1 00:00:01,280 --> 00:00:05,559 Speaker 1: Our movie. Mum is Stacy broadbentch Welcome back, hell you 2 00:00:05,559 --> 00:00:08,880 Speaker 1: you've been to the Regent to see excuse me, Fackham Hall. 3 00:00:09,400 --> 00:00:14,120 Speaker 1: Welcome to Fackham Hall, Home to the Davenports a time 4 00:00:14,520 --> 00:00:17,599 Speaker 1: of majesty. So this is a spoof blending down to 5 00:00:17,680 --> 00:00:20,319 Speaker 1: Abbey with Monty Python. If you didn't like that joke, 6 00:00:20,480 --> 00:00:22,040 Speaker 1: there'll be another one along momentarily. 7 00:00:22,320 --> 00:00:30,160 Speaker 2: Exactly what's it about? So, basically, this family who lives 8 00:00:30,600 --> 00:00:36,360 Speaker 2: at Fackham Hall, they have no ears to pass down 9 00:00:37,440 --> 00:00:41,720 Speaker 2: the house and so the daughters have to either marry 10 00:00:41,720 --> 00:00:44,920 Speaker 2: a cousin or something to keep it in the house 11 00:00:44,920 --> 00:00:48,839 Speaker 2: otherwise they have to leave. So it's the kind of 12 00:00:48,920 --> 00:00:53,960 Speaker 2: trying to marry the daughters off. But then an orphan 13 00:00:54,080 --> 00:00:59,400 Speaker 2: child called Eric no One shows up and sweeps one 14 00:00:59,440 --> 00:01:01,440 Speaker 2: of them of their feet or. 15 00:01:01,400 --> 00:01:02,520 Speaker 1: An eligible bachelor. 16 00:01:02,840 --> 00:01:06,400 Speaker 2: Yes, but then there's a murder and they have just 17 00:01:06,480 --> 00:01:10,480 Speaker 2: solved all of that, and it's just it's really funny. 18 00:01:11,200 --> 00:01:14,440 Speaker 1: You see, on the surface, it doesn't sound too different 19 00:01:14,520 --> 00:01:16,640 Speaker 1: from a plot that you might see in downtown Abbey 20 00:01:16,800 --> 00:01:20,160 Speaker 1: or the likes of Wathering Heights, but very different pace 21 00:01:20,240 --> 00:01:20,840 Speaker 1: and style. 22 00:01:21,120 --> 00:01:25,240 Speaker 2: Yes, yeah, so if you like the kind of Monty 23 00:01:25,280 --> 00:01:29,320 Speaker 2: Python or like naked Gun kind of humor, like that 24 00:01:29,520 --> 00:01:33,280 Speaker 2: silly sort of think but British you'll love it, like 25 00:01:33,520 --> 00:01:37,720 Speaker 2: Faulty Towers, like yeah, probably, yeah it was. I thought 26 00:01:37,720 --> 00:01:41,280 Speaker 2: it was hilarious, and that's probably because I see it's 27 00:01:41,319 --> 00:01:44,320 Speaker 2: co written by the Jimmy Carr, Yes, the comedian who 28 00:01:44,360 --> 00:01:46,760 Speaker 2: was touring the country only about a month's back, the 29 00:01:46,840 --> 00:01:49,320 Speaker 2: Dawson brothers, and also a guy named Patrick Carr who 30 00:01:49,440 --> 00:01:51,760 Speaker 2: ends up being Jimmy's brother. Yeah. 31 00:01:51,880 --> 00:01:55,120 Speaker 1: Yeah, I always thought that Alan Carr, the other comedian, 32 00:01:55,160 --> 00:01:56,640 Speaker 1: you know, the one with the high pitched voice. I 33 00:01:56,640 --> 00:01:58,640 Speaker 1: thought he was a brother, but turned out no no 34 00:01:58,720 --> 00:01:59,320 Speaker 1: relation there. 35 00:01:59,360 --> 00:02:01,720 Speaker 2: I wouldn't have I wouldn't affect them to p This. 36 00:02:01,680 --> 00:02:05,640 Speaker 1: Guy Patrick is related to Jimmy. Does Jimmy feature on it? 37 00:02:05,800 --> 00:02:10,880 Speaker 2: He does, he's the vicar and he is he's very funny. 38 00:02:11,520 --> 00:02:14,440 Speaker 2: You probably can't share his lines on Oh we're not. 39 00:02:14,440 --> 00:02:17,000 Speaker 1: Going to be able to play that audio the BBC 40 00:02:17,160 --> 00:02:21,080 Speaker 1: with the Befts the other day. Just a bit naughty. Yeah, 41 00:02:21,120 --> 00:02:23,600 Speaker 1: And then also looking through the cast list here the 42 00:02:23,720 --> 00:02:28,360 Speaker 1: likes of Damian Lewis, Tom Felton and Thomas and McKenzie. 43 00:02:28,480 --> 00:02:29,600 Speaker 1: So I understand as a ki We. 44 00:02:30,160 --> 00:02:33,800 Speaker 2: Yeah, she was in Jojo Rabert. She was she was 45 00:02:33,840 --> 00:02:37,280 Speaker 2: the girl hiding in the walls in that movie. Right. 46 00:02:37,320 --> 00:02:40,440 Speaker 1: I haven't seen it, but I know the one you're 47 00:02:40,480 --> 00:02:43,840 Speaker 1: talking about. Let's Tigaway TDA Yeah. Yeah, yeah, So that's 48 00:02:43,840 --> 00:02:44,600 Speaker 1: pretty cool to have that. 49 00:02:45,280 --> 00:02:47,520 Speaker 2: She was great. She was Yeah, she was fantastic. 50 00:02:47,840 --> 00:02:49,880 Speaker 1: Does the plot hold together or does it sort of 51 00:02:49,919 --> 00:02:52,280 Speaker 1: lean more on the gags than the narrative. 52 00:02:52,840 --> 00:02:55,040 Speaker 2: No, I think I think it holds together. But I mean, 53 00:02:55,080 --> 00:02:58,560 Speaker 2: the gags are hilarious and so silly. 54 00:02:58,680 --> 00:03:01,720 Speaker 1: But yeah, I there's been a lot of stuff lately 55 00:03:01,800 --> 00:03:04,000 Speaker 1: that's just you know, I feel like the glory days 56 00:03:04,000 --> 00:03:08,320 Speaker 1: of humor were back in the late eighties, early nineties. 57 00:03:08,440 --> 00:03:09,880 Speaker 1: There's been a lot of stuff like that that's tried 58 00:03:09,919 --> 00:03:12,600 Speaker 1: to recreate that and fall in a little bit short. 59 00:03:12,800 --> 00:03:15,480 Speaker 2: I don't think this one falls short. I think I 60 00:03:15,480 --> 00:03:16,440 Speaker 2: think this is up there. 61 00:03:16,600 --> 00:03:19,000 Speaker 1: This revives our faith in slapstick humor. 62 00:03:19,120 --> 00:03:19,880 Speaker 2: It definitely does. 63 00:03:19,919 --> 00:03:22,960 Speaker 1: Does it stumble anywhere? I don't think so. 64 00:03:23,800 --> 00:03:26,520 Speaker 2: I like, I can't fault it. I loved it. 65 00:03:28,080 --> 00:03:30,040 Speaker 1: Any particular standout scenes. 66 00:03:31,840 --> 00:03:33,840 Speaker 2: Ah No, there's too many. 67 00:03:34,800 --> 00:03:38,760 Speaker 1: Wow. Yeah, Well, in which case, then how many lolls 68 00:03:38,760 --> 00:03:39,360 Speaker 1: out of five. 69 00:03:39,640 --> 00:03:40,600 Speaker 2: Oh, I'm giving it five. 70 00:03:41,200 --> 00:03:44,240 Speaker 1: Really, I loved it. Were you were you like cry laughing? 71 00:03:45,000 --> 00:03:47,120 Speaker 2: No, not cry laughing, but I was laughing out loud. 72 00:03:47,560 --> 00:03:50,640 Speaker 2: And actually the people in front of us were giggling 73 00:03:50,680 --> 00:03:54,080 Speaker 2: the whole way through and commenting on everything that was happening. 74 00:03:54,440 --> 00:03:56,240 Speaker 2: So it's it's not just me. 75 00:03:57,360 --> 00:04:01,160 Speaker 1: What about like ribcage laugh I love that were struggling 76 00:04:01,160 --> 00:04:01,880 Speaker 1: for breath. 77 00:04:02,200 --> 00:04:04,920 Speaker 2: Yeah, a bit of that, and also that, Oh my god, 78 00:04:04,920 --> 00:04:07,600 Speaker 2: I can't believe they did that kind of like it was. 79 00:04:07,640 --> 00:04:08,360 Speaker 2: It was so good. 80 00:04:08,600 --> 00:04:12,880 Speaker 1: You give me the giggles just talking about it. Sackham Hall, Yeah, 81 00:04:13,320 --> 00:04:14,480 Speaker 1: I'm glad that we got that right. 82 00:04:15,200 --> 00:04:17,320 Speaker 2: No, I was so worried that I was going to 83 00:04:17,320 --> 00:04:18,159 Speaker 2: say something wrong 84 00:04:19,680 --> 00:04:20,480 Speaker 1: Now at the region