1 00:00:00,160 --> 00:00:01,960 Speaker 1: Do we even need to bother with an intro to 2 00:00:02,040 --> 00:00:04,360 Speaker 1: Jerry Seinfeld. He's here in June with a new show. 3 00:00:04,800 --> 00:00:07,600 Speaker 1: His movie on Frosted Rhymes on Netflix later on this week. 4 00:00:07,880 --> 00:00:10,680 Speaker 1: So Jerry Seinfeld is whether it's from New York, good morning, 5 00:00:10,960 --> 00:00:11,760 Speaker 1: Good morning Mike. 6 00:00:11,800 --> 00:00:15,040 Speaker 2: It's great to be back in New Zealand via zoom. 7 00:00:15,400 --> 00:00:17,400 Speaker 1: Now you're excited to mean, is this a tour? It's 8 00:00:17,480 --> 00:00:20,000 Speaker 1: it's like, are you like a rock and roller who's 9 00:00:20,000 --> 00:00:20,560 Speaker 1: on the road. 10 00:00:21,040 --> 00:00:24,560 Speaker 2: Yes, but I don't. I don't go like they go 11 00:00:24,680 --> 00:00:26,599 Speaker 2: like for three months and then I'm off for a 12 00:00:26,720 --> 00:00:30,639 Speaker 2: year or whatever they do. I'm always touring. I never 13 00:00:30,760 --> 00:00:34,840 Speaker 2: stopped comedy. You can't. You can't ever really stop it. 14 00:00:35,159 --> 00:00:39,360 Speaker 2: If you want to maintain the uh, the the sharpness 15 00:00:39,400 --> 00:00:40,800 Speaker 2: of it, you have to keep doing it. 16 00:00:41,080 --> 00:00:42,800 Speaker 1: It's going to ask you about that. Actually it is 17 00:00:42,840 --> 00:00:44,520 Speaker 1: it muscle memory, absolutely. 18 00:00:44,760 --> 00:00:49,199 Speaker 2: And the thing you have to remember is that you 19 00:00:49,240 --> 00:00:51,680 Speaker 2: can do this because if you stop and think about 20 00:00:51,680 --> 00:00:54,440 Speaker 2: it too much, it doesn't look possible. How could I 21 00:00:54,560 --> 00:00:57,280 Speaker 2: walk out there onto that stage and not come back 22 00:00:57,280 --> 00:00:57,800 Speaker 2: for an hour? 23 00:00:58,000 --> 00:01:00,680 Speaker 1: But I mean, having said that, your Jerry's I mean, 24 00:01:00,720 --> 00:01:01,880 Speaker 1: and you know you can do it? 25 00:01:02,000 --> 00:01:04,280 Speaker 2: Well, you think see me that way, but I don't 26 00:01:04,319 --> 00:01:05,440 Speaker 2: see myself that way. 27 00:01:05,640 --> 00:01:07,839 Speaker 1: It's another great thing about comedians. You've got this this 28 00:01:07,840 --> 00:01:11,319 Speaker 1: this Sullivan built self doubt, and that's basically what drives you. 29 00:01:11,640 --> 00:01:16,880 Speaker 2: It's not self doubt, it's actual doubt. Uh it. It 30 00:01:17,080 --> 00:01:20,200 Speaker 2: is a tricky, a little balance beam to do your 31 00:01:20,280 --> 00:01:20,720 Speaker 2: dance on. 32 00:01:20,959 --> 00:01:23,640 Speaker 1: Now this this show this too. I mean it's it's 33 00:01:23,640 --> 00:01:26,040 Speaker 1: about to begin now, which I mean have you worked it? 34 00:01:26,120 --> 00:01:28,240 Speaker 1: I mean, have you been in front of anybody with it? 35 00:01:28,280 --> 00:01:29,119 Speaker 1: Have you tasted it? 36 00:01:29,400 --> 00:01:33,120 Speaker 2: I'm I'm this is what I'm saying. I'm always I 37 00:01:33,280 --> 00:01:39,760 Speaker 2: was doing shows. Uh, last weekend in in Uh, i 38 00:01:39,800 --> 00:01:45,000 Speaker 2: was in Dayton, Ohio. And uh this weekend I'm in Reno, 39 00:01:45,120 --> 00:01:49,440 Speaker 2: Nevada and Northern California, and then I'll be at the 40 00:01:49,480 --> 00:01:53,400 Speaker 2: Hollywood Bowl in LA next week doing two shows there. 41 00:01:54,080 --> 00:01:57,360 Speaker 2: So yeah, so there's uh, there's a bunch of shows right. 42 00:01:57,240 --> 00:01:59,600 Speaker 1: There now, the Hollywood Bowl. I'm looking at that. That 43 00:01:59,600 --> 00:02:01,720 Speaker 1: that's that's going to be Is that a Netflix thing? 44 00:02:01,800 --> 00:02:02,640 Speaker 1: Is that going to be filmed? 45 00:02:02,760 --> 00:02:07,640 Speaker 2: That's a Netflix. It's it's me Jim Gaffigan, Sebastian Maniscalco 46 00:02:08,040 --> 00:02:13,079 Speaker 2: and uh. 47 00:02:10,000 --> 00:02:13,640 Speaker 1: M and oh yeah, oh what's his name, Oh, what's 48 00:02:13,680 --> 00:02:14,119 Speaker 1: his name? 49 00:02:15,480 --> 00:02:16,960 Speaker 2: Nate Bargatzi? 50 00:02:17,160 --> 00:02:19,000 Speaker 1: Do they does that? Does that make any difference to 51 00:02:19,040 --> 00:02:20,720 Speaker 1: you when they say this is Netflix and you got 52 00:02:20,720 --> 00:02:22,440 Speaker 1: cameras on you? I mean, does that sort of build 53 00:02:22,480 --> 00:02:23,760 Speaker 1: the build the tension? 54 00:02:24,120 --> 00:02:27,360 Speaker 2: Yes, it normally would, but this is not The show 55 00:02:27,440 --> 00:02:30,320 Speaker 2: is not going to be for air. It's just a 56 00:02:30,400 --> 00:02:33,119 Speaker 2: part of the Netflix is a joke comedy festival. 57 00:02:33,360 --> 00:02:35,720 Speaker 1: Oh okay, So it would have made a difference if 58 00:02:35,760 --> 00:02:36,200 Speaker 1: it was for. 59 00:02:36,200 --> 00:02:37,440 Speaker 2: Air, Yes, it would. 60 00:02:37,600 --> 00:02:40,680 Speaker 1: Now the show's about what I can't find a name? 61 00:02:40,680 --> 00:02:41,440 Speaker 1: Has it got a name? 62 00:02:41,960 --> 00:02:42,520 Speaker 2: What show? 63 00:02:42,880 --> 00:02:43,360 Speaker 1: Your show? 64 00:02:44,600 --> 00:02:45,080 Speaker 2: My show? 65 00:02:45,400 --> 00:02:45,640 Speaker 1: Yeah? 66 00:02:46,200 --> 00:02:49,080 Speaker 2: No, my show has no name. I don't that's for 67 00:02:49,160 --> 00:02:53,880 Speaker 2: the younger people. I did it. I did a sitcom, 68 00:02:54,080 --> 00:02:55,280 Speaker 2: so I don't have to do that. 69 00:02:55,520 --> 00:02:56,560 Speaker 1: It's just like I'm. 70 00:02:56,720 --> 00:03:00,840 Speaker 2: Here, Yes, right, I hope you like it. If you don't, 71 00:03:01,240 --> 00:03:01,919 Speaker 2: that's fine too. 72 00:03:02,200 --> 00:03:03,840 Speaker 1: The reason I ask you about the dates all of 73 00:03:03,919 --> 00:03:06,440 Speaker 1: the shows is, I note, you've got a significant birthday 74 00:03:06,480 --> 00:03:08,120 Speaker 1: in the next couple of days. Am I correct? 75 00:03:08,240 --> 00:03:10,640 Speaker 2: I'll be seventy next week, all. 76 00:03:10,600 --> 00:03:12,840 Speaker 1: Right, so help me out. See I'm fifty nine and 77 00:03:12,919 --> 00:03:15,480 Speaker 1: I've got obviously a significant one coming up shortly as well. 78 00:03:15,520 --> 00:03:17,360 Speaker 1: Then I can't work out what to do. What do 79 00:03:17,440 --> 00:03:19,959 Speaker 1: you do with round numbers? You know, sixty or seventy. 80 00:03:20,040 --> 00:03:21,400 Speaker 1: They're big deals, aren't they. 81 00:03:21,800 --> 00:03:26,120 Speaker 2: Sixty? Yeah, sixty is fantastic. I love my sixties. I 82 00:03:26,200 --> 00:03:28,480 Speaker 2: had a bit about when you're sixty, you don't turn 83 00:03:28,560 --> 00:03:31,880 Speaker 2: around anymore. Someone says, turn you got to go see this. 84 00:03:32,080 --> 00:03:34,640 Speaker 2: I'm not gonna stop and turn around. I'll see it 85 00:03:34,680 --> 00:03:37,800 Speaker 2: on the way back. I'll google it. I'm sure it's 86 00:03:38,160 --> 00:03:42,560 Speaker 2: like something else I've already seen. Seventy. I was heard. 87 00:03:42,840 --> 00:03:44,960 Speaker 2: I was at this show the other day and they 88 00:03:45,000 --> 00:03:47,320 Speaker 2: were mentioning some names. You know, they always mentioned these 89 00:03:47,560 --> 00:03:51,400 Speaker 2: pop stars, singers and that you haven't heard of. And 90 00:03:51,440 --> 00:03:53,880 Speaker 2: I used to think, who is that? Who is that person? 91 00:03:54,080 --> 00:03:56,640 Speaker 2: Are they popular? What do they do? Now it's just 92 00:03:57,240 --> 00:03:59,360 Speaker 2: you enjoy it. Go enjoy it, really. 93 00:03:59,120 --> 00:04:01,080 Speaker 1: Because I'm figuring on. I look at you. I mean, 94 00:04:01,080 --> 00:04:04,240 Speaker 1: for goodness sake, I'm inspired by you. You you look amazing, 95 00:04:04,320 --> 00:04:06,320 Speaker 1: you look like I mean, we look like the same 96 00:04:06,360 --> 00:04:09,120 Speaker 1: age for God's sake, absolutely the same, exactly. So there 97 00:04:09,160 --> 00:04:10,800 Speaker 1: is hope at seventy. It doesn't matter what you do 98 00:04:10,840 --> 00:04:13,000 Speaker 1: at sixty. There's a good time to be had at seventy, 99 00:04:13,040 --> 00:04:14,640 Speaker 1: as well, I got. 100 00:04:14,520 --> 00:04:16,400 Speaker 2: Some news for you. Make it doesn't matter what you do. 101 00:04:16,680 --> 00:04:18,800 Speaker 1: Ever, really, I mean, what do you do? What are 102 00:04:18,800 --> 00:04:20,840 Speaker 1: you closing the town down? Have you got a cake? 103 00:04:20,880 --> 00:04:21,320 Speaker 1: What do you do? 104 00:04:21,960 --> 00:04:26,880 Speaker 2: No, my wife gave me a fantastic sixty fifth birthday party, 105 00:04:27,440 --> 00:04:29,119 Speaker 2: and I thought, you know, and that one was so great. 106 00:04:29,640 --> 00:04:32,520 Speaker 2: That's gonna be it. So I'm going to go to 107 00:04:32,560 --> 00:04:35,640 Speaker 2: dinner with two friends. Yeah, my wife and al go 108 00:04:35,720 --> 00:04:38,440 Speaker 2: dinner with another couple. And now maybe I'll have a 109 00:04:38,480 --> 00:04:40,640 Speaker 2: brownie or something with a candle in it. I just 110 00:04:40,880 --> 00:04:41,800 Speaker 2: I've lost interest. 111 00:04:41,880 --> 00:04:44,159 Speaker 1: So is there a point in your life where it's 112 00:04:44,200 --> 00:04:46,400 Speaker 1: all basically cream on the cake? I mean, and the 113 00:04:46,600 --> 00:04:48,960 Speaker 1: coffee and cast thing that you did? I mean, I just, 114 00:04:49,320 --> 00:04:51,720 Speaker 1: I just I'm such a fan of that. And what 115 00:04:51,760 --> 00:04:54,480 Speaker 1: I got out of that series is that you appear 116 00:04:54,560 --> 00:04:57,480 Speaker 1: so complete. It's just like, you know, here we are, 117 00:04:57,839 --> 00:04:59,839 Speaker 1: let's talk. Everything's fantastic. 118 00:05:00,880 --> 00:05:03,039 Speaker 2: Well, I'll tell you the way I looked at it, 119 00:05:03,040 --> 00:05:04,880 Speaker 2: it's like, what do I read you? You know, when 120 00:05:04,880 --> 00:05:07,280 Speaker 2: you get older, This is the great part about getting older, Mike. 121 00:05:07,360 --> 00:05:11,479 Speaker 2: It's not something too a fear. It's something that you 122 00:05:12,360 --> 00:05:15,560 Speaker 2: can be really enjoyable. You stop doing the things you 123 00:05:15,640 --> 00:05:19,719 Speaker 2: don't really like, And what I like is just sit 124 00:05:19,760 --> 00:05:22,120 Speaker 2: and talk with an interesting person over a cup of coffee. 125 00:05:22,240 --> 00:05:26,920 Speaker 2: I enjoy that more than you know, vacations or I 126 00:05:26,920 --> 00:05:32,320 Speaker 2: don't know what people do, fishing, golfing, boating, skiing. I 127 00:05:32,400 --> 00:05:35,560 Speaker 2: tried it. It's okay. I really rather just talk. 128 00:05:35,480 --> 00:05:39,320 Speaker 1: To somebody that's lovely. That episode, you know, the one 129 00:05:39,360 --> 00:05:42,719 Speaker 1: with Michael Richards, I mean that boy that really was moving, 130 00:05:42,800 --> 00:05:43,200 Speaker 1: wasn't it. 131 00:05:43,720 --> 00:05:46,120 Speaker 2: I'm glad you got that from it, because that's what 132 00:05:46,240 --> 00:05:49,320 Speaker 2: I thought it was. I felt that, and I was 133 00:05:49,360 --> 00:05:53,360 Speaker 2: hoping other people would get it. Yeah. You know, there 134 00:05:53,440 --> 00:05:55,960 Speaker 2: was a particular piece of music, believe it or not, 135 00:05:56,960 --> 00:06:01,520 Speaker 2: that the editor chose for that last segment of it 136 00:06:01,600 --> 00:06:05,320 Speaker 2: where Michael was in the parking lot making those little 137 00:06:05,400 --> 00:06:09,800 Speaker 2: kids laugh, and the music just fit that scene and 138 00:06:09,880 --> 00:06:12,520 Speaker 2: it was I found it very touching, very emotional. 139 00:06:12,600 --> 00:06:15,160 Speaker 1: I'm not surprised people if they haven't seen that, they 140 00:06:15,200 --> 00:06:17,320 Speaker 1: should look it up. But we've got Unfrosted coming on 141 00:06:17,400 --> 00:06:19,599 Speaker 1: Netflix later on this week. Speaking of which, by the way, 142 00:06:19,800 --> 00:06:22,640 Speaker 1: Bill Burr, who's in Unfrosted, but he also happens to 143 00:06:22,680 --> 00:06:24,240 Speaker 1: be on the road at the same time you're on 144 00:06:24,279 --> 00:06:26,920 Speaker 1: the road, and I am wondering, you know, I'm looking 145 00:06:26,920 --> 00:06:29,320 Speaker 1: at the other former president and court in your city 146 00:06:29,320 --> 00:06:31,000 Speaker 1: at the moment, and looking at the universities that are 147 00:06:31,000 --> 00:06:33,120 Speaker 1: a complete mess at the moment. Is a tricky time 148 00:06:33,160 --> 00:06:34,600 Speaker 1: to be funny in American. 149 00:06:34,760 --> 00:06:38,919 Speaker 2: I don't find that, no, because audiences are always telling 150 00:06:38,960 --> 00:06:43,880 Speaker 2: you exactly where the lines are and aren't. I will 151 00:06:43,920 --> 00:06:48,039 Speaker 2: get protesters here sometimes at my shows because I'm Jewish, 152 00:06:48,040 --> 00:06:54,360 Speaker 2: and they just they don't realize really all their you know, 153 00:06:54,520 --> 00:06:57,640 Speaker 2: pro Palestinian. We really just don't like Jews. And now 154 00:06:57,680 --> 00:07:02,200 Speaker 2: we have a cover. This is our That's fine. You know, 155 00:07:02,839 --> 00:07:05,520 Speaker 2: I've been Jewish my whole life. I know this game. 156 00:07:07,000 --> 00:07:12,080 Speaker 2: So so whenever I have that, I make fun of 157 00:07:12,120 --> 00:07:15,880 Speaker 2: it in the show and the audience is fine with it. 158 00:07:15,920 --> 00:07:19,680 Speaker 2: They laugh along with it, you know. So stand up 159 00:07:19,680 --> 00:07:23,520 Speaker 2: comedy you get you get a sense of exactly where 160 00:07:23,560 --> 00:07:25,440 Speaker 2: the public is on everything. 161 00:07:25,680 --> 00:07:27,800 Speaker 1: See Chelsea Handler the other night had some trouble at 162 00:07:27,840 --> 00:07:30,800 Speaker 1: one of whose shows. Are people protesting and stuff like that? 163 00:07:30,480 --> 00:07:33,120 Speaker 1: That doesn't does it bother you? If they started, you know, 164 00:07:33,240 --> 00:07:35,080 Speaker 1: standing up at your show with a flag. 165 00:07:35,400 --> 00:07:38,720 Speaker 2: That would be a that's a challenge, that's challenging. 166 00:07:39,040 --> 00:07:41,800 Speaker 1: As regards to the movie in Bill Burr, which you 167 00:07:41,880 --> 00:07:44,080 Speaker 1: also you know, did him with the coffee thing, and 168 00:07:44,120 --> 00:07:45,960 Speaker 1: that was fantastic and people should look that up if 169 00:07:45,960 --> 00:07:50,520 Speaker 1: they have time. Anyway, angsty time in America. Is it 170 00:07:50,520 --> 00:07:52,760 Speaker 1: more difficult for him given the sort of material he 171 00:07:52,880 --> 00:07:53,360 Speaker 1: rolls out? 172 00:07:53,720 --> 00:07:57,360 Speaker 2: Oh no, I think I think people find Bill Burdabye 173 00:07:57,560 --> 00:08:01,280 Speaker 2: just a breath of fresh air, not to use the cliche, 174 00:08:01,360 --> 00:08:05,880 Speaker 2: but because they know he's not afraid, and we really 175 00:08:07,000 --> 00:08:10,280 Speaker 2: need people like that that will just tell you their opinion. 176 00:08:11,080 --> 00:08:15,040 Speaker 2: We're okay with anyone's opinion. You know, nobody wants to 177 00:08:15,080 --> 00:08:18,080 Speaker 2: be yelled at and nobody wants to be forced to agree. 178 00:08:18,680 --> 00:08:21,240 Speaker 2: But whatever your opinion is, if you're confident in it, 179 00:08:21,600 --> 00:08:23,400 Speaker 2: then say it. We can all hear it. It's not 180 00:08:23,440 --> 00:08:24,000 Speaker 2: a problem. 181 00:08:24,240 --> 00:08:27,560 Speaker 1: Now the movie, which is just a couple of days away, 182 00:08:27,640 --> 00:08:32,240 Speaker 1: your directorial debut. This all came about during the virus. 183 00:08:32,320 --> 00:08:35,600 Speaker 2: Yeah the virus. Yes, yes, the virus was just ending. 184 00:08:35,840 --> 00:08:38,040 Speaker 1: And did you sit out and go, look, I'm sick 185 00:08:38,080 --> 00:08:39,920 Speaker 1: of being locked down here. I might as well make 186 00:08:39,960 --> 00:08:41,520 Speaker 1: a movie. Or was it more organic than that? 187 00:08:41,760 --> 00:08:44,719 Speaker 2: What was organic was I wasn't doing any stand up 188 00:08:44,880 --> 00:08:48,400 Speaker 2: and so my friend Spike Ferris, and said, why don't 189 00:08:48,400 --> 00:08:51,200 Speaker 2: we write a movie? So we wrote the movie and 190 00:08:51,360 --> 00:08:53,680 Speaker 2: the script came out so good that Netflix wanted to 191 00:08:53,720 --> 00:08:58,040 Speaker 2: make it, and that just seemed like a crazy thing 192 00:08:58,080 --> 00:08:59,319 Speaker 2: to do. So I did it. 193 00:08:59,360 --> 00:09:01,440 Speaker 1: And how many people in this movie? And what a 194 00:09:01,480 --> 00:09:02,199 Speaker 1: list there is? 195 00:09:02,840 --> 00:09:03,199 Speaker 2: Ah? Do you? 196 00:09:03,320 --> 00:09:05,960 Speaker 1: Because Seinfeld cold and I got well, I got to 197 00:09:06,000 --> 00:09:06,280 Speaker 1: do it. 198 00:09:07,000 --> 00:09:09,280 Speaker 2: I have no idea. You'd have to ask them that, 199 00:09:09,400 --> 00:09:12,840 Speaker 2: but I was sure grateful for them to say yes. 200 00:09:13,000 --> 00:09:16,680 Speaker 2: And it was amazing working with all of them. There's 201 00:09:16,760 --> 00:09:21,160 Speaker 2: some incredible talents there, from Melissa McCarthy to Peter Dinkland, 202 00:09:21,760 --> 00:09:25,640 Speaker 2: Hugh Grant and Amy Schumer, and they're just so funny, 203 00:09:25,679 --> 00:09:29,680 Speaker 2: so talented, so it was amazing. I loved it. 204 00:09:29,920 --> 00:09:31,520 Speaker 1: How do you write yourself as a director? 205 00:09:31,880 --> 00:09:35,240 Speaker 2: Oh, I'm very good as a director because I am 206 00:09:35,280 --> 00:09:38,880 Speaker 2: the writer, so I know what this scene is about 207 00:09:38,960 --> 00:09:42,040 Speaker 2: and I know what makes it work. I'm not interpreting 208 00:09:42,080 --> 00:09:46,240 Speaker 2: someone else's idea. I know the idea. So it's being 209 00:09:46,280 --> 00:09:48,960 Speaker 2: a writer director is actually easier, I think than just 210 00:09:49,000 --> 00:09:49,760 Speaker 2: being a director. 211 00:09:50,000 --> 00:09:52,880 Speaker 1: Is it fun? I mean, you know, like directing writing 212 00:09:52,920 --> 00:09:55,679 Speaker 1: movies versus outn't you know, stand up versus television. 213 00:09:55,920 --> 00:10:00,720 Speaker 2: It's all fun to me. A comedy is a an aquarium. 214 00:10:00,800 --> 00:10:04,080 Speaker 2: As long as I'm in the aquarium, I am okay, 215 00:10:04,160 --> 00:10:06,679 Speaker 2: and I'm happy, and I know what I'm doing pretty much. 216 00:10:07,000 --> 00:10:10,320 Speaker 2: This is a completely different type of thing. This was 217 00:10:10,320 --> 00:10:15,439 Speaker 2: a big, one of those big restaurant aquariums, but it 218 00:10:15,640 --> 00:10:18,439 Speaker 2: was a wild ride. I loved it. 219 00:10:18,520 --> 00:10:20,560 Speaker 1: Now this of course will be a smash. And if 220 00:10:20,559 --> 00:10:21,800 Speaker 1: it's a smash, they want another one. 221 00:10:21,840 --> 00:10:26,240 Speaker 2: Presumably they can want what they want. Anybody can want things. 222 00:10:26,360 --> 00:10:29,199 Speaker 2: It's okay to want anything you like, doesn't mean you're 223 00:10:29,200 --> 00:10:29,720 Speaker 2: going to get it. 224 00:10:29,800 --> 00:10:31,720 Speaker 1: Britain, looking forward to seeing you in the country. I 225 00:10:31,720 --> 00:10:33,480 Speaker 1: hope the rest of the tour goes well. I hope 226 00:10:33,480 --> 00:10:37,000 Speaker 1: the party and the brownie and the candle is brilliant, 227 00:10:37,040 --> 00:10:38,679 Speaker 1: and we'll look forward to seeing you when you get here. 228 00:10:38,760 --> 00:10:40,960 Speaker 2: Like it's been a pleasure talking with you. You're a very 229 00:10:41,040 --> 00:10:41,800 Speaker 2: nice chap. 230 00:10:41,880 --> 00:10:44,040 Speaker 1: And we got Jerry Seinfeld out of New York for 231 00:10:44,200 --> 00:10:47,160 Speaker 1: you this morning. For more from the Mic Asking Breakfast, 232 00:10:47,320 --> 00:10:50,640 Speaker 1: listen live to news Talks it'd be from six am weekdays, 233 00:10:50,880 --> 00:10:52,920 Speaker 1: or follow the podcast on iHeartRadio.