1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,573 --> 00:00:11,693 Speaker 1: from News Talks ATB. 3 00:00:12,773 --> 00:00:15,853 Speaker 2: Comedian Alan Davis is known for his no One and 4 00:00:15,933 --> 00:00:19,013 Speaker 2: beloved I should say no One in beloved for his natural, 5 00:00:19,653 --> 00:00:24,893 Speaker 2: relatable storytelling style and skills on all sorts of different 6 00:00:24,893 --> 00:00:29,053 Speaker 2: formats TV, on the page and on stage. And while 7 00:00:29,053 --> 00:00:31,693 Speaker 2: he's always been a bit of a staple of British 8 00:00:31,733 --> 00:00:36,013 Speaker 2: television shows like QI and Jonathan Creek, it's been more 9 00:00:36,053 --> 00:00:39,173 Speaker 2: than a decade since Ellen last did a stand up 10 00:00:39,253 --> 00:00:43,293 Speaker 2: comedy tour, that is until now, and while New Zealand 11 00:00:43,453 --> 00:00:46,373 Speaker 2: didn't make the first cut of tour dates, Ellen has 12 00:00:46,413 --> 00:00:49,413 Speaker 2: decided that actually he just cannot stay away from our shores. 13 00:00:49,453 --> 00:00:51,693 Speaker 2: He is going to bring his show down Under and 14 00:00:51,733 --> 00:00:55,813 Speaker 2: he's with us this morning. Held a good morning Hello. 15 00:00:56,333 --> 00:00:57,013 Speaker 3: How are you doing. 16 00:00:57,133 --> 00:01:00,053 Speaker 2: I'm very very well, Thank you, delighted to be speaking 17 00:01:00,053 --> 00:01:03,773 Speaker 2: with you, longtime fan. I feel like I grew up 18 00:01:03,853 --> 00:01:07,933 Speaker 2: with the sounds of Jonathan Creek, just kind of emanating 19 00:01:08,053 --> 00:01:12,253 Speaker 2: throughout my household and moved from then on to QI 20 00:01:12,413 --> 00:01:14,613 Speaker 2: and various other things. So it is a great please 21 00:01:14,693 --> 00:01:15,413 Speaker 2: to be speaking with you. 22 00:01:16,173 --> 00:01:18,773 Speaker 3: Thank you. Could be worse, could be worse than Jonathan Creek. 23 00:01:18,973 --> 00:01:23,693 Speaker 3: You know the theme tune Mate, the San songs, Dance Macabroo, 24 00:01:23,773 --> 00:01:25,893 Speaker 3: the kind of a version of it. It's such a 25 00:01:25,893 --> 00:01:30,053 Speaker 3: brilliant theme tune, and people I know have often said 26 00:01:30,053 --> 00:01:31,733 Speaker 3: to me, oh God, as soon as the music starts, 27 00:01:31,733 --> 00:01:35,733 Speaker 3: you know. But I did once catch myself humming the 28 00:01:35,733 --> 00:01:37,813 Speaker 3: theme tune as I was walking down the street and 29 00:01:37,853 --> 00:01:40,533 Speaker 3: wandering into the shop, and I had to kind of 30 00:01:40,573 --> 00:01:47,253 Speaker 3: stop myself, realizing that people were turning heads, probably thinking, oh, 31 00:01:47,293 --> 00:01:50,693 Speaker 3: look at this idiot just advertising his presence. 32 00:01:52,613 --> 00:01:55,773 Speaker 2: He thinks it's his theme music rather than the theme 33 00:01:55,853 --> 00:01:57,173 Speaker 2: music for the show itself. 34 00:01:57,813 --> 00:01:59,613 Speaker 3: It's the star of his own life, and he is 35 00:01:59,693 --> 00:02:02,333 Speaker 3: Jonathan Creek. But yeah, there are worse things you could 36 00:02:02,373 --> 00:02:03,493 Speaker 3: have emanating through your health. 37 00:02:03,773 --> 00:02:06,093 Speaker 2: It's not not only a great song, it's a great 38 00:02:06,093 --> 00:02:08,053 Speaker 2: don't you think it is a great name for a 39 00:02:08,053 --> 00:02:10,533 Speaker 2: piece like would Dance my Car would be as good 40 00:02:10,573 --> 00:02:12,773 Speaker 2: if it wasn't called Dance my carbra I don't know. 41 00:02:13,013 --> 00:02:17,413 Speaker 3: Well, yeah, it needs an animated video. 42 00:02:18,493 --> 00:02:21,093 Speaker 2: It's ten years Ellen since your last tour. I know 43 00:02:21,133 --> 00:02:23,693 Speaker 2: you were you're a busy man, but well, why was 44 00:02:23,813 --> 00:02:27,293 Speaker 2: now the right time to get back on stage and 45 00:02:28,013 --> 00:02:28,893 Speaker 2: tour with a special. 46 00:02:30,093 --> 00:02:32,973 Speaker 3: Well, I'm glad to report it has turned out to 47 00:02:32,973 --> 00:02:36,013 Speaker 3: be the right time, because the show's been going pretty well. 48 00:02:37,613 --> 00:02:39,773 Speaker 3: It'd been so long that it was feeling beginning to 49 00:02:39,773 --> 00:02:42,853 Speaker 3: feel like a gamble. I don't really know. I wrote 50 00:02:42,853 --> 00:02:44,853 Speaker 3: a book a few years ago. We had a third 51 00:02:44,933 --> 00:02:48,933 Speaker 3: child in twenty fifteen, there was a pandemic. There were 52 00:02:48,973 --> 00:02:52,933 Speaker 3: a few things that combined, but I think really I 53 00:02:53,053 --> 00:02:59,093 Speaker 3: spent some time unpacking stuff from my childhood doing a 54 00:02:59,613 --> 00:03:04,733 Speaker 3: writing about it, and that process took a while and 55 00:03:05,053 --> 00:03:08,453 Speaker 3: changed a lot of how I viewed myself and what 56 00:03:08,533 --> 00:03:10,573 Speaker 3: I wanted to do and what I wanted to say. 57 00:03:11,293 --> 00:03:17,133 Speaker 3: And this recent show, Think Ahead, it is kind of 58 00:03:17,173 --> 00:03:19,933 Speaker 3: created around the same time as I was writing another 59 00:03:20,053 --> 00:03:22,413 Speaker 3: volume of memoir called White Male Stand Up, which is 60 00:03:22,453 --> 00:03:26,093 Speaker 3: about dealing with issues from my childhood in my career 61 00:03:26,133 --> 00:03:29,173 Speaker 3: and in my adult life or not dealing with them, 62 00:03:29,493 --> 00:03:31,973 Speaker 3: and so some of it draws on some of that stuff. 63 00:03:32,013 --> 00:03:37,333 Speaker 3: So though it's maybe difficult material, but I feel I'm 64 00:03:37,373 --> 00:03:41,973 Speaker 3: able to access it and created the show All stand 65 00:03:42,053 --> 00:03:45,293 Speaker 3: All my stand up shows have created conjunction with audiences 66 00:03:45,413 --> 00:03:48,573 Speaker 3: working on material in that way, and I've got to 67 00:03:48,613 --> 00:03:50,493 Speaker 3: a place now where I think the show is really 68 00:03:50,573 --> 00:03:53,333 Speaker 3: quite It's a bit richer and deeper and better than 69 00:03:53,373 --> 00:03:57,533 Speaker 3: stuff I've done before, and it's quite relatable, and so 70 00:03:57,693 --> 00:04:00,413 Speaker 3: I'm really sort of proud of it. I've always been 71 00:04:00,573 --> 00:04:04,053 Speaker 3: pleased to make people laugh, but I haven't really previously 72 00:04:04,093 --> 00:04:06,613 Speaker 3: looked at my material thinking, oh, I'm really proud of 73 00:04:06,613 --> 00:04:09,773 Speaker 3: that task in hutch routine, you know. But now I 74 00:04:09,773 --> 00:04:12,813 Speaker 3: feel like I'm in a better place to you know, 75 00:04:12,933 --> 00:04:15,653 Speaker 3: have something to say and have and have a reason 76 00:04:15,733 --> 00:04:16,613 Speaker 3: to be up there. 77 00:04:16,893 --> 00:04:21,733 Speaker 2: So do you feel that you are as well as 78 00:04:22,493 --> 00:04:25,253 Speaker 2: as well as entertaining audiences and making people laugh, do 79 00:04:25,293 --> 00:04:27,533 Speaker 2: you feel like there is a kind of deeper driving 80 00:04:28,053 --> 00:04:31,973 Speaker 2: purpose behind the show and that you have something to say, 81 00:04:31,973 --> 00:04:33,293 Speaker 2: there is a message you want to give. 82 00:04:34,133 --> 00:04:37,213 Speaker 3: Yeah, I think so. I mean the goal is still 83 00:04:37,373 --> 00:04:39,333 Speaker 3: ultimately is to make people laugh as much as I 84 00:04:39,413 --> 00:04:42,013 Speaker 3: possibly can, and I think about as my job as 85 00:04:42,013 --> 00:04:45,293 Speaker 3: a comedian. I don't just want to be engaging. I 86 00:04:45,333 --> 00:04:47,973 Speaker 3: want to be hilarious, and that's why I set out 87 00:04:47,973 --> 00:04:51,253 Speaker 3: to do. And you know, there are there are some 88 00:04:51,293 --> 00:04:56,533 Speaker 3: good bits. It is nice. After the show, I quite 89 00:04:56,533 --> 00:04:59,773 Speaker 3: often take the chance to sign a few books and 90 00:04:59,813 --> 00:05:03,973 Speaker 3: meet some of the audiencing people are saying, oh, and 91 00:05:04,373 --> 00:05:06,573 Speaker 3: the stuff you're talking about, by the way, when a 92 00:05:06,613 --> 00:05:08,533 Speaker 3: thing happened to me or something happened to a friend 93 00:05:08,573 --> 00:05:11,613 Speaker 3: of mine, or it's you know, it's good that this 94 00:05:11,693 --> 00:05:16,333 Speaker 3: stuff can be aired and you know, let's not you know, 95 00:05:16,893 --> 00:05:20,293 Speaker 3: carry the shame forever kind of thing. So the feedback's 96 00:05:20,333 --> 00:05:23,893 Speaker 3: really good, feedbacks, really positive both on content and on 97 00:05:24,013 --> 00:05:26,373 Speaker 3: laugh strike. So it's kind of right. 98 00:05:26,893 --> 00:05:29,213 Speaker 2: Just to be totally clear, and I'm not going to 99 00:05:29,213 --> 00:05:30,893 Speaker 2: ask you to go into all of the details now, 100 00:05:30,933 --> 00:05:35,373 Speaker 2: but you're right, really, you know, I think really movingly 101 00:05:35,413 --> 00:05:39,013 Speaker 2: about it. Your experiences in your memoir about your experiences 102 00:05:39,133 --> 00:05:44,573 Speaker 2: of childhood abuse, and it's the same content that you 103 00:05:44,653 --> 00:05:48,733 Speaker 2: are touching on at times during your during your special. 104 00:05:48,933 --> 00:05:51,333 Speaker 2: But how do you think about that kind of narrative weave. 105 00:05:51,653 --> 00:05:54,453 Speaker 2: Is there is there a risk, for one of a 106 00:05:54,493 --> 00:05:58,253 Speaker 2: better word, when you're talking about that kind of material publicly, 107 00:05:58,493 --> 00:06:00,693 Speaker 2: that it's very hard to get the audience back in 108 00:06:00,733 --> 00:06:01,933 Speaker 2: a laughing frame of mind. 109 00:06:02,933 --> 00:06:07,693 Speaker 3: Well, that's the test. There's sort of challenge for me. 110 00:06:08,373 --> 00:06:11,773 Speaker 3: And you know, when I say to the audience, when 111 00:06:11,813 --> 00:06:14,853 Speaker 3: I'd talked to them about having my father arrested for 112 00:06:15,013 --> 00:06:19,253 Speaker 3: historical sexual abuse, I said, I've never talked about this 113 00:06:19,333 --> 00:06:21,933 Speaker 3: on stage before because I was always afraid of exactly 114 00:06:22,373 --> 00:06:25,853 Speaker 3: this silence, because there's always you can guarantee a pin 115 00:06:25,933 --> 00:06:30,053 Speaker 3: drop silence at that which comes as a total revelation 116 00:06:30,213 --> 00:06:33,813 Speaker 3: to the majority of the people in the room. And 117 00:06:33,853 --> 00:06:36,373 Speaker 3: then I talked to them about perhaps feeling less like 118 00:06:36,413 --> 00:06:38,653 Speaker 3: an audience and more like they're in a hostage situation. 119 00:06:39,253 --> 00:06:43,253 Speaker 3: But not to fear, not here to make you uncomfortable. 120 00:06:43,253 --> 00:06:46,053 Speaker 3: I'm here to just to We're going to spend a 121 00:06:46,053 --> 00:06:50,493 Speaker 3: bit of time on this area. The response has been 122 00:06:50,533 --> 00:06:55,293 Speaker 3: really good. People just engaged, and people my experience of 123 00:06:55,773 --> 00:06:58,253 Speaker 3: comedy aunts. And then these people aren't idiots, you know. 124 00:06:58,493 --> 00:07:01,733 Speaker 3: These people have got lives of their own, experiences of 125 00:07:01,773 --> 00:07:04,413 Speaker 3: their own. Either they've been through things themselves, or they 126 00:07:04,413 --> 00:07:07,293 Speaker 3: have friends who have or partners or spouse There's this 127 00:07:07,453 --> 00:07:11,173 Speaker 3: stuff's in the world, and just the same as parenting is, 128 00:07:11,453 --> 00:07:14,893 Speaker 3: or illness or I lean heavily on this and the 129 00:07:14,893 --> 00:07:17,893 Speaker 3: second half of the show reptile dysfunction. These are all 130 00:07:18,013 --> 00:07:19,613 Speaker 3: the issues of that of our time. 131 00:07:19,853 --> 00:07:26,653 Speaker 2: Yeah, I was taken aback a little bit by your 132 00:07:26,733 --> 00:07:29,413 Speaker 2: dates of your tour, right, So I noticed something in 133 00:07:29,453 --> 00:07:31,933 Speaker 2: the tour dates this year, Ellen, and that you are 134 00:07:32,373 --> 00:07:34,613 Speaker 2: touring Australia over the summer and then you've got a 135 00:07:34,613 --> 00:07:36,173 Speaker 2: little bit of a break and you're coming back to 136 00:07:36,213 --> 00:07:39,133 Speaker 2: New Zealand in the middle of next year. And I 137 00:07:39,133 --> 00:07:41,573 Speaker 2: did think it was a curious coincident that your dates 138 00:07:41,573 --> 00:07:44,373 Speaker 2: in Australia seemed to coincide rather neatly. I thought, with 139 00:07:44,493 --> 00:07:47,053 Speaker 2: the Ashes, are you a cricket are you a cricket fan? 140 00:07:47,133 --> 00:07:50,453 Speaker 3: Manage at well? I think that was very fortunate. I mean, 141 00:07:50,453 --> 00:07:56,173 Speaker 3: what a happy accident is that? 142 00:07:56,213 --> 00:07:57,253 Speaker 2: Is that part of the plan. 143 00:07:57,653 --> 00:08:00,053 Speaker 3: I'm going to take in a couple of days, a 144 00:08:00,093 --> 00:08:03,533 Speaker 3: couple of I've got a day of the j booked. 145 00:08:04,133 --> 00:08:06,253 Speaker 2: Oh how special for the boxing day. 146 00:08:07,533 --> 00:08:08,533 Speaker 3: For the twenty eighth. 147 00:08:08,653 --> 00:08:11,133 Speaker 2: I think it is, oh wow. 148 00:08:11,373 --> 00:08:14,133 Speaker 3: But I tried to go to the Ashes in Melbourne 149 00:08:14,293 --> 00:08:17,613 Speaker 3: years ago and I booked tickets for day four and 150 00:08:17,733 --> 00:08:24,253 Speaker 3: England had been done buy an innings in three days, 151 00:08:23,773 --> 00:08:27,533 Speaker 3: and so this time I booked for day three. I'm 152 00:08:27,573 --> 00:08:28,693 Speaker 3: hoping for some cricket. 153 00:08:31,213 --> 00:08:33,373 Speaker 2: How do you feel about bears ball because we feel 154 00:08:33,413 --> 00:08:36,173 Speaker 2: a sort of in New Zealand, we feel a connection 155 00:08:36,333 --> 00:08:39,173 Speaker 2: to the English style of game at the moment and 156 00:08:39,213 --> 00:08:43,813 Speaker 2: that obviously, Brendan Mcallum as the coach. Tim Southy, New 157 00:08:43,893 --> 00:08:47,413 Speaker 2: Zealand Great, is also offering his assistance. There are various 158 00:08:47,413 --> 00:08:50,493 Speaker 2: other New Zealanders, all sort of plotted throughout the team's 159 00:08:50,853 --> 00:08:54,213 Speaker 2: coaching organization. How do you feel about Bears ball and principle? 160 00:08:57,013 --> 00:09:01,613 Speaker 3: Well, I find it fascinating really. I remember hearing Andy 161 00:09:01,693 --> 00:09:04,453 Speaker 3: Murray talk about playing tennis, and he said when he 162 00:09:04,493 --> 00:09:06,893 Speaker 3: was young, if you just get the ball and play, 163 00:09:07,693 --> 00:09:09,653 Speaker 3: when you wait for the other guy to make a mistake, 164 00:09:10,693 --> 00:09:14,253 Speaker 3: usually you win. You make less mistakes than the other player. 165 00:09:14,373 --> 00:09:16,293 Speaker 3: Usually you win, and then you get into the top 166 00:09:16,373 --> 00:09:19,453 Speaker 3: hundred or the top fifty, and the other guy doesn't 167 00:09:19,453 --> 00:09:22,813 Speaker 3: make any mistakes. And if you want to beat him, 168 00:09:23,053 --> 00:09:25,573 Speaker 3: you've got to go for your shots. You've got to play, 169 00:09:25,813 --> 00:09:28,093 Speaker 3: you've got to show what you've got and who's the 170 00:09:28,133 --> 00:09:31,893 Speaker 3: better player actually, And that's why I feel, you know, 171 00:09:31,933 --> 00:09:33,933 Speaker 3: Ben Stokes is leading a team that has a bit 172 00:09:33,973 --> 00:09:38,533 Speaker 3: of that about them. Okay, I'm going to hit you 173 00:09:39,413 --> 00:09:42,853 Speaker 3: as hard as I can. Often be afraid, and it's 174 00:09:42,853 --> 00:09:46,173 Speaker 3: about getting on the front foot and being aggressive. And 175 00:09:46,213 --> 00:09:49,333 Speaker 3: it's when it goes wrong when you lose your wicket, 176 00:09:50,293 --> 00:09:52,733 Speaker 3: when you've gone after a ball and lost your wicket cheap, 177 00:09:52,733 --> 00:09:56,133 Speaker 3: but you can only be out once. Cricket remains the same. 178 00:09:56,933 --> 00:09:59,693 Speaker 3: Don't get out. It's a very important part of it. 179 00:10:00,573 --> 00:10:03,293 Speaker 3: But the principle behind it about getting on the front foot, 180 00:10:03,293 --> 00:10:09,653 Speaker 3: scoring quickly, being aggressive, fill in stadiums. It's getting people watching, 181 00:10:10,373 --> 00:10:14,133 Speaker 3: and you know, I love watching them. Stokes of course 182 00:10:14,253 --> 00:10:18,693 Speaker 3: is it's a superstar of sport, not just cricket. And 183 00:10:18,733 --> 00:10:21,893 Speaker 3: I really really hope he's fit because he, you know, 184 00:10:22,093 --> 00:10:25,973 Speaker 3: he breaks quite often. It's like a kind of a 185 00:10:26,173 --> 00:10:29,933 Speaker 3: Formula one car. Everything's so fragile, it's so highly tuned. 186 00:10:32,933 --> 00:10:33,413 Speaker 2: Apart. 187 00:10:33,653 --> 00:10:36,973 Speaker 3: Yeah it's not. This is not a land Rover. This 188 00:10:37,013 --> 00:10:41,613 Speaker 3: is a high performance machine. But yeah, I'm looking forward 189 00:10:41,693 --> 00:10:44,853 Speaker 3: to the ashes and and I like the color. I 190 00:10:44,893 --> 00:10:46,333 Speaker 3: like the way he just sits on the back and 191 00:10:46,453 --> 00:10:48,413 Speaker 3: with his feet up in his shades on. There's something 192 00:10:48,573 --> 00:10:51,893 Speaker 3: very self assured about him. I think when they look 193 00:10:51,933 --> 00:10:54,733 Speaker 3: at him, they must think, well, he doesn't seem bothered. 194 00:10:54,733 --> 00:10:55,493 Speaker 3: Maybe we're doing. 195 00:10:55,813 --> 00:10:58,253 Speaker 2: Yeah, he certainly has a swagger about him. There's no 196 00:10:58,653 --> 00:11:02,373 Speaker 2: doubting that. Hey, why do you think why do you 197 00:11:02,373 --> 00:11:08,093 Speaker 2: think panel shows are so beloved and successful in the UK, 198 00:11:08,813 --> 00:11:10,893 Speaker 2: but barely exists in the US. 199 00:11:12,973 --> 00:11:14,773 Speaker 3: Well, I think the origin of a lot of them 200 00:11:14,813 --> 00:11:20,613 Speaker 3: in the UK is radio. BBC Light Entertainment Radio Department 201 00:11:20,693 --> 00:11:22,413 Speaker 3: is the origin for a lot of panel shows. 202 00:11:22,493 --> 00:11:25,373 Speaker 2: That's a good point. Whether it's The Goons or my 203 00:11:25,573 --> 00:11:26,973 Speaker 2: Word or something like that. 204 00:11:27,653 --> 00:11:30,213 Speaker 3: Well, less the Goons because they were on their feet 205 00:11:30,533 --> 00:11:34,253 Speaker 3: doing silly voices. But there's a long tradition and some 206 00:11:34,413 --> 00:11:38,853 Speaker 3: panel shows started there and stay there. You know, there's 207 00:11:38,893 --> 00:11:41,293 Speaker 3: a show that David Mitchell has called The Unbelievable Truth. 208 00:11:41,333 --> 00:11:44,493 Speaker 3: You just sit around a panel and you give us 209 00:11:44,533 --> 00:11:46,413 Speaker 3: the talk and you've got to smuggle things that are 210 00:11:46,413 --> 00:11:49,253 Speaker 3: true amongst a blizzard of lies. It's a really good format. 211 00:11:49,413 --> 00:11:52,413 Speaker 3: It's never transferred to TV. They've done about twenty series 212 00:11:52,453 --> 00:11:54,733 Speaker 3: of it. Everyone goes on it, everyone loves doing it, 213 00:11:55,893 --> 00:11:58,413 Speaker 3: and a on Radio four and BBC Radio. We have 214 00:11:58,653 --> 00:12:02,613 Speaker 3: this and I'm sure you could get to it somewhere 215 00:12:02,613 --> 00:12:04,893 Speaker 3: on the internet. You've got all this resource and so 216 00:12:05,293 --> 00:12:09,973 Speaker 3: transferring those kinds of formats onto television four or five 217 00:12:10,013 --> 00:12:12,813 Speaker 3: people sat behind the table as if they were recording 218 00:12:12,813 --> 00:12:16,213 Speaker 3: a radio show. I don't think they have that in 219 00:12:16,253 --> 00:12:18,533 Speaker 3: the States. They don't have the radio that we have. 220 00:12:18,973 --> 00:12:25,533 Speaker 3: The BBC is often under attack because it's subsidized. Really, 221 00:12:25,573 --> 00:12:28,813 Speaker 3: it doesn't have to compete in the marketplace, and in 222 00:12:28,933 --> 00:12:33,493 Speaker 3: the other broadcasters, the newspapers. They hate that, they would 223 00:12:33,573 --> 00:12:36,453 Speaker 3: rather it wasn't there. But for those of us who 224 00:12:36,573 --> 00:12:39,613 Speaker 3: listen or to it or work for it, they'll, oh, 225 00:12:39,733 --> 00:12:44,973 Speaker 3: please God, preserve it because think of what you lose, 226 00:12:45,333 --> 00:12:49,013 Speaker 3: you know, and shows like QI are a good example 227 00:12:49,293 --> 00:12:53,493 Speaker 3: of that because they it originates. You know, John Lloyd 228 00:12:53,493 --> 00:12:56,333 Speaker 3: had created it was a BBC radio producer. He created 229 00:12:56,333 --> 00:12:59,213 Speaker 3: a show called The News Quiz, which is a radio 230 00:12:59,293 --> 00:13:02,813 Speaker 3: panel show, quiz show based on the news. It's been 231 00:13:02,893 --> 00:13:06,013 Speaker 3: running for fifty years. Yeah, he created it in his twenties. 232 00:13:07,213 --> 00:13:11,213 Speaker 3: And without the BBC, there's no News Quiz, there's no qi's, 233 00:13:11,973 --> 00:13:13,013 Speaker 3: there's a lot of nothing. 234 00:13:14,533 --> 00:13:18,653 Speaker 2: Yeah. Well, so, I mean I think that's I think 235 00:13:18,653 --> 00:13:20,893 Speaker 2: it's a great point. And I can only imagine that 236 00:13:20,973 --> 00:13:24,173 Speaker 2: after your years on QI, you were the most valued 237 00:13:24,213 --> 00:13:26,373 Speaker 2: member and any pub quiz team. Now are you. 238 00:13:27,453 --> 00:13:32,373 Speaker 3: I'm useless. I'm useless because I can't retain anything. And 239 00:13:33,413 --> 00:13:36,213 Speaker 3: if I watch QI, which I don't often because obviously 240 00:13:36,213 --> 00:13:37,973 Speaker 3: I've got a wife and children, and how could I 241 00:13:38,013 --> 00:13:41,413 Speaker 3: do it to them. But if it comes on, I 242 00:13:41,453 --> 00:13:43,773 Speaker 3: can't remember any of the recordings. I saink oh, I 243 00:13:43,773 --> 00:13:47,093 Speaker 3: don't remember that person being on. And then the conversation 244 00:13:47,173 --> 00:13:49,293 Speaker 3: will start and someone will say something, and I'll sit 245 00:13:49,333 --> 00:13:51,413 Speaker 3: on myself at home and think of something that I 246 00:13:51,453 --> 00:13:54,133 Speaker 3: would say at that point, and then the me on 247 00:13:54,333 --> 00:13:59,213 Speaker 3: screen actually says it. So my brain is quite limited 248 00:13:59,373 --> 00:14:01,573 Speaker 3: on this sort of I'm a bit like a rat 249 00:14:01,613 --> 00:14:04,653 Speaker 3: that only goes down certain alleyways in your garden. I'm 250 00:14:04,693 --> 00:14:08,533 Speaker 3: just I've become so tightly predictable to the scriptwriters and 251 00:14:08,533 --> 00:14:10,613 Speaker 3: the people who do the questions. They could trip me 252 00:14:10,653 --> 00:14:12,293 Speaker 3: up with that. The first thing they do is get 253 00:14:12,333 --> 00:14:14,453 Speaker 3: up in the morning and write five things that that 254 00:14:14,533 --> 00:14:16,373 Speaker 3: idiot will get wrong, and then they could take the 255 00:14:16,453 --> 00:14:17,453 Speaker 3: day off. 256 00:14:18,533 --> 00:14:21,093 Speaker 2: Well, look, we are we are delighted that you're coming 257 00:14:21,133 --> 00:14:23,973 Speaker 2: to New Zealand next year. We really are. Congratulations on 258 00:14:24,333 --> 00:14:26,093 Speaker 2: Think Ahead and the success that you've had with the 259 00:14:26,093 --> 00:14:28,013 Speaker 2: show so far, and we look forward to seeing you 260 00:14:28,133 --> 00:14:28,533 Speaker 2: very soon. 261 00:14:29,213 --> 00:14:30,773 Speaker 3: Oh I can't wait. Thank you. 262 00:14:31,453 --> 00:14:34,413 Speaker 2: That is Alan Davis. Tickets to Allen's tour and more 263 00:14:34,453 --> 00:14:39,093 Speaker 2: information is available at Live Nation dot co dot enz. 264 00:14:39,773 --> 00:14:42,893 Speaker 1: For more from Saturday Morning with Jack Tame. Listen live 265 00:14:42,973 --> 00:14:46,173 Speaker 1: to news talks'd B from nine am Saturday, or follow 266 00:14:46,213 --> 00:14:47,773 Speaker 1: the podcast on iHeartRadio