1 00:00:07,133 --> 00:00:10,413 Speaker 1: You're listening to the Saturday Morning with Jack Taine podcast 2 00:00:10,573 --> 00:00:15,093 Speaker 1: from News Talks ed B. Start your weekend off in style. 3 00:00:15,333 --> 00:00:18,813 Speaker 1: Saturday Mornings with Jack Taine and Bpure dot co dot 4 00:00:18,893 --> 00:00:21,733 Speaker 1: inst for high quality supplements, News Talks EDB. 5 00:00:45,573 --> 00:00:51,653 Speaker 2: Zero and three. Dearie me Oh, The Blues have had 6 00:00:51,653 --> 00:00:53,773 Speaker 2: a rough start to the Super Rugby season. There is 7 00:00:53,813 --> 00:00:55,973 Speaker 2: a chill in the air and the Blues camp and 8 00:00:56,013 --> 00:00:57,653 Speaker 2: actually a bit of a chill in the air everywhere. 9 00:00:57,973 --> 00:01:00,093 Speaker 2: And this morning on New Stalks dB before ten o'clock, 10 00:01:00,133 --> 00:01:02,613 Speaker 2: we leave you the top tips you need on getting 11 00:01:02,613 --> 00:01:05,693 Speaker 2: the preserves sorted at your place as we head into water. 12 00:01:05,813 --> 00:01:08,093 Speaker 2: It's that time of year where all of the bottling 13 00:01:08,533 --> 00:01:11,173 Speaker 2: and jarring. This is not the thing, you know what 14 00:01:11,253 --> 00:01:13,213 Speaker 2: I mean preserving is that time of year where we're 15 00:01:13,213 --> 00:01:15,053 Speaker 2: going to get all that stuff sorted as we head 16 00:01:15,053 --> 00:01:18,093 Speaker 2: into waterm and our woman in the kitchen, our expert 17 00:01:18,093 --> 00:01:20,053 Speaker 2: in the kitchen, Nicky Wicks, has all of her top 18 00:01:20,093 --> 00:01:22,773 Speaker 2: tips on that as well as that. Our feature interview 19 00:01:22,853 --> 00:01:26,213 Speaker 2: after ten o'clock this morning, live in studio Ken we 20 00:01:27,413 --> 00:01:34,573 Speaker 2: Advertising Sketching, Painting, artistic legend from Mickey to Ticky and 21 00:01:34,613 --> 00:01:36,853 Speaker 2: back again. Dick Frizzell is going to be with us. 22 00:01:36,893 --> 00:01:38,973 Speaker 2: He's written this amazing new book. The thing about Dick 23 00:01:38,973 --> 00:01:41,533 Speaker 2: Frizzel's we all know he's a amazing artist, but he's 24 00:01:41,533 --> 00:01:46,173 Speaker 2: actually an incredible storyteller, and he's written this beautiful, beautiful 25 00:01:46,213 --> 00:01:48,533 Speaker 2: memoir that he's going to discuss with us after ten 26 00:01:48,573 --> 00:01:51,053 Speaker 2: o'clock this morning, So make sure you tune in for that. 27 00:01:51,573 --> 00:01:53,253 Speaker 2: Right now, it's eight minutes past nine. 28 00:01:53,373 --> 00:01:55,373 Speaker 3: Jack, Team Gas. 29 00:01:56,573 --> 00:01:59,773 Speaker 2: I think of all the things I knew in theory, 30 00:02:00,013 --> 00:02:03,613 Speaker 2: at least about parenting a newborn, but had to experience 31 00:02:03,733 --> 00:02:07,533 Speaker 2: in person to fully appreciate, I think it's gas, the 32 00:02:08,093 --> 00:02:11,453 Speaker 2: myriad curiosities of a two and a half week old's 33 00:02:11,493 --> 00:02:16,253 Speaker 2: digestive tract that have left me the most befuddled. You know, 34 00:02:16,533 --> 00:02:19,213 Speaker 2: I knew in theory that babies had to be burped. Okay, 35 00:02:19,293 --> 00:02:22,733 Speaker 2: I knew in theory they often have problems and discomfort 36 00:02:22,813 --> 00:02:26,573 Speaker 2: when digesting their latest feeds. And I knew in theory 37 00:02:26,893 --> 00:02:30,973 Speaker 2: that a baby with gas or an obstruction somewhere in 38 00:02:31,013 --> 00:02:36,413 Speaker 2: his guts might even wake himself up. I guess I'm 39 00:02:36,453 --> 00:02:40,053 Speaker 2: just shocked at the speed with which I've transformed into 40 00:02:40,053 --> 00:02:44,413 Speaker 2: one of those parents totally obsessed with his baby son's 41 00:02:44,613 --> 00:02:50,973 Speaker 2: belches and bowls. It's the pain that does it when 42 00:02:51,013 --> 00:02:55,693 Speaker 2: something's trapped somewhere deep, the way his little face scrunches 43 00:02:55,773 --> 00:03:01,173 Speaker 2: up and contorts, how he writhes and twists and clenches 44 00:03:01,413 --> 00:03:05,893 Speaker 2: every muscle in his body. Often I'm holding him and 45 00:03:05,973 --> 00:03:10,253 Speaker 2: he's holding me, his tiny little hand gripping my index 46 00:03:10,333 --> 00:03:14,893 Speaker 2: finger as he clenches his fingers white, his face a 47 00:03:14,973 --> 00:03:20,173 Speaker 2: crimson red with the strain and effort. Before you ask, yes, 48 00:03:20,773 --> 00:03:24,653 Speaker 2: I have tried various techniques for getting things moving at 49 00:03:24,693 --> 00:03:27,613 Speaker 2: both ends. In fact, my social media feed these days 50 00:03:27,653 --> 00:03:31,933 Speaker 2: seems to me nothing but baby osteopaths holding infants and 51 00:03:32,133 --> 00:03:36,133 Speaker 2: folding them in half. There's the classic baby over the shoulder, 52 00:03:36,293 --> 00:03:40,733 Speaker 2: pat on the back. There's the stomach massage, the bicycle legs, 53 00:03:40,773 --> 00:03:44,413 Speaker 2: and the deep squat. There's the baby over the forearm 54 00:03:44,613 --> 00:03:47,373 Speaker 2: next supported facing out, and the baby over the forearm 55 00:03:47,413 --> 00:03:51,253 Speaker 2: next supported facing in. My personal favorite is the wheelwaggle, 56 00:03:51,413 --> 00:03:54,733 Speaker 2: where you lift him gently just under his armpits with 57 00:03:54,813 --> 00:03:57,693 Speaker 2: one hand and then take his weight under his butt 58 00:03:57,773 --> 00:04:00,693 Speaker 2: with the other, and you gently move your hands in 59 00:04:00,733 --> 00:04:03,733 Speaker 2: different directions to try and bring a range of movement 60 00:04:03,933 --> 00:04:07,053 Speaker 2: to his digestive track in the whole that you'll be 61 00:04:07,133 --> 00:04:11,973 Speaker 2: rewarded with a range of movements in return. I knew 62 00:04:12,053 --> 00:04:15,533 Speaker 2: we would have disrupted sleep. I just never really accounted 63 00:04:15,853 --> 00:04:20,093 Speaker 2: for the gas part of being up at night. His 64 00:04:20,173 --> 00:04:21,973 Speaker 2: mum feeds him. There's not much I can do there. 65 00:04:22,013 --> 00:04:23,973 Speaker 2: But then, of course one of us has to sit 66 00:04:24,053 --> 00:04:27,333 Speaker 2: up in bed for a non specific amount of time 67 00:04:28,373 --> 00:04:32,533 Speaker 2: just waiting. You can never be totally sure that he's 68 00:04:32,573 --> 00:04:35,693 Speaker 2: been fully burped. There's no finish line, as it were. 69 00:04:35,853 --> 00:04:39,013 Speaker 2: There is an alarm that goes off. It's a judgment call, 70 00:04:39,573 --> 00:04:42,453 Speaker 2: and at two point fifty three am, when your body 71 00:04:42,573 --> 00:04:46,213 Speaker 2: is urging you to lie down and go back to sleep, 72 00:04:46,373 --> 00:04:50,133 Speaker 2: look at him. He seems fine. You know that if 73 00:04:50,133 --> 00:04:52,813 Speaker 2: you pull the trigger too early, he'll be waking himself 74 00:04:52,893 --> 00:04:56,173 Speaker 2: up in twenty minutes, twisting and groaning in his cot. 75 00:04:57,853 --> 00:05:01,173 Speaker 2: When you think about it, it's kind of crazy that 76 00:05:01,253 --> 00:05:03,733 Speaker 2: newborns go from relying on the placenta for all of 77 00:05:03,773 --> 00:05:07,893 Speaker 2: their nutrients to instantly switch on the full length of 78 00:05:07,933 --> 00:05:11,693 Speaker 2: the complex human digestive tract. It's not like they ease 79 00:05:11,773 --> 00:05:16,413 Speaker 2: into it. Alas as our son's milk intake has increased, 80 00:05:16,973 --> 00:05:21,493 Speaker 2: his digestive tract has not quite kept pace. Put simply, 81 00:05:21,893 --> 00:05:27,293 Speaker 2: the outputs don't always match the inputs. It's perfectly normal, 82 00:05:27,293 --> 00:05:29,693 Speaker 2: of course, and he's far too young to be hurrying 83 00:05:29,773 --> 00:05:33,293 Speaker 2: up with a tray of black coffee and prune juice. 84 00:05:33,693 --> 00:05:38,573 Speaker 2: But sometimes his stomach feels hard to the touch cruelly. 85 00:05:38,693 --> 00:05:42,173 Speaker 2: His preferred way of soothing his discomfort is to feed again, 86 00:05:42,653 --> 00:05:46,533 Speaker 2: which then exacerbates the problem. And at nineteen days old, 87 00:05:46,613 --> 00:05:49,973 Speaker 2: he's not yet ready to listen to reason or comprehend 88 00:05:50,013 --> 00:05:53,613 Speaker 2: the concept of a vicious cycle. I'm back in the 89 00:05:53,653 --> 00:05:56,413 Speaker 2: office full time this week after a wonderful little period 90 00:05:56,413 --> 00:05:58,493 Speaker 2: at home, but I can tell you already that my 91 00:05:58,653 --> 00:06:01,533 Speaker 2: texts with my wife are going to take on a 92 00:06:01,573 --> 00:06:06,773 Speaker 2: grimly digestive line of inquiry. The thing about parenting is 93 00:06:06,813 --> 00:06:11,213 Speaker 2: that while you share in your child's discomfort, you also 94 00:06:11,333 --> 00:06:16,613 Speaker 2: share and they're almighty relief, especially when someone else is 95 00:06:16,653 --> 00:06:20,573 Speaker 2: on cleanup. Jack Team ninety two. Ninety two is our 96 00:06:20,653 --> 00:06:22,533 Speaker 2: text number this morning. Don't forget if you're sending us 97 00:06:22,533 --> 00:06:25,373 Speaker 2: a text, standard text costs apply. You can email me 98 00:06:25,413 --> 00:06:27,933 Speaker 2: if you like as well. Jacket newstalks, he'db dot co 99 00:06:28,053 --> 00:06:30,053 Speaker 2: dot Inda, We've got your movie picks for this week. 100 00:06:30,213 --> 00:06:33,133 Speaker 2: Before ten o'clock, we'll get our Sportos thoughts on the 101 00:06:33,133 --> 00:06:37,293 Speaker 2: Blues Brumbies plus the black Caps and that final comes 102 00:06:37,293 --> 00:06:40,573 Speaker 2: Sunday night. Matt Henry's still looking like he's in doubt, 103 00:06:40,613 --> 00:06:42,893 Speaker 2: which would be a massive loss as they look to 104 00:06:42,933 --> 00:06:45,573 Speaker 2: take on India and that final and hopefully win the 105 00:06:45,653 --> 00:06:48,053 Speaker 2: champions Trophy. Next up, Kevin Milon will kick us off 106 00:06:48,053 --> 00:06:50,173 Speaker 2: for our Saturday. It's thirteen minutes past nine. I'm Jack 107 00:06:50,253 --> 00:06:52,773 Speaker 2: David's Saturday Morning and this is Newstalk's EDB. 108 00:06:53,893 --> 00:06:56,533 Speaker 3: No better way to kick off your weekend than with Jack. 109 00:06:56,693 --> 00:06:59,573 Speaker 1: Saturday Mornings with Jack team and bepew it dot co 110 00:06:59,653 --> 00:07:02,853 Speaker 1: dot nz for high quality supplements used talks. 111 00:07:02,653 --> 00:07:05,373 Speaker 2: eNB Okay sixteen minutes past nine on News Talks, he'd 112 00:07:05,453 --> 00:07:07,653 Speaker 2: be ah, Jack, I only feel for you guys. Our 113 00:07:07,693 --> 00:07:09,213 Speaker 2: youngest was like that. I'm not going to tell you 114 00:07:09,293 --> 00:07:13,533 Speaker 2: how long it took to get sordered. Stay strong. Yeah, 115 00:07:13,613 --> 00:07:16,053 Speaker 2: I think we might be in for the long haul here, Jack, 116 00:07:16,093 --> 00:07:17,933 Speaker 2: how many shirts have you gone through? Burping a little 117 00:07:17,933 --> 00:07:20,413 Speaker 2: precious bundle of joy? I was on average two a day, 118 00:07:20,493 --> 00:07:24,053 Speaker 2: sismas oh to a day. It's amazing how quickly. Actually, 119 00:07:24,093 --> 00:07:26,533 Speaker 2: first of all, amazing how quickly become absolutely obsessed with 120 00:07:26,533 --> 00:07:28,813 Speaker 2: your child's bowel movements. I know that's t m I, 121 00:07:28,893 --> 00:07:32,773 Speaker 2: but sorry. The next thing is absolutely amazing how quickly 122 00:07:32,813 --> 00:07:37,733 Speaker 2: you just don't really care about your own appearance. I'm like, ah, 123 00:07:38,053 --> 00:07:41,813 Speaker 2: like this only has like baby puke and like dried 124 00:07:41,893 --> 00:07:44,213 Speaker 2: milk stains on two sides. It should be all good. 125 00:07:45,893 --> 00:07:48,373 Speaker 2: Jack love listening to your Saturday Morning says your little 126 00:07:48,373 --> 00:07:49,173 Speaker 2: boy got a name yet? 127 00:07:49,173 --> 00:07:49,293 Speaker 4: Oh? 128 00:07:49,333 --> 00:07:51,733 Speaker 2: Yeah, sorry, he does. I thought I said this maybe 129 00:07:51,813 --> 00:07:55,133 Speaker 2: heaven MARNI m a with a little macron on it 130 00:07:55,253 --> 00:07:58,773 Speaker 2: in I. It's a Persian name. It means eternal. We 131 00:07:58,813 --> 00:08:00,853 Speaker 2: wanted because his mum's Persian. We wanted to give him 132 00:08:00,813 --> 00:08:04,213 Speaker 2: a Persian name. But a lot of Pussian names are 133 00:08:04,253 --> 00:08:07,293 Speaker 2: a bit of a mouthful to say the lea. So yeah, 134 00:08:07,333 --> 00:08:09,853 Speaker 2: money tame. Here you go, seventeen minutes past nine on. 135 00:08:09,893 --> 00:08:12,013 Speaker 2: You used to seed the Kevin mill. There's the weather 136 00:08:12,133 --> 00:08:14,733 Speaker 2: this morning killed us Serkyder. 137 00:08:14,773 --> 00:08:17,413 Speaker 5: I've just heard the name myself, and because I was 138 00:08:17,453 --> 00:08:19,333 Speaker 5: going to ask you about that money. 139 00:08:19,333 --> 00:08:22,013 Speaker 2: What a gorgeous name, thanks Kevin. Well, we know from 140 00:08:22,013 --> 00:08:24,773 Speaker 2: your editorial so that you can't you can't come out 141 00:08:24,813 --> 00:08:25,973 Speaker 2: and slave me off, now, can you. 142 00:08:27,813 --> 00:08:31,453 Speaker 5: Oh no, No, genuinely I love the name. And also 143 00:08:32,213 --> 00:08:34,853 Speaker 5: it has a kind of slightly Mari feeling feel about 144 00:08:34,853 --> 00:08:35,133 Speaker 5: it too. 145 00:08:35,453 --> 00:08:38,253 Speaker 2: Yeah, well it does. Yeah, that was part of the consideration. 146 00:08:38,333 --> 00:08:41,773 Speaker 2: In fact, the so the macron over the A isn't 147 00:08:42,293 --> 00:08:46,693 Speaker 2: that's not that's not strictly Persian or in Pharisee. But 148 00:08:46,933 --> 00:08:51,133 Speaker 2: his brother goes to full immersion, and we thought, oh, 149 00:08:51,173 --> 00:08:52,933 Speaker 2: if we put a if we put a too, a 150 00:08:52,933 --> 00:08:55,813 Speaker 2: little macron over the a, that will help or key 151 00:08:55,813 --> 00:08:57,533 Speaker 2: we used to pronounce his name, so it's money as 152 00:08:57,533 --> 00:08:58,453 Speaker 2: opposed to many you know. 153 00:08:58,933 --> 00:09:02,613 Speaker 5: Oh okay, yeah, yeah, oh no, that's that's beautiful. I 154 00:09:02,653 --> 00:09:05,173 Speaker 5: don't know whether you know. But there's there's a Persian 155 00:09:05,773 --> 00:09:09,413 Speaker 5: sort of link in my relationship with London, is there. Yeah? 156 00:09:09,493 --> 00:09:11,653 Speaker 5: I met my wife when we were both working for 157 00:09:11,693 --> 00:09:13,013 Speaker 5: the Iranian oil company. 158 00:09:13,293 --> 00:09:15,973 Speaker 2: What you worked for the Iranian oil company? 159 00:09:15,973 --> 00:09:19,693 Speaker 5: How the Iranian Oil company in London? 160 00:09:20,093 --> 00:09:22,453 Speaker 2: Ah, goodness, man, I had no idea. But this is 161 00:09:22,493 --> 00:09:24,133 Speaker 2: presumably pre revolution Kiven. 162 00:09:24,493 --> 00:09:29,053 Speaker 5: Yes, it was just before the revolution. Was pretty much 163 00:09:29,093 --> 00:09:31,733 Speaker 5: the end of that little firm. But yeah, we used 164 00:09:31,733 --> 00:09:35,213 Speaker 5: to buy all the oil, oil equipment and drilling equipment, 165 00:09:35,253 --> 00:09:39,293 Speaker 5: all that stuff through for the Iranian oil fields. 166 00:09:39,613 --> 00:09:40,053 Speaker 6: Interesting. 167 00:09:40,093 --> 00:09:41,893 Speaker 2: Did you ever get to go and visit? 168 00:09:41,933 --> 00:09:47,533 Speaker 5: No, No, sadly not. I've missed the damn good opportunity 169 00:09:47,573 --> 00:09:50,693 Speaker 5: I could have gone, then, I suppose, yeah, as getting 170 00:09:50,693 --> 00:09:51,853 Speaker 5: a beautiful rug. 171 00:09:52,173 --> 00:09:54,693 Speaker 2: Yes, yes, yeah, well I'm in here. There's certainly lots 172 00:09:54,733 --> 00:09:56,133 Speaker 2: to offer in that part of the world, although can 173 00:09:56,173 --> 00:09:58,813 Speaker 2: be a bit tricky to travel there, obviously, But yeah, 174 00:09:58,853 --> 00:10:01,653 Speaker 2: how amazing. I did not did not appreciate that little connection, Kiven. 175 00:10:01,973 --> 00:10:06,773 Speaker 2: But anyway, like anyone who has come even remotely close 176 00:10:06,813 --> 00:10:08,533 Speaker 2: to the news this week, you have been thinking a 177 00:10:08,573 --> 00:10:12,413 Speaker 2: whole lot about a certain man in a certain White 178 00:10:12,413 --> 00:10:14,133 Speaker 2: House exactly. 179 00:10:14,613 --> 00:10:18,053 Speaker 5: I'm talking about Bresident Donald Trump, like everybody else has 180 00:10:18,133 --> 00:10:22,533 Speaker 5: mean this week, I thought, in particular, I talked about 181 00:10:22,573 --> 00:10:26,293 Speaker 5: how popular he is in New Zealand. How many New 182 00:10:26,333 --> 00:10:30,613 Speaker 5: Zealanders would have voted for him if they had been 183 00:10:30,653 --> 00:10:34,133 Speaker 5: able to vote in the last US elections, How many 184 00:10:34,173 --> 00:10:38,693 Speaker 5: would have voted for Trump? Kiwis. I thought it might 185 00:10:38,893 --> 00:10:41,733 Speaker 5: be impossible to get information on this, but actually no, 186 00:10:42,533 --> 00:10:46,573 Speaker 5: I checked online and several reputable posters have asked New 187 00:10:46,653 --> 00:10:50,213 Speaker 5: Zealanders this very questioned and it seems their answers have 188 00:10:50,293 --> 00:10:54,853 Speaker 5: come out very simpler, very similar. It had seemed, according 189 00:10:54,853 --> 00:10:58,853 Speaker 5: to the posters, that at the last US elections, nearly 190 00:10:58,893 --> 00:11:02,133 Speaker 5: a quarter of New Zealanders said that they would have 191 00:11:02,213 --> 00:11:07,093 Speaker 5: voted for Trump three percent. This surprised me at first. 192 00:11:07,133 --> 00:11:11,173 Speaker 5: I've never spoken to anyone anywhere who has said to 193 00:11:11,213 --> 00:11:14,693 Speaker 5: me I like Trump or I'd have voted for Trump. 194 00:11:15,693 --> 00:11:18,213 Speaker 5: This is probably, of course, because I tend to mix 195 00:11:18,253 --> 00:11:21,613 Speaker 5: with liberal progressives. I think most people who've heard me 196 00:11:21,653 --> 00:11:24,133 Speaker 5: on radio or TV over the years would know that 197 00:11:24,213 --> 00:11:26,933 Speaker 5: I'm not a right winger. So the fact they don't 198 00:11:26,973 --> 00:11:30,093 Speaker 5: confront me with the fact that they're Trump fans showed 199 00:11:30,133 --> 00:11:34,173 Speaker 5: you just how polite right wingers can be. Jack. In 200 00:11:34,213 --> 00:11:37,853 Speaker 5: your private life, has anyone told you they are or 201 00:11:37,893 --> 00:11:39,733 Speaker 5: would be Trump supporters? 202 00:11:40,133 --> 00:11:43,253 Speaker 2: Yes, yeah, I got, I've got, I'm free, I've got. 203 00:11:43,293 --> 00:11:47,173 Speaker 2: I've got friends in America, my closest American friends. One 204 00:11:47,213 --> 00:11:50,333 Speaker 2: of them is an absolute like Trump die hard. Like 205 00:11:51,053 --> 00:11:53,013 Speaker 2: when I said Trump die hard, I mean he he 206 00:11:53,053 --> 00:11:55,853 Speaker 2: would have spent thousands of dollars on Trump merch and 207 00:11:56,133 --> 00:11:58,613 Speaker 2: lawn signs and T shirts and everything. Yeah. 208 00:11:59,013 --> 00:12:00,333 Speaker 5: Yeah, what about New Zealand. 209 00:12:00,453 --> 00:12:05,533 Speaker 2: In New Zealand. Do you know, I think I think 210 00:12:05,533 --> 00:12:08,333 Speaker 2: in New Zealand people are you know, maybe people are 211 00:12:08,413 --> 00:12:11,253 Speaker 2: less kind of partisan, die hard about it, but I 212 00:12:11,293 --> 00:12:13,253 Speaker 2: reckon there would be lots of people who at the 213 00:12:13,373 --> 00:12:16,933 Speaker 2: very least find him refreshing and find some parts of 214 00:12:16,973 --> 00:12:22,293 Speaker 2: his policy agenda to be you know, to be exciting, 215 00:12:22,373 --> 00:12:25,653 Speaker 2: and and they'll be supportive of that. I mean, John 216 00:12:25,733 --> 00:12:27,413 Speaker 2: Key is a good example, right, He said that he 217 00:12:27,453 --> 00:12:30,893 Speaker 2: thought when he thought Trump should win going into the 218 00:12:30,933 --> 00:12:33,573 Speaker 2: you know, going into the last election. But you're right, you. 219 00:12:33,613 --> 00:12:36,653 Speaker 5: Read of these. It's just that I never actually come 220 00:12:36,733 --> 00:12:39,293 Speaker 5: up front, face to face with any It's an issue. 221 00:12:39,293 --> 00:12:39,493 Speaker 4: Really. 222 00:12:39,693 --> 00:12:44,013 Speaker 5: We move in our own bubbles increasingly so perhaps. I mean, 223 00:12:44,053 --> 00:12:46,693 Speaker 5: if nearly a quarter of New Zealanders have a sneaking 224 00:12:46,853 --> 00:12:50,373 Speaker 5: liking for Donald Trump, where are they? I asked myselves. 225 00:12:50,853 --> 00:12:52,813 Speaker 5: I'd guess that more of these people are in my 226 00:12:52,973 --> 00:12:56,373 Speaker 5: age group than yours, But I never seem to meet them. 227 00:12:56,813 --> 00:12:59,373 Speaker 5: Either the posters have got it wrong or I'm living 228 00:12:59,413 --> 00:13:03,693 Speaker 5: too isolated a life. Having said that, I hope that 229 00:13:03,813 --> 00:13:06,373 Speaker 5: having made this point, I'm not going to be conforms 230 00:13:06,453 --> 00:13:09,573 Speaker 5: under by Trump bites everywhere for the next few weeks. 231 00:13:09,653 --> 00:13:10,053 Speaker 6: Yeah. 232 00:13:10,093 --> 00:13:12,413 Speaker 2: Well, careful what you wish for there, Kevin. I think 233 00:13:12,973 --> 00:13:16,453 Speaker 2: here's the observation i'd make. I reckon that in the 234 00:13:16,573 --> 00:13:19,293 Speaker 2: US people are much more like loud and proud about 235 00:13:19,333 --> 00:13:22,213 Speaker 2: liking Trump, whereas in New Zealand they probably don't feel 236 00:13:22,253 --> 00:13:24,253 Speaker 2: that compulsion. But in the same way they don't feel 237 00:13:24,293 --> 00:13:28,493 Speaker 2: that compulsion about supporting other international politicians. You know, you 238 00:13:28,573 --> 00:13:32,253 Speaker 2: just don't see people kind of wearing Make America Great 239 00:13:32,293 --> 00:13:36,413 Speaker 2: Again hat quite as frequently on the Carpety Coast as 240 00:13:36,413 --> 00:13:39,973 Speaker 2: you might in you know, various America cities. 241 00:13:40,133 --> 00:13:41,013 Speaker 6: Yeah. 242 00:13:41,133 --> 00:13:45,333 Speaker 5: Yeah, though, funnily enough, nats make it pretty clear, don't 243 00:13:45,373 --> 00:13:49,653 Speaker 5: they fairly fairly sooner in conversation, did you suss out 244 00:13:49,693 --> 00:13:51,333 Speaker 5: there politics reasonably quickly? 245 00:13:52,053 --> 00:13:54,053 Speaker 2: People say the same thing about you, Kevin. 246 00:13:56,013 --> 00:13:59,013 Speaker 5: That's right. Maybe they don't need to listen to the 247 00:13:59,093 --> 00:14:00,813 Speaker 5: radio as it much. 248 00:14:01,213 --> 00:14:03,733 Speaker 2: The thing, Yeah, the thing I always sign refreshing. 249 00:14:03,773 --> 00:14:07,173 Speaker 5: I thought, yeah, I thought twenty three percent was quite high, Mark. 250 00:14:07,133 --> 00:14:09,053 Speaker 2: Yeah, it is, it is. It's really interesting. Actually, I 251 00:14:09,053 --> 00:14:11,013 Speaker 2: think that'll surprise a lot of people. Thank you for that, Kevin, 252 00:14:11,093 --> 00:14:12,813 Speaker 2: ninety two to ninety two. I'm sure I'm plenty of 253 00:14:12,893 --> 00:14:16,133 Speaker 2: Donald Trump supporters will texted now and say Jack, we're here, 254 00:14:16,173 --> 00:14:18,573 Speaker 2: we're fans. Let us know where Kevin's going to be 255 00:14:18,613 --> 00:14:20,333 Speaker 2: and we'll go and tell them that we love Trump too. 256 00:14:20,653 --> 00:14:22,773 Speaker 2: Get in touch if you'd like to. I'll show some 257 00:14:22,813 --> 00:14:24,933 Speaker 2: of your feedback very shortly. Coming up in a couple 258 00:14:24,933 --> 00:14:27,093 Speaker 2: of minutes. On News Talks, edb our Sporto with his 259 00:14:27,213 --> 00:14:30,853 Speaker 2: thoughts on the Blues prospects after a disappointing result against 260 00:14:30,853 --> 00:14:33,573 Speaker 2: the Brumbies Eden Park, plus the black Caps conned down 261 00:14:33,613 --> 00:14:35,213 Speaker 2: to that Champions Trophy final. 262 00:14:39,573 --> 00:14:43,813 Speaker 1: Getting your weekends started, It's Saturday morning with Jack team 263 00:14:43,933 --> 00:14:45,333 Speaker 1: on News Talks, edb. 264 00:14:45,253 --> 00:14:47,933 Speaker 2: Hey, we're all about those new goals, right, Let's be 265 00:14:47,973 --> 00:14:50,053 Speaker 2: honest though, they are so much easier to stick to 266 00:14:50,253 --> 00:14:53,933 Speaker 2: when you're actually feeling good. That's where Bee Pures Restore 267 00:14:54,053 --> 00:14:57,293 Speaker 2: range comes in. Their Magnesium Restore is perfect for sleep 268 00:14:57,333 --> 00:15:01,013 Speaker 2: and muscle recovery, while b Vite Energy Restore keeps you 269 00:15:01,213 --> 00:15:04,293 Speaker 2: energized throughout the day. It's amazing what the right supplements 270 00:15:04,293 --> 00:15:06,613 Speaker 2: can do for your well being. For women, dear with 271 00:15:06,653 --> 00:15:10,133 Speaker 2: low iron, the iron Restore helps maintain energy levels all 272 00:15:10,253 --> 00:15:12,973 Speaker 2: year round. Plus there's Zinc Restore for immunity and gut 273 00:15:13,013 --> 00:15:16,693 Speaker 2: health and Invite d restore for that March mood boost. 274 00:15:17,253 --> 00:15:20,173 Speaker 2: Each product is specially formulated to give you exactly what 275 00:15:20,213 --> 00:15:22,253 Speaker 2: you need and now it is the perfect time to 276 00:15:22,373 --> 00:15:26,613 Speaker 2: start fresh. Whether it's energy, sleep, hormones, or just feeling 277 00:15:26,653 --> 00:15:29,493 Speaker 2: more vital. Bpure has got what you need to make 278 00:15:29,533 --> 00:15:32,253 Speaker 2: those good intentions stick. Your body will thank you for 279 00:15:32,293 --> 00:15:34,293 Speaker 2: making the right choice. So check it all out at 280 00:15:34,333 --> 00:15:37,893 Speaker 2: bpure dot co dot nz. Take is directed and if 281 00:15:37,933 --> 00:15:41,933 Speaker 2: symptoms persist, see your health professional. Jack Team twenty seven 282 00:15:41,973 --> 00:15:43,733 Speaker 2: past nine on News Books. He be here, Go Jack. 283 00:15:43,773 --> 00:15:45,453 Speaker 2: I live on the Carpety Coast, so there's at least 284 00:15:45,493 --> 00:15:47,413 Speaker 2: one Donald Trump supporter on the Carpety Coast, and I'm 285 00:15:47,493 --> 00:15:50,293 Speaker 2: very open about it. Well, there you go. Kevin lives nearby, 286 00:15:50,373 --> 00:15:51,973 Speaker 2: so if you bump into him at a cafe or something, 287 00:15:51,973 --> 00:15:53,613 Speaker 2: maybe you can go up and have a quiet word. 288 00:15:54,613 --> 00:15:54,853 Speaker 5: Jack. 289 00:15:54,893 --> 00:15:57,733 Speaker 2: My babies were just like yours. It's often guess, often 290 00:15:57,733 --> 00:16:00,413 Speaker 2: aggravated by what mum is eating or drinking. In my case, 291 00:16:00,453 --> 00:16:01,973 Speaker 2: it was dairy. As soon as I stopped having it, 292 00:16:02,053 --> 00:16:05,573 Speaker 2: baby's gas was gone. Thanks Ellie. Well, I don't know. 293 00:16:05,213 --> 00:16:06,773 Speaker 2: I don't want to be the one break to my 294 00:16:06,813 --> 00:16:08,213 Speaker 2: wife that she's going to have to lay off the 295 00:16:08,253 --> 00:16:12,133 Speaker 2: ice cream any times. But I'll see is here how 296 00:16:12,213 --> 00:16:14,533 Speaker 2: bad things get. Thank you for that. Ninety two ninety 297 00:16:14,533 --> 00:16:15,893 Speaker 2: two is the text number if you want to send 298 00:16:15,933 --> 00:16:18,693 Speaker 2: us the message. This morning, our sporto is Andrew Saville 299 00:16:18,693 --> 00:16:20,893 Speaker 2: and he's with us this morning killed us sav. 300 00:16:21,293 --> 00:16:23,573 Speaker 4: Kelder Jake, I still have those sorts of problems today. 301 00:16:23,853 --> 00:16:29,093 Speaker 2: What the gassy problems or yeah, it's the it's the 302 00:16:30,013 --> 00:16:32,293 Speaker 2: I just I've seen other parents do it, you know, 303 00:16:32,373 --> 00:16:36,133 Speaker 2: become become obsessed with their child's digestive tract, and now 304 00:16:36,253 --> 00:16:38,413 Speaker 2: I have just fallen to the crack. It is hard 305 00:16:38,453 --> 00:16:41,053 Speaker 2: not to because I don't think I'd appreciated the flow 306 00:16:41,093 --> 00:16:43,973 Speaker 2: on effect, you know, like seeing you seeing your child 307 00:16:44,013 --> 00:16:47,253 Speaker 2: in pain and discussion straining away, having him waking up 308 00:16:47,253 --> 00:16:49,693 Speaker 2: at three o'clock in the morning moaning and groaning. It's 309 00:16:49,693 --> 00:16:50,093 Speaker 2: all of that. 310 00:16:50,253 --> 00:16:52,693 Speaker 4: You know, you will you will find a way, and 311 00:16:52,693 --> 00:16:54,653 Speaker 4: you'll find your own way and it'll work and you'll 312 00:16:54,693 --> 00:16:56,493 Speaker 4: stick with that and it will be fine. 313 00:16:56,573 --> 00:16:59,293 Speaker 2: Yeah, there you go. That's great advice. If only you 314 00:16:59,293 --> 00:17:02,213 Speaker 2: could offer the same to the Blues. I know at 315 00:17:02,253 --> 00:17:03,693 Speaker 2: the start of the show's four and one, though, isn't 316 00:17:03,693 --> 00:17:06,013 Speaker 2: it because they beat Therrige one and it's one and 317 00:17:06,093 --> 00:17:08,933 Speaker 2: three one and time yeah, sorry, one and three year. 318 00:17:09,373 --> 00:17:11,333 Speaker 4: They beat the Hurricanes last week in Wellington, which was 319 00:17:11,493 --> 00:17:14,213 Speaker 4: which was a pretty good effort in the end. They 320 00:17:14,293 --> 00:17:15,973 Speaker 4: really had to hang on in the end of Wellington. 321 00:17:16,013 --> 00:17:19,493 Speaker 4: But jeez, I've seen some frustrating and disappointing Blues performances 322 00:17:19,493 --> 00:17:22,573 Speaker 4: over the years. This one is one of those. Last 323 00:17:22,653 --> 00:17:25,893 Speaker 4: night I was yelling at the TV screen. I don't 324 00:17:25,893 --> 00:17:29,613 Speaker 4: know why on earth at they were eight it was 325 00:17:29,653 --> 00:17:34,213 Speaker 4: it twenty eighteen up and they decided to kick for 326 00:17:34,253 --> 00:17:36,733 Speaker 4: the corner instead of goal, which would have made it 327 00:17:36,813 --> 00:17:40,293 Speaker 4: twenty three eighteen, so a five point buffer instead of 328 00:17:40,373 --> 00:17:45,373 Speaker 4: just a two point buffer. In the end, the Brumbies 329 00:17:45,413 --> 00:17:47,933 Speaker 4: go back down the other end. There's a bit of 330 00:17:47,973 --> 00:17:51,013 Speaker 4: to and fro and the Brumbies kicker winning penalty pretty 331 00:17:51,053 --> 00:17:54,693 Speaker 4: much in the last play of the game. So frustration 332 00:17:54,853 --> 00:17:55,413 Speaker 4: for the Blues. 333 00:17:55,533 --> 00:17:55,773 Speaker 7: Jack. 334 00:17:56,093 --> 00:17:57,973 Speaker 4: Yes, they've got a lot of injuries compared to the 335 00:17:57,973 --> 00:18:00,173 Speaker 4: start of their campaign last year, but so of all 336 00:18:00,213 --> 00:18:03,413 Speaker 4: the other teams, they just don't look like the championship 337 00:18:03,453 --> 00:18:05,693 Speaker 4: winning team of last year. The all Black players, some 338 00:18:05,773 --> 00:18:09,133 Speaker 4: of them have been in relatively good form, some look 339 00:18:09,213 --> 00:18:12,133 Speaker 4: completely out of sorts. Still, I don't know what it is. Yes, 340 00:18:12,213 --> 00:18:15,253 Speaker 4: often all black players coming late into the setup in 341 00:18:15,293 --> 00:18:17,093 Speaker 4: these various teams and they take a while to hit 342 00:18:17,133 --> 00:18:19,693 Speaker 4: their straps. But the Blues, all blacks just seem to 343 00:18:19,733 --> 00:18:23,453 Speaker 4: be taking quite a lot longer. And then, to compound issues, 344 00:18:23,973 --> 00:18:27,093 Speaker 4: Boden Barrett going off at halftime, which with what looks 345 00:18:27,133 --> 00:18:29,773 Speaker 4: to be a broken hand or broken bones and in 346 00:18:29,813 --> 00:18:32,693 Speaker 4: one of his hands, and so he could be out 347 00:18:32,773 --> 00:18:35,933 Speaker 4: for a fair oh while. When he ran the ball 348 00:18:36,013 --> 00:18:39,413 Speaker 4: last night from ten, the Blues looked very, very good. 349 00:18:39,453 --> 00:18:42,413 Speaker 4: He looked very good. He scored an outstanding try in 350 00:18:42,453 --> 00:18:44,253 Speaker 4: the first half. The Blues were held scoreless in the 351 00:18:44,253 --> 00:18:46,933 Speaker 4: second half, which has to be concerned. Their defense has 352 00:18:46,973 --> 00:18:49,213 Speaker 4: been good jack the start of the season, but their attack, 353 00:18:49,693 --> 00:18:53,773 Speaker 4: their attack has just lacks punch. It looks a little confused, 354 00:18:53,773 --> 00:18:56,133 Speaker 4: a little wayward. Not great signs for the Blues, Yeah, 355 00:18:56,173 --> 00:18:57,733 Speaker 4: not great signs at all. But on the on the 356 00:18:57,733 --> 00:19:00,133 Speaker 4: flip side, the Aussie teams. I don't know whether you 357 00:19:00,653 --> 00:19:03,213 Speaker 4: saw my chat last night with Stephen Larkin, the Brumby's coach, 358 00:19:03,293 --> 00:19:07,093 Speaker 4: but yes, caught up with him and he was adamant 359 00:19:07,213 --> 00:19:10,173 Speaker 4: that the key reason why these Aussie teams have turned 360 00:19:10,173 --> 00:19:12,493 Speaker 4: around and are doing well as Joe Schmid, the Wallabies 361 00:19:12,573 --> 00:19:17,613 Speaker 4: coaches in New Zealander. Of course, he has really focused 362 00:19:17,613 --> 00:19:20,213 Speaker 4: on the breakdown and getting things right at the breakdown 363 00:19:20,253 --> 00:19:23,453 Speaker 4: and ball carrying and continuity of play, and that has 364 00:19:23,493 --> 00:19:26,213 Speaker 4: trickled down from the Wallabies players into these Aussie teams 365 00:19:26,213 --> 00:19:28,613 Speaker 4: and look at what they're doing. So yeah, Joe Smith, 366 00:19:29,733 --> 00:19:32,653 Speaker 4: of course, I know we've always known he's an outstanding coach. 367 00:19:32,693 --> 00:19:36,253 Speaker 4: But yes, obviously he's gone to Australia who has improved 368 00:19:36,253 --> 00:19:38,853 Speaker 4: the Wallabies. He's still trying to turn things around there. 369 00:19:38,853 --> 00:19:40,453 Speaker 4: But yeah, he leaves in October, which is a great 370 00:19:40,453 --> 00:19:41,453 Speaker 4: shame for SADIU rugby. 371 00:19:41,533 --> 00:19:41,893 Speaker 6: Yeah it is. 372 00:19:41,933 --> 00:19:44,093 Speaker 2: We're heading into the the anthn Ex World Cup twenty 373 00:19:44,173 --> 00:19:48,013 Speaker 2: twenty seven. Yeah, and so the Black Caps, I mean 374 00:19:48,133 --> 00:19:51,813 Speaker 2: just I really mixed feelings about the champions trophy right 375 00:19:51,853 --> 00:19:56,373 Speaker 2: because I feel like they are just massively outperforming their 376 00:19:56,413 --> 00:19:59,693 Speaker 2: population base. Like I feel so proud and and you know, 377 00:19:59,733 --> 00:20:01,693 Speaker 2: you look at the likes of Rattam Avenger coming through 378 00:20:02,333 --> 00:20:05,853 Speaker 2: like just an amazing talent. You know that being said, 379 00:20:06,453 --> 00:20:08,733 Speaker 2: oly h cricket just isn't what it was like it's 380 00:20:08,773 --> 00:20:10,693 Speaker 2: just it doesn't have the place that it one's head, 381 00:20:10,813 --> 00:20:12,453 Speaker 2: It doesn't have the status that it one's head. It 382 00:20:12,453 --> 00:20:14,573 Speaker 2: doesn't even have the players that it once had. So 383 00:20:14,613 --> 00:20:16,773 Speaker 2: that's kind of there in the back of my mind 384 00:20:16,773 --> 00:20:18,533 Speaker 2: as well. But I'll tell you what, if there's going 385 00:20:18,613 --> 00:20:21,053 Speaker 2: to be a good reason to volunteer for the night 386 00:20:21,093 --> 00:20:24,693 Speaker 2: shift in the Tame household tomorrow night, it's one of 387 00:20:24,733 --> 00:20:27,173 Speaker 2: those my wife's My wife could be slightly confused right 388 00:20:27,213 --> 00:20:29,133 Speaker 2: when I come up and get up to me and say, 389 00:20:29,133 --> 00:20:31,453 Speaker 2: you know what's hard tomorrow and tonight, I'm going to 390 00:20:31,493 --> 00:20:32,933 Speaker 2: be I'm going to be doing the job. How do 391 00:20:32,973 --> 00:20:34,053 Speaker 2: you write the chances? 392 00:20:35,573 --> 00:20:38,413 Speaker 4: I think they're relatively strong. I think playing in Dubai. 393 00:20:38,493 --> 00:20:40,333 Speaker 4: Of course with the Indians are base. They won't play 394 00:20:40,373 --> 00:20:42,133 Speaker 4: in Pakistan if they I didn't realize they hadn't played 395 00:20:42,133 --> 00:20:44,133 Speaker 4: in Pakistan for now, for nearly twenty years now. 396 00:20:44,173 --> 00:20:46,853 Speaker 2: The Indians, there's actually a Netflix series on it. You 397 00:20:46,893 --> 00:20:50,693 Speaker 2: can go back and watch their last, their last, the 398 00:20:50,773 --> 00:20:52,133 Speaker 2: last two of there. It was like it was like 399 00:20:52,173 --> 00:20:55,653 Speaker 2: two thousand and two thousand six or maybe. 400 00:20:56,693 --> 00:21:01,653 Speaker 4: Yeah, the pitch is slower than the Pakistani wicket, so 401 00:21:01,653 --> 00:21:02,853 Speaker 4: that would play under the Indians. 402 00:21:02,933 --> 00:21:03,173 Speaker 5: Hands. 403 00:21:03,173 --> 00:21:05,613 Speaker 4: I think they the black Caps will take a lot 404 00:21:05,613 --> 00:21:07,773 Speaker 4: of confidence in this game. There's a lot of players 405 00:21:07,813 --> 00:21:09,653 Speaker 4: in that team that beat them in that test series 406 00:21:09,693 --> 00:21:13,893 Speaker 4: threes it so that they know the Indians are beatable. Yes, 407 00:21:14,053 --> 00:21:16,253 Speaker 4: I tend to agree. There seems to be a lot 408 00:21:16,253 --> 00:21:18,573 Speaker 4: of World finals these days. Every year there seems to 409 00:21:18,573 --> 00:21:21,213 Speaker 4: be a different World Championship or a World Trophy or 410 00:21:21,213 --> 00:21:23,773 Speaker 4: a World Cup. But it is a final. It's a 411 00:21:23,773 --> 00:21:26,893 Speaker 4: global final. They've played very well to get where they are. 412 00:21:27,933 --> 00:21:30,293 Speaker 4: They will do financially very well. 413 00:21:30,013 --> 00:21:30,493 Speaker 6: Out of it. 414 00:21:30,573 --> 00:21:34,413 Speaker 4: If the black Caps win, the players will, which is 415 00:21:34,453 --> 00:21:36,933 Speaker 4: good for them. And a guy like Ritch and Ravindra 416 00:21:37,973 --> 00:21:39,893 Speaker 4: just think if he scores another big ton in the 417 00:21:39,933 --> 00:21:42,453 Speaker 4: final against India, he will be able to name his 418 00:21:42,493 --> 00:21:46,893 Speaker 4: price in the IPL for years to come. He will 419 00:21:46,933 --> 00:21:51,533 Speaker 4: be an absolute superstaff. He's not already in India, let 420 00:21:51,573 --> 00:21:54,213 Speaker 4: alone New Zealand and other countries, but what he's done 421 00:21:54,213 --> 00:21:58,373 Speaker 4: this tournament has been outstanding, extraordinary talent. He's playing with 422 00:21:58,413 --> 00:22:00,053 Speaker 4: freedom and I hope he does well in the final. 423 00:22:00,173 --> 00:22:02,093 Speaker 2: Yeah, yeah, can't wait for tomorrow night. Thank you, sir 424 00:22:02,653 --> 00:22:05,653 Speaker 2: our Sporto Andrew Savill there, thank you for your feedback. 425 00:22:05,653 --> 00:22:07,693 Speaker 2: As well. Jack, I definitely support Donald Trump. I live 426 00:22:07,693 --> 00:22:09,533 Speaker 2: in Auckland. Exactly what you said this morning. It's a 427 00:22:09,573 --> 00:22:11,933 Speaker 2: bit refreshing to watch him, and it's actually coming out 428 00:22:11,933 --> 00:22:15,773 Speaker 2: with a different game plan that distinguishes him from other 429 00:22:15,773 --> 00:22:18,893 Speaker 2: politicians around the world that I find attractive. All right, 430 00:22:18,893 --> 00:22:20,933 Speaker 2: thank you for that. Ninety two ninety two is our 431 00:22:20,933 --> 00:22:23,493 Speaker 2: text number, Susie says jackets simple when baby spilling, put 432 00:22:23,533 --> 00:22:25,773 Speaker 2: a cloth on your shoulder. Yeah, But the problem, Sousie 433 00:22:25,813 --> 00:22:27,373 Speaker 2: is it's not just on the shoulder. I sort of 434 00:22:27,413 --> 00:22:29,053 Speaker 2: need a cloth on my chest. I need a cloth 435 00:22:29,093 --> 00:22:31,333 Speaker 2: on my shorts, and need a cloth everywhere, all of 436 00:22:31,413 --> 00:22:33,973 Speaker 2: my sleeves. But you're right, We've got plenty of cloth 437 00:22:34,093 --> 00:22:35,493 Speaker 2: going through, plenty of cloth at the moment. 438 00:22:35,533 --> 00:22:36,333 Speaker 6: I can assure you of that. 439 00:22:36,653 --> 00:22:38,493 Speaker 2: Right now, it's twenty six minutes to ten. You movie 440 00:22:38,573 --> 00:22:40,533 Speaker 2: picks next. 441 00:22:41,173 --> 00:22:47,773 Speaker 3: Fun and you know sleep weeble. 442 00:22:49,013 --> 00:22:55,493 Speaker 8: Lomal you want me, I want you stay. 443 00:22:56,853 --> 00:23:00,773 Speaker 2: Problem to you what the key we love affair with 444 00:23:00,853 --> 00:23:04,213 Speaker 2: country music is just going from strength to strength at 445 00:23:04,253 --> 00:23:04,533 Speaker 2: the moment. 446 00:23:04,613 --> 00:23:04,733 Speaker 6: Now. 447 00:23:05,173 --> 00:23:07,453 Speaker 2: He Luke Holme's here a few weeks ago. Well, Chris 448 00:23:07,493 --> 00:23:10,173 Speaker 2: Stapleton's in the country for the first time ever. He 449 00:23:10,213 --> 00:23:13,053 Speaker 2: performed his first show last night at Auckland Spark Arena, 450 00:23:13,093 --> 00:23:15,733 Speaker 2: and he is on again tonight. This is you should 451 00:23:15,733 --> 00:23:20,053 Speaker 2: probably leave by Chris Stapleton. Anyway, right now, it's twenty 452 00:23:20,053 --> 00:23:22,093 Speaker 2: three minutes to ten. Time to get your film picks 453 00:23:22,093 --> 00:23:24,333 Speaker 2: for this week. Francesca rud Can, our film reviewer, is 454 00:23:24,413 --> 00:23:27,893 Speaker 2: here with a snack ke Elder Morning morning. Okay, we've 455 00:23:27,933 --> 00:23:30,573 Speaker 2: got a couple of different movies showing in cinemas at 456 00:23:30,613 --> 00:23:33,773 Speaker 2: the moment, so let's begin with a listen to Mickey seventeen. 457 00:23:33,733 --> 00:23:36,733 Speaker 9: Honor, nothing was working out and I wanted to get 458 00:23:36,733 --> 00:23:37,613 Speaker 9: the hell out of there. 459 00:23:37,653 --> 00:23:40,973 Speaker 10: You're planning to be inexpendable, he read through the paper here. 460 00:23:42,533 --> 00:23:48,893 Speaker 2: I should have read through it. You're an expendable you heard. Okay, 461 00:23:48,933 --> 00:23:53,013 Speaker 2: some big names with Mickey seventeen stars Robin Robert Pattinson. 462 00:23:53,093 --> 00:23:55,413 Speaker 2: It's directed by the guy who directed Parasite and Snow 463 00:23:55,453 --> 00:23:57,133 Speaker 2: Pierser Yes. 464 00:23:57,093 --> 00:24:01,213 Speaker 11: Bond, Drew Hoe and he stunned everybody at the twenty 465 00:24:01,293 --> 00:24:07,493 Speaker 11: twenty Oscars with his film Paradise Parasite. Sorry. He made 466 00:24:07,613 --> 00:24:11,093 Speaker 11: history by winning Best Picture, and that was the first 467 00:24:11,093 --> 00:24:15,173 Speaker 11: time a non English language film had one Best Picture. 468 00:24:15,573 --> 00:24:19,253 Speaker 11: He won Best Director Best International Feature, Best Original Screenplay, 469 00:24:20,573 --> 00:24:23,173 Speaker 11: an extraordinary film. If you haven't seen it, you should 470 00:24:23,213 --> 00:24:27,693 Speaker 11: definitely see Parasite. But this is his first film since Parasite, 471 00:24:27,773 --> 00:24:32,253 Speaker 11: and he probably had the opportunity to do whatever he wanted. 472 00:24:32,373 --> 00:24:36,493 Speaker 11: I'm sure that studios were probably handing him large franchise 473 00:24:36,573 --> 00:24:38,613 Speaker 11: films on a plate, telling him he could do whatever 474 00:24:38,653 --> 00:24:42,853 Speaker 11: he wanted to do, and instead he's made the sort 475 00:24:42,853 --> 00:24:49,333 Speaker 11: of wonderfully bondering whole film. It's nutty. It's this comical 476 00:24:49,493 --> 00:24:52,373 Speaker 11: sci fi. It's a satire about sort of the state 477 00:24:52,413 --> 00:24:56,773 Speaker 11: of humanity. He always likes to focus on the themes 478 00:24:56,773 --> 00:25:00,013 Speaker 11: that he often reverts back to, all about class and 479 00:25:00,173 --> 00:25:04,413 Speaker 11: power and exploitation, and he very much does that again 480 00:25:04,453 --> 00:25:07,773 Speaker 11: with this film. Robert Pattinson, who you mentioned there from 481 00:25:07,893 --> 00:25:11,973 Speaker 11: Twilight and of course Batman, he really drops his sort 482 00:25:11,973 --> 00:25:15,293 Speaker 11: of a list star quality for this film and plays 483 00:25:15,293 --> 00:25:21,413 Speaker 11: this wonderful, meek, quite goofy character Mickey, and he's really 484 00:25:21,493 --> 00:25:23,373 Speaker 11: keen to get off planet Earth. This is set in 485 00:25:23,413 --> 00:25:26,293 Speaker 11: the future. He owes some money to a loan shark 486 00:25:26,333 --> 00:25:28,453 Speaker 11: and things who likes to chop people up as a hobby, 487 00:25:28,493 --> 00:25:31,733 Speaker 11: so he's very keen to get off Earth. But everybody 488 00:25:31,813 --> 00:25:34,133 Speaker 11: is keen to get out of Earth. At this point 489 00:25:34,693 --> 00:25:38,493 Speaker 11: in the future is the competition is fierce to join 490 00:25:38,613 --> 00:25:42,893 Speaker 11: a colonial word to a new planet. So he signs 491 00:25:42,973 --> 00:25:44,493 Speaker 11: up as an expendable. 492 00:25:45,893 --> 00:25:46,773 Speaker 12: And in the. 493 00:25:46,733 --> 00:25:51,413 Speaker 11: Future, we have worked out how to print people. We're 494 00:25:51,413 --> 00:25:53,013 Speaker 11: no longer allowed to do it on Earth, but you 495 00:25:53,053 --> 00:25:55,973 Speaker 11: can do it off Earth. And he doesn't quite know 496 00:25:56,013 --> 00:25:58,533 Speaker 11: what it means, but he signs up to be this expendable, 497 00:25:58,573 --> 00:26:00,613 Speaker 11: which means like he's the canary in the mind. He 498 00:26:00,733 --> 00:26:06,493 Speaker 11: is the guy who can die for whatever reason. They 499 00:26:06,533 --> 00:26:09,373 Speaker 11: need him too, because they can then immediately reprint him, 500 00:26:09,813 --> 00:26:13,613 Speaker 11: and he is back the next day. So when we 501 00:26:13,653 --> 00:26:18,813 Speaker 11: meet Mickey, he's on version number seventeen. And so this 502 00:26:18,973 --> 00:26:21,493 Speaker 11: is very much a film that looks at humans. It 503 00:26:21,533 --> 00:26:25,453 Speaker 11: looks at how they're expendable. It's how we're all expendable 504 00:26:25,493 --> 00:26:27,373 Speaker 11: in the workplace. This is a film, even though it's 505 00:26:27,413 --> 00:26:29,933 Speaker 11: set in the future, is very much about the present, 506 00:26:30,573 --> 00:26:33,853 Speaker 11: as you mentioned. Great cast also stars Tony Collette and 507 00:26:33,973 --> 00:26:37,533 Speaker 11: Mark Ruffalo. I really loved this premise and I think 508 00:26:37,573 --> 00:26:40,013 Speaker 11: it starts out very strong. It gets a little lost 509 00:26:40,053 --> 00:26:42,493 Speaker 11: in the middle, but it does finish well. I love 510 00:26:42,533 --> 00:26:45,053 Speaker 11: the fact that as far as this is a considering 511 00:26:45,053 --> 00:26:48,293 Speaker 11: that this is a sci fi film, it's very low fi. 512 00:26:48,573 --> 00:26:52,293 Speaker 11: It's almost retro futuristic. The spaceship they go on looks 513 00:26:52,333 --> 00:26:53,293 Speaker 11: like a cargo ship. 514 00:26:53,653 --> 00:26:53,853 Speaker 5: You know. 515 00:26:53,933 --> 00:26:56,733 Speaker 11: It's it's not just because we're in the future. We've 516 00:26:56,733 --> 00:26:59,373 Speaker 11: sorted everything out and everything's slick and flashing gray. Actually 517 00:26:59,453 --> 00:27:02,093 Speaker 11: it's still all a bit rough. I think this is 518 00:27:02,133 --> 00:27:04,453 Speaker 11: going to be quite polarizing, this film. I think you're 519 00:27:04,493 --> 00:27:07,413 Speaker 11: either going to fall in love with its quirkiness and 520 00:27:07,813 --> 00:27:11,133 Speaker 11: enjoy it sense of humor, or you'll think, what, yeah, 521 00:27:11,213 --> 00:27:13,493 Speaker 11: what is he doing that you should never miss a 522 00:27:13,533 --> 00:27:14,693 Speaker 11: bong during home film? 523 00:27:14,733 --> 00:27:19,093 Speaker 2: Okay, that sounds great, Well, sounds interesting. Mickey seventeen and 524 00:27:19,213 --> 00:27:22,373 Speaker 2: would you believe Francisca that, Yes, I have seen Parasite, 525 00:27:23,453 --> 00:27:26,373 Speaker 2: and I know, I mean, it would just be so 526 00:27:26,533 --> 00:27:29,453 Speaker 2: mean not to have seen Parasite. But I have seen Parasite, 527 00:27:29,493 --> 00:27:32,653 Speaker 2: and yeah, share in all of the adoration that has 528 00:27:32,653 --> 00:27:34,933 Speaker 2: been expressed by so many already, such a good film, 529 00:27:34,973 --> 00:27:38,573 Speaker 2: So I'll definitely be seeing Mickey seventeen. Next up, let's 530 00:27:38,613 --> 00:27:39,773 Speaker 2: have a listen to Spit. 531 00:27:41,213 --> 00:27:53,933 Speaker 13: International Future, The Money and Honor Criminal mastermind John Francis 532 00:27:54,093 --> 00:27:56,813 Speaker 13: Spettier who lock him up. 533 00:27:57,053 --> 00:27:59,693 Speaker 3: This is Australia. It's still a free country, isn't it. 534 00:28:01,613 --> 00:28:04,893 Speaker 2: That is Friend of the show. David Wenham returning as 535 00:28:05,253 --> 00:28:08,573 Speaker 2: Spit twenty years since the film Getting Squire tell us 536 00:28:08,573 --> 00:28:09,013 Speaker 2: about Spitt. 537 00:28:10,213 --> 00:28:12,733 Speaker 11: Yes, this is I love it when a sort of 538 00:28:12,773 --> 00:28:15,693 Speaker 11: a side character suddenly becomes a lead. And as you say, 539 00:28:15,733 --> 00:28:18,813 Speaker 11: that's very much what's happened here. And David Wynham, he 540 00:28:18,933 --> 00:28:21,613 Speaker 11: just does such a beautiful job of stepping into this character. 541 00:28:21,733 --> 00:28:24,973 Speaker 11: He's just the quintessential Australian bogan and he's got the 542 00:28:24,973 --> 00:28:27,053 Speaker 11: flip flops and he's got the mullet, and he's got 543 00:28:27,093 --> 00:28:32,333 Speaker 11: this and he's he plays dumb and sometimes he is dumb, 544 00:28:32,333 --> 00:28:34,413 Speaker 11: but he always has a bit of a plan because 545 00:28:34,453 --> 00:28:37,813 Speaker 11: he's a he's a former krim and heroin addict and 546 00:28:37,853 --> 00:28:41,533 Speaker 11: he's returning to Australia after being after being overseas for 547 00:28:41,533 --> 00:28:43,093 Speaker 11: a very long time, and he tries to get it 548 00:28:43,133 --> 00:28:44,693 Speaker 11: on a fake passport and he gets picked up and 549 00:28:44,693 --> 00:28:46,933 Speaker 11: he gets blocked in the detention center and then off 550 00:28:46,973 --> 00:28:51,573 Speaker 11: he goes just beautifully kind of trying to manu you know, 551 00:28:51,653 --> 00:28:53,773 Speaker 11: sort of get himself out of there and sort of 552 00:28:54,173 --> 00:28:59,373 Speaker 11: you know, and cause a little bit more trouble. He's 553 00:29:00,253 --> 00:29:04,453 Speaker 11: he's such an infuriating character, yeah for those around him, 554 00:29:04,693 --> 00:29:06,853 Speaker 11: but he's sort of so good in nature about it. 555 00:29:06,933 --> 00:29:09,413 Speaker 11: He's such a good natured guy, sort of goofy guy. 556 00:29:09,453 --> 00:29:12,133 Speaker 11: You can't help but kind of get drawn in to 557 00:29:12,373 --> 00:29:14,573 Speaker 11: this little journey that he goes on, and he might 558 00:29:14,613 --> 00:29:17,253 Speaker 11: always be thinking about himself and how to help himself 559 00:29:17,253 --> 00:29:19,653 Speaker 11: in a situation, but he does sort of take other 560 00:29:19,693 --> 00:29:22,053 Speaker 11: people along on the way. So look a lot of 561 00:29:22,133 --> 00:29:26,093 Speaker 11: laughs in here, but for all the laughs in the 562 00:29:26,133 --> 00:29:28,613 Speaker 11: mad cap scenario, it's a bit of slapstick kind of 563 00:29:28,613 --> 00:29:31,893 Speaker 11: comedy as well. There are some sort of pointed political barbs, 564 00:29:31,973 --> 00:29:35,213 Speaker 11: especially around issues such as the refugees and migrants and things, 565 00:29:35,213 --> 00:29:40,613 Speaker 11: so it certainly doesn't hesitate to also kind of make 566 00:29:40,693 --> 00:29:45,093 Speaker 11: if you make comments about Australia today and things like that. Yeah, 567 00:29:45,133 --> 00:29:48,333 Speaker 11: I don't think you don't need to have seen Getting 568 00:29:48,373 --> 00:29:51,493 Speaker 11: Square to enjoy this film and this character, because he 569 00:29:51,533 --> 00:29:54,773 Speaker 11: really does. He really does own it. So yeah, good fun. 570 00:29:54,813 --> 00:29:57,253 Speaker 11: A lot are contrived at times, but good fun. And 571 00:29:57,373 --> 00:29:58,573 Speaker 11: David Wynham is absolutely fab. 572 00:29:59,053 --> 00:30:01,253 Speaker 2: Yeah, no, he really is. Thank you so much. Frantiska 573 00:30:01,653 --> 00:30:03,413 Speaker 2: in case you missed it last week. Of course, David 574 00:30:03,413 --> 00:30:06,013 Speaker 2: Wnham was on the show. He was our feature interview 575 00:30:06,053 --> 00:30:08,413 Speaker 2: on new Talks EDB last Saturday morning, So if you 576 00:30:08,453 --> 00:30:11,093 Speaker 2: didn't hear that interview, go to NEWSTALKSHEDB, dot co dot 577 00:30:11,173 --> 00:30:13,133 Speaker 2: m zed Ford slash Jack and you'll be able to 578 00:30:13,173 --> 00:30:16,333 Speaker 2: listen to it. David Wenham is just fantastic. So Francesca's 579 00:30:16,333 --> 00:30:19,053 Speaker 2: film pics for us this week spit that's the Australian 580 00:30:19,053 --> 00:30:21,893 Speaker 2: one with David Wenham and Mickey seventeen is the latest 581 00:30:21,893 --> 00:30:24,333 Speaker 2: from Bong ju Ho. Both of those will be on 582 00:30:24,333 --> 00:30:27,613 Speaker 2: the website as well. Right now. It is sixteen minutes to. 583 00:30:27,573 --> 00:30:32,613 Speaker 1: Ten Saturday mornings with Jack Day keeping the conversation going 584 00:30:32,653 --> 00:30:35,693 Speaker 1: through the weekend with bpewre dot co dot in SAD 585 00:30:35,773 --> 00:30:37,253 Speaker 1: for high quality Supplements. 586 00:30:37,293 --> 00:30:38,253 Speaker 3: News Talks EDB. 587 00:30:38,453 --> 00:30:42,133 Speaker 2: Fourteen minutes to ten on news talks 'B after ten o'clock. 588 00:30:42,133 --> 00:30:44,733 Speaker 2: Our feature interview this morning is Dick Frizzell. He's written 589 00:30:44,733 --> 00:30:51,373 Speaker 2: this brilliant, this brilliant new memoir that kind of kind 590 00:30:51,373 --> 00:30:53,493 Speaker 2: of distinguished itself from other memoirs because it's not just 591 00:30:53,493 --> 00:30:56,253 Speaker 2: a chronological story of his life or anything like that. Really, 592 00:30:56,293 --> 00:31:00,613 Speaker 2: it's a whole collection of delightful little short stories about 593 00:31:00,653 --> 00:31:03,213 Speaker 2: growing up in Hawk's Bay in the nineteen fifties and 594 00:31:03,253 --> 00:31:07,693 Speaker 2: early nineteen sixties. The book is called Hastings, A Boy's 595 00:31:07,733 --> 00:31:10,213 Speaker 2: Own Adventure, and it really is a boy's own kind 596 00:31:10,213 --> 00:31:14,013 Speaker 2: of recollection. So it's like Dick and his mates as kids, 597 00:31:14,293 --> 00:31:17,573 Speaker 2: knocking around with their rifles or real guns in some cases. 598 00:31:18,773 --> 00:31:23,213 Speaker 2: You know, Dick driving along in an Austin sherborn for 599 00:31:23,253 --> 00:31:26,933 Speaker 2: the first time once he got his driver's license. All 600 00:31:26,933 --> 00:31:29,653 Speaker 2: sorts of adventures in Hastings in the nineteen fifties and 601 00:31:29,693 --> 00:31:32,413 Speaker 2: sixties kind of a you know, to throw back to 602 00:31:32,453 --> 00:31:36,253 Speaker 2: a more innocent time. But Dick is just a delightful storyteller, 603 00:31:36,293 --> 00:31:38,053 Speaker 2: so he's gonna be with us right after ten. It's 604 00:31:38,053 --> 00:31:40,613 Speaker 2: going to tell us a bit more about Hastings, a 605 00:31:40,693 --> 00:31:43,453 Speaker 2: Boy's Own Adventure. Right now, though, it's time to catch 606 00:31:43,493 --> 00:31:45,213 Speaker 2: up with our cook, Nicki Wicks and Nicki. It is 607 00:31:45,253 --> 00:31:47,533 Speaker 2: that time of year where we need to start get 608 00:31:48,413 --> 00:31:51,893 Speaker 2: where we need to start bottling and jarring and jamming 609 00:31:51,933 --> 00:31:54,693 Speaker 2: and preserving and rushing because the weather is turning. 610 00:31:55,333 --> 00:31:57,813 Speaker 14: I know, in fact, we at this stage we are 611 00:31:57,853 --> 00:32:01,493 Speaker 14: trying to preserve time. Literally, we are trying to sort 612 00:32:01,493 --> 00:32:04,853 Speaker 14: of catch the well. It isn't summer anymore. It's awesome, 613 00:32:04,893 --> 00:32:08,893 Speaker 14: and we're still over flowing with all this produce. But honestly, 614 00:32:08,933 --> 00:32:11,213 Speaker 14: I really need to kind of buck up my own 615 00:32:11,213 --> 00:32:15,013 Speaker 14: ideas too, because soon it will be over and then 616 00:32:15,053 --> 00:32:17,893 Speaker 14: we're into the kind of winter fear, which is slimpickins. 617 00:32:18,373 --> 00:32:20,893 Speaker 14: And it's a funny old time because we're also a 618 00:32:20,973 --> 00:32:23,653 Speaker 14: little bit tired of tomatoes, maybe because you've had so 619 00:32:23,893 --> 00:32:27,693 Speaker 14: many of them, and yet you know, turn those into 620 00:32:27,693 --> 00:32:31,653 Speaker 14: a little pasta sauce. Freeze them, freeze that pasta sauce, 621 00:32:31,693 --> 00:32:33,533 Speaker 14: and you are going to be so happy for the 622 00:32:33,573 --> 00:32:36,213 Speaker 14: taste of summer a couple of months, let me tell you. 623 00:32:37,013 --> 00:32:40,093 Speaker 14: And pears. Somebody gave me a beautiful bucket of pears 624 00:32:40,573 --> 00:32:44,453 Speaker 14: from a very old tree out Beechland's Way, and I've 625 00:32:44,453 --> 00:32:46,373 Speaker 14: had them sitting around for as. I've eaten a few 626 00:32:46,373 --> 00:32:48,853 Speaker 14: of them, but they're not particularly ripe and they haven't 627 00:32:48,893 --> 00:32:52,093 Speaker 14: really ripened up. So time to make chutney's. You know, 628 00:32:52,213 --> 00:32:55,413 Speaker 14: chutney's with pears, Oh pier is just great for a chutney. 629 00:32:55,453 --> 00:32:58,093 Speaker 14: So look I threw this together. It's a really great 630 00:32:58,213 --> 00:33:02,773 Speaker 14: all round chutney. It's not too finnickety, it's dead easy. 631 00:33:02,853 --> 00:33:05,693 Speaker 14: I took a large onion, chopped it up finally, and 632 00:33:05,733 --> 00:33:07,893 Speaker 14: it was about two hundred grams. I did kind of 633 00:33:07,893 --> 00:33:10,453 Speaker 14: weigh it for our listeners. It was about two hundred grams. 634 00:33:10,453 --> 00:33:12,693 Speaker 14: In the end of chopped onion. I had a one 635 00:33:12,773 --> 00:33:15,493 Speaker 14: kg of chopped pears. Once I've sort of called them. 636 00:33:15,493 --> 00:33:17,733 Speaker 14: I didn't bother peeling them because I'm a way too 637 00:33:17,813 --> 00:33:21,093 Speaker 14: lazy for that, so I just chopped them up. And 638 00:33:21,133 --> 00:33:23,253 Speaker 14: as I say that were quite hard pears, they were 639 00:33:23,413 --> 00:33:26,573 Speaker 14: exactly all that soft. I grabbed two apples because I 640 00:33:26,573 --> 00:33:29,133 Speaker 14: had those off a neighborhood tree. I chopped out all 641 00:33:29,133 --> 00:33:31,893 Speaker 14: of the brown rot from them and chopped those up 642 00:33:31,933 --> 00:33:34,973 Speaker 14: skin on. Of course, two hundred and fifty grams of 643 00:33:34,973 --> 00:33:37,973 Speaker 14: brown sugar, which is probably about a cup of it, 644 00:33:38,053 --> 00:33:42,373 Speaker 14: really quite well packed. Two hundred grams of sultana's, although 645 00:33:42,373 --> 00:33:44,453 Speaker 14: I ran out of sultana's, so I put half and 646 00:33:44,533 --> 00:33:47,533 Speaker 14: half of currants and sultanas in there, and I wasn't sorry. 647 00:33:48,293 --> 00:33:51,053 Speaker 14: Three hundred mills of apple side of vinegar. You could 648 00:33:51,133 --> 00:33:52,853 Speaker 14: use any vinegar in here. You want to use a 649 00:33:52,933 --> 00:33:55,613 Speaker 14: cheap Issha vinegar you could use malt vinegar, but I 650 00:33:55,693 --> 00:33:58,733 Speaker 14: find it quite quite quite strong, so I just used 651 00:33:58,733 --> 00:34:00,773 Speaker 14: three just a bit over a cup of apple side 652 00:34:00,773 --> 00:34:02,693 Speaker 14: of vinegar. And then I thought, well, what do I 653 00:34:02,733 --> 00:34:04,213 Speaker 14: want to flavor this with? So I went with a 654 00:34:04,213 --> 00:34:09,893 Speaker 14: teaspoon of fennel seeds, a teaspoon of ground allspice, half 655 00:34:09,893 --> 00:34:13,453 Speaker 14: a teaspoon of freshly ground black pepper, and a teaspoon 656 00:34:13,493 --> 00:34:16,093 Speaker 14: of salt. So in there it all went into a 657 00:34:16,093 --> 00:34:17,373 Speaker 14: big pot, and you want to bring it to the 658 00:34:17,413 --> 00:34:19,813 Speaker 14: boil kind of slowly. You don't want to go hard 659 00:34:19,813 --> 00:34:22,093 Speaker 14: and fast. It will stick to the bottom. And then 660 00:34:22,133 --> 00:34:24,333 Speaker 14: I just reduced the heat jack and I let it 661 00:34:24,413 --> 00:34:27,173 Speaker 14: happily similar away for about an hour and an hour 662 00:34:27,173 --> 00:34:30,493 Speaker 14: and a half. The onions were soft, the pears were 663 00:34:30,533 --> 00:34:33,053 Speaker 14: getting there as well. But then when I looked at it, 664 00:34:33,133 --> 00:34:35,093 Speaker 14: I thought, it's kind of ready. If I start reducing 665 00:34:35,093 --> 00:34:36,893 Speaker 14: it anymore, I'm going to get half a jar out 666 00:34:36,933 --> 00:34:39,813 Speaker 14: of this, right, So don't wait till it goes really thick. 667 00:34:39,893 --> 00:34:41,813 Speaker 14: I then wanted to get in there, and I wanted 668 00:34:41,853 --> 00:34:43,693 Speaker 14: to kind of mash it or make it a little 669 00:34:43,693 --> 00:34:45,853 Speaker 14: bit pulpy, but I didn't want to take to it 670 00:34:45,893 --> 00:34:48,493 Speaker 14: with a blender because I still wanted it chunky. So 671 00:34:48,773 --> 00:34:51,053 Speaker 14: I looked on the wall where I hang my old 672 00:34:51,053 --> 00:34:53,613 Speaker 14: fashioned egg beater, and I got that out. I thought, 673 00:34:53,653 --> 00:34:56,733 Speaker 14: I wonder if this will work? Worked a treat kind 674 00:34:56,733 --> 00:34:58,053 Speaker 14: of yeah, I had, I. 675 00:34:58,013 --> 00:35:00,093 Speaker 2: Sort of you mean the old hand ones, right, the 676 00:35:00,173 --> 00:35:02,093 Speaker 2: old yeah, yeah, yeah yeah. 677 00:35:02,333 --> 00:35:03,933 Speaker 14: And I and I beat it until it was just 678 00:35:03,973 --> 00:35:06,693 Speaker 14: a little bit pulpy, which was great. That's to help 679 00:35:06,733 --> 00:35:09,853 Speaker 14: thicken it up. I'd already heated some jars to see 680 00:35:09,853 --> 00:35:12,453 Speaker 14: it sterilize them at one hundred and fifty degrees celsius 681 00:35:12,493 --> 00:35:15,373 Speaker 14: for about ten minutes in the oven, and I pour 682 00:35:15,573 --> 00:35:18,413 Speaker 14: always pour some boiling water over the lids to sterilize them. 683 00:35:18,533 --> 00:35:20,653 Speaker 14: Then I just spoon to the hot chutney into the 684 00:35:20,693 --> 00:35:24,053 Speaker 14: hot jars. If you go hot chutney into cold jars, you, 685 00:35:24,293 --> 00:35:26,293 Speaker 14: regardless of whether they've been sterilized, you're going to crack 686 00:35:26,293 --> 00:35:28,413 Speaker 14: your jars. I've done that too many times in my life. 687 00:35:28,613 --> 00:35:31,333 Speaker 14: So hot chutney into hot jars, and then I ran 688 00:35:31,373 --> 00:35:33,453 Speaker 14: a knife around the inside because it was quite a 689 00:35:33,533 --> 00:35:36,893 Speaker 14: sort of thick, nice chunky chutney, and you get a 690 00:35:36,893 --> 00:35:38,733 Speaker 14: bit of you know, you get air bubbles in there. 691 00:35:38,773 --> 00:35:40,693 Speaker 14: You don't really put those in there, because they don't 692 00:35:40,693 --> 00:35:42,773 Speaker 14: look good for a start, and they take up valuable space. 693 00:35:42,813 --> 00:35:44,573 Speaker 14: So just run a knife around them. You can poke 694 00:35:44,573 --> 00:35:48,333 Speaker 14: those air bottles that those air bubbles out, wipe the 695 00:35:48,413 --> 00:35:50,093 Speaker 14: rims clean and place. 696 00:35:49,893 --> 00:35:50,333 Speaker 10: The lids on. 697 00:35:50,413 --> 00:35:52,613 Speaker 14: And then my top tip is probably to wipe the 698 00:35:52,733 --> 00:35:57,173 Speaker 14: jars clean while they're still hot, because once it solidifies, 699 00:35:57,573 --> 00:36:00,973 Speaker 14: it's a real pain. So they're piping hot. Wipe the 700 00:36:01,053 --> 00:36:01,573 Speaker 14: rims air. 701 00:36:01,653 --> 00:36:04,573 Speaker 2: It is such a good time, I know, I know. 702 00:36:04,733 --> 00:36:07,253 Speaker 14: Otherwise you call them down because oh yeah, it'll be 703 00:36:07,293 --> 00:36:09,493 Speaker 14: easy to handle it and it's a nightmare. So you 704 00:36:09,933 --> 00:36:12,533 Speaker 14: put that little tightly and then just leave them. And 705 00:36:12,573 --> 00:36:15,773 Speaker 14: I like to leave this chutney for about three weeks 706 00:36:15,773 --> 00:36:17,333 Speaker 14: if I can. I always have a little bit left 707 00:36:17,373 --> 00:36:19,693 Speaker 14: over that I can use straight away. But the difference 708 00:36:19,733 --> 00:36:22,213 Speaker 14: in the taste of it three weeks after you've bottled 709 00:36:22,253 --> 00:36:25,933 Speaker 14: it is extraordinary. Those flavors are really married and all 710 00:36:25,973 --> 00:36:28,133 Speaker 14: the different spices have really managed to kind of do 711 00:36:28,213 --> 00:36:30,813 Speaker 14: their magic. And this sort of chutney's got enough sugar, 712 00:36:30,933 --> 00:36:33,813 Speaker 14: enough vinegar, and it'll last up for to twelve months, 713 00:36:33,893 --> 00:36:34,573 Speaker 14: probably longer. 714 00:36:34,733 --> 00:36:38,973 Speaker 2: Yeah, yeah, that's amazing. How many jars I got. 715 00:36:38,933 --> 00:36:41,933 Speaker 14: Kind of four to five medium jars. One of them 716 00:36:41,933 --> 00:36:44,453 Speaker 14: was quite right, but yeah, so plenty. Really, I was 717 00:36:44,493 --> 00:36:47,853 Speaker 14: really surprised. Again, if you keep on reducing chutneys and 718 00:36:47,893 --> 00:36:51,253 Speaker 14: sauces and things till you see that kind of till 719 00:36:51,293 --> 00:36:54,653 Speaker 14: it's thickened, you will then end up with belly any chutney. 720 00:36:54,853 --> 00:36:55,973 Speaker 14: It goes the same for jams. 721 00:36:56,013 --> 00:36:58,413 Speaker 2: You've got to remember it's a balance. It's a balance. 722 00:36:58,853 --> 00:36:59,453 Speaker 6: It's a balance. 723 00:36:59,573 --> 00:36:59,733 Speaker 8: This. 724 00:37:00,293 --> 00:37:03,053 Speaker 14: Oh, listen to you speaking like a three week old period. 725 00:37:03,133 --> 00:37:05,293 Speaker 2: Yeah, it's a balances the balance. 726 00:37:05,453 --> 00:37:06,173 Speaker 14: I love your. 727 00:37:06,133 --> 00:37:08,853 Speaker 2: Jack ah so good. Hey, thank you. We're going to 728 00:37:08,933 --> 00:37:11,373 Speaker 2: make sure we put that recipe up on the News 729 00:37:11,373 --> 00:37:13,533 Speaker 2: Talks heb website so everyone can follow along at home, 730 00:37:14,093 --> 00:37:16,493 Speaker 2: make sure they make the most of the last of 731 00:37:16,533 --> 00:37:18,933 Speaker 2: those summer fruits. As we head into water. I think 732 00:37:18,973 --> 00:37:20,693 Speaker 2: the whend of the season is officially changed in another 733 00:37:20,733 --> 00:37:22,213 Speaker 2: week and a half or so, right, but I think 734 00:37:22,213 --> 00:37:24,813 Speaker 2: all around the country was underfeel the ear temperature dropped 735 00:37:24,813 --> 00:37:27,333 Speaker 2: just a little bit. Thank you, Nicky. Nicky Wicks is 736 00:37:27,453 --> 00:37:29,333 Speaker 2: our cook on News Talks. He'd be right now. It 737 00:37:29,413 --> 00:37:30,373 Speaker 2: is seven to ten. 738 00:37:30,733 --> 00:37:33,493 Speaker 3: Giving you the inside scoop on all you need to us. 739 00:37:33,573 --> 00:37:36,733 Speaker 1: Saturday mornings with Jack Dame and vpure dot co dot 740 00:37:36,813 --> 00:37:39,453 Speaker 1: Nz for high quality supplements US talks. 741 00:37:39,493 --> 00:37:40,733 Speaker 3: He'd be thank you very. 742 00:37:40,693 --> 00:37:45,373 Speaker 2: Much for your feedback this morning regarding gas. Jack. Can't 743 00:37:45,373 --> 00:37:47,653 Speaker 2: yourself lucky? Says muzz. Can't you soulf lucky? You don't 744 00:37:47,693 --> 00:37:50,293 Speaker 2: you use cloth nappies? I was appearing in that era 745 00:37:50,373 --> 00:37:52,613 Speaker 2: and it was horrible. Let me tell you, yes, Malls, 746 00:37:52,653 --> 00:37:54,773 Speaker 2: I do have memories as a child, being the oldest 747 00:37:54,773 --> 00:37:58,973 Speaker 2: of four of various buckets of things stewing away in 748 00:37:59,053 --> 00:38:02,733 Speaker 2: the laundry for days on end. Jack says, Anita, give 749 00:38:02,733 --> 00:38:05,213 Speaker 2: your wife some pure mango juice with some grated nutbeg 750 00:38:05,253 --> 00:38:08,013 Speaker 2: to drink some fresh mint. He only minted water. That'll 751 00:38:08,053 --> 00:38:10,613 Speaker 2: ceter right down. I settle a little gems tummy right down. 752 00:38:11,013 --> 00:38:14,013 Speaker 2: I hope it works, Thanks Anita. Jack loved what you 753 00:38:14,053 --> 00:38:18,173 Speaker 2: said regarding burping babies this morning. I gotta say though, 754 00:38:18,173 --> 00:38:20,453 Speaker 2: it brought back some memories, and if your experience is 755 00:38:20,493 --> 00:38:22,693 Speaker 2: anything like ours, you should be stealing yourself for at 756 00:38:22,773 --> 00:38:27,693 Speaker 2: least another eighteen months, surely not only town only two. 757 00:38:27,693 --> 00:38:29,253 Speaker 2: If you want to send us a message after ten 758 00:38:29,293 --> 00:38:31,573 Speaker 2: o'clock on Newstalks, he'd be your screen time picks for 759 00:38:31,653 --> 00:38:33,413 Speaker 2: this weekend. If you're looking for a great new show 760 00:38:33,413 --> 00:38:37,093 Speaker 2: to watch your stream, three fantastic recommendations for you, plus 761 00:38:37,093 --> 00:38:40,533 Speaker 2: our feature interview live in the studio, Key We legend 762 00:38:40,573 --> 00:38:43,333 Speaker 2: Dick Frizzell is going to tell us about growing up 763 00:38:43,373 --> 00:38:46,773 Speaker 2: in Hastings in the fifties and sixties and his fantastic 764 00:38:47,213 --> 00:38:50,333 Speaker 2: new memoir. News is next. It's almost ten o'clock. I'm 765 00:38:50,413 --> 00:38:52,133 Speaker 2: Jack Tam and this is Newstalk's He'd Be. 766 00:38:53,893 --> 00:38:54,413 Speaker 15: Wow. 767 00:38:59,053 --> 00:39:02,133 Speaker 1: A cracking way to start your Saturday Saturday mornings with 768 00:39:02,333 --> 00:39:05,173 Speaker 1: Jack Day and v Fewer dot co dot Zeat's a 769 00:39:05,213 --> 00:39:30,893 Speaker 1: high quality supplement this News Talks Vredna. 770 00:39:30,933 --> 00:39:33,813 Speaker 2: Good morning, Welcome to News Talks eDV. I'm Jack Tayne 771 00:39:33,853 --> 00:39:37,093 Speaker 2: with you through the midday today and my guest this 772 00:39:37,293 --> 00:39:41,853 Speaker 2: morning live in studio is a bona fide legend of 773 00:39:41,893 --> 00:39:44,853 Speaker 2: the New Zealand visual arts scene. Dick Grizell is of 774 00:39:44,853 --> 00:39:48,493 Speaker 2: course known for his Kiwiana icons think the four Square 775 00:39:48,493 --> 00:39:51,453 Speaker 2: Man with Mock or Mickey Taticki, but has worked across 776 00:39:51,453 --> 00:39:54,853 Speaker 2: so many mediums and is about to release a fantastic 777 00:39:55,133 --> 00:39:58,333 Speaker 2: new memoir. The book is called Hastings, a Boy's Own 778 00:39:58,373 --> 00:40:01,533 Speaker 2: Adventure and it's a collection of stories that Dick has 779 00:40:01,573 --> 00:40:05,293 Speaker 2: written about life growing up on the East Coast in 780 00:40:05,333 --> 00:40:07,413 Speaker 2: the nineteen fifties and in nineteen sixties. 781 00:40:07,773 --> 00:40:08,493 Speaker 6: Dick's here with us. 782 00:40:08,413 --> 00:40:10,773 Speaker 2: This morning, held a good morning, good morning. Hey, I 783 00:40:11,533 --> 00:40:13,373 Speaker 2: just love the concept. I've just said this to you 784 00:40:13,573 --> 00:40:16,013 Speaker 2: off microphone. I just I love how you've gone about 785 00:40:16,013 --> 00:40:20,733 Speaker 2: writing this. You've really illustrated a kind of vivid, a 786 00:40:20,813 --> 00:40:23,533 Speaker 2: vivid picture of your childhood. And I really delighted in 787 00:40:23,533 --> 00:40:24,493 Speaker 2: the way you've gone about this. 788 00:40:24,893 --> 00:40:25,293 Speaker 7: Thank you. 789 00:40:25,373 --> 00:40:28,213 Speaker 2: But just tell us about tell us about how your 790 00:40:28,213 --> 00:40:30,093 Speaker 2: family ended up in Hastings in the first place, because 791 00:40:30,093 --> 00:40:31,213 Speaker 2: you were actually born in Auckland, right. 792 00:40:31,293 --> 00:40:33,773 Speaker 16: I was born in Auckland, out at Mount Albert, a 793 00:40:33,773 --> 00:40:38,773 Speaker 16: little nursing home that's still there only enough. But when 794 00:40:39,133 --> 00:40:41,733 Speaker 16: my father was in the Merchant Navy, an engineer in 795 00:40:41,773 --> 00:40:43,733 Speaker 16: the Merchant Navy, and the deal was that he'd come 796 00:40:43,773 --> 00:40:47,013 Speaker 16: ashore when I was born. So he came ashore and 797 00:40:47,053 --> 00:40:49,933 Speaker 16: got a job on the Dredge and the Aukland. But 798 00:40:49,973 --> 00:40:51,573 Speaker 16: as I said in the book, I think the Dredge 799 00:40:51,653 --> 00:40:54,613 Speaker 16: was a bit of an anti climax after the convoys 800 00:40:54,613 --> 00:40:58,453 Speaker 16: in the Pacific and his sister's back in Hastings, which 801 00:40:58,493 --> 00:41:00,613 Speaker 16: is sort of the family seat if you like that, right, 802 00:41:00,693 --> 00:41:06,373 Speaker 16: it sounds grand. They offered him this really cheap life 803 00:41:06,453 --> 00:41:11,893 Speaker 16: own too, if you go back to Hastings. 804 00:41:11,213 --> 00:41:12,893 Speaker 7: Back to where all the other Brazils were. 805 00:41:13,653 --> 00:41:20,373 Speaker 16: And and Dad, who was a bit strangely unambitious, thought, 806 00:41:20,453 --> 00:41:24,533 Speaker 16: oh yeah, he just kind of just did it. So 807 00:41:24,573 --> 00:41:27,413 Speaker 16: we left our lovely little sunny flat and Pickton Street 808 00:41:27,453 --> 00:41:30,853 Speaker 16: and went to the dim little cottage and the shadow 809 00:41:30,893 --> 00:41:32,213 Speaker 16: of Tomato Freezing. 810 00:41:31,933 --> 00:41:36,333 Speaker 2: Works, which is which is I mean, you moved around 811 00:41:36,333 --> 00:41:39,173 Speaker 2: a little bit, but that's that's where you spent your childhood, 812 00:41:39,173 --> 00:41:40,933 Speaker 2: and you you kind of I mean, the boys own 813 00:41:41,573 --> 00:41:45,373 Speaker 2: is totally such a such a good description, because really, 814 00:41:45,413 --> 00:41:47,813 Speaker 2: this is a collection of adventures that you had as 815 00:41:47,813 --> 00:41:48,333 Speaker 2: a little boy. 816 00:41:49,533 --> 00:41:51,453 Speaker 16: I didn't want to. I didn't see that to write 817 00:41:51,453 --> 00:41:53,373 Speaker 16: a memoir as such. 818 00:41:53,493 --> 00:41:53,693 Speaker 7: You know. 819 00:41:53,773 --> 00:41:55,373 Speaker 16: Then I did this, and then I did that, and 820 00:41:55,373 --> 00:41:58,493 Speaker 16: then I went on here and I wrote I wrote 821 00:41:58,813 --> 00:42:01,413 Speaker 16: that thing about me writing a short story for a 822 00:42:01,533 --> 00:42:04,573 Speaker 16: short story competition on national radio. 823 00:42:05,333 --> 00:42:05,933 Speaker 5: Uh. 824 00:42:06,413 --> 00:42:08,493 Speaker 16: And then I couldn't submit it. I think I got 825 00:42:08,493 --> 00:42:11,013 Speaker 16: it wrong. It said if you were I thought it 826 00:42:11,013 --> 00:42:13,213 Speaker 16: said if you were a published author, you couldn't submit 827 00:42:13,293 --> 00:42:15,413 Speaker 16: but I think it actually said if the story had 828 00:42:15,413 --> 00:42:18,053 Speaker 16: been published, you couldn't submit it. And I got it 829 00:42:18,093 --> 00:42:20,373 Speaker 16: wrong as usual, which is the story of my life. 830 00:42:20,773 --> 00:42:23,493 Speaker 16: My great guiding principle, just get everything wrong and it 831 00:42:23,573 --> 00:42:28,373 Speaker 16: would be better than ever. I didn't submit it, but 832 00:42:28,453 --> 00:42:31,333 Speaker 16: it got me going, and I've got me thinking about 833 00:42:31,573 --> 00:42:36,813 Speaker 16: how the memory works. And I just all those stories, 834 00:42:37,213 --> 00:42:41,093 Speaker 16: why don't I just write them down? Because I can write, 835 00:42:41,253 --> 00:42:43,773 Speaker 16: you know, writing. Taught myself to write with that diet 836 00:42:43,933 --> 00:42:49,493 Speaker 16: journal and things, and once I started, I just couldn't 837 00:42:49,493 --> 00:42:54,653 Speaker 16: get over the phenomena of recall, fake or otherwise, you 838 00:42:54,693 --> 00:42:57,293 Speaker 16: know what I mean. It just poured out of the 839 00:42:57,293 --> 00:42:59,133 Speaker 16: pen because I write with a pencil, because I can 840 00:42:59,693 --> 00:43:03,253 Speaker 16: write longhand quicker than I can type. And then if 841 00:43:03,293 --> 00:43:06,133 Speaker 16: I write into those mulking notebooks, and that became a thing, 842 00:43:06,413 --> 00:43:09,893 Speaker 16: the romantic idea of the mole skin notebooks and everything else. 843 00:43:10,573 --> 00:43:13,173 Speaker 16: Of course, you can carry it with you, you carry 844 00:43:13,213 --> 00:43:15,733 Speaker 16: there's your pen and your pencil and your pad. You 845 00:43:15,733 --> 00:43:17,613 Speaker 16: can write them right on the moon, you know. 846 00:43:17,773 --> 00:43:18,293 Speaker 12: Yeah, of course. 847 00:43:18,693 --> 00:43:19,213 Speaker 6: Yeah. 848 00:43:19,653 --> 00:43:22,613 Speaker 2: That story you're referencing is one of thirty that's in 849 00:43:22,653 --> 00:43:26,413 Speaker 2: the book, and that's called Fish in the Barrel. Yes, yes, 850 00:43:26,453 --> 00:43:27,893 Speaker 2: it is the story of you and you and you 851 00:43:28,013 --> 00:43:31,693 Speaker 2: and a couple of mates who, as kids decided that 852 00:43:31,773 --> 00:43:33,933 Speaker 2: you have a go at literally shooting a fish in 853 00:43:33,933 --> 00:43:37,613 Speaker 2: a barrel. Right, how did that go down? 854 00:43:38,293 --> 00:43:40,013 Speaker 7: Well, it was a disaster. 855 00:43:40,853 --> 00:43:42,933 Speaker 16: It should be called shooting fish and a half barrel, 856 00:43:43,493 --> 00:43:51,013 Speaker 16: really standing over a half barrel with a three three right, Yeah, yeah, 857 00:43:51,053 --> 00:43:54,213 Speaker 16: that was funny. That was That was That story was 858 00:43:54,253 --> 00:43:57,373 Speaker 16: a collection of incidents that I kind of wove together. 859 00:43:59,493 --> 00:44:02,053 Speaker 16: It wasn't sort of quite as straight out as it 860 00:44:02,173 --> 00:44:05,173 Speaker 16: sounds in the book, but it kind of more or 861 00:44:05,253 --> 00:44:06,613 Speaker 16: less was this. 862 00:44:06,613 --> 00:44:08,293 Speaker 2: This is the funny thing, isn't it. I mean it's 863 00:44:08,133 --> 00:44:11,933 Speaker 2: a it is you know, a few decades since the 864 00:44:11,933 --> 00:44:15,773 Speaker 2: fifties and early sixties, and yeah, and I mean these 865 00:44:15,813 --> 00:44:20,053 Speaker 2: are beautifully collected stories, but I mean I struggle to 866 00:44:20,133 --> 00:44:22,373 Speaker 2: remember things from a couple of weeks ago, clearly, And 867 00:44:22,373 --> 00:44:23,933 Speaker 2: so I suppose that this has been a kind of 868 00:44:23,973 --> 00:44:25,693 Speaker 2: interesting experience in that perspective. 869 00:44:26,133 --> 00:44:30,733 Speaker 16: Well, yes, I mean people have often my family whatever, 870 00:44:30,773 --> 00:44:34,453 Speaker 16: have commented about my memory. Is if I'm just making 871 00:44:34,453 --> 00:44:36,213 Speaker 16: it up all the time. There he goes again, you know, 872 00:44:37,133 --> 00:44:41,093 Speaker 16: like the silly old uncle. And and then I thought, well, 873 00:44:41,133 --> 00:44:45,213 Speaker 16: there is. Maybe I have got an interesting memory, and 874 00:44:45,493 --> 00:44:49,413 Speaker 16: because I assumed everyone remember things like that, I think 875 00:44:49,413 --> 00:44:52,133 Speaker 16: it's something to do with my visual memory too. Being 876 00:44:52,173 --> 00:44:56,373 Speaker 16: an artist, I do remember things like like a movie 877 00:44:56,493 --> 00:45:00,453 Speaker 16: or like a painting, right, like a tableau. That's I 878 00:45:00,733 --> 00:45:03,893 Speaker 16: used that word before. That's exactly like every story is 879 00:45:03,933 --> 00:45:05,773 Speaker 16: an assemblage of tableaus. 880 00:45:05,853 --> 00:45:06,493 Speaker 7: If you're read. 881 00:45:06,533 --> 00:45:09,893 Speaker 16: Them, you can see those boys standing around the barrel. 882 00:45:10,293 --> 00:45:12,693 Speaker 16: Why that kid gets up climbs up on top of it, 883 00:45:13,253 --> 00:45:14,813 Speaker 16: you know, and you can just see them, can't you, 884 00:45:14,893 --> 00:45:17,173 Speaker 16: even though I'm one of them. Yeah, you know, But 885 00:45:17,253 --> 00:45:20,133 Speaker 16: I was like, I'm there, but I'm actually standing watching 886 00:45:20,173 --> 00:45:22,053 Speaker 16: as well, like a time traveler. 887 00:45:22,693 --> 00:45:24,573 Speaker 6: That's the trick, steering down on it. 888 00:45:24,733 --> 00:45:27,413 Speaker 16: Yeah yeah, yeah, no, just standing back under the macro 889 00:45:27,573 --> 00:45:32,253 Speaker 16: carp is watching thinking, oh god, you know, get out 890 00:45:32,253 --> 00:45:33,053 Speaker 16: of the way, guys. 891 00:45:33,253 --> 00:45:34,733 Speaker 2: I hope we're not giving too much a way to 892 00:45:34,773 --> 00:45:37,893 Speaker 2: say that the fish survived. It's lucky the boys did too. 893 00:45:38,053 --> 00:45:39,333 Speaker 7: It's only one of them surviving. 894 00:45:39,413 --> 00:45:41,933 Speaker 16: Yes, yes, but when I keep I tried to keep 895 00:45:41,973 --> 00:45:44,933 Speaker 16: it alive with snacks biscuits, and I think the salt Mudey. 896 00:45:45,373 --> 00:45:46,173 Speaker 2: Got them in the end. 897 00:45:46,293 --> 00:45:46,893 Speaker 6: Yeah. Yeah. 898 00:45:49,893 --> 00:45:55,893 Speaker 2: As someone who we associate so strongly with visual art. 899 00:45:56,093 --> 00:46:00,053 Speaker 2: How do you find storytelling and writing for the eye, 900 00:46:00,133 --> 00:46:02,693 Speaker 2: how do you find that as a different creative pursuit. 901 00:46:03,493 --> 00:46:07,813 Speaker 16: Well, the only the only difference that is the mobility, 902 00:46:07,893 --> 00:46:10,333 Speaker 16: of the astonishing mobility of it. You don't need all 903 00:46:10,373 --> 00:46:13,173 Speaker 16: the paraphernalia of the paint and the easels and the 904 00:46:13,253 --> 00:46:20,293 Speaker 16: space and the god knows what. And it's the kind 905 00:46:20,293 --> 00:46:23,293 Speaker 16: of transparency is the trick. That's what I mean. I 906 00:46:23,293 --> 00:46:27,813 Speaker 16: think my paintings are. That's what they're about. There's no 907 00:46:27,933 --> 00:46:32,973 Speaker 16: sort of conceptual skullduggery or whatever you want to call it. 908 00:46:32,973 --> 00:46:37,533 Speaker 16: It's just like the thing just laid out, like the landscapes, 909 00:46:37,653 --> 00:46:41,373 Speaker 16: just completely laid out. There's no well, I mean there's 910 00:46:41,373 --> 00:46:44,693 Speaker 16: conceptual ideas involved in they're about construction and whatever, but 911 00:46:45,453 --> 00:46:49,293 Speaker 16: it's the same with the writing. But if it's about openness, 912 00:46:49,493 --> 00:46:54,413 Speaker 16: really like leaving yourself wide open and just risking some 913 00:46:54,453 --> 00:46:58,093 Speaker 16: sort of integrity to leak through, I mean something like that. Yeah, 914 00:46:58,493 --> 00:46:59,573 Speaker 16: it's the same spirit. 915 00:47:00,013 --> 00:47:00,733 Speaker 7: Yeah, if you like. 916 00:47:00,853 --> 00:47:03,333 Speaker 2: Yeah, So I'm just going to give our listeners a 917 00:47:03,333 --> 00:47:04,853 Speaker 2: bit of a kind of flavor of some of the 918 00:47:04,893 --> 00:47:07,453 Speaker 2: stories that are in this as well as shooting fish 919 00:47:07,493 --> 00:47:11,893 Speaker 2: in the barrel. There are stories about kind of foundational 920 00:47:11,933 --> 00:47:14,253 Speaker 2: things in your childhood. I love the story about when 921 00:47:14,253 --> 00:47:17,533 Speaker 2: you went to hospital after an appendix issue and the 922 00:47:17,573 --> 00:47:20,613 Speaker 2: different characters who were turning up and not because you 923 00:47:20,613 --> 00:47:22,973 Speaker 2: got put in in an adult war as opposed to 924 00:47:23,053 --> 00:47:23,453 Speaker 2: in the kids. 925 00:47:23,853 --> 00:47:26,213 Speaker 16: Well this is see, this is the magic thing that 926 00:47:26,253 --> 00:47:29,813 Speaker 16: how things happen. Yeah, you know, like these things that 927 00:47:29,933 --> 00:47:32,613 Speaker 16: happened to you like that, I mean, it was magic that. 928 00:47:32,773 --> 00:47:35,373 Speaker 16: Then it became the sort of mascot figure in the war, 929 00:47:35,573 --> 00:47:35,893 Speaker 16: you know. 930 00:47:36,933 --> 00:47:40,253 Speaker 2: And the nurses, the nurses were preparing for a ball. 931 00:47:41,013 --> 00:47:41,453 Speaker 7: Gorgeous. 932 00:47:42,253 --> 00:47:44,893 Speaker 16: Honestly, I got goosebumps and I wrote that. 933 00:47:45,213 --> 00:47:49,733 Speaker 2: Yeah, so yeah, there's that. It's funny because my dad 934 00:47:49,773 --> 00:47:53,133 Speaker 2: is of a very similar generation, same generation, and he 935 00:47:53,893 --> 00:47:55,613 Speaker 2: when we asked him about his childhood, I remember he 936 00:47:55,653 --> 00:47:57,253 Speaker 2: would always tell us about the time that he broke 937 00:47:57,293 --> 00:47:59,853 Speaker 2: his femur and spent a couple of months in hospital attraction. 938 00:47:59,973 --> 00:48:03,533 Speaker 2: And it's funny, how you know, just reading your story 939 00:48:03,573 --> 00:48:05,373 Speaker 2: reminded me of that, and how you know, going to 940 00:48:05,453 --> 00:48:09,173 Speaker 2: hospital as a little boy is like a really kind 941 00:48:09,173 --> 00:48:14,293 Speaker 2: of exciting and you know, quite affecting experience. Learning to drive, 942 00:48:14,373 --> 00:48:16,413 Speaker 2: of course, in Austin Sherborne. 943 00:48:16,653 --> 00:48:18,613 Speaker 7: We never called it the Shoeborn. We didn't know it 944 00:48:18,613 --> 00:48:20,893 Speaker 7: was a shoe now Austin Austin. 945 00:48:21,093 --> 00:48:26,253 Speaker 2: Yeah, yeah, but it's sort of it does kind of 946 00:48:26,253 --> 00:48:28,853 Speaker 2: throw back to what feels like a more innocent time. 947 00:48:29,373 --> 00:48:32,653 Speaker 16: Well, it was innocently because there are so many I mean, 948 00:48:33,293 --> 00:48:36,093 Speaker 16: the media was limited and it's excess to anything. And 949 00:48:36,133 --> 00:48:38,413 Speaker 16: we used to see newsreels at the cinema that was 950 00:48:38,453 --> 00:48:41,573 Speaker 16: about it, really, yeah, with all those soldiers marching along 951 00:48:41,693 --> 00:48:45,853 Speaker 16: black and white, you know, yeah, and that was all 952 00:48:45,973 --> 00:48:48,573 Speaker 16: over there. It's kind of vague that you never got 953 00:48:48,853 --> 00:48:50,653 Speaker 16: updates on the war or anything, you know. 954 00:48:50,733 --> 00:48:53,453 Speaker 2: Because you would have just you were born in forty three, right, 955 00:48:53,533 --> 00:48:56,453 Speaker 2: so you yeah, yeah, so I suppose Korea was still 956 00:48:56,853 --> 00:48:59,533 Speaker 2: you know, was was maybe underway when you were old 957 00:48:59,613 --> 00:49:00,773 Speaker 2: enough to remember it better. 958 00:49:00,893 --> 00:49:02,373 Speaker 16: Well, I don't think most of the time we didn't 959 00:49:02,373 --> 00:49:05,173 Speaker 16: know watch which war we were watching. They're all the same. 960 00:49:05,573 --> 00:49:09,973 Speaker 16: There are troops, ships and stuff, you know, and and 961 00:49:10,253 --> 00:49:13,693 Speaker 16: it was a very abstract commodity and there was no 962 00:49:15,093 --> 00:49:17,093 Speaker 16: I mean, the whole book was written in the time, 963 00:49:17,093 --> 00:49:19,733 Speaker 16: and there was like only you wrote letters, you know 964 00:49:19,773 --> 00:49:22,693 Speaker 16: what I mean. So communication was so abstract. 965 00:49:23,253 --> 00:49:23,573 Speaker 7: You know. 966 00:49:23,693 --> 00:49:26,253 Speaker 2: That was one one point that struck out to me. 967 00:49:26,373 --> 00:49:29,093 Speaker 2: So it's the little details that you've that you've recorded 968 00:49:29,093 --> 00:49:30,373 Speaker 2: that make this so special. 969 00:49:30,413 --> 00:49:31,653 Speaker 7: It's definitely about details. 970 00:49:32,213 --> 00:49:33,733 Speaker 2: Well, No, this was the one where you talk about 971 00:49:33,733 --> 00:49:36,093 Speaker 2: your mum because you're you're one of six kids. You 972 00:49:36,093 --> 00:49:39,813 Speaker 2: talk about your mum writing letters to you for years 973 00:49:39,813 --> 00:49:41,813 Speaker 2: to come. Once you'd left, once you'd left Hastings and 974 00:49:41,853 --> 00:49:43,613 Speaker 2: you'd spread your wings and you're all in different parts 975 00:49:43,653 --> 00:49:45,773 Speaker 2: of the country or the world, and your mum would 976 00:49:45,773 --> 00:49:51,053 Speaker 2: send you all I think five pages like a carbon copy. Yeah, 977 00:49:51,133 --> 00:49:53,573 Speaker 2: and then she would have one page original for each child. 978 00:49:54,613 --> 00:49:56,133 Speaker 2: I mean that's delightful. 979 00:49:56,333 --> 00:49:57,373 Speaker 6: Yeah, it is delightful. 980 00:49:57,613 --> 00:50:01,453 Speaker 16: It's so lovely. You know she's of course, she just wrote. 981 00:50:01,573 --> 00:50:04,893 Speaker 16: She just wrote anything about having a cup of tea 982 00:50:04,933 --> 00:50:07,613 Speaker 16: with a lady next door or whatever. And I actually 983 00:50:07,773 --> 00:50:10,293 Speaker 16: was such a little prick really the Varsity and I 984 00:50:10,373 --> 00:50:13,133 Speaker 16: wrote to the mom and I said, look, just why 985 00:50:13,373 --> 00:50:17,293 Speaker 16: didn't you wait till you've got something to say? Cral thing. 986 00:50:17,733 --> 00:50:19,933 Speaker 16: I didn't realize it was just fat at communion. 987 00:50:20,373 --> 00:50:21,733 Speaker 6: Yeah, I didn't know. 988 00:50:21,733 --> 00:50:22,333 Speaker 7: What that was. 989 00:50:22,453 --> 00:50:25,733 Speaker 2: So you listen to Jack Tame on New Books. He'd 990 00:50:25,773 --> 00:50:28,053 Speaker 2: be speaking with Dick Frizelle about his book Hastings, A 991 00:50:28,093 --> 00:50:31,293 Speaker 2: Boy's Own Adventure. It's a memoile of sorts, a collection 992 00:50:31,373 --> 00:50:34,853 Speaker 2: of short stories from his childhood growing up in Hawks Bay. 993 00:50:35,733 --> 00:50:38,853 Speaker 2: Do you reflect fondly on your childhood on that innocent time? 994 00:50:39,053 --> 00:50:40,893 Speaker 7: Oh, very much. I had it. 995 00:50:41,773 --> 00:50:44,573 Speaker 16: I had it all to myself. I mean really, I 996 00:50:44,613 --> 00:50:49,053 Speaker 16: was the firstborn boy prince with his own room, and 997 00:50:49,133 --> 00:50:52,613 Speaker 16: it went like those McDonald duck comics. My sisters weren't 998 00:50:52,653 --> 00:50:55,093 Speaker 16: allowed to read the muntil I'd read them, because I 999 00:50:55,173 --> 00:50:57,133 Speaker 16: used to like, every time you open a page, you 1000 00:50:57,173 --> 00:50:59,253 Speaker 16: get all that ink, fresh ink smell and stuff, and 1001 00:50:59,413 --> 00:51:01,813 Speaker 16: if they read them first, they all those molecules would 1002 00:51:01,813 --> 00:51:02,293 Speaker 16: have escaped. 1003 00:51:02,333 --> 00:51:02,413 Speaker 14: You. 1004 00:51:02,453 --> 00:51:07,253 Speaker 6: See, Yeah, you said that. 1005 00:51:07,693 --> 00:51:10,173 Speaker 2: So you moved to Hastings because your dad got a 1006 00:51:10,213 --> 00:51:12,093 Speaker 2: good deal on a mortgage and he had a good 1007 00:51:12,173 --> 00:51:14,413 Speaker 2: job there. But he was an engineer, so he was 1008 00:51:14,533 --> 00:51:17,173 Speaker 2: very He wasn't artistically minded. He was very kind of 1009 00:51:17,253 --> 00:51:18,213 Speaker 2: utilitarian mind. 1010 00:51:18,533 --> 00:51:22,453 Speaker 16: Utilitarian. He couldn't like, he couldn't understand the point of art, 1011 00:51:23,493 --> 00:51:27,053 Speaker 16: because in his mind everything could be solved with engineering. 1012 00:51:27,533 --> 00:51:31,053 Speaker 7: You didn't need art. It was. He was totally bewildered 1013 00:51:31,093 --> 00:51:33,213 Speaker 7: by the idea where did it fit. And yet he 1014 00:51:33,373 --> 00:51:35,053 Speaker 7: read a lot. He liked his. 1015 00:51:36,533 --> 00:51:41,413 Speaker 16: Novels Raphael Sabatini and all that sort of stuff, and 1016 00:51:41,453 --> 00:51:44,453 Speaker 16: he got me onto reading. But he somehow he didn't 1017 00:51:44,453 --> 00:51:48,813 Speaker 16: equate literally with art, literature with art. It was art 1018 00:51:48,933 --> 00:51:52,213 Speaker 16: was it was just a swanky rubbish over here, you know, funny, 1019 00:51:52,533 --> 00:51:55,653 Speaker 16: really weird. And he was terrified because he'd been in 1020 00:51:55,693 --> 00:52:01,173 Speaker 16: the navy. He seemed to have a really interesting idea 1021 00:52:01,253 --> 00:52:06,013 Speaker 16: about gay what wasn't called gay then, you know, queers 1022 00:52:06,133 --> 00:52:09,333 Speaker 16: and things. Yeah, it's funny saying words like that out loud. 1023 00:52:09,373 --> 00:52:13,053 Speaker 16: But he would say all say strange elliptical things like 1024 00:52:13,053 --> 00:52:16,973 Speaker 16: to me, like just stay away from the bows and Richard, 1025 00:52:17,493 --> 00:52:20,733 Speaker 16: what's that? And then I used to a favorite comic 1026 00:52:20,773 --> 00:52:22,373 Speaker 16: that he used to he bought me when I was 1027 00:52:22,413 --> 00:52:25,053 Speaker 16: six months called Chocolate and the Boson, which was a 1028 00:52:25,093 --> 00:52:30,973 Speaker 16: little black kid with you know, stereotype looking big round 1029 00:52:31,213 --> 00:52:33,813 Speaker 16: eyes and everything. And I used to think, what's this? 1030 00:52:34,493 --> 00:52:37,333 Speaker 16: He was a Boson? Yeah, it's so complicated, I can't 1031 00:52:37,333 --> 00:52:40,773 Speaker 16: tell you, Jack. And and so if I just if 1032 00:52:40,813 --> 00:52:44,933 Speaker 16: I did anything like sigh deeply or whatever, Dad would. 1033 00:52:44,693 --> 00:52:45,693 Speaker 7: Panic and think I was. 1034 00:52:49,573 --> 00:52:52,693 Speaker 2: Because yeah, it was a different time. 1035 00:52:52,813 --> 00:52:53,733 Speaker 6: It was a different times. 1036 00:52:54,373 --> 00:52:57,493 Speaker 7: Yes, it's weird, it's amazing how we've. 1037 00:52:57,333 --> 00:53:02,893 Speaker 2: Got Yeah, yeah, so so. I mean I imagine that a 1038 00:53:02,893 --> 00:53:04,693 Speaker 2: lot of the time when people write mean wise, they 1039 00:53:05,173 --> 00:53:07,253 Speaker 2: do it to kind of, you know, in their own 1040 00:53:07,293 --> 00:53:10,373 Speaker 2: mind and and their readers distinguish between nature and nurture 1041 00:53:10,413 --> 00:53:12,653 Speaker 2: and all that kind of thing and see the different 1042 00:53:12,653 --> 00:53:15,893 Speaker 2: events and people that help shape them become who they become. 1043 00:53:15,933 --> 00:53:17,533 Speaker 2: Do you feel like that was that was part of 1044 00:53:17,533 --> 00:53:18,453 Speaker 2: this process as well? 1045 00:53:18,453 --> 00:53:19,013 Speaker 7: Do you know? 1046 00:53:19,253 --> 00:53:25,013 Speaker 16: I honestly, like I wrote on the forward or the introduction, that. 1047 00:53:24,973 --> 00:53:29,413 Speaker 7: You can you can do that. You can you can set. 1048 00:53:29,173 --> 00:53:32,173 Speaker 16: Out to try and understand yourself, or you can just 1049 00:53:32,533 --> 00:53:35,493 Speaker 16: write stories about yourself. And as I said, I think 1050 00:53:36,013 --> 00:53:39,493 Speaker 16: the former just leaks into the latter. If you if 1051 00:53:39,493 --> 00:53:44,373 Speaker 16: you're just open, if you just let it go, your 1052 00:53:44,413 --> 00:53:47,973 Speaker 16: personality is quickly going to be exposed. You knows who 1053 00:53:48,013 --> 00:53:50,573 Speaker 16: you are and how you came to be. And this 1054 00:53:50,693 --> 00:53:54,533 Speaker 16: kind of slightly dopey observer because I never seem to 1055 00:53:54,693 --> 00:53:59,453 Speaker 16: initiate anything. I was never like that participate, although with 1056 00:53:59,613 --> 00:54:03,213 Speaker 16: all these adventurous layabouts from Havelock North and that would 1057 00:54:03,213 --> 00:54:06,173 Speaker 16: be they would say, let's go and play snooker and 1058 00:54:06,733 --> 00:54:08,133 Speaker 16: you know, you're up in the snooker hall, and I. 1059 00:54:08,133 --> 00:54:10,093 Speaker 7: Would never have dreamed of doing that. 1060 00:54:10,573 --> 00:54:12,173 Speaker 16: Or let's go up here, let's go up here, and 1061 00:54:12,253 --> 00:54:15,093 Speaker 16: let's do this, and they say let's drive up to 1062 00:54:15,133 --> 00:54:17,093 Speaker 16: the top of the Tomato Peak in your mum's car. 1063 00:54:17,173 --> 00:54:19,933 Speaker 16: I'd think, oh God, and I could never say no. 1064 00:54:20,533 --> 00:54:20,933 Speaker 3: So it was. 1065 00:54:21,293 --> 00:54:23,773 Speaker 16: But the thing I had to myself was the art. 1066 00:54:23,933 --> 00:54:27,933 Speaker 16: You see, I initiate. That was my world and they 1067 00:54:28,133 --> 00:54:31,613 Speaker 16: weren't in it at all, so I so the rest 1068 00:54:31,613 --> 00:54:34,413 Speaker 16: of it. I just went along with it. And that's 1069 00:54:34,533 --> 00:54:35,653 Speaker 16: kind of how the book happened. 1070 00:54:35,693 --> 00:54:37,493 Speaker 6: Really, it's a real delight thing. 1071 00:54:37,613 --> 00:54:40,493 Speaker 2: It really is. Hastings a Boy's Own Adventure as a 1072 00:54:40,533 --> 00:54:44,253 Speaker 2: new memoir by Dick Frizell, a collection of wonderful stories 1073 00:54:44,253 --> 00:54:46,333 Speaker 2: about life growing up in Hastings in the fifties and 1074 00:54:46,333 --> 00:54:48,173 Speaker 2: early sixties. Thank you so much for being here. 1075 00:54:48,613 --> 00:54:49,253 Speaker 7: It was a pleasure. 1076 00:54:49,733 --> 00:54:50,693 Speaker 6: Good, No, it really was. 1077 00:54:50,813 --> 00:54:53,253 Speaker 2: We'll make sure all of the details for Dick's book 1078 00:54:53,253 --> 00:54:55,853 Speaker 2: are up and available on the news talks He'd beg website. 1079 00:54:56,093 --> 00:54:58,173 Speaker 2: Right now, it is twenty three minutes past ten. Your 1080 00:54:58,213 --> 00:54:59,813 Speaker 2: screen time picks for this weekend. 1081 00:54:59,973 --> 00:55:03,893 Speaker 1: Next start your Weekend Off in Style. Saturday Mornings with 1082 00:55:04,093 --> 00:55:08,413 Speaker 1: Jack Team and deepe It Dot Coder for high quality Supplements, 1083 00:55:08,453 --> 00:55:09,293 Speaker 1: News talks, v. 1084 00:55:09,533 --> 00:55:11,893 Speaker 2: AH, thank you for your feedback. Jack. An awesome interview 1085 00:55:11,893 --> 00:55:13,973 Speaker 2: with Dick Frizzell this morning. I've got his artwork. Give 1086 00:55:14,213 --> 00:55:17,413 Speaker 2: thanks for a wonderful Saturday, Suzanne, Thank you, Anne. Our 1087 00:55:17,493 --> 00:55:19,093 Speaker 2: ninety two. Ninety two is the text number if you 1088 00:55:19,093 --> 00:55:20,333 Speaker 2: want to send us a message. I've got to say 1089 00:55:20,373 --> 00:55:22,213 Speaker 2: reading Dick's book just reminded me so much of the 1090 00:55:22,213 --> 00:55:24,693 Speaker 2: stories that my dad told me about growing up. Dare 1091 00:55:24,773 --> 00:55:28,333 Speaker 2: grew up in ash Burton in the sixties and the 1092 00:55:28,373 --> 00:55:31,093 Speaker 2: early sixties, and yeah, it's so funny how the kind 1093 00:55:31,093 --> 00:55:33,893 Speaker 2: of analogous for the experiences. So we'll get to more 1094 00:55:33,893 --> 00:55:35,733 Speaker 2: ready feedback very shortly. Right now, though, it's time to 1095 00:55:35,733 --> 00:55:38,853 Speaker 2: catch up with Tara Award our screen time Expert, for 1096 00:55:38,933 --> 00:55:41,333 Speaker 2: her screen time picks for this week's shows to watch 1097 00:55:41,333 --> 00:55:44,813 Speaker 2: your stream at home. Hey Tara, good morning. Okay, let's 1098 00:55:44,813 --> 00:55:47,973 Speaker 2: begin with a show streaming on Neon and Sky Open 1099 00:55:48,053 --> 00:55:51,613 Speaker 2: from tomorrow. Tell us about Secrets at Red Rocks. 1100 00:55:52,453 --> 00:55:55,093 Speaker 17: Yeah, this is a really lovely New New Zealand show 1101 00:55:55,093 --> 00:55:58,413 Speaker 17: that starts tomorrow. It's a drama based on an award 1102 00:55:58,453 --> 00:56:01,573 Speaker 17: winning children's book by Rachel King, and it stars Dominic 1103 00:56:01,613 --> 00:56:04,453 Speaker 17: Hoorna Atiki and Jim Murray Arty. And it was filmed 1104 00:56:04,533 --> 00:56:07,773 Speaker 17: on Wellington's South Coast. And it's about a boy, a 1105 00:56:07,773 --> 00:56:10,173 Speaker 17: twelve year old boy named Jake who arrives to stay 1106 00:56:10,253 --> 00:56:13,213 Speaker 17: with his dad for a bit. He's out exploring on 1107 00:56:13,253 --> 00:56:16,733 Speaker 17: the beach one day when he finds a mysterious sealskin 1108 00:56:16,933 --> 00:56:19,973 Speaker 17: in a cave and he takes the sealskin home and 1109 00:56:20,053 --> 00:56:23,653 Speaker 17: accidentally unlocks this magic spell that puts his whole family 1110 00:56:23,693 --> 00:56:27,413 Speaker 17: in danger. And the story weaves together ancient Malti myth 1111 00:56:27,573 --> 00:56:31,293 Speaker 17: and Celtic lengind with this sort of very modern contemporary 1112 00:56:31,293 --> 00:56:34,853 Speaker 17: setting and gives it a mystical vibe and a touch 1113 00:56:34,853 --> 00:56:37,773 Speaker 17: of the supernatural. And it is essentially a kid's show, 1114 00:56:37,813 --> 00:56:40,613 Speaker 17: but it's screening in primetime on Sky Open Tomorrow night. 1115 00:56:40,653 --> 00:56:42,573 Speaker 17: And I loved this. I watched this with a big 1116 00:56:42,653 --> 00:56:45,333 Speaker 17: smile on my face. It's a show that all the 1117 00:56:45,373 --> 00:56:50,133 Speaker 17: family can watch together. It's warm and magical and quite 1118 00:56:50,173 --> 00:56:52,333 Speaker 17: nostalgic as well. It reminded me a lot of the 1119 00:56:52,413 --> 00:56:54,573 Speaker 17: shows that I grew up watching in the nineteen eighties, 1120 00:56:54,613 --> 00:56:57,253 Speaker 17: those New Zealand cadult dramas that we used to make 1121 00:56:57,293 --> 00:57:00,213 Speaker 17: that were real adventure stories. You know, the kids were 1122 00:57:00,213 --> 00:57:02,213 Speaker 17: the heroes and they got into all sorts of scrapes 1123 00:57:02,253 --> 00:57:05,613 Speaker 17: and solve crimes and this has that similar wholesome but 1124 00:57:06,053 --> 00:57:08,733 Speaker 17: it'd been feel to it and beautifully shot as well. 1125 00:57:08,733 --> 00:57:11,853 Speaker 17: The Wellington Coast is the perfect setting for this story. 1126 00:57:12,733 --> 00:57:14,573 Speaker 17: Don't be put off at don't be put off by 1127 00:57:14,573 --> 00:57:16,413 Speaker 17: it being a kid show, is what I'm saying. It's 1128 00:57:16,453 --> 00:57:18,013 Speaker 17: a really lovely New Zealand drama. 1129 00:57:18,173 --> 00:57:20,773 Speaker 2: Great Okay, this sounds awesome. Secrets at Red Rock So 1130 00:57:20,853 --> 00:57:24,573 Speaker 2: that's on Neon and Sky open from tomorrow on TVNZ plus. 1131 00:57:24,573 --> 00:57:26,253 Speaker 2: Tell Us about Dope Girls. 1132 00:57:26,973 --> 00:57:27,173 Speaker 3: Yeah. 1133 00:57:27,173 --> 00:57:29,573 Speaker 17: This is a new British series that just landed on 1134 00:57:29,573 --> 00:57:32,813 Speaker 17: TVNZ Plus today. It's set after World War One in 1135 00:57:32,813 --> 00:57:36,053 Speaker 17: London and it's about what happens as all the men 1136 00:57:36,213 --> 00:57:38,653 Speaker 17: return from the war and the women who have been 1137 00:57:39,133 --> 00:57:42,053 Speaker 17: managing things for the past four years have to readjust 1138 00:57:42,053 --> 00:57:43,093 Speaker 17: and find their place again. 1139 00:57:43,493 --> 00:57:44,413 Speaker 3: And it follows one. 1140 00:57:44,253 --> 00:57:47,573 Speaker 17: Woman who decides to set up a nightclub in Soho. 1141 00:57:48,413 --> 00:57:52,973 Speaker 17: She meets another character who is part of the Female Experiment, 1142 00:57:53,013 --> 00:57:54,813 Speaker 17: which is one of she's one of the first ever 1143 00:57:54,933 --> 00:57:58,853 Speaker 17: female police officers, and they get tangled up with a 1144 00:57:58,933 --> 00:58:03,333 Speaker 17: local crime family who's led by another very strong, dominant woman. 1145 00:58:03,493 --> 00:58:06,293 Speaker 17: So it's about a group of women whose lives crossover 1146 00:58:06,453 --> 00:58:09,213 Speaker 17: at a time when society is changing really quickly and 1147 00:58:09,253 --> 00:58:12,413 Speaker 17: they have to be very inventive and resourceful to survive. 1148 00:58:12,653 --> 00:58:16,093 Speaker 17: And even though this is a historical drama, it feels 1149 00:58:16,173 --> 00:58:19,053 Speaker 17: very modern and theatrical. It's got big energy, it's got 1150 00:58:19,093 --> 00:58:22,213 Speaker 17: a modern soundtrack. It's not one of those dry kind 1151 00:58:22,213 --> 00:58:25,053 Speaker 17: of historical dramas, and it reminded me a lot of 1152 00:58:25,053 --> 00:58:28,333 Speaker 17: peaky Blinders. You've got a bit of crime, you've got 1153 00:58:28,333 --> 00:58:31,653 Speaker 17: some family politics that's set after the war, and it's 1154 00:58:31,653 --> 00:58:33,453 Speaker 17: got some real energy and color to it as well. 1155 00:58:33,813 --> 00:58:36,773 Speaker 2: Cool Okay, that's dope, girls. It's on TVNZ Plus. Also 1156 00:58:36,813 --> 00:58:37,773 Speaker 2: on TVNZ plus. 1157 00:58:37,813 --> 00:58:42,293 Speaker 17: Protection and This is the latest British crime thriller to 1158 00:58:43,053 --> 00:58:46,173 Speaker 17: TVNZ Plus and it stars Chevorn finner And who was 1159 00:58:46,213 --> 00:58:49,293 Speaker 17: in Downtown Abbey and Happy Valley, and she plays a 1160 00:58:49,333 --> 00:58:52,493 Speaker 17: witness protection officer called Liz, who is in charge of 1161 00:58:52,533 --> 00:58:55,733 Speaker 17: protecting a family who are about to testify in a 1162 00:58:55,853 --> 00:58:59,533 Speaker 17: major organized crime trial. She's also having an affair with 1163 00:58:59,573 --> 00:59:02,573 Speaker 17: a married colleague, and when the safety of her witnesses 1164 00:59:02,653 --> 00:59:04,893 Speaker 17: is compromised by the colleague she's having the affair with. 1165 00:59:05,413 --> 00:59:07,853 Speaker 17: Liz needs to find out how this happened. Is she 1166 00:59:07,973 --> 00:59:10,973 Speaker 17: the one who has accidentally compromised this case when she's 1167 00:59:10,973 --> 00:59:13,733 Speaker 17: met up with him and revealed information that she shouldn't 1168 00:59:14,053 --> 00:59:17,893 Speaker 17: or is this corruption coming from somewhere else in her team. 1169 00:59:18,733 --> 00:59:21,413 Speaker 17: This started really well. It begins as a really solid 1170 00:59:21,453 --> 00:59:24,933 Speaker 17: British crime drama and it's got that twist of the 1171 00:59:24,973 --> 00:59:27,773 Speaker 17: witness protection angle, which I really liked. But there were 1172 00:59:27,813 --> 00:59:29,853 Speaker 17: a couple of things at the end of the first 1173 00:59:29,933 --> 00:59:32,493 Speaker 17: episode that were a little bit cliched, and I do 1174 00:59:32,533 --> 00:59:34,413 Speaker 17: wonder if this is going to go off the rails 1175 00:59:34,413 --> 00:59:37,853 Speaker 17: a bit more as it goes on. But Sevarn Finnrant 1176 00:59:37,893 --> 00:59:39,853 Speaker 17: is so good in this. Catherine Kelly stars in this 1177 00:59:39,893 --> 00:59:42,573 Speaker 17: as well, so it's got a great cast. It's definitely 1178 00:59:42,573 --> 00:59:45,213 Speaker 17: worth a watch, I reckon, as long as you don't 1179 00:59:45,253 --> 00:59:47,853 Speaker 17: mind a few crime drama cliches chucked in there as 1180 00:59:47,853 --> 00:59:48,333 Speaker 17: you go along. 1181 00:59:48,613 --> 00:59:51,253 Speaker 2: Yeah right, okay, it's called Protection. That's on TVNZ. 1182 00:59:51,413 --> 00:59:51,653 Speaker 6: Plus. 1183 00:59:51,693 --> 00:59:53,493 Speaker 2: Hey you have Tara I finally caught up, you know 1184 00:59:53,533 --> 00:59:55,773 Speaker 2: how I'm absolutely hopeless at watching shows when they immediately 1185 00:59:55,773 --> 00:59:57,213 Speaker 2: come out, and it takes me months or years to 1186 00:59:57,213 --> 00:59:59,693 Speaker 2: catch up. Well, one of the upsides of having a 1187 00:59:59,693 --> 01:00:01,693 Speaker 2: two and a half week old baby who just loves 1188 01:00:01,733 --> 01:00:03,373 Speaker 2: being up all night is that I have had a 1189 01:00:03,373 --> 01:00:06,533 Speaker 2: little bit of extra time and finally saw The Day 1190 01:00:06,573 --> 01:00:09,693 Speaker 2: of the Jackal. It's so good. 1191 01:00:10,133 --> 01:00:10,813 Speaker 16: I loved it. 1192 01:00:10,893 --> 01:00:13,533 Speaker 2: I just honestly and jeecked it into my veins. It 1193 01:00:13,693 --> 01:00:17,653 Speaker 2: was I just every frame, every minute, loved it, absolutely 1194 01:00:17,653 --> 01:00:19,613 Speaker 2: loved it. So they're making a season two of that now. 1195 01:00:19,613 --> 01:00:22,693 Speaker 2: I think they've anounced, so I'm very very pleased about that. Yeah, 1196 01:00:22,733 --> 01:00:25,053 Speaker 2: so I'm glad to have finally caught up on that recommendation. 1197 01:00:25,493 --> 01:00:28,293 Speaker 2: Thank you so much. Tara shows for this week Secrets 1198 01:00:28,333 --> 01:00:31,133 Speaker 2: at Red Rocks. That's on Neon and Sky Open from 1199 01:00:31,173 --> 01:00:34,893 Speaker 2: tomorrow and on TV and Z Plus, Dope Girls and Protection. 1200 01:00:35,413 --> 01:00:40,293 Speaker 2: It has just gone ten thirty. 1201 01:00:41,493 --> 01:00:43,133 Speaker 3: Getting your weekends started. 1202 01:00:43,333 --> 01:00:46,973 Speaker 1: It's Saturday Morning with Jack Team on News Talks. 1203 01:00:46,893 --> 01:00:54,093 Speaker 18: By Leave Me and Ready hear the Love Love of 1204 01:00:54,133 --> 01:00:59,333 Speaker 18: your line. 1205 01:00:55,973 --> 01:00:56,333 Speaker 19: With the. 1206 01:00:57,973 --> 01:00:58,453 Speaker 15: Valuable. 1207 01:01:06,933 --> 01:01:08,733 Speaker 2: You might not know the song yet, You're gonna hear 1208 01:01:08,773 --> 01:01:11,493 Speaker 2: a whole lot of it though you recognize that voice. 1209 01:01:11,493 --> 01:01:14,173 Speaker 2: And I Reckon you will recognize that style as well. 1210 01:01:14,213 --> 01:01:18,093 Speaker 2: That is, of course Lady Gaga, and Gaga has returned 1211 01:01:18,373 --> 01:01:22,213 Speaker 2: to pop. See, there's this thing called recession pop. Apparently 1212 01:01:22,253 --> 01:01:24,773 Speaker 2: Gaga's really closely associated with it. Basically, it's used to 1213 01:01:24,813 --> 01:01:29,173 Speaker 2: describe a genre of music that gained popularity during economic hardship. 1214 01:01:30,333 --> 01:01:32,693 Speaker 2: So it's often upbeat, it's often fun, like a kind 1215 01:01:32,693 --> 01:01:37,453 Speaker 2: of escapist. It kind of contrasts the financial struggles of 1216 01:01:37,493 --> 01:01:40,693 Speaker 2: the economic moment. So if you think about it, Gaga 1217 01:01:40,733 --> 01:01:43,133 Speaker 2: had a breakthrough back in two thousand and eight when 1218 01:01:43,173 --> 01:01:45,813 Speaker 2: she had her first album, The Fame, and of course 1219 01:01:45,813 --> 01:01:49,333 Speaker 2: two thousand and eight had its massive economic crisis. And anyway, 1220 01:01:49,373 --> 01:01:51,693 Speaker 2: her brand new album is kind of a return to 1221 01:01:51,813 --> 01:01:57,453 Speaker 2: that sound. So really high energy, poppy anthems, deeply personal 1222 01:01:57,573 --> 01:02:00,773 Speaker 2: reflective moments, but it's all kind of joyous. So anyway, 1223 01:02:00,853 --> 01:02:02,173 Speaker 2: we're gonna have a bit of a listen to a 1224 01:02:02,173 --> 01:02:04,973 Speaker 2: new album this morning. The album's called Mayhem. It has 1225 01:02:05,013 --> 01:02:08,333 Speaker 2: been very very very keenly anticipated, so we're going to 1226 01:02:08,373 --> 01:02:10,973 Speaker 2: make sure we save plenty of time before twelve o'clock 1227 01:02:11,053 --> 01:02:13,413 Speaker 2: midday so we can listen to the album and our 1228 01:02:13,453 --> 01:02:15,533 Speaker 2: music reviewer will give us her thoughts. 1229 01:02:15,253 --> 01:02:16,133 Speaker 6: On it as well. 1230 01:02:16,413 --> 01:02:18,173 Speaker 2: Right now it is twenty five minutes to eleven. You 1231 01:02:18,253 --> 01:02:23,653 Speaker 2: were Jack Tame on News Dog ZEDB, digging. 1232 01:02:23,373 --> 01:02:26,773 Speaker 1: Into the issues that affect you the mic Hosking Breakfast. 1233 01:02:26,853 --> 01:02:29,173 Speaker 20: So, no, the airline is not in great shape. It 1234 01:02:29,253 --> 01:02:32,213 Speaker 20: is at best okay. And no, this doesn't look like 1235 01:02:32,253 --> 01:02:34,333 Speaker 20: a job completed in any way, shape or ball. It 1236 01:02:34,373 --> 01:02:36,493 Speaker 20: looked like a fairly dull old the fair, didn't it. 1237 01:02:36,533 --> 01:02:39,093 Speaker 20: A handful of people sitting on cheap chairs in a room, 1238 01:02:39,533 --> 01:02:41,933 Speaker 20: and Phil looked like, jeez, I got a three afternoon 1239 01:02:41,933 --> 01:02:43,573 Speaker 20: I might go along and ask it. They had that 1240 01:02:43,653 --> 01:02:45,493 Speaker 20: vibe about it, didn't. It really didn't need to be 1241 01:02:46,093 --> 01:02:48,093 Speaker 20: the career ending mess that it turned out to be. 1242 01:02:48,173 --> 01:02:51,413 Speaker 20: So no terrifts at all on anything for Mexico. Canada 1243 01:02:51,493 --> 01:02:54,093 Speaker 20: is still in the gun. The agriculture has been moved on. 1244 01:02:54,173 --> 01:02:56,533 Speaker 20: Maybe maybe not, but yesterday we got the cats who 1245 01:02:56,573 --> 01:02:57,293 Speaker 20: the hell. 1246 01:02:57,053 --> 01:02:57,973 Speaker 7: Knows what's going on? 1247 01:02:58,333 --> 01:03:01,373 Speaker 20: Back Monday from six am the mic Hosking Breakfast with 1248 01:03:01,453 --> 01:03:03,733 Speaker 20: the rain drove of the last news talk ZEDB. 1249 01:03:06,373 --> 01:03:08,533 Speaker 2: Even on new Stalk seed B. Jack Tame with you 1250 01:03:08,573 --> 01:03:11,173 Speaker 2: through to midday, and our textbot Paul Stenhouse is here 1251 01:03:11,253 --> 01:03:14,293 Speaker 2: with us this morning. Paul, one of the founders of Google, 1252 01:03:14,333 --> 01:03:16,133 Speaker 2: has a brand new company and this is going to 1253 01:03:16,213 --> 01:03:19,693 Speaker 2: come as a huge shock to everyone listening this morning. 1254 01:03:20,293 --> 01:03:21,213 Speaker 2: It involves AI. 1255 01:03:22,053 --> 01:03:24,213 Speaker 9: Yeah, a surprise, it really does. 1256 01:03:24,253 --> 01:03:25,893 Speaker 5: But this AI. 1257 01:03:25,653 --> 01:03:28,333 Speaker 9: Company is not trying to solve things in your digital life, right, 1258 01:03:28,373 --> 01:03:32,093 Speaker 9: It's not trying to rewrite something or summarize something. Instead, 1259 01:03:32,373 --> 01:03:36,453 Speaker 9: its whole goal is to create physical products and then 1260 01:03:36,573 --> 01:03:39,333 Speaker 9: send them to manufacturing. And they say that the goal 1261 01:03:39,933 --> 01:03:42,413 Speaker 9: is to make the products highly optimize. 1262 01:03:42,413 --> 01:03:43,413 Speaker 2: That's their word for. 1263 01:03:43,613 --> 01:03:45,693 Speaker 21: Efficient creation in the factory. 1264 01:03:45,773 --> 01:03:49,093 Speaker 9: So one would assume that this AI is looking at 1265 01:03:49,813 --> 01:03:52,853 Speaker 9: all of this data that has gone on in factories before, 1266 01:03:53,813 --> 01:03:56,413 Speaker 9: looking at how things are made, and then trying to 1267 01:03:56,493 --> 01:03:59,333 Speaker 9: then if you say, build me a whatever, it's going 1268 01:03:59,333 --> 01:04:01,933 Speaker 9: to then try and do that in the most optimized 1269 01:04:02,253 --> 01:04:04,693 Speaker 9: fashion so that you can get it out the door 1270 01:04:04,693 --> 01:04:07,933 Speaker 9: as assumingly quickly and cheaply as possible. 1271 01:04:07,973 --> 01:04:09,693 Speaker 2: But it's a very small team at the moment. 1272 01:04:09,773 --> 01:04:09,973 Speaker 3: Jack. 1273 01:04:10,773 --> 01:04:12,413 Speaker 6: The website basically. 1274 01:04:11,973 --> 01:04:15,493 Speaker 9: Doesn't say anything, but this is in stealth mode, as 1275 01:04:15,493 --> 01:04:17,533 Speaker 9: they say in the industry, and they're tinkering away at 1276 01:04:17,573 --> 01:04:19,133 Speaker 9: how this can be a thing. 1277 01:04:19,413 --> 01:04:21,933 Speaker 2: Okay, Well, speaking of AI, a couple of big developments 1278 01:04:21,973 --> 01:04:26,133 Speaker 2: from cht GPT. They're looking to launch something called Promax 1279 01:04:26,493 --> 01:04:28,933 Speaker 2: plus What that was mean? 1280 01:04:29,013 --> 01:04:29,333 Speaker 12: That was? 1281 01:04:29,413 --> 01:04:31,733 Speaker 9: That was just me putting That was just me putting 1282 01:04:31,733 --> 01:04:34,773 Speaker 9: the name in there, because they're looking to launch a 1283 01:04:34,893 --> 01:04:37,733 Speaker 9: new AI agent that's like two hundred and forty thousand 1284 01:04:37,733 --> 01:04:40,893 Speaker 9: dollars a year. It's twenty thousand dollars a month, I know. 1285 01:04:41,053 --> 01:04:42,293 Speaker 2: So what do you call it this way? 1286 01:04:42,533 --> 01:04:45,493 Speaker 9: Is it pro max plus plus max pro I don't know. 1287 01:04:45,533 --> 01:04:50,893 Speaker 2: I mean that is like the the super yeah right, yeah, yeah, yeah, yeah. 1288 01:04:50,933 --> 01:04:54,373 Speaker 9: So that is going to, they say, be so highly 1289 01:04:54,413 --> 01:04:58,693 Speaker 9: specialized that it will basically be good enough to do 1290 01:04:59,093 --> 01:05:03,333 Speaker 9: like PhD research with. Okay, so this is they're talking 1291 01:05:03,373 --> 01:05:06,013 Speaker 9: this is going to be like the top of the line, 1292 01:05:06,733 --> 01:05:08,493 Speaker 9: who knows what it's going to be able to produce? 1293 01:05:08,693 --> 01:05:09,373 Speaker 19: Crazy thing. 1294 01:05:09,533 --> 01:05:12,173 Speaker 9: Yeah, but they're also looking to do some agents at 1295 01:05:12,173 --> 01:05:17,093 Speaker 9: a slightly more economical price point too. But this is 1296 01:05:17,133 --> 01:05:18,973 Speaker 9: the bit that got me Jack. They're doing one that's 1297 01:05:19,053 --> 01:05:21,533 Speaker 9: two thousand dollars a month, right, and they say that 1298 01:05:21,613 --> 01:05:25,973 Speaker 9: it's looking to replace high income knowledge workers their words. 1299 01:05:26,773 --> 01:05:31,133 Speaker 9: And then a software developer developer agent for ten thousand 1300 01:05:31,213 --> 01:05:31,813 Speaker 9: dollars a month. 1301 01:05:32,533 --> 01:05:34,093 Speaker 2: Wow, they're actually so tender. 1302 01:05:34,253 --> 01:05:35,893 Speaker 9: It's one hundred and twenty thousand dollars a year. 1303 01:05:36,813 --> 01:05:38,693 Speaker 2: That is reasonable. 1304 01:05:39,453 --> 01:05:41,773 Speaker 9: I was going to say that's a whole person's salary, right, 1305 01:05:42,173 --> 01:05:44,293 Speaker 9: but then it's still going to need a human to 1306 01:05:44,333 --> 01:05:46,973 Speaker 9: prompt it and help with and integrate and all of 1307 01:05:46,973 --> 01:05:50,493 Speaker 9: those things that it does, so that then becomes quite expensive. 1308 01:05:50,773 --> 01:05:53,133 Speaker 2: Yes, and I'm presuming they don't do like a free 1309 01:05:53,173 --> 01:05:56,253 Speaker 2: trial period, which is what I'll be doing if you can, 1310 01:05:56,293 --> 01:05:58,093 Speaker 2: I sign up to the one that's quarter of a 1311 01:05:58,093 --> 01:05:59,893 Speaker 2: million dollars a year, but just do a free trial 1312 01:05:59,893 --> 01:06:01,893 Speaker 2: month and then on day twenty nine cancel it. 1313 01:06:02,413 --> 01:06:02,613 Speaker 5: Yeah. 1314 01:06:02,693 --> 01:06:03,053 Speaker 2: Maybe not. 1315 01:06:03,413 --> 01:06:05,453 Speaker 9: So these are all apparently still in the works because 1316 01:06:05,453 --> 01:06:07,613 Speaker 9: they're really trying to figure how to monetize all of this. 1317 01:06:07,933 --> 01:06:10,893 Speaker 9: Interesting to note write, the most expensive plane at the moment, 1318 01:06:11,053 --> 01:06:14,373 Speaker 9: which their founder Sam Oltman said he put the price 1319 01:06:14,413 --> 01:06:16,413 Speaker 9: on and he thought it was really expensive and didn't 1320 01:06:16,413 --> 01:06:19,373 Speaker 9: think people would buy it, is two hundred dollars a month. 1321 01:06:19,653 --> 01:06:23,013 Speaker 9: So the fact they're talking about these AI agents being 1322 01:06:23,373 --> 01:06:26,653 Speaker 9: two ten twenty thousand dollars a month. 1323 01:06:27,613 --> 01:06:28,893 Speaker 6: Boy, yeah, pretty extraordinary. 1324 01:06:29,533 --> 01:06:29,773 Speaker 3: Yeah. 1325 01:06:29,973 --> 01:06:32,413 Speaker 2: Okay, well we'll wait and see it. I guess as 1326 01:06:32,413 --> 01:06:34,693 Speaker 2: to what kind of people might be signing up to that, 1327 01:06:34,773 --> 01:06:37,133 Speaker 2: but yeah, fascinating, Thank you, Paul. I suppose it means 1328 01:06:37,133 --> 01:06:40,453 Speaker 2: you get the absolute cutting edge of their technology and 1329 01:06:40,493 --> 01:06:42,653 Speaker 2: their computing power, which is kind of critical when it 1330 01:06:42,653 --> 01:06:45,693 Speaker 2: comes to these AI tools. Now, before eleven o'clock, our 1331 01:06:45,813 --> 01:06:49,733 Speaker 2: man is in the garden with some perennial problem stuff 1332 01:06:49,733 --> 01:06:51,653 Speaker 2: that goes wrong with your runner beans and that kind 1333 01:06:51,653 --> 01:06:53,973 Speaker 2: of thing. So he's going to join us with those 1334 01:06:54,093 --> 01:06:56,333 Speaker 2: very shortly. Next up, your wine pick for this week 1335 01:06:56,373 --> 01:06:59,133 Speaker 2: from our Master of Wine, Bob Campbell. Right now, it's 1336 01:06:59,173 --> 01:06:59,973 Speaker 2: eighteen to eleven. 1337 01:07:00,573 --> 01:07:02,253 Speaker 1: A little bit of way to kick off your weekend 1338 01:07:02,373 --> 01:07:05,533 Speaker 1: than with Jack Saturday Mornings with Jack Day and be 1339 01:07:05,693 --> 01:07:09,653 Speaker 1: fewured on for high quality supplements used Talks. 1340 01:07:09,453 --> 01:07:12,733 Speaker 2: eNB sixteen to eleven, Non News Talks EDB For his 1341 01:07:12,813 --> 01:07:15,733 Speaker 2: best buy this week, our Master of Wine, Bob Campbell, 1342 01:07:15,773 --> 01:07:18,573 Speaker 2: has chosen ad Ima Petti twenty twenty two Baron Edmund 1343 01:07:18,573 --> 01:07:22,573 Speaker 2: de Rothschild Plot one oh one Sovignon blanc for forty 1344 01:07:22,613 --> 01:07:24,573 Speaker 2: five dollars. Bob's with us. Now, I killed a pop 1345 01:07:24,693 --> 01:07:26,213 Speaker 2: So why did you go to this? 1346 01:07:28,133 --> 01:07:28,653 Speaker 14: Sorry? 1347 01:07:28,893 --> 01:07:30,133 Speaker 2: Why did you pick the sovignon? 1348 01:07:30,693 --> 01:07:34,613 Speaker 10: Oh it's it's I think It's a Kiwi wine with 1349 01:07:34,653 --> 01:07:37,333 Speaker 10: a French accent, so I think I think it captures 1350 01:07:37,373 --> 01:07:42,173 Speaker 10: the best of both worlds. Remapuri is owned by the 1351 01:07:42,253 --> 01:07:47,973 Speaker 10: prestige French wine group Baron Edmund the Rothschild, and it's 1352 01:07:48,253 --> 01:07:51,053 Speaker 10: they don't miss around when it comes to wine quality. 1353 01:07:51,813 --> 01:07:55,413 Speaker 10: It's made from mole will growing grape, so it is 1354 01:07:55,453 --> 01:07:59,293 Speaker 10: a Kiwi wine. But as I said, with a French touch, 1355 01:08:00,413 --> 01:08:04,053 Speaker 10: Servinon doesn't get much better than this bottle. Age has 1356 01:08:04,133 --> 01:08:07,213 Speaker 10: bellowed the wine and added complex flows. It's got a 1357 01:08:08,093 --> 01:08:10,853 Speaker 10: this is the top one one, which is their limited 1358 01:08:10,973 --> 01:08:19,773 Speaker 10: edition top end Seruvignon. Yeah, it's just I just can't 1359 01:08:19,853 --> 01:08:21,373 Speaker 10: rave up enough about it. 1360 01:08:21,413 --> 01:08:23,333 Speaker 2: Really fantastic. What does it taste like? 1361 01:08:25,053 --> 01:08:29,253 Speaker 10: Well, it's hand picked and aged on the yeast leaves 1362 01:08:29,653 --> 01:08:33,093 Speaker 10: with fifty percent fermented in barrels, and it gives the 1363 01:08:33,093 --> 01:08:36,733 Speaker 10: wine an extra rich texture while still retaining sort of 1364 01:08:36,773 --> 01:08:41,013 Speaker 10: plenty of good old Marlborough serving fruit flavors. 1365 01:08:41,213 --> 01:08:44,093 Speaker 6: Yeah, sorry, no, you go. 1366 01:08:45,213 --> 01:08:48,053 Speaker 10: I was just gonna say it's a seriously complex serving on. 1367 01:08:48,413 --> 01:08:51,573 Speaker 2: Yeah yeah, and you reckon. It's pretty good value, not 1368 01:08:51,573 --> 01:08:53,613 Speaker 2: the cheapest wine in the world, but you think because 1369 01:08:53,613 --> 01:08:55,893 Speaker 2: it's so good it represents really good value. 1370 01:08:56,413 --> 01:08:59,693 Speaker 10: Yeah, special occasion stuff. As I said, it's not cheap, 1371 01:08:59,733 --> 01:09:02,133 Speaker 10: but it is good, which in my book makes a 1372 01:09:02,173 --> 01:09:03,133 Speaker 10: good value wine. 1373 01:09:03,613 --> 01:09:05,813 Speaker 2: And can you buy it, Bob Well? 1374 01:09:05,853 --> 01:09:08,373 Speaker 10: I found the glen Garry wines, but you'll have to 1375 01:09:08,373 --> 01:09:12,333 Speaker 10: shop around if or Glengarry've got it for thirty seven 1376 01:09:12,413 --> 01:09:16,173 Speaker 10: ninety nine, which is a good deal, but you'll certainly 1377 01:09:16,173 --> 01:09:18,613 Speaker 10: have to shop around. It's not the sort of wine 1378 01:09:18,613 --> 01:09:20,013 Speaker 10: you'd pick up in a supermarket. 1379 01:09:20,173 --> 01:09:21,933 Speaker 2: No, what would you met you with? Do you think, 1380 01:09:21,933 --> 01:09:23,253 Speaker 2: Bob Well? 1381 01:09:23,293 --> 01:09:28,973 Speaker 10: I had it last night with homemade smoked salmon pizza 1382 01:09:29,173 --> 01:09:33,093 Speaker 10: and it went extremely well. My favorite is actually green 1383 01:09:33,173 --> 01:09:37,413 Speaker 10: lip muscle footers. I think that really hits the spot. 1384 01:09:37,653 --> 01:09:40,493 Speaker 2: Oh fantastic. So seafood really goes well with it. And 1385 01:09:40,573 --> 01:09:41,453 Speaker 2: do you think it'll keep? 1386 01:09:42,973 --> 01:09:45,293 Speaker 10: It's good drinking now, but it should. I think it 1387 01:09:45,293 --> 01:09:47,653 Speaker 10: should get even more interesting over the next two to 1388 01:09:47,733 --> 01:09:52,213 Speaker 10: three years. There's certainly no rush and it does demonstrate 1389 01:09:52,333 --> 01:09:56,613 Speaker 10: how well Savignon can age. 1390 01:09:57,293 --> 01:10:00,133 Speaker 2: Yeah, yeah, superbo. It sounds great, thanks Bob. So there's 1391 01:10:00,173 --> 01:10:03,653 Speaker 2: Arima Petti twenty twenty two Baron Edmund de Vroth's child 1392 01:10:03,813 --> 01:10:06,893 Speaker 2: Plot one O one Sauvignon Blanc will have the details 1393 01:10:06,973 --> 01:10:09,573 Speaker 2: up on the News Talks. He'd be website, like Bob says, 1394 01:10:09,573 --> 01:10:12,093 Speaker 2: could be a good option for special occasions. Hey, thank 1395 01:10:12,133 --> 01:10:14,053 Speaker 2: you very much for feedback this morning, Jack, you are 1396 01:10:14,093 --> 01:10:15,253 Speaker 2: a gas this morning. 1397 01:10:15,333 --> 01:10:15,573 Speaker 4: Very good. 1398 01:10:15,653 --> 01:10:19,853 Speaker 2: Sailee Lady Gaga's album, first album, I still play, still 1399 01:10:19,893 --> 01:10:22,253 Speaker 2: love It's timeless, so looking forward to her new one. 1400 01:10:22,773 --> 01:10:26,093 Speaker 2: And thank you so much for Dick Frizzelle's chat. So inspiring. 1401 01:10:26,293 --> 01:10:28,613 Speaker 2: I often start to write short stories about my life, 1402 01:10:28,613 --> 01:10:31,333 Speaker 2: but I can never quite get there is Lee. It 1403 01:10:31,453 --> 01:10:33,653 Speaker 2: is just a really nice way of going about a memoir. 1404 01:10:33,733 --> 01:10:35,733 Speaker 2: That's what the thing with Dick, because Dick's actually just 1405 01:10:35,933 --> 01:10:38,653 Speaker 2: he's a great storyteller. And the thing about his book 1406 01:10:38,693 --> 01:10:41,013 Speaker 2: is there're lots of just little vignettes. So there are 1407 01:10:41,013 --> 01:10:44,373 Speaker 2: thirty stories and they're all just little pockets of lovely 1408 01:10:44,413 --> 01:10:48,013 Speaker 2: little stories from his kind of experiences in childhood. So yeah, 1409 01:10:48,053 --> 01:10:49,973 Speaker 2: I can't recommend that enough. And if you missed that interview, 1410 01:10:49,973 --> 01:10:51,893 Speaker 2: it's up on the News Talks. He'd be website now. 1411 01:10:52,253 --> 01:10:54,173 Speaker 2: Right now, it is twelve minutes to eleven. We're in 1412 01:10:54,213 --> 01:10:55,573 Speaker 2: the garden next on Newstalks. 1413 01:10:55,573 --> 01:10:55,933 Speaker 6: He'd be. 1414 01:10:57,693 --> 01:11:01,373 Speaker 1: Gardening with still shaft free autumn upgrades on Still's best sellers. 1415 01:11:01,933 --> 01:11:04,493 Speaker 2: Rude climb Past is our man in the garden. He's 1416 01:11:04,653 --> 01:11:05,773 Speaker 2: with us this morning, killed to. 1417 01:11:05,813 --> 01:11:08,093 Speaker 3: Sir, cureda jack. 1418 01:11:08,213 --> 01:11:10,253 Speaker 8: I am in the garden because there've been a few 1419 01:11:10,333 --> 01:11:16,413 Speaker 8: problems around the gardening. Say, oh, yes, a few problems. 1420 01:11:16,653 --> 01:11:18,653 Speaker 2: Oh, you wouldn't go down well at my place. Rude, 1421 01:11:18,733 --> 01:11:22,333 Speaker 2: you know nothing but success stories in the Tame family garden. Actually, 1422 01:11:22,333 --> 01:11:24,093 Speaker 2: you know what I got to say. Sorry, we'll get 1423 01:11:24,093 --> 01:11:26,453 Speaker 2: into things in a minute, get into your various issues. 1424 01:11:27,693 --> 01:11:31,213 Speaker 2: My capsicums this year, it's the first time I've first 1425 01:11:31,413 --> 01:11:33,893 Speaker 2: summer I've had a crack at growing capsicums, and I 1426 01:11:33,933 --> 01:11:35,693 Speaker 2: don't want to talk it up too much, but I've 1427 01:11:35,773 --> 01:11:38,893 Speaker 2: absolutely crushed it. I don't know what I did, but 1428 01:11:38,933 --> 01:11:41,413 Speaker 2: for some reason, I reckon. I've got maybe fifteen or 1429 01:11:41,453 --> 01:11:43,013 Speaker 2: twenty capsicans on one plant. 1430 01:11:44,093 --> 01:11:44,453 Speaker 5: Not bad. 1431 01:11:45,053 --> 01:11:47,533 Speaker 2: It's not a bit of squat. They're a bit sort 1432 01:11:47,533 --> 01:11:49,213 Speaker 2: of they're a bit sort of short and fat as 1433 01:11:49,253 --> 01:11:51,653 Speaker 2: opposed to they don't get their kind of long, you know, 1434 01:11:51,733 --> 01:11:53,493 Speaker 2: sometimes you get them. They're quite nice and long. But 1435 01:11:53,533 --> 01:11:56,093 Speaker 2: they're beautiful, red and sweet, gorgeous. 1436 01:11:56,493 --> 01:11:57,013 Speaker 5: That's right. 1437 01:11:57,053 --> 01:12:00,133 Speaker 8: So you sometimes have green ones that become red as well, or. 1438 01:12:00,173 --> 01:12:04,893 Speaker 2: Yeah yeah, yeah, yeah, yeah exactly, you keep them going. 1439 01:12:05,213 --> 01:12:08,293 Speaker 8: No, this is wonderful here because, to be quite honest, 1440 01:12:08,653 --> 01:12:11,893 Speaker 8: it is really nice to have fresh capsicums. Whether you 1441 01:12:12,013 --> 01:12:14,773 Speaker 8: fry them or whether you have them, you know, smashed 1442 01:12:14,853 --> 01:12:19,533 Speaker 8: up into and sell it, that'll be wonderful. And the 1443 01:12:19,573 --> 01:12:22,693 Speaker 8: irony is that basically all you need is a little 1444 01:12:22,733 --> 01:12:25,893 Speaker 8: bit of general fertilizer to do it. You don't need 1445 01:12:25,973 --> 01:12:27,933 Speaker 8: any major troubles there you go. 1446 01:12:28,133 --> 01:12:30,973 Speaker 2: Yeah, well it's real that I'm reporting on a success 1447 01:12:30,973 --> 01:12:32,813 Speaker 2: from our garden. So I'm pleased that I can do that. 1448 01:12:33,093 --> 01:12:35,493 Speaker 2: When you get into your perennial troubles. 1449 01:12:35,813 --> 01:12:38,173 Speaker 8: Oh yeah, well let's do that. But I reckon money. 1450 01:12:38,213 --> 01:12:40,693 Speaker 8: When he grows a little bit older, will probably love those. 1451 01:12:43,573 --> 01:12:46,173 Speaker 2: There is something about growing something that's a really vibrant 1452 01:12:46,253 --> 01:12:48,293 Speaker 2: red that's quite exciting. 1453 01:12:48,333 --> 01:12:48,573 Speaker 5: You know. 1454 01:12:48,773 --> 01:12:50,973 Speaker 2: It's just it's just just looks good, you know. 1455 01:12:51,253 --> 01:12:51,973 Speaker 6: Anyway, Yes, it. 1456 01:12:51,973 --> 01:12:55,533 Speaker 8: Is certainly now perennial troubles. This was an interesting thing 1457 01:12:55,573 --> 01:12:58,933 Speaker 8: because over the last few weeks Pete Wolfkemp and I 1458 01:12:58,933 --> 01:13:02,253 Speaker 8: have been talking about Skylett runner beans that caused quite 1459 01:13:02,253 --> 01:13:05,093 Speaker 8: a bit of problem in New Zealand And and once, 1460 01:13:05,213 --> 01:13:08,093 Speaker 8: you know, once somebody starts, everybody calls up talk back, 1461 01:13:08,173 --> 01:13:10,493 Speaker 8: and it's like that a little bit. So that's how 1462 01:13:10,533 --> 01:13:14,213 Speaker 8: that went. So this is the story. Actually, I started 1463 01:13:14,253 --> 01:13:17,453 Speaker 8: working on scarlet runner beans and I ended up talking 1464 01:13:17,493 --> 01:13:19,573 Speaker 8: to a friend of mine, a really good DSA I 1465 01:13:19,653 --> 01:13:23,213 Speaker 8: made from way back, and we ended up talking about dahlias, 1466 01:13:23,493 --> 01:13:26,973 Speaker 8: and for some silly reason, the problems at the scarlet 1467 01:13:27,053 --> 01:13:29,613 Speaker 8: runners may well be related to the same sort of 1468 01:13:29,613 --> 01:13:33,293 Speaker 8: troubles on dahlias. And this is what what I thought 1469 01:13:33,293 --> 01:13:36,173 Speaker 8: I'd better have a check about. First of all, what 1470 01:13:36,773 --> 01:13:39,493 Speaker 8: we heard with the scarlet runners is very simple. There 1471 01:13:39,493 --> 01:13:43,733 Speaker 8: were suddenly no more bean pots growing at certain stage 1472 01:13:43,773 --> 01:13:47,373 Speaker 8: of their development, despite they kept their normal light and 1473 01:13:47,413 --> 01:13:49,573 Speaker 8: the normal height and the normal food and all that 1474 01:13:49,613 --> 01:13:53,293 Speaker 8: sort of stuff, and they basically started turning yellow. The 1475 01:13:53,373 --> 01:13:56,933 Speaker 8: leaves were going down and down was awful. So that 1476 01:13:57,293 --> 01:14:00,053 Speaker 8: that was the problem. And we thought, and I thought, 1477 01:14:00,453 --> 01:14:03,053 Speaker 8: you enough to go yellow and they go fungaled. I 1478 01:14:03,093 --> 01:14:05,653 Speaker 8: haven't heard about a new variety of fungus in New 1479 01:14:05,733 --> 01:14:08,533 Speaker 8: Zealand that this could be, so, you know, I had 1480 01:14:08,533 --> 01:14:13,093 Speaker 8: no idea. So we started talking about scarlett runners full stop. 1481 01:14:13,133 --> 01:14:16,373 Speaker 8: They come from Central America, right they like. Also, this 1482 01:14:16,413 --> 01:14:18,213 Speaker 8: is for people who actually want to ever look at this. 1483 01:14:18,653 --> 01:14:21,813 Speaker 8: They like well drained soil, loam in a sunny spot. 1484 01:14:21,933 --> 01:14:23,693 Speaker 8: I reckon. You can grow them really well where you 1485 01:14:23,733 --> 01:14:27,613 Speaker 8: are Okay, you plant the seeds under a really tall 1486 01:14:27,653 --> 01:14:29,893 Speaker 8: support so they can climb up. They go up and 1487 01:14:29,933 --> 01:14:33,053 Speaker 8: up and up, and then the root systems when they're 1488 01:14:33,053 --> 01:14:35,613 Speaker 8: finally finished at the end of the season. The root 1489 01:14:35,693 --> 01:14:39,973 Speaker 8: systems will actually survive the next winter for the next crop. 1490 01:14:40,373 --> 01:14:47,013 Speaker 8: So they are literally, technically speaking, perennials, right. They don't 1491 01:14:47,213 --> 01:14:50,853 Speaker 8: need a lot of nitrogen because they are actually nitrogen fixers. 1492 01:14:50,893 --> 01:14:54,213 Speaker 8: They've got these little creatures on their root zone that 1493 01:14:54,333 --> 01:14:57,013 Speaker 8: can actually take nitrogen out of the air and turn 1494 01:14:57,053 --> 01:14:59,533 Speaker 8: it into fertilizers, which I think is quite a clever 1495 01:14:59,613 --> 01:15:03,453 Speaker 8: trick of plants to do their long seasons. Growers. They're 1496 01:15:03,493 --> 01:15:06,933 Speaker 8: regular waterers, but not do wet please, and that's stuff. 1497 01:15:07,093 --> 01:15:10,653 Speaker 8: And you harvest the mature pods regularly. If you don't 1498 01:15:10,653 --> 01:15:13,693 Speaker 8: do that, you could get into trouble. So what could 1499 01:15:13,933 --> 01:15:19,213 Speaker 8: cause this trouble with beans? Lack of pollination, not enough pollinators, 1500 01:15:19,373 --> 01:15:24,453 Speaker 8: hot weather, you know, lack of water. Bees sometimes chew 1501 01:15:24,613 --> 01:15:28,293 Speaker 8: the back of the flowers and developing fruit to get 1502 01:15:28,373 --> 01:15:30,613 Speaker 8: at the at the nectar. And that's not good either. 1503 01:15:30,933 --> 01:15:33,733 Speaker 8: So I decided to call Keith Hammett. He's an old 1504 01:15:33,813 --> 01:15:36,173 Speaker 8: maid of mine and he is also well known for 1505 01:15:36,173 --> 01:15:38,853 Speaker 8: his sweet peas and his New Zealand Daily Thing, and 1506 01:15:38,893 --> 01:15:43,573 Speaker 8: he came up with a really cool story, namely that 1507 01:15:43,893 --> 01:15:46,653 Speaker 8: the yellowing and the ill thrift of the skylet runner 1508 01:15:47,333 --> 01:15:49,213 Speaker 8: could well have something to do what he saw in 1509 01:15:49,253 --> 01:15:53,013 Speaker 8: the UK where he came from. See in the UK, 1510 01:15:53,213 --> 01:15:58,933 Speaker 8: these climbing beans are grown as annuals, not as perennials, right, 1511 01:15:59,453 --> 01:16:02,093 Speaker 8: so you actually get rid of them after a year. 1512 01:16:02,573 --> 01:16:05,613 Speaker 8: And the reason is very simple because and it's the 1513 01:16:05,653 --> 01:16:08,933 Speaker 8: same with dahlia. Actually it's very simple. You in the 1514 01:16:08,973 --> 01:16:11,453 Speaker 8: warm climate you can keep the tubers in the soil, 1515 01:16:12,093 --> 01:16:15,053 Speaker 8: you know, but not in England, so you really have 1516 01:16:15,093 --> 01:16:17,613 Speaker 8: to get rid of them otherwise those roots are starting 1517 01:16:17,613 --> 01:16:20,253 Speaker 8: to go down the gurglar. And if you compare that 1518 01:16:20,333 --> 01:16:23,093 Speaker 8: what he knows about daily as, it's quite interesting because 1519 01:16:23,533 --> 01:16:27,533 Speaker 8: when you leave dailier tubers in the soil for several 1520 01:16:27,573 --> 01:16:32,293 Speaker 8: growing seasons, the performance falls away. It goes down the 1521 01:16:32,333 --> 01:16:37,213 Speaker 8: gurglers slowly, and it's literally that is what causing the troubles. 1522 01:16:37,533 --> 01:16:42,173 Speaker 8: So maybe there is this little connection between the same 1523 01:16:42,333 --> 01:16:46,093 Speaker 8: thing with dahlias that are overwintering and the scarlet runners 1524 01:16:46,093 --> 01:16:48,853 Speaker 8: that overwinter as well. If you keep them too long, 1525 01:16:49,253 --> 01:16:54,173 Speaker 8: they go down the gurglar. So he says he's got 1526 01:16:54,893 --> 01:16:57,653 Speaker 8: you've got them. So what he says is, look, I've 1527 01:16:57,653 --> 01:17:00,373 Speaker 8: got three tripods of scarlet runners. One of them is 1528 01:17:00,413 --> 01:17:03,213 Speaker 8: doing exactly what all your callers are saying. And he 1529 01:17:04,493 --> 01:17:09,613 Speaker 8: attributes it to stress and to all the tubers if 1530 01:17:09,653 --> 01:17:13,453 Speaker 8: you like giving up the ghost literally saying that's it. 1531 01:17:13,653 --> 01:17:17,653 Speaker 8: I've had enough, I've done so, yeah, all right, exactly. 1532 01:17:17,773 --> 01:17:19,973 Speaker 8: Our idea is to get new things at new seats 1533 01:17:19,973 --> 01:17:22,053 Speaker 8: in spring to save you that vessel. 1534 01:17:22,293 --> 01:17:22,693 Speaker 7: Yeah. 1535 01:17:22,733 --> 01:17:25,973 Speaker 2: Hey, thanks RhoD, that's great, really appreciate that. Very good sir. 1536 01:17:26,213 --> 01:17:28,493 Speaker 2: You have a wonderful weekend and we will catch you 1537 01:17:28,493 --> 01:17:31,533 Speaker 2: again soon. Route climb past our man in the garden. 1538 01:17:31,733 --> 01:17:33,813 Speaker 2: We're stacking with the veg theme right after the eleven 1539 01:17:33,853 --> 01:17:36,733 Speaker 2: o'clock news. We're going to look at the difference and 1540 01:17:36,813 --> 01:17:40,333 Speaker 2: cost and quality between the fruit and vegi boxes you 1541 01:17:40,333 --> 01:17:43,413 Speaker 2: can get as a subscription service versus the fruit and 1542 01:17:43,493 --> 01:17:46,533 Speaker 2: vegis you get at the supermarket. Not so that I'm 1543 01:17:46,533 --> 01:17:49,493 Speaker 2: producing quite enough caps comes yet to be offering a 1544 01:17:49,493 --> 01:17:52,293 Speaker 2: subscription service. They're good, though, trust me, they're good. I'm 1545 01:17:52,293 --> 01:17:54,093 Speaker 2: not put a photo up on my Facebook page actually 1546 01:17:54,093 --> 01:17:55,773 Speaker 2: so you can have a look be impressed at what 1547 01:17:55,773 --> 01:17:59,293 Speaker 2: we're growing at the same household. One time News is 1548 01:17:59,333 --> 01:18:01,133 Speaker 2: Next is almost eleven you with news Dogs. 1549 01:18:01,173 --> 01:18:01,453 Speaker 12: He'd be. 1550 01:18:03,293 --> 01:18:07,053 Speaker 1: Saturday Mornings with Jack Day keeping the conversation going through 1551 01:18:07,053 --> 01:18:10,733 Speaker 1: the weekend with Bpure dot Cot inst for high quality 1552 01:18:10,773 --> 01:18:36,853 Speaker 1: Supplements Used Talks NB, Thank and Jaila. 1553 01:18:36,613 --> 01:18:39,173 Speaker 2: Good morning and welcome to news Talks EDB Jack Tame 1554 01:18:39,213 --> 01:18:41,373 Speaker 2: with you through the midday today. You know, I had 1555 01:18:41,373 --> 01:18:44,813 Speaker 2: this crazy experience a couple of years ago. Longtime listeners 1556 01:18:44,813 --> 01:18:48,173 Speaker 2: of the show will know that when we began Saturday 1557 01:18:48,213 --> 01:18:51,933 Speaker 2: Mornings together, we broadcast from New York. So I think 1558 01:18:51,933 --> 01:18:54,173 Speaker 2: for the first four years of doing the show, we 1559 01:18:54,253 --> 01:18:56,853 Speaker 2: broadcast every week from New York, and we had this 1560 01:18:57,053 --> 01:19:01,333 Speaker 2: amazing kind of experience because the studios from which we 1561 01:19:01,373 --> 01:19:07,013 Speaker 2: would broadcast were in Tribeca, the part of Manhattan the 1562 01:19:07,053 --> 01:19:12,013 Speaker 2: triangle below Canal Street, Try Bear Car, and it was 1563 01:19:13,813 --> 01:19:15,933 Speaker 2: in a studio that was shared by some of the 1564 01:19:15,933 --> 01:19:19,213 Speaker 2: big top forty radio stations and wrap stations and hip 1565 01:19:19,213 --> 01:19:22,373 Speaker 2: hop stations in New York at the time, and of course, 1566 01:19:22,453 --> 01:19:25,373 Speaker 2: when you have an audience the size of the audience 1567 01:19:25,413 --> 01:19:28,453 Speaker 2: in New York and you are an American station, you 1568 01:19:28,573 --> 01:19:32,253 Speaker 2: can command some pretty impressive guests from time to time. 1569 01:19:32,333 --> 01:19:34,773 Speaker 2: So I had this remarkable experience one day, coming in 1570 01:19:35,253 --> 01:19:38,213 Speaker 2: and talking on what was a Friday evening, New York time, 1571 01:19:38,333 --> 01:19:40,773 Speaker 2: Saturday morning on News talks 'B, coming in to do 1572 01:19:40,853 --> 01:19:43,853 Speaker 2: the show as I did every week, and in the studio, 1573 01:19:44,093 --> 01:19:47,733 Speaker 2: directly next to me, like literally meeters away, Lady Gargar 1574 01:19:47,933 --> 01:19:53,053 Speaker 2: was being interviewed by the Top forty radio station. Unfortunately, 1575 01:19:53,133 --> 01:19:55,133 Speaker 2: she had a few too many security guards with her, 1576 01:19:55,293 --> 01:19:58,333 Speaker 2: so I couldn't just pop over and say, excuse me, 1577 01:19:58,493 --> 01:20:00,813 Speaker 2: excuse me. I was hoping that you might come through 1578 01:20:00,853 --> 01:20:03,253 Speaker 2: and speak to News Talk Z'B in New Zealand as well. 1579 01:20:03,613 --> 01:20:06,333 Speaker 2: But yeah, it was one of these kind of remarkable things. Anyway, 1580 01:20:06,733 --> 01:20:10,773 Speaker 2: Since then, Gaga has had an interesting career. She's had 1581 01:20:11,653 --> 01:20:14,973 Speaker 2: a couple of big film roles, She's released a couple 1582 01:20:15,013 --> 01:20:18,693 Speaker 2: of very interesting albums. But this year she is releasing 1583 01:20:18,693 --> 01:20:21,693 Speaker 2: a brand new album called Mayhem that kind of goes 1584 01:20:21,773 --> 01:20:25,093 Speaker 2: back to her roots. Goes back to the Gaga music 1585 01:20:25,133 --> 01:20:28,653 Speaker 2: of two thousand and eight, the really poppy, club kind 1586 01:20:28,693 --> 01:20:33,133 Speaker 2: of upbeat music of her debut album. And so we're 1587 01:20:33,133 --> 01:20:34,893 Speaker 2: gonna have a listen to former day. We'll get our 1588 01:20:34,973 --> 01:20:37,613 Speaker 2: music views thoughts on it as well and see just 1589 01:20:37,653 --> 01:20:42,133 Speaker 2: how well Gaga has done in reclaiming her original sound. 1590 01:20:42,293 --> 01:20:46,933 Speaker 2: Right now, it's nine minutes past eleven. Team and sustainability 1591 01:20:47,053 --> 01:20:50,853 Speaker 2: expert Kate Hall aka Ethically Kate is with us this morning. 1592 01:20:50,933 --> 01:20:53,093 Speaker 2: More than a good morning. 1593 01:20:53,213 --> 01:20:54,613 Speaker 22: Good morning from down south. 1594 01:20:54,773 --> 01:20:56,413 Speaker 2: Oh where are you? Down south? 1595 01:20:57,773 --> 01:21:04,573 Speaker 22: I am in Oatmatata. Oh yeah, I'm on a high 1596 01:21:04,733 --> 01:21:08,853 Speaker 22: country farm. Yeah, just right in the middle of There's 1597 01:21:08,893 --> 01:21:11,773 Speaker 22: not much green here, dusty, kind of barren land, but 1598 01:21:12,293 --> 01:21:13,453 Speaker 22: it's so stunning. 1599 01:21:13,813 --> 01:21:16,693 Speaker 2: I mean it's it's like down by been more kind 1600 01:21:16,693 --> 01:21:19,653 Speaker 2: of area, isn't it. Yes, yeah, yeah, yeah. Oh that's 1601 01:21:19,653 --> 01:21:23,293 Speaker 2: a beautiful. Yeah yeah, kind of all madamers, just up 1602 01:21:23,333 --> 01:21:26,373 Speaker 2: the road kind of central Otago. 1603 01:21:26,533 --> 01:21:26,693 Speaker 6: Yeah. 1604 01:21:26,773 --> 01:21:29,333 Speaker 2: So if you were kind of if you were driving 1605 01:21:29,373 --> 01:21:34,213 Speaker 2: from from like Wanica through to Waimati or wama Do 1606 01:21:34,653 --> 01:21:37,293 Speaker 2: on the on the on the east coast of the 1607 01:21:37,333 --> 01:21:39,173 Speaker 2: South Island kind of North Otago, that's where you are 1608 01:21:39,253 --> 01:21:44,533 Speaker 2: right that'sh it's beautiful. That is an absolutely stunning parlor 1609 01:21:44,533 --> 01:21:47,133 Speaker 2: the country. Yeah, to the north. I was going to say, yeah, 1610 01:21:47,133 --> 01:21:49,453 Speaker 2: it's kind of way tak Yeah, I think yeah, which 1611 01:21:49,493 --> 01:21:52,613 Speaker 2: is beautiful, beautiful part of the country. Anyway, Hey, this 1612 01:21:52,733 --> 01:21:55,533 Speaker 2: move this morning, Kate. We're talking veggie boxes, and I 1613 01:21:55,573 --> 01:21:58,013 Speaker 2: think lots of us have experimented with different ways of 1614 01:21:58,013 --> 01:22:01,293 Speaker 2: getting produced and fruit and veggies and and groceries over 1615 01:22:01,573 --> 01:22:04,293 Speaker 2: the last few years. You know, you've got various grocery 1616 01:22:04,373 --> 01:22:09,213 Speaker 2: and food subscription services, but you have been subscribing to 1617 01:22:09,413 --> 01:22:12,893 Speaker 2: like a locally grown fruit and vegetable box and comparing 1618 01:22:12,933 --> 01:22:15,293 Speaker 2: that with the offerings at your supermarket. And it turns 1619 01:22:15,333 --> 01:22:19,893 Speaker 2: out that actually getting your produce from a local veggie 1620 01:22:19,933 --> 01:22:23,373 Speaker 2: box company isn't any more expensive than going to the supermarket. 1621 01:22:24,533 --> 01:22:24,773 Speaker 12: Yeah. 1622 01:22:24,813 --> 01:22:29,333 Speaker 22: Well often, actually it's cheaper. And I think people they 1623 01:22:29,333 --> 01:22:31,893 Speaker 22: have this perception that going to the farmer's market or 1624 01:22:32,293 --> 01:22:36,933 Speaker 22: you're getting that locally produced organic box delivered to their 1625 01:22:36,973 --> 01:22:39,373 Speaker 22: door is going to be so much more expensive and 1626 01:22:39,373 --> 01:22:41,693 Speaker 22: we're all trying to stay over at the moment in particular, 1627 01:22:42,493 --> 01:22:45,453 Speaker 22: but it's actually cheaper. I did a comparison of an 1628 01:22:45,533 --> 01:22:49,053 Speaker 22: organic fruit and veggie box compared with you know, if 1629 01:22:49,053 --> 01:22:52,533 Speaker 22: I bought every kind of item at a local countdown 1630 01:22:52,973 --> 01:22:57,533 Speaker 22: and it was twenty two dollars and thirteen cents cheaper 1631 01:22:58,813 --> 01:23:01,773 Speaker 22: to get the box and that was a delivery considering 1632 01:23:01,933 --> 01:23:04,813 Speaker 22: as well. So I think we need to really just 1633 01:23:04,893 --> 01:23:08,493 Speaker 22: bust that meth of Ohm's markets are so expensive and 1634 01:23:08,773 --> 01:23:13,133 Speaker 22: you know, organic and more boutique stores, they're just so 1635 01:23:13,213 --> 01:23:16,173 Speaker 22: much more expensive. I'm just going to enter the supermarket 1636 01:23:16,213 --> 01:23:18,813 Speaker 22: and get it all there because it's we're going to 1637 01:23:18,893 --> 01:23:22,533 Speaker 22: save money and we're supporting you know, local farmers and 1638 01:23:22,653 --> 01:23:28,173 Speaker 22: local smaller organizations who, yeah, observe our money much more usually. 1639 01:23:28,413 --> 01:23:31,813 Speaker 2: Yeah, well, I mean certainly supporting local makes a lot 1640 01:23:31,813 --> 01:23:33,693 Speaker 2: of sense. And the good thing with the with like 1641 01:23:33,693 --> 01:23:36,173 Speaker 2: getting a fruit and veggie box is that you can 1642 01:23:36,213 --> 01:23:38,373 Speaker 2: be pretty confident that the stuff you're getting is in 1643 01:23:38,493 --> 01:23:43,053 Speaker 2: season right, like hasn't been flown in from some you know, 1644 01:23:43,213 --> 01:23:45,773 Speaker 2: tropical corner of the world. You can be pretty confident 1645 01:23:45,813 --> 01:23:48,133 Speaker 2: that actually this is in season. It means going to 1646 01:23:48,213 --> 01:23:51,013 Speaker 2: be really healthy and often cheaper as well. So what 1647 01:23:51,093 --> 01:23:55,333 Speaker 2: kind of what kind of subscription services would you recommend 1648 01:23:55,333 --> 01:23:57,773 Speaker 2: from your research? What might be some good options? 1649 01:23:58,693 --> 01:24:01,933 Speaker 22: So one of my personal favorites is misfit Garden, and 1650 01:24:02,173 --> 01:24:05,613 Speaker 22: that's because it is. I mean, it's not just a 1651 01:24:05,653 --> 01:24:09,373 Speaker 22: great bang for your back, but it's also they work 1652 01:24:09,453 --> 01:24:12,293 Speaker 22: directly with the farmers. So they asked the farmers and 1653 01:24:12,333 --> 01:24:16,733 Speaker 22: communicate around just so you said, seasonal fruit. But sometimes 1654 01:24:16,733 --> 01:24:20,053 Speaker 22: some of their veges you are too big or too 1655 01:24:20,093 --> 01:24:24,973 Speaker 22: small or like slightly just slightly not up to standards 1656 01:24:25,013 --> 01:24:27,693 Speaker 22: for what we expect in the supermarket, which I think 1657 01:24:27,773 --> 01:24:29,333 Speaker 22: is ridiculous. 1658 01:24:28,773 --> 01:24:29,533 Speaker 5: But here we are. 1659 01:24:30,893 --> 01:24:33,853 Speaker 22: So they work directly with the farmers and put together 1660 01:24:33,893 --> 01:24:37,653 Speaker 22: a box. So it's pretty exciting. I personally like the 1661 01:24:37,853 --> 01:24:41,693 Speaker 22: excitement of what arrives in it. With any box, you 1662 01:24:41,773 --> 01:24:45,533 Speaker 22: often yeah, just don't know what's gonna what's gonna happen. 1663 01:24:45,613 --> 01:24:48,453 Speaker 22: So that is a brilliant one, really really good. I've 1664 01:24:48,453 --> 01:24:52,493 Speaker 22: always had good experience with it turning up and it's 1665 01:24:52,573 --> 01:24:55,493 Speaker 22: called misfit, but honestly, sometimes I'm like, why is this 1666 01:24:55,533 --> 01:24:59,893 Speaker 22: stuff being rejected? It's crazy. We've got wonky box. Most 1667 01:24:59,933 --> 01:25:04,493 Speaker 22: people know about places like Oxford Fresh perfectly imperfect. Again, 1668 01:25:04,613 --> 01:25:09,173 Speaker 22: it's working with produce that is slightly imperfect but one 1669 01:25:09,253 --> 01:25:13,613 Speaker 22: hundred percent edible and you know, as often actually looks 1670 01:25:13,613 --> 01:25:15,173 Speaker 22: and tastes even more nutritious. 1671 01:25:15,373 --> 01:25:17,693 Speaker 2: Yeah, so how do you how do you decide what 1672 01:25:17,813 --> 01:25:19,933 Speaker 2: to cook because you don't know what's coming right? 1673 01:25:20,853 --> 01:25:24,133 Speaker 22: No, well, I've actually never been a recipe or meal planner. 1674 01:25:24,653 --> 01:25:27,853 Speaker 22: And yeah, I know a lot of people use recipes 1675 01:25:27,853 --> 01:25:31,133 Speaker 22: and meal planning, you know, to reduce their food waste. 1676 01:25:31,173 --> 01:25:34,013 Speaker 22: But for me, I find, you know, when I get 1677 01:25:34,053 --> 01:25:37,333 Speaker 22: that box. Firstly, it's taken away any decision fatigue. I 1678 01:25:37,373 --> 01:25:39,453 Speaker 22: don't have to stand in the supermarket going. 1679 01:25:39,693 --> 01:25:41,853 Speaker 17: Should I buy five apples or two? 1680 01:25:41,973 --> 01:25:43,613 Speaker 3: You know, it's like it's just there. 1681 01:25:43,773 --> 01:25:47,573 Speaker 22: You get what you're given. And it forces me to 1682 01:25:47,693 --> 01:25:51,733 Speaker 22: experiment with different foods, you know that, like col rabie 1683 01:25:51,853 --> 01:25:56,453 Speaker 22: or I personally don't love beetroot, but when beat troots 1684 01:25:56,733 --> 01:25:59,333 Speaker 22: is in season and it's in the box, I get, 1685 01:25:59,493 --> 01:26:02,733 Speaker 22: you know, experimental, and I've done things like made beetroot 1686 01:26:02,813 --> 01:26:05,733 Speaker 22: brownie and you know, it kind of forces you out 1687 01:26:05,733 --> 01:26:06,253 Speaker 22: of your company. 1688 01:26:06,453 --> 01:26:08,733 Speaker 2: I'm just going to roast it thea to balsamic bego. 1689 01:26:09,933 --> 01:26:10,933 Speaker 22: Yep, that sounds good. 1690 01:26:11,013 --> 01:26:11,733 Speaker 12: This sounds good too. 1691 01:26:12,533 --> 01:26:19,453 Speaker 22: Chocolate brownie though, yeah. Yeah, so that's that's how I do. 1692 01:26:19,653 --> 01:26:22,693 Speaker 22: I know some people, you know, struggle with not knowing 1693 01:26:22,733 --> 01:26:25,173 Speaker 22: exactly what's going to turn out. But you can put 1694 01:26:25,213 --> 01:26:28,173 Speaker 22: a little notes and this is for you know, most 1695 01:26:28,893 --> 01:26:32,253 Speaker 22: of the Vigi box subscriptions nationwide. You can put a 1696 01:26:32,253 --> 01:26:34,893 Speaker 22: note and say, you know, I'm allergic to a mandarins, 1697 01:26:35,013 --> 01:26:37,413 Speaker 22: or you know, please don't put in letters because we've 1698 01:26:37,413 --> 01:26:39,573 Speaker 22: got heaps of it in the garden. Things like that. 1699 01:26:39,653 --> 01:26:44,213 Speaker 22: So you can't obviously fully curate the box, but you 1700 01:26:44,253 --> 01:26:46,733 Speaker 22: can just add a few notes and they're usually happy 1701 01:26:46,773 --> 01:26:47,293 Speaker 22: to oblige. 1702 01:26:47,413 --> 01:26:47,613 Speaker 5: Yeah. 1703 01:26:47,653 --> 01:26:48,893 Speaker 2: Yeah, that makes a lot of things. I was going 1704 01:26:48,973 --> 01:26:50,933 Speaker 2: to say. The other option is this is what AI 1705 01:26:51,093 --> 01:26:53,653 Speaker 2: is good at if it gives you a chance. No, 1706 01:26:53,893 --> 01:26:55,653 Speaker 2: it really is, though. This is one of those good 1707 01:26:55,653 --> 01:26:57,293 Speaker 2: things where you can just be like, okay, I've got 1708 01:26:58,213 --> 01:27:04,693 Speaker 2: three beat roots, seven turnips and amandain what can you make? 1709 01:27:04,733 --> 01:27:08,093 Speaker 2: And it'll go it, you know exactly. Yeah, yeah, there 1710 01:27:08,133 --> 01:27:10,773 Speaker 2: you go. There you good. Okay, I know you've You've 1711 01:27:10,773 --> 01:27:13,533 Speaker 2: got a great little collection of some of the companies 1712 01:27:13,533 --> 01:27:16,413 Speaker 2: that he recommend on ethically Kate dot com, and of 1713 01:27:16,413 --> 01:27:18,813 Speaker 2: course everyone can find you by searching the social media 1714 01:27:18,853 --> 01:27:21,653 Speaker 2: platforms ethically Kate as well. Thank you so much, Kate. 1715 01:27:21,813 --> 01:27:24,853 Speaker 2: Enjoy being in the beautiful South Island and we will 1716 01:27:24,893 --> 01:27:27,813 Speaker 2: catch you again very soon. Right now it is sixteen 1717 01:27:27,853 --> 01:27:30,813 Speaker 2: past eleven. We're traveling a little further north, taking you 1718 01:27:30,853 --> 01:27:34,373 Speaker 2: through the Ruapehu district. With tips for traveling there in autumn. 1719 01:27:34,373 --> 01:27:38,173 Speaker 3: Next travel with winni Wo Tours. Where the world is 1720 01:27:38,213 --> 01:27:38,813 Speaker 3: yours for. 1721 01:27:39,013 --> 01:27:43,733 Speaker 2: Now and travel corresponded. Mike Yardley is here today, Keilder, Mike. 1722 01:27:45,053 --> 01:27:46,773 Speaker 19: Golder, Jack, what do you reckon? We're going to knock 1723 01:27:46,813 --> 01:27:47,973 Speaker 19: over India tomorrow night. 1724 01:27:52,613 --> 01:27:55,853 Speaker 2: Ah, yes, no, but I am anxious about not having 1725 01:27:55,893 --> 01:27:58,653 Speaker 2: met Henry. I'm really anxious about it, Henry. If we 1726 01:27:58,693 --> 01:28:02,413 Speaker 2: have no Mett Henry, I think it's a very tricky. Indeed, God, 1727 01:28:02,453 --> 01:28:03,813 Speaker 2: I would love to see it though. It's just all 1728 01:28:03,853 --> 01:28:05,973 Speaker 2: on you know, it's all in the indians favor at 1729 01:28:05,973 --> 01:28:09,733 Speaker 2: the moment, isn't it being? You know, it does feel 1730 01:28:09,773 --> 01:28:11,653 Speaker 2: it does feel a bit ragged. And you know, when 1731 01:28:11,653 --> 01:28:14,333 Speaker 2: you have a population of coming on two billion versus 1732 01:28:14,373 --> 01:28:16,613 Speaker 2: a population of just over five million, it's like, wow, 1733 01:28:16,653 --> 01:28:20,653 Speaker 2: come on. But yeah, no, I'll be I'll be gladly 1734 01:28:20,733 --> 01:28:22,933 Speaker 2: volunteering for the night shift tomorrow night at our place 1735 01:28:23,013 --> 01:28:25,533 Speaker 2: so I can see that. Can't wait for them. Yeah, 1736 01:28:25,573 --> 01:28:28,933 Speaker 2: very exit o'clock. I think is first ball name for 1737 01:28:29,053 --> 01:28:32,853 Speaker 2: the ICC Champions Trophy Final. Anyway, we're focusing this morning 1738 01:28:32,853 --> 01:28:35,533 Speaker 2: on a few autumn frolics in the Uapehu district, and 1739 01:28:35,573 --> 01:28:39,813 Speaker 2: the region kind of has outdoorsy adventures for all seasons. 1740 01:28:39,333 --> 01:28:39,493 Speaker 4: A. 1741 01:28:41,093 --> 01:28:44,093 Speaker 19: No doubt about it, Jack, And before the ski bunnies 1742 01:28:44,173 --> 01:28:47,453 Speaker 19: rock into town, I think autumn is a fantastic time 1743 01:28:47,493 --> 01:28:50,453 Speaker 19: to explore the National Park because the some crowds have 1744 01:28:50,693 --> 01:28:54,693 Speaker 19: thinned out yet the weather's still really agreeable. So if 1745 01:28:54,733 --> 01:28:57,093 Speaker 19: you want to take a really good romp up mount 1746 01:28:57,373 --> 01:29:00,973 Speaker 19: a pair who jump on that skywhaker from Fucker Papa 1747 01:29:01,053 --> 01:29:04,533 Speaker 19: Village and check out the mountain trails because there are 1748 01:29:04,613 --> 01:29:08,613 Speaker 19: about ten kilometers of designated trailers around the higher reaches 1749 01:29:08,653 --> 01:29:11,133 Speaker 19: of the mountain, and at this time of year it 1750 01:29:11,213 --> 01:29:15,173 Speaker 19: is such a great chance to admire the dramatic terrain 1751 01:29:15,413 --> 01:29:20,133 Speaker 19: that mash up of volcanic rock and Parmesan scoria before 1752 01:29:20,133 --> 01:29:22,373 Speaker 19: the winter snowcoat arrives. So you do it over the 1753 01:29:22,413 --> 01:29:23,333 Speaker 19: next couple of months. 1754 01:29:23,653 --> 01:29:26,093 Speaker 2: What altitude does the skywalker climb to? 1755 01:29:27,653 --> 01:29:33,213 Speaker 19: Two thy twenty meters, so it's a true alpine gondola. 1756 01:29:33,413 --> 01:29:38,133 Speaker 19: I've often admired the Swiss and their engineering audacity, you 1757 01:29:38,173 --> 01:29:41,973 Speaker 19: know with the various cable cars systems, but this really 1758 01:29:42,173 --> 01:29:47,093 Speaker 19: is sort of projecting that same sense of sheer can 1759 01:29:47,173 --> 01:29:50,533 Speaker 19: do gall and it's actually a whopping ride. It takes 1760 01:29:51,573 --> 01:29:53,933 Speaker 19: a distance of about two kilometers to get from the 1761 01:29:53,933 --> 01:29:58,893 Speaker 19: base station up to Knowlridge chalet at the top, so 1762 01:29:59,133 --> 01:30:03,653 Speaker 19: it's a massive gondola system and if you do take 1763 01:30:03,693 --> 01:30:06,013 Speaker 19: a ride before the end of April, this is the 1764 01:30:06,093 --> 01:30:10,173 Speaker 19: cherry on top jack at nol Ridelle. They are serving 1765 01:30:10,333 --> 01:30:13,893 Speaker 19: New Zealand's highest high tea. So what could be better 1766 01:30:13,973 --> 01:30:17,773 Speaker 19: than just scoffing on a teared stand of tasty morsels 1767 01:30:18,173 --> 01:30:21,293 Speaker 19: as you overlook the pinnacles up top of the mountain. 1768 01:30:21,533 --> 01:30:24,893 Speaker 2: At two thousand meters as well. So that's yeah, that's impressive. 1769 01:30:25,413 --> 01:30:26,933 Speaker 2: If you go a bit live then further blow in 1770 01:30:26,933 --> 01:30:29,453 Speaker 2: the National Park, what short walks would you recommend? 1771 01:30:31,013 --> 01:30:33,093 Speaker 19: Yeah, when I was there a couple of weeks ago, 1772 01:30:33,573 --> 01:30:36,093 Speaker 19: there were a lot of hikers actually just checking out 1773 01:30:36,093 --> 01:30:38,053 Speaker 19: all the different walks, but I reckon the pick of 1774 01:30:38,053 --> 01:30:41,533 Speaker 19: the bunch is the Tarfai Falls Walk because it's very 1775 01:30:41,533 --> 01:30:45,333 Speaker 19: family friendly and you get such a great little slice 1776 01:30:45,373 --> 01:30:49,693 Speaker 19: of mountain forest or that tour tour and beach forest 1777 01:30:50,093 --> 01:30:53,653 Speaker 19: on the trail making your way to that waterfall, tumbling 1778 01:30:53,693 --> 01:30:56,373 Speaker 19: over the edge of an ancient lava flow. And of 1779 01:30:56,413 --> 01:30:59,133 Speaker 19: course for movie fans it's a go to because it 1780 01:30:59,173 --> 01:31:01,693 Speaker 19: was one of the two waterfalls used in Lord of 1781 01:31:01,733 --> 01:31:05,413 Speaker 19: the Rings that depicted golumn fishing. Now the track the 1782 01:31:05,453 --> 01:31:10,613 Speaker 19: Tarfi Falls that starts close to the chateau, and I 1783 01:31:10,653 --> 01:31:13,773 Speaker 19: have to say, Jack, it was so sad to see 1784 01:31:13,813 --> 01:31:18,373 Speaker 19: it in such a sorry, mothballed state. The word is, though, 1785 01:31:18,493 --> 01:31:20,813 Speaker 19: and several locals said this to me a couple of 1786 01:31:20,813 --> 01:31:25,253 Speaker 19: weeks ago, The word is a certain billionaire. Oh, it 1787 01:31:25,333 --> 01:31:31,453 Speaker 19: is current, currently in negotiations to breathe new life into 1788 01:31:31,453 --> 01:31:35,013 Speaker 19: that Grand Lady, I hasten to add, it's an Irish billionaire, 1789 01:31:35,053 --> 01:31:36,253 Speaker 19: not a Canadian this time. 1790 01:31:36,333 --> 01:31:41,093 Speaker 2: Okay. Oh what's the space though? Okay, if you're looking 1791 01:31:41,093 --> 01:31:44,373 Speaker 2: for a bigger kind of day hike, what would you recommend. 1792 01:31:46,013 --> 01:31:49,173 Speaker 19: Well, I've just knocked off the two Papakura Falls walk 1793 01:31:49,253 --> 01:31:51,853 Speaker 19: for the first time. So this is on Fish's Road, 1794 01:31:51,933 --> 01:31:55,653 Speaker 19: just out of National Park Village, and you've got two choices. 1795 01:31:55,693 --> 01:31:56,013 Speaker 3: Really. 1796 01:31:56,293 --> 01:31:59,093 Speaker 19: It begins with a very easy twenty minute walk to 1797 01:31:59,133 --> 01:32:02,173 Speaker 19: the Tartanaky lookout. The reason it's called that is because 1798 01:32:02,213 --> 01:32:05,493 Speaker 19: you get this very unique perspective. You can see Mount 1799 01:32:05,573 --> 01:32:08,813 Speaker 19: Tartanaki and Mount Ruapehu from the same. 1800 01:32:08,613 --> 01:32:10,213 Speaker 3: Spot, which is pretty cool. 1801 01:32:11,053 --> 01:32:14,973 Speaker 19: But keep going because beyond the lookout the trail becomes 1802 01:32:15,013 --> 01:32:20,373 Speaker 19: a backcountry adventure track through the magnificent Urua Forest. The 1803 01:32:20,413 --> 01:32:23,293 Speaker 19: whole war will take about four hours to complete, but 1804 01:32:23,373 --> 01:32:26,973 Speaker 19: you just see so many native trees in that forest 1805 01:32:27,013 --> 01:32:29,733 Speaker 19: and the sweep reward right at the end, the sparkling 1806 01:32:29,773 --> 01:32:34,973 Speaker 19: lookout on the very long drop of the two Papakura falls. 1807 01:32:35,213 --> 01:32:39,253 Speaker 2: Do it, Hey, what's attracting the crowds to or fungal. 1808 01:32:40,253 --> 01:32:43,853 Speaker 19: Yes, Orfungo is home to the orhenatong A Scenic Reserve 1809 01:32:43,933 --> 01:32:46,493 Speaker 19: and this is such a gem this place because it 1810 01:32:46,573 --> 01:32:49,733 Speaker 19: was about a decade ago that the local residents of 1811 01:32:49,893 --> 01:32:52,933 Speaker 19: Orfungo banded together to bring the BirdLife back to this 1812 01:32:53,173 --> 01:32:58,533 Speaker 19: unlogged native pottercar forest. The predators had gone killed the birds, 1813 01:32:58,773 --> 01:33:01,773 Speaker 19: so they decided to kill the predators and they've sent 1814 01:33:01,853 --> 01:33:05,333 Speaker 19: them packing. So it's now also one of our national 1815 01:33:05,413 --> 01:33:10,013 Speaker 19: Kiwi sentries. It is home to a burgeoning population of 1816 01:33:10,093 --> 01:33:13,453 Speaker 19: native birdies and you've got this fantastic loop track around 1817 01:33:13,493 --> 01:33:17,373 Speaker 19: the reserve, which is just the ultimate in forest bathing. 1818 01:33:17,573 --> 01:33:20,813 Speaker 19: I gave a massive six hundred year old Tottara tree 1819 01:33:21,013 --> 01:33:23,613 Speaker 19: a fresh hug. I had given them a hug four 1820 01:33:23,693 --> 01:33:26,293 Speaker 19: years ago, and I thought, this tall boy needs a 1821 01:33:26,333 --> 01:33:29,933 Speaker 19: fresh hug. Yes, I'm still a very absolutely I am 1822 01:33:29,973 --> 01:33:31,453 Speaker 19: still a happy little tree hugger. 1823 01:33:31,573 --> 01:33:31,813 Speaker 5: Ah. 1824 01:33:31,853 --> 01:33:32,493 Speaker 2: That's nice. 1825 01:33:32,613 --> 01:33:32,853 Speaker 6: Yeah. 1826 01:33:32,893 --> 01:33:36,133 Speaker 2: Well, and for something kind of curious and quirky, close 1827 01:33:36,173 --> 01:33:39,773 Speaker 2: to Hakun, tell us about the car graveyard. 1828 01:33:40,813 --> 01:33:42,613 Speaker 19: For a docent classic Keviana. 1829 01:33:42,733 --> 01:33:43,933 Speaker 4: This is just so cool. 1830 01:33:44,013 --> 01:33:47,653 Speaker 19: So it's Horipito Motors and this is the place that 1831 01:33:47,813 --> 01:33:51,453 Speaker 19: featured in both The Smash Palace and Goodbye pork Pie. 1832 01:33:51,813 --> 01:33:54,733 Speaker 19: In fact, the business is nicknamed Smash Palace, so you 1833 01:33:54,773 --> 01:33:57,733 Speaker 19: can see all of the film andabilia there. But check 1834 01:33:57,733 --> 01:34:01,973 Speaker 19: out the vast a car graveyard because this place is 1835 01:34:02,013 --> 01:34:08,053 Speaker 19: the biggest vintage car dismantling operation Australasia. It's like this 1836 01:34:08,293 --> 01:34:11,613 Speaker 19: enormous op shop for old cars and a lot of 1837 01:34:11,613 --> 01:34:13,973 Speaker 19: the parts shipped all over the world. 1838 01:34:14,253 --> 01:34:15,253 Speaker 4: Truly quirky. 1839 01:34:15,573 --> 01:34:18,293 Speaker 2: And is it like like it looks nice. 1840 01:34:18,333 --> 01:34:18,613 Speaker 6: It's not. 1841 01:34:18,853 --> 01:34:20,653 Speaker 2: It's not like it a giant dump or anything. 1842 01:34:21,933 --> 01:34:23,253 Speaker 19: No, it's sort of orderly. 1843 01:34:23,613 --> 01:34:29,733 Speaker 2: Yeah, yeah, yeah, yeah, I get that. 1844 01:34:29,813 --> 01:34:33,253 Speaker 19: Yeah, nice, Yeah, orderly and rustic. 1845 01:34:33,533 --> 01:34:38,573 Speaker 2: Yes, okay, you go quite literally. I suppose yes, that's cool. 1846 01:34:38,613 --> 01:34:41,453 Speaker 2: I like that. I like a off the beating track 1847 01:34:41,493 --> 01:34:45,333 Speaker 2: kind of. Okay, thank you very much, sir. That sounds great. 1848 01:34:45,493 --> 01:34:46,893 Speaker 2: To make sure all of those tips are up and 1849 01:34:46,933 --> 01:34:49,653 Speaker 2: available on the news talks'd be website. The best thing, 1850 01:34:49,733 --> 01:34:51,533 Speaker 2: the best place to go for everything from our show. 1851 01:34:51,693 --> 01:34:53,733 Speaker 2: If you just want to go straight through to all 1852 01:34:53,813 --> 01:34:55,653 Speaker 2: the stuff that we recommend us to, go to News Talks, 1853 01:34:55,653 --> 01:34:59,253 Speaker 2: he'db dot co dot nz Ford slash Jack and we'll 1854 01:34:59,293 --> 01:35:02,093 Speaker 2: have links to everything there. Right now, it is twenty 1855 01:35:02,133 --> 01:35:04,613 Speaker 2: six minutes past eleven. You were Jacktame on Newstalks. 1856 01:35:04,693 --> 01:35:04,893 Speaker 4: 'd be. 1857 01:35:08,653 --> 01:35:10,333 Speaker 3: Getting your weekend started. 1858 01:35:10,533 --> 01:35:39,533 Speaker 1: It's Saturday morning with Jack team on News talksbus Olivia Rodrigo. 1859 01:35:39,733 --> 01:35:43,693 Speaker 2: She's been announced for the Sunday headline spot at Glastonbury. 1860 01:35:44,293 --> 01:35:46,853 Speaker 2: It's pretty amazing really, like most of the songs on 1861 01:35:46,853 --> 01:35:48,693 Speaker 2: her debut album have done super well. 1862 01:35:48,693 --> 01:35:49,173 Speaker 6: They've got like. 1863 01:35:49,133 --> 01:35:52,253 Speaker 2: Billions and billions of streams on Spotify and all of 1864 01:35:52,253 --> 01:35:56,133 Speaker 2: the streaming platforms, YouTube, et cetera. But just to contextualize 1865 01:35:56,133 --> 01:35:59,813 Speaker 2: how big she has become, Glastonbury and the Sunday night 1866 01:35:59,853 --> 01:36:03,173 Speaker 2: slot is like among the biggest gigs in music. So 1867 01:36:03,413 --> 01:36:05,293 Speaker 2: the nineteen seventy five are going to play the Friday slot, 1868 01:36:05,373 --> 01:36:10,133 Speaker 2: Neil young Is, said headliner Olivia Rodrigo for the Sunday Diverse. 1869 01:36:10,373 --> 01:36:13,373 Speaker 2: You would have to say the very least for the Yeah, 1870 01:36:13,413 --> 01:36:15,773 Speaker 2: for the next lineup at glaston Right now before midday 1871 01:36:15,813 --> 01:36:18,213 Speaker 2: on news Talks, he'd be you know that amazing Apple 1872 01:36:18,293 --> 01:36:21,333 Speaker 2: TV series Presumed Innocent, the one with Jake gyllen Hall. 1873 01:36:21,373 --> 01:36:25,213 Speaker 2: I think that's Apple TV's biggest ever streaming series so 1874 01:36:25,333 --> 01:36:28,453 Speaker 2: far or to date. Anyway, they're coming up with a 1875 01:36:28,493 --> 01:36:31,933 Speaker 2: sequel to that on Apple TV. But the author behind 1876 01:36:32,093 --> 01:36:35,813 Speaker 2: Presumed Innocent has a brand new book called Presumed Guilty, 1877 01:36:36,013 --> 01:36:37,693 Speaker 2: and we're going to tell you about that before twelve 1878 01:36:37,693 --> 01:36:40,333 Speaker 2: o'clock today. Apparently, if the book is half as good 1879 01:36:40,333 --> 01:36:42,733 Speaker 2: as the series, then that's very much one to read. 1880 01:36:43,293 --> 01:36:45,333 Speaker 2: Right now, though it is eleven thirty. Jason Pine is 1881 01:36:45,373 --> 01:36:48,733 Speaker 2: with us before he takes control of the mics and 1882 01:36:48,773 --> 01:36:51,373 Speaker 2: the buttons and the dials for Midday Sport for a 1883 01:36:51,613 --> 01:36:54,573 Speaker 2: weekend sport today after Midday kild to Piney, Kill to Jack. 1884 01:36:55,733 --> 01:36:59,373 Speaker 2: Pretty disappointing result for the Blues last night in the end, 1885 01:36:59,373 --> 01:37:02,813 Speaker 2: I think they led for I mean that second half. 1886 01:37:02,813 --> 01:37:06,493 Speaker 2: It felt like they were ahead for about the thirty 1887 01:37:06,733 --> 01:37:08,733 Speaker 2: minutes of that second half, only to give away a 1888 01:37:08,773 --> 01:37:10,973 Speaker 2: penalty in the dying moment, and then to have Boden 1889 01:37:10,973 --> 01:37:14,093 Speaker 2: Barrett with potentially broken bones in his hand as well. 1890 01:37:15,093 --> 01:37:17,933 Speaker 2: Now looking at what three and one from four games 1891 01:37:17,933 --> 01:37:19,533 Speaker 2: and Super Rugby, not a great start, the. 1892 01:37:19,573 --> 01:37:23,373 Speaker 21: Disease no, indeed a plenty to furrow the brow of 1893 01:37:23,493 --> 01:37:25,573 Speaker 21: vern Cotta. You might say after last night, You're right, Jack, 1894 01:37:25,613 --> 01:37:28,013 Speaker 21: I mean, they were what twenty points to ten ahead 1895 01:37:28,093 --> 01:37:30,853 Speaker 21: at half time, didn't score a single point in the 1896 01:37:30,893 --> 01:37:34,053 Speaker 21: second half, and the Brumbies just chipped away a penalty, 1897 01:37:34,213 --> 01:37:38,213 Speaker 21: then a try which the conversion of was missed, and 1898 01:37:38,253 --> 01:37:39,973 Speaker 21: then you're right at the end, as you say, seventy 1899 01:37:40,053 --> 01:37:42,893 Speaker 21: nine eighty minutes the penalty awarded against them, And yeah, 1900 01:37:42,893 --> 01:37:44,893 Speaker 21: the Blues will be waking up this morning or would 1901 01:37:44,933 --> 01:37:46,973 Speaker 21: have and wondered how that one got away from them. 1902 01:37:47,253 --> 01:37:49,733 Speaker 21: They should have closed it out. Yeah, not ideal having 1903 01:37:49,773 --> 01:37:51,893 Speaker 21: Boden Barrett leave at halftime, not just for the Blues 1904 01:37:51,933 --> 01:37:54,693 Speaker 21: but potentially for the All Blacks as well, although from 1905 01:37:54,693 --> 01:37:58,013 Speaker 21: what we understand it's not a it's weeks not months 1906 01:37:58,053 --> 01:38:00,973 Speaker 21: for boden Bar in terms of the fracture to its hand. 1907 01:38:01,053 --> 01:38:05,693 Speaker 21: Ricky rickertally also left late on with a pectoral injury. 1908 01:38:05,813 --> 01:38:08,973 Speaker 21: So yeah, there's a bit to digest for vern Conna. 1909 01:38:09,293 --> 01:38:11,933 Speaker 21: I still think they'll be okay, but yeah, they'd want 1910 01:38:11,933 --> 01:38:13,413 Speaker 21: to get a bit of a wriggle on because they 1911 01:38:13,453 --> 01:38:15,413 Speaker 21: could have lost to the Hurricanes last week. Yeah, they 1912 01:38:15,413 --> 01:38:17,973 Speaker 21: could be. They could be and four you know, they'll 1913 01:38:17,973 --> 01:38:19,973 Speaker 21: turn things around. They're two talentsed a roster not to 1914 01:38:20,133 --> 01:38:22,493 Speaker 21: got to be happy for the Brumbies though, twelve years 1915 01:38:22,533 --> 01:38:25,373 Speaker 21: between wins of Edon Park. They'll be hopping back on 1916 01:38:25,413 --> 01:38:28,773 Speaker 21: a plane in Pairy in fairly buoyant mood, I would imagine. 1917 01:38:28,853 --> 01:38:31,973 Speaker 2: Yes, so I think so. Now the Phoenix said what 1918 01:38:32,013 --> 01:38:33,813 Speaker 2: they need? How many finals in a row? Now they 1919 01:38:34,053 --> 01:38:37,653 Speaker 2: their literatary basically every regular season game another eight finals 1920 01:38:37,693 --> 01:38:40,893 Speaker 2: they're preparing for because they've got to win everything now 1921 01:38:40,933 --> 01:38:42,933 Speaker 2: if they're going to make the playoffs. It hasn't been 1922 01:38:43,013 --> 01:38:45,013 Speaker 2: hasn't been a great season so far. Last weekend a 1923 01:38:45,013 --> 01:38:49,573 Speaker 2: bit disappointing, but tonight they are up against Western United. 1924 01:38:50,053 --> 01:38:53,573 Speaker 21: Yeah, once you start talking mathematical possibilities. You know, you're 1925 01:38:53,573 --> 01:38:56,653 Speaker 21: in you know, warrior's territory. 1926 01:38:56,773 --> 01:38:59,613 Speaker 2: That's right. I didn't want to say it, but it's 1927 01:38:59,653 --> 01:39:00,613 Speaker 2: sort of that sort of thing. 1928 01:39:00,813 --> 01:39:02,893 Speaker 21: Yeah, Look, they have they've won i think one of 1929 01:39:02,933 --> 01:39:04,813 Speaker 21: their last eight or nine, and they've got to win 1930 01:39:04,853 --> 01:39:07,733 Speaker 21: all of their last eight real to have a realistic chance. 1931 01:39:07,813 --> 01:39:10,253 Speaker 21: So I think we can probably say that the playoffs 1932 01:39:10,253 --> 01:39:13,453 Speaker 21: are a very very slim possibility for the Phoenix. Instead, 1933 01:39:13,453 --> 01:39:15,733 Speaker 21: they've got to kind of try and I guess salvage 1934 01:39:15,733 --> 01:39:18,373 Speaker 21: something from their season up the road. Obviously, Auckland FC 1935 01:39:18,533 --> 01:39:21,213 Speaker 21: are at the other end of the form scale. They're 1936 01:39:21,213 --> 01:39:24,973 Speaker 21: away at Newcastle tomorrow night looking to extend their lead 1937 01:39:25,093 --> 01:39:27,653 Speaker 21: at the top of the A League. So yeah, contrasting 1938 01:39:27,693 --> 01:39:31,813 Speaker 21: fortunes for our two A League men's sides. But you know, 1939 01:39:32,413 --> 01:39:34,213 Speaker 21: this is what sport is, isn't it. You know, you 1940 01:39:34,253 --> 01:39:36,653 Speaker 21: look back twelve months and the Phoenix were flying high 1941 01:39:36,653 --> 01:39:39,093 Speaker 21: and Auckland FC he didn't even have a team, and 1942 01:39:39,173 --> 01:39:41,813 Speaker 21: here we are now and it's all changed. So yet, right, 1943 01:39:41,853 --> 01:39:44,573 Speaker 21: the roller coaster, the ups and the downs, and just 1944 01:39:44,733 --> 01:39:46,573 Speaker 21: know at some stage that things will turn around. 1945 01:39:46,653 --> 01:39:48,853 Speaker 2: How are you feeling about the Black Cats prospects in 1946 01:39:48,893 --> 01:39:50,013 Speaker 2: the Champions Trophy Final. 1947 01:39:50,573 --> 01:39:53,173 Speaker 21: Like you, I'm worried about Matt Henry. I think if 1948 01:39:53,213 --> 01:39:55,773 Speaker 21: you are going to take anybody out of that team, 1949 01:39:55,933 --> 01:39:58,413 Speaker 21: you know, he doesn't seem like a guy you land 1950 01:39:58,413 --> 01:40:02,173 Speaker 21: on Williamson, Ravendra players like that. But Matt Henry is 1951 01:40:02,253 --> 01:40:06,093 Speaker 21: so integral to our seam attack. I know it's more 1952 01:40:06,173 --> 01:40:09,693 Speaker 21: like to be, you know, a spin heavy kind of final, 1953 01:40:10,053 --> 01:40:13,653 Speaker 21: but Matt Henry does such an important job with the 1954 01:40:13,693 --> 01:40:16,253 Speaker 21: new ball and at the back end of it innings 1955 01:40:16,253 --> 01:40:19,133 Speaker 21: in terms of taking the pace off and things like that. 1956 01:40:19,293 --> 01:40:22,253 Speaker 21: So I'm a bit worried about that. Having said that, 1957 01:40:23,053 --> 01:40:24,973 Speaker 21: you know, if he isn't there, then I guess Jacob 1958 01:40:25,053 --> 01:40:28,453 Speaker 21: Duffy comes in or Nathan Smith and we probably do 1959 01:40:28,573 --> 01:40:30,733 Speaker 21: rely more on you know, we're going to get ten 1960 01:40:30,773 --> 01:40:33,573 Speaker 21: overs out of Mitchell Santner and Michael Brace will anyway, 1961 01:40:33,733 --> 01:40:35,853 Speaker 21: maybe Glenn Phillips and Rutch and Revendra have to do 1962 01:40:35,933 --> 01:40:39,133 Speaker 21: more bowling. I'm really really encouraged by the way we 1963 01:40:39,213 --> 01:40:41,893 Speaker 21: played against South Africa in that semi Look, if you 1964 01:40:41,933 --> 01:40:45,533 Speaker 21: could have set up an ideal semi final, you know, 1965 01:40:46,133 --> 01:40:48,733 Speaker 21: first in things score, that would be it. I mean, 1966 01:40:48,933 --> 01:40:51,573 Speaker 21: Rutchan Revender is batting on a different planet. I'm just 1967 01:40:52,053 --> 01:40:54,933 Speaker 21: so impressed by him. Came Williamson is just being Came 1968 01:40:54,973 --> 01:40:58,573 Speaker 21: Williamson and getting contributions from Phillips and Mitchell and others. 1969 01:40:58,613 --> 01:41:01,853 Speaker 21: So look, I'm certainly I don't have a young baby 1970 01:41:01,893 --> 01:41:03,893 Speaker 21: at home that I've got an excuse to stay up for. 1971 01:41:06,693 --> 01:41:08,493 Speaker 2: Ye're right, I'll be up. I'll be up. I'll probably 1972 01:41:08,533 --> 01:41:12,413 Speaker 2: be texting you actually during the game. I'll be about that. 1973 01:41:13,973 --> 01:41:14,093 Speaker 4: Now. 1974 01:41:14,093 --> 01:41:16,053 Speaker 2: I'm looking forward to it. What's on the cars this afternoon? 1975 01:41:16,293 --> 01:41:18,973 Speaker 21: Well, Jack Mesley, who's the CEO of SUPERP pacificause it 1976 01:41:18,973 --> 01:41:20,453 Speaker 21: in the studio actually is going to pop in straight 1977 01:41:20,453 --> 01:41:22,613 Speaker 21: after mid day to chat to us. I think he'd 1978 01:41:22,653 --> 01:41:25,653 Speaker 21: be overall pretty pleased by all metrics. You know, the 1979 01:41:25,693 --> 01:41:28,533 Speaker 21: games have been good, lots of tries, close contests, upset 1980 01:41:28,933 --> 01:41:31,013 Speaker 21: as we saw last night. Viewer numbers this week from 1981 01:41:31,053 --> 01:41:33,213 Speaker 21: Skype were very good. So a couple of things to 1982 01:41:33,533 --> 01:41:35,733 Speaker 21: chew over. Also this I'm going to try and get 1983 01:41:35,733 --> 01:41:39,453 Speaker 21: to the bottom of this. Fiji and Drew a travel Schermozzle. 1984 01:41:39,333 --> 01:41:41,933 Speaker 2: Who's unbelievable. 1985 01:41:42,133 --> 01:41:44,453 Speaker 21: It does, it really does, and I just wonder where 1986 01:41:45,133 --> 01:41:46,573 Speaker 21: ultimate responsibility lies. 1987 01:41:46,613 --> 01:41:47,493 Speaker 2: Look put it this way Jack. 1988 01:41:47,493 --> 01:41:49,853 Speaker 21: If I'm if I'm in a team and i land at 1989 01:41:49,893 --> 01:41:52,253 Speaker 21: the at an airport and I'm waiting for a bus 1990 01:41:52,253 --> 01:41:54,893 Speaker 21: and the bus isn't there, the first person I'm asking 1991 01:41:55,293 --> 01:41:57,253 Speaker 21: for an explanation from is my own manager. 1992 01:41:58,133 --> 01:42:00,013 Speaker 2: That's how it feels to me. I know it. 1993 01:42:00,053 --> 01:42:02,133 Speaker 21: There's more to it than that. I'm interested to hear 1994 01:42:02,453 --> 01:42:05,933 Speaker 21: from Jack Nesley. Actually, where ultimate responsibility lies. It's a 1995 01:42:06,413 --> 01:42:08,293 Speaker 21: I mean, it's not a great situation when you have 1996 01:42:08,333 --> 01:42:10,133 Speaker 21: to travel from Auckland to Napier in the back of 1997 01:42:10,173 --> 01:42:14,213 Speaker 21: a truck. You know that's not ideal. But I'm keen 1998 01:42:14,253 --> 01:42:16,733 Speaker 21: to find out more about about who books the travel 1999 01:42:17,053 --> 01:42:19,013 Speaker 21: where the responsibility ultimately lies. 2000 01:42:19,373 --> 01:42:22,013 Speaker 2: Also this afternoon, Rory Felon's on the show. 2001 01:42:23,093 --> 01:42:26,613 Speaker 21: Yeah, it's twenty five years of celebration at Sky Stadium 2002 01:42:26,653 --> 01:42:29,173 Speaker 21: this weekend, Yeah, since it opened in two thousand. So 2003 01:42:29,173 --> 01:42:30,773 Speaker 21: I want to talk to him about that famous goal 2004 01:42:30,813 --> 01:42:33,733 Speaker 21: against Bahrain back in two thousand and night. Because, of course, 2005 01:42:33,733 --> 01:42:36,813 Speaker 21: the All Whites are shortly set to make the final 2006 01:42:36,813 --> 01:42:39,573 Speaker 21: push for next year's Football World Cup, a lot easier 2007 01:42:39,613 --> 01:42:41,813 Speaker 21: to get there through Oceania than in the days of 2008 01:42:41,893 --> 01:42:44,253 Speaker 21: Rory Fallon. But looking forward to to wandering a bit 2009 01:42:44,253 --> 01:42:46,693 Speaker 21: down Memory Lane with him after one o'clock this afternoon. 2010 01:42:46,693 --> 01:42:50,533 Speaker 2: I've got my tickets, got tickets, fine, Yeah, me and 2011 01:42:50,573 --> 01:42:52,413 Speaker 2: the eight year old are going to go along. Although lovely, 2012 01:42:52,453 --> 01:42:54,733 Speaker 2: I've tried to explain the concept term. I'm like, so, 2013 01:42:54,893 --> 01:42:56,293 Speaker 2: you know, we don't actually know who's going to be 2014 01:42:56,333 --> 01:42:58,293 Speaker 2: in the final this year. It's safe to assume that 2015 01:42:58,653 --> 01:43:00,533 Speaker 2: the all whites are the favorite, but we could end 2016 01:43:00,613 --> 01:43:06,773 Speaker 2: up seeing Sarmore and Tuvaralu at Eden Park on. You 2017 01:43:06,773 --> 01:43:09,773 Speaker 2: know that feels unlikely. She does feel unlikely, but you 2018 01:43:09,893 --> 01:43:11,253 Speaker 2: never know. You know, you don't want to get an 2019 01:43:11,253 --> 01:43:13,613 Speaker 2: eight year old too excited anyway, No, true, you're right there. Hey, 2020 01:43:13,693 --> 01:43:15,653 Speaker 2: thank you so much. Looking forward to this afternoon, Jay, 2021 01:43:15,693 --> 01:43:17,533 Speaker 2: Thank you, Jame. We'll be with us for weekend sport 2022 01:43:17,653 --> 01:43:20,493 Speaker 2: right after the midday news. Before midday, we'll play you 2023 01:43:20,573 --> 01:43:24,053 Speaker 2: some of Lady Gaga's brand new album Mayhem, and next 2024 01:43:24,093 --> 01:43:26,253 Speaker 2: up your book picks for this weekend. It's twenty three to. 2025 01:43:26,213 --> 01:43:30,613 Speaker 1: Twelve Saturday morning with Jack Team Full Show podcast on 2026 01:43:30,773 --> 01:43:33,493 Speaker 1: iHeartRadio powered by News Talk Z'B. 2027 01:43:34,693 --> 01:43:36,933 Speaker 2: Twenty one to twelve on News Talks. He'd be Katherine 2028 01:43:37,013 --> 01:43:39,013 Speaker 2: Rains as our book reviewer and she's here with her 2029 01:43:39,053 --> 01:43:42,773 Speaker 2: two recommendations for us this weekend. Hi, Catherine Hijack Okay. 2030 01:43:42,853 --> 01:43:45,933 Speaker 2: Let's start off with Dream Count, which is the latest 2031 01:43:45,933 --> 01:43:48,053 Speaker 2: book by Chamanda and Gauzy Aduchy. 2032 01:43:48,973 --> 01:43:51,493 Speaker 23: So it actually takes on some major themes in this novel. 2033 01:43:51,533 --> 01:43:53,853 Speaker 23: It's her first and ten years and she explores lots 2034 01:43:53,853 --> 01:43:58,533 Speaker 23: of race, belonging, class issues, societal norms, corruption, sexism, and morality. 2035 01:43:58,813 --> 01:44:01,893 Speaker 23: And all her characters have these different belief systems that 2036 01:44:01,973 --> 01:44:07,333 Speaker 23: sometimes clash, and she's telling the story on for Nigerian 2037 01:44:07,373 --> 01:44:09,493 Speaker 23: women who are in their forties have reached these major 2038 01:44:09,533 --> 01:44:12,813 Speaker 23: turning points in their lives. So there's Jimmy Kanda, who's 2039 01:44:12,973 --> 01:44:15,053 Speaker 23: a travel writer who was raised in wealth and she's 2040 01:44:15,093 --> 01:44:17,333 Speaker 23: living in the US and she's talking about her past 2041 01:44:17,373 --> 01:44:21,173 Speaker 23: lovers and the ending of each relationship. And her best friend, Shikora, 2042 01:44:21,453 --> 01:44:24,093 Speaker 23: is a lawyer who's always been successful, but she's been 2043 01:44:24,133 --> 01:44:27,093 Speaker 23: portrayed and she turns back to her mother in that time. 2044 01:44:27,733 --> 01:44:30,573 Speaker 23: And then there's a Maliga who's her cousin and she 2045 01:44:30,653 --> 01:44:33,973 Speaker 23: lives in Nigeria and she's an incredibly successful banker and 2046 01:44:34,013 --> 01:44:37,973 Speaker 23: she's enormously donates to people to alleviate some of the 2047 01:44:38,013 --> 01:44:40,853 Speaker 23: shame for the corruption and her work. And finally there's 2048 01:44:40,893 --> 01:44:44,493 Speaker 23: Katal who's her housekeeper and she's very proud to be 2049 01:44:44,573 --> 01:44:47,853 Speaker 23: raising her teenage daughter in America and her book kind 2050 01:44:47,853 --> 01:44:50,813 Speaker 23: of the book traces her childhood of Nigeria to the 2051 01:44:50,813 --> 01:44:53,213 Speaker 23: present day where she's sort of faced with the situation 2052 01:44:53,333 --> 01:44:57,173 Speaker 23: where she might actually lose everything. And so these women 2053 01:44:57,213 --> 01:45:00,933 Speaker 23: are unlikely friends in lots of ways, and they navigate 2054 01:45:00,973 --> 01:45:03,933 Speaker 23: their expectations in life and realities and you get these 2055 01:45:03,973 --> 01:45:08,093 Speaker 23: interconnect stories told from different perspectives and aductly managed to 2056 01:45:08,093 --> 01:45:10,613 Speaker 23: get layer upon layer for these characters. And she's an 2057 01:45:10,653 --> 01:45:13,253 Speaker 23: incredibly talented writer and it leaves you with lots of 2058 01:45:13,293 --> 01:45:15,213 Speaker 23: feelings and thoughts at the end of the novel. 2059 01:45:15,333 --> 01:45:18,733 Speaker 2: Yah nice, Okay, that's dream count by Chamanda and Gorzi 2060 01:45:18,813 --> 01:45:24,653 Speaker 2: a Duchy. You've also read Presumed Guilty by Scott tuah. 2061 01:45:23,613 --> 01:45:25,813 Speaker 23: So in this which follows a book that he wrote 2062 01:45:26,213 --> 01:45:28,773 Speaker 23: over thirty years ago called Presumed Innocent, which last year 2063 01:45:28,813 --> 01:45:31,173 Speaker 23: was turned into Apple. 2064 01:45:30,933 --> 01:45:32,213 Speaker 12: Series with Jake Giggenhall. 2065 01:45:32,333 --> 01:45:35,173 Speaker 23: And in this Rusty Sobat she's now a seventy year 2066 01:45:35,213 --> 01:45:37,893 Speaker 23: old retired judge and he finds himself in this quiet 2067 01:45:37,933 --> 01:45:41,533 Speaker 23: lakeside community and he's with his fancy b and they 2068 01:45:41,533 --> 01:45:46,093 Speaker 23: have this great life and she is a position of 2069 01:45:46,093 --> 01:45:48,493 Speaker 23: a principal at local school and they've lived together but 2070 01:45:48,773 --> 01:45:52,413 Speaker 23: never married, and they share their home with her adopted son, Aaron. 2071 01:45:52,973 --> 01:45:55,053 Speaker 23: And it hadn't be easy for him growing up as 2072 01:45:55,093 --> 01:45:58,413 Speaker 23: the only black kid in a primarily white community, and 2073 01:45:58,453 --> 01:46:02,133 Speaker 23: he'd found his relationship with his lovely girl, May, who 2074 01:46:02,133 --> 01:46:04,933 Speaker 23: had met at school. But also on the other hand, 2075 01:46:04,973 --> 01:46:08,613 Speaker 23: he finds himself serving probation sentence for a drug offense, 2076 01:46:09,413 --> 01:46:12,773 Speaker 23: and Rusty and b agree to take responsibility for him 2077 01:46:12,813 --> 01:46:15,933 Speaker 23: and those restrictions as part of probation, and all's going 2078 01:46:16,013 --> 01:46:18,253 Speaker 23: kind of well until Aaron and May decide to go 2079 01:46:18,373 --> 01:46:22,373 Speaker 23: camping together. And Aaron knew that leaving home and driving 2080 01:46:22,453 --> 01:46:26,813 Speaker 23: were against his per role of probation agreement. And that's 2081 01:46:26,853 --> 01:46:29,333 Speaker 23: the trip that changes his life because shortly after he 2082 01:46:29,413 --> 01:46:33,093 Speaker 23: returns without her, her body's discovered and he's charged with 2083 01:46:33,173 --> 01:46:36,973 Speaker 23: first degree murder, and against his better judgment, Rusty decides 2084 01:46:37,013 --> 01:46:39,013 Speaker 23: to take on the case, and that's where you get 2085 01:46:39,053 --> 01:46:42,133 Speaker 23: the twists and the turns and courtroom suspense and this 2086 01:46:42,253 --> 01:46:45,653 Speaker 23: legal drama that takes place in those courtrooms, and Scottrow 2087 01:46:45,893 --> 01:46:49,733 Speaker 23: is incredibly good at writing these courtroom scenes and making 2088 01:46:49,773 --> 01:46:53,693 Speaker 23: you feel like you're sitting there right with the parties involved. 2089 01:46:53,853 --> 01:46:57,693 Speaker 2: Yeah, okay, cool, So that's presumed guilty by Scott Tua. 2090 01:46:57,773 --> 01:46:59,973 Speaker 2: Your first book is dream Count by Jamanda and Gozzi 2091 01:47:00,013 --> 01:47:01,653 Speaker 2: Adachi and Catherine's recommendations. 2092 01:47:01,653 --> 01:47:02,733 Speaker 6: Will be on the news talks. 2093 01:47:02,733 --> 01:47:05,533 Speaker 2: He'd be website new music from Gaga in a couple 2094 01:47:05,573 --> 01:47:08,333 Speaker 2: of minutes, even Deane to twelve giving. 2095 01:47:08,093 --> 01:47:10,573 Speaker 1: You the inside scoop on All you Need to Us 2096 01:47:10,613 --> 01:47:13,773 Speaker 1: Saturday Mornings with Jack Tame and Bpure dot co dot 2097 01:47:13,853 --> 01:47:16,573 Speaker 1: nz for high quality supplements used talks. 2098 01:47:16,573 --> 01:47:16,853 Speaker 7: It'd be. 2099 01:47:28,733 --> 01:47:37,733 Speaker 18: By you. 2100 01:47:43,253 --> 01:47:46,333 Speaker 2: That is How Bad Do You Want Me? By Lady Gaga. 2101 01:47:46,813 --> 01:47:51,213 Speaker 2: Her new album is called Mayhem Now music via Style. 2102 01:47:51,253 --> 01:47:53,453 Speaker 2: Cliff has been listening more than I love a bit 2103 01:47:53,493 --> 01:47:55,493 Speaker 2: of Gaga, love a bit of Gaga, throwing it back 2104 01:47:55,533 --> 01:47:57,173 Speaker 2: to O g Gaga, thank you. 2105 01:47:57,333 --> 01:47:59,413 Speaker 12: I'm glad that you're soaking up that vibe. But like 2106 01:47:59,493 --> 01:48:01,853 Speaker 12: everybody having to go back to check the credits of 2107 01:48:01,893 --> 01:48:04,933 Speaker 12: who's singing that song right because she sounds so tato. 2108 01:48:05,133 --> 01:48:08,413 Speaker 2: Yeah she does sound very Yeah, I don't. 2109 01:48:08,253 --> 01:48:11,613 Speaker 12: Think i'd really credited that back early Lady Gaga did 2110 01:48:11,693 --> 01:48:14,933 Speaker 12: sound Taylor Swifty, or does Taylor Swifty sound Lady Gaga? 2111 01:48:15,453 --> 01:48:17,133 Speaker 12: I don't know, but that song in particular on the 2112 01:48:17,133 --> 01:48:20,333 Speaker 12: album has had everyone doing exactly the same thing, and 2113 01:48:20,453 --> 01:48:22,573 Speaker 12: rumor has it, but I don't think it's true that 2114 01:48:22,693 --> 01:48:27,013 Speaker 12: Taylor Swift laid down the backing vocals. But you couldn't 2115 01:48:27,053 --> 01:48:28,853 Speaker 12: then release a song and not have Taylor Swift. 2116 01:48:28,933 --> 01:48:31,893 Speaker 2: You couldn't. Yah, surely that would be yeah, exactly. 2117 01:48:31,573 --> 01:48:33,213 Speaker 12: Yes, So I don't think that's true. But anyway, she 2118 01:48:33,253 --> 01:48:36,653 Speaker 12: does sound very, very tate and interesting kind of lead 2119 01:48:36,653 --> 01:48:38,853 Speaker 12: into this album because this song is kind of in 2120 01:48:38,893 --> 01:48:41,813 Speaker 12: the in the halfway point, and that's where things get 2121 01:48:41,813 --> 01:48:44,773 Speaker 12: a little bit more lighthearted and probably a bit more 2122 01:48:44,773 --> 01:48:47,973 Speaker 12: poppy and some of the funk soul kind of stuff 2123 01:48:48,013 --> 01:48:50,253 Speaker 12: that she does where the start of the album is 2124 01:48:50,293 --> 01:48:55,933 Speaker 12: all that Abraca Deborah disease that we're we like. I 2125 01:48:56,013 --> 01:48:59,333 Speaker 12: just love getting it drawn into those Lady Gaga songs 2126 01:48:59,333 --> 01:49:02,053 Speaker 12: where you're like, I'm just singing some nonsense lyrics, I'm 2127 01:49:02,093 --> 01:49:04,613 Speaker 12: making this stuff up, but I feel like I want 2128 01:49:04,613 --> 01:49:07,853 Speaker 12: to struten the sun and zode some sort of crazy 2129 01:49:08,693 --> 01:49:11,293 Speaker 12: energy And I love this. I love that we've gone 2130 01:49:11,293 --> 01:49:14,533 Speaker 12: back to the paus Up Little Monsters, a new era 2131 01:49:14,693 --> 01:49:19,013 Speaker 12: of that. For Lady Gaga, it feels confident and it's 2132 01:49:19,333 --> 01:49:23,413 Speaker 12: it's strong and crazy and all those things that you 2133 01:49:23,453 --> 01:49:25,693 Speaker 12: would expect and a little bit weird and a little 2134 01:49:25,733 --> 01:49:27,893 Speaker 12: bit you know, like off the calf where you're like, 2135 01:49:27,893 --> 01:49:28,973 Speaker 12: thank goodness. 2136 01:49:28,733 --> 01:49:31,373 Speaker 2: Yeah, poppy, but kind of she's always had a kind 2137 01:49:31,413 --> 01:49:34,613 Speaker 2: of a slightly it's weird because she's very center of 2138 01:49:34,613 --> 01:49:36,253 Speaker 2: the culture, but you know, she's always had a kind 2139 01:49:36,293 --> 01:49:39,053 Speaker 2: of slightly counterculturally in the same way that Madonna was 2140 01:49:39,173 --> 01:49:41,333 Speaker 2: kind of Absolutely. 2141 01:49:40,733 --> 01:49:42,373 Speaker 12: I'm going to take all that stuff you kind of 2142 01:49:42,413 --> 01:49:44,933 Speaker 12: know and you feel familiar with, and then I'm just 2143 01:49:44,933 --> 01:49:47,213 Speaker 12: going to put it through a blender and come back 2144 01:49:47,213 --> 01:49:49,053 Speaker 12: out the other side and really own it. And I 2145 01:49:49,053 --> 01:49:51,453 Speaker 12: think that's the magic of what makes Lady Gaga who 2146 01:49:51,493 --> 01:49:54,293 Speaker 12: she is. And also then you put out the fact 2147 01:49:54,293 --> 01:49:56,973 Speaker 12: that she has an incredible voice, so she can do 2148 01:49:57,013 --> 01:49:59,973 Speaker 12: some real cool things with her vocals, and she loves 2149 01:50:00,013 --> 01:50:03,373 Speaker 12: to play with that kind of stuff. I'm like, if 2150 01:50:03,413 --> 01:50:05,533 Speaker 12: you're ever on Dancing with the Stars, Jack, can you 2151 01:50:05,573 --> 01:50:08,613 Speaker 12: please like cut some shows to disease or Ebraka Debora. 2152 01:50:12,533 --> 01:50:14,613 Speaker 12: I'm pitching your songs for you. 2153 01:50:16,173 --> 01:50:18,933 Speaker 2: It is the first part of that composition, the dancer. 2154 01:50:20,093 --> 01:50:21,933 Speaker 12: But she always makes me feel like I could be 2155 01:50:21,973 --> 01:50:24,613 Speaker 12: a wicked dancer, a really great backup dancer. There's just 2156 01:50:24,653 --> 01:50:27,533 Speaker 12: something about her music and this this album has really 2157 01:50:27,533 --> 01:50:29,693 Speaker 12: got that, you know, like it's kind of dark as well. 2158 01:50:29,733 --> 01:50:33,573 Speaker 12: There's like sort of dark lyrics, the things that she's 2159 01:50:33,613 --> 01:50:37,933 Speaker 12: talking about. Perfect Celebrity. That is such a great track. 2160 01:50:38,173 --> 01:50:40,973 Speaker 12: It's I mean, it's so wrong, but it's so right, 2161 01:50:41,013 --> 01:50:43,013 Speaker 12: which I think again is what Lady Gaga can do 2162 01:50:43,533 --> 01:50:47,293 Speaker 12: really really well. And that kind of bad or thriller 2163 01:50:47,333 --> 01:50:49,413 Speaker 12: of Michael Jackson, you know where you're like, this is 2164 01:50:50,093 --> 01:50:52,973 Speaker 12: sort of creepy and cool. But there's there's kind of 2165 01:50:53,013 --> 01:50:55,253 Speaker 12: like constantly more of that that's going on. There's gonna 2166 01:50:55,253 --> 01:50:59,933 Speaker 12: be some real sweaty club dance flowards when everyone's like 2167 01:51:00,013 --> 01:51:02,493 Speaker 12: getting their grinds onto some of these tracks, which I 2168 01:51:02,573 --> 01:51:04,533 Speaker 12: think is I think is great. It's it's one of 2169 01:51:04,573 --> 01:51:06,493 Speaker 12: those albums you can listen to lots and lots and 2170 01:51:06,533 --> 01:51:08,853 Speaker 12: lots of which is what the fame was as well. Yeah, 2171 01:51:08,933 --> 01:51:11,493 Speaker 12: that's why she's had so many hits of that album. 2172 01:51:11,573 --> 01:51:13,533 Speaker 12: There's a little bit of there's a song called Killer. 2173 01:51:13,693 --> 01:51:15,933 Speaker 12: I felt that was very her embracing her in a 2174 01:51:16,013 --> 01:51:18,653 Speaker 12: prince and it's not just in the vocals, but like 2175 01:51:18,693 --> 01:51:22,133 Speaker 12: the accompanying guitar riffs and flourishes and then some of 2176 01:51:22,133 --> 01:51:25,453 Speaker 12: those funky guitar slaps that he was quite renowned for. 2177 01:51:25,653 --> 01:51:28,613 Speaker 12: So whoever's doing the guitar work on some of her 2178 01:51:28,813 --> 01:51:31,493 Speaker 12: tracks is is very clever, and they're just those catchy 2179 01:51:31,493 --> 01:51:34,213 Speaker 12: little riffs that bring you in and very prince escus. 2180 01:51:34,293 --> 01:51:36,053 Speaker 12: So you'll, I mean, you'll hear it yourself when you 2181 01:51:36,053 --> 01:51:38,533 Speaker 12: go through the whole album. And then a few disco 2182 01:51:38,613 --> 01:51:42,733 Speaker 12: rhythms Gwen Stefani kind of you know, like my shit, 2183 01:51:43,013 --> 01:51:45,333 Speaker 12: there's Banana's the kind of song this is a little 2184 01:51:45,373 --> 01:51:47,653 Speaker 12: bit of that sort of stuff as well. So maybe 2185 01:51:47,653 --> 01:51:50,653 Speaker 12: that's just that whole fusion of what pop and sassy 2186 01:51:50,733 --> 01:51:51,653 Speaker 12: queens is all about. 2187 01:51:52,493 --> 01:51:52,813 Speaker 5: Right here. 2188 01:51:53,133 --> 01:51:54,893 Speaker 2: I love it. So what do you make of this 2189 01:51:54,973 --> 01:51:56,893 Speaker 2: concept of recession pop? Have you heard about this? 2190 01:51:57,293 --> 01:51:57,493 Speaker 8: Oh? 2191 01:51:57,573 --> 01:52:00,533 Speaker 12: Okay, so this is like going back but bringing it forward. 2192 01:52:00,773 --> 01:52:04,773 Speaker 2: Well, it's like when when you have tricky economic times. 2193 01:52:05,173 --> 01:52:07,413 Speaker 2: Oh yeah, so like to thousand and eight was when 2194 01:52:07,733 --> 01:52:12,493 Speaker 2: The Fame was released, and now Mayhem have, but she's 2195 01:52:12,533 --> 01:52:16,613 Speaker 2: kind of got these really poppy, vintage Gaga sounds coming 2196 01:52:16,613 --> 01:52:18,493 Speaker 2: out at the same time that you have really tricky 2197 01:52:18,533 --> 01:52:21,933 Speaker 2: economic time. So the theory goes that maybe like tough 2198 01:52:21,973 --> 01:52:24,493 Speaker 2: times bring out the poppiest and Gaga. 2199 01:52:24,133 --> 01:52:26,213 Speaker 12: And maybe they do. She's gone back to like the 2200 01:52:26,253 --> 01:52:29,093 Speaker 12: grunge bar where she originally started writings. Yeah, she's gone 2201 01:52:29,093 --> 01:52:32,853 Speaker 12: back to those basic routes. That's simple. There's nothing like yeah, 2202 01:52:33,053 --> 01:52:34,973 Speaker 12: okay recession pop alright, that's the thing. 2203 01:52:35,013 --> 01:52:37,373 Speaker 2: It's very deep, and that's what we do on Saturday morning. 2204 01:52:37,453 --> 01:52:40,053 Speaker 2: We look at this kind of yeah exactly, So I mean, you. 2205 01:52:39,973 --> 01:52:41,413 Speaker 12: Know, another coffee for that one. 2206 01:52:41,453 --> 01:52:43,493 Speaker 2: Yeah, yeah, Look, I. 2207 01:52:43,853 --> 01:52:46,253 Speaker 12: I really I've loved this album. I feel really in 2208 01:52:46,253 --> 01:52:48,733 Speaker 12: his eyes and excited by it. And maybe that's it. 2209 01:52:48,973 --> 01:52:50,973 Speaker 12: Right through a recession, you need something to look too 2210 01:52:51,093 --> 01:52:53,133 Speaker 12: that makes you feel like you're having a great time 2211 01:52:53,213 --> 01:52:54,973 Speaker 12: and now you can spend your whole weekends making up 2212 01:52:55,013 --> 01:52:56,373 Speaker 12: your own lyrics to Ebria Debora. 2213 01:52:59,093 --> 01:53:04,213 Speaker 2: Yeah, okay, what do you give it? By Lady Gaga? Right, 2214 01:53:05,413 --> 01:53:07,693 Speaker 2: a couple of mons we played, does they want to 2215 01:53:07,693 --> 01:53:10,293 Speaker 2: close out the show this morning? Very good? Thank you 2216 01:53:10,333 --> 01:53:13,373 Speaker 2: so much. As Stale Clifford is our music reviewer more 2217 01:53:13,413 --> 01:53:15,453 Speaker 2: Gaga in a couple of minutes. It's nine to twelve 2218 01:53:15,453 --> 01:53:15,893 Speaker 2: on News. 2219 01:53:15,773 --> 01:53:19,933 Speaker 1: Talk's EDB a cracking way to start your Saturday. Saturday 2220 01:53:19,933 --> 01:53:23,253 Speaker 1: mornings with Jack Daye and vpure dot co dot inzead 2221 01:53:23,373 --> 01:53:25,613 Speaker 1: for high quality supplements News Talks. 2222 01:53:25,493 --> 01:53:28,813 Speaker 2: Edb Okay, thank you very much for tuning in and 2223 01:53:28,853 --> 01:53:31,133 Speaker 2: for all of your emails and texts throughout the morning. 2224 01:53:31,133 --> 01:53:33,733 Speaker 2: On News Talks dB. You can go to the News 2225 01:53:33,733 --> 01:53:36,933 Speaker 2: Talks He'd be website maybe even said it as your homepage. Newsbalks, 2226 01:53:36,933 --> 01:53:39,253 Speaker 2: headb dot Coda and z ed Ford slash Jack has 2227 01:53:39,333 --> 01:53:41,333 Speaker 2: all of the good stuff from our shows, so this 2228 01:53:41,413 --> 01:53:46,173 Speaker 2: morning's preserves recipe our shows from our screen time recommendations, 2229 01:53:46,173 --> 01:53:48,533 Speaker 2: film reviews, book reviews, music. It all goes up on 2230 01:53:48,573 --> 01:53:50,973 Speaker 2: the website. You can find us on Facebook as well 2231 01:53:51,013 --> 01:53:53,933 Speaker 2: by searching Jack Taine. Thanks to my wonderful producer Libby 2232 01:53:54,093 --> 01:53:57,173 Speaker 2: for doing everything for me this morning as always, and 2233 01:53:57,213 --> 01:54:00,173 Speaker 2: for her delicious cinnamon rolls. Oh my gosh, what a talent. 2234 01:54:00,213 --> 01:54:02,653 Speaker 2: Who knew? Jackson Pine's going to take you through the 2235 01:54:02,653 --> 01:54:04,733 Speaker 2: afternoon with weekends Sport. We're going to leave you with 2236 01:54:04,813 --> 01:54:07,573 Speaker 2: Lady Gaga. Her new album is may him. The song 2237 01:54:07,653 --> 01:54:10,093 Speaker 2: is disease and I'll see you next week. 2238 01:54:11,653 --> 01:54:13,373 Speaker 15: Baby like. 2239 01:54:15,693 --> 01:54:18,573 Speaker 18: Personally in time to be to. 2240 01:54:26,733 --> 01:54:47,813 Speaker 15: You. 2241 01:54:32,853 --> 01:54:55,653 Speaker 18: See you are so tortured when you sleep all your Elouise, 2242 01:54:57,293 --> 01:55:00,453 Speaker 18: you'll leave out Louis. 2243 01:55:02,093 --> 01:55:03,533 Speaker 15: My god. 2244 01:55:08,013 --> 01:55:13,973 Speaker 18: Ramon will be crazy like it wasn't a sound. 2245 01:55:14,013 --> 01:55:14,693 Speaker 12: I could be an. 2246 01:55:14,653 --> 01:55:15,213 Speaker 15: Added do. 2247 01:55:17,453 --> 01:55:20,133 Speaker 16: You like it. 2248 01:55:22,373 --> 01:55:23,413 Speaker 8: Wasn't a time? 2249 01:55:23,493 --> 01:55:25,213 Speaker 18: I could be an added dot. 2250 01:55:25,293 --> 01:55:30,213 Speaker 2: Nice please. 2251 01:55:37,093 --> 01:56:10,253 Speaker 18: Creak, I don't skin. Can't you disease? If you was senor, 2252 01:56:10,453 --> 01:56:11,453 Speaker 18: I could make you. 2253 01:56:13,373 --> 01:56:16,733 Speaker 3: Bringing down like what you three that's all that you 2254 01:56:17,493 --> 01:57:07,573 Speaker 3: seek for more from Saturday Morning with Jack Tame. 2255 01:57:07,773 --> 01:57:10,933 Speaker 1: Listen live to news talks he'd b from nine am Saturday, 2256 01:57:11,213 --> 01:57:13,213 Speaker 1: or follow the podcast on iHeartRadio