1 00:00:00,200 --> 00:00:02,360 Speaker 1: Today on the Wild World Web. What is wrong with 2 00:00:02,440 --> 00:00:03,520 Speaker 1: ben Atflix's face. 3 00:00:04,240 --> 00:00:08,240 Speaker 2: Welcome to the unchanged realm of the World's Wide Web, 4 00:00:08,640 --> 00:00:13,640 Speaker 2: a swirling vortex of weirdness, bullying, and self obsessed social 5 00:00:13,720 --> 00:00:17,360 Speaker 2: media posts in this digital jungle. Jhona Wan being a 6 00:00:17,480 --> 00:00:21,919 Speaker 2: your fearless guide leading you through the wildest parts of 7 00:00:21,960 --> 00:00:23,600 Speaker 2: the Wild Wild Web. 8 00:00:24,160 --> 00:00:27,040 Speaker 3: This is the Wild Wild Web. 9 00:00:27,520 --> 00:00:30,960 Speaker 1: Up, good morning, it is lovely. We'll good afternoon, good evening. 10 00:00:31,000 --> 00:00:33,360 Speaker 3: Where wherever you are numberstone, it's lovely to have you 11 00:00:33,400 --> 00:00:35,560 Speaker 3: with us. And we've just received some devastating years. 12 00:00:35,680 --> 00:00:37,760 Speaker 1: This final week of the World Wild Web. 13 00:00:37,880 --> 00:00:42,040 Speaker 4: Unfortunately hasn't picked up for a series two, so this 14 00:00:42,080 --> 00:00:43,159 Speaker 4: will be the final week. 15 00:00:43,560 --> 00:00:50,360 Speaker 5: This week chuckle, yeah, we budgets budget, yeah yeah, you 16 00:00:50,479 --> 00:00:53,240 Speaker 5: know TV TV three as well news how they felt 17 00:00:53,240 --> 00:00:54,320 Speaker 5: the wrath of it, and so's. 18 00:00:54,120 --> 00:00:54,840 Speaker 1: The Wild World Web. 19 00:00:54,880 --> 00:00:56,800 Speaker 4: So yeah, so this will be the final weeks before more. 20 00:00:57,120 --> 00:01:00,320 Speaker 4: Just four more to go, unfortunately, because yeah, so, well. 21 00:01:00,160 --> 00:01:02,080 Speaker 1: How about you seeing in all your favorite memories of 22 00:01:02,120 --> 00:01:04,840 Speaker 1: the world one world. 23 00:01:04,920 --> 00:01:08,120 Speaker 3: We're seeing in your favorite memories, favorite episodes. Maybe we 24 00:01:08,120 --> 00:01:09,399 Speaker 3: could look back at some bea stops. 25 00:01:09,480 --> 00:01:12,000 Speaker 4: Yeah, well send it out on the way that it 26 00:01:12,040 --> 00:01:15,600 Speaker 4: deserves to be. It's captured the hearts and imaginations of 27 00:01:16,560 --> 00:01:17,800 Speaker 4: around the country. 28 00:01:17,560 --> 00:01:19,760 Speaker 1: Around the world even know it is it is. But 29 00:01:19,800 --> 00:01:23,759 Speaker 1: today on the World World World Wind in all honesty. Well, 30 00:01:24,160 --> 00:01:25,000 Speaker 1: we finishing it up. 31 00:01:25,040 --> 00:01:27,920 Speaker 4: We're going to focus on another podcast, alright, so that's 32 00:01:27,959 --> 00:01:28,640 Speaker 4: the real story. 33 00:01:28,720 --> 00:01:32,480 Speaker 3: Yeah, yeah, yeah, okay, Yeah. 34 00:01:31,920 --> 00:01:32,759 Speaker 1: We've got opportunity. 35 00:01:32,760 --> 00:01:34,760 Speaker 4: We've got you know what they say with things ind 36 00:01:34,760 --> 00:01:37,440 Speaker 4: you like, you know, we've got plenty of things opportunity. 37 00:01:38,680 --> 00:01:40,199 Speaker 6: Yeah, sharing other options. 38 00:01:40,240 --> 00:01:44,320 Speaker 4: Yeah, anyway, get the final week of the World World 39 00:01:44,319 --> 00:01:47,040 Speaker 4: We let's go on the bean unless you know, unless 40 00:01:47,080 --> 00:01:48,920 Speaker 4: there's the people stand up for the grounds. 41 00:01:48,960 --> 00:01:52,040 Speaker 1: Well, yeah, you're right, you're right. It's the numbers thing. 42 00:01:52,240 --> 00:01:56,000 Speaker 3: That's the numbers that the people come out and they say, no, technically, 43 00:01:56,040 --> 00:01:56,880 Speaker 3: it's not numbers. 44 00:01:57,640 --> 00:01:59,280 Speaker 4: There's a lot, there's a lot of stuff going on, 45 00:01:59,320 --> 00:02:01,040 Speaker 4: you know, the one. We'll talk about it me again 46 00:02:01,120 --> 00:02:02,840 Speaker 4: one day. We'll better for now, we'll. 47 00:02:02,680 --> 00:02:03,320 Speaker 1: Save it for the book. 48 00:02:03,640 --> 00:02:08,639 Speaker 6: Heafnitely not. Ticket sales is unperseen circumstances exactly exactly. Conflict 49 00:02:08,639 --> 00:02:09,200 Speaker 6: and schedule. 50 00:02:09,280 --> 00:02:10,800 Speaker 3: Yeah, but it is great to have you with us, 51 00:02:10,800 --> 00:02:12,640 Speaker 3: and we do look at the wildest parts of the web, 52 00:02:12,680 --> 00:02:16,360 Speaker 3: and today We've seen a video of Ben Afflick emerging 53 00:02:16,400 --> 00:02:18,600 Speaker 3: from a van, you know those sort of celebrity vans 54 00:02:18,600 --> 00:02:21,239 Speaker 3: with the tinted windows. The door slides open, the celebs 55 00:02:21,240 --> 00:02:25,280 Speaker 3: come vomiting out, and he sort of exploded like jo 56 00:02:25,360 --> 00:02:29,840 Speaker 3: Lo comes out very gracefully as her hand held by security. 57 00:02:29,520 --> 00:02:31,960 Speaker 6: Smiling, looking beautiful, looking. 58 00:02:31,720 --> 00:02:33,200 Speaker 3: Like the star that she is, and then all of 59 00:02:33,280 --> 00:02:37,200 Speaker 3: a sudden, behind her out births Ben Affleck. 60 00:02:36,919 --> 00:02:38,239 Speaker 6: Like like he fell out. 61 00:02:38,440 --> 00:02:42,080 Speaker 3: Yeah, just like disheveled ties undone, the shirts that the 62 00:02:42,240 --> 00:02:43,160 Speaker 3: collars hanging up. 63 00:02:43,440 --> 00:02:45,920 Speaker 1: He always looks like he's he's dealing with some ship. 64 00:02:46,280 --> 00:02:49,360 Speaker 4: But yeah, now he's actually talked about this ironically on 65 00:02:49,360 --> 00:02:52,919 Speaker 4: a podcast with Kevin Hart Heart to Heart, and that 66 00:02:53,000 --> 00:02:56,280 Speaker 4: podcast still carrying on. I think that's haven't canceled that 67 00:02:56,320 --> 00:02:58,160 Speaker 4: one yet, so that it's carrying on. 68 00:02:58,720 --> 00:03:00,720 Speaker 1: Maybe we could go on Kevin Hart's podcasts and to 69 00:03:01,040 --> 00:03:03,640 Speaker 1: talk about why you know, the real story about the world. 70 00:03:03,639 --> 00:03:06,800 Speaker 4: Well anyway, but Ben Affleck has gone on this podcast 71 00:03:06,919 --> 00:03:09,600 Speaker 4: and said that he always seems to be photographed or 72 00:03:09,639 --> 00:03:13,240 Speaker 4: film that he's looking like he's hating the situation. And 73 00:03:13,280 --> 00:03:15,600 Speaker 4: so he says, first of all, I'm a bit shy. 74 00:03:15,760 --> 00:03:18,520 Speaker 4: I don't really like the attention. If I'm reading in 75 00:03:18,520 --> 00:03:20,240 Speaker 4: a movie or things like that, I don't find it. 76 00:03:20,520 --> 00:03:22,160 Speaker 1: I suppose who does really? 77 00:03:22,200 --> 00:03:25,640 Speaker 4: And he's like, you turn up somewhere. You're getting you know, paparazzi, 78 00:03:26,000 --> 00:03:28,000 Speaker 4: the kids, you're getting people cameras in my face. It's 79 00:03:28,000 --> 00:03:30,920 Speaker 4: people cameras in my face. And so he's basically said 80 00:03:30,960 --> 00:03:34,400 Speaker 4: that he's got resting bitch faced or resting hard face, 81 00:03:34,680 --> 00:03:36,400 Speaker 4: is what he said. So when his face is just 82 00:03:36,920 --> 00:03:39,120 Speaker 4: kind of not acting or not doing anything for a 83 00:03:39,200 --> 00:03:41,680 Speaker 4: role whatever, he's just looking like he's having the worst time. 84 00:03:41,720 --> 00:03:43,440 Speaker 3: If the face doesn't have to act, it's not going 85 00:03:43,480 --> 00:03:44,760 Speaker 3: to act at least it's. 86 00:03:44,680 --> 00:03:46,840 Speaker 1: On the clock. Yeah, so that's what he said. I feel. 87 00:03:46,880 --> 00:03:48,600 Speaker 4: I feel if he's a bit awkward, like if he 88 00:03:48,640 --> 00:03:51,200 Speaker 4: doesn't like that, then it would be a horrible situation too. 89 00:03:51,240 --> 00:03:53,760 Speaker 6: But also like you forget the paparazzi, don't care if 90 00:03:53,800 --> 00:03:56,000 Speaker 6: you're ready for the photo or not. Like for most 91 00:03:56,040 --> 00:03:58,040 Speaker 6: of us, if you're getting your photo taken, you can 92 00:03:58,080 --> 00:04:00,680 Speaker 6: look at it, you can pose, you can you like it, 93 00:04:00,720 --> 00:04:03,200 Speaker 6: you can take it again. These are just people that 94 00:04:03,240 --> 00:04:05,800 Speaker 6: are in your face trying to get your worst angle. 95 00:04:06,360 --> 00:04:08,040 Speaker 6: And I don't care if you want it or not. 96 00:04:08,480 --> 00:04:13,880 Speaker 4: Yeah, he was like running West thinks I'm always Maddlso. 97 00:04:12,360 --> 00:04:14,320 Speaker 6: Like they're aggressive too. You probably are mad. 98 00:04:14,960 --> 00:04:17,960 Speaker 1: Get out of my face. You're right, he does say 99 00:04:18,000 --> 00:04:19,600 Speaker 1: we're pepparazzi. He's with his kids. 100 00:04:19,640 --> 00:04:21,520 Speaker 4: He does get a little bit mad because he's like, hey, 101 00:04:21,520 --> 00:04:22,680 Speaker 4: I don't really want to have to deal with that. 102 00:04:22,680 --> 00:04:24,400 Speaker 4: But there are other times that, like at award shows 103 00:04:24,440 --> 00:04:26,200 Speaker 4: and stuff, they'll cross to it. It looks like he's 104 00:04:26,240 --> 00:04:28,680 Speaker 4: like it wants to be anywhere, but does he But 105 00:04:28,680 --> 00:04:29,080 Speaker 4: I get it. 106 00:04:29,120 --> 00:04:29,520 Speaker 1: I get it. 107 00:04:29,920 --> 00:04:31,800 Speaker 3: He always hears the look of like, let's get this 108 00:04:31,839 --> 00:04:33,760 Speaker 3: ship over and done with, you know, let's just get 109 00:04:33,760 --> 00:04:34,040 Speaker 3: it done. 110 00:04:34,160 --> 00:04:35,800 Speaker 4: And that's an interesting one. Even when we do the 111 00:04:36,200 --> 00:04:39,200 Speaker 4: radio show, you know, like when you are listening but 112 00:04:39,240 --> 00:04:41,880 Speaker 4: you're not actually you know, you're you're. 113 00:04:41,760 --> 00:04:43,400 Speaker 1: Not animated facially. 114 00:04:43,440 --> 00:04:45,760 Speaker 4: Yeah, we find now there's cameras that will film stuff 115 00:04:45,800 --> 00:04:47,720 Speaker 4: that when we're talking, and then I'll put out a 116 00:04:47,760 --> 00:04:49,760 Speaker 4: video and you're like, I look like I'm checked out 117 00:04:49,760 --> 00:04:51,719 Speaker 4: of this, but I'm like, mamma, I'm looking at the 118 00:04:51,760 --> 00:04:53,240 Speaker 4: thing that's coming up on the show or whatever it is. 119 00:04:53,279 --> 00:04:56,400 Speaker 4: It just feels like if you're not actively. He looks like, oh, mates, 120 00:04:56,440 --> 00:04:57,880 Speaker 4: but he checked out of the conversation. 121 00:04:57,960 --> 00:04:59,640 Speaker 1: Well that's an aspect to be the fusty. 122 00:05:00,080 --> 00:05:02,880 Speaker 3: Oh absolutely yeah. I'm just shocking at it too. And 123 00:05:02,920 --> 00:05:05,440 Speaker 3: that's back to Ben Affleck's point. If you're constantly you 124 00:05:05,440 --> 00:05:07,080 Speaker 3: didn't ever know when you're being photographed, You've gotta have 125 00:05:07,080 --> 00:05:10,520 Speaker 3: your face off ready the whole time, and you just 126 00:05:10,520 --> 00:05:11,800 Speaker 3: know your face isn't always ready. 127 00:05:12,160 --> 00:05:17,000 Speaker 4: Jason Hawkins Jason Hawkins, Jason PJ. Doesn't show cheese. 128 00:05:17,040 --> 00:05:17,559 Speaker 1: He's great. 129 00:05:17,720 --> 00:05:21,080 Speaker 4: He is great on those videos. I don't radio announcer. 130 00:05:21,279 --> 00:05:25,080 Speaker 4: He's just always on video is animated faces, he's looking around. 131 00:05:25,120 --> 00:05:26,640 Speaker 4: I'm like, man, we could take a leaf out of 132 00:05:26,640 --> 00:05:29,480 Speaker 4: his book. He's really good. Yeah, the videos and then 133 00:05:29,480 --> 00:05:31,919 Speaker 4: they've got like a photo they use, you know, for 134 00:05:32,000 --> 00:05:33,839 Speaker 4: the tile of the videos. 135 00:05:34,160 --> 00:05:34,719 Speaker 1: Shot face. 136 00:05:35,080 --> 00:05:39,120 Speaker 4: I'm like, man, man, we could be like him. 137 00:05:39,160 --> 00:05:40,880 Speaker 1: But we're gonna take a quick break for the world. 138 00:05:40,880 --> 00:05:46,760 Speaker 1: Where will be back after this? Welcome back? Who do 139 00:05:46,760 --> 00:05:50,440 Speaker 1: you reckon has got the best face in the world. 140 00:05:50,240 --> 00:05:52,280 Speaker 6: Like attractiveness or what doesn't. 141 00:05:52,440 --> 00:05:54,640 Speaker 3: I'm not necessarily not like create in a creepy way, 142 00:05:54,640 --> 00:05:57,880 Speaker 3: but it's the most perfect human face. 143 00:05:59,520 --> 00:06:02,120 Speaker 1: Or just because it has to be. Symmetry is a 144 00:06:02,120 --> 00:06:05,839 Speaker 1: big thing, isn't it. Yeah, that everything is symmetrical. 145 00:06:05,279 --> 00:06:09,320 Speaker 6: Because have you seen that filter on TikTok or one 146 00:06:09,320 --> 00:06:12,960 Speaker 6: of the social media is where you can symmetric make 147 00:06:13,000 --> 00:06:15,919 Speaker 6: your face symmetrical. It takes one side and flips it 148 00:06:15,960 --> 00:06:17,640 Speaker 6: on both sides of your face and then you realize 149 00:06:17,640 --> 00:06:20,040 Speaker 6: you look so different. Wow, You're like, oh, actually I'm 150 00:06:20,040 --> 00:06:21,640 Speaker 6: not symmetrical. Yeah. 151 00:06:21,720 --> 00:06:23,920 Speaker 3: No, I've got like a lazy eye and all sorts 152 00:06:23,960 --> 00:06:26,200 Speaker 3: of weird shit. Go. Do you know who Amber Heard 153 00:06:26,720 --> 00:06:29,560 Speaker 3: apparently has the perfect facial ratio? 154 00:06:30,080 --> 00:06:31,560 Speaker 1: She very pretty? 155 00:06:31,920 --> 00:06:36,800 Speaker 3: Bellahadied is Oh wow, sorry, I should read this article 156 00:06:36,839 --> 00:06:40,160 Speaker 3: probably before actually's rambling on. Amber Heard's got ninety one 157 00:06:40,160 --> 00:06:42,560 Speaker 3: point eight five percent perfect facial ratio. 158 00:06:42,680 --> 00:06:44,760 Speaker 1: Balahadid is found to have. 159 00:06:44,760 --> 00:06:50,600 Speaker 3: Ninety four point three five Wow, the most perfect facial features, according. 160 00:06:50,279 --> 00:06:51,640 Speaker 6: To they do the work they do right. 161 00:06:51,800 --> 00:06:55,480 Speaker 3: Yeah, this is according to a system the Greek Golden 162 00:06:55,600 --> 00:06:59,279 Speaker 3: ratio of beauty to measure physical perfection. 163 00:07:00,560 --> 00:07:04,640 Speaker 1: It's incredible, isn't it. I mean, yeah, I can't remember 164 00:07:05,040 --> 00:07:06,760 Speaker 1: picture Bella. How do you I'll tell. 165 00:07:06,640 --> 00:07:08,480 Speaker 6: You if I'll show you here. 166 00:07:08,520 --> 00:07:13,800 Speaker 3: Oh that is a pretty symmetrical face. Yeah, that is 167 00:07:13,880 --> 00:07:16,520 Speaker 3: that is not you know, she's not worried about lazy eyes. 168 00:07:16,240 --> 00:07:21,080 Speaker 1: And yeah's is so? Is she a model? 169 00:07:21,120 --> 00:07:23,840 Speaker 6: Bella Bella is a model. Her sister is a model. 170 00:07:23,840 --> 00:07:24,480 Speaker 6: They both models. 171 00:07:24,520 --> 00:07:29,640 Speaker 3: Yeah, so you wonder what's wrong with why is she 172 00:07:29,760 --> 00:07:32,280 Speaker 3: not making the He's wrong with anyone's face? You know, 173 00:07:32,400 --> 00:07:35,280 Speaker 3: I tell you what you could she could do a 174 00:07:35,320 --> 00:07:40,400 Speaker 3: great face swap g Hardi with Kate Hudson and you 175 00:07:40,400 --> 00:07:45,040 Speaker 3: wouldn't tell the difference. Look at that face. You look 176 00:07:45,040 --> 00:07:47,640 Speaker 3: at Kate Hudson's face in G. G Hardide's face, you 177 00:07:47,640 --> 00:07:51,280 Speaker 3: wouldn't get any difference. I'm like that with buddy t J. Petanara, 178 00:07:52,600 --> 00:07:59,720 Speaker 3: Yeah you do face? What was me and t J Pedinaj? 179 00:08:01,000 --> 00:08:07,160 Speaker 1: Jason p J is also Jason Hawkins. Don't TJ PJ 180 00:08:10,000 --> 00:08:10,600 Speaker 1: like t J. 181 00:08:13,600 --> 00:08:13,920 Speaker 3: Jesus? 182 00:08:14,760 --> 00:08:18,120 Speaker 1: Yeah, exactly, I'm looking at I know J looks like 183 00:08:18,200 --> 00:08:20,800 Speaker 1: I'm just talking face. We're not talking. We're not talking here, 184 00:08:20,840 --> 00:08:23,640 Speaker 1: We're not talking about face, pure face. Look at face. 185 00:08:24,120 --> 00:08:26,160 Speaker 1: Have a look at Harry Styles, because I look at Dinaicles, 186 00:08:26,160 --> 00:08:29,160 Speaker 1: I have a right. You can't just pack something. Look like, 187 00:08:30,320 --> 00:08:32,480 Speaker 1: just look at my face in his face, don't look 188 00:08:32,480 --> 00:08:32,720 Speaker 1: at it. 189 00:08:33,200 --> 00:08:35,760 Speaker 4: Nobody Sully TJ's buddy face. 190 00:08:37,040 --> 00:08:39,719 Speaker 6: I Am sorry, babes. 191 00:08:40,320 --> 00:08:42,280 Speaker 1: Get their face, swap it, it'll melt it. 192 00:08:42,559 --> 00:08:43,200 Speaker 4: There's no. 193 00:08:44,960 --> 00:08:47,760 Speaker 6: You're looking at who came up with us? 194 00:08:47,760 --> 00:08:49,120 Speaker 4: And someone go, you look like it was this? 195 00:08:49,280 --> 00:08:54,280 Speaker 1: You go, you know that's my face? Shut me, look 196 00:08:54,280 --> 00:08:55,640 Speaker 1: at that's my face. 197 00:08:55,920 --> 00:08:59,120 Speaker 6: We're looking at different people. Who are you looking at 198 00:08:59,120 --> 00:09:02,000 Speaker 6: in the mirror? That one the kind of looks like 199 00:09:02,040 --> 00:09:05,800 Speaker 6: you where he's like you're chasing me, that kind of 200 00:09:05,800 --> 00:09:11,520 Speaker 6: looks like you. It's just a normal stops that one. 201 00:09:11,920 --> 00:09:16,680 Speaker 1: Yeah, maybe that yeah, like which one? 202 00:09:17,040 --> 00:09:18,520 Speaker 4: Okay, there's a stop image. 203 00:09:18,200 --> 00:09:20,320 Speaker 1: Of just a straightforward photo. 204 00:09:21,240 --> 00:09:23,640 Speaker 3: No, mate, I'm going to get someone to do this. 205 00:09:23,760 --> 00:09:26,920 Speaker 3: We'll put on the face swap okay, exactly the same face. 206 00:09:27,480 --> 00:09:28,079 Speaker 1: I'm not saying that. 207 00:09:28,120 --> 00:09:30,080 Speaker 3: I'm not saying that I'm as handsome as him as well, 208 00:09:30,120 --> 00:09:31,960 Speaker 3: because he's got other great features that I don't have. 209 00:09:32,120 --> 00:09:35,000 Speaker 1: I'm just talking pure face, pure face. 210 00:09:35,280 --> 00:09:39,120 Speaker 3: Okay, but you look at that, Look at Kate Hudson 211 00:09:39,520 --> 00:09:40,000 Speaker 3: and look. 212 00:09:39,880 --> 00:09:44,319 Speaker 1: At same face, very different, same face. 213 00:09:45,080 --> 00:09:47,880 Speaker 6: They are so different. I've never once in my life 214 00:09:47,880 --> 00:09:49,000 Speaker 6: thought they were the same person. 215 00:09:51,080 --> 00:09:52,840 Speaker 1: What's your favorite part of your face? What do you 216 00:09:52,840 --> 00:09:55,280 Speaker 1: think you're really nailing. 217 00:09:55,400 --> 00:09:57,320 Speaker 6: You've got great perfect teeth. 218 00:09:59,400 --> 00:10:01,199 Speaker 1: Good teeth don't have to perfect. 219 00:10:01,280 --> 00:10:02,959 Speaker 4: But yeah, but I got in basil line, so I 220 00:10:03,040 --> 00:10:05,360 Speaker 4: kind of the better than they used to be, that's 221 00:10:05,400 --> 00:10:05,760 Speaker 4: for sure. 222 00:10:05,840 --> 00:10:06,199 Speaker 1: I like you. 223 00:10:06,360 --> 00:10:07,760 Speaker 6: But I mean you can get in bazilone and they 224 00:10:07,800 --> 00:10:10,080 Speaker 6: can still be like pretty average John. 225 00:10:15,120 --> 00:10:23,319 Speaker 1: Yeah, what's like just like John perfect teeth on the show, Megan, 226 00:10:23,400 --> 00:10:25,400 Speaker 1: I'm going to say my favorite part of your face. 227 00:10:26,760 --> 00:10:30,319 Speaker 1: You got a good face. Let's say your radio. 228 00:10:33,040 --> 00:10:34,560 Speaker 4: Now you can't because you've got the videos. 229 00:10:34,679 --> 00:10:41,280 Speaker 3: Yeah, the eyes, eyebrows, eyes and eyebrows for Megan, thank you. 230 00:10:41,400 --> 00:10:42,079 Speaker 1: Yeah, you're doing well. 231 00:10:42,120 --> 00:10:45,960 Speaker 6: They and I feel like you took really examining. 232 00:10:45,679 --> 00:10:49,800 Speaker 1: Just examining what was what was the what you got here? Mane? 233 00:10:51,400 --> 00:10:54,040 Speaker 3: Look at Tjim him and I'll take it. 234 00:10:54,400 --> 00:11:01,480 Speaker 6: You've got smies, smiles like some eyes. 235 00:11:00,240 --> 00:11:05,439 Speaker 1: Two eyes, uneven eyes read alcoholic nose. 236 00:11:06,120 --> 00:11:08,800 Speaker 6: You've got quite a nice jawel line. Actually, he's got 237 00:11:08,880 --> 00:11:09,720 Speaker 6: quite a good jewel line. 238 00:11:09,960 --> 00:11:12,160 Speaker 3: I feel like she's just like God, now he sees 239 00:11:12,200 --> 00:11:15,880 Speaker 3: some thing about her, and now she's. 240 00:11:14,800 --> 00:11:17,800 Speaker 1: Started with want a compliment back on you? If I 241 00:11:17,960 --> 00:11:20,320 Speaker 1: wrapped it up there and you'd be like, what about me. Yeah, 242 00:11:20,520 --> 00:11:23,439 Speaker 1: you're right, you're right. Oh well, hey that was that 243 00:11:23,520 --> 00:11:25,040 Speaker 1: was a world War we today? Really interesting. 244 00:11:25,320 --> 00:11:28,480 Speaker 6: Sorry t J and his lovely wife Grea. She's gonna 245 00:11:28,480 --> 00:11:29,560 Speaker 6: be like married to Jo. 246 00:11:30,520 --> 00:11:35,560 Speaker 1: I've hit him up about it before too. He's flicted. 247 00:11:35,960 --> 00:11:39,640 Speaker 1: Weird fan. Have a great day.