1 00:00:00,080 --> 00:00:01,359 Speaker 1: Chatting to Sam off here. 2 00:00:01,560 --> 00:00:03,400 Speaker 2: We were just said you interrupted. 3 00:00:04,559 --> 00:00:06,760 Speaker 3: We recorded all of that. I know that was about me. 4 00:00:07,720 --> 00:00:13,480 Speaker 3: I know it's about me. The para lawyer, the quick 5 00:00:13,560 --> 00:00:17,760 Speaker 3: quick question on the quiz, Susie. Who is this Katie? 6 00:00:18,760 --> 00:00:19,439 Speaker 3: I've got no idea. 7 00:00:19,440 --> 00:00:20,800 Speaker 1: Sorry, I wasn't listening. I was talking to. 8 00:00:20,760 --> 00:00:26,800 Speaker 3: Sam Okay, Tom, Who is this Katy Perry? 9 00:00:27,560 --> 00:00:28,640 Speaker 1: Isn't she been canceled? 10 00:00:31,320 --> 00:00:32,880 Speaker 3: It's Susanne. 11 00:00:35,000 --> 00:00:38,240 Speaker 2: Baker. Oh, Susan. 12 00:00:40,400 --> 00:00:41,360 Speaker 1: Stepping back in time. 13 00:00:41,400 --> 00:00:44,400 Speaker 3: I told you we're never going to get it. It's 14 00:00:44,400 --> 00:00:48,800 Speaker 3: her first album in a decade. Wow, it's an album 15 00:00:48,880 --> 00:00:50,160 Speaker 3: of political urgency. 16 00:00:51,240 --> 00:00:57,240 Speaker 4: Oh next, what's Katy Pierry up to these days? 17 00:00:57,320 --> 00:00:59,880 Speaker 3: Respond She She's still trying to get her balance back 18 00:00:59,880 --> 00:01:04,280 Speaker 3: from the lack of gravity. Responding to the disinformation space, 19 00:01:04,400 --> 00:01:07,080 Speaker 3: we are living in a state of permanent emergency. 20 00:01:07,959 --> 00:01:12,120 Speaker 2: Oh wow, perma crisis. Blah blah blah. Question for you. 21 00:01:12,280 --> 00:01:16,039 Speaker 2: What was the name of the character in her biggest hit. 22 00:01:18,200 --> 00:01:23,400 Speaker 3: Lucca Lucas Luca See, I want congratulations, I want Milka. 23 00:01:23,800 --> 00:01:28,000 Speaker 2: My name is no Stop, Please stop. 24 00:01:29,600 --> 00:01:32,880 Speaker 1: I actually actually loved that song, but then I found 25 00:01:32,880 --> 00:01:35,600 Speaker 1: out it was about like it was actually really sad song. 26 00:01:35,680 --> 00:01:38,840 Speaker 3: Though it's a tragic song. I think everything. I think 27 00:01:38,880 --> 00:01:41,720 Speaker 3: she's been living Susanne in a state of permanent emergency 28 00:01:41,720 --> 00:01:44,680 Speaker 3: most of her life. She's one of my I love 29 00:01:44,680 --> 00:01:47,120 Speaker 3: her voice, and I like what she tries to do musically. 30 00:01:47,360 --> 00:01:49,480 Speaker 3: And but she came into the studio one morning, you 31 00:01:49,480 --> 00:01:52,720 Speaker 3: remember that five six years ago for five six, seven, eight, nine, 32 00:01:52,800 --> 00:01:57,800 Speaker 3: ten years ago, and she came in and I thought, 33 00:01:57,880 --> 00:02:01,520 Speaker 3: this is nice, she's coming in. And then she's sort 34 00:02:01,520 --> 00:02:03,400 Speaker 3: of she's one of those people you know in the 35 00:02:03,440 --> 00:02:07,200 Speaker 3: small talk before the interview where generally, I mean, I'm 36 00:02:07,200 --> 00:02:10,160 Speaker 3: a pretty affable sort of bloke, and where there's lots 37 00:02:10,160 --> 00:02:12,359 Speaker 3: of giggles and fun times to be had off air. 38 00:02:13,040 --> 00:02:14,919 Speaker 1: Not a totalitarian regime. 39 00:02:14,840 --> 00:02:17,959 Speaker 3: I certainly not a totalitarian regime the way I've heard 40 00:02:18,000 --> 00:02:21,880 Speaker 3: some people describe the show. But she sort of had 41 00:02:21,919 --> 00:02:24,640 Speaker 3: no chat. She was like so earnest. She kind of 42 00:02:24,720 --> 00:02:26,560 Speaker 3: like it was like, oh, I wish the news would 43 00:02:26,560 --> 00:02:28,080 Speaker 3: in so we can get on with this interview, you 44 00:02:28,080 --> 00:02:32,359 Speaker 3: know what I mean. That was by the way, Yeah, 45 00:02:32,400 --> 00:02:33,080 Speaker 3: and she refused. 46 00:02:33,120 --> 00:02:36,360 Speaker 1: Someone warned her that you don't do earnest and just 47 00:02:36,400 --> 00:02:37,200 Speaker 1: don't even try. 48 00:02:37,360 --> 00:02:37,560 Speaker 2: Yeah. 49 00:02:37,639 --> 00:02:39,800 Speaker 3: Someone said that just says on whatever you do when 50 00:02:39,800 --> 00:02:42,240 Speaker 3: you meet that, keep it shallow. So if you keep it, 51 00:02:42,720 --> 00:02:46,440 Speaker 3: keep it shallow. Giggle when it's spaces, there'll be spaces. Giggle, 52 00:02:46,840 --> 00:02:48,320 Speaker 3: smile a lot, and keep moving. 53 00:02:49,160 --> 00:02:52,200 Speaker 1: Yeah, we should change the name of the segment to 54 00:02:52,360 --> 00:02:53,200 Speaker 1: the right of reply. 55 00:02:54,280 --> 00:02:54,600 Speaker 2: Please. 56 00:02:55,400 --> 00:02:58,880 Speaker 1: All week you throw people under the bus, me included, 57 00:02:59,320 --> 00:03:01,240 Speaker 1: and we don't. No one gets to come back. And 58 00:03:01,280 --> 00:03:04,160 Speaker 1: I just I just take this opportunity on a Friday. 59 00:03:04,240 --> 00:03:06,720 Speaker 1: I think to first of all, you you told your 60 00:03:06,720 --> 00:03:08,760 Speaker 1: audience can you sit and hand it hag it? 61 00:03:09,000 --> 00:03:10,000 Speaker 2: Can you call me Hagard? 62 00:03:10,080 --> 00:03:10,600 Speaker 1: You told them? 63 00:03:12,280 --> 00:03:14,040 Speaker 2: And then you can you do that? Can you do 64 00:03:14,120 --> 00:03:15,600 Speaker 2: that voice again? That? 65 00:03:16,280 --> 00:03:18,360 Speaker 1: And then you said I called you a boomer, And 66 00:03:18,360 --> 00:03:19,360 Speaker 1: I just want people. 67 00:03:20,480 --> 00:03:21,639 Speaker 2: All of these things come. 68 00:03:21,480 --> 00:03:25,840 Speaker 1: From a deep place of love and respect. I was 69 00:03:25,960 --> 00:03:28,239 Speaker 1: telling you how much I love you and worry about you. 70 00:03:28,440 --> 00:03:30,360 Speaker 1: When you look tired, I think, oh my gosh, are 71 00:03:30,360 --> 00:03:32,400 Speaker 1: you're getting too tired? And and I worry that you 72 00:03:32,480 --> 00:03:34,400 Speaker 1: might be starting to look a bit. And I paused, 73 00:03:34,400 --> 00:03:36,000 Speaker 1: and you said Hagard, And I said. 74 00:03:36,000 --> 00:03:41,360 Speaker 3: I didn't know, Oh my god, the truth. I pause 75 00:03:41,560 --> 00:03:43,600 Speaker 3: and I filled them No, I did not. 76 00:03:45,080 --> 00:03:45,320 Speaker 2: Stop. 77 00:03:45,680 --> 00:03:48,240 Speaker 4: Now listen, now listen here, now listen, I'm not going 78 00:03:48,320 --> 00:03:50,320 Speaker 4: to have shouting and I'm not going to have talking 79 00:03:50,360 --> 00:03:51,440 Speaker 4: over the top of one another. 80 00:03:52,560 --> 00:03:55,000 Speaker 2: Katie, You've made it well. 81 00:03:55,000 --> 00:03:57,280 Speaker 4: I was about to say, Roman Michael, could you calm 82 00:03:57,400 --> 00:03:59,560 Speaker 4: down you and say your peace please. 83 00:03:59,400 --> 00:04:03,280 Speaker 3: Belong in Trump's cabinet. You are the Pam Bondie of 84 00:04:03,320 --> 00:04:04,720 Speaker 3: the Mic Hosking breakfast. 85 00:04:05,320 --> 00:04:07,600 Speaker 1: You. That's how it unfolded. 86 00:04:07,680 --> 00:04:08,760 Speaker 3: That's the that's the truth. 87 00:04:08,800 --> 00:04:09,480 Speaker 1: That's not faking. 88 00:04:09,600 --> 00:04:10,880 Speaker 3: We never used Haggard. 89 00:04:10,920 --> 00:04:11,920 Speaker 2: You used haggard. 90 00:04:11,920 --> 00:04:13,320 Speaker 3: You introduced the word haggard. 91 00:04:15,280 --> 00:04:21,320 Speaker 1: Haggard. Anyway, My second point is I also am the invisible, 92 00:04:21,400 --> 00:04:23,880 Speaker 1: silent production assistant of this show. I want the best 93 00:04:23,880 --> 00:04:25,159 Speaker 1: for you, and I want the best of the audience, 94 00:04:25,200 --> 00:04:26,400 Speaker 1: and I want it to be great. So if I 95 00:04:26,440 --> 00:04:30,279 Speaker 1: hear that you accidentally mistakenly said something wrong, I quickly 96 00:04:30,360 --> 00:04:32,400 Speaker 1: text you so you can connect on it. And I 97 00:04:32,440 --> 00:04:35,039 Speaker 1: just texted you when you muddled up Coachella with stage Coach, 98 00:04:35,080 --> 00:04:37,480 Speaker 1: when you about limbs, I just texted you it was 99 00:04:38,640 --> 00:04:41,080 Speaker 1: stage coach, and then then I just added, just for fun, 100 00:04:41,240 --> 00:04:49,599 Speaker 1: the little hare. I sound like a horrible, horrible wife. 101 00:04:49,600 --> 00:04:53,279 Speaker 3: You're not a horrible person as far as dictatorial ways. 102 00:04:53,320 --> 00:04:56,719 Speaker 4: She didn't excuse me excuse me. She didn't identify herself 103 00:04:56,760 --> 00:04:59,600 Speaker 4: as a person. She identified herself as your wife. Now, 104 00:04:59,640 --> 00:05:02,360 Speaker 4: could you please reframe. 105 00:05:01,920 --> 00:05:03,080 Speaker 1: That to what. 106 00:05:04,800 --> 00:05:05,960 Speaker 2: You're not a horrible wife. 107 00:05:08,640 --> 00:05:10,680 Speaker 3: That's fair enough, and I know you love me and 108 00:05:10,680 --> 00:05:12,000 Speaker 3: all of that sort of stuff. Can I ask you 109 00:05:12,000 --> 00:05:14,000 Speaker 3: a quick question, Tim, just before the break? Do you 110 00:05:14,040 --> 00:05:15,920 Speaker 3: have any great interest in the mushroom case? 111 00:05:18,279 --> 00:05:19,400 Speaker 2: What mushroom case? 112 00:05:19,520 --> 00:05:21,880 Speaker 3: Oh you sound like my mother on the email, Susan Vega, 113 00:05:21,920 --> 00:05:24,039 Speaker 3: Mike's amazing. No slagging you're off over forty years of 114 00:05:24,040 --> 00:05:26,120 Speaker 3: great Museum'm not slagging you off. It's just it's that 115 00:05:26,200 --> 00:05:28,120 Speaker 3: thing I think about. Geldoff the other day came into 116 00:05:28,160 --> 00:05:30,480 Speaker 3: the studio. Now, I'm not a boomtown Rats fan, right, 117 00:05:30,880 --> 00:05:33,480 Speaker 3: but I enjoy Geldoff and so he's a fun guy. 118 00:05:34,000 --> 00:05:36,760 Speaker 3: Vega probably like a music better than Boomtown Rats. Just 119 00:05:36,760 --> 00:05:38,640 Speaker 3: not a fun woman. But you don't have to be 120 00:05:38,680 --> 00:05:40,960 Speaker 3: a fun woman. It's not all about being fun. Tim 121 00:05:41,000 --> 00:05:43,160 Speaker 3: and Katy are with us. So the mushroom you've got 122 00:05:43,160 --> 00:05:45,479 Speaker 3: an interest in the mushroom case, Katie. 123 00:05:45,520 --> 00:05:48,120 Speaker 1: I'm obsessed with it. I want to be there at 124 00:05:48,160 --> 00:05:50,800 Speaker 1: the trial. I am like obsessed with that. 125 00:05:50,960 --> 00:05:52,520 Speaker 2: I was just the poison mushrooms. 126 00:05:52,600 --> 00:05:55,280 Speaker 3: Welcome to the party mushroom Gate. 127 00:05:55,560 --> 00:05:57,680 Speaker 2: I mean mushroom Trial first of all. 128 00:05:57,720 --> 00:05:59,599 Speaker 1: But I want to know who's playing here in the movie, 129 00:05:59,640 --> 00:06:02,719 Speaker 1: which is definitely already being made. I just cannot believe 130 00:06:02,800 --> 00:06:06,279 Speaker 1: it's wasting everybody's time going to trial and money. But 131 00:06:06,320 --> 00:06:08,760 Speaker 1: I'm obsessed. If I could be in that gallery, well, 132 00:06:08,920 --> 00:06:09,400 Speaker 1: it would. 133 00:06:11,640 --> 00:06:16,880 Speaker 4: To watch Netflix movie with Meghan Markle as the poisoner. 134 00:06:19,800 --> 00:06:22,120 Speaker 4: There would go, There would go Gangbusters. 135 00:06:22,200 --> 00:06:25,440 Speaker 3: I reckon anyway, But given you know what the story accent, 136 00:06:25,880 --> 00:06:27,839 Speaker 3: what is it you're going to? What is it you're watching? 137 00:06:28,520 --> 00:06:30,239 Speaker 3: Because this is what I don't get about the story. 138 00:06:30,279 --> 00:06:32,680 Speaker 3: It's a it's a it's a slam dunk foregone conclusion. 139 00:06:32,720 --> 00:06:35,760 Speaker 3: They've already got her on day one and it's got 140 00:06:35,760 --> 00:06:38,560 Speaker 3: five days in five weeks and four days to go. 141 00:06:38,680 --> 00:06:39,760 Speaker 2: What is it you're watching? 142 00:06:39,760 --> 00:06:43,440 Speaker 1: It's just the theatrics of the denials, the tears, pretending 143 00:06:43,480 --> 00:06:46,160 Speaker 1: to have cancel and you don't. It's just like you 144 00:06:46,200 --> 00:06:50,520 Speaker 1: can't make the stuff up. It's so it's hilarious, slash cringe. 145 00:06:50,720 --> 00:06:54,159 Speaker 1: Is it true it's train crash material? You can't take 146 00:06:54,160 --> 00:06:54,760 Speaker 1: your eyes off it? 147 00:06:54,880 --> 00:06:58,800 Speaker 3: But is it true that most murderers are thick because 148 00:07:00,120 --> 00:07:00,920 Speaker 3: it seems that. 149 00:07:00,960 --> 00:07:02,320 Speaker 1: You think they can get away with that. 150 00:07:02,440 --> 00:07:04,560 Speaker 3: Well, yeah, but that's what I'm saying. What makes you 151 00:07:04,680 --> 00:07:07,120 Speaker 3: think who ever got away with a murder in terms 152 00:07:07,200 --> 00:07:08,960 Speaker 3: of no one had a clue at the end of 153 00:07:08,960 --> 00:07:10,080 Speaker 3: the day, so. 154 00:07:09,960 --> 00:07:12,720 Speaker 1: She had don't ask that question so recently? 155 00:07:12,920 --> 00:07:15,640 Speaker 3: No, no, no, no, no. What I'm saying is so 156 00:07:15,680 --> 00:07:19,080 Speaker 3: she had different colored plates. Even the relatives picked that up. 157 00:07:19,600 --> 00:07:23,040 Speaker 3: She googles death cat mushrooms. The police follow her phone 158 00:07:23,080 --> 00:07:25,360 Speaker 3: to the area and. 159 00:07:24,960 --> 00:07:26,520 Speaker 1: She goes to both the death cat mushroom. 160 00:07:26,760 --> 00:07:33,280 Speaker 3: She invites her estrange husband for some beef Wellington and 161 00:07:33,440 --> 00:07:37,000 Speaker 3: he's not derangement. 162 00:07:39,120 --> 00:07:42,040 Speaker 2: She thinks, you don't see the information I've got. 163 00:07:41,800 --> 00:07:42,800 Speaker 3: Them here, you know what I mean? 164 00:07:43,000 --> 00:07:45,400 Speaker 2: I don't know? Yeah, mind you, I'm not. 165 00:07:46,960 --> 00:07:48,760 Speaker 4: No, no, I look by the way, I think I've 166 00:07:48,760 --> 00:07:51,920 Speaker 4: come up with a solution for you guys. Now, Mike 167 00:07:52,680 --> 00:07:55,680 Speaker 4: is in touch with his mum through email. Why do 168 00:07:55,800 --> 00:07:58,320 Speaker 4: you guys just email each other instead of shouting at 169 00:07:58,320 --> 00:07:58,560 Speaker 4: each other? 170 00:07:58,640 --> 00:08:00,640 Speaker 3: Did I rang you? How many times I you yesterday 171 00:08:00,680 --> 00:08:02,720 Speaker 3: when you're in the house? Did I ring you twice 172 00:08:02,760 --> 00:08:04,000 Speaker 3: yesterday while you're in the house here? 173 00:08:04,840 --> 00:08:06,040 Speaker 1: Yeah, I think you did. 174 00:08:05,960 --> 00:08:07,760 Speaker 3: Yeah, because you don't reply to my text when you're 175 00:08:07,800 --> 00:08:09,320 Speaker 3: also in the house. So I used to text you 176 00:08:09,360 --> 00:08:11,600 Speaker 3: while you're in the house, but you've never reply to them, 177 00:08:11,600 --> 00:08:13,040 Speaker 3: So now I ring you while you're in the house. 178 00:08:14,080 --> 00:08:16,080 Speaker 1: It's true, it works, it's effective. 179 00:08:16,120 --> 00:08:18,559 Speaker 3: You always get me that way, exactly. But my mother 180 00:08:19,440 --> 00:08:21,200 Speaker 3: just to reiterate the story, what's the what's it? 181 00:08:21,360 --> 00:08:23,360 Speaker 2: Why didn't you? Why didn't you call it? What's the email? 182 00:08:23,520 --> 00:08:26,280 Speaker 3: Because I had he doesn't answer her phone, don't answer 183 00:08:26,280 --> 00:08:29,280 Speaker 3: a phone. So I email just just in that I 184 00:08:29,360 --> 00:08:31,360 Speaker 3: better check in, because you know, I've got I've just 185 00:08:31,360 --> 00:08:33,200 Speaker 3: been on the herall and the stuff websites, and there 186 00:08:33,240 --> 00:08:36,320 Speaker 3: were three hundred and twenty seven weather alerts yesterday and 187 00:08:36,360 --> 00:08:39,120 Speaker 3: trampolines were flying and there was a very rare red warning. 188 00:08:39,360 --> 00:08:40,880 Speaker 3: So I thought, I know, I'm going to email my 189 00:08:40,960 --> 00:08:44,160 Speaker 3: mum and I said, how's that emergency going for you? 190 00:08:44,480 --> 00:08:46,000 Speaker 3: And she comes back half in our lady and goes, 191 00:08:46,040 --> 00:08:48,120 Speaker 3: I don't know what you're talking about. And I assue, 192 00:08:48,120 --> 00:08:50,959 Speaker 3: you've been in an emergency in christ which most of 193 00:08:51,000 --> 00:08:53,240 Speaker 3: the afternoon, Selwyn, since the previous night, and she goes, well, 194 00:08:53,280 --> 00:08:55,560 Speaker 3: it's been raining heavily, but Apart from that, we're still 195 00:08:55,600 --> 00:08:59,440 Speaker 3: going walking. So I thought, clearly, it's not quite what 196 00:08:59,520 --> 00:09:02,000 Speaker 3: it's been ate out to be. She'd never make a 197 00:09:02,040 --> 00:09:05,440 Speaker 3: box up on the news, would she. Exactly, No, She's 198 00:09:05,559 --> 00:09:08,200 Speaker 3: just doing And that's what the Yorklan based media don't 199 00:09:08,280 --> 00:09:12,000 Speaker 3: understand about. Basically, the rest of the country down the 200 00:09:12,040 --> 00:09:14,400 Speaker 3: South Island, a bit of wind and a bit of rain, 201 00:09:14,520 --> 00:09:16,560 Speaker 3: and if you get ankle deep in your red bands, 202 00:09:16,559 --> 00:09:18,640 Speaker 3: it's hardly the end of the world, you know what 203 00:09:18,679 --> 00:09:18,959 Speaker 3: I mean? 204 00:09:20,200 --> 00:09:22,680 Speaker 4: We get we get alert for things that don't happen. 205 00:09:23,400 --> 00:09:25,680 Speaker 4: They get alerts for things that do happen and don't care. 206 00:09:26,320 --> 00:09:28,160 Speaker 3: Do you know what Sammy has just been given? Samuel 207 00:09:28,200 --> 00:09:30,640 Speaker 3: reintroduce him again. He's our research assistant on the program. 208 00:09:30,679 --> 00:09:31,680 Speaker 3: Do you know what Sammy was given? 209 00:09:31,760 --> 00:09:32,400 Speaker 1: Your producer? 210 00:09:32,480 --> 00:09:35,680 Speaker 3: He's a producer. You were calling yourself, Jesus, you said 211 00:09:35,720 --> 00:09:37,040 Speaker 3: you were the producer, so I didn't. 212 00:09:36,840 --> 00:09:39,560 Speaker 1: Want to behind the scenes production assistant. 213 00:09:40,120 --> 00:09:44,120 Speaker 3: That the shadowy presence anyway, the do you know what 214 00:09:44,160 --> 00:09:48,320 Speaker 3: Sammy just got given? He got given a jar of honey? 215 00:09:49,520 --> 00:09:51,959 Speaker 3: Did you get on to Glynda Blin got it? Blin 216 00:09:52,040 --> 00:09:56,640 Speaker 3: got a jar of honey and Sammy got Sammy's just 217 00:09:57,000 --> 00:10:00,320 Speaker 3: Sammy's just running here with the press release. It's a yeah, 218 00:10:00,640 --> 00:10:02,840 Speaker 3: three page press release. So he wants me to suck 219 00:10:02,920 --> 00:10:03,840 Speaker 3: up to the producers of this. 220 00:10:04,120 --> 00:10:05,640 Speaker 2: No, we just didn't want you to get to get 221 00:10:06,080 --> 00:10:07,559 Speaker 2: you can get the honey. 222 00:10:08,120 --> 00:10:12,360 Speaker 3: The honey. The question is, I asked Jason this, just 223 00:10:12,440 --> 00:10:16,120 Speaker 3: to make it real simple, there's some Scotch whiskey, some 224 00:10:16,240 --> 00:10:18,600 Speaker 3: single molt, eight year old you know about this eight 225 00:10:18,679 --> 00:10:21,800 Speaker 3: year exactly eight year old single molt infused into the honey, 226 00:10:21,880 --> 00:10:27,640 Speaker 3: right talking, is this the Southerly That's why you're the producer. 227 00:10:27,679 --> 00:10:31,920 Speaker 3: That's why you're the producer. Well, everyone got sent them. 228 00:10:31,960 --> 00:10:33,400 Speaker 3: So anyway, here's the point I. 229 00:10:33,360 --> 00:10:35,760 Speaker 2: Asked you can have. You can have whiskey on your 230 00:10:35,800 --> 00:10:36,880 Speaker 2: toast in the morning. 231 00:10:36,880 --> 00:10:38,119 Speaker 3: Whiskey on your toast. 232 00:10:37,920 --> 00:10:41,319 Speaker 1: Phenomenal, the whole job. The little Twizzler it's made. 233 00:10:41,160 --> 00:10:47,520 Speaker 3: Of twist don't say twistler. Don't say twizzler. Family listening, 234 00:10:47,600 --> 00:10:49,880 Speaker 3: don't say twizzler. You look haggard, but you've got a 235 00:10:49,920 --> 00:10:52,200 Speaker 3: great twizzler three hundred plus. 236 00:10:52,640 --> 00:10:55,360 Speaker 2: What is it even rude? I didn't even know it's 237 00:10:55,400 --> 00:10:59,360 Speaker 2: not rude. Stop it. Wash your mouth out with coltar soap. 238 00:10:59,679 --> 00:11:03,880 Speaker 3: Three one hundred plus mg o Minuka Honey, right, I 239 00:11:03,960 --> 00:11:04,720 Speaker 3: asked the boss. 240 00:11:04,760 --> 00:11:06,800 Speaker 1: I said, now I'm hearing everyone. 241 00:11:06,920 --> 00:11:10,160 Speaker 3: Everyone, Everyone's got it all the music DJ's downstairs are again. 242 00:11:12,120 --> 00:11:17,559 Speaker 4: What about about the shadowy the shadowy secret Homebound executive producer. 243 00:11:17,600 --> 00:11:19,760 Speaker 2: Why doesn't she get a jar at the stuff? 244 00:11:19,800 --> 00:11:22,559 Speaker 3: Here's the question. She's got a Joe, everyone's got a 245 00:11:22,640 --> 00:11:24,800 Speaker 3: jar to him. So anyway, well, I don't have a jar. 246 00:11:25,160 --> 00:11:25,760 Speaker 2: You don't have a jar. 247 00:11:25,880 --> 00:11:27,800 Speaker 3: Three hundred plus mg o Minuka Honey. 248 00:11:27,840 --> 00:11:28,000 Speaker 1: Right. 249 00:11:28,080 --> 00:11:30,360 Speaker 3: Question, I asked Jason this Jason the boss. I said, Jason, 250 00:11:30,400 --> 00:11:32,120 Speaker 3: how much is this? Have a sniff? Tell me how 251 00:11:32,160 --> 00:11:34,520 Speaker 3: much this is? He goes, oh, fifty bucks, fifty bucks thereabouts? 252 00:11:34,559 --> 00:11:35,640 Speaker 2: How much is it? Katie? 253 00:11:36,360 --> 00:11:37,560 Speaker 1: Four hundred and something? 254 00:11:37,880 --> 00:11:40,319 Speaker 3: I have to look it up for three hundred and 255 00:11:40,360 --> 00:11:47,000 Speaker 3: seventy three hundred, three hundred seven. So what just the 256 00:11:47,280 --> 00:11:49,560 Speaker 3: for three hundred and seventy five. So the question that 257 00:11:49,600 --> 00:11:52,800 Speaker 3: we leave you with this morning is when does Honey 258 00:11:52,840 --> 00:11:55,760 Speaker 3: become crazy as three hundred and seventy five dollars crazy? 259 00:11:56,440 --> 00:11:58,760 Speaker 1: No, Minuka is right up there, Minuka Honey is right 260 00:11:58,840 --> 00:11:59,960 Speaker 1: up there. And this is in few. 261 00:12:00,080 --> 00:12:01,080 Speaker 2: This is a world first. 262 00:12:01,120 --> 00:12:02,760 Speaker 1: I have you know because I too read the press 263 00:12:02,760 --> 00:12:06,720 Speaker 1: release and this is infused with how old is the whiskey? 264 00:12:06,880 --> 00:12:07,240 Speaker 2: It's eight. 265 00:12:07,280 --> 00:12:08,920 Speaker 3: It's only eight. It's not like it's twenty. 266 00:12:08,960 --> 00:12:10,079 Speaker 2: It's only eight, but. 267 00:12:10,040 --> 00:12:11,760 Speaker 1: It smells incredible. I just don't know what to do 268 00:12:11,840 --> 00:12:13,480 Speaker 1: with it. Do you put it on toast? Or is 269 00:12:13,480 --> 00:12:16,000 Speaker 1: that sacrilege? What are you supposed to do with it? 270 00:12:16,080 --> 00:12:16,600 Speaker 2: I got to go. 271 00:12:17,120 --> 00:12:20,040 Speaker 4: For more from the Mic Asking Breakfast, listen live to 272 00:12:20,120 --> 00:12:23,199 Speaker 4: news talks it'd be from six am weekdays, or follow 273 00:12:23,240 --> 00:12:24,760 Speaker 4: the podcast on iHeartRadio