1 00:00:00,080 --> 00:00:02,840 Speaker 1: Our latest musical talent comes to us from the Catlans. 2 00:00:02,880 --> 00:00:05,560 Speaker 1: Not something you can say very often, is it. Lockie 3 00:00:05,600 --> 00:00:07,600 Speaker 1: Hayes has been in the music game for over a 4 00:00:07,640 --> 00:00:10,000 Speaker 1: decade now, started with a couple of EPs, then an 5 00:00:10,039 --> 00:00:13,000 Speaker 1: album based on a live performance. He finds a lot 6 00:00:13,000 --> 00:00:15,600 Speaker 1: of inspiration from Bob Dylan, which you can actually hear 7 00:00:15,600 --> 00:00:18,600 Speaker 1: in his music. He's got out his sophomore album. It's 8 00:00:18,640 --> 00:00:21,400 Speaker 1: called sub Satellite. It's a mix of old country blues 9 00:00:21,480 --> 00:00:23,400 Speaker 1: and soul and Lockey hazes with me. 10 00:00:23,360 --> 00:00:26,680 Speaker 2: Now morning Lockey, Good morning. How are you. 11 00:00:27,080 --> 00:00:29,040 Speaker 1: I'm very well, thank you. Oh man, I've got to 12 00:00:29,080 --> 00:00:31,400 Speaker 1: talk to you about Delaney Davidson. How did you find 13 00:00:31,480 --> 00:00:33,760 Speaker 1: working with him? Oh? 14 00:00:34,080 --> 00:00:38,680 Speaker 2: Delaney is like he's a mixture of an enigma and 15 00:00:38,760 --> 00:00:41,760 Speaker 2: a chameleon, and you can't always tell if he's joking 16 00:00:41,880 --> 00:00:44,760 Speaker 2: or not. But it was a hell of an experience anyway. 17 00:00:44,800 --> 00:00:45,440 Speaker 2: I learned a lot. 18 00:00:45,800 --> 00:00:47,559 Speaker 1: Did you learn a lot from him? Because he is 19 00:00:47,640 --> 00:00:50,239 Speaker 1: I mean, he makes some beautiful music, doesn't he. 20 00:00:51,600 --> 00:00:54,959 Speaker 2: Yeah, he's really incredible to what to work. You can 21 00:00:55,000 --> 00:00:58,240 Speaker 2: sort of see he's got this calculating way of hearing 22 00:00:58,280 --> 00:01:01,680 Speaker 2: the music and almost get the sense that there's these 23 00:01:01,680 --> 00:01:04,039 Speaker 2: cogs turning in his head every second of the day 24 00:01:04,360 --> 00:01:06,000 Speaker 2: thinking about it, and then he will go in the 25 00:01:06,040 --> 00:01:10,160 Speaker 2: studio do some things, make some noises, and you'll think 26 00:01:10,200 --> 00:01:13,160 Speaker 2: what is he doing? And then when he plays it 27 00:01:13,200 --> 00:01:15,399 Speaker 2: back to you, you're like, oh, wow, how did you 28 00:01:15,480 --> 00:01:18,000 Speaker 2: hear that in your head before you before you went 29 00:01:18,080 --> 00:01:20,160 Speaker 2: in the studio. It's incredible. 30 00:01:20,240 --> 00:01:22,320 Speaker 1: Where are you based? Are you based in Vicargo? 31 00:01:23,959 --> 00:01:25,760 Speaker 2: I'm actually based in a small town out of in 32 00:01:25,840 --> 00:01:34,200 Speaker 2: Vicago called Wyndham. I'm a schoolteacher here and yeah, so so, yeah, 33 00:01:34,240 --> 00:01:36,119 Speaker 2: some of the some of the morning chat has been 34 00:01:36,120 --> 00:01:36,800 Speaker 2: interesting to me. 35 00:01:37,880 --> 00:01:40,200 Speaker 1: But yeah, well do you want to wear all the 36 00:01:40,240 --> 00:01:41,320 Speaker 1: open playing classes? 37 00:01:41,360 --> 00:01:44,000 Speaker 2: Then I don't know if I want to weigh in 38 00:01:44,480 --> 00:01:46,920 Speaker 2: on it too much. Yeah, tell me. 39 00:01:46,959 --> 00:01:48,720 Speaker 1: The reason I was asking you, asking you where you're 40 00:01:48,720 --> 00:01:52,240 Speaker 1: based is obviously Delaney comes from Littleton, right, They've got 41 00:01:52,240 --> 00:01:54,760 Speaker 1: a fantastic little country music scene going on there. 42 00:01:54,760 --> 00:01:59,400 Speaker 2: What about Wyndham, Well, Wyndham's pretty close to Gore, so 43 00:01:59,480 --> 00:02:02,559 Speaker 2: country is pretty big around these parts, to be honest. 44 00:02:02,960 --> 00:02:05,800 Speaker 2: It's one of those It's a strange thing because country 45 00:02:05,840 --> 00:02:10,920 Speaker 2: music was very much the music of my grandparents' generation, 46 00:02:11,600 --> 00:02:14,960 Speaker 2: and then popular music came along my parents' generation was 47 00:02:14,960 --> 00:02:18,640 Speaker 2: more into popular music. But the young people now, and 48 00:02:18,639 --> 00:02:20,840 Speaker 2: a lot of the students I see coming up through school, 49 00:02:21,320 --> 00:02:24,040 Speaker 2: are just mad about country music. It seems to be 50 00:02:24,120 --> 00:02:27,600 Speaker 2: the biggest thing. I really can't put my finger on it, 51 00:02:27,639 --> 00:02:30,560 Speaker 2: but I guess when you're living in rural New Zealand 52 00:02:30,880 --> 00:02:36,560 Speaker 2: and your aspirations are to drive tractors, and the really 53 00:02:36,600 --> 00:02:38,680 Speaker 2: America and the country music would speak to you. 54 00:02:39,160 --> 00:02:40,800 Speaker 1: But you know, I mean, I would agree with you, 55 00:02:40,840 --> 00:02:42,680 Speaker 1: and I think you're onto something. But I would agree 56 00:02:42,680 --> 00:02:44,639 Speaker 1: with you that if it was just a country thing. 57 00:02:44,680 --> 00:02:46,560 Speaker 1: But it's not just a country thing, is it. I mean, 58 00:02:46,880 --> 00:02:49,000 Speaker 1: city kids are loving it as well. Is it maybe 59 00:02:49,040 --> 00:02:52,760 Speaker 1: that we've got over the vacuousness of pop music and 60 00:02:52,800 --> 00:02:55,080 Speaker 1: we're looking for something a little bit more deep and layered. 61 00:02:57,840 --> 00:03:00,600 Speaker 2: Well, I would sure hope so. To be honest, I 62 00:03:00,639 --> 00:03:03,000 Speaker 2: would think that would be that would be a gift 63 00:03:03,040 --> 00:03:05,440 Speaker 2: from God if we could get over any vecuous kind 64 00:03:05,480 --> 00:03:09,000 Speaker 2: of popular music setting. I do know that kids don't 65 00:03:09,120 --> 00:03:12,280 Speaker 2: care as much about the charts anymore. That seems to 66 00:03:12,280 --> 00:03:15,440 Speaker 2: be something that I notice. They seem to just pick 67 00:03:15,520 --> 00:03:18,799 Speaker 2: up on what their friends listen to, what their parents 68 00:03:18,840 --> 00:03:20,800 Speaker 2: listen to, what they've heard on a movie, what they've 69 00:03:20,800 --> 00:03:23,799 Speaker 2: heard somewhere else where As it used to be you 70 00:03:23,840 --> 00:03:26,560 Speaker 2: could say, what's number one in the charts? Now, you know, 71 00:03:26,600 --> 00:03:30,080 Speaker 2: we all used to listen to top forty and wait 72 00:03:30,200 --> 00:03:32,359 Speaker 2: to hear the number one. They don't seem to care 73 00:03:32,400 --> 00:03:34,520 Speaker 2: so much about that anymore. So perhaps you're right. 74 00:03:34,440 --> 00:03:37,960 Speaker 1: The age of Spotify, Lockie, where once you? Because I mean, 75 00:03:37,960 --> 00:03:40,880 Speaker 1: the thing about radio versus Spotify, obviously is radio gives 76 00:03:40,880 --> 00:03:43,119 Speaker 1: you what it thinks you should hear, but Spotify gives 77 00:03:43,200 --> 00:03:45,480 Speaker 1: you more of what you already like. So if you're 78 00:03:45,520 --> 00:03:47,320 Speaker 1: liking a country song, it starts to feed you more 79 00:03:47,320 --> 00:03:48,920 Speaker 1: and it just opens up this world to you. 80 00:03:50,440 --> 00:03:52,840 Speaker 2: Yeah, you do get really sort of lost down that 81 00:03:52,920 --> 00:03:54,400 Speaker 2: rabbit hole on Spotify, don't you. 82 00:03:54,560 --> 00:03:57,360 Speaker 1: It's a good rabbit hole though, way not a bad one. 83 00:03:57,400 --> 00:03:58,160 Speaker 2: It's fantastic. 84 00:03:58,240 --> 00:04:02,480 Speaker 1: Yeah, totally. Now, is that you playing harmonica on your album? 85 00:04:02,560 --> 00:04:05,680 Speaker 2: Yeah? Yeah, that's me playing the harmonica on me Going. 86 00:04:05,520 --> 00:04:07,880 Speaker 1: To play harmonica like that, Locky, because you sound like 87 00:04:07,880 --> 00:04:10,480 Speaker 1: like a sixty year old man sitting around a campfire. 88 00:04:12,200 --> 00:04:15,480 Speaker 2: Well, as you mentioned, I'm from the Catlands. I grew 89 00:04:15,520 --> 00:04:18,640 Speaker 2: up on the Catlands, and it's pretty dark. And rainy, 90 00:04:18,720 --> 00:04:21,839 Speaker 2: and there's not a lot to really do. And my 91 00:04:22,000 --> 00:04:25,440 Speaker 2: parents are both musicians, and my grandparents are musicians, so 92 00:04:25,520 --> 00:04:28,640 Speaker 2: there was kind of this, you play us a tune 93 00:04:28,680 --> 00:04:30,360 Speaker 2: and you don't have to go to bed right now? 94 00:04:30,440 --> 00:04:35,040 Speaker 1: Ye do that to you in a way. 95 00:04:34,880 --> 00:04:37,040 Speaker 2: In a sense. Yeah, there was a lot of I'm 96 00:04:37,040 --> 00:04:39,440 Speaker 2: from quite a big extended family as well, so there 97 00:04:39,480 --> 00:04:42,080 Speaker 2: was a lot of gatherings and there was a lot 98 00:04:42,120 --> 00:04:45,640 Speaker 2: of just tunes and sing alongs around a few drinks, 99 00:04:45,720 --> 00:04:48,120 Speaker 2: and so there was a lot of you come and 100 00:04:48,160 --> 00:04:51,320 Speaker 2: do your song now, you know. And harmonica is quite 101 00:04:51,320 --> 00:04:55,159 Speaker 2: a It's an economical instrument because it can fit in 102 00:04:55,200 --> 00:04:58,400 Speaker 2: your pocket, right, So you give it to a little kid, 103 00:04:58,440 --> 00:05:00,559 Speaker 2: which was me, and say you're going to play along 104 00:05:00,600 --> 00:05:03,320 Speaker 2: with us when we play these old country songs. 105 00:05:03,600 --> 00:05:04,960 Speaker 1: Do you like as a musician? 106 00:05:05,000 --> 00:05:05,200 Speaker 2: Now? 107 00:05:05,240 --> 00:05:07,680 Speaker 1: Do you really love your parents for that, because they 108 00:05:07,760 --> 00:05:10,560 Speaker 1: must have listened to some god awful harmonica playing from 109 00:05:10,600 --> 00:05:12,000 Speaker 1: you while they were trying to play their song. 110 00:05:13,720 --> 00:05:16,200 Speaker 2: Yeah, I'm sure they I'm sure they did. They must have. 111 00:05:16,320 --> 00:05:18,360 Speaker 2: I do often think how patient they must have been 112 00:05:18,440 --> 00:05:23,360 Speaker 2: with teaching all of my I've got four siblings as well, 113 00:05:23,400 --> 00:05:26,240 Speaker 2: and we all sort of play an instrument to some degree, 114 00:05:26,520 --> 00:05:27,800 Speaker 2: so they must have been pretty patient. 115 00:05:27,880 --> 00:05:29,680 Speaker 1: Yeah, how long do you reckon? You got to like, 116 00:05:29,720 --> 00:05:31,480 Speaker 1: how long did you extend your bedtime by? 117 00:05:33,760 --> 00:05:36,719 Speaker 2: Well, indefinitely, I think sometimes. Yeah. 118 00:05:36,800 --> 00:05:39,000 Speaker 1: Oh my goodness, your parents are good people. Lockie. I 119 00:05:39,040 --> 00:05:42,120 Speaker 1: have got a text from Jamie McKay that says, ask 120 00:05:42,279 --> 00:05:44,760 Speaker 1: Lockey about his dad's rugby exploits. 121 00:05:46,240 --> 00:05:51,920 Speaker 2: Okay, my dad's rugby exploits. Yeah, he Well, my dad 122 00:05:52,000 --> 00:05:57,320 Speaker 2: was a self unrepresentative in the nineties for the rugby. 123 00:05:57,560 --> 00:05:59,320 Speaker 2: Is sort of a weird part of my family. Not 124 00:05:59,360 --> 00:06:01,960 Speaker 2: that I play rugby. I was never any good at it, 125 00:06:02,000 --> 00:06:05,440 Speaker 2: but yeah, my father represented south On, as did my grandfather, 126 00:06:06,120 --> 00:06:09,039 Speaker 2: and my auntie and my sister have all represented south 127 00:06:09,080 --> 00:06:12,240 Speaker 2: on the rugby and my auntie, Carol Hayes, was one 128 00:06:12,279 --> 00:06:15,080 Speaker 2: of the original Black Friends. So there's a weird sort 129 00:06:15,080 --> 00:06:16,719 Speaker 2: of rugby link in the family. 130 00:06:16,920 --> 00:06:19,320 Speaker 1: You guys are just a family of overachievers, aren't you. 131 00:06:19,800 --> 00:06:22,160 Speaker 1: And then as well as so your dad your dad's 132 00:06:22,160 --> 00:06:24,920 Speaker 1: a farmer and he's playing rugby for Southland. And then 133 00:06:24,960 --> 00:06:27,240 Speaker 1: you also say your dad your parents used to drag 134 00:06:27,279 --> 00:06:29,560 Speaker 1: you around two gigs. Were they playing gigs? 135 00:06:30,680 --> 00:06:33,840 Speaker 2: Yeah? Yeah, they were in a sort of a bit 136 00:06:33,839 --> 00:06:36,560 Speaker 2: of a Southland institution in the day was their bluegrassy 137 00:06:36,560 --> 00:06:41,200 Speaker 2: country men called the Progress Valley Possum Piggers, which is 138 00:06:41,200 --> 00:06:42,560 Speaker 2: a name and a name in a heart. 139 00:06:42,600 --> 00:06:44,560 Speaker 1: That's a good name. And so what they would take you? 140 00:06:44,600 --> 00:06:46,320 Speaker 1: Where would they play gigs? I mean there's it's not 141 00:06:46,360 --> 00:06:47,960 Speaker 1: as if you're living in the middle of a city 142 00:06:47,960 --> 00:06:49,960 Speaker 1: where you could just go to any number of venues. 143 00:06:51,600 --> 00:06:54,200 Speaker 2: Well they believe it or not, they played a lot 144 00:06:54,200 --> 00:06:58,800 Speaker 2: of wolfsheads. Wolfshed parties were a big thing. So we 145 00:06:58,800 --> 00:07:00,440 Speaker 2: were dragged along to a lot of woo. She's in 146 00:07:00,520 --> 00:07:02,320 Speaker 2: a lot of pubs, a lot of rural pubs. Yeah. 147 00:07:02,320 --> 00:07:04,320 Speaker 1: And what do you do now? Where do you tour? 148 00:07:04,360 --> 00:07:08,479 Speaker 2: If you tour, well, anywhere and everywhere that we can 149 00:07:08,560 --> 00:07:11,640 Speaker 2: we obviously traveling is a big part of it. You've 150 00:07:11,680 --> 00:07:13,920 Speaker 2: got to get used to traveling if you want to 151 00:07:13,960 --> 00:07:17,640 Speaker 2: live in a rural community and perform places. But I mean, 152 00:07:17,680 --> 00:07:19,640 Speaker 2: we've got a lot of good venues in central Otago, 153 00:07:19,760 --> 00:07:23,119 Speaker 2: Dunedin and the cargo's coming along now with some really 154 00:07:23,120 --> 00:07:27,360 Speaker 2: good venues. So it just means a few hours driving. 155 00:07:27,600 --> 00:07:29,600 Speaker 1: Yeah, And what about because you've got a family, haven't you? 156 00:07:30,680 --> 00:07:31,200 Speaker 2: Yes, I do. 157 00:07:31,840 --> 00:07:35,640 Speaker 1: How do you do that with kids? 158 00:07:36,120 --> 00:07:39,000 Speaker 2: Well, very patiently and we tray your best. 159 00:07:40,400 --> 00:07:42,679 Speaker 1: Do you take them along? Do you schlep them along 160 00:07:42,720 --> 00:07:43,480 Speaker 1: to the pub with you? 161 00:07:45,120 --> 00:07:48,920 Speaker 2: Well? Sometimes? But the I guess the culture around that 162 00:07:49,040 --> 00:07:52,760 Speaker 2: has changed, do we But we used to be dragged 163 00:07:52,800 --> 00:07:55,160 Speaker 2: as children to pubs without people betting an eye, But 164 00:07:55,200 --> 00:07:56,880 Speaker 2: I think now nowadays people give you a bit of 165 00:07:56,920 --> 00:07:59,920 Speaker 2: a sideways eye if you if you dragging your kids everywhere. 166 00:08:00,840 --> 00:08:02,520 Speaker 1: Okay, I want to ask you. I've been thinking the 167 00:08:02,600 --> 00:08:04,280 Speaker 1: last few days. Have you heard of this band called 168 00:08:04,280 --> 00:08:05,200 Speaker 1: the Velvet Sundown. 169 00:08:06,960 --> 00:08:09,920 Speaker 2: The Velvet Sundown is somebody mentioned this to me the 170 00:08:09,920 --> 00:08:11,880 Speaker 2: other day. I still I've never heard them now. 171 00:08:12,240 --> 00:08:15,120 Speaker 1: Okay, so they're actually not a band. They're AI and 172 00:08:15,160 --> 00:08:17,080 Speaker 1: they do music that's a little bit sort of nineteen 173 00:08:17,120 --> 00:08:19,080 Speaker 1: seventies folk. Well, I mean, obviously they'll be like a 174 00:08:19,160 --> 00:08:21,160 Speaker 1: musical director, there'll be a human behind it. But they 175 00:08:21,160 --> 00:08:24,200 Speaker 1: do nineteen seventies folk music. It wouldn't. It's a bit CCR, 176 00:08:24,360 --> 00:08:28,760 Speaker 1: you know, bit credence. And what I'm finding really weird 177 00:08:28,760 --> 00:08:31,720 Speaker 1: about it is that I don't hate it. I actually 178 00:08:31,920 --> 00:08:34,640 Speaker 1: kind of like it. Should I be ashamed of myself? 179 00:08:34,679 --> 00:08:35,920 Speaker 1: Do you worry about the AI. 180 00:08:37,240 --> 00:08:40,800 Speaker 2: I don't really worry about it too much. I did 181 00:08:40,840 --> 00:08:42,719 Speaker 2: I think I read an article about them. The guy 182 00:08:42,800 --> 00:08:46,400 Speaker 2: said it was kind of a prank, right, Yeah, Well, 183 00:08:47,200 --> 00:08:50,400 Speaker 2: I pilfer and steal from all the pop culture I can, 184 00:08:51,000 --> 00:08:53,280 Speaker 2: and I'm a big fan of hip hop and how 185 00:08:53,280 --> 00:08:57,679 Speaker 2: they sample music. They steal sort of we sections from 186 00:08:57,679 --> 00:09:00,360 Speaker 2: other songs and turn it into something new. I mean, 187 00:09:00,640 --> 00:09:02,360 Speaker 2: if I were to stick my neck out and say 188 00:09:02,360 --> 00:09:07,080 Speaker 2: that people using AI technology is just awful, you know, 189 00:09:07,320 --> 00:09:09,120 Speaker 2: how far back do I have to go before I'm 190 00:09:09,840 --> 00:09:14,559 Speaker 2: then going, well, I'm stealing music from basically from America, 191 00:09:15,160 --> 00:09:17,720 Speaker 2: from a long and rich lineage in history that I 192 00:09:17,720 --> 00:09:20,120 Speaker 2: have nothing to do with. So how far back am 193 00:09:20,160 --> 00:09:21,440 Speaker 2: I going to go before I have to look at 194 00:09:21,440 --> 00:09:23,400 Speaker 2: myself and go, yeah, well you're not much better? 195 00:09:23,679 --> 00:09:26,840 Speaker 1: Yeah, this is true. I'm comforting myself with the idea 196 00:09:26,880 --> 00:09:30,160 Speaker 1: that AI cannot be creative, right. AI just takes what 197 00:09:30,200 --> 00:09:32,640 Speaker 1: we're already doing and then replicates it, kind of does 198 00:09:32,640 --> 00:09:35,199 Speaker 1: a copy of it. Whereas if you really want something 199 00:09:35,240 --> 00:09:38,240 Speaker 1: completely different and never been done before, it's only a 200 00:09:38,320 --> 00:09:39,360 Speaker 1: human that can come up with that. 201 00:09:39,480 --> 00:09:43,520 Speaker 2: A Well, yeah, AI is not actually alive. You know, 202 00:09:43,559 --> 00:09:45,800 Speaker 2: we sort of. We talk about it as this living thing, 203 00:09:45,880 --> 00:09:50,040 Speaker 2: but it's just a language model and a little computer, 204 00:09:50,160 --> 00:09:50,480 Speaker 2: isn't it. 205 00:09:50,559 --> 00:09:51,920 Speaker 1: Yeah, By the way, what do you teach? 206 00:09:53,520 --> 00:09:56,120 Speaker 2: I'm actually a primary school teacher. Well, I teach it 207 00:09:56,120 --> 00:10:00,320 Speaker 2: an intermediate school called Menzies College, but to the U 208 00:10:00,360 --> 00:10:02,920 Speaker 2: seven students, so that I always have the three hours 209 00:10:02,960 --> 00:10:04,120 Speaker 2: the reading, writing, arithmetic. 210 00:10:04,720 --> 00:10:06,400 Speaker 1: Is it working? Is the hour a day working? 211 00:10:08,080 --> 00:10:08,680 Speaker 2: Is that? Sorry? 212 00:10:08,880 --> 00:10:11,120 Speaker 1: The hour a day of reading, writing and maths working? 213 00:10:12,080 --> 00:10:12,280 Speaker 2: Yeah? 214 00:10:12,600 --> 00:10:15,360 Speaker 1: Taking you back to politics, say sorry. 215 00:10:15,320 --> 00:10:19,160 Speaker 2: That's all right, it's fun. I would say we're doing 216 00:10:19,240 --> 00:10:21,840 Speaker 2: our best as well in that in that area. Yeah. Good. 217 00:10:21,880 --> 00:10:24,920 Speaker 1: Hey, listen, what's the plan you've done? You've done some EPs, 218 00:10:24,960 --> 00:10:27,000 Speaker 1: you've done a couple of albums, now you're touring. Where 219 00:10:27,000 --> 00:10:27,680 Speaker 1: do you want to take this? 220 00:10:29,679 --> 00:10:33,920 Speaker 2: Well, you know, as always the way with people creating artists, 221 00:10:33,920 --> 00:10:36,760 Speaker 2: just to keep doing it and hopefully, you know, put 222 00:10:36,800 --> 00:10:38,840 Speaker 2: it out there and if people like it, they like 223 00:10:38,920 --> 00:10:42,160 Speaker 2: it and that's great, and if they don't, well, who cares. 224 00:10:42,600 --> 00:10:45,360 Speaker 2: I'm going to keep creating it. So it's pretty good 225 00:10:45,400 --> 00:10:45,800 Speaker 2: to be there. 226 00:10:46,000 --> 00:10:48,640 Speaker 1: Yeah, Lockie, thank you for your time. It's been absolutely 227 00:10:48,679 --> 00:10:50,720 Speaker 1: lovely to talk to you, and best of luck with everything. 228 00:10:50,960 --> 00:10:54,560 Speaker 1: Blockie Hayes KIWI singer Heather I love listening to the 229 00:10:54,559 --> 00:10:57,200 Speaker 1: interview with Locke. The Hayes family was part of the 230 00:10:57,200 --> 00:10:59,920 Speaker 1: Possum Pickers played at a local fundraiser. They were supposed 231 00:10:59,920 --> 00:11:01,600 Speaker 1: to plans to one am, but they were having such 232 00:11:01,600 --> 00:11:05,800 Speaker 1: a great time they played till four am. Fantastic night, Marianne. 233 00:11:05,800 --> 00:11:09,280 Speaker 1: Thank you for more from the Mic Asking Breakfast. Listen 234 00:11:09,360 --> 00:11:12,319 Speaker 1: live to news talks it'd b from six am weekdays, 235 00:11:12,520 --> 00:11:14,520 Speaker 1: or follow the podcast on iHeartRadio.