quite fit them. And 212 00:11:23,840 --> 00:11:26,319 Speaker 2: he also did Breakfast and Tomorrow. And I think he's 213 00:11:26,320 --> 00:11:29,800 Speaker 2: still on the breeze down there. It's hardly a breeze. 214 00:11:29,840 --> 00:11:32,400 Speaker 2: It's stiff eastily out there. I think he's on the 215 00:11:32,480 --> 00:11:36,880 Speaker 2: howling gale down there on that moderate easterly. 216 00:11:37,240 --> 00:11:43,559 Speaker 1: Yeah, he used to I used to, Yeah, listen to 217 00:11:43,640 --> 00:11:48,560 Speaker 1: that and Radio Pacific the voice of New Zealand Radio Pacific. 218 00:11:48,600 --> 00:11:51,360 Speaker 1: I'm just looking out there. Keys's arrived in the office, 219 00:11:51,679 --> 00:11:52,480 Speaker 1: not John Keysey. 220 00:11:53,360 --> 00:11:54,839 Speaker 2: What does Chris Key look like at nine thirty in 221 00:11:54,880 --> 00:11:55,160 Speaker 2: the morning. 222 00:11:55,240 --> 00:11:57,280 Speaker 1: Wow, all the gear and no idea. That's how I 223 00:11:57,360 --> 00:11:59,319 Speaker 1: described Chris Key as he pulled up in the Full 224 00:11:59,360 --> 00:12:02,640 Speaker 1: Frank NOVELO. He's pulled up, He's got He's got every 225 00:12:02,800 --> 00:12:06,400 Speaker 1: bell and every whistle of golfing thing that you possibly 226 00:12:06,520 --> 00:12:09,480 Speaker 1: get on his golf bag. He's on the full bag. 227 00:12:09,520 --> 00:12:11,840 Speaker 1: He's got the black golf bag. He's got the black hat, 228 00:12:11,960 --> 00:12:15,800 Speaker 1: black shirt. Does he look wiggedly wiggedy wiggedy wack? He looks. 229 00:12:16,880 --> 00:12:19,800 Speaker 1: He's got the black glasses, he's got the mow he's 230 00:12:19,840 --> 00:12:24,360 Speaker 1: got he's got he's got a black front pack. You 231 00:12:24,440 --> 00:12:26,880 Speaker 1: can't play golf with the front pack. With a humiliator. 232 00:12:27,120 --> 00:12:28,359 Speaker 1: It's known as a humiliator. 233 00:12:30,040 --> 00:12:32,480 Speaker 2: He looks the part, he does look the fun is 234 00:12:32,520 --> 00:12:37,240 Speaker 2: a vibe around the office today. Well, it's the chasing 235 00:12:37,280 --> 00:12:39,079 Speaker 2: the Fox special guest. 236 00:12:40,440 --> 00:12:43,319 Speaker 1: One week to go from one week to go. 237 00:12:43,800 --> 00:12:45,880 Speaker 2: The guy with the Touch of the mashes out there, 238 00:12:47,120 --> 00:12:49,559 Speaker 2: he is out there right now, and he's out there 239 00:12:49,600 --> 00:12:52,160 Speaker 2: with his harem that he runs three today. Yeah, and 240 00:12:52,400 --> 00:12:54,240 Speaker 2: they were out there having a vape. They walked in. 241 00:12:54,400 --> 00:12:56,520 Speaker 2: He must have intercepted them and he's taken them straight 242 00:12:56,559 --> 00:12:57,520 Speaker 2: back out to vape ally. 243 00:12:57,840 --> 00:12:59,559 Speaker 1: Oh my god. The way he walks, it's just that 244 00:13:00,320 --> 00:13:03,880 Speaker 1: bases walk on? Who bases the walk on? Hope came 245 00:13:03,960 --> 00:13:07,160 Speaker 1: up that walk first? MESHI or or touch of the meshes. 246 00:13:07,280 --> 00:13:08,640 Speaker 2: I think it's a glitch in the major. I think 247 00:13:08,640 --> 00:13:12,319 Speaker 2: there's oh yes, it's the simulation got lazy on that one. 248 00:13:12,360 --> 00:13:15,719 Speaker 2: They were like, fuck it, two meshes. That guy's a 249 00:13:15,800 --> 00:13:18,120 Speaker 2: bit more on the Nigel Thornber end of the meshes speak. 250 00:13:19,160 --> 00:13:20,920 Speaker 3: The thing that hurts me about Touch of the Meshes 251 00:13:20,960 --> 00:13:24,520 Speaker 3: now is because actual Mesh has gone full Kinner, right, 252 00:13:25,120 --> 00:13:27,720 Speaker 3: and so now Touch of the Mashes heads the meshy 253 00:13:27,840 --> 00:13:30,120 Speaker 3: hair cat and Mash doesn't have it anymore. 254 00:13:30,200 --> 00:13:31,559 Speaker 2: Maybe only one of them is allowed to have it. 255 00:13:32,600 --> 00:13:34,680 Speaker 2: That's right, that's exactly you're going to go on the mashy. 256 00:13:34,760 --> 00:13:36,439 Speaker 1: Can you go? Can you go Kenner for a summer? 257 00:13:36,559 --> 00:13:43,319 Speaker 2: Yes, they work as a team, they work in tandem. Yeah, 258 00:13:43,320 --> 00:13:44,520 Speaker 2: there's a real vibe out in the office. 259 00:13:44,520 --> 00:13:46,120 Speaker 1: Should we get in, should we get into the day? 260 00:13:46,400 --> 00:13:47,360 Speaker 1: Should we seize the day? 261 00:13:48,360 --> 00:13:49,880 Speaker 2: You want to fucking carpe some DM bro? 262 00:13:49,960 --> 00:13:54,000 Speaker 1: I reckon, we should carp a DM today. It just 263 00:13:54,200 --> 00:13:57,840 Speaker 1: fuck it, man, fuck it, like you've just changed my mind. 264 00:13:58,160 --> 00:13:59,719 Speaker 2: I was, I gotta be honest, I was dreading the 265 00:13:59,760 --> 00:14:00,880 Speaker 2: common tree tonight a little bit. 266 00:14:01,720 --> 00:14:02,800 Speaker 4: You know what. 267 00:14:03,000 --> 00:14:04,959 Speaker 2: You know what you're saying earlier today about like you 268 00:14:05,080 --> 00:14:07,800 Speaker 2: know when something's there's like a there's one thing in 269 00:14:07,840 --> 00:14:09,640 Speaker 2: your day and you're like, I've got to do that, 270 00:14:09,880 --> 00:14:10,720 Speaker 2: and then I'm sweet. 271 00:14:11,400 --> 00:14:13,800 Speaker 1: It's the commentary for me. Yeah, it's. 272 00:14:15,880 --> 00:14:18,400 Speaker 2: I think it's because it's because of the. 273 00:14:18,400 --> 00:14:21,920 Speaker 1: Fucking international audience. That's what I don't worry about that. 274 00:14:22,560 --> 00:14:24,120 Speaker 2: It's hard not to do because I'm sitting next to 275 00:14:24,160 --> 00:14:25,880 Speaker 2: g Lane. What if someone thinks that what he's just 276 00:14:25,920 --> 00:14:29,120 Speaker 2: said as me as you ass problem. 277 00:14:29,240 --> 00:14:31,640 Speaker 1: Why I found in that situation is just old man's 278 00:14:31,640 --> 00:14:33,520 Speaker 1: in PM, just silence. 279 00:14:34,560 --> 00:14:36,320 Speaker 2: Holy Ship, the touch of the Mass. She's guys out 280 00:14:36,320 --> 00:14:38,160 Speaker 2: there for a third run at the title. 281 00:14:39,080 --> 00:14:39,600 Speaker 1: He's just going. 282 00:14:40,120 --> 00:14:41,880 Speaker 3: Now he's with three guys instead of three girls. 283 00:14:42,560 --> 00:14:45,280 Speaker 1: It's just more their vape crew. Yeah. 284 00:14:45,400 --> 00:14:47,760 Speaker 2: One of the guys out there has got a fresh haircut. 285 00:14:48,120 --> 00:14:50,680 Speaker 2: Anytime a guy's pulling up with the work do haircut, 286 00:14:50,840 --> 00:14:52,120 Speaker 2: it's all on for young and old. 287 00:14:52,320 --> 00:14:54,680 Speaker 1: Watch out for him. He's got the Oh yes, he's 288 00:14:54,720 --> 00:14:57,280 Speaker 1: got the freshie for the for the Christmas, the Christmas work. 289 00:14:58,280 --> 00:15:01,200 Speaker 1: Remember those days, Remember those days when you gave a 290 00:15:01,320 --> 00:15:02,840 Speaker 1: ship what you look like when you turned up for 291 00:15:02,840 --> 00:15:06,800 Speaker 1: the Christmas party? Does anyone to remember that? Not remember that? 292 00:15:07,000 --> 00:15:10,480 Speaker 1: I remember thinking I need to you know, I need 293 00:15:10,560 --> 00:15:13,280 Speaker 1: to need to tidy myself up for the Christmas party. 294 00:15:13,520 --> 00:15:15,720 Speaker 2: I mean Christmas work. Those for me have always been 295 00:15:16,960 --> 00:15:17,760 Speaker 2: at this company. 296 00:15:18,000 --> 00:15:20,680 Speaker 1: You know, we spent a lot of time with the 297 00:15:20,720 --> 00:15:23,680 Speaker 1: same people. Yeah, no talking shirt. It's not like all 298 00:15:23,720 --> 00:15:25,280 Speaker 1: it's saying, oh yeah, we can loosen up at the 299 00:15:25,320 --> 00:15:27,160 Speaker 1: Christmas party and now some ship. 300 00:15:27,240 --> 00:15:29,000 Speaker 2: And I'm not on the pool, you know what I mean. 301 00:15:29,200 --> 00:15:30,640 Speaker 2: I'm not on the poll shot. I'm not back for 302 00:15:30,800 --> 00:15:33,360 Speaker 2: deeping the creese on the poll shot. I'm spoken for, 303 00:15:33,960 --> 00:15:36,400 Speaker 2: you know what I mean? Depending on who's asking. 304 00:15:36,280 --> 00:15:38,320 Speaker 3: Something that's concerning me, though, there's a few people out 305 00:15:38,360 --> 00:15:39,440 Speaker 3: there that look like they're dressing. 306 00:15:39,600 --> 00:15:41,440 Speaker 1: There's a few people that might get a different answer. 307 00:15:41,800 --> 00:15:44,040 Speaker 3: That look like they're dressed ready for the Christmas. 308 00:15:45,000 --> 00:15:49,080 Speaker 1: Boys to men have turned out? Yeah why have boys 309 00:15:49,160 --> 00:15:54,320 Speaker 1: to men? Where that old fucking Persson colored chambre turn 310 00:15:55,120 --> 00:15:57,440 Speaker 1: where come from? 311 00:15:57,520 --> 00:15:59,760 Speaker 2: I don't know, but man, they are in a mood. 312 00:16:00,160 --> 00:16:04,000 Speaker 1: There is that woman markets. Is that Markets? No, that's 313 00:16:04,040 --> 00:16:07,320 Speaker 1: not markets, that's Markets. That's she looks like markets. 314 00:16:07,360 --> 00:16:08,600 Speaker 3: They're just going to touch the markets. 315 00:16:09,160 --> 00:16:11,600 Speaker 1: Is that again? The matrix les the Dow Jones? That 316 00:16:11,680 --> 00:16:14,360 Speaker 1: one she The greatest thing is that I've turned and 317 00:16:14,480 --> 00:16:18,120 Speaker 1: I'm clearly talking about them into the microphone because I'm 318 00:16:18,560 --> 00:16:21,400 Speaker 1: still talking and looking at them the same time. Is 319 00:16:21,480 --> 00:16:23,160 Speaker 1: she in a wedding dress? Markets? 320 00:16:23,280 --> 00:16:26,320 Speaker 2: Is she looks like she's in a wedding dress? Market 321 00:16:26,480 --> 00:16:29,960 Speaker 2: and beat this next word. Beat this next word, keys 322 00:16:31,880 --> 00:16:33,360 Speaker 2: beat that beat that. I'll give you the word to 323 00:16:33,400 --> 00:16:35,120 Speaker 2: beat it over with keyses. 324 00:16:35,520 --> 00:16:38,320 Speaker 3: Okay, I'm a little bit worried because I feel like 325 00:16:38,560 --> 00:16:41,400 Speaker 3: some of them look like they're dressed for the Christmas party. 326 00:16:41,440 --> 00:16:43,240 Speaker 3: But there's one in particular that looks like. 327 00:16:48,640 --> 00:16:54,120 Speaker 1: That's what he looks like. So are they from our company? Yes? 328 00:16:54,720 --> 00:16:56,720 Speaker 1: Are they boys? The men? 329 00:17:00,280 --> 00:17:03,640 Speaker 2: It's too distinct groups too, because there's touches of the meshes. 330 00:17:03,240 --> 00:17:07,120 Speaker 1: And his crew. I think the funniest then there's boys 331 00:17:07,160 --> 00:17:10,200 Speaker 1: to me in the soft linens, that's really I think 332 00:17:10,280 --> 00:17:16,840 Speaker 1: the funniest thing is that markets as well. And every 333 00:17:16,960 --> 00:17:19,680 Speaker 1: time with mis of eye contact going on there and there, 334 00:17:19,680 --> 00:17:22,920 Speaker 1: it's like, oh shit, And now they're out of there. 335 00:17:23,040 --> 00:17:24,720 Speaker 1: They're out of there. They that it's like, we don't 336 00:17:24,720 --> 00:17:25,480 Speaker 1: want to be there forodder. 337 00:17:27,359 --> 00:17:32,359 Speaker 4: You know, they're gonna listen back, I'm gonna realize we 338 00:17:32,480 --> 00:17:35,600 Speaker 4: never seen anything now. But then they'll be like, which 339 00:17:35,640 --> 00:17:37,119 Speaker 4: one who was the guy with the touch of the 340 00:17:37,200 --> 00:17:42,399 Speaker 4: meshes a hugging Now early doors for are hugged. 341 00:17:42,560 --> 00:17:45,960 Speaker 2: That's sort of that's nine forty pm sort of behaviors, 342 00:17:46,000 --> 00:17:46,920 Speaker 2: not nine forty am. 343 00:17:48,640 --> 00:17:51,680 Speaker 1: Yeah, yeah, there's a city. 344 00:17:57,720 --> 00:18:00,840 Speaker 3: Good luck today, Jerry. I know you don't care about it. 345 00:18:02,440 --> 00:18:03,320 Speaker 1: I'm looking for to it. 346 00:18:03,880 --> 00:18:05,840 Speaker 2: I'm looking for You've got nothing to lose. 347 00:18:07,680 --> 00:18:09,600 Speaker 1: My career is on the line. And also, you can't 348 00:18:09,640 --> 00:18:12,680 Speaker 1: go on with main character syndrome because if you think 349 00:18:12,720 --> 00:18:15,560 Speaker 1: that everyone's there to see you, like, no one's there to. 350 00:18:15,560 --> 00:18:17,560 Speaker 2: See nobody's going to be in the crowd with signs 351 00:18:17,600 --> 00:18:19,480 Speaker 2: of your face wants to see me. 352 00:18:19,840 --> 00:18:21,359 Speaker 1: The only thing people want to see me do is 353 00:18:21,400 --> 00:18:25,280 Speaker 1: maybe shank one like that's I'll give them, I'll give them, certainly, 354 00:18:25,640 --> 00:18:28,320 Speaker 1: the people what they want. I'm I'm happy to give 355 00:18:28,320 --> 00:18:30,400 Speaker 1: the people what they want. But nobody's turned up saying 356 00:18:30,400 --> 00:18:33,120 Speaker 1: I'm just really looking forward to seeing Jeremy Wells play golf. 357 00:18:33,240 --> 00:18:34,800 Speaker 1: I'm not a single person there doing it. 358 00:18:34,880 --> 00:18:36,600 Speaker 2: I'm going to tell everyone on the commentary that you're 359 00:18:36,600 --> 00:18:38,960 Speaker 2: a game plan, that you're taking it really seriously, that 360 00:18:39,040 --> 00:18:41,560 Speaker 2: you're really nervous, and that you've been retaining your seed. 361 00:18:43,080 --> 00:18:47,440 Speaker 1: That I've remodeled the swing Yeah, I've been working for 362 00:18:47,720 --> 00:18:54,000 Speaker 1: Swing with Chechi Rodriguez on my I'm remodeled on Cheechy Rodriguez. Master, 363 00:18:54,119 --> 00:18:59,679 Speaker 1: you former former Puerto Rican golfer with rackets head rackets, 364 00:19:01,840 --> 00:19:05,159 Speaker 1: you might have rickets. Actually yeah, I know. Well I've 365 00:19:05,160 --> 00:19:07,800 Speaker 1: got a rise, all right. 366 00:19:07,840 --> 00:19:09,440 Speaker 2: Should we knocked this patch on the head that's gone 367 00:19:09,600 --> 00:19:10,640 Speaker 2: cap hair bit of damn