1 00:00:00,080 --> 00:00:03,520 Speaker 1: Grammy winning country popstar Merra Morris in the country. She's 2 00:00:03,560 --> 00:00:06,000 Speaker 1: a classic Nashville story, started at fifteen with a big dream. 3 00:00:06,040 --> 00:00:08,719 Speaker 1: Twenty years after discovery, she's produced Billboard Top, has got 4 00:00:08,720 --> 00:00:10,880 Speaker 1: the Grammy, along with any number of multi platinum and 5 00:00:10,880 --> 00:00:13,280 Speaker 1: gold record She's in the country and she's with us. 6 00:00:13,320 --> 00:00:16,480 Speaker 1: Good morning, Good morning. How are you look. I'm fantastic. 7 00:00:16,960 --> 00:00:18,760 Speaker 1: Let me check if I've got this right. Last time 8 00:00:18,800 --> 00:00:22,080 Speaker 1: you hear twenty eighteen Nile Horn, Yeah. 9 00:00:21,760 --> 00:00:24,200 Speaker 2: Yeah, that was the first and last time I was 10 00:00:24,200 --> 00:00:27,520 Speaker 2: in Auckland, but I have amazing memories of it, and 11 00:00:27,720 --> 00:00:32,040 Speaker 2: it's yeah, already exceeded my expectations on this trip as well. 12 00:00:32,159 --> 00:00:34,800 Speaker 2: We went to a vineyard in our day off and 13 00:00:34,920 --> 00:00:37,120 Speaker 2: just yeah, like the most beautiful place in the world. 14 00:00:37,400 --> 00:00:39,559 Speaker 1: So, how was headlining, which is what you're doing this 15 00:00:39,600 --> 00:00:41,160 Speaker 1: time as opposed to opening last time? 16 00:00:41,960 --> 00:00:43,120 Speaker 3: I mean, it's been incredible. 17 00:00:43,200 --> 00:00:45,120 Speaker 2: Like we've only done a handful of shows, but the 18 00:00:45,159 --> 00:00:50,040 Speaker 2: crowds are so energetic, and they're also a listening crowd, 19 00:00:50,080 --> 00:00:52,159 Speaker 2: like they really want to hear the stories behind the 20 00:00:52,200 --> 00:00:54,760 Speaker 2: songs and how they were written. And yeah, it's a 21 00:00:54,800 --> 00:00:57,240 Speaker 2: great balance of like, you know, they want to hear 22 00:00:57,360 --> 00:01:00,440 Speaker 2: the backstories, but they're also having fun and dancing, so 23 00:01:00,720 --> 00:01:03,320 Speaker 2: it's yeah, it's it's a perfect, perfect crowd. 24 00:01:03,640 --> 00:01:07,000 Speaker 1: As success has come your way, how have you handled 25 00:01:07,000 --> 00:01:09,520 Speaker 1: that transformational transition into what you are now? 26 00:01:11,080 --> 00:01:13,640 Speaker 2: I mean, I have a lot of great friends around 27 00:01:13,680 --> 00:01:16,679 Speaker 2: me and people that work in my camp that just 28 00:01:17,080 --> 00:01:20,640 Speaker 2: keep the wheels rolling. But I also nothing of my 29 00:01:20,760 --> 00:01:25,080 Speaker 2: career has happened overnight or has been like too quick 30 00:01:25,120 --> 00:01:25,760 Speaker 2: to digest. 31 00:01:25,840 --> 00:01:29,560 Speaker 3: I think that everything's been sort of a perfectly. 32 00:01:29,120 --> 00:01:32,679 Speaker 2: Timed release of you know, having a song like my 33 00:01:32,800 --> 00:01:35,759 Speaker 2: Church that was after several years of living in Nashville 34 00:01:35,800 --> 00:01:38,440 Speaker 2: and not having a song like that, you know, uh 35 00:01:39,480 --> 00:01:43,160 Speaker 2: burned through and so yeah, it's kind of nice. 36 00:01:43,200 --> 00:01:45,120 Speaker 3: It's like I don't want to roll up to Nashville 37 00:01:45,160 --> 00:01:48,000 Speaker 3: the first day and then have this hit song. 38 00:01:48,080 --> 00:01:50,440 Speaker 2: It just, you know, as much as like some people 39 00:01:50,600 --> 00:01:52,320 Speaker 2: would love it to work that way, I think it's 40 00:01:52,320 --> 00:01:55,680 Speaker 2: better to really, I don't know, like scrap scrap for 41 00:01:55,720 --> 00:01:58,800 Speaker 2: it and earn it and then I just feel like 42 00:01:58,880 --> 00:02:01,240 Speaker 2: you have a way better head on your shoulders because 43 00:02:01,240 --> 00:02:02,280 Speaker 2: it hasn't been. 44 00:02:03,640 --> 00:02:04,840 Speaker 3: Such a quick rise. 45 00:02:05,080 --> 00:02:07,040 Speaker 1: Did you feel that way going in? I mean, what's 46 00:02:07,080 --> 00:02:09,160 Speaker 1: the line between even if you arrive in Nashville and 47 00:02:09,200 --> 00:02:11,400 Speaker 1: you don't want instant success. There's going to be a 48 00:02:11,440 --> 00:02:14,160 Speaker 1: line at some point at the Alberine, doesn't it if 49 00:02:14,160 --> 00:02:16,720 Speaker 1: the success hasn't come your way and the deals haven't 50 00:02:16,720 --> 00:02:19,240 Speaker 1: been signed, that maybe it isn't going to happen, and 51 00:02:19,280 --> 00:02:21,000 Speaker 1: maybe that you need to go and do something else. 52 00:02:21,520 --> 00:02:24,160 Speaker 2: Well. The saying in Nashville is that it's a ten 53 00:02:24,240 --> 00:02:29,640 Speaker 2: year town. So it takes ten years for most of 54 00:02:29,680 --> 00:02:33,720 Speaker 2: the successful people to even have a song or an 55 00:02:33,760 --> 00:02:39,400 Speaker 2: album that resonates. And it's sort of like the adage 56 00:02:39,440 --> 00:02:42,440 Speaker 2: of we are all really good at this, and you're 57 00:02:42,480 --> 00:02:46,440 Speaker 2: surrounded by your peers that are incredible songwriters and you 58 00:02:46,560 --> 00:02:50,160 Speaker 2: have to just sort of resign your ego and know 59 00:02:50,280 --> 00:02:52,560 Speaker 2: that because I think, you know, some of the best 60 00:02:52,560 --> 00:02:56,600 Speaker 2: songwriters in the world do live in Nashville, Tennessee. And yeah, 61 00:02:56,639 --> 00:02:59,760 Speaker 2: I mean like they respect you more when you've really 62 00:02:59,800 --> 00:03:00,600 Speaker 2: put the work in. 63 00:03:00,880 --> 00:03:02,320 Speaker 3: And so the ten yere town. 64 00:03:04,160 --> 00:03:06,679 Speaker 2: Saying, I think, you know, for a lot of us, 65 00:03:07,480 --> 00:03:10,040 Speaker 2: it's like right at the tenure mark, you're like, oh, 66 00:03:10,200 --> 00:03:11,720 Speaker 2: something's finally breaking through. 67 00:03:12,080 --> 00:03:14,120 Speaker 1: So you believe that good talent will get to the 68 00:03:14,160 --> 00:03:17,240 Speaker 1: top if you are good and determined you will succeed. 69 00:03:18,000 --> 00:03:20,760 Speaker 2: Yeah, I mean, I think there's obviously with any big 70 00:03:20,800 --> 00:03:25,520 Speaker 2: success there is a dose of timing and luck all 71 00:03:25,560 --> 00:03:27,720 Speaker 2: of those things. It's like you have to just keep 72 00:03:27,800 --> 00:03:31,760 Speaker 2: going and keep your eye on the target because it 73 00:03:31,840 --> 00:03:36,520 Speaker 2: is ever moving and at some point I'm. 74 00:03:36,320 --> 00:03:38,520 Speaker 3: Going to mess this saying up. But it's like. 75 00:03:40,080 --> 00:03:47,400 Speaker 2: Something about like preparation meets like consistency eventually, will you know, 76 00:03:48,080 --> 00:03:51,880 Speaker 2: align and just boom and then it takes off and 77 00:03:51,920 --> 00:03:55,360 Speaker 2: you're like, whoa, this is a lot like at once, 78 00:03:55,880 --> 00:03:57,960 Speaker 2: and no one can ever fully prepare you. But I 79 00:03:58,000 --> 00:04:01,240 Speaker 2: do think having that patience for yourself and patience for 80 00:04:01,280 --> 00:04:04,280 Speaker 2: the fact that there is so much music at everyone's 81 00:04:04,320 --> 00:04:09,000 Speaker 2: disposal all the time, and it can be discouraging to 82 00:04:09,040 --> 00:04:11,720 Speaker 2: feel like you're getting sort of as a new artist, 83 00:04:11,720 --> 00:04:15,720 Speaker 2: particularly lost in the shuffle of all of these you know, 84 00:04:16,200 --> 00:04:19,520 Speaker 2: songs that may be competition, but you just have to like, 85 00:04:19,720 --> 00:04:23,600 Speaker 2: I know, it's you just have to hunker down and 86 00:04:23,839 --> 00:04:29,239 Speaker 2: keep sharpening and polishing what you do that's just yours, 87 00:04:29,560 --> 00:04:31,080 Speaker 2: because we all have something special. 88 00:04:32,720 --> 00:04:35,080 Speaker 3: But yeah, like I think it's also. 89 00:04:34,960 --> 00:04:38,320 Speaker 2: It's such a tricky business because everything is creative and 90 00:04:38,360 --> 00:04:41,760 Speaker 2: it is so subjective that you do kind of have 91 00:04:41,880 --> 00:04:45,599 Speaker 2: to just like have a big I mean you could 92 00:04:45,600 --> 00:04:47,240 Speaker 2: call it confidence. I call it like you have to 93 00:04:47,279 --> 00:04:48,400 Speaker 2: have a little bit of delusion. 94 00:04:48,640 --> 00:04:50,839 Speaker 1: So yeah, your head dreams. By the way, if you 95 00:04:50,880 --> 00:04:54,760 Speaker 1: paid your parents back for funding your first album. 96 00:04:54,240 --> 00:04:58,440 Speaker 2: Uh yeah, like for sure, I have definitely I hope 97 00:04:58,480 --> 00:05:02,840 Speaker 2: even the the balance there, because they really didn't. I mean, 98 00:05:02,880 --> 00:05:04,760 Speaker 2: like I didn't come from a ton of money, so 99 00:05:05,120 --> 00:05:06,760 Speaker 2: they were I mean, my mom's a hairdresser. 100 00:05:07,240 --> 00:05:09,680 Speaker 3: My parents owned a salon for thirty years, and. 101 00:05:09,600 --> 00:05:13,640 Speaker 2: They would just use like basically her tips to help 102 00:05:13,680 --> 00:05:17,000 Speaker 2: get me like studio time when I was a teenager 103 00:05:17,360 --> 00:05:19,800 Speaker 2: and paid like the band. 104 00:05:19,920 --> 00:05:23,440 Speaker 3: So yeah, but no, it's funny, like thirteen years. 105 00:05:23,200 --> 00:05:27,279 Speaker 2: I've lived in Nashville and they're just so proud of me, 106 00:05:27,640 --> 00:05:31,159 Speaker 2: and they come to like every show they can, and 107 00:05:32,040 --> 00:05:35,719 Speaker 2: you know, I'll always be like a Texas girl at heart, 108 00:05:35,960 --> 00:05:38,240 Speaker 2: so it's nice when I can do hometown shows there. 109 00:05:38,360 --> 00:05:40,400 Speaker 1: And what was that? I mean, you know, we're all 110 00:05:40,480 --> 00:05:43,000 Speaker 1: parents and we all want to help our kids out. 111 00:05:43,040 --> 00:05:45,560 Speaker 1: But what did they see? Was there a talent there 112 00:05:46,640 --> 00:05:49,560 Speaker 1: so they were investing in something bigger? Or were they 113 00:05:49,680 --> 00:05:51,440 Speaker 1: so it was a good investment in other woods? 114 00:05:51,520 --> 00:05:54,280 Speaker 2: I mean, yeah, I think they probably saw something that 115 00:05:54,360 --> 00:05:56,880 Speaker 2: I did not see. I just love to sing, but 116 00:05:56,920 --> 00:05:59,880 Speaker 2: I think they, you know, they're just really passionate musical 117 00:06:00,360 --> 00:06:02,480 Speaker 2: and they have great taste. So I do think they 118 00:06:02,520 --> 00:06:06,040 Speaker 2: had like the the foresight that I did not as 119 00:06:06,080 --> 00:06:10,880 Speaker 2: a you know child, that I had something unique in 120 00:06:10,920 --> 00:06:15,960 Speaker 2: my vocal tone or my writing style. But no, I mean, 121 00:06:15,960 --> 00:06:18,400 Speaker 2: I certainly don't think I would have gone this far 122 00:06:18,720 --> 00:06:21,240 Speaker 2: if they hadn't really believed in me that much. I 123 00:06:21,279 --> 00:06:25,160 Speaker 2: probably would have just like gone to college like everyone 124 00:06:25,160 --> 00:06:26,839 Speaker 2: else and gotten a real job. 125 00:06:26,920 --> 00:06:30,920 Speaker 3: And yeah, but like, I definitely don't think I would 126 00:06:30,920 --> 00:06:32,440 Speaker 3: have taken it this far without their help. 127 00:06:32,480 --> 00:06:34,599 Speaker 1: Good Stuff's right, We've got to talk about my church. 128 00:06:34,839 --> 00:06:39,360 Speaker 1: So when you say Hank brings the sermon, Cash brings 129 00:06:39,400 --> 00:06:42,320 Speaker 1: the choir, were they names that were important to you 130 00:06:42,600 --> 00:06:44,840 Speaker 1: to put in or were they just great country names 131 00:06:44,839 --> 00:06:46,360 Speaker 1: that fitted into the lyrics nicely? 132 00:06:47,040 --> 00:06:50,320 Speaker 2: Well? I mean I grew up covering all of those songs, 133 00:06:50,400 --> 00:06:53,720 Speaker 2: like I was doing the sort of opry circuit and 134 00:06:53,800 --> 00:06:58,360 Speaker 2: like just all the little country hodowns in Texas as 135 00:06:58,400 --> 00:07:00,360 Speaker 2: a kid. I would grow up and I before I 136 00:07:00,400 --> 00:07:02,920 Speaker 2: was really writing songs or learning guitar, I would cover 137 00:07:03,640 --> 00:07:07,920 Speaker 2: and William's songs and Patsy Kleine and obviously Johnny Cash 138 00:07:07,960 --> 00:07:11,080 Speaker 2: and June Carter, Dolly Loretta. 139 00:07:11,120 --> 00:07:15,160 Speaker 3: They all came shortly after with inspiration for me. 140 00:07:15,240 --> 00:07:17,280 Speaker 2: But yeah, I think it was like an adage to 141 00:07:17,320 --> 00:07:19,760 Speaker 2: my childhood and what brought me to the genre. 142 00:07:20,720 --> 00:07:23,760 Speaker 3: But it also short like I was like, this sounds. 143 00:07:23,440 --> 00:07:25,640 Speaker 1: Cool too, and also is it true it was written 144 00:07:25,640 --> 00:07:26,120 Speaker 1: in and out? 145 00:07:26,400 --> 00:07:27,119 Speaker 3: I think less. 146 00:07:27,160 --> 00:07:31,640 Speaker 2: Actually, I think it was just one of those things 147 00:07:31,720 --> 00:07:36,800 Speaker 2: where my co writer and producer Busby, who I wrote 148 00:07:36,800 --> 00:07:39,840 Speaker 2: My Church with and who sadly is no longer with us, 149 00:07:40,120 --> 00:07:43,600 Speaker 2: we were always very fast at writing songs, but like 150 00:07:44,040 --> 00:07:49,400 Speaker 2: I brought this idea for my church in, he started 151 00:07:49,400 --> 00:07:53,160 Speaker 2: building like a drum loop, which is what you hear 152 00:07:53,320 --> 00:07:53,960 Speaker 2: at the top. 153 00:07:53,800 --> 00:07:54,360 Speaker 3: Of the song. 154 00:07:54,720 --> 00:07:58,480 Speaker 2: And I think once we kind of had the can 155 00:07:58,480 --> 00:07:59,320 Speaker 2: I get a Hallelujah? 156 00:07:59,360 --> 00:08:01,960 Speaker 3: Can I get an aim in? Which was originally going to. 157 00:08:01,960 --> 00:08:05,640 Speaker 2: Be our bridge, and then we just couldn't stop singing 158 00:08:05,680 --> 00:08:08,040 Speaker 2: those two lines. We both looked at each other and 159 00:08:08,080 --> 00:08:10,560 Speaker 2: we're like, I think this is the chorus, and then 160 00:08:10,640 --> 00:08:12,800 Speaker 2: I think just it clicked and then the rest of 161 00:08:12,800 --> 00:08:15,240 Speaker 2: the song was written in like forty five minutes. So 162 00:08:16,200 --> 00:08:19,960 Speaker 2: it was just one of those like you never have 163 00:08:20,080 --> 00:08:23,520 Speaker 2: the same experience twice and it's very rare. You get 164 00:08:23,560 --> 00:08:26,280 Speaker 2: a song like that that just falls out of the 165 00:08:26,280 --> 00:08:29,560 Speaker 2: sky and you write that quickly and is you come 166 00:08:29,600 --> 00:08:31,880 Speaker 2: back to later and you're like, oh, this is still 167 00:08:31,960 --> 00:08:35,240 Speaker 2: like great, it's aged well this week. Sometimes you have 168 00:08:35,280 --> 00:08:37,599 Speaker 2: to like have new ears for it a couple of 169 00:08:37,640 --> 00:08:38,200 Speaker 2: days later. 170 00:08:38,240 --> 00:08:39,760 Speaker 3: But I just could not stop listening. 171 00:08:39,880 --> 00:08:41,920 Speaker 1: So yeah, so that was my next point. So so 172 00:08:42,200 --> 00:08:45,400 Speaker 1: even after fifty minutes or whatever, you knew that was something. 173 00:08:45,960 --> 00:08:48,920 Speaker 2: Yeah, I think there's a thing when that happens so 174 00:08:49,040 --> 00:08:52,600 Speaker 2: quickly where we like go to lunch or something and 175 00:08:52,640 --> 00:08:56,760 Speaker 2: then my brain like deletes the song because it has 176 00:08:56,800 --> 00:08:59,160 Speaker 2: to reboot after like doing. 177 00:08:58,960 --> 00:08:59,439 Speaker 3: All of that. 178 00:09:00,080 --> 00:09:04,959 Speaker 2: And he sent me the demo later that night, and 179 00:09:05,040 --> 00:09:08,240 Speaker 2: I put my headphones on and I listened to it 180 00:09:08,360 --> 00:09:11,800 Speaker 2: I think probably like fifty six times in a row, 181 00:09:12,200 --> 00:09:16,360 Speaker 2: and I just was having this spiritual, like emotional reaction 182 00:09:16,480 --> 00:09:19,040 Speaker 2: to it. But I was also like this is addictive. Ye, 183 00:09:19,440 --> 00:09:23,480 Speaker 2: something in this is like making my like it's giving 184 00:09:23,559 --> 00:09:24,240 Speaker 2: me chills. 185 00:09:24,800 --> 00:09:26,079 Speaker 3: I also feel like it's so. 186 00:09:26,120 --> 00:09:30,000 Speaker 2: Catchy, and then I was really really scared. I was 187 00:09:30,040 --> 00:09:33,120 Speaker 2: like I don't think I can email this to anyone 188 00:09:33,200 --> 00:09:36,160 Speaker 2: right now because I'm afraid someone will steal it from 189 00:09:36,160 --> 00:09:39,400 Speaker 2: me because at that point I was not signed as 190 00:09:39,400 --> 00:09:39,880 Speaker 2: an artist. 191 00:09:39,920 --> 00:09:41,680 Speaker 3: I was just a songwriter. 192 00:09:42,160 --> 00:09:44,240 Speaker 1: And the Racis is history, I say, including your Cools, 193 00:09:44,280 --> 00:09:45,240 Speaker 1: the Grammy along the way. 194 00:09:46,720 --> 00:09:49,320 Speaker 2: Yeah, and it's still just a huge staple of my 195 00:09:49,400 --> 00:09:52,560 Speaker 2: set list in every show and there's just always a 196 00:09:52,600 --> 00:09:53,800 Speaker 2: really special moment. 197 00:09:54,160 --> 00:09:56,480 Speaker 1: So the other thing you did recently you stepped back 198 00:09:56,600 --> 00:09:58,640 Speaker 1: from sort of country music in twenty twenty three, you 199 00:09:58,679 --> 00:10:00,920 Speaker 1: took some time out from the industry. What did you 200 00:10:01,000 --> 00:10:03,559 Speaker 1: learn from that and then stepping back and has it 201 00:10:03,640 --> 00:10:05,080 Speaker 1: been worth it and is it different? 202 00:10:05,480 --> 00:10:05,800 Speaker 3: Yeah? 203 00:10:05,920 --> 00:10:09,120 Speaker 2: I mean I definitely had to figure out how to 204 00:10:09,200 --> 00:10:14,040 Speaker 2: have a relationship with the music industry in a different, 205 00:10:14,200 --> 00:10:17,240 Speaker 2: healthier way. And I did need to sort of take 206 00:10:17,240 --> 00:10:20,559 Speaker 2: a beat and figure out how do I do this 207 00:10:20,840 --> 00:10:26,400 Speaker 2: and have the sustainability to continue on without feeling like 208 00:10:26,840 --> 00:10:30,200 Speaker 2: this is a job now and not just something I 209 00:10:30,240 --> 00:10:33,520 Speaker 2: truly love doing, which is you know, writing songs. So yeah, 210 00:10:33,600 --> 00:10:36,720 Speaker 2: I think it was healthy for me to just retool 211 00:10:37,400 --> 00:10:41,000 Speaker 2: a little bit my way of moving within the industry. 212 00:10:41,200 --> 00:10:44,520 Speaker 2: And you know, it was definitely having to step back 213 00:10:44,559 --> 00:10:50,880 Speaker 2: from a lot of industry events and this or that 214 00:10:51,160 --> 00:10:54,319 Speaker 2: just to you know, sort of yeah, like protect the space. 215 00:10:54,400 --> 00:10:57,840 Speaker 2: But no, I mean like coming back in. I It's 216 00:10:57,880 --> 00:10:59,880 Speaker 2: the thing is like I don't feel like I really left. 217 00:11:00,080 --> 00:11:02,640 Speaker 2: I just had to like figure out a healthier relationship 218 00:11:02,679 --> 00:11:04,640 Speaker 2: to have with it so I could keep doing this. 219 00:11:05,320 --> 00:11:08,439 Speaker 3: And yeah, I think that can. 220 00:11:08,480 --> 00:11:11,000 Speaker 2: Obviously make some people, you know, be like, wait, what 221 00:11:11,040 --> 00:11:13,640 Speaker 2: is she doing, just because like it's not I think 222 00:11:13,679 --> 00:11:18,200 Speaker 2: a normal thing for an artist to like truly take 223 00:11:18,240 --> 00:11:21,559 Speaker 2: care of themselves. So much of it is like output 224 00:11:22,080 --> 00:11:27,920 Speaker 2: and you know, success success like just topping you yourself 225 00:11:28,040 --> 00:11:30,000 Speaker 2: like over and over, and it's like you have to 226 00:11:30,040 --> 00:11:33,760 Speaker 2: sort of either safely step off the merry ground or 227 00:11:33,760 --> 00:11:37,240 Speaker 2: you get like flung off and I had to Yeah, 228 00:11:37,280 --> 00:11:39,560 Speaker 2: but no, I mean I love what I do even 229 00:11:39,600 --> 00:11:43,199 Speaker 2: more now because I took that time to really figure. 230 00:11:42,960 --> 00:11:44,360 Speaker 3: Out what I wanted out of this. 231 00:11:46,040 --> 00:11:50,280 Speaker 2: Like a little debrief every ten years is probably like 232 00:11:50,320 --> 00:11:51,000 Speaker 2: a healthy thing. 233 00:11:52,080 --> 00:11:54,400 Speaker 3: But no, I love it. I feel like so much 234 00:11:54,400 --> 00:11:55,240 Speaker 3: more connected to. 235 00:11:55,200 --> 00:12:00,320 Speaker 2: My fans and the crowds at my shows because you know, 236 00:12:00,559 --> 00:12:05,520 Speaker 2: I think it's not in the norm for artists to 237 00:12:06,760 --> 00:12:10,040 Speaker 2: do that kind of thing and just take that space 238 00:12:10,080 --> 00:12:12,160 Speaker 2: for themselves and then come back and be able to 239 00:12:12,160 --> 00:12:15,760 Speaker 2: even like share even more of themselves because they have 240 00:12:16,120 --> 00:12:18,679 Speaker 2: like some better boundaries up. 241 00:12:18,960 --> 00:12:21,400 Speaker 1: If that makes sense, Yes, it does make sense. Now listen, 242 00:12:21,400 --> 00:12:24,600 Speaker 1: congratulations on it all, good luck with the new album. 243 00:12:24,760 --> 00:12:26,920 Speaker 1: I hope you study in the country is fantastic, joy 244 00:12:26,920 --> 00:12:27,319 Speaker 1: to make and. 245 00:12:27,280 --> 00:12:30,040 Speaker 3: Talk with you you as well, so lovely to meet you. 246 00:12:30,400 --> 00:12:31,640 Speaker 1: Mara Morris. 247 00:12:31,679 --> 00:12:34,559 Speaker 3: For more from the Mic Hosking Breakfast, listen live to 248 00:12:34,679 --> 00:12:37,760 Speaker 3: news talks. It'd be from six am weekdays, or follow 249 00:12:37,800 --> 00:12:39,679 Speaker 3: the podcast on iHeartRadio.