1
00:00:02,040 --> 00:00:05,520
Speaker 1: Get a Jerry here. If you like this podcast and

2
00:00:05,600 --> 00:00:08,719
Speaker 1: you want more of us live, tune in to JERRYM

3
00:00:08,760 --> 00:00:11,760
Speaker 1: and I The Headache Breakfast six to nine weekdays.

4
00:00:12,240 --> 00:00:13,800
Speaker 2: You can hear it on the radio.

5
00:00:15,440 --> 00:00:18,720
Speaker 1: Text three four eight three North or South to find

6
00:00:18,720 --> 00:00:38,839
Speaker 1: out your frequency. Thank you and goodbye, Sorry, hen Hello.

7
00:00:37,400 --> 00:00:39,640
Speaker 2: Welcome on to the podcast. Friday, the twenty second of

8
00:00:39,680 --> 00:00:41,080
Speaker 2: August twenty twenty five.

9
00:00:41,720 --> 00:00:46,080
Speaker 1: Jeremy WELSMANI Stewart an executive producer.

10
00:00:45,640 --> 00:00:51,800
Speaker 3: Flow Rider no flow Controller, flow Radar from the flow Controller,

11
00:00:52,520 --> 00:00:57,560
Speaker 3: Freestyler Rock macaphone Eradio.

12
00:00:56,920 --> 00:01:05,360
Speaker 4: From the Think Think Jean. That's if I find out

13
00:01:05,440 --> 00:01:07,360
Speaker 4: that came out in the nineties. I want to revote

14
00:01:08,120 --> 00:01:10,880
Speaker 4: if I find out that Bomb Funk Gimse's free Styler, Yeah,

15
00:01:11,520 --> 00:01:13,800
Speaker 4: it came out in the nineties. Bomb Fun gimseez seminal

16
00:01:13,800 --> 00:01:14,880
Speaker 4: work freestyle around.

17
00:01:14,680 --> 00:01:20,240
Speaker 2: The nineties, nineteen ninety seven. No, yeah, it's ninety.

18
00:01:19,959 --> 00:01:24,080
Speaker 3: Seven, released in Finland thirtieth of October nineteen ninety nine.

19
00:01:25,040 --> 00:01:26,320
Speaker 4: I would like to recast my vote.

20
00:01:26,480 --> 00:01:29,000
Speaker 2: Sure that's in Finland.

21
00:01:29,480 --> 00:01:31,800
Speaker 3: Well it was out man, it was out in the nineties. Yeah,

22
00:01:32,120 --> 00:01:36,000
Speaker 3: definitely album in Stereo which came out June nineteen ninety nine.

23
00:01:36,040 --> 00:01:39,080
Speaker 3: It was out in Proud in the nineties, and that's

24
00:01:39,080 --> 00:01:40,679
Speaker 3: straight from the top of my dame. That's not me

25
00:01:40,840 --> 00:01:42,880
Speaker 3: just looking at wikipedias, I.

26
00:01:42,800 --> 00:01:43,720
Speaker 2: Reckon it's earlier.

27
00:01:44,080 --> 00:01:46,440
Speaker 1: The reason I know that is because it was on

28
00:01:46,840 --> 00:01:50,840
Speaker 1: MTV Europe when I was working on MTV. Yeah, and

29
00:01:50,840 --> 00:01:52,840
Speaker 1: that was the song that was playing the whole time

30
00:01:53,400 --> 00:01:56,120
Speaker 1: when we first started in nineteen ninety seventy.

31
00:01:56,280 --> 00:02:09,160
Speaker 2: That's interesting. She was actually released originally as a son headphones.

32
00:02:10,520 --> 00:02:11,520
Speaker 3: I'm playing it it was.

33
00:02:11,760 --> 00:02:17,200
Speaker 1: It was originally, yeah, released as a headphone's ad, which

34
00:02:17,240 --> 00:02:22,000
Speaker 1: is why the it we're in the headphones so bomb

35
00:02:22,080 --> 00:02:26,880
Speaker 1: funking cs weren't people that it was. It's basically an ad, but.

36
00:02:26,880 --> 00:02:28,680
Speaker 2: It was clever. Greatest head of all time?

37
00:02:28,840 --> 00:02:30,799
Speaker 1: Yeah, it was one of them because it's got that

38
00:02:30,960 --> 00:02:33,960
Speaker 1: kid walking around with the headphones on, and you thank

39
00:02:34,000 --> 00:02:36,720
Speaker 1: god that you know, those headphones look really good. Why

40
00:02:36,720 --> 00:02:38,280
Speaker 1: are they so prominent all the time?

41
00:02:38,760 --> 00:02:42,000
Speaker 2: Quite by them? Yeah, it was beats before beats.

42
00:02:42,440 --> 00:02:47,200
Speaker 4: There was a girl that worked at the acc a Amazone.

43
00:02:48,560 --> 00:02:51,320
Speaker 4: She was She used to wear these giant headphones. She

44
00:02:51,400 --> 00:02:53,000
Speaker 4: was quite a small person. When she walked in, she

45
00:02:53,080 --> 00:02:55,600
Speaker 4: looked like she was the bomb funk himse every time

46
00:02:55,680 --> 00:02:57,919
Speaker 4: she walked past or like alright, guys, I'll see tomorrow

47
00:02:57,960 --> 00:02:59,720
Speaker 4: I'm going home, and you chuck your headbones on, We're

48
00:02:59,720 --> 00:03:01,600
Speaker 4: like stripped from the top of it.

49
00:03:02,680 --> 00:03:04,679
Speaker 1: Yeah, because the kid on the ad wasn't actually in

50
00:03:04,760 --> 00:03:06,200
Speaker 1: the bomb funking seas.

51
00:03:07,720 --> 00:03:10,560
Speaker 4: Sim kid on the he wasn't one of the bomb funkins.

52
00:03:10,680 --> 00:03:12,120
Speaker 2: It was one of the bomb funking seats.

53
00:03:12,160 --> 00:03:14,880
Speaker 3: It was number one in New Zealand for two weeks

54
00:03:15,280 --> 00:03:25,959
Speaker 3: when September two thousand, right between Rock DJ and Madonna music, Oh,

55
00:03:26,919 --> 00:03:27,600
Speaker 3: what a great year.

56
00:03:27,840 --> 00:03:30,840
Speaker 2: Two thousand was a good year for music. Two thousand.

57
00:03:31,400 --> 00:03:32,680
Speaker 4: We you do the countdown of the two.

58
00:03:32,520 --> 00:03:35,680
Speaker 2: Thousands, Well, what's ninety nine and what's two thousand?

59
00:03:35,720 --> 00:03:38,640
Speaker 1: That's always the question, isn't it, Because we're doing our

60
00:03:38,720 --> 00:03:42,200
Speaker 1: nineties still now, nineties till now nineties still now countdown.

61
00:03:42,280 --> 00:03:47,640
Speaker 1: No nineties, nothing but nineties, but nineties countdown. So that

62
00:03:47,800 --> 00:03:52,120
Speaker 1: starts on Monday on the Hodaki Breakfast radio show. You

63
00:03:52,160 --> 00:03:54,560
Speaker 1: can listen to the Hedache Breakfast Radio Show.

64
00:03:54,840 --> 00:03:58,680
Speaker 2: Do you know that this very podcast here right it's

65
00:03:58,880 --> 00:04:01,120
Speaker 2: this is a podcast. Can listen to this whenever you want.

66
00:04:01,160 --> 00:04:04,680
Speaker 1: You can also between six and nine weekdays and New

67
00:04:04,760 --> 00:04:08,560
Speaker 1: Zealand tune into the live the live radio show that

68
00:04:08,600 --> 00:04:09,920
Speaker 1: we do every single day.

69
00:04:11,040 --> 00:04:11,520
Speaker 2: It's easy.

70
00:04:11,840 --> 00:04:14,960
Speaker 1: It's easy to find on iHeartRadio. You can turn in

71
00:04:15,640 --> 00:04:17,760
Speaker 1: digitally that way, or you can go on your on

72
00:04:17,880 --> 00:04:20,480
Speaker 1: your stereo in your car and rock the microphone. Have

73
00:04:20,520 --> 00:04:22,320
Speaker 1: a look at the different frequencies around the place. A

74
00:04:22,360 --> 00:04:24,000
Speaker 1: lot of people don't know about radio frequency.

75
00:04:24,080 --> 00:04:27,280
Speaker 4: What's the text? Can you text and asking what the

76
00:04:27,320 --> 00:04:28,040
Speaker 4: frequencies are?

77
00:04:28,440 --> 00:04:32,120
Speaker 3: Yeah's north or south? It's just north and the North

78
00:04:32,160 --> 00:04:32,960
Speaker 3: Island or south.

79
00:04:33,000 --> 00:04:35,279
Speaker 4: I'm going to do it to three three and then

80
00:04:35,320 --> 00:04:37,560
Speaker 4: you'll find out who your frequency is. You just set

81
00:04:37,640 --> 00:04:40,640
Speaker 4: that on your car, Yeah, and then you'll be done.

82
00:04:40,800 --> 00:04:42,840
Speaker 2: Or just text three four three and ask what the

83
00:04:42,880 --> 00:04:46,360
Speaker 2: frequency is for your thing and between six and nine

84
00:04:46,360 --> 00:04:46,880
Speaker 2: and I'll.

85
00:04:46,720 --> 00:04:49,520
Speaker 1: Tell you on the radio. That's a good thing about it.

86
00:04:49,600 --> 00:04:52,120
Speaker 1: You can interact with people live on the radio. That's

87
00:04:52,400 --> 00:04:55,520
Speaker 1: that's the fun thing about live radio. Net to interact

88
00:04:55,560 --> 00:04:55,920
Speaker 1: with people.

89
00:04:56,160 --> 00:04:57,720
Speaker 4: But how would they They won't be able to hear

90
00:04:57,720 --> 00:04:58,400
Speaker 4: you when you answer them.

91
00:04:59,040 --> 00:05:00,840
Speaker 2: Yeah, because I'll just I on the radio. I know.

92
00:05:00,920 --> 00:05:02,320
Speaker 1: But they're not listening to the raid because they don't

93
00:05:02,320 --> 00:05:04,480
Speaker 1: have the freak tix them back on the phone number.

94
00:05:04,760 --> 00:05:06,680
Speaker 1: Oh yeah, you text them back. I can text him back.

95
00:05:07,320 --> 00:05:10,360
Speaker 1: We can interact. Yeah, but then do you need to

96
00:05:10,480 --> 00:05:15,040
Speaker 1: see me? Me your DM details and well DM DP

97
00:05:16,600 --> 00:05:22,480
Speaker 1: not so much, the DP director of photography. So is

98
00:05:22,520 --> 00:05:23,440
Speaker 1: it three four eight three?

99
00:05:23,520 --> 00:05:23,839
Speaker 3: Is that right?

100
00:05:24,000 --> 00:05:26,480
Speaker 2: You text north south to three for eight three?

101
00:05:26,600 --> 00:05:30,880
Speaker 3: I did it and it went Northland Auckland way.

102
00:05:31,000 --> 00:05:34,760
Speaker 2: North or south. I wouldn't have thought. I wouldn't have thought.

103
00:05:34,640 --> 00:05:36,360
Speaker 4: Many people would be listening to the podcast that don't

104
00:05:36,400 --> 00:05:37,280
Speaker 4: listen to the radio show.

105
00:05:37,360 --> 00:05:38,840
Speaker 2: But I am often wrong.

106
00:05:38,920 --> 00:05:42,040
Speaker 4: I'd be interested to know tix through on three four

107
00:05:42,120 --> 00:05:45,240
Speaker 4: eight three more than a jezer Ruder and Manni Iopo

108
00:05:45,760 --> 00:05:48,400
Speaker 4: Happy Friday jints. I'm sure the podcast is going great,

109
00:05:48,440 --> 00:05:50,920
Speaker 4: looking forward to it. Blease Bliss Bliss. George from Tata.

110
00:05:51,600 --> 00:05:55,800
Speaker 2: Get a George from Tataweter, Good day George, George.

111
00:05:56,200 --> 00:06:00,159
Speaker 4: Did you know that we do a radio show which

112
00:06:00,160 --> 00:06:03,240
Speaker 4: is basically like a podcast, except that only happens live,

113
00:06:04,120 --> 00:06:06,240
Speaker 4: and that means that we can do incredible things like

114
00:06:06,360 --> 00:06:10,880
Speaker 4: have Naked Men deliver us Breakfast. We can run live

115
00:06:11,040 --> 00:06:14,360
Speaker 4: raffles and compile the prizes as we do them. How

116
00:06:14,440 --> 00:06:16,880
Speaker 4: we could even do a whole crossword over the course

117
00:06:16,920 --> 00:06:17,480
Speaker 4: of three hours.

118
00:06:17,560 --> 00:06:18,200
Speaker 2: Yeah, that's right.

119
00:06:18,960 --> 00:06:20,720
Speaker 1: It's fun and you can definitely be a part of it.

120
00:06:20,800 --> 00:06:22,640
Speaker 1: I mean, I'm looking forward to giving away some stuff

121
00:06:22,640 --> 00:06:24,920
Speaker 1: in the studio here. We've got a less that master you,

122
00:06:25,279 --> 00:06:28,400
Speaker 1: our Fung Shwei master has told us that we need

123
00:06:28,480 --> 00:06:31,080
Speaker 1: to get rid of stuff out of the studio, including

124
00:06:31,160 --> 00:06:33,560
Speaker 1: the Bill Cosby book. Now that thing's going, I think

125
00:06:33,600 --> 00:06:35,360
Speaker 1: we should probably put that on trade me. That's with

126
00:06:35,520 --> 00:06:36,200
Speaker 1: a pretty penny.

127
00:06:36,360 --> 00:06:38,440
Speaker 3: Oh be really interesting.

128
00:06:38,560 --> 00:06:41,120
Speaker 4: No, it is because I was in a book shop

129
00:06:41,200 --> 00:06:43,680
Speaker 4: in Brisbane recently and I found so, what's that one

130
00:06:43,760 --> 00:06:44,400
Speaker 4: called Fatherhood?

131
00:06:44,400 --> 00:06:44,560
Speaker 2: Father?

132
00:06:45,080 --> 00:06:49,920
Speaker 4: I found Childhood his other seminal work, and I went

133
00:06:50,000 --> 00:06:52,080
Speaker 4: to buy that. They were charging fifty bucks for it.

134
00:06:52,440 --> 00:06:55,760
Speaker 4: There we go, So it's worth it. No low ballers,

135
00:06:55,800 --> 00:06:58,600
Speaker 4: I know what I've got. Don't try to lowball us

136
00:06:58,640 --> 00:06:58,839
Speaker 4: on the.

137
00:07:00,040 --> 00:07:01,720
Speaker 2: Do you have googled it? What's what's it going for?

138
00:07:01,880 --> 00:07:04,960
Speaker 3: Far? I kind of don't want to say.

139
00:07:05,360 --> 00:07:06,000
Speaker 2: Is it not much?

140
00:07:06,120 --> 00:07:06,840
Speaker 3: It's not a lot?

141
00:07:07,200 --> 00:07:09,120
Speaker 2: That's ridiculous. Well, why was this bookshop?

142
00:07:09,240 --> 00:07:11,920
Speaker 4: Bookshop trying to gouge my eyes out for working with you?

143
00:07:12,240 --> 00:07:14,040
Speaker 2: Yeah, that's what second hand bookstores do.

144
00:07:14,240 --> 00:07:17,520
Speaker 4: That it's like second nd clothing stores these days. Oh man,

145
00:07:17,640 --> 00:07:18,960
Speaker 4: you go in there and they're like, yeah, that's three

146
00:07:19,040 --> 00:07:21,040
Speaker 4: hundred dollars, Like there wasn't three hundred bucks when they

147
00:07:21,120 --> 00:07:22,840
Speaker 4: made it? Yeah was it three hundred now?

148
00:07:22,960 --> 00:07:24,320
Speaker 2: Then it smells like shit? Yeah.

149
00:07:25,120 --> 00:07:26,880
Speaker 3: You know how we encourage people to text through on

150
00:07:26,920 --> 00:07:29,120
Speaker 3: three four eight three while we're doing the podcast. Yep,

151
00:07:29,840 --> 00:07:32,760
Speaker 3: someone sent through after we'd finished yesterday at nine point

152
00:07:32,760 --> 00:07:36,120
Speaker 3: thirty one morning, Fellas, How good is Sidney Sweeney?

153
00:07:37,200 --> 00:07:37,400
Speaker 1: Oh?

154
00:07:37,560 --> 00:07:40,120
Speaker 4: Yeah, see, I worry I talk too much about Sidney Sweeney.

155
00:07:40,360 --> 00:07:43,240
Speaker 2: Nah, I'm in behind you with the Sidney Sweeney thing.

156
00:07:43,280 --> 00:07:43,400
Speaker 5: You know.

157
00:07:43,520 --> 00:07:45,880
Speaker 2: I actually thought before oh year, the.

158
00:07:46,000 --> 00:07:51,800
Speaker 1: Jeans d and oh yeah, the the eyes that yeah,

159
00:07:51,920 --> 00:07:53,760
Speaker 1: got a bit of a spicial needs vibe, but you know,

160
00:07:53,800 --> 00:07:56,120
Speaker 1: all that sort of stuff, And I was like, oh yeah.

161
00:07:56,160 --> 00:07:58,239
Speaker 2: And then I saw her an Echo Valley.

162
00:07:58,640 --> 00:08:00,120
Speaker 4: Yeah, I'm ut to watch.

163
00:08:00,720 --> 00:08:01,920
Speaker 2: You should watch it with Jeff.

164
00:08:02,200 --> 00:08:05,280
Speaker 4: What this is gonna be problematic? What I loved about?

165
00:08:05,720 --> 00:08:09,040
Speaker 4: You told me about Echo Valley on Wednesday. On Thursday,

166
00:08:09,080 --> 00:08:10,960
Speaker 4: you came in and go, have you seen Echo Value yet?

167
00:08:12,560 --> 00:08:14,960
Speaker 4: I was initially like, there's been one fucking day when

168
00:08:14,960 --> 00:08:16,240
Speaker 4: am I going to watch that, and then I was like,

169
00:08:16,880 --> 00:08:19,040
Speaker 4: is it that far out of the realms of possibility

170
00:08:19,080 --> 00:08:21,160
Speaker 4: that I might watch an entire season of a Sydney Sweeny.

171
00:08:23,080 --> 00:08:27,640
Speaker 1: Well, it's a it's firstly, it's a one off movie. Oh, yes,

172
00:08:28,040 --> 00:08:31,240
Speaker 1: so today your homework man, when you get home from

173
00:08:31,280 --> 00:08:34,120
Speaker 1: the show, because you know, I'm assuming you're a bit

174
00:08:34,160 --> 00:08:34,880
Speaker 1: of times half.

175
00:08:34,800 --> 00:08:38,360
Speaker 2: Nighte yeah to yourself this afternoon? Yeah, Jeff home today?

176
00:08:38,880 --> 00:08:38,920
Speaker 1: No?

177
00:08:39,160 --> 00:08:39,600
Speaker 4: Not today?

178
00:08:40,760 --> 00:08:44,240
Speaker 1: Should it's sort of cheating if you watch Echo Valley

179
00:08:44,280 --> 00:08:44,920
Speaker 1: without Jeff.

180
00:08:45,320 --> 00:08:46,960
Speaker 2: Will she know that you've watched it. Yes, you will,

181
00:08:47,000 --> 00:08:49,440
Speaker 2: because you'll be able to look on your Apple TV account.

182
00:08:50,120 --> 00:08:53,720
Speaker 4: Is it on Apple TV? Have you got Apple Tv? Oh? Probably?

183
00:08:54,120 --> 00:08:55,640
Speaker 2: You can just sign up to it and it's free

184
00:08:55,760 --> 00:08:57,360
Speaker 2: for a month and then you can unsigned.

185
00:08:57,679 --> 00:08:59,160
Speaker 4: Yeah, but you always forget. That's how they get you.

186
00:09:00,360 --> 00:09:02,760
Speaker 2: But can I recommend it? I think you really like it?

187
00:09:03,200 --> 00:09:07,200
Speaker 2: Echo Valley. It's a film, a film, a film, it's

188
00:09:07,240 --> 00:09:08,800
Speaker 2: a It's it's really good.

189
00:09:08,920 --> 00:09:11,240
Speaker 4: No, it sounds great from what I've heard.

190
00:09:11,280 --> 00:09:13,040
Speaker 1: And I think what you'll find about Sydney and the

191
00:09:13,080 --> 00:09:16,840
Speaker 1: Echo Valley is she's got chops, kid can act.

192
00:09:17,080 --> 00:09:19,960
Speaker 2: She's got iffing chops. Man, It's a.

193
00:09:19,920 --> 00:09:22,920
Speaker 4: Great actress like proper chops, shops proper chop.

194
00:09:23,480 --> 00:09:25,800
Speaker 2: And Julianne Moore is also in it. She's got chops,

195
00:09:25,880 --> 00:09:28,720
Speaker 2: Julian Jenner, isn't it, Julian she's trudging around.

196
00:09:31,640 --> 00:09:35,080
Speaker 4: You may have missed this, but over summer we developed

197
00:09:35,120 --> 00:09:38,319
Speaker 4: a proprietary new law in cricket called the Sydney Sweeny Rule.

198
00:09:38,400 --> 00:09:41,000
Speaker 4: Are you across this across the Sydney swinging should take

199
00:09:41,000 --> 00:09:42,679
Speaker 4: a break and come back and I'll explain the Sydney

200
00:09:42,720 --> 00:09:54,120
Speaker 4: Sweeny rule to love to Okay, So the Sydney swinging

201
00:09:54,200 --> 00:09:59,240
Speaker 4: rule is, you know when they go upstairs for LBW

202
00:09:59,480 --> 00:10:02,800
Speaker 4: review and they go, we've checked the front foot. Now

203
00:10:02,880 --> 00:10:07,920
Speaker 4: we're going side on spin vision. Rude boy, they and

204
00:10:08,040 --> 00:10:10,160
Speaker 4: then they rock and roll the bat even when there's

205
00:10:10,240 --> 00:10:12,360
Speaker 4: clear daylight between the ball and the bat. It didn't

206
00:10:12,440 --> 00:10:15,640
Speaker 4: hit the bat at all. They still they rock and

207
00:10:15,800 --> 00:10:18,559
Speaker 4: roll that for ages because they what they're trying to

208
00:10:18,679 --> 00:10:22,160
Speaker 4: do is build the ball tracking. So they're delaying. They're

209
00:10:22,200 --> 00:10:24,760
Speaker 4: delaying for the ball tracking. That's all they're doing is

210
00:10:24,800 --> 00:10:27,240
Speaker 4: buying time with that. That's why you sit there in frustration,

211
00:10:27,360 --> 00:10:28,960
Speaker 4: like it didn't hit the bat, why it was an

212
00:10:29,080 --> 00:10:34,679
Speaker 4: LBW appeal, and so we at the ACC created the

213
00:10:34,720 --> 00:10:37,360
Speaker 4: Sydney Sweeney rule, where if you're just putting an image

214
00:10:37,400 --> 00:10:40,880
Speaker 4: on the screen to stall for time, why not put

215
00:10:40,880 --> 00:10:43,720
Speaker 4: an image of Sidney Sweeney out there instead of watching

216
00:10:44,080 --> 00:10:46,079
Speaker 4: clear daylight between bat and ball while you're trying to

217
00:10:46,080 --> 00:10:48,679
Speaker 4: build the ball tracking, invoke the Sydney Sweny rule and

218
00:10:48,760 --> 00:10:49,840
Speaker 4: just blast phyto a her up.

219
00:10:49,880 --> 00:10:52,160
Speaker 3: Now, when you say we at the ACC came up

220
00:10:52,200 --> 00:10:54,800
Speaker 3: with that idea, it was me, okay, just checking.

221
00:10:55,000 --> 00:10:58,800
Speaker 2: I thought it sounded like a your idea, screams of you.

222
00:10:59,040 --> 00:11:01,599
Speaker 4: The Sidney Sweny rul Well, I mean either that or

223
00:11:01,720 --> 00:11:04,120
Speaker 4: like Goku doing a command maya or something. You know,

224
00:11:04,240 --> 00:11:04,559
Speaker 4: I don't know.

225
00:11:04,720 --> 00:11:06,040
Speaker 1: Well, one day in the future you're going to be

226
00:11:06,080 --> 00:11:08,200
Speaker 1: able to, In fact, it's probably only about a year away.

227
00:11:08,200 --> 00:11:10,160
Speaker 1: You're going to be able to put Sydney's head on

228
00:11:10,480 --> 00:11:13,000
Speaker 1: like you know, came Williamson's head.

229
00:11:13,240 --> 00:11:15,079
Speaker 4: That's that day's already here on his body.

230
00:11:15,240 --> 00:11:17,920
Speaker 2: You can do that, right, you do it. You do

231
00:11:18,000 --> 00:11:19,960
Speaker 2: it live while we're waiting. It's like, well, we're waiting

232
00:11:20,000 --> 00:11:22,080
Speaker 2: for the ball tracking to come up. Here's a picture

233
00:11:22,160 --> 00:11:24,040
Speaker 2: of what it would be like if Sydney Sweeney had

234
00:11:24,120 --> 00:11:27,920
Speaker 2: just played that drive through the off side this she

235
00:11:28,080 --> 00:11:28,319
Speaker 2: is there.

236
00:11:28,520 --> 00:11:29,280
Speaker 4: I reckon with that.

237
00:11:29,480 --> 00:11:32,400
Speaker 1: With that ball tracking thing, they do a weird thing,

238
00:11:33,120 --> 00:11:35,120
Speaker 1: as you said, they start with the front fight. It's

239
00:11:35,200 --> 00:11:38,040
Speaker 1: like like someone else should be doing the front foot

240
00:11:38,080 --> 00:11:41,079
Speaker 1: but like that, but it should come through real early.

241
00:11:41,240 --> 00:11:43,679
Speaker 2: That that was not Yeah we're not checking wet we

242
00:11:43,760 --> 00:11:46,120
Speaker 2: knew that. Yeah, we don't need to check over the

243
00:11:46,160 --> 00:11:46,839
Speaker 2: front foot again.

244
00:11:46,920 --> 00:11:48,920
Speaker 4: It's a stalling tag totally.

245
00:11:49,160 --> 00:11:53,200
Speaker 1: It'll be it'll get faster, the decisions will get faster

246
00:11:53,280 --> 00:11:54,480
Speaker 1: over time, It'll get faster.

247
00:11:54,600 --> 00:11:56,360
Speaker 4: I mean, jeez, I'll tell you what the missing isn't

248
00:11:56,679 --> 00:11:58,839
Speaker 4: an ad spot there, just blast and add in there,

249
00:11:59,720 --> 00:12:02,319
Speaker 4: like the whenever the NRL go to the bunker and

250
00:12:02,360 --> 00:12:04,040
Speaker 4: they put the Bunderberg thing on the screen. You know

251
00:12:04,120 --> 00:12:07,679
Speaker 4: the giant yellow a couple of years ago our house

252
00:12:07,840 --> 00:12:09,959
Speaker 4: that our bedroom came off the lounge and when that

253
00:12:10,120 --> 00:12:12,600
Speaker 4: came up, it would just blast through the door into

254
00:12:12,640 --> 00:12:14,840
Speaker 4: the bedroom and so the messers would wake up anytime

255
00:12:14,880 --> 00:12:15,640
Speaker 4: it went to the bunkers.

256
00:12:17,200 --> 00:12:20,160
Speaker 2: There's a bright yellow going. I think also they need

257
00:12:20,240 --> 00:12:22,560
Speaker 2: to change that boring chat. But they need to change

258
00:12:22,600 --> 00:12:24,480
Speaker 2: that rule tour once you.

259
00:12:24,520 --> 00:12:28,040
Speaker 1: Get one review the bunker no, just just captain's review,

260
00:12:28,240 --> 00:12:30,480
Speaker 1: just cracket. You get one review, you don't get, you

261
00:12:30,520 --> 00:12:31,440
Speaker 1: don't get how many they got.

262
00:12:31,520 --> 00:12:34,960
Speaker 3: Now you get three per eighty overs and off.

263
00:12:36,840 --> 00:12:39,040
Speaker 2: It's to many. It should be.

264
00:12:39,360 --> 00:12:43,240
Speaker 1: It should be more of a jeopardy situation, which means

265
00:12:43,760 --> 00:12:46,040
Speaker 1: it's for the howler, for the howl. If you know

266
00:12:46,280 --> 00:12:49,160
Speaker 1: you didn't knick it and you've been given out, it's

267
00:12:49,720 --> 00:12:51,120
Speaker 1: it's because you know you're not out.

268
00:12:51,200 --> 00:12:51,720
Speaker 4: It's for the hell.

269
00:12:51,840 --> 00:12:53,439
Speaker 2: It's not because you think you might not be.

270
00:12:53,720 --> 00:12:56,440
Speaker 4: I know the umpires well, particularly the referees in league,

271
00:12:56,480 --> 00:12:59,439
Speaker 4: they like the captain's challenge because it shuts down back

272
00:12:59,559 --> 00:13:02,319
Speaker 4: chat back chatting to you, are you challenging this?

273
00:13:02,520 --> 00:13:02,720
Speaker 2: Yeah?

274
00:13:03,040 --> 00:13:04,680
Speaker 4: And they say no, then shut up?

275
00:13:04,800 --> 00:13:07,679
Speaker 1: Yeah, no, they and the other thing they like with

276
00:13:07,840 --> 00:13:10,360
Speaker 1: the try when when where a try has been scored.

277
00:13:10,400 --> 00:13:12,600
Speaker 1: I've sometimes seen the defensive team who said the try

278
00:13:12,640 --> 00:13:14,880
Speaker 1: scored against them come up to the reference that arguing

279
00:13:14,920 --> 00:13:17,080
Speaker 1: and he goes and he's like, I've ordered the try.

280
00:13:17,120 --> 00:13:20,080
Speaker 1: If it's don't find it the bunker, so why are

281
00:13:20,120 --> 00:13:23,400
Speaker 1: you telling it? I can't do anything, sorry, but that's that. Yeah,

282
00:13:23,600 --> 00:13:28,839
Speaker 1: and there's yeah, it's it is definitely a tool for

283
00:13:29,000 --> 00:13:33,079
Speaker 1: the it's been pretty good this year the Bunkerr League,

284
00:13:33,200 --> 00:13:35,720
Speaker 1: Like it's all been okay because we've been winning.

285
00:13:36,400 --> 00:13:39,160
Speaker 2: It's all been it's it's been all right.

286
00:13:39,280 --> 00:13:41,560
Speaker 3: I'm a real big mouth on the Captain's challenge watching

287
00:13:42,000 --> 00:13:44,560
Speaker 3: from the carriage at home. As soon as challenging, yeah,

288
00:13:44,559 --> 00:13:47,000
Speaker 3: why don't you Why don't you captain's challenge? Then why

289
00:13:47,040 --> 00:13:48,079
Speaker 3: don't you keep challenge?

290
00:13:48,120 --> 00:13:48,520
Speaker 2: That funny?

291
00:13:48,559 --> 00:13:50,480
Speaker 1: It's because the other thing is the players all know.

292
00:13:51,000 --> 00:13:52,920
Speaker 1: Like the players generally get it. Have you noticed that

293
00:13:53,040 --> 00:13:55,839
Speaker 1: the players they'll do a speculator sometimes just for no

294
00:13:55,960 --> 00:13:58,840
Speaker 1: reason at all because as well, but during the actual play,

295
00:13:58,920 --> 00:14:01,400
Speaker 1: they know when they've knocked it on. The players who

296
00:14:01,440 --> 00:14:03,920
Speaker 1: are playing in the game know when their opposition guys

297
00:14:04,000 --> 00:14:04,480
Speaker 1: knocking it on.

298
00:14:04,800 --> 00:14:07,680
Speaker 4: The one that cracks me up is last, So your

299
00:14:07,760 --> 00:14:11,800
Speaker 4: team's down, last five minutes of the game, blatant, stone

300
00:14:11,840 --> 00:14:15,200
Speaker 4: cold knock on challenge, because you've still got it up

301
00:14:15,240 --> 00:14:16,199
Speaker 4: your leeve, you might as well know.

302
00:14:16,320 --> 00:14:17,439
Speaker 2: Yeah, I think you should be fine for that.

303
00:14:17,559 --> 00:14:18,360
Speaker 4: You might as well use it.

304
00:14:18,480 --> 00:14:19,640
Speaker 2: I reckon you should be fine for that.

305
00:14:19,920 --> 00:14:22,240
Speaker 4: But I think because if it happens against your team

306
00:14:22,240 --> 00:14:24,080
Speaker 4: you're winning, and the other team does it, it's such

307
00:14:24,120 --> 00:14:27,840
Speaker 4: a like, yeah, you little bit, Yeah, I review that.

308
00:14:28,040 --> 00:14:28,800
Speaker 2: Yeah, it feels like that.

309
00:14:29,240 --> 00:14:31,080
Speaker 1: It's definitely that thing as well with league now where

310
00:14:31,160 --> 00:14:33,440
Speaker 1: someone takes a little bit of a high shot slightly high,

311
00:14:33,920 --> 00:14:36,680
Speaker 1: and they know they know that they've had it, but

312
00:14:36,800 --> 00:14:39,880
Speaker 1: the riff is too busy counting. Well yeah, and they

313
00:14:40,320 --> 00:14:43,040
Speaker 1: weren't watching because it must be Does the riff ever

314
00:14:43,080 --> 00:14:44,000
Speaker 1: get the count wrong.

315
00:14:44,440 --> 00:14:45,120
Speaker 2: The tackle count?

316
00:14:45,200 --> 00:14:47,120
Speaker 4: Yeah, no, because the touches are on top of it

317
00:14:47,200 --> 00:14:49,240
Speaker 4: as well, there's three of them. I don't know why

318
00:14:49,320 --> 00:14:52,480
Speaker 4: they've been the double riff thing. Remember for a few

319
00:14:52,560 --> 00:14:55,000
Speaker 4: years had two riffs. Yeah, I don't know why they

320
00:14:55,040 --> 00:14:58,720
Speaker 4: went away from that because it's a lot. I feel

321
00:14:58,760 --> 00:15:01,160
Speaker 4: like it's so hard to catch all the off sides.

322
00:15:00,920 --> 00:15:04,320
Speaker 2: And count and count when you can't see what's going

323
00:15:04,360 --> 00:15:04,960
Speaker 2: on at the ruck.

324
00:15:05,640 --> 00:15:07,560
Speaker 4: Yeah, and like someone gets hit in the face, like

325
00:15:07,640 --> 00:15:09,240
Speaker 4: it happens so quick you're never going to see it.

326
00:15:10,080 --> 00:15:11,840
Speaker 4: So yeah, I can see why they stay down a

327
00:15:11,840 --> 00:15:14,200
Speaker 4: little bit. If I was in charge of if I

328
00:15:14,320 --> 00:15:16,480
Speaker 4: was in charge of the Warriors, here's what I'd do.

329
00:15:16,600 --> 00:15:19,800
Speaker 4: Listen up with now, I would say to any team

330
00:15:19,880 --> 00:15:22,280
Speaker 4: that has reviews, we're not using that for the first

331
00:15:22,320 --> 00:15:24,720
Speaker 4: three quarters of the game. No reviews in the first

332
00:15:24,760 --> 00:15:27,320
Speaker 4: three because how many times have you seen a challenge

333
00:15:27,920 --> 00:15:32,000
Speaker 4: or a howler and someone's spent the challenge first five

334
00:15:32,040 --> 00:15:34,520
Speaker 4: minutes of the game. We only use it in fourth

335
00:15:34,600 --> 00:15:36,960
Speaker 4: quarter for game winning situations. Yeah, I don't care how

336
00:15:37,080 --> 00:15:40,640
Speaker 4: certain you are, because you're all certain and if you're

337
00:15:40,640 --> 00:15:42,040
Speaker 4: afford you don't get to use it at all.

338
00:15:43,040 --> 00:15:45,760
Speaker 1: Well, yeah, for something on that. Yeah, I'm back to

339
00:15:45,840 --> 00:15:49,200
Speaker 1: Sydney Swinging and Echo Valley. Sure so, yeah, I think

340
00:15:49,320 --> 00:15:54,960
Speaker 1: you'll find Sydney firstly, great acting tremendous. Secondly, an ability

341
00:15:55,160 --> 00:15:58,760
Speaker 1: to still look hot whilst being a heroin addict well,

342
00:15:59,240 --> 00:16:01,400
Speaker 1: playing the hero very convincingly.

343
00:16:01,640 --> 00:16:03,000
Speaker 4: That was sort of the whole thing of the nineties,

344
00:16:03,040 --> 00:16:05,120
Speaker 4: wasn't it looking hot while being here?

345
00:16:05,600 --> 00:16:07,960
Speaker 2: Yeah, she's she's nailed it. She's watched she must have

346
00:16:08,000 --> 00:16:08,880
Speaker 2: been watching some people.

347
00:16:09,040 --> 00:16:11,680
Speaker 3: I don't. I don't even think she's that hot, dom

348
00:16:11,720 --> 00:16:11,920
Speaker 3: and I.

349
00:16:12,640 --> 00:16:13,800
Speaker 2: That does that Sydney.

350
00:16:14,080 --> 00:16:14,240
Speaker 1: Nah?

351
00:16:15,200 --> 00:16:17,120
Speaker 2: I just rate her acting him Billy, Oh so do I?

352
00:16:18,160 --> 00:16:19,280
Speaker 2: And is that such a crime?

353
00:16:19,520 --> 00:16:20,440
Speaker 4: Is that such a crime?

354
00:16:20,880 --> 00:16:21,080
Speaker 1: You know.

355
00:16:22,680 --> 00:16:24,160
Speaker 4: That I have to sit there in silence for ten

356
00:16:24,200 --> 00:16:26,440
Speaker 4: minutes and then she's not even that hot?

357
00:16:26,520 --> 00:16:28,800
Speaker 2: Will you tell Jiff so if you do. If you

358
00:16:28,920 --> 00:16:31,600
Speaker 2: do tell it Apple TV and you.

359
00:16:31,680 --> 00:16:34,400
Speaker 1: Watch Echo Valley today, well, jiffs away, how long is

360
00:16:34,440 --> 00:16:38,920
Speaker 1: it our thirty two ninety minutes? If you do watch it,

361
00:16:39,080 --> 00:16:41,560
Speaker 1: will you and you really enjoy it? Will you tell

362
00:16:41,640 --> 00:16:43,440
Speaker 1: jif to watch it or not? Will you tell her

363
00:16:43,480 --> 00:16:43,880
Speaker 1: to watch it?

364
00:16:44,000 --> 00:16:46,600
Speaker 2: Yeah? Will you tell you that it's on? Yeah, I'll

365
00:16:46,640 --> 00:16:48,520
Speaker 2: tell her I watch it. Okay, Well I'm not going

366
00:16:48,600 --> 00:16:51,240
Speaker 2: to tell her to watch it. She hates Sydney.

367
00:16:51,920 --> 00:16:53,360
Speaker 4: Also, I actually kind of take a little bit of

368
00:16:53,360 --> 00:16:54,880
Speaker 4: pride of the fact that that really pissed her off,

369
00:16:54,920 --> 00:16:57,880
Speaker 4: because the only reason that it should have, because in

370
00:16:58,000 --> 00:16:59,760
Speaker 4: my mind, I was like, this is such an outlandish

371
00:16:59,800 --> 00:17:02,800
Speaker 4: and our rageous and unreal thing to say that she

372
00:17:02,840 --> 00:17:06,119
Speaker 4: would understand that, I'm joking, really missed the mark on that.

373
00:17:07,280 --> 00:17:08,359
Speaker 4: But I take a little bit of pride in the

374
00:17:08,400 --> 00:17:11,399
Speaker 4: fact that she got upset and that maybe she thinks she.

375
00:17:11,440 --> 00:17:14,399
Speaker 2: Still likes you, that she cares.

376
00:17:14,960 --> 00:17:16,440
Speaker 3: It's a bit of passion in the relationship.

377
00:17:16,640 --> 00:17:20,560
Speaker 4: Yeah, yeah, you feel something for me, No that she

378
00:17:20,680 --> 00:17:22,159
Speaker 4: thinks I'm you know, might have.

379
00:17:23,480 --> 00:17:29,280
Speaker 5: Yeah, Yeah, that's yeah, that's true. Yeah, because otherwise I

380
00:17:29,400 --> 00:17:31,919
Speaker 5: could just see you in Sydney. You know you respect

381
00:17:31,960 --> 00:17:34,479
Speaker 5: to Jeff, I can see you in Sydney.

382
00:17:34,600 --> 00:17:35,840
Speaker 4: I think it would make it great. I think you

383
00:17:35,880 --> 00:17:36,960
Speaker 4: would make it another life.

384
00:17:37,080 --> 00:17:37,720
Speaker 3: I think you would.

385
00:17:37,760 --> 00:17:40,840
Speaker 4: I'm spoken for obviously, But and this is why I

386
00:17:40,880 --> 00:17:42,399
Speaker 4: think when she wanted to go and get a photo

387
00:17:42,480 --> 00:17:45,200
Speaker 4: with the Hammer when we went and watched the Dolphins

388
00:17:45,240 --> 00:17:47,000
Speaker 4: game the other day, I think that's why that upset

389
00:17:47,080 --> 00:17:48,920
Speaker 4: me when I got cucked by the hammer.

390
00:17:49,040 --> 00:17:50,119
Speaker 2: Well, Sydney's your hammer.

391
00:17:50,440 --> 00:17:51,720
Speaker 4: Sydney has always been my hammer.

392
00:17:51,840 --> 00:17:55,679
Speaker 2: Hammer's your Sydney hammers her Sidney Hammer's her Sydney.

393
00:17:55,760 --> 00:17:59,159
Speaker 3: Yeah, this might be controversial, but knowing Sydney like I

394
00:17:59,480 --> 00:18:02,280
Speaker 3: do know her, I reckon you guys would probably fight

395
00:18:02,359 --> 00:18:05,280
Speaker 3: a lot. I just reckon your personalities would clash a

396
00:18:05,320 --> 00:18:09,080
Speaker 3: little bit like obviously you're hotman ire And that's what

397
00:18:09,240 --> 00:18:12,000
Speaker 3: she would think as well. But I think there's a

398
00:18:12,040 --> 00:18:15,040
Speaker 3: problem there with the personalities I don't know as well. Yeah,

399
00:18:15,080 --> 00:18:18,639
Speaker 3: but that'd be great for a good couple of because

400
00:18:18,640 --> 00:18:23,080
Speaker 3: they're so passionate ping pong. But yeah, but table to that,

401
00:18:23,200 --> 00:18:24,760
Speaker 3: I would say, ruder, Who am I not going to

402
00:18:24,800 --> 00:18:30,760
Speaker 3: have that with? And that's my crust the bit it's.

403
00:18:30,680 --> 00:18:32,680
Speaker 2: Going to be tough for you. Yeah, I'll tell you

404
00:18:32,760 --> 00:18:35,000
Speaker 2: what front, I'll tell you what.

405
00:18:36,040 --> 00:18:38,600
Speaker 4: Jesus tough working the sh a weekend.

406
00:18:38,880 --> 00:18:42,840
Speaker 1: Yeah, let's and by the way, tune into the radio show.

407
00:18:42,840 --> 00:18:44,960
Speaker 1: There's a radio show, ye six to nine in the

408
00:18:45,040 --> 00:18:47,560
Speaker 1: radio show six to nine weekdays radio hurd a key,

409
00:18:47,880 --> 00:18:51,639
Speaker 1: it's live and it's it's good live and you can

410
00:18:52,240 --> 00:18:55,960
Speaker 1: three four eight three north or south to three for

411
00:18:56,160 --> 00:18:58,040
Speaker 1: three to find out there.

412
00:18:58,600 --> 00:19:00,399
Speaker 4: Okay, Well, let's play a little game, you guys. Just

413
00:19:00,400 --> 00:19:03,360
Speaker 4: before we knock the song on the head. You tell

414
00:19:03,480 --> 00:19:05,000
Speaker 4: me a town and I'll tell you the frequency.

415
00:19:05,760 --> 00:19:07,760
Speaker 2: Sweet airs, here we go. Are you ready? Yeah?

416
00:19:08,880 --> 00:19:11,720
Speaker 4: She had one oh six, So if you're in chrish it,

417
00:19:11,840 --> 00:19:13,600
Speaker 4: she just turned your doe on the top of the door.

418
00:19:13,680 --> 00:19:16,200
Speaker 4: One sexy. Here we go to need it Brookland ninety nine.

419
00:19:16,280 --> 00:19:22,280
Speaker 4: That's right, Jerry, what about I think we got turned

420
00:19:22,320 --> 00:19:25,439
Speaker 4: off in to and one hold on? Yeah, that's great thing.

421
00:19:25,600 --> 00:19:28,959
Speaker 4: One last bit of Edmund the cry of bay. Belly's

422
00:19:29,000 --> 00:19:30,080
Speaker 4: just walked out and resumed his.

423
00:19:30,160 --> 00:19:34,920
Speaker 2: Seat, crying not right now. No, I'm going to give

424
00:19:34,920 --> 00:19:35,320
Speaker 2: her a wave.

425
00:19:35,440 --> 00:19:38,639
Speaker 4: She's inspecting the vape. She's back on the phone. Jerry

426
00:19:38,720 --> 00:19:42,840
Speaker 4: is waving at her. She's how is it. She's definitely not.

427
00:19:43,000 --> 00:19:45,840
Speaker 4: She has not seen Jerry. She's now honing the vape.

428
00:19:45,880 --> 00:19:48,320
Speaker 4: She is operating the phone in one hand, honing the

429
00:19:48,400 --> 00:19:49,000
Speaker 4: vape in the other.

430
00:19:50,320 --> 00:19:55,560
Speaker 2: Before she's I'm waving and a most frantic away. Hey cryer, Hey,

431
00:19:56,680 --> 00:19:58,280
Speaker 2: oh you're you're in a sound pro studio.

432
00:19:58,520 --> 00:20:02,040
Speaker 3: Yo, We're in a box of emotion. Emotions.

433
00:20:03,400 --> 00:20:08,160
Speaker 4: Why she still has not seen Jerry. She's very deep

434
00:20:08,200 --> 00:20:08,640
Speaker 4: in the phone.

435
00:20:08,720 --> 00:20:10,280
Speaker 2: I think I think she's too deep in meat for

436
00:20:10,520 --> 00:20:10,840
Speaker 2: I think.

437
00:20:10,760 --> 00:20:12,880
Speaker 4: It was a relationship thing. From the look on her face.

438
00:20:12,920 --> 00:20:15,560
Speaker 4: I think I think that back on, I reckon, they're

439
00:20:15,560 --> 00:20:19,439
Speaker 4: back on the cry of bay Belly. She knew how

440
00:20:19,520 --> 00:20:25,000
Speaker 4: much run she's got. Cry she knew how much run

441
00:20:25,040 --> 00:20:26,040
Speaker 4: she's gotten on the podcast.

442
00:20:26,119 --> 00:20:28,320
Speaker 3: I wish I knew what her name was, because then

443
00:20:28,359 --> 00:20:30,440
Speaker 3: we could look up her phone number and call it.

444
00:20:31,440 --> 00:20:34,439
Speaker 2: Hey, before you suck on your vape again, look over here.

445
00:20:34,560 --> 00:20:36,760
Speaker 4: Yellow vape, non disposable.

446
00:20:37,359 --> 00:20:39,120
Speaker 3: Mm hmm, yellow vape.

447
00:20:40,000 --> 00:20:43,440
Speaker 4: Goody. Good to see the Cryer of bay Belly looking good.

448
00:20:44,080 --> 00:20:44,600
Speaker 2: She's happy.

449
00:20:44,880 --> 00:20:46,800
Speaker 3: We're supposed to talk about a sting for the podcast

450
00:20:46,840 --> 00:20:48,160
Speaker 3: as well, but Monday.

451
00:20:48,240 --> 00:20:49,919
Speaker 2: Oh yeah, we do that now.

452
00:20:50,000 --> 00:20:53,720
Speaker 4: Yeah, So what we need a bit of feedback was

453
00:20:53,760 --> 00:20:55,560
Speaker 4: given to us that not enough people that listen to

454
00:20:55,640 --> 00:20:57,080
Speaker 4: the podcast know that we do a radio show.

455
00:20:57,080 --> 00:20:58,720
Speaker 2: That's why we've been I don't know if you've noticed

456
00:20:58,720 --> 00:20:59,520
Speaker 2: that we've been talking about that.

457
00:20:59,560 --> 00:21:00,879
Speaker 4: That's why we've crapping on about it.

458
00:21:01,040 --> 00:21:02,400
Speaker 3: So the radio show.

459
00:21:02,920 --> 00:21:05,680
Speaker 2: To that end, I mean, we do it.

460
00:21:06,040 --> 00:21:08,960
Speaker 4: Whether it's any good or not, completely out of our hands.

461
00:21:09,000 --> 00:21:12,040
Speaker 1: I want to know actually as well, just sort of

462
00:21:13,240 --> 00:21:16,240
Speaker 1: anybody who doesn't know that we do a radio show,

463
00:21:16,240 --> 00:21:19,680
Speaker 1: who's listening to the podcast, how how how can we

464
00:21:19,800 --> 00:21:26,520
Speaker 1: work out if anyone know that tixt us three four

465
00:21:26,600 --> 00:21:28,560
Speaker 1: eight three? Do you listen to the podcast but not

466
00:21:28,640 --> 00:21:29,280
Speaker 1: the radio show?

467
00:21:29,400 --> 00:21:31,200
Speaker 3: What about the conclave? Do you know?

468
00:21:31,880 --> 00:21:34,080
Speaker 2: Do you know that there's do you know that there's

469
00:21:34,119 --> 00:21:35,000
Speaker 2: not a radio show?

470
00:21:35,520 --> 00:21:36,360
Speaker 4: Get in the conclave?

471
00:21:36,480 --> 00:21:39,520
Speaker 2: Sorry, do you not know that there's a radio show?

472
00:21:39,840 --> 00:21:41,960
Speaker 4: Get in the conclave? If anyone's figured out, Oh, anyway,

473
00:21:42,000 --> 00:21:43,880
Speaker 4: So to that end, we need to put a thing

474
00:21:44,040 --> 00:21:46,200
Speaker 4: on the front of the podcast that tells people we're

475
00:21:46,200 --> 00:21:49,800
Speaker 4: on the radio. Jerry are the more experienced broadcasters.

476
00:21:49,880 --> 00:21:51,280
Speaker 2: I feel like you should you should read a list

477
00:21:51,320 --> 00:21:52,680
Speaker 2: one Okay, can.

478
00:21:52,600 --> 00:21:54,720
Speaker 3: I give you I'll give you some music here yep,

479
00:21:57,560 --> 00:21:58,520
Speaker 3: get a Jerry here.

480
00:21:59,200 --> 00:22:01,720
Speaker 1: If you like this podcast and you want more of

481
00:22:01,840 --> 00:22:05,159
Speaker 1: us live, tune in to JERRYM and I the Herdache

482
00:22:05,280 --> 00:22:07,200
Speaker 1: Breakfast six to nine weekdays.

483
00:22:07,720 --> 00:22:11,840
Speaker 2: You can hear it on the radio. Text three four

484
00:22:11,960 --> 00:22:15,120
Speaker 2: eight three north or south to find out your frequency.

485
00:22:16,520 --> 00:22:22,640
Speaker 2: Thank you and goodbye. Sorry, hen Hello, how did I go? Yeah?

486
00:22:22,800 --> 00:22:23,440
Speaker 3: I think you know that?

487
00:22:23,520 --> 00:22:26,440
Speaker 4: Actually suspiciously very well, it's good, just good.

488
00:22:26,520 --> 00:22:27,479
Speaker 3: Do you want to do one night?

489
00:22:28,280 --> 00:22:29,680
Speaker 4: I reckon we bang that one on the front of

490
00:22:29,760 --> 00:22:32,159
Speaker 4: the Should we bang that on the front of today's podcast?

491
00:22:32,200 --> 00:22:34,160
Speaker 3: Okay, so we'll put that at the front of today's

492
00:22:34,520 --> 00:22:36,359
Speaker 3: Then it'll be weird though, because it'll have the proper

493
00:22:36,480 --> 00:22:37,440
Speaker 3: Oh it's fine, let's do it.

494
00:22:37,760 --> 00:22:40,119
Speaker 4: Oh yeah, that's a good point. Proper well, so that

495
00:22:40,240 --> 00:22:42,480
Speaker 4: with that, and then it'll be the Battlestar Galactica music.

496
00:22:43,080 --> 00:22:43,520
Speaker 3: That's cool.

497
00:22:44,200 --> 00:22:45,240
Speaker 2: Do we put it on the end?

498
00:22:46,440 --> 00:22:48,240
Speaker 1: A lot of people make it to the end because

499
00:22:48,640 --> 00:22:51,600
Speaker 1: we just scatter it throughout. Well, that stop people from

500
00:22:51,640 --> 00:22:53,439
Speaker 1: listening just randomly, will ruin the podcast.

501
00:22:53,520 --> 00:22:56,040
Speaker 3: Matt Heath used to put an ad at the front

502
00:22:56,119 --> 00:23:00,879
Speaker 3: and at the end the book for his book and

503
00:23:01,119 --> 00:23:05,320
Speaker 3: subscribe like download joined the Conclave listen to the radio

504
00:23:05,400 --> 00:23:06,960
Speaker 3: show Have Sex with Me.

505
00:23:07,760 --> 00:23:12,320
Speaker 2: Well, that's a lot hy bay belly crier. I'm trying

506
00:23:12,359 --> 00:23:15,040
Speaker 2: to wave to us. She's not what I love about it,

507
00:23:15,240 --> 00:23:19,320
Speaker 2: just way too focused on that phone. Yeah, that's her problem. Hi,

508
00:23:19,760 --> 00:23:21,600
Speaker 2: if you don't look at your phone so much, you'd

509
00:23:21,640 --> 00:23:25,720
Speaker 2: probably be happier. And also that bait. It's not good

510
00:23:25,800 --> 00:23:26,080
Speaker 2: for you.

511
00:23:26,600 --> 00:23:27,760
Speaker 3: She's really tacking it.

512
00:23:29,440 --> 00:23:31,760
Speaker 2: I wonder how much nicotine she's operating in me.

513
00:23:32,200 --> 00:23:34,320
Speaker 4: Oh, not much, I don't Is that why she was crying?

514
00:23:34,800 --> 00:23:35,000
Speaker 2: She had?

515
00:23:36,760 --> 00:23:39,879
Speaker 4: Oh, we're so deep into extra timeing on the podcast,

516
00:23:40,320 --> 00:23:42,000
Speaker 4: because what happens is when you say, all right, we're

517
00:23:42,000 --> 00:23:43,640
Speaker 4: about to knock this thing on the head, people turn

518
00:23:43,680 --> 00:23:45,359
Speaker 4: the podcast off and go to something else. So for

519
00:23:45,400 --> 00:23:46,840
Speaker 4: the last five minutes, I feel like a lot of

520
00:23:46,840 --> 00:23:50,480
Speaker 4: people have missed some really good stuff. If I'm honest

521
00:23:50,520 --> 00:23:50,720
Speaker 4: with you.

522
00:23:51,760 --> 00:23:53,359
Speaker 2: Anyway, I like sex and candy

523
00:24:00,359 --> 00:24:00,879
Speaker 4: An