1 00:00:00,160 --> 00:00:01,840 Speaker 1: Husband. He can't stay there. 2 00:00:01,960 --> 00:00:04,320 Speaker 2: I need to bury him. 3 00:00:04,720 --> 00:00:06,880 Speaker 1: I hate driving when it's like this, Let's stay in 4 00:00:06,920 --> 00:00:16,440 Speaker 1: the bus if you want. I come still thinking about him. 5 00:00:16,600 --> 00:00:19,760 Speaker 2: Oh man, this one it's bound to be heavy. 6 00:00:21,200 --> 00:00:24,840 Speaker 1: Yeah, it was, and there's definitely a lot like I did, 7 00:00:24,960 --> 00:00:27,760 Speaker 1: shed a couple of tears. So it was a bit 8 00:00:27,760 --> 00:00:33,519 Speaker 1: of an emotional one, quite raw that The friendship that 9 00:00:33,640 --> 00:00:36,559 Speaker 1: is forged between the two women is quite nice to 10 00:00:36,600 --> 00:00:38,879 Speaker 1: watch though, because they kind of start off with enemies. 11 00:00:40,200 --> 00:00:43,479 Speaker 3: Interesting. So this is Sonya Rockhouse and Anna Osborne played 12 00:00:43,479 --> 00:00:47,280 Speaker 3: by a very un Robin Malcolm and Melanie Lynsky respectively, 13 00:00:47,880 --> 00:00:50,199 Speaker 3: and what we're almost fifteen years on. 14 00:00:50,560 --> 00:00:54,000 Speaker 1: I know when the years came up and I was like, 15 00:00:54,440 --> 00:00:55,440 Speaker 1: really that long ago? 16 00:00:55,680 --> 00:00:58,880 Speaker 3: Yeah, So it follows them not so much the twenty 17 00:00:58,960 --> 00:00:59,880 Speaker 3: nine lives that were lost. 18 00:01:00,440 --> 00:01:05,679 Speaker 1: Yeah, so you kind of get to meet what was 19 00:01:05,680 --> 00:01:09,280 Speaker 1: his name, Melvin, I think it was Malvin. You would 20 00:01:09,280 --> 00:01:12,440 Speaker 1: get to meet him at the start, and and like 21 00:01:12,520 --> 00:01:14,560 Speaker 1: you kind of briefly see them just before they go 22 00:01:14,640 --> 00:01:17,840 Speaker 1: into the mine. And then and then it follows from 23 00:01:18,160 --> 00:01:22,319 Speaker 1: from the women and and how they cope and what 24 00:01:22,360 --> 00:01:26,440 Speaker 1: they do in the in the fights. I kind of 25 00:01:27,440 --> 00:01:31,080 Speaker 1: I guess I just forgot how drawn out that was, 26 00:01:31,160 --> 00:01:34,920 Speaker 1: Like I didn't realize it went for so long, like 27 00:01:35,040 --> 00:01:36,119 Speaker 1: the fighting. 28 00:01:35,760 --> 00:01:39,119 Speaker 3: And against the company behind Pike River, right. 29 00:01:39,240 --> 00:01:43,200 Speaker 1: Yeah, yeah, and you know, and just trying to get 30 00:01:43,240 --> 00:01:48,880 Speaker 1: their men back, like yeah, it was yeah, like yeah, 31 00:01:49,240 --> 00:01:52,560 Speaker 1: it is definitely I think a movie that that a 32 00:01:52,600 --> 00:01:55,880 Speaker 1: lot of people will want to see it is. It 33 00:01:55,880 --> 00:01:57,000 Speaker 1: did feel a little long. 34 00:01:57,720 --> 00:01:59,880 Speaker 2: I've heard that because it was. 35 00:01:59,840 --> 00:02:02,880 Speaker 1: Just over two hours, and you did kind of feel that. 36 00:02:03,840 --> 00:02:05,920 Speaker 3: I told it's a little political in the sense that 37 00:02:06,040 --> 00:02:08,720 Speaker 3: John Key as Prime Minister is painted as bad and 38 00:02:08,720 --> 00:02:12,240 Speaker 3: then just Sinda Adune who plays herself hello sort of 39 00:02:12,240 --> 00:02:13,840 Speaker 3: the crusader, the good girl. 40 00:02:14,080 --> 00:02:16,520 Speaker 1: Yeah, I wasna I was going to mention that John 41 00:02:16,560 --> 00:02:20,679 Speaker 1: Key did not come off well but the actor though, 42 00:02:20,840 --> 00:02:23,040 Speaker 1: was actually looked quite a lot like it, which was 43 00:02:23,200 --> 00:02:28,079 Speaker 1: quite cold. But maybe yeah, maybe, but yeah, I did 44 00:02:28,120 --> 00:02:32,119 Speaker 1: think it was a bit odd that that. I mean, obviously, 45 00:02:32,480 --> 00:02:34,560 Speaker 1: if you're in a bed light, you're not going to 46 00:02:34,600 --> 00:02:36,959 Speaker 1: want to be in it, but that he there was 47 00:02:37,000 --> 00:02:40,280 Speaker 1: an actor for him, but then just Cinda was really there, 48 00:02:40,400 --> 00:02:42,080 Speaker 1: like it seemed a bit political to have. 49 00:02:42,280 --> 00:02:42,720 Speaker 2: Yeah. 50 00:02:42,840 --> 00:02:48,480 Speaker 3: Yeah, director Robert Saki's Behind Scarthy's I loved that movie. 51 00:02:48,560 --> 00:02:51,480 Speaker 3: And also out of the blue about the Alamawana shootings, 52 00:02:51,520 --> 00:02:53,959 Speaker 3: So he's got some practice capturing tragedy. Do you feel 53 00:02:54,000 --> 00:02:57,320 Speaker 3: like he pulled it off here with such a heavy narrative? Yeah, 54 00:02:57,360 --> 00:02:57,800 Speaker 3: I think so. 55 00:02:58,000 --> 00:03:03,359 Speaker 1: Yeah, right, I mean when you've got actresses like rob 56 00:03:03,560 --> 00:03:07,000 Speaker 1: I mean, Robert Malcolm is one of my favorites. Yeah, amazing. 57 00:03:07,160 --> 00:03:08,600 Speaker 2: She seems to be getting better and better. 58 00:03:09,040 --> 00:03:11,720 Speaker 1: Fine wine, and she's really good with the emotion. 59 00:03:11,960 --> 00:03:12,240 Speaker 2: Yeah. 60 00:03:12,440 --> 00:03:15,560 Speaker 3: Yeah, it's interesting you said how it feels like it's 61 00:03:15,639 --> 00:03:17,960 Speaker 3: drawn out, because oftentimes Key We movies have a tendency 62 00:03:17,960 --> 00:03:21,400 Speaker 3: of moving too quickly and feeling a bit choppy choppy, Yes, 63 00:03:21,639 --> 00:03:22,560 Speaker 3: very much the opposite. 64 00:03:22,760 --> 00:03:25,640 Speaker 1: Yeah, I mean, because there was a lot of you know, 65 00:03:25,760 --> 00:03:31,480 Speaker 1: courtroom stuff and planning and things. So but I don't 66 00:03:31,520 --> 00:03:33,560 Speaker 1: really know. I don't know what they could have cut 67 00:03:33,600 --> 00:03:38,240 Speaker 1: out to make it less, you know, so it kind 68 00:03:38,240 --> 00:03:40,160 Speaker 1: of needed to be. But yeah, it did feel a 69 00:03:40,160 --> 00:03:40,680 Speaker 1: little long. 70 00:03:41,240 --> 00:03:43,440 Speaker 3: It's a story yet to find a conclusion. We're still 71 00:03:43,440 --> 00:03:46,240 Speaker 3: waiting on the court date to hold the company to account. 72 00:03:46,320 --> 00:03:49,280 Speaker 3: So does the movie leave you feeling hopeful that there 73 00:03:49,360 --> 00:03:50,480 Speaker 3: might be some remedy there? 74 00:03:51,960 --> 00:03:54,720 Speaker 1: Well, actually, because I went with my mum and were 75 00:03:54,720 --> 00:03:57,600 Speaker 1: you kind of at the end, we were like, so, wait, 76 00:03:57,920 --> 00:03:58,320 Speaker 1: are they. 77 00:03:58,240 --> 00:03:58,800 Speaker 2: Still in you? 78 00:03:59,080 --> 00:03:59,160 Speaker 3: Like? 79 00:03:59,200 --> 00:03:59,880 Speaker 2: Have they have they? 80 00:04:00,280 --> 00:04:02,040 Speaker 1: Like we couldn't remember, and we would do it. We 81 00:04:02,120 --> 00:04:04,960 Speaker 1: ended up having a big discussion of a because it 82 00:04:04,960 --> 00:04:08,160 Speaker 1: didn't really like it kind of left you going are 83 00:04:08,200 --> 00:04:10,800 Speaker 1: they still in there? And and so I ended up 84 00:04:10,800 --> 00:04:13,600 Speaker 1: going home and asking my husband and he was like, yeah, no, 85 00:04:13,880 --> 00:04:15,920 Speaker 1: they're still in there. They haven't they haven't brought them 86 00:04:15,920 --> 00:04:16,360 Speaker 1: out yet. 87 00:04:16,480 --> 00:04:16,920 Speaker 2: Yeah. 88 00:04:17,000 --> 00:04:20,360 Speaker 1: Yeah, yeah, it's. 89 00:04:21,480 --> 00:04:22,880 Speaker 2: Wait for the sequel, I guess. 90 00:04:23,080 --> 00:04:25,560 Speaker 1: Yeah. And there is a bit of information sort of 91 00:04:25,600 --> 00:04:28,280 Speaker 1: at the end, and you do get to see the 92 00:04:28,600 --> 00:04:32,840 Speaker 1: images of the women that the real woman as well. 93 00:04:33,560 --> 00:04:35,560 Speaker 2: Yeah, how many out of five? 94 00:04:39,120 --> 00:04:43,440 Speaker 1: I don't know what at your job, you know, but 95 00:04:43,920 --> 00:04:46,200 Speaker 1: like I've been doing jossing this all week. 96 00:04:46,360 --> 00:04:48,800 Speaker 2: I don't know. I'll go for