1
00:00:00,120 --> 00:00:04,680
Speaker 1: Cabinet three. Poor decisions that Fellers are back two of them.

2
00:00:04,720 --> 00:00:07,800
Speaker 1: Heath Walters and Chris Woods. Morning morning, Luke. Thanks for

3
00:00:07,840 --> 00:00:10,039
Speaker 1: getting up nice and early. Heath, you must be buzzing,

4
00:00:10,400 --> 00:00:14,520
Speaker 1: absolutely fizzing at the bungler friend he words, got out.

5
00:00:14,760 --> 00:00:17,680
Speaker 1: Do I hear that ticket sales are already ahead of

6
00:00:17,920 --> 00:00:18,759
Speaker 1: previous shows?

7
00:00:18,840 --> 00:00:22,520
Speaker 2: Oh? Easily, yes, absolutely, yeah, so when that close to

8
00:00:22,560 --> 00:00:25,200
Speaker 2: selling out, we're pretty close to selling out, yet wonderfully

9
00:00:25,440 --> 00:00:27,440
Speaker 2: get them today because they might not be available.

10
00:00:28,120 --> 00:00:30,440
Speaker 1: Well, I genuinely mean this when I say it's got

11
00:00:30,440 --> 00:00:32,879
Speaker 1: to be when I went along to Cabinet two, it's

12
00:00:32,920 --> 00:00:35,080
Speaker 1: got to be one of the best local shows I've

13
00:00:35,120 --> 00:00:38,280
Speaker 1: possibly ever seen. And I'm so thrilled that it's the

14
00:00:38,320 --> 00:00:41,000
Speaker 1: same Motley lot that you've managed to pull together as well.

15
00:00:41,720 --> 00:00:43,720
Speaker 1: Is there any reservation? None?

16
00:00:43,760 --> 00:00:46,920
Speaker 2: None, whatsoever? No, No, none at all. I mean, Chris

17
00:00:46,960 --> 00:00:50,040
Speaker 2: and I are I guess we formed the partnership and

18
00:00:50,040 --> 00:00:52,360
Speaker 2: started it. But Cabinet is about all of the boys,

19
00:00:52,400 --> 00:00:53,880
Speaker 2: every single one of them, and every single one of

20
00:00:53,920 --> 00:00:57,120
Speaker 2: them brings something different and something really special and definitely

21
00:00:57,520 --> 00:00:59,920
Speaker 2: and Christian degree. You know, they've been a critical part

22
00:01:00,080 --> 00:01:01,200
Speaker 2: of the show, haven't they.

23
00:01:01,320 --> 00:01:04,480
Speaker 3: Yeah, I think just the input from from the boys

24
00:01:04,520 --> 00:01:07,840
Speaker 3: and and being so comfortable together. Like, as we've said before,

25
00:01:08,120 --> 00:01:10,680
Speaker 3: we were, you know, trying to learn something, trying to

26
00:01:10,760 --> 00:01:13,160
Speaker 3: learn something and something. The first song we ever did

27
00:01:13,240 --> 00:01:16,040
Speaker 3: came up really really quickly, and Tony sort of sat

28
00:01:16,040 --> 00:01:17,800
Speaker 3: back and said, yeah, but we've played together for six

29
00:01:17,880 --> 00:01:22,320
Speaker 3: years now and you don't really think, wow years the

30
00:01:22,360 --> 00:01:22,800
Speaker 3: whole time.

31
00:01:22,840 --> 00:01:24,760
Speaker 1: But yeah, I think I asked this of Matt. Is

32
00:01:24,760 --> 00:01:27,080
Speaker 1: the vibe still the same woods or has it sort

33
00:01:27,120 --> 00:01:28,839
Speaker 1: of developed?

34
00:01:28,200 --> 00:01:38,560
Speaker 3: I wouldn't say, what's the opposite of getting sillier?

35
00:01:39,000 --> 00:01:41,120
Speaker 1: Is that why you've pulled in the expertise of missus

36
00:01:41,160 --> 00:01:42,880
Speaker 1: Jesse Thompson with the choreography.

37
00:01:43,040 --> 00:01:45,080
Speaker 3: Yes, someone has to keep us in line.

38
00:01:45,160 --> 00:01:49,960
Speaker 1: Yeah, quite the task. And I managed to infiltrate one

39
00:01:50,000 --> 00:01:52,560
Speaker 1: of your first dress rehearsals last weekend, managed to fight

40
00:01:52,560 --> 00:01:55,920
Speaker 1: off the guards and swim away across the moat and

41
00:01:56,200 --> 00:01:57,880
Speaker 1: having a chat to Jesse. You know, I sort of

42
00:01:57,880 --> 00:01:59,760
Speaker 1: had in my head she's been involved in all these

43
00:01:59,760 --> 00:02:02,880
Speaker 1: States shows locally, and I sort of pictured you in

44
00:02:02,920 --> 00:02:04,840
Speaker 1: two two's doing the can can and all these wild

45
00:02:04,920 --> 00:02:08,000
Speaker 1: maneuvers and whatnot. But no, it's even the real intricate

46
00:02:08,080 --> 00:02:10,560
Speaker 1: details of right when you're singing on this mic, you

47
00:02:10,600 --> 00:02:12,880
Speaker 1: need to stand here in a certain way. Have you

48
00:02:12,919 --> 00:02:17,680
Speaker 1: had that, like that degree of discipline like that detail before?

49
00:02:17,919 --> 00:02:22,120
Speaker 2: Yeah? Yeah, So placement on stage is actually critical for lighting,

50
00:02:22,720 --> 00:02:26,440
Speaker 2: and so we've always done that, if I'm honest, I

51
00:02:26,720 --> 00:02:29,800
Speaker 2: think and where we didn't do it, Roger certainly whipses

52
00:02:29,840 --> 00:02:31,720
Speaker 2: into shape and sewn from the events the end of

53
00:02:31,720 --> 00:02:33,760
Speaker 2: this time has done the lighting design and stage design

54
00:02:33,760 --> 00:02:37,359
Speaker 2: has done an incredible job. And so he's a bit

55
00:02:37,400 --> 00:02:39,480
Speaker 2: the same, you know, lighting lighting wise, where you stand

56
00:02:39,520 --> 00:02:41,880
Speaker 2: on stage, our goal is to make it obviously visually

57
00:02:42,480 --> 00:02:47,359
Speaker 2: entertaining as well how you move on stage. That's that's

58
00:02:47,400 --> 00:02:47,640
Speaker 2: up to.

59
00:02:47,680 --> 00:02:54,160
Speaker 1: Jesse talking the visuals, having a look around the room.

60
00:02:55,120 --> 00:02:57,000
Speaker 1: Is it all about the visuals in the sense where

61
00:02:57,040 --> 00:03:00,560
Speaker 1: I don't see too many dad bods on show? He yeah,

62
00:03:00,639 --> 00:03:03,679
Speaker 1: you guys been working out for this thing, given the

63
00:03:03,760 --> 00:03:04,959
Speaker 1: ladies a little bit extra.

64
00:03:05,200 --> 00:03:06,880
Speaker 2: Chris and I have always had a little bit of

65
00:03:06,880 --> 00:03:09,280
Speaker 2: a little bit of a friendly rivalry, woulds it, haven't we?

66
00:03:09,320 --> 00:03:17,080
Speaker 2: Oh yeah yeah, Kale Smoothies, Yeah yeah, so yeah, yep, No,

67
00:03:17,120 --> 00:03:18,880
Speaker 2: But I mean there's one or two dear bods in there.

68
00:03:18,960 --> 00:03:20,840
Speaker 2: Luke I think I think would it be fair to

69
00:03:20,880 --> 00:03:23,040
Speaker 2: say visually something for everyone?

70
00:03:23,840 --> 00:03:26,000
Speaker 1: Is that where that lighting placement comes in handy it?

71
00:03:26,000 --> 00:03:30,639
Speaker 1: But like you know, when you wear something black, it's thinning, slipping. Hey,

72
00:03:30,680 --> 00:03:32,280
Speaker 1: so I know you want to you don't want to

73
00:03:32,280 --> 00:03:34,240
Speaker 1: give a way too many secrets. It's all part of

74
00:03:34,240 --> 00:03:36,000
Speaker 1: the parcel. But how many can you give us? A

75
00:03:36,040 --> 00:03:37,840
Speaker 1: h how many songs on the set list? Like what

76
00:03:37,960 --> 00:03:39,160
Speaker 1: sort of evening are we in for?

77
00:03:40,480 --> 00:03:43,040
Speaker 2: I'm looking hopefully at Chris because we don't count. I

78
00:03:43,080 --> 00:03:43,920
Speaker 2: want to say thirty.

79
00:03:44,320 --> 00:03:48,240
Speaker 3: Yeah, at least thirty healthy of music running if you

80
00:03:48,360 --> 00:03:49,600
Speaker 3: just listen to it on Spotify.

81
00:03:49,720 --> 00:03:55,119
Speaker 1: So yeah, spanning all generations. Feel it's a modern.

82
00:03:54,880 --> 00:03:57,720
Speaker 2: Study right across. I mean, I think we could name

83
00:03:57,800 --> 00:04:02,560
Speaker 2: drop some artists that we're covering, cause yeah, so we

84
00:04:02,560 --> 00:04:08,800
Speaker 2: were definitely some Beatles because it's classic little river band, best.

85
00:04:08,640 --> 00:04:10,680
Speaker 3: Deal, Yes, best Deel Billy Gell.

86
00:04:11,320 --> 00:04:14,880
Speaker 1: This is the most candid you've ever been this morning.

87
00:04:14,960 --> 00:04:18,279
Speaker 2: We're not we're not dropping the setlist. I will say

88
00:04:18,560 --> 00:04:20,280
Speaker 2: there's one song in particularly, and I'm not going to

89
00:04:20,320 --> 00:04:22,240
Speaker 2: tell you what it is that has been far and

90
00:04:22,279 --> 00:04:26,680
Speaker 2: away the most requested song since we did Cabina We've

91
00:04:26,680 --> 00:04:29,599
Speaker 2: had so many people slipping into the old d ms

92
00:04:29,839 --> 00:04:32,440
Speaker 2: and saying how you should cover this, how you should

93
00:04:32,440 --> 00:04:35,719
Speaker 2: cover this, how you should cover this. Tony Sweetman suggested

94
00:04:35,760 --> 00:04:37,800
Speaker 2: we cover it I think seven separate occasions. She said,

95
00:04:37,800 --> 00:04:44,000
Speaker 2: why don't you do? Absolutely? And so it's and I

96
00:04:44,000 --> 00:04:46,120
Speaker 2: was seeing it last night, going oh, this is going

97
00:04:46,160 --> 00:04:48,560
Speaker 2: to be this is pretty special, so very exciting.

98
00:04:48,640 --> 00:04:51,080
Speaker 1: Oh look, I'm fizzing for it as well. And if

99
00:04:51,120 --> 00:04:52,919
Speaker 1: you would like to join us, what do we have

100
00:04:53,000 --> 00:04:54,760
Speaker 1: one final double pass to give away?

101
00:04:55,000 --> 00:05:01,479
Speaker 3: Think so yeah, secure double pass from gifted from my

102
00:05:01,560 --> 00:05:05,839
Speaker 3: wonderful friend Sarah. She actually won our competition to name

103
00:05:06,040 --> 00:05:10,040
Speaker 3: the Show of Decisions. You are well played, Yeah, pouring

104
00:05:10,080 --> 00:05:11,960
Speaker 3: a and did you drink?

105
00:05:13,839 --> 00:05:14,240
Speaker 2: So yeah?

106
00:05:14,560 --> 00:05:17,760
Speaker 3: And she's actually can't make it unfortunately tonight. So there's

107
00:05:17,800 --> 00:05:21,799
Speaker 3: two tickets in the stores for a lucky listener.

108
00:05:22,040 --> 00:05:24,880
Speaker 1: Give us a call. Three O seven eight seven double

109
00:05:24,960 --> 00:05:27,760
Speaker 1: nine three oh seven eighty seven ninety nine first through

110
00:05:27,760 --> 00:05:30,680
Speaker 1: the double pass. Tonight is yours Friday, said day this

111
00:05:30,720 --> 00:05:32,880
Speaker 1: week and then wrapping up to next week Friday and

112
00:05:32,960 --> 00:05:35,880
Speaker 1: said day all in support of our wonderful event center

113
00:05:35,960 --> 00:05:39,400
Speaker 1: Cabinet three. Look forward to seeing you up there. Lads

114
00:05:39,560 --> 00:05:42,720
Speaker 1: cheers were dropping by this morning twelve to eight