1 00:00:08,240 --> 00:00:10,000 Speaker 1: Welcome along to the podcast. 2 00:00:10,080 --> 00:00:13,600 Speaker 2: When you said the tenth of December, Oh the hell 3 00:00:13,680 --> 00:00:19,080 Speaker 2: is there in Canstan? Sarah, it's the soggy bottom boys here, 4 00:00:20,239 --> 00:00:22,640 Speaker 2: soggy bottoms. Bro, you don't know the soggy bottom boys, 5 00:00:22,760 --> 00:00:27,520 Speaker 2: soggy biscuit boys. Soggies. Can't call them that on boys 6 00:00:27,560 --> 00:00:28,720 Speaker 2: can't call them that on TV n Z. 7 00:00:29,000 --> 00:00:30,720 Speaker 1: I don't know about the soggy biscuit boys. 8 00:00:30,880 --> 00:00:33,120 Speaker 2: You don't know nothing about soger bottom boys. They got 9 00:00:33,159 --> 00:00:35,120 Speaker 2: the guitar as the solders sold of the Devil. 10 00:00:36,159 --> 00:00:38,320 Speaker 1: It's the solo it down he sold. 11 00:00:38,680 --> 00:00:40,440 Speaker 2: He went down the crossroads and sold and sold of 12 00:00:40,440 --> 00:00:41,720 Speaker 2: the devil so they could play that guitar. 13 00:00:41,840 --> 00:00:52,160 Speaker 3: Real good lead singer George Clooney, Really George Clooney. 14 00:00:52,920 --> 00:00:53,880 Speaker 1: George Cloney, the. 15 00:00:55,360 --> 00:00:57,600 Speaker 2: George George Clooney, the one you're thinking of than the 16 00:00:57,640 --> 00:01:01,440 Speaker 2: espresso guy had a rents recently, runs recently, but has 17 00:01:01,480 --> 00:01:03,040 Speaker 2: been gray since his thirties. 18 00:01:04,000 --> 00:01:04,240 Speaker 4: Wow. 19 00:01:04,840 --> 00:01:08,040 Speaker 2: Yeah, and one of the backups thingers got turned into 20 00:01:08,040 --> 00:01:11,160 Speaker 2: a toad at one point in his life. AnyWho, A 21 00:01:11,200 --> 00:01:13,600 Speaker 2: couple of sirens on the banks of the Mississippi. I 22 00:01:13,640 --> 00:01:16,160 Speaker 2: digress fell as I came across an article the other 23 00:01:16,240 --> 00:01:18,840 Speaker 2: day that we I shied away from bringing up on 24 00:01:18,880 --> 00:01:22,480 Speaker 2: the radio, but I would like to discuss it. Initially, 25 00:01:22,520 --> 00:01:24,840 Speaker 2: you know, sometimes his headlines grab you and then you're like, 26 00:01:24,840 --> 00:01:26,920 Speaker 2: what's this about. Then I started reading it and I 27 00:01:26,959 --> 00:01:29,440 Speaker 2: was like, okay, we need to go through this. The 28 00:01:29,440 --> 00:01:32,120 Speaker 2: headline grabbed me and little grab you. What sex is 29 00:01:32,160 --> 00:01:34,120 Speaker 2: really like when you're a single man in your sexties. 30 00:01:34,720 --> 00:01:36,000 Speaker 2: Do I have your attention? 31 00:01:37,440 --> 00:01:41,760 Speaker 4: Yep, yep, yep, you do. 32 00:01:42,000 --> 00:01:45,840 Speaker 2: Don't care? A reader of The New Zealand held no 33 00:01:46,240 --> 00:01:49,560 Speaker 2: Daily Telegraph you care, says he always assumed he would 34 00:01:49,600 --> 00:01:52,080 Speaker 2: end up married, with children, life and other plans for him, 35 00:01:52,080 --> 00:01:54,800 Speaker 2: and he's fine with that. He writes. The thing I 36 00:01:54,880 --> 00:01:56,920 Speaker 2: like best as a single sixty one year old is 37 00:01:56,960 --> 00:01:59,760 Speaker 2: that sex, when it happens is unexpected. That's such a 38 00:01:59,760 --> 00:02:04,200 Speaker 2: big turn on. Recently I met a girl online, but 39 00:02:04,280 --> 00:02:06,560 Speaker 2: when we met in person, I knew there wasn't a spark. 40 00:02:07,040 --> 00:02:08,720 Speaker 2: Rather than let it be a waste of an evening, 41 00:02:08,760 --> 00:02:10,800 Speaker 2: I went to a French beestro I liked, ordered a 42 00:02:10,800 --> 00:02:12,639 Speaker 2: glass of Bordeux and pulled up a stall at the bar. 43 00:02:13,400 --> 00:02:15,560 Speaker 2: This really pretty girl in her late thirties came up 44 00:02:15,600 --> 00:02:18,280 Speaker 2: and asked whether she could buy me a drink. She 45 00:02:18,360 --> 00:02:21,280 Speaker 2: was quite brazen. She said her girlfriend had stood her up, 46 00:02:21,320 --> 00:02:25,400 Speaker 2: but that sometimes she liked me. We got on really well, 47 00:02:25,480 --> 00:02:27,480 Speaker 2: and she was very fluty. So I asked why she 48 00:02:27,480 --> 00:02:28,840 Speaker 2: had come to talk to me. She said, I look 49 00:02:28,919 --> 00:02:29,480 Speaker 2: like a great guy. 50 00:02:29,919 --> 00:02:30,680 Speaker 1: This is a forum. 51 00:02:30,680 --> 00:02:33,320 Speaker 4: What is this? This is a real person, Jerry telling 52 00:02:33,360 --> 00:02:34,519 Speaker 4: a real story. 53 00:02:35,080 --> 00:02:37,399 Speaker 2: We ended up cassing and she asked whether she could 54 00:02:37,440 --> 00:02:40,040 Speaker 2: call me sometimes. I knew immediately that she meant a 55 00:02:40,080 --> 00:02:44,520 Speaker 2: booty corps. This is the sick I want to keep 56 00:02:44,560 --> 00:02:48,440 Speaker 2: ready rather than for dinner. I'd never have pushed that 57 00:02:48,480 --> 00:02:51,080 Speaker 2: situation myself, but she was very forward. I wasn't going 58 00:02:51,160 --> 00:02:53,080 Speaker 2: to turn it down. She did call, and when she 59 00:02:53,120 --> 00:02:56,160 Speaker 2: turned up, she didn't miss about She was clearly there 60 00:02:56,200 --> 00:02:58,280 Speaker 2: just for one thing. She visited me a few more 61 00:02:58,280 --> 00:03:00,400 Speaker 2: times after that, but it peted out. She's in a 62 00:03:00,440 --> 00:03:01,919 Speaker 2: relationship with a woman now. She told me I was 63 00:03:01,960 --> 00:03:03,120 Speaker 2: the only man she'd ever sleep with. 64 00:03:03,320 --> 00:03:04,360 Speaker 4: Okay, this is the third strike. 65 00:03:05,240 --> 00:03:07,720 Speaker 1: So the first strike was that was the first strike. 66 00:03:07,840 --> 00:03:11,480 Speaker 2: The first strike was. So he's sitting at a bar 67 00:03:11,680 --> 00:03:13,480 Speaker 2: and then a woman comes up and says, I'd like 68 00:03:13,520 --> 00:03:16,880 Speaker 2: to buy this sixty year old man a drink that 69 00:03:17,040 --> 00:03:17,480 Speaker 2: never happened. 70 00:03:17,880 --> 00:03:19,960 Speaker 4: Late thirties, basically forty. 71 00:03:22,400 --> 00:03:25,600 Speaker 2: She was like she was late thirties, Yeah, basically forty. 72 00:03:25,639 --> 00:03:27,560 Speaker 1: Okay, so half your age plus seven. 73 00:03:28,680 --> 00:03:31,720 Speaker 2: Yeah, that's a right, No, it's all right, but it 74 00:03:31,840 --> 00:03:32,840 Speaker 2: just didn't happen, you. 75 00:03:32,880 --> 00:03:33,359 Speaker 1: Know what I mean? 76 00:03:33,800 --> 00:03:35,800 Speaker 4: Yeah, like you quite feel right? 77 00:03:35,920 --> 00:03:38,960 Speaker 1: No, this I saw this real hot sixty year old 78 00:03:39,000 --> 00:03:39,840 Speaker 1: dude across the bar. 79 00:03:40,160 --> 00:03:42,520 Speaker 2: What I'm reading between the lines, what I'm thinking here 80 00:03:42,680 --> 00:03:46,040 Speaker 2: is there's a reason this guy is. You know, he 81 00:03:46,080 --> 00:03:47,760 Speaker 2: thought he was going to end up married with kids 82 00:03:47,840 --> 00:03:51,520 Speaker 2: and he didn't, and it's because he's full of shit. 83 00:03:52,040 --> 00:03:53,800 Speaker 2: So the second thing that gave it away to me 84 00:03:54,040 --> 00:03:57,839 Speaker 2: was I knew immediately that she meant a booty call. 85 00:03:58,120 --> 00:04:00,040 Speaker 2: What sixty year old do you know? Calls it a 86 00:04:00,040 --> 00:04:03,360 Speaker 2: booty call? A booty call? Yeah, what's sixty year olds done? 87 00:04:03,400 --> 00:04:04,000 Speaker 2: Booty calls? 88 00:04:05,080 --> 00:04:06,840 Speaker 1: But I mean he's in the he's a single man, 89 00:04:06,920 --> 00:04:08,920 Speaker 1: he's in the single market, so he's out there. 90 00:04:09,040 --> 00:04:12,720 Speaker 2: No, I'm definitely doing it. But what I'm saying is 91 00:04:13,600 --> 00:04:16,800 Speaker 2: he calls it, calls it a booty call? Has he 92 00:04:16,839 --> 00:04:19,320 Speaker 2: texted them let you up? Is that what he's doing? Yeah? 93 00:04:20,680 --> 00:04:20,800 Speaker 4: Uh? 94 00:04:21,120 --> 00:04:24,039 Speaker 2: And then the third stra The third strike was she 95 00:04:24,160 --> 00:04:25,839 Speaker 2: told me I was the only man she'd ever slept 96 00:04:25,839 --> 00:04:28,200 Speaker 2: with that this seems like he's writing a fiction, doesn't 97 00:04:28,200 --> 00:04:28,839 Speaker 2: he Yeah, it does. 98 00:04:29,279 --> 00:04:31,359 Speaker 1: The whole thing is the way that it's written. It 99 00:04:31,440 --> 00:04:33,839 Speaker 1: just says to me, that's been written by a writer. Yes, 100 00:04:34,800 --> 00:04:36,880 Speaker 1: it's not an actual experience unless he is a sixty 101 00:04:36,920 --> 00:04:37,480 Speaker 1: year old writer. 102 00:04:37,920 --> 00:04:40,000 Speaker 2: Maybe. Another time a girl approached me at the bar 103 00:04:40,040 --> 00:04:41,920 Speaker 2: and we ended up back at her hotel having very 104 00:04:41,920 --> 00:04:45,760 Speaker 2: frantic sick No he didn't. Afterwards she admitted she would 105 00:04:45,760 --> 00:04:48,120 Speaker 2: be getting married the week after that she wasn't. I 106 00:04:48,200 --> 00:04:50,039 Speaker 2: really can never predict how things will turn to act. 107 00:04:50,279 --> 00:04:51,960 Speaker 4: I wish we could find this person to have them 108 00:04:52,000 --> 00:04:52,560 Speaker 4: on the podcast. 109 00:04:52,640 --> 00:04:54,760 Speaker 2: Yeah, because I reckon that'd have a lot of big 110 00:04:54,800 --> 00:04:58,000 Speaker 2: first stories, you know what I mean, Like I once 111 00:04:59,040 --> 00:05:00,839 Speaker 2: had a hole in one b get a throism. 112 00:05:00,960 --> 00:05:03,840 Speaker 1: The thing I like best is him about being a 113 00:05:03,839 --> 00:05:06,440 Speaker 1: single sixty one old is that's six. 114 00:05:06,480 --> 00:05:09,080 Speaker 2: When it happens is unexpected. It's such a big turn on. 115 00:05:09,960 --> 00:05:13,680 Speaker 2: Hold on, It gives words for me. Sexual attraction is 116 00:05:13,680 --> 00:05:16,440 Speaker 2: in the mind. A woman could be attractive, but she 117 00:05:16,520 --> 00:05:19,680 Speaker 2: has to be intelligent, curious, and articulate too. The conversation 118 00:05:19,800 --> 00:05:21,599 Speaker 2: has to flow. That's what the chemistry really like. 119 00:05:21,839 --> 00:05:24,920 Speaker 1: That's no, that's me too. No, I'm that is totally me. 120 00:05:25,760 --> 00:05:29,120 Speaker 1: That was one hundred percent. I don't I don't, you know, 121 00:05:29,160 --> 00:05:31,400 Speaker 1: it's all got to be conversation. 122 00:05:32,720 --> 00:05:35,440 Speaker 4: Like so Sidney Sweeney turns up at your home. Yeah, 123 00:05:35,640 --> 00:05:38,760 Speaker 4: and she just happens to also be a really good comment. 124 00:05:38,839 --> 00:05:41,480 Speaker 2: She is a great conversation conversation. 125 00:05:41,560 --> 00:05:44,520 Speaker 4: But let's imagine that You're like, hey, what's pied in 126 00:05:44,640 --> 00:05:45,520 Speaker 4: ninety more places? 127 00:05:45,560 --> 00:05:49,920 Speaker 1: And she's like, oh no, that's a mass question. That's 128 00:05:49,960 --> 00:05:51,640 Speaker 1: a man question, that's a maths question. 129 00:05:52,120 --> 00:05:55,280 Speaker 4: Well it's three point one four. Yeah. 130 00:05:56,560 --> 00:05:59,920 Speaker 1: Yeah, see I I mean I'm not going to quizz her. 131 00:06:00,320 --> 00:06:03,000 Speaker 1: It's not like you and bloody Mastermind, do you quiz? 132 00:06:03,080 --> 00:06:05,719 Speaker 1: People get turned on with someone can answer. 133 00:06:07,360 --> 00:06:07,560 Speaker 4: Yeah. 134 00:06:07,600 --> 00:06:11,640 Speaker 1: I don't get rid with this is because they can 135 00:06:11,760 --> 00:06:16,480 Speaker 1: answer questions. It's just I've heard Sydney speak and she's 136 00:06:16,600 --> 00:06:17,479 Speaker 1: highly intelligent. 137 00:06:17,920 --> 00:06:22,640 Speaker 2: Yeah, highly intelligent. Jan I've never heard I've never heard 138 00:06:22,640 --> 00:06:23,240 Speaker 2: a voice. 139 00:06:23,000 --> 00:06:25,279 Speaker 1: Before, but she's really intelligent. 140 00:06:25,279 --> 00:06:27,400 Speaker 2: Okay, So Rhoda pulls out to her first day and 141 00:06:27,400 --> 00:06:30,359 Speaker 2: he goes, he asked Pie and he goes, what character 142 00:06:30,400 --> 00:06:32,200 Speaker 2: did Michael J. Fox play in the back of the 143 00:06:32,200 --> 00:06:32,880 Speaker 2: Future films. 144 00:06:33,279 --> 00:06:34,680 Speaker 4: That's an easy one if you don't know that. 145 00:06:34,920 --> 00:06:37,240 Speaker 2: And then he goes, no, no, you've googled it all right, 146 00:06:37,240 --> 00:06:41,640 Speaker 2: how many consecutive general elections to talent Clark went? And 147 00:06:41,680 --> 00:06:43,159 Speaker 2: then she goes three and he's. 148 00:06:43,040 --> 00:06:46,279 Speaker 4: Like, oh, yeah, well we had Mike this morning. He 149 00:06:46,320 --> 00:06:46,840 Speaker 4: got three in. 150 00:06:46,800 --> 00:06:52,720 Speaker 2: Her ow anything. And then he goes it was in 151 00:06:52,839 --> 00:06:55,880 Speaker 2: the famous nighting out his popture with Andrew Ridgley, and 152 00:06:55,960 --> 00:07:00,960 Speaker 2: she goes, George Michael, Yeah, yeah, we're on. We are on, 153 00:07:01,080 --> 00:07:05,720 Speaker 2: like King Kong was so very on, so so very on. 154 00:07:06,240 --> 00:07:06,400 Speaker 5: You know. 155 00:07:06,440 --> 00:07:09,840 Speaker 1: Whereas for me, it's more just a general discussion around 156 00:07:09,920 --> 00:07:18,280 Speaker 1: you know, popular culture, literature, themes of different books, you know, 157 00:07:18,520 --> 00:07:21,760 Speaker 1: the classics. I like to talk about Greek mythology, that 158 00:07:21,880 --> 00:07:24,720 Speaker 1: sort of stuff, you know, that really gets me going. 159 00:07:24,800 --> 00:07:26,640 Speaker 1: It's not so much quizzing people. 160 00:07:26,360 --> 00:07:30,040 Speaker 4: The iLiads, going yeah, she's read the Iliad. 161 00:07:29,720 --> 00:07:32,600 Speaker 1: Oh my god. Yeah. I mean like, if she's read 162 00:07:32,640 --> 00:07:36,640 Speaker 1: the different you know, philosophical religions. 163 00:07:36,320 --> 00:07:39,160 Speaker 2: Oh you've met a girl into the stoics, brother, Oh man, 164 00:07:40,840 --> 00:07:43,000 Speaker 2: if she's read the letters from Senegate. 165 00:07:43,080 --> 00:07:44,800 Speaker 1: That's one thing that she will turn me off any 166 00:07:44,840 --> 00:07:46,400 Speaker 1: because I immediately will think of heath. 167 00:07:49,000 --> 00:07:51,440 Speaker 4: The I feel she's reading. 168 00:07:51,760 --> 00:07:53,640 Speaker 1: I was reading the starks On Flat seriously. 169 00:07:53,920 --> 00:08:02,720 Speaker 5: Epictetus, Hippetites, epictetis, epicteties, the epict no, the philosopher, the 170 00:08:02,800 --> 00:08:04,200 Speaker 5: stoic philosopher, epictetic. 171 00:08:04,240 --> 00:08:10,960 Speaker 2: It's no, his name was Epictetus, which I think in 172 00:08:11,040 --> 00:08:18,080 Speaker 2: Greek men's epictetics, the literal translation is the yoppers. 173 00:08:18,200 --> 00:08:25,360 Speaker 1: Yeah, the Jewish philosophy yoppers check checking on your own. 174 00:08:25,520 --> 00:08:26,600 Speaker 4: Yeah, yeah, I do. 175 00:08:27,120 --> 00:08:30,119 Speaker 6: I do feel like, though, Jerry, that if a woman 176 00:08:30,200 --> 00:08:32,640 Speaker 6: that you're on a date with, I'm always going on 177 00:08:32,800 --> 00:08:36,160 Speaker 6: dates with you. Yeah, when you are in your sixties 178 00:08:36,600 --> 00:08:40,080 Speaker 6: and single and ready to mingle again mingle. And then 179 00:08:40,160 --> 00:08:43,040 Speaker 6: if she starts going through the ins and outs of 180 00:08:43,120 --> 00:08:46,080 Speaker 6: we are the World by USA for Africa, and then 181 00:08:46,120 --> 00:08:48,800 Speaker 6: you guys start exchanging notes on that, and you're going, oh, 182 00:08:49,120 --> 00:08:52,880 Speaker 6: I really love when Willie Nelson comes in, Oh my favorite. 183 00:08:52,920 --> 00:08:55,880 Speaker 2: Well what about how Bob Dylan didn't they sing's voice 184 00:08:55,920 --> 00:08:57,200 Speaker 2: and Stevie Wonder had to show him. 185 00:08:57,520 --> 00:08:59,280 Speaker 1: So for me, I wouldn't be turned on by that 186 00:08:59,320 --> 00:09:00,360 Speaker 1: because it's double handling. 187 00:09:00,480 --> 00:09:02,760 Speaker 2: Yes, that's my zone. 188 00:09:02,880 --> 00:09:06,080 Speaker 1: Yeah, that's my that's my I don't want you coming on, man. 189 00:09:06,200 --> 00:09:08,320 Speaker 2: No, I think that I know someone else. I think 190 00:09:08,400 --> 00:09:11,040 Speaker 2: that's who I don't want. I don't want to missus 191 00:09:11,040 --> 00:09:14,040 Speaker 2: who watches LaMarcus Aldridge turn Around, mid Range, fade Away, 192 00:09:14,080 --> 00:09:16,800 Speaker 2: jumpshots no way when she gets drunk. I don't want 193 00:09:16,840 --> 00:09:19,480 Speaker 2: to missus who drinks fifteen beers on the couch by 194 00:09:19,520 --> 00:09:22,280 Speaker 2: herself and then Chuck's Queens and stone Age concert. No, 195 00:09:22,440 --> 00:09:22,760 Speaker 2: I don't wan. 196 00:09:22,760 --> 00:09:23,439 Speaker 4: I've got that cover. 197 00:09:23,600 --> 00:09:24,520 Speaker 2: I've got that down. 198 00:09:24,520 --> 00:09:24,959 Speaker 1: I'm the same. 199 00:09:25,040 --> 00:09:25,599 Speaker 2: I don't want to. 200 00:09:25,679 --> 00:09:27,680 Speaker 1: I don't want to go out with someone who watches 201 00:09:27,760 --> 00:09:30,360 Speaker 1: New Zealand Richard Head of the New Zealand story you 202 00:09:30,400 --> 00:09:31,840 Speaker 1: know over a thousand times. 203 00:09:31,920 --> 00:09:35,160 Speaker 2: Yeah, if you're a woman who has half a bottle 204 00:09:35,200 --> 00:09:39,280 Speaker 2: of bourbon and then Chuck's on unis highlights not for me. No, 205 00:09:40,760 --> 00:09:42,719 Speaker 2: I don't want it. That's not doing anything. That's got 206 00:09:42,920 --> 00:09:46,320 Speaker 2: nothing to do with me. Right, gone, go somewhere else. 207 00:09:47,120 --> 00:09:49,640 Speaker 2: If you Chuck on Wozzi macrom after a you know, 208 00:09:49,960 --> 00:09:51,959 Speaker 2: fifteen beers with your old man, then I've got that 209 00:09:52,080 --> 00:09:57,600 Speaker 2: base covered. Curtley Ambrose, fuck out of here, man. Yeah, 210 00:09:57,679 --> 00:09:58,480 Speaker 2: I want to see that. 211 00:09:58,679 --> 00:10:01,000 Speaker 1: I've got that His greatest tries. 212 00:10:02,400 --> 00:10:06,319 Speaker 6: But imagine like a beautiful woman and you're sitting down, 213 00:10:06,360 --> 00:10:09,400 Speaker 6: you got the PS one out, Yeah, and you check 214 00:10:09,480 --> 00:10:10,560 Speaker 6: on journal On. 215 00:10:10,640 --> 00:10:13,240 Speaker 4: With Rugby the digs like a demented mall the real 216 00:10:13,360 --> 00:10:16,840 Speaker 4: ding dog bettle there, and then it just turns into 217 00:10:16,880 --> 00:10:17,920 Speaker 4: you know, I. 218 00:10:17,920 --> 00:10:20,680 Speaker 2: Don't know if you ever gamed with a partner? Yes, okay, 219 00:10:20,920 --> 00:10:24,920 Speaker 2: I haven't who all the time? Oh not all the time? 220 00:10:24,960 --> 00:10:27,800 Speaker 2: That's a lie. My message is a big. 221 00:10:29,200 --> 00:10:30,480 Speaker 1: Civilization fan. 222 00:10:31,120 --> 00:10:36,880 Speaker 2: She she's played zoo Tycoon before. She plays Fortnight Oh yeah, 223 00:10:37,240 --> 00:10:40,320 Speaker 2: little know fact about the zoo Keeper one you would 224 00:10:40,400 --> 00:10:44,920 Speaker 2: not see coming. She plays Fortnite. Wow, and we'll go 225 00:10:45,040 --> 00:10:46,800 Speaker 2: turn for two. We don't play worth each. You can't 226 00:10:46,800 --> 00:10:48,600 Speaker 2: play that game with. Is she happy with the new 227 00:10:49,320 --> 00:10:52,079 Speaker 2: download with the new video update? Yeah, what is it 228 00:10:52,160 --> 00:10:54,000 Speaker 2: the moment? No, it's ben ten at the moment something 229 00:10:54,040 --> 00:10:56,120 Speaker 2: like that. Like her like that. She there was a 230 00:10:56,200 --> 00:10:58,520 Speaker 2: Christmas edition with Jack Skellington. She was into that. 231 00:10:58,880 --> 00:10:59,920 Speaker 1: He goes into the new one. 232 00:11:00,040 --> 00:11:02,559 Speaker 2: Oh yeah, love it. Get us this PlayStation. Then we'll 233 00:11:02,559 --> 00:11:05,679 Speaker 2: squad up, really spat up with you. 234 00:11:06,000 --> 00:11:09,760 Speaker 1: I think it's five or something. 235 00:11:09,760 --> 00:11:10,640 Speaker 2: Oh yeah's. 236 00:11:14,160 --> 00:11:15,439 Speaker 4: We're going to leave those in it. We're going to 237 00:11:15,480 --> 00:11:15,800 Speaker 4: beat them. 238 00:11:18,240 --> 00:11:23,240 Speaker 2: Yeah's going to hit your son of moments on Facebook. No, 239 00:11:23,320 --> 00:11:26,160 Speaker 2: but yes, we've tried playing together. So there's a couple 240 00:11:26,200 --> 00:11:28,679 Speaker 2: of games that are designed to be played as couples. 241 00:11:30,160 --> 00:11:32,640 Speaker 2: It's called It Takes Two and it's a split screen 242 00:11:32,720 --> 00:11:36,000 Speaker 2: game where you every you know, as you're playing, you're 243 00:11:36,000 --> 00:11:37,959 Speaker 2: going through the world and every different challenge, like to 244 00:11:38,000 --> 00:11:40,760 Speaker 2: get through this door, one player has to push this button, 245 00:11:40,840 --> 00:11:42,760 Speaker 2: the other players to pull us rope. If they do 246 00:11:42,800 --> 00:11:44,240 Speaker 2: it at the same time, that opens the door. So 247 00:11:44,320 --> 00:11:48,280 Speaker 2: it's all these challenges and in the meantime, the two 248 00:11:48,520 --> 00:11:50,880 Speaker 2: characters are a husband and wife who are going through 249 00:11:50,920 --> 00:11:53,920 Speaker 2: a divorce. Oh wow, Yeah, and so the whole things 250 00:11:53,960 --> 00:11:58,040 Speaker 2: like exploring divorce while you're also trying to Wow, it's insane, 251 00:11:58,640 --> 00:11:59,120 Speaker 2: gone weird. 252 00:11:59,600 --> 00:12:00,959 Speaker 4: But that's good. 253 00:12:01,360 --> 00:12:04,199 Speaker 2: We stopped playing. I couldn't. We went through about a 254 00:12:04,280 --> 00:12:06,640 Speaker 2: month of every night she come home to play. Oh, 255 00:12:07,160 --> 00:12:10,079 Speaker 2: I just cer'tainly want to play PlayStations tonight. What it 256 00:12:10,240 --> 00:12:13,000 Speaker 2: was was it's no and what it was, and I 257 00:12:13,080 --> 00:12:15,679 Speaker 2: had to come clean to her and I was like, so, 258 00:12:15,840 --> 00:12:18,960 Speaker 2: for example, one of the missions is there's a bunch 259 00:12:19,000 --> 00:12:21,400 Speaker 2: of ceiling fans spinning and you've got to jump from 260 00:12:21,440 --> 00:12:23,480 Speaker 2: fan to fan to get to the end. Both of 261 00:12:23,520 --> 00:12:25,800 Speaker 2: you have to do it. And I did it and 262 00:12:25,960 --> 00:12:29,240 Speaker 2: jumped across the end and then she jumped fell, She jumped, fell, jump, 263 00:12:29,280 --> 00:12:31,199 Speaker 2: got to the second one fell, third one fell. And 264 00:12:31,240 --> 00:12:33,040 Speaker 2: so I'm sitting on the couch watching this, losing my 265 00:12:33,240 --> 00:12:35,839 Speaker 2: fucking mind. And I'm like, I can't play this game. 266 00:12:36,360 --> 00:12:38,240 Speaker 4: Plasic girl, And so. 267 00:12:39,960 --> 00:12:42,560 Speaker 2: I we stopped playing video games. 268 00:12:42,640 --> 00:12:44,880 Speaker 1: Yeah, because she couldn't jump. 269 00:12:44,880 --> 00:12:48,000 Speaker 2: Probably, Yeah, I was just like am I because I 270 00:12:48,120 --> 00:12:50,520 Speaker 2: was like, I could either be winning the championship with 271 00:12:50,559 --> 00:12:53,760 Speaker 2: the Memphis Grizzlies or I could be watching you fall 272 00:12:53,840 --> 00:12:56,679 Speaker 2: of a ceiling fan fifteen times, like these are my options. 273 00:12:59,120 --> 00:13:01,000 Speaker 2: I did win the chip the Grizzlies the other day. 274 00:13:01,040 --> 00:13:03,880 Speaker 2: By the way, guys, be backing just a moment, should 275 00:13:03,960 --> 00:13:04,400 Speaker 2: we ye? 276 00:13:19,559 --> 00:13:26,160 Speaker 4: There's a John awful worst parts though, feeling who is that? 277 00:13:27,160 --> 00:13:28,000 Speaker 2: We make a mother? 278 00:13:29,160 --> 00:13:33,800 Speaker 1: Just you me? Bob Hey, good time? 279 00:13:38,240 --> 00:13:47,920 Speaker 7: Shoots slows coming out, Jarry any crumber, no one, no one, 280 00:13:49,200 --> 00:13:51,560 Speaker 7: there's someone coming up on the second he comes. 281 00:13:53,720 --> 00:14:02,880 Speaker 1: Here's Bob John he comes. All right, Charles, here we go. Yeah, jeez, 282 00:14:02,920 --> 00:14:04,160 Speaker 1: you can sing, Rachel. 283 00:14:05,600 --> 00:14:06,360 Speaker 4: Were not any more? 284 00:14:08,320 --> 00:14:11,160 Speaker 1: Here we are, here's right, here's right, here's right. Here 285 00:14:11,200 --> 00:14:14,679 Speaker 1: we go, well, charge. 286 00:14:16,280 --> 00:14:16,880 Speaker 2: We'll sing? 287 00:14:19,400 --> 00:14:36,520 Speaker 4: Did you? That's that's the talk. Baday Celest gave. 288 00:14:39,840 --> 00:14:44,320 Speaker 1: Swimming question for the for the panel. 289 00:14:46,120 --> 00:14:46,640 Speaker 4: Do you reckon? 290 00:14:46,760 --> 00:14:52,080 Speaker 1: Stevie wonders ever sang the wrong not like once? Is 291 00:14:52,160 --> 00:14:54,080 Speaker 1: it possible for him to sing the wrong note? 292 00:14:55,280 --> 00:14:58,200 Speaker 2: There's an argument to be made that it's actually impossible 293 00:14:58,240 --> 00:15:02,480 Speaker 2: to sing the wrong note in general, because all notes 294 00:15:03,040 --> 00:15:05,320 Speaker 2: exist somewhere on the musical scale, and if you can, 295 00:15:05,960 --> 00:15:08,600 Speaker 2: if you can land it, yeah, then it's not the 296 00:15:08,640 --> 00:15:09,120 Speaker 2: wrong note. 297 00:15:09,360 --> 00:15:09,480 Speaker 4: Right. 298 00:15:11,000 --> 00:15:12,640 Speaker 2: But I don't know what he may. No, I don't 299 00:15:12,640 --> 00:15:13,080 Speaker 2: think he is. 300 00:15:13,400 --> 00:15:14,720 Speaker 1: I don't know if he has I don't know if 301 00:15:14,720 --> 00:15:16,960 Speaker 1: it's I'd love to say, Okay, can you sing out 302 00:15:17,000 --> 00:15:18,400 Speaker 1: a tune on this? I bet he couldn't do it? 303 00:15:18,520 --> 00:15:22,480 Speaker 2: No, yeah, that I don't think he could do. I'm 304 00:15:22,560 --> 00:15:23,960 Speaker 2: blind because he's not. 305 00:15:24,040 --> 00:15:27,720 Speaker 1: Because he's blind. Because he's blind, That's that's the question. 306 00:15:27,840 --> 00:15:30,520 Speaker 1: I'm not sure he is. Who's that Stevie wonder Because 307 00:15:30,520 --> 00:15:34,240 Speaker 1: there's a bit where the microphone falls over. There's and 308 00:15:35,520 --> 00:15:37,680 Speaker 1: and there's a microphone that falls over and he catches it, 309 00:15:37,760 --> 00:15:39,880 Speaker 1: and it's like all that you can't tell me that 310 00:15:40,560 --> 00:15:43,880 Speaker 1: blind person could have seen that there's a Bay conspiracy 311 00:15:43,920 --> 00:15:44,360 Speaker 1: out there that. 312 00:15:44,480 --> 00:15:46,000 Speaker 4: He's not actually blind. Yeah. 313 00:15:46,640 --> 00:15:48,680 Speaker 2: I feel like he was presenting an award and a 314 00:15:48,720 --> 00:15:50,600 Speaker 2: woman walked past him and he looked at her. I 315 00:15:50,680 --> 00:15:52,400 Speaker 2: think there was I think that footage is out there. 316 00:15:52,680 --> 00:15:55,600 Speaker 2: I gotta be honest. If I if I met Stevie Wonder, 317 00:15:55,600 --> 00:15:57,800 Speaker 2: I'd throw something at him, would you, Yeah, first thing 318 00:15:57,800 --> 00:16:00,400 Speaker 2: i'd do like him, No, to see if he's blind, 319 00:16:01,920 --> 00:16:02,800 Speaker 2: just a pen or something. 320 00:16:02,920 --> 00:16:05,440 Speaker 1: It's not the name Wonder, isn't it. 321 00:16:05,640 --> 00:16:05,840 Speaker 2: Yeah? 322 00:16:05,880 --> 00:16:08,440 Speaker 1: I wonder how many generations that name goes back. 323 00:16:10,120 --> 00:16:11,120 Speaker 4: I think it's a real name. 324 00:16:11,160 --> 00:16:14,360 Speaker 2: I reckon it's Wonder. Yeah. Really, I don't think he 325 00:16:14,480 --> 00:16:17,920 Speaker 2: was born Steven Jeffrey Wonder. You know what I mean? 326 00:16:18,200 --> 00:16:19,280 Speaker 4: Do you think he's just a Wonder? 327 00:16:20,240 --> 00:16:21,520 Speaker 2: No, I think it's a stage name. 328 00:16:21,640 --> 00:16:23,880 Speaker 4: I think he's I think his last name is. I 329 00:16:23,920 --> 00:16:26,840 Speaker 4: feel like his name is Steve Land Morris, and now 330 00:16:26,840 --> 00:16:27,800 Speaker 4: I'm going to google. 331 00:16:27,600 --> 00:16:28,560 Speaker 2: It like Snoop Dogg. 332 00:16:29,000 --> 00:16:33,480 Speaker 4: Steve Morris. Steve Land doesn't Steve Morris listen to this podcast. 333 00:16:33,560 --> 00:16:33,880 Speaker 1: He does. 334 00:16:34,560 --> 00:16:35,360 Speaker 4: Stephen Morris. 335 00:16:36,440 --> 00:16:38,440 Speaker 2: Yeah, his real name is he Stephen Wonder. 336 00:16:38,440 --> 00:16:41,440 Speaker 4: Steveland Hardaway Morris Okay. 337 00:16:41,320 --> 00:16:47,680 Speaker 2: He's still alive Steveland, Yeah, seventy five. What's he doing 338 00:16:48,560 --> 00:16:49,680 Speaker 2: ringing people at all ours? 339 00:16:50,040 --> 00:16:52,760 Speaker 1: Yeah he does. He doesn't know the time of day, 340 00:16:52,840 --> 00:16:55,240 Speaker 1: is true. He calls you at weird times. Nobody even 341 00:16:55,240 --> 00:16:55,720 Speaker 1: knows where. 342 00:16:55,600 --> 00:16:57,320 Speaker 2: He is, like the Dre interview, and he's just like, 343 00:16:57,480 --> 00:16:59,960 Speaker 2: what difference is three am? Three pm? Stevie want? 344 00:17:00,080 --> 00:17:01,400 Speaker 4: He doesn't care, doesn't ship. 345 00:17:01,440 --> 00:17:02,240 Speaker 1: He's a loose in it. 346 00:17:02,280 --> 00:17:04,560 Speaker 2: Apparently, Well you wouldn't care, would you. 347 00:17:04,720 --> 00:17:06,919 Speaker 1: He doesn't give a ship. Apparently he's great company. It's 348 00:17:06,960 --> 00:17:09,240 Speaker 1: really funny, but just he's hopeless. 349 00:17:09,240 --> 00:17:11,040 Speaker 4: Friends. You just never know where he is, what he's doing. 350 00:17:11,200 --> 00:17:12,240 Speaker 4: He's unreliable. 351 00:17:12,400 --> 00:17:14,520 Speaker 2: I've got a well yeah you can't see. 352 00:17:15,000 --> 00:17:17,159 Speaker 1: Yeah, but that doesn't mean that he has to be unreliable. 353 00:17:17,400 --> 00:17:19,640 Speaker 2: Could you imagine trying to get into the building. It's 354 00:17:19,640 --> 00:17:21,600 Speaker 2: hard enough for us and we cand so mentioned Stevie 355 00:17:21,880 --> 00:17:23,080 Speaker 2: trying to get into our office. 356 00:17:23,119 --> 00:17:25,280 Speaker 1: It's a bloody good point that that news system, that 357 00:17:26,480 --> 00:17:27,600 Speaker 1: it's not good for blind people. 358 00:17:28,840 --> 00:17:33,240 Speaker 2: God, Stevie under a be fucked trying to get. 359 00:17:33,240 --> 00:17:35,960 Speaker 1: Those dear because it makes a little noise and you 360 00:17:36,000 --> 00:17:36,560 Speaker 1: wouldn't even know. 361 00:17:36,760 --> 00:17:38,600 Speaker 2: Yeah, he'd be bouncing off the window. Like a fly. 362 00:17:41,760 --> 00:17:44,200 Speaker 2: There's so much footage of Stevie. Wonder whether there's goatee 363 00:17:44,359 --> 00:17:47,720 Speaker 2: looking crook? Have you seen this? There's foot or photos 364 00:17:47,880 --> 00:17:51,119 Speaker 2: rather because obviously Stevie can't see, so he don't know 365 00:17:51,200 --> 00:17:54,639 Speaker 2: what he looks like. He probably doesn't care, but I 366 00:17:54,720 --> 00:17:57,840 Speaker 2: would if I wasn't Stevie's entourage. Oh Jesus, Yeah, you 367 00:17:57,880 --> 00:18:01,200 Speaker 2: know what I mean. It's full like it's like extra lips. 368 00:18:02,720 --> 00:18:06,080 Speaker 8: Someone's done it for him, have they? And that it 369 00:18:06,200 --> 00:18:08,240 Speaker 8: kind of looks like he's done it himself. But yeah, 370 00:18:08,320 --> 00:18:10,439 Speaker 8: I imagine maybe he is a bit blind. But if 371 00:18:10,480 --> 00:18:14,040 Speaker 8: I was Stevie wonder, I'd be like, look, man, I'm 372 00:18:14,040 --> 00:18:15,680 Speaker 8: in front of a lot of people. You know, I'm 373 00:18:15,680 --> 00:18:18,720 Speaker 8: a pop star, megastar. I'm gonna be filming and we've 374 00:18:18,720 --> 00:18:19,439 Speaker 8: photographed a lot. 375 00:18:19,880 --> 00:18:22,480 Speaker 2: I need to look good. Okay, see this guy over here. 376 00:18:22,720 --> 00:18:25,000 Speaker 2: I can't, but you can. He's the trumpet player. You know, 377 00:18:25,080 --> 00:18:27,080 Speaker 2: his job as he plays the fucking trumpet. Your job 378 00:18:27,160 --> 00:18:28,160 Speaker 2: make sure I look good? 379 00:18:28,240 --> 00:18:29,960 Speaker 1: No, But why does he care if he looks good? 380 00:18:30,040 --> 00:18:30,520 Speaker 1: He doesn't know. 381 00:18:30,680 --> 00:18:31,040 Speaker 4: He doesn't. 382 00:18:31,040 --> 00:18:33,639 Speaker 1: If No places no importance on acidic at all, it's 383 00:18:33,680 --> 00:18:37,160 Speaker 1: a good point. So he doesn't care, because he genuinely 384 00:18:37,200 --> 00:18:39,280 Speaker 1: doesn't kill what anyone else looks like. So he's like, well, 385 00:18:39,320 --> 00:18:40,920 Speaker 1: why do anyone kill what I look like? I don't 386 00:18:40,960 --> 00:18:41,639 Speaker 1: care what they look like? 387 00:18:41,760 --> 00:18:45,320 Speaker 2: How do you address allegations that he saw Ray Charles 388 00:18:45,600 --> 00:18:49,000 Speaker 2: what he was doing and then rip that whole thing off? 389 00:18:50,080 --> 00:18:50,920 Speaker 4: Ray Charles want to be? 390 00:18:51,119 --> 00:18:53,800 Speaker 2: How do you respond to allegations that all blind guys 391 00:18:53,840 --> 00:18:55,200 Speaker 2: that play the piano dance the same? 392 00:18:57,880 --> 00:18:58,480 Speaker 4: I do don't know. 393 00:18:58,680 --> 00:18:59,919 Speaker 2: I just feel like I'm doing it now? 394 00:19:00,680 --> 00:19:04,840 Speaker 1: What about our own? What about our own blind maestro? 395 00:19:05,200 --> 00:19:07,000 Speaker 2: D Richard Richard? 396 00:19:09,440 --> 00:19:10,040 Speaker 1: What about him? 397 00:19:13,040 --> 00:19:14,120 Speaker 2: Clever? Blind and deaf? 398 00:19:18,800 --> 00:19:19,720 Speaker 4: He's definitely dead. 399 00:19:20,520 --> 00:19:24,440 Speaker 1: But Richard Horr Richard Hare plays Yemah. 400 00:19:25,320 --> 00:19:29,520 Speaker 2: Real last name to this stage name on gun Richard 401 00:19:29,600 --> 00:19:33,600 Speaker 2: Horr w h No, it's not w. 402 00:19:34,280 --> 00:19:37,560 Speaker 1: Richard hor plays Yeamaha. Have you got the album cover? 403 00:19:37,920 --> 00:19:39,560 Speaker 2: No, Richard Ha plays Yemma? 404 00:19:40,000 --> 00:19:40,159 Speaker 4: Was it? 405 00:19:40,280 --> 00:19:41,400 Speaker 2: What's what the sponsor plug? 406 00:19:41,640 --> 00:19:41,840 Speaker 4: Well? 407 00:19:42,080 --> 00:19:43,399 Speaker 1: I don't know, but I had the album. 408 00:19:43,640 --> 00:19:44,840 Speaker 2: Is he playing a motorbike or. 409 00:19:49,200 --> 00:19:53,119 Speaker 1: He plays Richard Harr at home with Richard. 410 00:19:52,880 --> 00:19:55,520 Speaker 2: Hare Richard aban favorite. 411 00:19:58,480 --> 00:20:02,000 Speaker 1: That's Richard Hars some Richard Hoorr up on this pcht's 412 00:20:03,000 --> 00:20:05,000 Speaker 1: let's get some Richard Horr up on this bch. 413 00:20:06,800 --> 00:20:09,040 Speaker 2: This is album called yoputa. 414 00:20:10,600 --> 00:20:11,440 Speaker 4: I think translated. 415 00:20:11,480 --> 00:20:15,440 Speaker 2: But what what have you got any? Richard Horr on 416 00:20:15,480 --> 00:20:25,800 Speaker 2: that fun Richard hor Richard q s M music blind 417 00:20:25,920 --> 00:20:27,600 Speaker 2: musician loses income. 418 00:20:27,359 --> 00:20:30,960 Speaker 4: Due to his videos We Gotta eat. 419 00:20:32,720 --> 00:20:39,960 Speaker 2: You? What's that Coeen Service Medal? Wow o, Richard, Oh, 420 00:20:40,000 --> 00:20:43,560 Speaker 2: he's lost his income his keyboard being broken. My favorite 421 00:20:43,600 --> 00:20:45,720 Speaker 2: piece is not particularly well known, but it's the piece 422 00:20:45,800 --> 00:20:49,680 Speaker 2: composed by the way Johnny Pearson as an early seventies 423 00:20:49,760 --> 00:20:52,080 Speaker 2: TV theme, and it's called sleepy Shores. 424 00:20:53,840 --> 00:20:56,040 Speaker 4: Heard it? Blue balls? 425 00:21:08,240 --> 00:21:10,480 Speaker 1: Yeah, hawking tinkle the ivories. 426 00:21:10,720 --> 00:21:13,480 Speaker 4: He's got a beautiful smile when he's playing. 427 00:21:13,800 --> 00:21:14,200 Speaker 1: He loves that. 428 00:21:14,720 --> 00:21:17,360 Speaker 2: Is he given as a move march? 429 00:21:17,480 --> 00:21:17,760 Speaker 4: Actually? 430 00:21:18,240 --> 00:21:19,119 Speaker 2: Is he Ray Charls? Isn't it? 431 00:21:19,640 --> 00:21:19,840 Speaker 6: Nah? 432 00:21:20,119 --> 00:21:21,080 Speaker 2: Is he Stevie? Wondering it? 433 00:21:22,520 --> 00:21:25,240 Speaker 1: He's amazing on the strings. 434 00:21:26,840 --> 00:21:30,520 Speaker 4: He's got the strings? Yeah, he got as well. Now 435 00:21:30,560 --> 00:21:33,359 Speaker 4: it would just be an effect on his keyboard he's 436 00:21:33,359 --> 00:21:34,440 Speaker 4: got Was that a wrong note? 437 00:21:34,640 --> 00:21:38,679 Speaker 2: No? No, it's a little bit of a little bit 438 00:21:38,680 --> 00:21:45,600 Speaker 2: of dissonance though, I know, but adding a bit of 439 00:21:45,680 --> 00:21:46,359 Speaker 2: suspense at that. 440 00:21:50,640 --> 00:21:51,080 Speaker 4: What do you say? 441 00:21:51,200 --> 00:21:53,200 Speaker 1: Allegations? Richard Hards The poor Man's. 442 00:21:53,000 --> 00:22:00,280 Speaker 4: Richard Claytonman The Blind Man's Richard clay Bell. Poor Adeline QUI. 443 00:22:01,040 --> 00:22:03,120 Speaker 2: I feel like I'm being put through a school recital 444 00:22:03,240 --> 00:22:06,200 Speaker 2: right now, No doubt it's it's a beautiful piece. 445 00:22:06,240 --> 00:22:08,840 Speaker 4: He's got his own plas, got his own Facebook page. 446 00:22:09,880 --> 00:22:10,720 Speaker 4: I'm Richard haw. 447 00:22:13,840 --> 00:22:17,200 Speaker 2: Oh my what what? 448 00:22:17,760 --> 00:22:21,760 Speaker 4: What is he? This song here? 449 00:22:22,160 --> 00:22:24,920 Speaker 1: This song here loaned very large over my child. 450 00:22:25,040 --> 00:22:28,480 Speaker 4: Sorry, I can't oh this song here? Hang on? 451 00:22:30,240 --> 00:22:30,760 Speaker 2: Wait? Oh? 452 00:22:30,840 --> 00:22:33,679 Speaker 4: Yours doesn't come through there anymore, doesn't it. That's helpful. 453 00:22:33,720 --> 00:22:37,199 Speaker 4: I'm glad they hocked that up. This is also clear to. 454 00:22:42,920 --> 00:22:43,720 Speaker 2: Be honest as ship. 455 00:22:47,680 --> 00:22:48,880 Speaker 4: He's on the drums. 456 00:22:50,280 --> 00:22:51,520 Speaker 2: At the cassio keyboard. 457 00:22:51,720 --> 00:22:53,000 Speaker 4: Not easy to play the drums like this. 458 00:22:55,000 --> 00:22:58,480 Speaker 2: It'll be I'm gonna make coffee.