1 00:00:00,080 --> 00:00:02,560 Speaker 1: Ari Gold is in town and in the house our 2 00:00:02,680 --> 00:00:05,240 Speaker 1: Gold of entourage. Fame became a thing, of course, but 3 00:00:05,280 --> 00:00:07,320 Speaker 1: then so to mister Selfridge, which was sold to well 4 00:00:07,360 --> 00:00:10,560 Speaker 1: over one hundred countries. Jeremy Piven played them both. He's 5 00:00:10,600 --> 00:00:13,360 Speaker 1: also funny. His stand up is in Auckland tonight, and 6 00:00:13,560 --> 00:00:15,200 Speaker 1: we had him a couple of months back and we said, 7 00:00:15,200 --> 00:00:16,680 Speaker 1: when you're in town, come on in. So he is. 8 00:00:16,760 --> 00:00:17,840 Speaker 1: Jeremy Piven's back with this. 9 00:00:18,000 --> 00:00:20,040 Speaker 2: Good morning, Good morning to you sir. 10 00:00:20,520 --> 00:00:23,520 Speaker 1: Here we are then, Yes, that wasn't a great start 11 00:00:23,560 --> 00:00:27,600 Speaker 1: to the internet. When I say good morning, I mean 12 00:00:27,800 --> 00:00:30,639 Speaker 1: it's the only thing happening in this room right now. Yeah, well, 13 00:00:30,680 --> 00:00:32,559 Speaker 1: I mean you're on your phone. Don't look up and 14 00:00:32,600 --> 00:00:34,559 Speaker 1: go oh to. 15 00:00:34,600 --> 00:00:36,279 Speaker 2: Be answer with you, I was turning everything off out 16 00:00:36,320 --> 00:00:37,519 Speaker 2: of courtesy to you. 17 00:00:37,720 --> 00:00:39,160 Speaker 1: Okay, yeah, is it off? 18 00:00:39,520 --> 00:00:41,240 Speaker 2: It is off, and I'm going to turn the whole 19 00:00:41,280 --> 00:00:44,160 Speaker 2: thing off. There we go, get better this interview. 20 00:00:44,280 --> 00:00:46,800 Speaker 1: No worries it all. It's going all right. Now. Last 21 00:00:46,800 --> 00:00:49,400 Speaker 1: time we talked, you won't remember, but we've talked before. 22 00:00:50,280 --> 00:00:54,360 Speaker 1: When we talked, you were leading up to your sixtieth birthday, 23 00:00:54,840 --> 00:00:58,520 Speaker 1: which has now happened. How does that feel? 24 00:00:59,000 --> 00:01:02,560 Speaker 2: It feels fantastic. Take it well, other than this lighting 25 00:01:02,680 --> 00:01:06,360 Speaker 2: this lighting, No, no, well, it feels like I'm in 26 00:01:06,400 --> 00:01:08,960 Speaker 2: an interrogation. And I love it. 27 00:01:09,080 --> 00:01:11,080 Speaker 1: It's pretty it's pretty much. This is what my show is. 28 00:01:11,200 --> 00:01:11,800 Speaker 2: I love it. 29 00:01:11,800 --> 00:01:12,759 Speaker 1: It's pretty much cool. 30 00:01:13,000 --> 00:01:18,160 Speaker 2: Let's start with its old, let's be let's begin. I 31 00:01:18,200 --> 00:01:20,840 Speaker 2: love it. This is great, you know, it's this is 32 00:01:20,920 --> 00:01:22,319 Speaker 2: exactly what I came here for. 33 00:01:22,520 --> 00:01:25,280 Speaker 1: Yeah, no, but no, it's it's the reason I rise, 34 00:01:25,360 --> 00:01:29,200 Speaker 1: is yea, the reason you started with. I turned sixty. 35 00:01:29,680 --> 00:01:33,120 Speaker 1: You look at relatively recently, and it was one of 36 00:01:33,120 --> 00:01:36,480 Speaker 1: those things. At fifty it became a thing for me. Yeah, 37 00:01:36,600 --> 00:01:39,600 Speaker 1: sixty wasn't forty wasn't fifty was sixty wasn't. 38 00:01:39,760 --> 00:01:45,520 Speaker 2: Yeah? You know, I don't these these are these are 39 00:01:45,560 --> 00:01:48,960 Speaker 2: just numbers, you know what I mean? So I don't 40 00:01:49,640 --> 00:01:51,000 Speaker 2: it's a great it's agree. You know, I don't know 41 00:01:51,000 --> 00:01:51,560 Speaker 2: what to tell you. 42 00:01:51,760 --> 00:01:54,160 Speaker 1: Okay, did you have I feel great? Good? 43 00:01:54,320 --> 00:01:54,639 Speaker 2: Yeah? 44 00:01:54,800 --> 00:01:55,400 Speaker 1: You're healthy? 45 00:01:57,760 --> 00:01:59,520 Speaker 2: I do all right? I do all right? 46 00:02:00,200 --> 00:02:03,560 Speaker 1: Yeah that doesn't sound overly convincing to me. 47 00:02:03,720 --> 00:02:05,640 Speaker 2: You know, you want me to celebrate my health. 48 00:02:06,320 --> 00:02:08,560 Speaker 1: Well, I don't know that. That's why I asked I 49 00:02:08,960 --> 00:02:09,440 Speaker 1: do I do? 50 00:02:09,560 --> 00:02:09,760 Speaker 2: Well? 51 00:02:09,880 --> 00:02:12,760 Speaker 1: Oh good, Yeah, okay, fantastic. We talked last time about 52 00:02:12,760 --> 00:02:15,400 Speaker 1: mister Selfridge to are you sick of talking about that? No, 53 00:02:15,639 --> 00:02:18,600 Speaker 1: not at all, because that I just wonder with a 54 00:02:18,639 --> 00:02:22,360 Speaker 1: person of your depth and expanse and the amount of 55 00:02:22,360 --> 00:02:25,440 Speaker 1: work you've done, there will be building up over a 56 00:02:25,480 --> 00:02:29,040 Speaker 1: period of time certain things you do that you hold 57 00:02:29,120 --> 00:02:31,760 Speaker 1: dear and I would like to think that mister Selfridge 58 00:02:31,840 --> 00:02:32,160 Speaker 1: was one. 59 00:02:32,639 --> 00:02:35,520 Speaker 2: Absolutely, I love that show. That was incredible, A great 60 00:02:35,560 --> 00:02:39,560 Speaker 2: experience four years over in the UK doing a show 61 00:02:39,600 --> 00:02:43,040 Speaker 2: I'm very proud of, and no one saw it in 62 00:02:43,040 --> 00:02:45,480 Speaker 2: the States, but I'm still very proud of it. 63 00:02:45,520 --> 00:02:47,200 Speaker 1: Isn't that wiged? Why didn't they see on the States? 64 00:02:48,840 --> 00:02:51,640 Speaker 2: Because this show is a station where it's funded by 65 00:02:51,639 --> 00:02:54,760 Speaker 2: the people, so they don't have any money. So, unbeknownst 66 00:02:54,760 --> 00:02:56,799 Speaker 2: to me, if you don't have any money to advertise, 67 00:02:56,840 --> 00:02:58,679 Speaker 2: it's hard to get people to watch a show. 68 00:02:58,919 --> 00:03:01,040 Speaker 1: That's unfortunate. Yeah, because it was sold to over one 69 00:03:01,080 --> 00:03:01,680 Speaker 1: hundred countries. 70 00:03:01,800 --> 00:03:03,679 Speaker 2: Wasn't it a one hundred and sixty five countries? So 71 00:03:03,680 --> 00:03:04,560 Speaker 2: it was a worldwide hit. 72 00:03:04,680 --> 00:03:06,600 Speaker 1: There'll be very few countries in the world you could 73 00:03:06,639 --> 00:03:08,320 Speaker 1: walk down without being Robert. 74 00:03:10,080 --> 00:03:11,800 Speaker 2: I don't know if that I don't know if that's true, 75 00:03:11,840 --> 00:03:16,160 Speaker 2: but you know I've been watched this organic transition the 76 00:03:16,160 --> 00:03:19,240 Speaker 2: reason why I'm here being interrogated with terrible lighting very 77 00:03:19,240 --> 00:03:20,480 Speaker 2: early in the morning, and I love it. 78 00:03:20,560 --> 00:03:24,239 Speaker 1: Do you know just before the latch? Yes, the new lights, 79 00:03:24,639 --> 00:03:28,320 Speaker 1: Oh they love it. No, I love it. I don't. Yeah, 80 00:03:28,480 --> 00:03:31,160 Speaker 1: they were worse than this before I got them upgraded. 81 00:03:31,240 --> 00:03:31,680 Speaker 2: I love that. 82 00:03:31,960 --> 00:03:35,280 Speaker 1: No transition is Yes, I'm on tour. 83 00:03:35,320 --> 00:03:37,800 Speaker 2: I'm a stand up comic. Believe it or not, you 84 00:03:38,040 --> 00:03:42,720 Speaker 2: never know by this interview, but I am unbelievably funny 85 00:03:42,760 --> 00:03:46,080 Speaker 2: and I am at the Sky Theater tonight. 86 00:03:46,480 --> 00:03:48,080 Speaker 1: If you can believe it's unbelievable. 87 00:03:48,160 --> 00:03:51,440 Speaker 2: Yes, Sky City Theater. And we have one of your own. 88 00:03:51,440 --> 00:03:53,560 Speaker 2: I shouldn't say this when we're going to anyway, we 89 00:03:53,640 --> 00:03:56,040 Speaker 2: have one of your heroes, Joe Parker, who's going to 90 00:03:56,080 --> 00:03:58,040 Speaker 2: show up. Who's it's. 91 00:03:59,600 --> 00:04:02,400 Speaker 1: You? You ran that line last time, and you see 92 00:04:02,480 --> 00:04:04,440 Speaker 1: Joe park is going to tune up and. 93 00:04:04,400 --> 00:04:07,400 Speaker 2: You know because I don't, And I say this with love, 94 00:04:07,520 --> 00:04:11,000 Speaker 2: I don't know if I like you. Yeah, I really don't. 95 00:04:11,280 --> 00:04:13,080 Speaker 2: But what I'm gonna do right now is I'm going 96 00:04:13,160 --> 00:04:16,240 Speaker 2: to pull up his text to me because you started 97 00:04:16,279 --> 00:04:20,000 Speaker 2: with yeah, because here's the here's the thing. I will 98 00:04:20,000 --> 00:04:27,360 Speaker 2: pull up. If you pull that up, I will. 99 00:04:28,560 --> 00:04:29,960 Speaker 1: What's Joe park inside of you? 100 00:04:30,360 --> 00:04:33,640 Speaker 2: Well, he said that he's coming tonight and yeah, and 101 00:04:33,680 --> 00:04:35,880 Speaker 2: then he's going to bring some of his boys and yeah, 102 00:04:35,920 --> 00:04:37,560 Speaker 2: it's all good. I'm going to pull it up right 103 00:04:37,600 --> 00:04:41,400 Speaker 2: now because here's the here's the thing. He's not going 104 00:04:41,400 --> 00:04:41,880 Speaker 2: to be in the show. 105 00:04:42,880 --> 00:04:43,440 Speaker 1: He's just there. 106 00:04:43,440 --> 00:04:45,400 Speaker 2: I will do a lot of set up comedy. But 107 00:04:45,800 --> 00:04:48,240 Speaker 2: these are these are very well informed questions. 108 00:04:48,360 --> 00:04:50,080 Speaker 1: Okay, yeah, so here we go. 109 00:04:50,279 --> 00:04:51,680 Speaker 2: So sew me one second. 110 00:04:51,839 --> 00:04:54,080 Speaker 1: Yeah, you don't believe I don't believe this. I know 111 00:04:54,160 --> 00:04:56,839 Speaker 1: you searching for a nit work because you here we go, brother, Okay, 112 00:04:56,839 --> 00:05:00,799 Speaker 1: here we go. Okay, here we go. Jeremy Heaven Auckland, 113 00:05:00,880 --> 00:05:03,640 Speaker 1: July thirty one. Honored to get any one of your 114 00:05:03,640 --> 00:05:07,120 Speaker 1: peeps and have them let me know I'm in town. Thanks, 115 00:05:09,000 --> 00:05:12,839 Speaker 1: smiley face. This one's actually spelling right. Thank you so much. Brother. 116 00:05:12,880 --> 00:05:16,599 Speaker 1: We'll give you a message. Appreciate it. Grateful. Joseph Parker. Yeah, 117 00:05:17,200 --> 00:05:19,360 Speaker 1: I'm also doing press tomorrow. I'm on the Mike Hosking 118 00:05:19,400 --> 00:05:21,360 Speaker 1: Breakfast Show. The Mike Hosking Breakfast Show is one of 119 00:05:21,400 --> 00:05:26,920 Speaker 1: the most popular shows in the country. Yeah, that's right. 120 00:05:26,960 --> 00:05:29,680 Speaker 1: Who else you got in your phone? You're famous in 121 00:05:29,720 --> 00:05:30,200 Speaker 1: your phone. 122 00:05:30,520 --> 00:05:32,680 Speaker 2: I just have a lot of because we're so old now, 123 00:05:32,720 --> 00:05:36,680 Speaker 2: I have a lot of practologists and just mostly just 124 00:05:36,800 --> 00:05:39,160 Speaker 2: you know guys that do yeah, various things, a lot 125 00:05:39,160 --> 00:05:41,920 Speaker 2: of butt doctors. Yes, mostly, but I can show you 126 00:05:41,960 --> 00:05:43,280 Speaker 2: all their attacks. They do a nice show. 127 00:05:44,600 --> 00:05:47,160 Speaker 1: Now, now, talk to me about the Piven Theater. What 128 00:05:47,600 --> 00:05:49,000 Speaker 1: was it like when you were growing up? You know, 129 00:05:49,080 --> 00:05:51,080 Speaker 1: just explain that your parents in the Piven Theater. 130 00:05:51,680 --> 00:05:53,159 Speaker 2: Explain what theater is. 131 00:05:53,160 --> 00:05:54,560 Speaker 1: I'm sorry, the Pivot Theater. 132 00:05:55,200 --> 00:06:00,800 Speaker 2: It is a theater where the you know, my my parents. 133 00:06:01,560 --> 00:06:05,680 Speaker 2: My mother died a few months ago, and she was 134 00:06:05,680 --> 00:06:07,320 Speaker 2: my acting teacher from the time I was about eight 135 00:06:07,400 --> 00:06:09,719 Speaker 2: years old and I jumped up on stage with my family. 136 00:06:09,760 --> 00:06:11,919 Speaker 2: And most of the kids are on scholarship, so we 137 00:06:11,960 --> 00:06:13,400 Speaker 2: don't really know. When people are like, oh, you're in 138 00:06:13,440 --> 00:06:17,000 Speaker 2: the business, it's like, I'm not in any business. We're 139 00:06:17,080 --> 00:06:21,400 Speaker 2: just actors, were stage performers, and we didn't understand the 140 00:06:21,440 --> 00:06:24,479 Speaker 2: business act as aspect of it, which is kind of 141 00:06:24,520 --> 00:06:27,520 Speaker 2: ironic because I you know, I played a character Ari 142 00:06:27,680 --> 00:06:30,200 Speaker 2: Gold for over a decade that was this businessman. So 143 00:06:30,240 --> 00:06:33,039 Speaker 2: everyone thinks that I understand the business, and I'm just 144 00:06:33,080 --> 00:06:36,160 Speaker 2: a stage actor from Chicago. The kids are on scholarship. 145 00:06:37,279 --> 00:06:39,600 Speaker 2: Any age you can go in there and study. They 146 00:06:39,920 --> 00:06:42,880 Speaker 2: put on, you know, whatever they feel like putting on 147 00:06:42,920 --> 00:06:43,880 Speaker 2: at the time, whether. 148 00:06:43,640 --> 00:06:44,040 Speaker 1: It be. 149 00:06:45,560 --> 00:06:48,159 Speaker 2: You know, check off. I've been butchering some of the 150 00:06:48,200 --> 00:06:50,840 Speaker 2: great writers of all time. I've been butchering it since 151 00:06:50,839 --> 00:06:55,120 Speaker 2: I was eight years old. So you know, Shakespeare, Kurt Vonnegut. 152 00:06:57,200 --> 00:07:00,360 Speaker 2: You know, we do about four shows a year there, 153 00:07:00,400 --> 00:07:05,080 Speaker 2: and you know, every every night there are acting classes 154 00:07:05,080 --> 00:07:06,480 Speaker 2: there and it's still thriving. 155 00:07:06,839 --> 00:07:08,800 Speaker 1: Was it a thing? Was what I was interested in? 156 00:07:08,839 --> 00:07:11,040 Speaker 1: When you're a kid, No one else has got a theater? 157 00:07:12,360 --> 00:07:14,680 Speaker 1: Was that a thing? Was that exciting to be or 158 00:07:14,720 --> 00:07:16,240 Speaker 1: did it? Was it? Just what? It was? 159 00:07:18,880 --> 00:07:25,040 Speaker 2: It it? I thought that every kid had a theater 160 00:07:25,160 --> 00:07:27,680 Speaker 2: that they grew up in. But I was horribly mistaken. 161 00:07:27,760 --> 00:07:29,640 Speaker 2: So I thought it was just like the norm. You 162 00:07:29,640 --> 00:07:32,760 Speaker 2: get up on stage, you have a great time. Your 163 00:07:32,760 --> 00:07:36,400 Speaker 2: parents empowered you with the ideology that you're enough, and 164 00:07:36,440 --> 00:07:41,520 Speaker 2: so you feel very comfortable to perform and kind of 165 00:07:41,560 --> 00:07:44,880 Speaker 2: operate on your highest vibration. Unbeknownst to me, not every 166 00:07:44,920 --> 00:07:45,520 Speaker 2: kid had that. 167 00:07:47,880 --> 00:07:49,840 Speaker 1: So what do you believe in that sense, if you 168 00:07:49,920 --> 00:07:51,880 Speaker 1: hang out at the theater and your parents are into 169 00:07:51,920 --> 00:07:56,040 Speaker 1: the theater, you can perform or is performance God given? 170 00:07:56,800 --> 00:08:03,000 Speaker 2: Oh that's a great question. I I do feel that 171 00:08:03,000 --> 00:08:06,920 Speaker 2: that we are all given gifts to a lesser and 172 00:08:06,960 --> 00:08:10,520 Speaker 2: greater extent, and then you know how you how you 173 00:08:10,640 --> 00:08:13,600 Speaker 2: navigate that is something different. And that's probably the difference 174 00:08:13,600 --> 00:08:16,280 Speaker 2: between being good and great. And I think a lot 175 00:08:16,280 --> 00:08:19,520 Speaker 2: of people have been given gifts and they don't stay 176 00:08:19,560 --> 00:08:23,520 Speaker 2: after it. But I I've I've been on stage, you know, 177 00:08:24,480 --> 00:08:29,640 Speaker 2: for for my entire life, and I need a little 178 00:08:29,680 --> 00:08:31,920 Speaker 2: more balance in my life. So that's that's a whole 179 00:08:31,960 --> 00:08:35,840 Speaker 2: other thing. But the yeah, I think that you know, listen, 180 00:08:35,920 --> 00:08:38,160 Speaker 2: both my parents are actors and and I think I 181 00:08:38,280 --> 00:08:41,640 Speaker 2: chose them. And I know that sounds cliched or strange 182 00:08:41,720 --> 00:08:45,079 Speaker 2: or whatever, but I think I did pick them. And 183 00:08:45,600 --> 00:08:48,400 Speaker 2: so I think because of them, I was given something. 184 00:08:49,200 --> 00:08:52,400 Speaker 2: And and getting up on stage as a child and 185 00:08:52,440 --> 00:08:55,920 Speaker 2: having never stopped doing that, you know, you develop certain 186 00:08:56,000 --> 00:08:58,600 Speaker 2: muscles and I was a little bit of a late 187 00:08:58,640 --> 00:09:01,240 Speaker 2: bloomer to stand up and so I make that transition 188 00:09:01,960 --> 00:09:03,840 Speaker 2: and get up there and do my thing with that 189 00:09:03,960 --> 00:09:06,880 Speaker 2: and then go back to acting, and it makes you 190 00:09:06,920 --> 00:09:11,600 Speaker 2: a better actor just because most actors are sitting idle. 191 00:09:11,880 --> 00:09:14,240 Speaker 2: They have a lot of rust on them because you know, 192 00:09:14,600 --> 00:09:16,600 Speaker 2: they have to get a lot of people to okay 193 00:09:16,720 --> 00:09:20,839 Speaker 2: the film, get the money, the studio has to sign 194 00:09:20,880 --> 00:09:23,680 Speaker 2: off on you whatever or an indie film or whatever. 195 00:09:24,040 --> 00:09:26,800 Speaker 2: And then with stand up, I'm performing all the time, 196 00:09:26,840 --> 00:09:29,000 Speaker 2: and then when I go back to acting, there's no 197 00:09:29,080 --> 00:09:29,600 Speaker 2: rust on me. 198 00:09:29,800 --> 00:09:32,959 Speaker 1: Fantastic, great answer. They also say, you're doing two two 199 00:09:33,000 --> 00:09:36,320 Speaker 1: hundred and fifty shows a year, is that right? Yeah, 200 00:09:36,360 --> 00:09:39,400 Speaker 1: that's pretty much well most days. 201 00:09:39,600 --> 00:09:42,080 Speaker 2: Yeah, I mean well five day shows a week because 202 00:09:42,080 --> 00:09:45,920 Speaker 2: you're doing two shows a night, but with theaters like 203 00:09:45,960 --> 00:09:48,920 Speaker 2: I'm doing now the Sky Theater tonight at eight o'clock. 204 00:09:49,800 --> 00:09:50,840 Speaker 2: Just throwing that in there. 205 00:09:50,640 --> 00:09:51,400 Speaker 1: With Joe Parker. 206 00:09:51,720 --> 00:09:54,280 Speaker 2: With Joe Parker who is going to be opening for me, 207 00:09:54,320 --> 00:09:58,959 Speaker 2: He's gonna be tight twelve minutes. He's incredibly funny, Joe Parker. 208 00:10:01,240 --> 00:10:03,679 Speaker 2: There are other people that are have threatened to come 209 00:10:04,320 --> 00:10:06,560 Speaker 2: and we'll see if they're I can't name them, but 210 00:10:06,640 --> 00:10:11,199 Speaker 2: it's gonna be a little bit of a you know. Yeah, 211 00:10:11,280 --> 00:10:14,840 Speaker 2: there are certain UFC fighters that are that are great? 212 00:10:15,800 --> 00:10:16,040 Speaker 2: You know? 213 00:10:16,520 --> 00:10:17,880 Speaker 1: Is this a sporting of Intel record? 214 00:10:18,000 --> 00:10:19,680 Speaker 2: On? His first name rhymes with missy? 215 00:10:23,240 --> 00:10:27,320 Speaker 1: I don't know what other nine rhymes with missy? Is he? Oh? 216 00:10:27,480 --> 00:10:31,080 Speaker 1: Is he a sign? Yeah? Does? Is he rhyme with missy? 217 00:10:32,320 --> 00:10:32,440 Speaker 2: Now? 218 00:10:32,960 --> 00:10:37,199 Speaker 1: Yeah? It does? Israelsgna. He's bigger than you think you 219 00:10:37,280 --> 00:10:37,880 Speaker 1: made him. 220 00:10:38,320 --> 00:10:40,520 Speaker 2: He's about six three big. 221 00:10:40,600 --> 00:10:42,640 Speaker 1: He's bigger than you think. He's a big boy. This 222 00:10:42,760 --> 00:10:45,720 Speaker 1: is this a fight or a comedy? Shine? 223 00:10:46,120 --> 00:10:49,480 Speaker 2: Uh, it's it's it's hard to say right now. It 224 00:10:49,600 --> 00:10:54,160 Speaker 2: feel like it would be a fight, but uh, yeah, 225 00:10:54,360 --> 00:10:58,040 Speaker 2: it's you know, I when I'm in town, I like 226 00:10:58,080 --> 00:11:00,600 Speaker 2: to reach out to people that i've I've watched and 227 00:11:00,640 --> 00:11:03,360 Speaker 2: who have inspired me, and I just give it a shot. 228 00:11:03,400 --> 00:11:05,959 Speaker 1: I just you know, he's fantastic in terms in terms 229 00:11:05,960 --> 00:11:08,480 Speaker 1: of determination and getting where you want to go. That 230 00:11:09,120 --> 00:11:11,040 Speaker 1: guy's legiend, mind you say, is Joe Parker. 231 00:11:11,640 --> 00:11:16,199 Speaker 2: Yeah. They're both very, very very inspiring. They've you know, 232 00:11:16,760 --> 00:11:19,400 Speaker 2: you can have greatness like they both had and then 233 00:11:19,400 --> 00:11:21,520 Speaker 2: you can rest on it and go that's enough. And 234 00:11:21,640 --> 00:11:24,000 Speaker 2: both of them have been down and figured out a 235 00:11:24,000 --> 00:11:26,200 Speaker 2: way to extract their ego and just get after it. 236 00:11:26,240 --> 00:11:28,280 Speaker 2: And they're very inspiring, fantastic. 237 00:11:28,440 --> 00:11:31,160 Speaker 1: I've thoroughly enjoyed this, by the way, thank you. I 238 00:11:31,200 --> 00:11:33,880 Speaker 1: think your enjoyment level rose as the interview went on. 239 00:11:35,640 --> 00:11:36,319 Speaker 2: Absolutely. 240 00:11:36,600 --> 00:11:40,240 Speaker 1: You know anyway, when you're next in town, Yeah, come 241 00:11:40,240 --> 00:11:40,920 Speaker 1: by and see us. 242 00:11:40,920 --> 00:11:43,240 Speaker 2: Oh my god, I'm going to put it on my. 243 00:11:43,200 --> 00:11:46,040 Speaker 1: Calendar hopefully the lighting of we Oh. 244 00:11:45,880 --> 00:11:47,719 Speaker 2: No, no, it's all good. I love this. 245 00:11:48,000 --> 00:11:50,960 Speaker 1: Jeremy, thank you, guys, nice to see Nice to see you, 246 00:11:51,040 --> 00:11:55,079 Speaker 1: Jeremy Piven, This guys City to Night along with is 247 00:11:55,160 --> 00:11:59,600 Speaker 1: He and Joe Allegedly. For more from the Mic Asking Breakfast, 248 00:11:59,679 --> 00:12:03,079 Speaker 1: listen live to news talks. It'd be from six am weekdays, 249 00:12:03,320 --> 00:12:05,360 Speaker 1: or follow the podcast on iHeartRadio