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Speaker 1: Get a wounders, Matt Heath here as we build up

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Speaker 1: to the final week of the Matten Jerry Show, the

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Speaker 1: victory lap slash mea culpa. I've put together a little

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Speaker 1: bit of a story of the history of the Matt

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Speaker 1: and Jerry Show on my time at Radiohodaki. You can

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Speaker 1: read it at Matdheath dot substack dot com. Maybe you

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Speaker 1: want to subscribe. It can be free if you want. Anyway, Blessed, Blessed, blessed,

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Speaker 1: give them a taste of Kiwi love you all, see

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Speaker 1: you next week.

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Speaker 2: All right, Okay, we're recording in three two one, and

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Speaker 2: we're recording.

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Speaker 3: Just like yesterday. We rarely shouldn't go into what we

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Speaker 3: were talking about just before the recording start.

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Speaker 2: And why have we decided that the moment before we

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Speaker 2: start recording these intros to to to Mattie's most love moments?

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Speaker 2: Why is that just moments before we have some of

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Speaker 2: our hottest conversations of the day.

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Speaker 3: But it's the same as the Matt and Jury Show

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Speaker 3: and the radio broadcast on the FM broadcast. It's true.

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Speaker 2: The closer to the end of the song you get, yeah,

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Speaker 2: the more controversial the conversation off Here is.

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Speaker 3: The other thing I'm finding now that I've been talking

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Speaker 3: abit more on that show this week. Yeah, as I'll

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Speaker 3: take a big swig of water or coffee just before

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Speaker 3: you tune. The MIC's on their MESHI ah okay, and

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Speaker 3: my god, the amount of times have been so glad

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Speaker 3: that you're the one that talks out of songs.

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Speaker 2: Oh, I see what you're saying. So you've got enough

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Speaker 2: time by the time I go that was the Follies.

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Speaker 2: Ready a heartach twenty minutes past eight.

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Speaker 3: Because if it was me, I'd be like, that was

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Speaker 3: the Fighter. Yeah, hey, it's meshing.

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Speaker 2: Ready. Here, we're taking you through some of our first

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Speaker 2: Actually an apology to make yesterday. I forgot to hit

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Speaker 2: publish on yesterday's Maddie's Most Loved Moment episode.

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Speaker 3: Fuck, they were on you, the Conclaver, the Conclavers, they.

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Speaker 4: Were on me.

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Speaker 2: I was out at a date night last night my

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Speaker 2: lovely partner Lauren, and my phone was firing up. But

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Speaker 2: once I got home, I hit publish. So that episode

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Speaker 2: from yesterday is now up. It was up by about

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Speaker 2: fifty I think it was last night. Now it is Friday, ruder,

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Speaker 2: Fuck is it it is? It is Friday? Monday, of course,

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Speaker 2: is going to be the victory lap. We're all fizzing

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Speaker 2: at the bung for that one. I can't to get

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Speaker 2: stuck in. But today's episode of Maddie's Most Loved Moments

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Speaker 2: is a no brainer. It's a Friday. It was the

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Speaker 2: first episode that Madi mentioned when I asked him what

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Speaker 2: are some of his most love moments from the Daily

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Speaker 2: Bespot podcasts of the past decade. This was the first

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Speaker 2: thing he said. So today, in the celebration of it

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Speaker 2: being Friday, we thought we'd take you back, yeah to.

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Speaker 3: About twenty twenty one.

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Speaker 2: I believe this podcast was first published.

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Speaker 3: This is legendary. I didn't work on the Met and

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Speaker 3: Jury show.

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Speaker 5: Was this pre ruder?

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Speaker 3: A year was it when this was released? But it

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Speaker 3: ran quite a cutter across the whole country.

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Speaker 2: So this is an episode of to your Face Off Fridays.

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Speaker 2: If you are new around here. This is when we

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Speaker 2: used to accumulate a whole bunch of songs before the

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Speaker 2: copyright laws really just took a grasp of our podcast.

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Speaker 3: We used to just blast a.

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Speaker 2: Whole bunch of listeners submitted house tunes and decide whether

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Speaker 2: or not they would make the met and Jury Show

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Speaker 2: to Your Face Off playlist, which was operating off Spotify.

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Speaker 3: I have on good.

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Speaker 2: Authority that the man Jury to Your Face Off playlist

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Speaker 2: still does exist.

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Speaker 3: That's you know, that's a positive in the day and

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Speaker 3: age when people do a silly thing, they go through

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Speaker 3: podcasts and they go through YouTube clips. Yeah, look looking

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Speaker 3: for copyright infringements.

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Speaker 4: Yep.

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Speaker 6: It's nice in this day and age that we can

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Speaker 6: get away with something. Well, we're going to try to

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Speaker 6: get away with it. I'm not sure how it's going

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Speaker 6: to go. Oh good point, but we're going to upload

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Speaker 6: it and just kind of let things happen.

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Speaker 2: Hopefully, the earlier listen to this, the more likely you

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Speaker 2: have of being able to make it the whole way

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Speaker 2: through before I don't know, just a crowd of lawyers

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Speaker 2: coming and tear.

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Speaker 3: This episode down. Well, here we go, sore you.

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Speaker 2: The Managery Show Show Your Face Off playlist is still up.

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Speaker 2: It hasn't it a song added to it in about

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Speaker 2: two years, which sounds about right that is when we

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Speaker 2: would have finished doing it. But it is one of

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Speaker 2: Maddie's most love moments for all the right reasons this podcast,

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Speaker 2: so do enjoy it. Anything else to Ed Reder, I

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Speaker 2: was just going to say, speaking of copyright infringement, let's

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Speaker 2: see if we can fuck off Phil Collins.

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Speaker 3: Well, take a look at me now, there's just an

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Speaker 3: empty space.

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Speaker 4: There's nothing left in to remind me.

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Speaker 3: Ben net Phil Collins, just coming on your face.

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Speaker 2: I mean, there's gonna be any Phil Collins and sadays

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Speaker 2: to your face Offpicial with Diehindra from twenty one.

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Speaker 3: No is the answer to that.

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Speaker 2: All right, Okay, that's it from us.

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Speaker 3: You're done. I'm done.

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Speaker 4: You're done.

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Speaker 3: Phil Collins. Hic of a drummer.

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Speaker 2: Yeah, he of a drummer?

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Speaker 4: Rp.

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Speaker 3: He's not dead, is he? God?

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Speaker 4: Weird when you need them. Okay, enjoy the episode.

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Speaker 2: We'll see you on Monday for the Managery Show.

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Speaker 4: I got that.

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Speaker 3: That took me a second, but I got it.

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Speaker 2: We'll see how on Monday for the Managery Show, Victory.

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Speaker 2: Let look forward to it. Go well, love you all

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Speaker 2: very much, bespoke you dokies, and of course the podcast.

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Speaker 2: We'll be back in full forth next week. The We'll

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Speaker 2: be back and the show highlights. We'll be back for

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Speaker 2: one final week as well.

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Speaker 3: Oh huge.

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Speaker 2: Okay, enjoy your weekend.

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Speaker 3: Well, that gives me tangles and goosebumps and shivers and spine.

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Speaker 2: Speaking of goosebump tingles and shivers in my spine, this

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Speaker 2: activity on the conclave regarding what's happening next Friday after

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Speaker 2: the met in jury sho wraps up. I think we

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Speaker 2: need to be very careful about talking about this.

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Speaker 3: Yes, that's exactly what I was going to say. Somehow

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Speaker 3: information has been leaked. Did we just say it last week?

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Speaker 3: Matt has said it. I think Matt originally said it

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Speaker 3: jokingly when he announced I was going to say for

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Speaker 3: a timement that he was leaving Radio Daki. Yeah, he

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Speaker 3: said they're going to be a big Friday at Prager.

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Speaker 2: Yes, so look, if you do want to participate in

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Speaker 2: some kind of send off, we might see it on

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Speaker 2: Ponsby Road at some point.

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Speaker 3: There's no way we're going to be at Praguer. He

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Speaker 3: was kidding.

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Speaker 4: Oh was he?

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Speaker 3: I reckon? He was kidding? Mate, you're winking at me.

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Speaker 3: I'm not just can't figure out why you'd be winking

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Speaker 3: at me about that? Yeah, I mean it does feel weird.

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Speaker 3: I'm not winking at you, mate.

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Speaker 2: No, so we will. I just want to look, this

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Speaker 2: is if it's just a joke, If any of the

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Speaker 2: lawyers from me here are listening, we will not be.

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Speaker 3: On Pons Road next Friday. It's just it was just

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Speaker 3: that was just a bit for radio, that's what they

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Speaker 3: call it.

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Speaker 2: I just had to come on and clear that up

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Speaker 2: because there have been some stirs about concerns around what

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Speaker 2: might happen on Friday afternoon here in Auckland.

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Speaker 3: Not going to happen.

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Speaker 2: Just don't look, don't worry, that's all all.

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Speaker 3: It's going to be smoking merry, a bit of a gig,

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Speaker 3: all right, shove up your stating.

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Speaker 5: The podcast we have started.

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Speaker 1: We've started a reportering. The podcast has started. I'm you familiar,

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Speaker 1: Die Hendwood with.

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Speaker 5: Our new way we start the podcast.

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Speaker 4: I am is this this sort of Vietnam Good morning Vietnam? Yeah, yeah,

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Speaker 4: good morning Vietnam slash Headless Chickens.

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Speaker 5: Yeah, that's a very hurtful way to put it.

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Speaker 4: But yeah, when I heard Headless Chickens, I mean I've

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Speaker 4: gone down a rabbit hole of em. They were very.

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Speaker 1: Similar bands Ecstasy, Yeah, and they had the course went unbelievable.

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Speaker 5: Actually, can we pull that up? Your unbelievable?

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Speaker 4: That one? Yea chickens. Oh yes, that's sort of nineties.

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Speaker 4: There's a weird beat. Yes, that's right. It was like Jesus.

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Speaker 5: They were like Jesus, unbelievable. They're like Jesus Jones, like

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Speaker 5: when they hear us, here's a song.

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Speaker 4: Oh yeah, listen to their least.

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Speaker 5: Their feat was compulsory and all songs in this.

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Speaker 4: Era, I feel like every here less chickens. Yeah, and

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Speaker 4: had that beat.

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Speaker 5: Oh my god, you're so right.

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Speaker 4: Questions here so perfectly?

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Speaker 5: Oh yeah, smart, Oh my god. The singer with a

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Speaker 5: sideways cat you could you could.

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Speaker 7: Run a hand to this.

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Speaker 1: Leave you got a full band with guitars and everything.

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Speaker 5: You're not being played on.

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Speaker 3: The song and the video.

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Speaker 4: You're unbelievable. This is a good cat. Who this is

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Speaker 4: like a favorite to edit things too, like what now?

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Speaker 4: This the song would always be.

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Speaker 7: They always have montages and stuff to the song on

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Speaker 7: what Now?

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Speaker 1: One time the mother of my children, Oh are you

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Speaker 1: playing off something else?

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Speaker 8: Oh?

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Speaker 2: Well?

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Speaker 1: And the mother and my children once came home and

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Speaker 1: this relates to this video because they're all wearing Vision streetwear.

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Speaker 1: When she came home and she was so excited. She

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Speaker 1: came in the door and she had bags of everything goes.

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Speaker 1: They found an old crate of Vision streetwear that had

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Speaker 1: been lost for like three decades, and they just found

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Speaker 1: it and somewhere in Auckland, and they opened up a

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Speaker 1: Vision Street where I'm pop up store with legit stuff

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Speaker 1: that had been sitting in storage. I don't know where this.

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Speaker 5: Create had been.

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Speaker 4: I was deep down the Vision Street where some of

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Speaker 4: my kids now, my kids, it's very deep. My kids

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Speaker 4: who are.

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Speaker 1: Fourteen and eleven are just carveed and Vision streetwear because

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Speaker 1: she found all the stuff.

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Speaker 5: And boy, they look like a mef. Now I'm seeing

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Speaker 5: the video.

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Speaker 7: Vision the street where it doesn't sound as lame. It

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Speaker 7: sounds completely lame now, but it was not lame at

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Speaker 7: the time. It was a very cool Vision Street where

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Speaker 7: I mean the people it's called street where.

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Speaker 4: Yeah, well it was I believe Mark Gonzales who started Vision.

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Speaker 4: He then got kicked out of his own brand and

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Speaker 4: started Blind.

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Speaker 5: Skateboards, right, is that right?

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Speaker 4: Give me in here for esoteric skateboard brand knowledge.

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Speaker 5: Yeah, yeah, let's go. Let's kick this off with a year.

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Speaker 4: Sure, there we go.

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Speaker 5: Are we going with Chris Riha or are we going

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Speaker 5: with unbelievable christ Rea?

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Speaker 3: Oh?

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Speaker 4: So chew your face off, special words, special guest. Oh,

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Speaker 4: it's a pleasure to be here. And you bought a

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Speaker 4: little baggy of tunes. I have brought a little baggy

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Speaker 4: of chuns, pre pre wrapped as well, so there would

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Speaker 4: be no mucking around on the dance floor.

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Speaker 1: We get stuck in do we want to run meshes

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Speaker 1: parnishing dmind? Or should we get messioned to do it

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Speaker 1: an a cappella like a verbal, like a manual admind.

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Speaker 7: Let's not lower the vibe and bring mession here. I

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Speaker 7: can come. I think we can just sort of Plash's

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Speaker 7: little little thing that he's put together.

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Speaker 5: It's pretty aggressive.

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Speaker 4: Okay, here we go.

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Speaker 8: If it's time for Matt and Jerry's to your Face

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Speaker 8: Off Fridays, this is where we put songs that have

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Speaker 8: been submitted by you to the panel, all with the

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Speaker 8: aim to make the official to your Face Off flayliss.

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Speaker 8: You can submit songs for future episodes by sliding into

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Speaker 8: the Matt and Jerry Show in box or email us

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Speaker 8: at Matt and Jerry at yahoo dot com. Search Radio

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Speaker 8: how Rocky on Spotify to find the songs that have

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Speaker 8: made the cut so far. Now let's catch you in.

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Speaker 5: I feel like we've lost a lot of them mint

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Speaker 5: and we grew, we built up with the Rye. But

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Speaker 5: that's that's all right. Now we know what we're doing here.

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Speaker 7: Okay, So we're gonna You've brought in a little baggie

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Speaker 7: off tunes and we're gonna listen to those chunes that

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Speaker 7: are where or not they make the playlist?

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Speaker 4: So is it me me?

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Speaker 5: Uh?

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Speaker 7: Well, you you obviously want them to make the playlist,

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Speaker 7: so you're going to write you on all of us.

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Speaker 4: The thing is, I'm I'm open to discussion on these tunes.

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Speaker 4: I rate these tunes where they make the playlist or not.

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Speaker 4: I come from a lineage of face chewing. I started

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Speaker 4: my face chewing as a young A young man too,

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Speaker 4: I seen. I actually sent Banger a sample of my

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Speaker 4: first face chewing tune which got the response was a

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Speaker 4: bit too hard for the playlist there. But apparently German

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Speaker 4: techno is not first on the list. No. And this

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Speaker 4: I started warehouses in Wellington. This guy called Thomas Heckman,

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Speaker 4: who is a techno sort of trance guy, came over

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Speaker 4: in a very New Zealand phase. He got up on

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Speaker 4: stage just as he started these two homies, jumped the fence,

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Speaker 4: Nicholas keyboard and took off the gig got can and

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Speaker 4: just the local DJs.

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Speaker 7: Wow, so you were you were, Yeah, you're back in

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Speaker 7: the We're talking the nineties here when it was smart drinks.

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Speaker 4: They were really trying to push was smart drinks.

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Speaker 7: Mid ninety smart drinks, electronic music and you're chewing your

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Speaker 7: face off? Was It was a real alternative in those days.

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Speaker 5: It was interesting.

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Speaker 4: Was quite a different and quite a different sort of

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Speaker 4: a group.

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Speaker 1: Janeden when everyone had to come together. There was this

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Speaker 1: weird cross off between people that want to chew their

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Speaker 1: face off and just dickhead drunks on beer like me

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Speaker 1: that wanted guns and roses.

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Speaker 5: Back on the stereo.

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Speaker 4: Oh, yes see that's okay, Welly. Was Wellington have jumped

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Speaker 4: on board? The chewing your face off started more in

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Speaker 4: a psychedelic situation, Yeah, Wellington. And it was more like

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Speaker 4: we all have the same playlist playlist on a walkman

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Speaker 4: like tape that had been dub we put it on.

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Speaker 4: We'd take take a bit of psychedelics, wait for them

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Speaker 4: to come on, then run through the forest with the

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Speaker 4: same playlist on that. It was it's a great vibe.

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Speaker 4: That's a really good vibe.

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Speaker 5: I love that. I'll tell you all this great vibe.

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Speaker 1: Here the lasers meshre set up some new laser lights

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Speaker 1: and you're being cut to pieces by lasers.

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Speaker 4: I don't want to look left because you could take

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Speaker 4: down multiple aircraft that we need.

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Speaker 1: To get a welding visor in here for if we could.

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Speaker 4: Okay, so let's go.

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Speaker 5: Can we not?

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Speaker 1: Can we not hear your first one, the one that

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Speaker 1: you know that that being are rejected?

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Speaker 4: Oh you see if you it is it is called amphetamine.

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Speaker 4: You only actually need to hear about about about thirty

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Speaker 4: seconds to get to get the vibe and fetamine by

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Speaker 4: drax d R A X. And this was sort of

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Speaker 4: it was when trance was quite uplifting. You see it

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Speaker 4: starts off like this.

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Speaker 5: Jesus is terrifying.

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Speaker 4: When the beat comes in and this is when you're

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Speaker 4: seeing it's quite low. But then the beat is not

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Speaker 4: sells this song. It's coming up very shortly. Breathe out

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Speaker 4: for it because this is where swelling happens in your heart.

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Speaker 4: And then this is I this is real get of

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Speaker 4: a shed, need to the railway station. I remember this.

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Speaker 7: This is this is plea used to play this at

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Speaker 7: the brain, please, to have these geeks called the brain

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Speaker 7: and all times.

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Speaker 4: But then I've seen way out of that and for

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Speaker 4: you now then I got into just a really nice

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Speaker 4: chewing your face off. Have I moved up to Auckland

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Speaker 4: in my early twenties.

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Speaker 1: Before we moved up to Auckland, Can I just play

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Speaker 1: a tune and see if whether you respect this tune

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Speaker 1: at all?

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Speaker 3: Here?

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Speaker 5: I feel it's a similar era.

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Speaker 4: I'll see it. It's almost got too much going on.

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Speaker 4: I ever, then you've got that just too much harsh keys.

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Speaker 7: This is this was absolutely at the brain. This general

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Speaker 7: Lee would have been cranking this.

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Speaker 4: Yees see, this had got around one o'clock in the morning,

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Speaker 4: gone to.

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Speaker 5: Anyway, Sorry, you know, let's go back to your story,

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Speaker 5: so I interrupted.

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Speaker 4: So then moved to Auckland and I was living out

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Speaker 4: at pih and there was a really good crew of

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Speaker 4: house DJs out at Peter and a few people that

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Speaker 4: would make their own situations.

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Speaker 5: What do you mean they're running labs?

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Speaker 1: Yeah, you need to ask that question.

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Speaker 4: And then we're coming would party around town. You know,

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Speaker 4: Galatos was going off at that stage, all the various

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Speaker 4: sort of dance parties and then we go back to

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Speaker 4: pH and that insula did the downstairs barn area and

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Speaker 4: you'd open it up and then we'd have about forty

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Speaker 4: or fifty people who continue on there through a Sunday.

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Speaker 4: Oh yeah, here we go and and this is this

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Speaker 4: is where I sort of got really into Ian Pooley

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Speaker 4: at the time, and he wrote a chump. Yeah. He

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Speaker 4: used to go out. He would go out there and

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Speaker 4: here party out there and sort of your legends like

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Speaker 4: your Dick Johnson's and so forth. And this is where

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Speaker 4: my first tune's actually an im Pooley Remax Body and

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Speaker 4: Soul by Mattio and Martos.

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Speaker 7: Oh, this is a great tune and interesting that I met.

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Speaker 7: I hung out with the Empoulie out in pr because

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Speaker 7: my friend Chuizodonica used to used to do all the

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Speaker 7: lightspeed gigs, oh did he?

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Speaker 4: Yeah?

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Speaker 7: And he used to bring Ian ply gentleman. He is

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Speaker 7: a lovely gentleman and the old campaigner. And he he

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Speaker 7: bought Dick Johnson over. He bought all of these paper

360
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Speaker 7: records guys over.

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Speaker 4: Yeah.

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Speaker 7: And Ian Pooley what a great New Zealander.

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Speaker 4: He is lovely guy. Holl you what I like about

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Speaker 4: this as it's good for going about your work. It's

365
00:17:02,280 --> 00:17:05,160
Speaker 4: got like a bit of a metronome to get yourself

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Speaker 4: and do.

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Speaker 1: You take a lot a lot of space on the

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00:17:08,160 --> 00:17:12,440
Speaker 1: dance for God him? Are you in your pocket? You're

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00:17:12,520 --> 00:17:15,520
Speaker 1: sort of an early shuffler. Hands my legs out.

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Speaker 4: Occasionally I like to get a get a bit of

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Speaker 4: almost a tie cheese sort of creating the space.

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Speaker 7: You look like you sort of also you look like

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Speaker 7: you you get the arms out wide, like you're dancing

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Speaker 7: with a particularly o beast person.

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Speaker 4: Yeah. All like I love the bus driver the bog

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Speaker 4: where you're just really fondling the wheel before they go.

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Speaker 1: Well, when we get guests and on the chew your

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Speaker 1: face off special and you are the first that we

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Speaker 1: had had.

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Speaker 5: We always get.

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Speaker 1: Them just to show some moves and the laser lights

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Speaker 1: and we'll just try and get a little bit video

383
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Speaker 1: there if we could before the end mash did you

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Speaker 1: sort that out piece?

385
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Speaker 4: Absolutely? Maybe with the with the lasers coming. I don't

386
00:17:54,920 --> 00:17:59,360
Speaker 4: want to choreograph mashes video. Yeah, and see now that's

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00:17:59,560 --> 00:18:01,439
Speaker 4: open up. Yeah, here we go.

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Speaker 5: This is a yus for me.

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Speaker 4: Oh yeah, that's here we go go on. See this

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00:18:07,480 --> 00:18:11,280
Speaker 4: is then this is a sort of I like to

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Speaker 4: I like to break the night up. There's the first

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Speaker 4: get to the club part where run's too excited. They

393
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Speaker 4: might have had a bit too much stuff early. They're

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Speaker 4: trying to get stuff, they're trying to get a couple

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Speaker 4: of drinks, and you haven't found your spot on the

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Speaker 4: dance floor. Then there's there about midnight when this sort

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Speaker 4: of stuff's coming on, and then you start really going

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Speaker 4: about your work.

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Speaker 1: This is when you start thinking this is a really

400
00:18:35,320 --> 00:18:37,400
Speaker 1: good night You're thinking, oh my god, this is this

401
00:18:37,440 --> 00:18:39,000
Speaker 1: is actually a really good night out.

402
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Speaker 4: This is I've picked the right spot. Yeah, I'm sort

403
00:18:42,000 --> 00:18:44,639
Speaker 4: of cruising around. And then you're willing to go a

404
00:18:44,680 --> 00:18:47,240
Speaker 4: bit deeper because you've sectioned off your area with you

405
00:18:47,320 --> 00:18:50,360
Speaker 4: and your mate. You know who to look out for,

406
00:18:50,440 --> 00:18:53,720
Speaker 4: who not to look out for, who how to look

407
00:18:53,720 --> 00:18:53,920
Speaker 4: out for?

408
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Speaker 7: The undercover of cops with the mustaches and a swinging

409
00:18:56,119 --> 00:18:59,439
Speaker 7: bly trying to grab some gear off you.

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Speaker 5: Yeah, let's go, Yeah, let's go on this one.

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00:19:02,400 --> 00:19:04,680
Speaker 7: For sure, this is only the beginning of us too,

412
00:19:04,680 --> 00:19:06,240
Speaker 7: because it cranks him with the vocal.

413
00:19:07,080 --> 00:19:10,080
Speaker 4: Yeah, I think this is a sign of a good

414
00:19:10,160 --> 00:19:14,560
Speaker 4: house tume. What I've enjoyed from you Jerry is looking

415
00:19:14,600 --> 00:19:18,520
Speaker 4: at times of house tunes because that definitely breaks down

416
00:19:18,560 --> 00:19:21,639
Speaker 4: whether it's a commercial banger or not. Yeah, like a

417
00:19:21,760 --> 00:19:24,320
Speaker 4: tune sort of goes for your six seven minutes and

418
00:19:24,440 --> 00:19:26,560
Speaker 4: really works its.

419
00:19:26,400 --> 00:19:28,800
Speaker 7: Way up, absolutely, and it should have little bits and

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00:19:28,800 --> 00:19:31,560
Speaker 7: pieces which mean, you know, opportunities to mix in with

421
00:19:31,640 --> 00:19:33,919
Speaker 7: different songs and bring in vocal parts.

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00:19:34,040 --> 00:19:36,919
Speaker 5: Hey Die, you know mass you know I do.

423
00:19:37,359 --> 00:19:41,760
Speaker 4: I've done a couple of he was producing a big

424
00:19:41,800 --> 00:19:42,520
Speaker 4: show I did.

425
00:19:42,600 --> 00:19:44,240
Speaker 5: Oh yeah, yeah, he's a great New Zealander.

426
00:19:45,080 --> 00:19:47,520
Speaker 4: That's where I first learned about the blue light that

427
00:19:47,640 --> 00:19:49,000
Speaker 4: goes on when you're off air.

428
00:19:49,400 --> 00:19:51,280
Speaker 5: Oh right, yeah, that's an important one there.

429
00:19:51,680 --> 00:19:55,119
Speaker 4: And he's also produced the Mad Monday podcast because he

430
00:19:55,640 --> 00:19:59,679
Speaker 4: was a bit under the under the sleep radar from was.

431
00:19:59,680 --> 00:20:03,080
Speaker 5: He was getting his testicle drain one or other.

432
00:20:03,240 --> 00:20:05,359
Speaker 4: Yeah no, I'm just waiting for the breakdown here. How

433
00:20:05,400 --> 00:20:06,720
Speaker 4: long has this song got to go back?

434
00:20:06,800 --> 00:20:08,600
Speaker 5: And it's got another three minutes?

435
00:20:08,760 --> 00:20:09,040
Speaker 4: Okay.

436
00:20:09,240 --> 00:20:10,920
Speaker 7: I feel like at one point there's a bit where

437
00:20:10,920 --> 00:20:13,080
Speaker 7: the beat drops away and we'd move just to the

438
00:20:13,160 --> 00:20:15,760
Speaker 7: vocal on its own before bringing the beat back in again.

439
00:20:15,960 --> 00:20:17,040
Speaker 7: I think it's coming up soon.

440
00:20:19,600 --> 00:20:23,200
Speaker 4: Oh, listen to that, And I love someone just freestyling

441
00:20:23,280 --> 00:20:25,320
Speaker 4: on a on a saddle organ.

442
00:20:27,040 --> 00:20:30,879
Speaker 7: So this is the Matteo matteos im Poorlie's soul max

443
00:20:30,960 --> 00:20:31,840
Speaker 7: of body and soul.

444
00:20:32,240 --> 00:20:38,800
Speaker 4: Here we go. Yeah, this is a great chourn.

445
00:20:39,200 --> 00:20:42,600
Speaker 7: This absolutely one hundred percent will sit very, very comfortably

446
00:20:42,640 --> 00:20:44,200
Speaker 7: in the suite of other songs on the.

447
00:20:44,160 --> 00:20:46,280
Speaker 4: Mat and Jerry show. Yeah, chew your face off.

448
00:20:48,359 --> 00:20:49,400
Speaker 5: You wouldn't even notice it.

449
00:20:51,600 --> 00:20:53,200
Speaker 4: Yeah, this is a big head on the dance floor.

450
00:20:53,560 --> 00:20:57,640
Speaker 7: Say around about nineteen ninety ninety nine.

451
00:20:57,720 --> 00:20:59,560
Speaker 5: You your thoughts on this, Meshy.

452
00:21:00,040 --> 00:21:00,520
Speaker 4: Yeah, I love this.

453
00:21:00,560 --> 00:21:02,440
Speaker 3: I'm a massive supporter of doting with those.

454
00:21:02,720 --> 00:21:06,359
Speaker 4: Thank you here we go, Here we go, Here we go,

455
00:21:06,400 --> 00:21:07,359
Speaker 4: turn it up being.

456
00:21:10,480 --> 00:21:10,960
Speaker 2: This is good.

457
00:21:11,119 --> 00:21:13,040
Speaker 7: This is when you close your eyes and you really

458
00:21:13,160 --> 00:21:15,159
Speaker 7: feel what's coming up inside.

459
00:21:14,800 --> 00:21:18,200
Speaker 4: And you open them and the DJ's doing excessive tweaking

460
00:21:18,320 --> 00:21:24,239
Speaker 4: to pretend they actually produced the June tune. All right,

461
00:21:24,280 --> 00:21:29,040
Speaker 4: that's definitely on the list that she goes. Now we're

462
00:21:29,400 --> 00:21:35,760
Speaker 4: into Ellan Braken, Fred Foulkey. Yeah, Yeah, this is called intro.

463
00:21:36,119 --> 00:21:39,080
Speaker 4: There was a twelve inch because I am I was

464
00:21:39,119 --> 00:21:42,160
Speaker 4: a bit in the house. Djang Buzz Djang was where

465
00:21:42,160 --> 00:21:45,760
Speaker 4: I sort of started out my situation and this was

466
00:21:46,359 --> 00:21:49,679
Speaker 4: one of my favorites, but really hard to mix in.

467
00:21:49,920 --> 00:21:52,720
Speaker 4: For some reason, there was something about this feet and

468
00:21:53,080 --> 00:21:56,640
Speaker 4: baselines are what I like in chunes and this baseline

469
00:21:57,160 --> 00:21:59,480
Speaker 4: that when I talk about going about your work, a

470
00:21:59,600 --> 00:22:04,680
Speaker 4: baseline line just keeps you're driving, you know, a little

471
00:22:04,680 --> 00:22:07,600
Speaker 4: bit of a fuzzy beat here. You're like, oh, yeah,

472
00:22:08,480 --> 00:22:10,080
Speaker 4: is it going to get him? Here? Is it gonna

473
00:22:10,119 --> 00:22:13,800
Speaker 4: pull back? Hey, this baseline will sort our Daddy's a

474
00:22:13,800 --> 00:22:21,120
Speaker 4: little cashew, I'll tell you that. Yeah, it's a It's

475
00:22:21,160 --> 00:22:25,240
Speaker 4: an engorging baseline when you really just need it because

476
00:22:25,240 --> 00:22:26,640
Speaker 4: it sort of pulls itself back.

477
00:22:28,240 --> 00:22:28,879
Speaker 5: Look, you called this.

478
00:22:29,000 --> 00:22:31,040
Speaker 4: As you go about your work, you find out.

479
00:22:31,560 --> 00:22:38,320
Speaker 5: You're in You're in your pocket. Oh no, this is.

480
00:22:41,119 --> 00:22:43,480
Speaker 4: Oh this is the baseline.

481
00:22:43,720 --> 00:22:44,520
Speaker 8: We went this up.

482
00:22:46,600 --> 00:22:48,760
Speaker 4: You get a bit of a float around. This is

483
00:22:48,800 --> 00:22:50,359
Speaker 4: like I'm getting up, I'm getting up off.

484
00:22:51,720 --> 00:22:53,800
Speaker 7: As soon as you get out, you go, now's my

485
00:22:53,920 --> 00:22:56,600
Speaker 7: going to head the dark floor? Because this has got

486
00:22:56,640 --> 00:23:01,119
Speaker 7: a stalking baseline.

487
00:23:03,880 --> 00:23:26,080
Speaker 9: Oh yeah, anybody, and then you when you don't know

488
00:23:26,080 --> 00:23:28,520
Speaker 9: whether the endorphins are just coming from you.

489
00:23:29,680 --> 00:23:32,960
Speaker 4: This is also the decision where you might go, I'm

490
00:23:33,000 --> 00:23:34,880
Speaker 4: even such a good time, I'm gonna double down.

491
00:23:38,240 --> 00:23:42,560
Speaker 7: It's got that heavenly givenly vocal in the background, which

492
00:23:42,600 --> 00:23:43,480
Speaker 7: is so beautiful.

493
00:23:43,560 --> 00:23:51,560
Speaker 4: It's got your driving base here with the floating that's

494
00:23:51,600 --> 00:23:55,199
Speaker 4: gonna double down. And then you go, should we go,

495
00:23:55,359 --> 00:23:57,280
Speaker 4: let's go again, and they're like no, we only went

496
00:23:57,320 --> 00:23:59,720
Speaker 4: again like half an hour ago, and you go no.

497
00:24:00,040 --> 00:24:03,560
Speaker 4: Then me end up vomited. Yeah, it's in the cubicle

498
00:24:03,600 --> 00:24:15,720
Speaker 4: by yourself. This couldn't be more years for me. I

499
00:24:15,800 --> 00:24:19,960
Speaker 4: think basslines are those things that I always wish I

500
00:24:19,960 --> 00:24:24,399
Speaker 4: could write, like because you only really need to write

501
00:24:24,400 --> 00:24:27,680
Speaker 4: about eight notes. Yeah, yeah, eight to sixteen notes.

502
00:24:27,800 --> 00:24:30,120
Speaker 5: Well, I mean these are all variations on another one.

503
00:24:30,119 --> 00:24:34,840
Speaker 1: Boats at ust oh yeah, but great florish at the end,

504
00:24:36,640 --> 00:24:40,720
Speaker 1: got a meal, I by myself alone at home a lot.

505
00:24:41,040 --> 00:24:42,480
Speaker 5: I plug in a bass guitar.

506
00:24:43,080 --> 00:24:44,600
Speaker 1: Put down a feet and I just come up with

507
00:24:45,160 --> 00:24:46,959
Speaker 1: the funkiest bass lines ever written.

508
00:24:47,320 --> 00:24:48,879
Speaker 5: And I record them when I listen to the back and

509
00:24:48,920 --> 00:24:56,760
Speaker 5: they're so shit. The next day.

510
00:24:59,480 --> 00:25:02,840
Speaker 4: Oh, there was such a I really enjoyed the early

511
00:25:02,960 --> 00:25:05,440
Speaker 4: two thousands as a partying time in Auckland.

512
00:25:05,960 --> 00:25:14,840
Speaker 10: Yeah, it also was pre cameras and that so yeah,

513
00:25:14,960 --> 00:25:17,439
Speaker 10: but it was pre cameras, so it was a very

514
00:25:17,480 --> 00:25:20,720
Speaker 10: free time. It was a very free.

515
00:25:20,520 --> 00:25:21,560
Speaker 4: Time in a nightclub.

516
00:25:21,640 --> 00:25:24,840
Speaker 7: You could quietly gurn you away into a corner somewhere

517
00:25:24,880 --> 00:25:26,240
Speaker 7: and nobody would.

518
00:25:26,080 --> 00:25:27,399
Speaker 4: Be the wiser.

519
00:25:31,760 --> 00:25:34,159
Speaker 5: Yeah, and nights says to be. I don't want it

520
00:25:34,200 --> 00:25:35,399
Speaker 5: to sound too nostalgia, but.

521
00:25:36,280 --> 00:25:38,399
Speaker 1: It was a bit of time when you constantly went

522
00:25:38,480 --> 00:25:40,800
Speaker 1: been grabbed by a bunch of people to either people

523
00:25:40,800 --> 00:25:42,439
Speaker 1: you don't know, all people that you do know, for

524
00:25:42,520 --> 00:25:44,800
Speaker 1: a photo opportunity to to.

525
00:25:44,880 --> 00:25:45,679
Speaker 5: Document the night.

526
00:25:45,760 --> 00:25:46,280
Speaker 4: It was near.

527
00:25:46,359 --> 00:25:48,560
Speaker 1: It wasn't about documenting about the night. It was about

528
00:25:48,600 --> 00:25:50,320
Speaker 1: being in the night. I was like, you done get

529
00:25:50,320 --> 00:25:50,960
Speaker 1: to We've gotta.

530
00:25:50,760 --> 00:25:53,679
Speaker 5: Get Photo'm gonta get Yeah, we've gotta get a photo.

531
00:25:53,840 --> 00:25:56,080
Speaker 5: The second later, we've got to get a photo. It's like, no,

532
00:25:56,119 --> 00:25:57,720
Speaker 5: I just want to be in the pocket. I'm about

533
00:25:57,720 --> 00:26:00,400
Speaker 5: to ship my pants. There's a lot of to come

534
00:26:00,400 --> 00:26:00,600
Speaker 5: out of.

535
00:26:01,200 --> 00:26:05,480
Speaker 4: There's so many you go through, so many bodily function waves,

536
00:26:06,000 --> 00:26:08,919
Speaker 4: and then amongst little moments of euphoria.

537
00:26:09,359 --> 00:26:13,200
Speaker 7: Well, I always had the issue where some situations where

538
00:26:13,200 --> 00:26:14,879
Speaker 7: you be like, I don't really want to use the

539
00:26:14,920 --> 00:26:17,919
Speaker 7: toilet in this particular situation. So oftentimes I just I

540
00:26:17,960 --> 00:26:20,439
Speaker 7: live reasonably close to town I just taxi home, do

541
00:26:20,560 --> 00:26:23,040
Speaker 7: my eblutions, do I needed to do mid dance party,

542
00:26:23,359 --> 00:26:24,040
Speaker 7: then come back.

543
00:26:24,119 --> 00:26:27,360
Speaker 4: That's a great move. Just reset and then once all

544
00:26:27,440 --> 00:26:29,960
Speaker 4: that's happened, you're just ready to go. You need that

545
00:26:30,000 --> 00:26:30,399
Speaker 4: to happen.

546
00:26:30,400 --> 00:26:32,679
Speaker 5: If you invite a girl home for a ship.

547
00:26:34,640 --> 00:26:38,560
Speaker 7: Just generally me and the old Dickoh that's a yes,

548
00:26:38,680 --> 00:26:43,560
Speaker 7: that's years on Alan Brake and Fred Folkey with that,

549
00:26:43,720 --> 00:26:45,280
Speaker 7: and that's such a great But I.

550
00:26:45,240 --> 00:26:48,040
Speaker 1: Feel like you and Jeremy are in sync. I feel

551
00:26:48,080 --> 00:26:50,720
Speaker 1: today going with the music you're playing. It's just like

552
00:26:50,760 --> 00:26:54,560
Speaker 1: to see whenever you drop a tune, Jerry's a huge shittingeting.

553
00:26:54,640 --> 00:26:56,720
Speaker 5: Drink covers Jerry's face.

554
00:26:57,280 --> 00:27:01,840
Speaker 4: Jerry's actually one of these guys. I'm really surprized. I

555
00:27:01,840 --> 00:27:07,159
Speaker 4: didn't know. Right, we have quite a similar friend group

556
00:27:07,800 --> 00:27:11,000
Speaker 4: and would have been I reckon at the same parties.

557
00:27:11,000 --> 00:27:11,639
Speaker 5: Oh you would have been.

558
00:27:11,720 --> 00:27:18,080
Speaker 4: Yeah. So now it's there's very much. Yeah, you go.

559
00:27:18,320 --> 00:27:21,439
Speaker 1: Both on TV, you're both in the similar friend groups,

560
00:27:21,600 --> 00:27:25,359
Speaker 1: you're both chewing your faces off each other, well, chewing

561
00:27:25,359 --> 00:27:29,160
Speaker 1: your face off yourself in the same clubs on k road.

562
00:27:29,160 --> 00:27:31,679
Speaker 7: Well, to be fair, I can I can tell you

563
00:27:31,720 --> 00:27:33,920
Speaker 7: what was going, what was happening to me at that

564
00:27:34,000 --> 00:27:37,000
Speaker 7: particular time. I'm tooking your late nineties early two thousands.

565
00:27:37,520 --> 00:27:39,840
Speaker 7: Most of the time I couldn't I was so wasted

566
00:27:39,880 --> 00:27:44,000
Speaker 7: I couldn't see. Yeah, I don't even know what was happening. Sometimes.

567
00:27:44,000 --> 00:27:46,920
Speaker 7: I remember a lot of times looking around nightclubs and

568
00:27:47,320 --> 00:27:50,840
Speaker 7: people often looked like they were wearing glasses or had.

569
00:27:52,200 --> 00:27:53,440
Speaker 4: I spent most of the.

570
00:27:53,440 --> 00:27:55,800
Speaker 7: Sort of the late nineties looking at people's face and

571
00:27:55,840 --> 00:27:57,760
Speaker 7: mockl you were doing in the dark, like do I

572
00:27:57,800 --> 00:27:58,359
Speaker 7: know that person?

573
00:27:58,440 --> 00:27:59,399
Speaker 4: Do I not know that business?

574
00:27:59,520 --> 00:28:01,800
Speaker 5: You were too wasted to make new friends.

575
00:28:02,400 --> 00:28:06,600
Speaker 4: I got thrown out of a club for what I

576
00:28:06,640 --> 00:28:09,920
Speaker 4: was wearing because it was I got given this like

577
00:28:10,720 --> 00:28:13,640
Speaker 4: at the time, friend was bringing in this brand called

578
00:28:13,680 --> 00:28:16,760
Speaker 4: Comte de Garson, and they do like beautiful stuff, but

579
00:28:16,800 --> 00:28:19,919
Speaker 4: it was like a striped shirt with another pattern on it.

580
00:28:20,280 --> 00:28:22,760
Speaker 4: And the bartender came up and went, you've got to

581
00:28:22,840 --> 00:28:30,640
Speaker 4: get out or change because you're ruining people, because he goes,

582
00:28:30,960 --> 00:28:34,960
Speaker 4: you were just triggering, flickering, and like I've had about

583
00:28:35,040 --> 00:28:37,240
Speaker 4: six people come up and mention your top.

584
00:28:37,800 --> 00:28:40,440
Speaker 7: Yeah, well that was That's that's often the case. I mean,

585
00:28:40,600 --> 00:28:43,360
Speaker 7: I just remember looking around at certain times and you

586
00:28:43,400 --> 00:28:47,760
Speaker 7: couldn't work out whether that people's the chewing your face off.

587
00:28:48,440 --> 00:28:50,720
Speaker 7: There was a time when when Chewing your Face Off

588
00:28:50,800 --> 00:28:54,080
Speaker 7: first sort of started to really make its way into

589
00:28:54,120 --> 00:28:57,840
Speaker 7: the mainstream, and and things were slightly different then, But

590
00:28:57,840 --> 00:29:01,880
Speaker 7: before that, it was almost like it was very tribal.

591
00:29:01,920 --> 00:29:03,920
Speaker 7: There was a great divide, as Matt was saying before,

592
00:29:03,920 --> 00:29:07,040
Speaker 7: about people who were who were out for a drunk night,

593
00:29:07,080 --> 00:29:08,880
Speaker 7: and then you'd see the people who were still because

594
00:29:08,880 --> 00:29:11,280
Speaker 7: the lack of licensing laws were different, so so clubs

595
00:29:11,280 --> 00:29:13,640
Speaker 7: could be open forever, and so you'd be going back

596
00:29:13,680 --> 00:29:15,600
Speaker 7: to these clubs site. There was a club called Feel

597
00:29:15,680 --> 00:29:17,560
Speaker 7: that used to be on k Road, and that was

598
00:29:17,600 --> 00:29:19,560
Speaker 7: like a that was a post club club.

599
00:29:19,680 --> 00:29:20,920
Speaker 1: There was at the Feel where you had to go

600
00:29:21,200 --> 00:29:22,720
Speaker 1: and look in the thing and they decided whether you

601
00:29:22,800 --> 00:29:23,760
Speaker 1: came in on the video camera.

602
00:29:23,880 --> 00:29:24,920
Speaker 5: Yeah they never let me.

603
00:29:24,880 --> 00:29:27,000
Speaker 7: In and yeah, and you'd sit around and then there's

604
00:29:27,040 --> 00:29:28,520
Speaker 7: people just sit around on the munt.

605
00:29:29,000 --> 00:29:29,800
Speaker 4: Actually, do you know what.

606
00:29:29,880 --> 00:29:33,000
Speaker 1: One time I was in this club in Feel, and

607
00:29:33,160 --> 00:29:35,000
Speaker 1: one of the few times I was a letter and

608
00:29:35,080 --> 00:29:36,440
Speaker 1: I was in there with Dom Bowden and we were

609
00:29:36,480 --> 00:29:38,960
Speaker 1: massively on the rints and I still sit there with

610
00:29:39,000 --> 00:29:41,760
Speaker 1: Graham Hill, and this guy wanted to fight Dom Bowden.

611
00:29:42,000 --> 00:29:43,960
Speaker 1: He wanted to fight Dom Ban and me. He was like,

612
00:29:44,040 --> 00:29:45,800
Speaker 1: you fucking he was really going on us. And then

613
00:29:45,840 --> 00:29:48,920
Speaker 1: Graham Hill came between us all and said, look, and

614
00:29:48,920 --> 00:29:51,720
Speaker 1: this is some supposed to be excuse exclusive club. You're

615
00:29:51,720 --> 00:29:53,600
Speaker 1: not supposed to be brawling in there. But anyway, came

616
00:29:53,640 --> 00:29:55,360
Speaker 1: between and he goes like, what I'll do as I've

617
00:29:55,360 --> 00:29:57,280
Speaker 1: got a plan. He said to Dom Bowden to come down.

618
00:29:57,320 --> 00:29:57,760
Speaker 5: I've got a plan.

619
00:29:57,920 --> 00:30:01,080
Speaker 1: Tom Bowden's not as he's a guy that he's not

620
00:30:01,080 --> 00:30:03,840
Speaker 1: a fight, he's a lover. And and and Graham Hell

621
00:30:03,840 --> 00:30:05,520
Speaker 1: came with his great plan. He goes, just leave it

622
00:30:05,560 --> 00:30:06,720
Speaker 1: with me, and he goes up to the guy and

623
00:30:06,720 --> 00:30:09,360
Speaker 1: he goes, Dom and Matt would like to buy you

624
00:30:09,400 --> 00:30:11,640
Speaker 1: a drink. And then and then what he did, and

625
00:30:11,680 --> 00:30:14,840
Speaker 1: then the guy goes and then so what Graham Hell

626
00:30:14,880 --> 00:30:16,960
Speaker 1: did is he bought the drink and then he put

627
00:30:16,960 --> 00:30:18,840
Speaker 1: it under the bar and he pissed in the drink,

628
00:30:19,520 --> 00:30:20,240
Speaker 1: so he filled it up.

629
00:30:22,920 --> 00:30:25,960
Speaker 7: Diffuser, Well, the guy, especially the size of Graham help.

630
00:30:26,080 --> 00:30:27,600
Speaker 5: Yeah, but the guy didn't see this. This is the

631
00:30:27,600 --> 00:30:28,440
Speaker 5: brilliance of the plan.

632
00:30:28,560 --> 00:30:30,480
Speaker 1: And so then he gave it to dom Boud and

633
00:30:30,520 --> 00:30:32,120
Speaker 1: to bring the drink over and serve the drink to

634
00:30:32,160 --> 00:30:35,520
Speaker 1: the guy. So the guy was was he was like, oh,

635
00:30:35,520 --> 00:30:36,840
Speaker 1: these guys have bought me a drink. I'm not going

636
00:30:36,880 --> 00:30:39,440
Speaker 1: to fight them anymore. And we felt good because the

637
00:30:39,480 --> 00:30:41,360
Speaker 1: guy was drinking graham Hell's urine.

638
00:30:41,760 --> 00:30:43,000
Speaker 4: A one diplomacy.

639
00:30:43,160 --> 00:30:46,040
Speaker 1: Yeah, And so the whole situation was diffused, and then

640
00:30:46,080 --> 00:30:49,200
Speaker 1: people towed their face off into the deep, into the night,

641
00:30:50,000 --> 00:30:53,200
Speaker 1: deep into the way we've derailed with mice punishing story.

642
00:30:53,240 --> 00:30:54,960
Speaker 5: Where are we?

643
00:30:54,960 --> 00:30:57,560
Speaker 4: Well? Now, I'm actually going a bit. My final ones

644
00:30:57,640 --> 00:30:59,800
Speaker 4: very left field, but this one's a bit more left field.

645
00:30:59,840 --> 00:31:02,800
Speaker 4: Not not polarizing, but it's definitely it's a different sort

646
00:31:02,800 --> 00:31:05,960
Speaker 4: of vibe. It's a it's a house take on quite

647
00:31:05,960 --> 00:31:09,320
Speaker 4: a classic churn here. This is a ride like the

648
00:31:09,360 --> 00:31:13,080
Speaker 4: wind the classic the class Room Cross, yeah, and this

649
00:31:13,160 --> 00:31:15,800
Speaker 4: is the class remix of it. I think this falls

650
00:31:15,840 --> 00:31:18,960
Speaker 4: in my baseline situation again.

651
00:31:19,280 --> 00:31:20,960
Speaker 7: I mean that's right, like the one, one of the

652
00:31:21,040 --> 00:31:22,240
Speaker 7: great tunes.

653
00:31:22,600 --> 00:31:26,560
Speaker 4: And this for me sits around the three in the

654
00:31:26,600 --> 00:31:30,880
Speaker 4: morning thing where stuff's got started to get too heavy.

655
00:31:31,680 --> 00:31:34,360
Speaker 4: Then the DJ wants to just bring it back a bit.

656
00:31:34,440 --> 00:31:37,320
Speaker 4: So this start is a bit heavy. Then the vocal

657
00:31:37,400 --> 00:31:42,000
Speaker 4: comes in to chill it out of it. But it's

658
00:31:42,040 --> 00:31:44,640
Speaker 4: also when you've got a heavy speaker system, you're out it.

659
00:31:44,760 --> 00:31:48,720
Speaker 4: Like the Leslie Race Course. You're just chewing your face off,

660
00:31:48,760 --> 00:31:52,200
Speaker 4: going up and down the escalator and a loop for

661
00:31:52,400 --> 00:31:56,920
Speaker 4: two hours. Taken me back.

662
00:31:59,440 --> 00:32:01,120
Speaker 5: Oh yeah, those are three fifty.

663
00:32:01,320 --> 00:32:05,360
Speaker 4: This is three thirty eight. Gave us at three thirty eight. Absolutely,

664
00:32:05,640 --> 00:32:06,920
Speaker 4: lets me right up.

665
00:32:06,920 --> 00:32:07,400
Speaker 8: The top of.

666
00:32:11,160 --> 00:32:13,160
Speaker 7: The second one is really coming on at the stage.

667
00:32:13,240 --> 00:32:30,840
Speaker 4: Yeah, put the crisp of the cross. That's so guys,

668
00:32:30,840 --> 00:32:31,760
Speaker 4: A pleasure having you.

669
00:32:32,120 --> 00:32:32,880
Speaker 7: Yeah, I'll tell you what.

670
00:32:33,280 --> 00:32:36,680
Speaker 1: That's so punchoppy. I think this is Semia.

671
00:32:37,120 --> 00:32:38,720
Speaker 5: I actually hit it one off.

672
00:32:42,680 --> 00:32:48,360
Speaker 4: Oh yeah, I remember going out to I actually first

673
00:32:48,520 --> 00:32:53,120
Speaker 4: met Dick Johnson at in Ellieslie Race Course. I'd I'd

674
00:32:53,280 --> 00:32:55,960
Speaker 4: party with nit d a lot and they were they

675
00:32:56,000 --> 00:32:59,720
Speaker 4: were close baddies and you need like I'd always respected

676
00:32:59,800 --> 00:33:02,400
Speaker 4: his music and when you meet someone and they are

677
00:33:02,440 --> 00:33:06,000
Speaker 4: an awesome person, it's such a win. Yeah. Well he

678
00:33:06,240 --> 00:33:07,600
Speaker 4: was part of he would have been playing.

679
00:33:07,600 --> 00:33:09,960
Speaker 7: It would have been probably a light speed gego put

680
00:33:10,000 --> 00:33:11,680
Speaker 7: on by the old campaigner because he used to put

681
00:33:11,680 --> 00:33:13,000
Speaker 7: the mine out of Alsie Racecourse.

682
00:33:13,040 --> 00:33:14,760
Speaker 4: I mean one of the greatest gigs I ever.

683
00:33:14,640 --> 00:33:27,120
Speaker 7: Went to out there was Mark Forena, Mark Farina, Mark

684
00:33:27,200 --> 00:33:31,560
Speaker 7: Farina who played I'll Never Forget Once in a Lifetime

685
00:33:31,560 --> 00:33:35,240
Speaker 7: by talking Heads in the middle of this house set

686
00:33:35,440 --> 00:33:37,600
Speaker 7: and it was one of the one of the best

687
00:33:37,640 --> 00:33:38,560
Speaker 7: tunes I've ever heard.

688
00:33:38,600 --> 00:33:42,320
Speaker 4: On the dance for the entire Allesleie race Course just

689
00:33:42,320 --> 00:33:43,760
Speaker 4: went completely crazy.

690
00:33:43,920 --> 00:33:49,600
Speaker 1: He's a calendar, Mark, you know this song here and

691
00:33:49,640 --> 00:33:52,120
Speaker 1: this put that heading to the bar and paints that off.

692
00:33:52,280 --> 00:33:55,080
Speaker 5: But oh yeah, and that feels good.

693
00:33:55,120 --> 00:33:56,120
Speaker 4: It's not about pining it off.

694
00:33:56,120 --> 00:33:59,160
Speaker 7: It's just about just hopefully not releasing everything in your pants.

695
00:34:00,920 --> 00:34:03,760
Speaker 5: But there's the potential for this. The basis of.

696
00:34:03,720 --> 00:34:06,400
Speaker 1: This song chriss Across right like the Wind being on

697
00:34:06,440 --> 00:34:10,640
Speaker 1: both the soft on playlist and you have.

698
00:34:10,600 --> 00:34:14,200
Speaker 4: The soft on version, and yeah, that could be first

699
00:34:14,440 --> 00:34:18,200
Speaker 4: an absolute first for the and jury punishing the playlist.

700
00:34:18,280 --> 00:34:20,000
Speaker 7: So this is a year from me here as well.

701
00:34:20,440 --> 00:34:22,920
Speaker 7: So far I got to say, you're really bringing it.

702
00:34:23,239 --> 00:34:27,319
Speaker 4: So the last one is actually going to have to

703
00:34:27,320 --> 00:34:29,560
Speaker 4: come with a huge not a huge story, but a

704
00:34:29,560 --> 00:34:33,560
Speaker 4: big background because it is technically almost too soft for

705
00:34:33,560 --> 00:34:36,440
Speaker 4: a soft on playlist. Oh my God, and it can't

706
00:34:37,600 --> 00:34:42,480
Speaker 4: whoa So it comes. It comes with this caveat of

707
00:34:43,520 --> 00:34:48,680
Speaker 4: at the nightclub. We're at a place place on K Road.

708
00:34:49,120 --> 00:34:51,240
Speaker 4: Due to the story, I might not mention the caliber.

709
00:34:51,880 --> 00:34:58,279
Speaker 4: No it wasn't Calender, then con hear it. No, yeah,

710
00:34:58,840 --> 00:34:59,640
Speaker 4: next door to that.

711
00:35:00,160 --> 00:35:00,759
Speaker 5: We're in there.

712
00:35:01,080 --> 00:35:04,800
Speaker 4: Everyone's having a huge time. We start our night quite early.

713
00:35:05,160 --> 00:35:10,439
Speaker 4: Then all supplies ran dry. Someone puts the call out

714
00:35:10,560 --> 00:35:15,880
Speaker 4: from the bar guy. Someone comes in, does their delivery.

715
00:35:16,640 --> 00:35:18,400
Speaker 4: Then I'm sitting in the corner. I was having a

716
00:35:18,400 --> 00:35:21,040
Speaker 4: good night, so I hadn't had anything yet. I'm looking around.

717
00:35:21,560 --> 00:35:26,560
Speaker 4: People are dropping like flies. The DJ goes for a

718
00:35:26,640 --> 00:35:32,399
Speaker 4: cross fade, cross fades, then just falls over and so

719
00:35:33,600 --> 00:35:42,160
Speaker 4: big ketamine drop right whereas everyone thought they were two thousands.

720
00:35:42,480 --> 00:35:44,239
Speaker 5: Okay, situation, this is.

721
00:35:44,680 --> 00:35:48,279
Speaker 7: I vaguely feel like I may have remembered these particular things,

722
00:35:48,280 --> 00:35:50,360
Speaker 7: but the orange and were they sort of a slightly

723
00:35:50,560 --> 00:35:51,160
Speaker 7: strange show?

724
00:35:51,160 --> 00:35:51,560
Speaker 5: They were?

725
00:35:51,640 --> 00:35:56,640
Speaker 4: Actually? Yes, then I remember these strangely. The DJ claws

726
00:35:56,760 --> 00:36:01,040
Speaker 4: himself up and out of the bluep it's this tune

727
00:36:01,120 --> 00:36:04,279
Speaker 4: on and it brings everyone to the dance floor for

728
00:36:04,640 --> 00:36:09,720
Speaker 4: slow mo, the slowest motion chewing your face off ever.

729
00:36:10,520 --> 00:36:16,120
Speaker 4: It is Ronoco Flow by Inya. He claws himself up

730
00:36:16,520 --> 00:36:20,680
Speaker 4: and he put this on and then like Kennemine Zombies,

731
00:36:20,840 --> 00:36:26,440
Speaker 4: everyone just floated out of their chairs and just floated

732
00:36:26,760 --> 00:36:29,920
Speaker 4: and rebye. It'd been quite a heavy.

733
00:36:30,320 --> 00:36:33,000
Speaker 5: That's a selector. He selected the exact right, chum.

734
00:36:33,200 --> 00:36:36,040
Speaker 4: But what peace of mind when you've just cross faded

735
00:36:36,080 --> 00:36:42,440
Speaker 4: yourself into the dirt? Then you claorus and all his

736
00:36:42,560 --> 00:36:46,560
Speaker 4: hero is Ronoco Flow. And then I was sitting there

737
00:36:47,480 --> 00:36:50,959
Speaker 4: and then i'd because i'd sort of I've been going

738
00:36:50,960 --> 00:36:54,160
Speaker 4: pretty well, so I just went the sampler whereas people

739
00:36:54,160 --> 00:36:57,040
Speaker 4: are with it, chuck the whole thing down, and so

740
00:36:57,200 --> 00:36:59,600
Speaker 4: I asked right in the zone and the people are

741
00:36:59,680 --> 00:37:04,319
Speaker 4: just loading. We've gone from a hardhouse situation into and

742
00:37:04,400 --> 00:37:07,120
Speaker 4: now this is a song that sits with me. It

743
00:37:07,160 --> 00:37:12,000
Speaker 4: brings the all a wayway to me.

744
00:37:12,200 --> 00:37:15,640
Speaker 7: This is I just imagine, is everybody dropping, everybody falling down,

745
00:37:16,120 --> 00:37:18,440
Speaker 7: and then this is just a This is a rebirth.

746
00:37:18,560 --> 00:37:20,800
Speaker 7: This is like springtime, isn't it?

747
00:37:20,800 --> 00:37:23,400
Speaker 4: It was? It was like the Green Shoots, Yes, the

748
00:37:23,480 --> 00:37:25,160
Speaker 4: Green Shirts finding way.

749
00:37:25,080 --> 00:37:27,120
Speaker 5: Going from an acorn into a tree.

750
00:37:27,239 --> 00:37:29,560
Speaker 7: We'll find a way even on a dance floor and

751
00:37:29,640 --> 00:37:32,160
Speaker 7: k road on in a pit, it will.

752
00:37:31,960 --> 00:37:34,719
Speaker 4: Find the light. Yeah, well, and this set me up.

753
00:37:34,760 --> 00:37:38,640
Speaker 4: Then when I see jang house parties, I always look

754
00:37:38,719 --> 00:37:42,359
Speaker 4: for a tune to drop that would be a resettion,

755
00:37:42,840 --> 00:37:47,640
Speaker 4: and often around two thirty three I go for portis Vola,

756
00:37:48,200 --> 00:37:52,280
Speaker 4: which is a very deep opera tune just to shut

757
00:37:52,400 --> 00:37:55,719
Speaker 4: something in. And then you'd initially get it, Oh what

758
00:37:55,920 --> 00:38:01,200
Speaker 4: is this mate? Then ah, and then it resets people

759
00:38:01,200 --> 00:38:04,280
Speaker 4: and rebirths them to get back into the face chewing.

760
00:38:08,800 --> 00:38:10,960
Speaker 4: And I think he pulled it out. He mixed in

761
00:38:11,120 --> 00:38:14,680
Speaker 4: at this point where it's just perfect to start getting

762
00:38:14,680 --> 00:38:16,920
Speaker 4: a few effects on it. Then he just bought in

763
00:38:17,000 --> 00:38:19,560
Speaker 4: a beautiful beat and would reset.

764
00:38:19,840 --> 00:38:22,920
Speaker 7: What a journey it's been this morning with you die him.

765
00:38:23,000 --> 00:38:25,160
Speaker 7: It's really taken me back, and I'm sure it's taken

766
00:38:25,160 --> 00:38:27,240
Speaker 7: a whole lot of other people back as well.

767
00:38:27,840 --> 00:38:31,000
Speaker 4: So this is even if it's not on the playlist,

768
00:38:31,120 --> 00:38:34,839
Speaker 4: it's just a reminder to everyone out there, have an

769
00:38:34,840 --> 00:38:38,239
Speaker 4: intermission every now and again if something goes down, like

770
00:38:38,360 --> 00:38:42,160
Speaker 4: the sound system goes down, reset with something like this.

771
00:38:42,920 --> 00:38:45,360
Speaker 5: Well, do we dare to put this on both playlists

772
00:38:45,400 --> 00:38:45,800
Speaker 5: as well?

773
00:38:45,840 --> 00:38:49,360
Speaker 4: Just I'd be very happy to have this on the playlist.

774
00:38:49,400 --> 00:38:51,640
Speaker 1: You put it on both the soft on and on

775
00:38:52,080 --> 00:38:53,839
Speaker 1: the chew your face off. Jeez, die hen would you're

776
00:38:53,840 --> 00:38:58,080
Speaker 1: a great New Zealand really you've made that Friday.

777
00:38:58,440 --> 00:39:01,600
Speaker 4: It's I mean, you guys on a beautiful operation here

778
00:39:02,320 --> 00:39:05,800
Speaker 4: and one of the highlights of two thousand and twenty

779
00:39:06,120 --> 00:39:09,040
Speaker 4: one has been been slipping and doing a bit more

780
00:39:09,080 --> 00:39:12,320
Speaker 4: stuff around Harek. So good have you even on the

781
00:39:12,120 --> 00:39:14,880
Speaker 4: on the league stuff and a bit of cricket commentary

782
00:39:14,880 --> 00:39:15,359
Speaker 4: here and there.

783
00:39:15,360 --> 00:39:17,560
Speaker 5: And it's to tell it was so good.

784
00:39:17,600 --> 00:39:20,120
Speaker 1: I mean, people don't understand what's happened, but it was

785
00:39:20,160 --> 00:39:24,800
Speaker 1: a mister Gorbachev tear down that wall situation and company.

786
00:39:25,120 --> 00:39:27,200
Speaker 7: It sounds like the Molly's just starting to kicking arrows

787
00:39:27,640 --> 00:39:32,000
Speaker 7: in the and you were initially you were kept on

788
00:39:32,040 --> 00:39:33,680
Speaker 7: the other side of the iron curtain.

789
00:39:33,440 --> 00:39:35,640
Speaker 5: From us for a long time, for a long time.

790
00:39:35,440 --> 00:39:36,920
Speaker 1: And it's just great that we can come together and

791
00:39:37,000 --> 00:39:40,400
Speaker 1: the big corporations, a big corporation finally collapse to the

792
00:39:40,400 --> 00:39:43,080
Speaker 1: point where you were allowed to over here.

793
00:39:44,040 --> 00:39:46,279
Speaker 4: Thanks for coming in. Diet always a pleasure. Have a

794
00:39:46,280 --> 00:39:47,000
Speaker 4: lovely weekend.

795
00:39:49,320 --> 00:39:50,319
Speaker 5: Hello on Matt Heath.

796
00:39:50,360 --> 00:39:53,120
Speaker 1: You have been listening to the Matt and Jerry Daily

797
00:39:53,160 --> 00:39:56,160
Speaker 1: bespoke podcast. Right now you can listen to our Radio

798
00:39:56,239 --> 00:40:01,080
Speaker 1: Highlights podcast, which you will absolutely get barred up anyway,

799
00:40:01,200 --> 00:40:04,280
Speaker 1: set to download, like, subscribe, write, review, all those great things.

800
00:40:04,400 --> 00:40:07,000
Speaker 1: It really helps myself and Jerry and to a lesser extent,

801
00:40:07,080 --> 00:40:09,520
Speaker 1: Messi and Ruder. If you want to discuss anything raised

802
00:40:09,520 --> 00:40:11,560
Speaker 1: in this pod, check out the Conclave, a Matt and

803
00:40:11,640 --> 00:40:14,919
Speaker 1: Jerry Facebook discussion group. And while I'm plugging stuff, my book,

804
00:40:14,960 --> 00:40:17,440
Speaker 1: A Lifeless Punishing Thirteen Ways to Love the Life You've

805
00:40:17,440 --> 00:40:19,279
Speaker 1: Got is out now get it.

806
00:40:19,200 --> 00:40:22,239
Speaker 5: Wherever you get your books, or just google the bastard.

807
00:40:22,600 --> 00:40:26,200
Speaker 5: Anyway you seem busy, I'll let you go. Bless Blessed, blessed.

808
00:40:26,280 --> 00:40:27,960
Speaker 5: Give them a taste of keyw from me,