1
00:00:00,040 --> 00:00:03,000
Speaker 1: Tim, do you remember Katie? Good morning? Where are you you? Okay, Katie,

2
00:00:03,680 --> 00:00:04,200
Speaker 1: good morning.

3
00:00:04,200 --> 00:00:05,000
Speaker 2: I'm good, I'm great.

4
00:00:05,120 --> 00:00:07,560
Speaker 1: I know it was a very very busy morning for you,

5
00:00:08,119 --> 00:00:10,119
Speaker 1: so I know you're busy. So I don't know where

6
00:00:10,160 --> 00:00:13,240
Speaker 1: you are and what part of the procedure you're through you.

7
00:00:14,080 --> 00:00:18,800
Speaker 2: As always, I prioritize this ZB slot, so it's not

8
00:00:18,840 --> 00:00:20,480
Speaker 2: he for you for this entire segment.

9
00:00:20,560 --> 00:00:22,880
Speaker 1: Fantastic, Tim. Do you remember days?

10
00:00:24,200 --> 00:00:27,600
Speaker 3: Oh? Yeah, vaguely. We had a what did we have?

11
00:00:27,760 --> 00:00:31,520
Speaker 3: We had I think a Toyota Corolla or something and

12
00:00:31,520 --> 00:00:33,080
Speaker 3: we couldn't drive it one day a week.

13
00:00:33,240 --> 00:00:35,919
Speaker 1: What was your day? Tell here's your test. What was

14
00:00:35,920 --> 00:00:36,320
Speaker 1: your day?

15
00:00:36,479 --> 00:00:39,720
Speaker 3: Something? Something tells me it was Thursday. I don't know why.

16
00:00:39,840 --> 00:00:40,560
Speaker 3: I'm probably wrong.

17
00:00:40,720 --> 00:00:42,080
Speaker 1: Mine was Tuesday.

18
00:00:42,240 --> 00:00:42,800
Speaker 3: What was yours?

19
00:00:42,880 --> 00:00:44,919
Speaker 1: Well it was mine because I was so young, but

20
00:00:44,960 --> 00:00:47,960
Speaker 1: my mom my mum had Tuesday. But here's the thing,

21
00:00:48,040 --> 00:00:49,720
Speaker 1: and this is for people who don't remember, because you

22
00:00:49,760 --> 00:00:51,280
Speaker 1: won't remember Carver days, will you, Caddy?

23
00:00:52,280 --> 00:00:54,680
Speaker 2: I sort of do, but I couldn't tell you much

24
00:00:54,720 --> 00:00:56,720
Speaker 2: about it. I just it was a thing with Muldoon,

25
00:00:56,800 --> 00:00:57,160
Speaker 2: wasn't it?

26
00:00:57,320 --> 00:00:57,520
Speaker 3: Yes?

27
00:00:57,560 --> 00:01:00,280
Speaker 1: It was. But you were only born in seventy three

28
00:01:00,320 --> 00:01:04,040
Speaker 1: and so the Carlos when we were the Carlo's days late seventies, Yeah,

29
00:01:04,160 --> 00:01:07,680
Speaker 1: late seventies, it was before long each demon Yeah.

30
00:01:07,680 --> 00:01:09,680
Speaker 3: Yeah, I was sort of like it was one of

31
00:01:09,720 --> 00:01:12,560
Speaker 3: the sort of last gasps of the Mauldoon government. And

32
00:01:12,600 --> 00:01:15,479
Speaker 3: also thinking about this whole Oh, Carlo's days are coming.

33
00:01:15,520 --> 00:01:18,200
Speaker 3: It's like, politically it wasn't good for him. Do you

34
00:01:18,200 --> 00:01:20,320
Speaker 3: think the government's actually going to go back to something?

35
00:01:20,440 --> 00:01:21,119
Speaker 3: This is what I'm.

36
00:01:21,040 --> 00:01:22,800
Speaker 1: Trying to navigate at the moment. That's why we got

37
00:01:22,880 --> 00:01:25,199
Speaker 1: Nichola Willis. On the level of panic and bullshit around

38
00:01:25,240 --> 00:01:27,080
Speaker 1: the media at the moment, it's just pathetic and I'm

39
00:01:27,120 --> 00:01:30,800
Speaker 1: over it. So Carlo's days here was our problem. Our

40
00:01:30,840 --> 00:01:33,840
Speaker 1: problem was that everyone went and got an X, so

41
00:01:33,880 --> 00:01:36,399
Speaker 1: you got an X sticker, so that gave you an exemption.

42
00:01:36,560 --> 00:01:38,920
Speaker 1: And we didn't forget to take the sticker because my

43
00:01:39,080 --> 00:01:41,600
Speaker 1: mother was one of those where you've got to follow

44
00:01:41,640 --> 00:01:44,480
Speaker 1: what Muldoon says, so she didn't go get it get

45
00:01:44,480 --> 00:01:47,240
Speaker 1: an exemption sticker, so we couldn't go anywhere on a Tuesday.

46
00:01:47,240 --> 00:01:50,360
Speaker 3: Oh wait, she was she was a rule follower to

47
00:01:50,360 --> 00:01:52,240
Speaker 3: be such a rebel because it turned out to be

48
00:01:52,280 --> 00:01:54,960
Speaker 3: such a rebels what happens because you never follow rules.

49
00:01:55,040 --> 00:01:57,760
Speaker 1: Mike, you are the you are the opposite of the

50
00:01:58,120 --> 00:02:00,280
Speaker 1: of the parent. But the other thing was we were

51
00:02:00,280 --> 00:02:02,920
Speaker 1: also jealous because we didn't have any money. A lot

52
00:02:02,920 --> 00:02:06,200
Speaker 1: of people had two cars and so they simply they

53
00:02:06,240 --> 00:02:08,200
Speaker 1: simply get around it with their second car, whereas we

54
00:02:08,240 --> 00:02:10,920
Speaker 1: didn't have a second car. Plus my mother insisted that

55
00:02:10,960 --> 00:02:13,120
Speaker 1: we didn't want an exclusion. So we were stuck at

56
00:02:13,120 --> 00:02:17,560
Speaker 1: home on a Tuesday. So what did you do on

57
00:02:17,639 --> 00:02:21,160
Speaker 1: the Tuesday? Well, nothing, just fought with your siblings. Well,

58
00:02:21,160 --> 00:02:23,120
Speaker 1: we watched Country Calendar because it was the only thing

59
00:02:23,160 --> 00:02:23,880
Speaker 1: on television.

60
00:02:25,040 --> 00:02:28,120
Speaker 3: I think, can I roll it back though, you're absolutely

61
00:02:28,120 --> 00:02:29,959
Speaker 3: you know you're talking about Oh, I'm just trying to fight,

62
00:02:30,160 --> 00:02:32,800
Speaker 3: you know, just determined to stop the panic. In terms

63
00:02:32,880 --> 00:02:36,000
Speaker 3: of stories like this is actually a consistent thing now.

64
00:02:36,080 --> 00:02:38,640
Speaker 3: A big part of being in the media is actually

65
00:02:38,639 --> 00:02:42,320
Speaker 3: determining where the story that everyone else is screaming about

66
00:02:42,720 --> 00:02:45,880
Speaker 3: is actually a story. I think that's we're at a

67
00:02:45,919 --> 00:02:46,640
Speaker 3: weird stage.

68
00:02:46,960 --> 00:02:49,880
Speaker 1: Yeah, there's a funny story today, there's two stories. Well,

69
00:02:49,919 --> 00:02:52,640
Speaker 1: the Luxom story was the good example of that. That

70
00:02:52,760 --> 00:02:53,480
Speaker 1: wasn't a story.

71
00:02:53,639 --> 00:02:57,799
Speaker 3: Oh that was last week, this weekend, he wasn't.

72
00:02:57,600 --> 00:02:59,920
Speaker 1: A story, and yet they milked it for several days.

73
00:03:00,080 --> 00:03:02,080
Speaker 1: On end, Cadie, your dad would have had a contra

74
00:03:02,200 --> 00:03:03,840
Speaker 1: car because he was a big star in radio. You

75
00:03:03,840 --> 00:03:05,760
Speaker 1: would have had several cars at your house. It wouldn't

76
00:03:05,760 --> 00:03:07,760
Speaker 1: have been a cardless day problem for you, would it?

77
00:03:08,480 --> 00:03:11,880
Speaker 2: Probably not? Hey, I'm just thinking, sorry to move off

78
00:03:11,919 --> 00:03:14,720
Speaker 2: Carlos Dave's reminiscent back down your old days, you.

79
00:03:14,600 --> 00:03:17,480
Speaker 3: Tub Can we talk about TV in the seventies again?

80
00:03:18,400 --> 00:03:20,280
Speaker 2: I just think that you need to You owe your

81
00:03:20,440 --> 00:03:23,400
Speaker 2: entire audience and apology because yesterday, if anybody was listening,

82
00:03:23,440 --> 00:03:25,560
Speaker 2: just before nine, you told everyone to go and watch

83
00:03:25,560 --> 00:03:30,959
Speaker 2: the Malania documentary, and you owe everyone a massive explanation

84
00:03:31,080 --> 00:03:33,680
Speaker 2: as to what because you should have been clearer. You

85
00:03:33,760 --> 00:03:36,480
Speaker 2: weren't recommending it as a piece of viewing that people

86
00:03:36,480 --> 00:03:40,040
Speaker 2: would enjoy. You were just incredulous that that ever made it.

87
00:03:40,240 --> 00:03:42,520
Speaker 1: Do you know, where as I think I said to

88
00:03:42,560 --> 00:03:44,960
Speaker 1: you yesterday in one of our conversations, I actually do

89
00:03:45,040 --> 00:03:49,040
Speaker 1: think I'm recommending it because you're Oh, I believe I am,

90
00:03:49,400 --> 00:03:52,600
Speaker 1: because it is so You've got to watch it to

91
00:03:52,840 --> 00:03:58,240
Speaker 1: because it is just so gob smackingly all sorts of

92
00:03:58,240 --> 00:04:05,280
Speaker 1: different things bad, unbelievable, shocking. So guys, guys AI robot

93
00:04:05,360 --> 00:04:05,760
Speaker 1: for sure.

94
00:04:05,880 --> 00:04:08,520
Speaker 3: So how many how many Megan Markles? Is it if

95
00:04:08,520 --> 00:04:12,000
Speaker 3: we're doing the Megan marketle scale, how many were a

96
00:04:12,000 --> 00:04:13,160
Speaker 3: lot of bad?

97
00:04:13,280 --> 00:04:13,720
Speaker 2: Or is it?

98
00:04:14,760 --> 00:04:17,279
Speaker 1: Well, well, a lot a lot of bad, fewer as good.

99
00:04:17,400 --> 00:04:21,760
Speaker 1: It's multiple Megan Markles. It's it's unbelievable. It's so unbelievable.

100
00:04:21,920 --> 00:04:25,160
Speaker 1: It's like it's impossible to believe this ever got made.

101
00:04:25,560 --> 00:04:27,000
Speaker 1: It shocksble to believe.

102
00:04:27,040 --> 00:04:29,680
Speaker 2: No one around her said, hey, how about we don't

103
00:04:29,760 --> 00:04:32,919
Speaker 2: put this to air? Like why they're surrounded by so

104
00:04:33,080 --> 00:04:36,120
Speaker 2: many yes men who idolize them. You can see how

105
00:04:36,160 --> 00:04:37,800
Speaker 2: completely out of touch they are.

106
00:04:37,960 --> 00:04:40,720
Speaker 1: It's that bad it's worth watching. Quick question on Megan.

107
00:04:41,040 --> 00:04:44,039
Speaker 2: The relationship is very sad. It's like it's just they

108
00:04:44,040 --> 00:04:45,120
Speaker 2: have a relationship.

109
00:04:45,600 --> 00:04:48,880
Speaker 1: No, they don't know it's it's sad. It's sad. Really,

110
00:04:48,920 --> 00:04:51,960
Speaker 1: if you think they're in love, then obviously you're an idiots.

111
00:04:52,240 --> 00:04:55,440
Speaker 1: So they're not. It's it's one of convenience. But I

112
00:04:55,520 --> 00:04:58,480
Speaker 1: think they they look to me to be very comfortable

113
00:04:58,520 --> 00:05:01,440
Speaker 1: in each other's company. When a you get it, I

114
00:05:01,560 --> 00:05:03,479
Speaker 1: get it, we all get it kind of way, and

115
00:05:03,520 --> 00:05:08,160
Speaker 1: they coexist perfectly, happily. I'd rather be in that.

116
00:05:08,640 --> 00:05:12,080
Speaker 3: Okay, So as as coexistence a relationship, no.

117
00:05:11,839 --> 00:05:14,280
Speaker 1: No, no, don't go down that track, because it's it's

118
00:05:14,360 --> 00:05:16,000
Speaker 1: about to make no, it's about to make that point.

119
00:05:16,360 --> 00:05:20,360
Speaker 1: So I'm in the perfect relationship and the perfect marriage.

120
00:05:20,360 --> 00:05:23,400
Speaker 1: I couldn't be happier. That's that's everybody's body's ideal. I

121
00:05:23,400 --> 00:05:27,680
Speaker 1: would rather though, be Trump and Millennia coexisting. Then I

122
00:05:27,680 --> 00:05:33,640
Speaker 1: would be in a miserable relationship. Int really, Oh yeah, well,

123
00:05:33,640 --> 00:05:35,600
Speaker 1: who wants to be miserable? They're not miserable?

124
00:05:35,800 --> 00:05:37,480
Speaker 2: Nobody does. But what what about not being in it?

125
00:05:37,520 --> 00:05:39,960
Speaker 2: I'd rather not be in a relationship at all, in

126
00:05:40,000 --> 00:05:41,120
Speaker 2: a relationship.

127
00:05:40,640 --> 00:05:42,600
Speaker 1: Well, there aren't in a relationship at all. That's the point.

128
00:05:42,600 --> 00:05:45,760
Speaker 1: That's what coas. She lives in New York and Eese

129
00:05:45,800 --> 00:05:47,800
Speaker 1: and Mary Lago and Washington. That's the whole point.

130
00:05:48,960 --> 00:05:51,000
Speaker 2: Anyway, why were you recommending it?

131
00:05:51,080 --> 00:05:54,480
Speaker 3: Because it's because it's an insight, right.

132
00:05:54,400 --> 00:05:56,960
Speaker 1: It's an insight. It's stuff you learn something and learning.

133
00:05:57,040 --> 00:06:00,040
Speaker 1: So anyway, look, okay, question though, how long is it?

134
00:06:00,160 --> 00:06:00,240
Speaker 3: Like?

135
00:06:00,320 --> 00:06:01,000
Speaker 1: What two hours?

136
00:06:01,000 --> 00:06:02,880
Speaker 3: One and a half hours? You need two hours for

137
00:06:02,920 --> 00:06:05,320
Speaker 3: an insight? We've got They've got the insight. Now we've

138
00:06:05,320 --> 00:06:07,000
Speaker 3: told them, no.

139
00:06:07,040 --> 00:06:09,080
Speaker 1: I really would recommend it. I think I am recommending

140
00:06:09,560 --> 00:06:13,240
Speaker 1: Katie and Marie's twenty fifth anniversary tomorrow.

141
00:06:13,400 --> 00:06:14,160
Speaker 3: Oh my goodness.

142
00:06:14,680 --> 00:06:17,640
Speaker 2: Really and Marie holds the whole show together, which she

143
00:06:17,720 --> 00:06:18,159
Speaker 2: sure does.

144
00:06:18,279 --> 00:06:21,520
Speaker 1: It's amazing, isn't it? Because it's unfortunate the twenty fifth

145
00:06:21,560 --> 00:06:23,240
Speaker 1: falls tomorrow and she has to come in here and

146
00:06:23,279 --> 00:06:24,279
Speaker 1: she'll be here by herself.

147
00:06:25,360 --> 00:06:28,560
Speaker 2: Ah, And she's always someone who celebrates everybody else's milestones

148
00:06:28,560 --> 00:06:29,520
Speaker 2: at works.

149
00:06:29,839 --> 00:06:31,400
Speaker 1: Do you know asked this week to get me a

150
00:06:31,440 --> 00:06:33,440
Speaker 1: new clan can of Blend twenty and it turned up

151
00:06:33,440 --> 00:06:33,960
Speaker 1: the next day.

152
00:06:34,880 --> 00:06:35,800
Speaker 2: Oh that's amazing.

153
00:06:38,720 --> 00:06:41,040
Speaker 1: That's what I did. Disinfect the studio with every day

154
00:06:41,040 --> 00:06:46,280
Speaker 1: from the pigs who work here, nothing.

155
00:06:46,040 --> 00:06:49,080
Speaker 2: Biags, COVID days were we used to?

156
00:06:49,160 --> 00:06:51,359
Speaker 1: Oh no, I still Blend twenty the place? Quick question?

157
00:06:52,440 --> 00:06:55,119
Speaker 1: You you raised it to him with Meghan Markle, Meghan

158
00:06:55,120 --> 00:07:03,560
Speaker 1: Mikal's coming to Sydney and for money? Why for money

159
00:07:03,880 --> 00:07:06,760
Speaker 1: you can go hang out with her for a weekend.

160
00:07:06,880 --> 00:07:10,000
Speaker 2: They're saying she's the new Fergie, She's going to be

161
00:07:10,040 --> 00:07:11,800
Speaker 2: scandal central at some point.

162
00:07:12,720 --> 00:07:16,640
Speaker 1: How much would you pay? I was thinking about it, obviously,

163
00:07:16,640 --> 00:07:18,560
Speaker 1: I pay zero, So then you get back to the

164
00:07:18,600 --> 00:07:21,120
Speaker 1: negative money I would need to be I would need

165
00:07:21,160 --> 00:07:23,320
Speaker 1: to be given to be paid to do I would

166
00:07:23,400 --> 00:07:26,080
Speaker 1: need to be paid eighty seven thousand dollars.

167
00:07:28,720 --> 00:07:30,480
Speaker 3: Ah. How long? How long is it though?

168
00:07:30,480 --> 00:07:31,920
Speaker 1: What the duration of the weekend?

169
00:07:33,040 --> 00:07:33,600
Speaker 3: The weekend?

170
00:07:33,640 --> 00:07:34,440
Speaker 1: So two days?

171
00:07:34,560 --> 00:07:38,360
Speaker 3: Yep, I don't know. You know what, I'll do it

172
00:07:38,400 --> 00:07:39,320
Speaker 3: for five K day.

173
00:07:39,560 --> 00:07:42,800
Speaker 1: You're there at the Kuji Beach Hotel. Sokuji Beach is nice.

174
00:07:42,840 --> 00:07:44,960
Speaker 1: The hotel's nice. You probably don't have to deal with

175
00:07:44,960 --> 00:07:47,280
Speaker 1: her all day, so there's probably sessions.

176
00:07:47,400 --> 00:07:50,880
Speaker 3: But exactly, and bring the kids, you know.

177
00:07:51,960 --> 00:07:55,320
Speaker 1: Just you remember jim and Katie. We went to dinner

178
00:07:55,360 --> 00:08:01,480
Speaker 1: with Jimmy Dean's mate. The Yeah, she's bring she's bringing

179
00:08:01,480 --> 00:08:02,120
Speaker 1: her to Sydney.

180
00:08:03,240 --> 00:08:05,400
Speaker 2: Right. They're just such grift as those two, aren't they.

181
00:08:05,440 --> 00:08:06,600
Speaker 2: I guess they've got to make money.

182
00:08:06,720 --> 00:08:09,680
Speaker 3: They are, they've got to make money. The economic models contracting.

183
00:08:09,880 --> 00:08:14,520
Speaker 1: It's tragic, Mike. If I'm recommended something to watch, that's

184
00:08:14,560 --> 00:08:16,240
Speaker 1: all the info I need. If you tell me to

185
00:08:16,280 --> 00:08:20,040
Speaker 1: watch something, I'm automatically assuming it's good. That's what Jason says.

186
00:08:20,680 --> 00:08:25,280
Speaker 3: Oh no, you know this is this is why your

187
00:08:25,320 --> 00:08:28,120
Speaker 3: marriage works so well, because Katie pushes back and you're

188
00:08:28,120 --> 00:08:32,199
Speaker 3: candid with each other, and it's it's called creative disharmony.

189
00:08:32,320 --> 00:08:32,760
Speaker 3: I love it.

190
00:08:32,880 --> 00:08:34,720
Speaker 1: You know, we've got a lot of creative disarmony. There's

191
00:08:34,720 --> 00:08:37,360
Speaker 1: no question about that. Next question, and I did the

192
00:08:37,400 --> 00:08:39,040
Speaker 1: ad for it this morning, how much would you pay

193
00:08:39,080 --> 00:08:41,439
Speaker 1: to go on holiday with Simon Dellay?

194
00:08:42,240 --> 00:08:44,920
Speaker 2: Well, he'd be actually an excellent person to go on holiday.

195
00:08:45,720 --> 00:08:47,480
Speaker 2: Before he went into TV, he used to be a

196
00:08:47,480 --> 00:08:48,520
Speaker 2: tour guide in the contry.

197
00:08:48,559 --> 00:08:52,360
Speaker 1: He did, he did know, really, that's.

198
00:08:52,240 --> 00:08:56,079
Speaker 2: What he was a Kentucky tour guide through. Oh my god,

199
00:08:56,320 --> 00:09:01,640
Speaker 2: he was so And actually I think he's speaks possibly

200
00:09:02,040 --> 00:09:05,320
Speaker 2: eight languages socially quite a few. Yeah, I think he'd

201
00:09:05,320 --> 00:09:08,120
Speaker 2: be an excellent person to go in and he's got

202
00:09:08,320 --> 00:09:10,480
Speaker 2: impeccable manners. You'd have a great time.

203
00:09:10,640 --> 00:09:13,679
Speaker 1: Let's okay, let's call the book because he listens. How

204
00:09:13,679 --> 00:09:15,520
Speaker 1: many languages do you think he speaks?

205
00:09:16,200 --> 00:09:18,480
Speaker 2: Four or five? I reckon he would be able to

206
00:09:18,520 --> 00:09:19,320
Speaker 2: converse with.

207
00:09:19,360 --> 00:09:21,400
Speaker 1: Okay, four or five? I say no more than three.

208
00:09:22,040 --> 00:09:24,400
Speaker 1: He certainly never spoke to me in anything more than English,

209
00:09:24,480 --> 00:09:27,360
Speaker 1: and excuse English.

210
00:09:27,720 --> 00:09:29,920
Speaker 2: Latterly tves that he would have been made to do today?

211
00:09:31,160 --> 00:09:32,839
Speaker 1: True? Are you counting that as one of the four

212
00:09:32,920 --> 00:09:33,240
Speaker 1: or five?

213
00:09:34,160 --> 00:09:34,240
Speaker 3: No?

214
00:09:34,360 --> 00:09:36,400
Speaker 2: I think he would be able to converse in Europe?

215
00:09:36,440 --> 00:09:39,600
Speaker 3: So actually, yeah, what's what's the measure of complete fluency?

216
00:09:43,120 --> 00:09:46,800
Speaker 1: Two beers a bit hot today and your cabins down there?

217
00:09:47,040 --> 00:09:49,640
Speaker 1: That's all you needs?

218
00:09:49,760 --> 00:09:50,319
Speaker 3: Poor for four?

219
00:09:50,440 --> 00:09:53,160
Speaker 1: I just spoke Spanish, so that's one language. I mean

220
00:09:53,160 --> 00:09:55,000
Speaker 1: we can all do that, mate, but you can't do

221
00:09:55,040 --> 00:09:56,079
Speaker 1: four or five? Can you.

222
00:09:57,640 --> 00:10:02,880
Speaker 3: Caveat caveat empdoor be whereby listen just just we's on

223
00:10:03,040 --> 00:10:06,240
Speaker 3: Rockstar French. What more do you want?

224
00:10:06,679 --> 00:10:08,640
Speaker 1: I take it all back. I take it all back

225
00:10:09,360 --> 00:10:14,480
Speaker 1: just today, mold right multi. Actually, the more the more

226
00:10:14,520 --> 00:10:16,760
Speaker 1: I think about the Simon would be fun, wouldn't he?

227
00:10:17,440 --> 00:10:19,120
Speaker 1: And then you get the contest, would you rather go

228
00:10:19,160 --> 00:10:25,920
Speaker 1: on a cruise with Simon? Del or Berry Holland? Oh dear,

229
00:10:26,000 --> 00:10:30,160
Speaker 1: I've got to go. You've just cracked yourself up. I

230
00:10:30,240 --> 00:10:31,760
Speaker 1: do it all the time. You should see me during

231
00:10:31,760 --> 00:10:34,240
Speaker 1: the head breaks. It's just a riot in here. Nice

232
00:10:34,240 --> 00:10:35,480
Speaker 1: to see you guys. You have a good week in

233
00:10:35,559 --> 00:10:37,319
Speaker 1: Tim Wilson k Hawksby For.

234
00:10:37,360 --> 00:10:40,760
Speaker 3: More from the Mic Asking Breakfast, listen live to news Talks.

235
00:10:40,760 --> 00:10:43,959
Speaker 3: It'd be from six am weekdays, or follow the podcast

236
00:10:44,000 --> 00:10:44,880
Speaker 3: on iHeartRadio