1 00:00:01,080 --> 00:00:07,480 Speaker 1: Before he was really big, like like famous. He's certainly big. Yeah, 2 00:00:07,640 --> 00:00:10,400 Speaker 1: he's certainly big. But that's quite cool, like because she 3 00:00:10,440 --> 00:00:13,600 Speaker 1: was a huge star in the eighties. Yeah, and he 4 00:00:13,800 --> 00:00:17,280 Speaker 1: was and under the radar musician when they got married. 5 00:00:17,400 --> 00:00:20,759 Speaker 1: So she just thought he was hot and cool. He's 6 00:00:20,760 --> 00:00:23,720 Speaker 1: still hot. He's still hot and cool. But and then 7 00:00:23,720 --> 00:00:25,960 Speaker 1: he had all those big hats like the song we 8 00:00:26,079 --> 00:00:28,240 Speaker 1: just played. I just think that's a nice story. I mean, 9 00:00:28,240 --> 00:00:30,720 Speaker 1: they're divorced now, but nevertheless. 10 00:00:32,800 --> 00:00:36,159 Speaker 2: Welcome along to the Unnamed Podcast on show so depressed 11 00:00:36,159 --> 00:00:39,400 Speaker 2: that I've had to say that myself to the left 12 00:00:39,400 --> 00:00:42,080 Speaker 2: of me, it's gonna stuck, you know, the Unnamed podcast 13 00:00:42,159 --> 00:00:44,680 Speaker 2: rude to the right of me and me stuck in 14 00:00:44,680 --> 00:00:48,840 Speaker 2: the middle with you in the man. Are you boys 15 00:00:48,840 --> 00:00:49,159 Speaker 2: all right? 16 00:00:49,920 --> 00:00:50,080 Speaker 1: Oh? 17 00:00:50,159 --> 00:00:51,880 Speaker 2: By the way, if you are listening to this show, 18 00:00:53,159 --> 00:00:55,000 Speaker 2: we do have to close this up. Most people, I think, 19 00:00:55,040 --> 00:00:57,440 Speaker 2: listen to the podcast, the Unnamed Podcast before they listened 20 00:00:57,440 --> 00:00:59,880 Speaker 2: to the radio highlights. Would you say, that's right, Ben Hurley, Yeah, 21 00:01:00,040 --> 00:01:00,760 Speaker 2: how I do the show? 22 00:01:00,840 --> 00:01:01,600 Speaker 1: That's how okay. 23 00:01:01,680 --> 00:01:04,840 Speaker 2: Jeremy's a way today he's in Byron Bay, laughing it up. 24 00:01:04,959 --> 00:01:06,000 Speaker 2: First time. I've said that all. 25 00:01:05,920 --> 00:01:07,800 Speaker 1: Day you've said that all morning. 26 00:01:07,880 --> 00:01:09,720 Speaker 3: Yeah, at least twelve times. 27 00:01:09,720 --> 00:01:11,240 Speaker 2: No, this is the first time that the listener would 28 00:01:11,240 --> 00:01:11,560 Speaker 2: have heard this. 29 00:01:11,640 --> 00:01:13,800 Speaker 3: Oh okay, you're doing that whole thing where we're putting 30 00:01:13,840 --> 00:01:16,480 Speaker 3: on a little theater of the mind. He just absolutely 31 00:01:16,480 --> 00:01:17,200 Speaker 3: trembled over it. 32 00:01:17,240 --> 00:01:19,600 Speaker 1: So but then then I'll correct you again. It's not 33 00:01:19,720 --> 00:01:21,800 Speaker 1: he's not laughing, he's not live action role playing. 34 00:01:21,959 --> 00:01:22,760 Speaker 3: This is this is this. 35 00:01:23,000 --> 00:01:25,119 Speaker 2: Look, guys, I've said it before and I'll say it again. 36 00:01:26,520 --> 00:01:29,360 Speaker 2: The experience going through there from me better than mind. 37 00:01:29,680 --> 00:01:31,880 Speaker 3: What about jizzing it up? Could we say he's jizzing 38 00:01:31,880 --> 00:01:32,120 Speaker 3: it up? 39 00:01:32,680 --> 00:01:32,920 Speaker 1: Certain? 40 00:01:33,640 --> 00:01:39,160 Speaker 2: But the issue is as he is, oh, because yeah. 41 00:01:39,040 --> 00:01:41,800 Speaker 1: Oh, And we can't say that on the if he 42 00:01:41,880 --> 00:01:44,039 Speaker 1: broke No, no, no, we can on the podcast. Do you know. 43 00:01:44,040 --> 00:01:46,200 Speaker 2: For the longest time being, I was always an advocate 44 00:01:46,240 --> 00:01:49,320 Speaker 2: of just being nice when people were away and just 45 00:01:49,440 --> 00:01:51,600 Speaker 2: kind of creating a facade on where they might be. 46 00:01:52,120 --> 00:01:54,200 Speaker 1: Yeah, just having some private time. 47 00:01:54,320 --> 00:01:57,000 Speaker 2: You just do it. And then my nana passed away 48 00:01:57,000 --> 00:02:01,600 Speaker 2: a couple of weeks ago, changed the radio and the meshes 49 00:02:01,680 --> 00:02:03,800 Speaker 2: away today. It had a massive bender Sunday night and 50 00:02:03,800 --> 00:02:04,920 Speaker 2: wont be with us for the rest of the week. 51 00:02:04,920 --> 00:02:08,320 Speaker 2: So you know what I'll come in with this is revenge. 52 00:02:08,919 --> 00:02:10,760 Speaker 2: Can't fuck it this time? 53 00:02:10,800 --> 00:02:11,080 Speaker 1: Mate? 54 00:02:11,720 --> 00:02:13,079 Speaker 2: Lapping it up in By and Bay? 55 00:02:13,200 --> 00:02:15,800 Speaker 3: Can I say another time? That year away? It was 56 00:02:15,800 --> 00:02:17,600 Speaker 3: a Thursday and I suggested to the guys that we 57 00:02:17,680 --> 00:02:21,840 Speaker 3: do Penis or Genius mash fuck. They were off it, really, 58 00:02:21,919 --> 00:02:23,519 Speaker 3: they were really. I was like, oh, it would be 59 00:02:23,600 --> 00:02:25,959 Speaker 3: really funny, like you just pay them out, and they're like, no, 60 00:02:26,400 --> 00:02:30,160 Speaker 3: we shouldn't do that when he's away. Unusually kind, That 61 00:02:30,320 --> 00:02:33,280 Speaker 3: is unusually comming from those boys. Yeah, yeah, we did 62 00:02:33,320 --> 00:02:35,280 Speaker 3: something and we did something really shit there as well. 63 00:02:35,360 --> 00:02:36,200 Speaker 3: I can't remember it was. 64 00:02:36,400 --> 00:02:38,320 Speaker 1: What's that they've got actually quite good hearts beating in 65 00:02:38,360 --> 00:02:38,960 Speaker 1: those chests? 66 00:02:39,040 --> 00:02:40,840 Speaker 2: Yeah, I know, it's hard to believe. It's also like 67 00:02:41,000 --> 00:02:42,799 Speaker 2: I think actually at this point, what I'm realizing is 68 00:02:42,840 --> 00:02:45,800 Speaker 2: Jerry's and Matt both besting behind microphones for so long. 69 00:02:45,880 --> 00:02:48,080 Speaker 2: They're looking for anything to talk to. We'll talk about, 70 00:02:48,200 --> 00:02:51,000 Speaker 2: so it's easy to make. It's easy to make. You 71 00:02:51,040 --> 00:02:52,160 Speaker 2: can get a couple of you get a bit of 72 00:02:52,160 --> 00:02:54,680 Speaker 2: mileage out of it. Hey, Metallica are coming boys, how 73 00:02:54,680 --> 00:02:55,640 Speaker 2: furs w about that? 74 00:02:55,680 --> 00:02:56,120 Speaker 3: Excuse me? 75 00:02:56,160 --> 00:02:58,200 Speaker 2: Are we still on the radio show? That was the Phillies. 76 00:02:58,240 --> 00:03:00,680 Speaker 2: Ten minutes past seven, Metallica boys are coming. 77 00:03:00,840 --> 00:03:04,639 Speaker 1: Yeah, Colin, if you have any thought, I was going 78 00:03:04,639 --> 00:03:06,600 Speaker 1: to say, giveaway tickets, we certainly have no tickets to 79 00:03:06,639 --> 00:03:07,000 Speaker 1: give away. 80 00:03:07,120 --> 00:03:09,760 Speaker 2: I'm going to be so fascinated to listen to today's 81 00:03:09,800 --> 00:03:12,880 Speaker 2: radio show, just three dudes tridding the boards. 82 00:03:13,160 --> 00:03:13,960 Speaker 3: Yeah, we did well. 83 00:03:13,960 --> 00:03:18,680 Speaker 1: I thought there's there's another radio station who are quite 84 00:03:19,160 --> 00:03:20,480 Speaker 1: into Metallica. 85 00:03:20,960 --> 00:03:21,560 Speaker 3: The Breeze. 86 00:03:21,840 --> 00:03:22,800 Speaker 1: Yeah, the Breeze. 87 00:03:22,840 --> 00:03:23,000 Speaker 3: Yea. 88 00:03:23,240 --> 00:03:28,960 Speaker 1: Anyway, the head of the Breeze I've known for many years. 89 00:03:29,080 --> 00:03:33,120 Speaker 1: It's have you ruder? He doesn't often post on Facebook, no, 90 00:03:33,960 --> 00:03:36,720 Speaker 1: but about once every it's say five to six years, 91 00:03:36,760 --> 00:03:39,560 Speaker 1: he just posts, no, I don't have any more fucking 92 00:03:39,600 --> 00:03:41,000 Speaker 1: free Metallica tickets. 93 00:03:41,920 --> 00:03:45,880 Speaker 3: It's posting quite a few shots of his girlfriend. Okay, yeah, 94 00:03:46,920 --> 00:03:48,080 Speaker 3: I have noticed that recently. 95 00:03:48,120 --> 00:03:50,480 Speaker 1: We should make it quite clear we're not talking about 96 00:03:50,520 --> 00:03:52,040 Speaker 1: the head of the Breeze, because that is an actual, 97 00:03:52,080 --> 00:03:55,040 Speaker 1: real person and I don't know who that is. But 98 00:03:55,120 --> 00:03:56,400 Speaker 1: we're not talking about there. 99 00:03:56,400 --> 00:03:59,880 Speaker 2: Is that still agil No? 100 00:03:59,880 --> 00:04:01,560 Speaker 1: No, oh right, mare for you? 101 00:04:03,200 --> 00:04:03,360 Speaker 2: Yeah? 102 00:04:03,360 --> 00:04:05,960 Speaker 3: Because yeah, yeah, I went through that once as well. 103 00:04:06,040 --> 00:04:07,880 Speaker 3: I was like, can I say the rock on here? Yeah? 104 00:04:08,760 --> 00:04:09,040 Speaker 3: Do you want? 105 00:04:09,040 --> 00:04:09,280 Speaker 1: Of course? 106 00:04:09,320 --> 00:04:11,000 Speaker 2: You can say the rock, but Metallica they're coming. 107 00:04:11,080 --> 00:04:14,119 Speaker 1: So yeah. First, I was never a big Metallica fan 108 00:04:14,160 --> 00:04:20,200 Speaker 1: at school because everybody was and I was a you 109 00:04:20,360 --> 00:04:24,680 Speaker 1: and so and so. But I've definitely warmed to them 110 00:04:24,720 --> 00:04:26,520 Speaker 1: over the years, definitely warmed. 111 00:04:26,640 --> 00:04:28,280 Speaker 2: Yeah, Well, what's your favorite tune? 112 00:04:29,880 --> 00:04:33,440 Speaker 1: No Leaf Clover, which is off the album. 113 00:04:33,440 --> 00:04:34,800 Speaker 2: Do you know what I've just realized I've done is 114 00:04:34,839 --> 00:04:36,560 Speaker 2: I've decided to try and catch you out on your 115 00:04:36,600 --> 00:04:39,760 Speaker 2: Metallica knowledge, and I'm realizing that I know fucking nothing 116 00:04:39,800 --> 00:04:42,040 Speaker 2: about Metallica myself. Yeah, yeah, I love that tune, that 117 00:04:42,120 --> 00:04:42,720 Speaker 2: great tune. 118 00:04:42,880 --> 00:04:43,480 Speaker 1: It's a goody. 119 00:04:43,839 --> 00:04:46,920 Speaker 3: This is going to sound very trite, but my favorite 120 00:04:47,000 --> 00:04:48,440 Speaker 3: is nothing else matters is that? 121 00:04:48,880 --> 00:04:51,800 Speaker 1: Yeah? Is it because you can play it a little bit? 122 00:04:51,839 --> 00:04:54,680 Speaker 3: Because I can play it? But no, It's one of 123 00:04:54,720 --> 00:04:57,240 Speaker 3: those songs that I keep singing is really boring for 124 00:04:57,320 --> 00:04:59,240 Speaker 3: the first minute, and then I'm like, fuck, I love 125 00:04:59,320 --> 00:05:02,680 Speaker 3: this song. Oh God, I love the song, the strings, 126 00:05:03,080 --> 00:05:05,080 Speaker 3: the drums, It's gonna say the drums. 127 00:05:06,240 --> 00:05:08,440 Speaker 2: You know. I only like to listen to music that 128 00:05:08,480 --> 00:05:10,760 Speaker 2: I can make love to, and nothing else meatters is 129 00:05:10,839 --> 00:05:11,120 Speaker 2: just a. 130 00:05:11,320 --> 00:05:23,919 Speaker 1: Trusts you every day for something new man for a 131 00:05:24,080 --> 00:05:26,360 Speaker 1: different view. I'm almost there. 132 00:05:27,880 --> 00:05:33,840 Speaker 2: And nothing else matters, no more of the songs than. 133 00:05:36,880 --> 00:05:39,400 Speaker 1: Well, there you go. I don't know, I don't know 134 00:05:39,400 --> 00:05:42,000 Speaker 1: if I mean, I imagine some women would like a 135 00:05:42,080 --> 00:05:45,280 Speaker 1: rhythm like that. Of course, I sort of just what what? 136 00:05:45,400 --> 00:05:51,960 Speaker 1: What is that? That sort of pneumatic drills. 137 00:05:49,520 --> 00:05:50,159 Speaker 2: Kind of love making? 138 00:05:50,200 --> 00:05:51,640 Speaker 1: I'd say, yeah. 139 00:05:51,600 --> 00:05:54,359 Speaker 3: I reckon, I reckon Sting in his tantric would go 140 00:05:54,400 --> 00:05:55,160 Speaker 3: at that sort of pace. 141 00:05:56,720 --> 00:05:59,400 Speaker 2: I forgot about I always forget about Stinging this tan trick. 142 00:06:00,000 --> 00:06:01,880 Speaker 2: Why don't we talk more about staying in this tan trick? 143 00:06:02,680 --> 00:06:04,000 Speaker 3: It's anything else to talk about. 144 00:06:04,080 --> 00:06:07,000 Speaker 1: I think he stopped doing it because it was there 145 00:06:07,080 --> 00:06:10,480 Speaker 1: was a real time there. He's quite an advocate for it. 146 00:06:10,680 --> 00:06:16,239 Speaker 2: Sting, Yeah, now more known more. Isn't that a shame? 147 00:06:17,080 --> 00:06:19,320 Speaker 2: Or maybe maybe it's not. Maybe he's quite happy about it. 148 00:06:19,600 --> 00:06:21,840 Speaker 2: Something tells me he's probably not stoked about it. 149 00:06:22,279 --> 00:06:22,600 Speaker 1: I'm sure. 150 00:06:22,600 --> 00:06:24,520 Speaker 3: I've written an interview with his wife where she goes 151 00:06:24,520 --> 00:06:28,200 Speaker 3: into the tent Trick six and she says, yet truly styler. 152 00:06:28,680 --> 00:06:32,400 Speaker 1: She says, that's definitely that's a definitely important name. 153 00:06:33,600 --> 00:06:36,279 Speaker 3: The Shape of my Heart singer Sting seventy one revealed 154 00:06:36,279 --> 00:06:38,119 Speaker 3: in the early nineteen nineties that he and his wife, 155 00:06:38,200 --> 00:06:42,719 Speaker 3: Trudy Styler sixty nine engaged in seven hour tent trick 156 00:06:42,880 --> 00:06:43,760 Speaker 3: six sessions. 157 00:06:43,920 --> 00:06:44,279 Speaker 1: What my. 158 00:06:45,800 --> 00:06:47,800 Speaker 3: Before seven hour long? Not seven? 159 00:06:48,520 --> 00:06:50,520 Speaker 2: Was tent trick six? Again? Is it that edging type 160 00:06:50,520 --> 00:06:51,680 Speaker 2: of six where you go. 161 00:06:51,720 --> 00:06:53,520 Speaker 1: Up, I don't think you're doing any there and just 162 00:06:53,560 --> 00:06:57,760 Speaker 1: put you're not doing that? I think you go. 163 00:07:01,200 --> 00:07:06,080 Speaker 3: And then fucking I was looking at Ben. 164 00:07:07,480 --> 00:07:11,280 Speaker 1: It was a three ways so I think it's more 165 00:07:11,320 --> 00:07:17,320 Speaker 1: like it's almost like muscle twitching rather than sometimes, rather 166 00:07:17,320 --> 00:07:18,440 Speaker 1: than any movement times. 167 00:07:18,480 --> 00:07:19,640 Speaker 3: That's enough, though, isn't it. 168 00:07:19,760 --> 00:07:21,760 Speaker 2: I wish you could see Ben's hands right now. This 169 00:07:21,840 --> 00:07:24,680 Speaker 2: is disgusting. So yeah, so I see what you're saying, 170 00:07:24,680 --> 00:07:27,560 Speaker 2: so you would. Oh god, kids are in the fucking car. 171 00:07:27,560 --> 00:07:28,560 Speaker 2: People are listening to this one. 172 00:07:28,560 --> 00:07:34,320 Speaker 3: I'm glad you said the fucking car. Then, dummy, like, 173 00:07:34,400 --> 00:07:37,120 Speaker 3: what's worse? The fucking car and me going like that? 174 00:07:37,600 --> 00:07:39,200 Speaker 2: You can't that's a good point. 175 00:07:39,400 --> 00:07:41,240 Speaker 1: What's that? That's some good folty though. 176 00:07:41,840 --> 00:07:47,320 Speaker 2: You can hear that when you put your yeah in 177 00:07:47,360 --> 00:07:48,720 Speaker 2: the during tenth trick. 178 00:07:49,160 --> 00:07:51,360 Speaker 1: Yeah, I don't think you're taking it out, you know, 179 00:07:51,400 --> 00:07:54,000 Speaker 1: how like when you've got a lot for seven hours 180 00:07:54,000 --> 00:07:54,680 Speaker 1: you know, when you've. 181 00:07:54,520 --> 00:07:57,040 Speaker 2: Got it, you're like a bed at night and you 182 00:07:57,120 --> 00:08:01,920 Speaker 2: put your jocks on again. I know that's a contentok. Yeah, 183 00:08:01,960 --> 00:08:05,360 Speaker 2: and you get a bit of a start pitching ten 184 00:08:06,120 --> 00:08:10,000 Speaker 2: someone's here, and then you know you can do that 185 00:08:10,120 --> 00:08:14,160 Speaker 2: thing where you pulse it, yeah and like kind of 186 00:08:14,160 --> 00:08:14,680 Speaker 2: tense it up. 187 00:08:14,840 --> 00:08:18,000 Speaker 1: Yes, that's what I think. That's what I believe it is. 188 00:08:18,040 --> 00:08:21,520 Speaker 1: And I might be wrong because I am not doing 189 00:08:21,600 --> 00:08:25,520 Speaker 1: seven how I love making sessions. I am in rapid 190 00:08:25,560 --> 00:08:28,840 Speaker 1: pursuit of orgasm. 191 00:08:29,480 --> 00:08:30,640 Speaker 2: Here's the name of the podcast, and. 192 00:08:30,680 --> 00:08:34,280 Speaker 3: We just write that down of orgasm. I mean there's 193 00:08:34,280 --> 00:08:36,120 Speaker 3: maybe then nothing else matters would be good for you 194 00:08:36,120 --> 00:08:38,160 Speaker 3: because you've got a little better four play at the start, 195 00:08:38,720 --> 00:08:40,520 Speaker 3: and then you can get into it, and then there's 196 00:08:40,520 --> 00:08:46,320 Speaker 3: the guitar solo, which is the DAN, and then you 197 00:08:46,320 --> 00:08:49,199 Speaker 3: can cuddle at the end. Six minutes fifty. I think 198 00:08:49,200 --> 00:08:52,600 Speaker 3: it might be perfect. That's better, it's good just before bed. 199 00:08:53,040 --> 00:08:59,400 Speaker 2: Yeah, rapid pursuit of organism. I was running. Do you 200 00:08:59,440 --> 00:09:01,839 Speaker 2: guys we don't do a lot of writing in our jobs. Look, 201 00:09:01,880 --> 00:09:04,640 Speaker 2: it's a relatively pampered Every now and again, do you 202 00:09:04,679 --> 00:09:06,719 Speaker 2: write something down and go choose it? Christ A while 203 00:09:07,040 --> 00:09:07,760 Speaker 2: write something down. 204 00:09:07,880 --> 00:09:09,200 Speaker 1: Yeah, and yeah, hand hurts. 205 00:09:09,280 --> 00:09:13,280 Speaker 2: My hand hurts after writing rapid pursuit of organism. 206 00:09:12,840 --> 00:09:13,800 Speaker 1: Not for the user reason. 207 00:09:15,080 --> 00:09:19,640 Speaker 2: I got given some actual paper today, Yes, from Pixey Campbell. 208 00:09:19,720 --> 00:09:21,480 Speaker 1: Yeah, he steamed in with his actual paper? 209 00:09:21,800 --> 00:09:23,960 Speaker 2: Did he steam in? He was so excited about this 210 00:09:24,000 --> 00:09:25,560 Speaker 2: metallic announcement, as he should be. 211 00:09:25,640 --> 00:09:26,800 Speaker 3: It's just stain on my one. 212 00:09:26,840 --> 00:09:30,559 Speaker 2: Can I just say, I am sorry? 213 00:09:30,679 --> 00:09:33,240 Speaker 1: What the fuck is that? You actually stay? 214 00:09:33,480 --> 00:09:36,439 Speaker 3: Yeah, watery, It's okay. 215 00:09:37,520 --> 00:09:39,559 Speaker 2: And I am a massive fan of the paper in hand. 216 00:09:39,679 --> 00:09:41,839 Speaker 2: I feel like a broadcaster, now you're true. 217 00:09:42,120 --> 00:09:45,200 Speaker 1: I feel like Hosking with that paper in his hand. 218 00:09:45,640 --> 00:09:46,920 Speaker 2: This is where I was going to go with this. 219 00:09:47,120 --> 00:09:49,079 Speaker 2: Last night I saw a video of hosking because I 220 00:09:49,080 --> 00:09:50,960 Speaker 2: think they're trying to up there video game up there 221 00:09:50,960 --> 00:09:56,200 Speaker 2: at ZB. So he his disk. So in front of 222 00:09:56,240 --> 00:10:00,280 Speaker 2: me here is a like it sounded a screen into 223 00:10:00,280 --> 00:10:01,480 Speaker 2: the left of me. I've got a computer which I've 224 00:10:01,520 --> 00:10:03,040 Speaker 2: read my shit off, and the right of got the phones. 225 00:10:03,080 --> 00:10:04,880 Speaker 2: And then you guys have got three screens each as well. 226 00:10:05,360 --> 00:10:07,079 Speaker 2: It looks like fucking, I don't know, some kind of 227 00:10:07,120 --> 00:10:11,000 Speaker 2: spaceship situation. Yes, we've all got one. 228 00:10:11,200 --> 00:10:13,960 Speaker 1: This one's Internet and this one's what song is next. 229 00:10:14,360 --> 00:10:16,600 Speaker 2: Yes, I mean that's a really simple way of putting it. 230 00:10:16,960 --> 00:10:18,680 Speaker 2: But that is how it works. That is Internet, and 231 00:10:18,720 --> 00:10:19,800 Speaker 2: that is what song is next. 232 00:10:20,200 --> 00:10:20,800 Speaker 1: Cool, that's right. 233 00:10:20,960 --> 00:10:24,360 Speaker 2: And so he's got up there. Everything is built into 234 00:10:24,480 --> 00:10:27,640 Speaker 2: like a glass desk. So his desk is completely flat. 235 00:10:27,880 --> 00:10:30,920 Speaker 2: Oh and he's got like one of those retail situations. 236 00:10:30,400 --> 00:10:33,240 Speaker 1: Like Minority Report for goodness sake, Yes, can he move 237 00:10:33,280 --> 00:10:34,439 Speaker 1: it with his hands and stuff? 238 00:10:34,520 --> 00:10:36,520 Speaker 2: No, you can't do that. That will be incredible if 239 00:10:36,520 --> 00:10:39,120 Speaker 2: you could do that. You could just pinch open it. Yeah, 240 00:10:39,280 --> 00:10:39,920 Speaker 2: he can't do that's. 241 00:10:39,800 --> 00:10:41,560 Speaker 1: The kind of money there. Rocket. That's what Heat's gone 242 00:10:41,600 --> 00:10:43,280 Speaker 1: to report. 243 00:10:43,320 --> 00:10:46,360 Speaker 2: So the entire desks glass, and then they've got screens 244 00:10:46,440 --> 00:10:49,840 Speaker 2: looking up underneath them back at them, and so Hosking's 245 00:10:49,840 --> 00:10:51,280 Speaker 2: disk is just filled with paper. 246 00:10:52,120 --> 00:10:54,320 Speaker 1: Well, we got we got yesterday's coffee cup that I 247 00:10:54,320 --> 00:10:55,160 Speaker 1: forgot to take out. 248 00:10:55,200 --> 00:10:58,640 Speaker 2: We have three fucking square monitors in the studio. 249 00:10:59,360 --> 00:11:02,679 Speaker 1: Half a finished. I'm going to say, new energy, drink 250 00:11:04,440 --> 00:11:07,560 Speaker 1: a pear of scissors. Yep. And also I'm sitting with 251 00:11:07,640 --> 00:11:10,640 Speaker 1: Jason Hoytset. So every day I put the headphones on 252 00:11:10,960 --> 00:11:14,000 Speaker 1: and get my ears blasted out because he's a death old. 253 00:11:14,080 --> 00:11:14,520 Speaker 1: Last year. 254 00:11:14,600 --> 00:11:17,320 Speaker 3: The two publicity people that brought Eric Idolan the other day, 255 00:11:17,600 --> 00:11:21,520 Speaker 3: because there's how many Adams studio, there's three four Square monitors, 256 00:11:22,040 --> 00:11:24,480 Speaker 3: and they, without trying to take the person, they said, oh, 257 00:11:24,480 --> 00:11:27,400 Speaker 3: would you get those squeare monitors from I said twenty 258 00:11:27,640 --> 00:11:30,880 Speaker 3: fourteen or something, and they're like, oh, they're just that old, 259 00:11:30,880 --> 00:11:33,200 Speaker 3: because they actually thought we'd gone out and bought Square 260 00:11:33,200 --> 00:11:36,480 Speaker 3: monitors in twenty twenty four oh like like it was 261 00:11:37,400 --> 00:11:39,920 Speaker 3: it was squere monitors. They look great. 262 00:11:40,120 --> 00:11:42,760 Speaker 2: The radiosoftware that we use, I think I believe was 263 00:11:42,760 --> 00:11:45,319 Speaker 2: the last updated. This is not a joke. It was 264 00:11:45,360 --> 00:11:49,240 Speaker 2: actually last updated nine ninety six. So we're we're so 265 00:11:49,280 --> 00:11:52,360 Speaker 2: we're all running Windows XP here and I mean this 266 00:11:52,480 --> 00:11:54,520 Speaker 2: is really just looking behind the curtain. It's such it's 267 00:11:54,520 --> 00:11:56,560 Speaker 2: a fickle industry. It could be brought down with just one, 268 00:11:56,640 --> 00:11:59,680 Speaker 2: what three or nine software on the start. 269 00:11:59,760 --> 00:12:00,720 Speaker 1: But in the corner. 270 00:12:01,000 --> 00:12:04,920 Speaker 3: So if you're a hacker of some description and you 271 00:12:04,960 --> 00:12:07,800 Speaker 3: want to get into someone's radio logs and change some 272 00:12:07,840 --> 00:12:10,959 Speaker 3: of the songs in there might not be so difficult. 273 00:12:11,720 --> 00:12:12,760 Speaker 2: I don't know how you do that. 274 00:12:14,000 --> 00:12:16,640 Speaker 3: Yeah, but you don't know that, but someone will someone 275 00:12:16,679 --> 00:12:19,120 Speaker 3: will know that. Probably someone from Russia. 276 00:12:18,840 --> 00:12:20,559 Speaker 2: Forgot where I was going. I was good about to 277 00:12:20,600 --> 00:12:23,120 Speaker 2: say something of no value paper. 278 00:12:23,480 --> 00:12:25,120 Speaker 1: Should we take a break while you think about it? 279 00:12:25,240 --> 00:12:26,120 Speaker 2: Yeah, I won't have it. 280 00:12:26,200 --> 00:12:27,840 Speaker 1: I'll just do your job for you, shallow mass. 281 00:12:27,920 --> 00:12:30,600 Speaker 2: Okay, there's a good idea. Thanks mate, couple. If I've 282 00:12:30,600 --> 00:12:31,120 Speaker 2: got a job. 283 00:12:41,480 --> 00:12:43,920 Speaker 1: Oh, that's just the way it is. 284 00:12:45,160 --> 00:12:47,480 Speaker 2: Things will never be the same. Welcome back to the 285 00:12:47,559 --> 00:12:49,600 Speaker 2: unknawn podcast once again. 286 00:12:49,640 --> 00:12:50,199 Speaker 1: I've seen that. 287 00:12:51,200 --> 00:12:52,280 Speaker 2: Who's singing this? Oh this? 288 00:12:52,480 --> 00:12:54,480 Speaker 3: Bruce Warnsby in the Range full. 289 00:12:54,240 --> 00:12:56,480 Speaker 2: Circle moment because we were just talking about Mike Hosking 290 00:12:56,480 --> 00:12:58,559 Speaker 2: and of course that was the album that was spotted 291 00:12:58,600 --> 00:13:00,440 Speaker 2: on his passenger suit when Jeremy I was been for 292 00:13:00,440 --> 00:13:02,040 Speaker 2: a bit of a spy inside his car. That takes 293 00:13:02,080 --> 00:13:04,160 Speaker 2: up two parks down here in the ZBA building. Bruce 294 00:13:04,160 --> 00:13:05,599 Speaker 2: Wanns be in the Range, Bryce. 295 00:13:05,440 --> 00:13:08,960 Speaker 3: Bruce, Bruce Hornsby. 296 00:13:08,400 --> 00:13:10,360 Speaker 2: And then did two park come along and get involved 297 00:13:10,360 --> 00:13:11,400 Speaker 2: as well as at some point. 298 00:13:11,280 --> 00:13:16,600 Speaker 1: To sample made it bigger? Yep, yeah chun RP. Anything 299 00:13:16,600 --> 00:13:18,559 Speaker 1: else you got to say to Bruce Hornsby still around? 300 00:13:19,520 --> 00:13:23,040 Speaker 3: Yeah? The Range are all fucking dead though, so yep, 301 00:13:23,200 --> 00:13:26,440 Speaker 3: all of them people blame Bruce Hornsby for it. They're 302 00:13:26,440 --> 00:13:30,000 Speaker 3: all fucked. I don't know if that's true. Hey, can 303 00:13:30,040 --> 00:13:32,480 Speaker 3: I just try something, Ben, You've got a couple of 304 00:13:32,520 --> 00:13:35,720 Speaker 3: bits of paper. Yeah, here's my two bits of paper. 305 00:13:36,000 --> 00:13:38,280 Speaker 3: I just want Mesh to just experience. Because he was 306 00:13:38,280 --> 00:13:40,280 Speaker 3: talking about how much he loves having paper in hand. 307 00:13:40,280 --> 00:13:43,319 Speaker 3: Oh my god, this, I just try and ignore that. 308 00:13:43,360 --> 00:13:45,720 Speaker 3: Put them in the middle. So Ben, because I think 309 00:13:46,000 --> 00:13:48,800 Speaker 3: because we've been doing that thing this morning, we rustle 310 00:13:48,840 --> 00:13:51,200 Speaker 3: the paper by the microphone. I want to see. Yeah, 311 00:13:51,240 --> 00:13:53,200 Speaker 3: that's what I want on bang that on the How 312 00:13:53,240 --> 00:13:56,679 Speaker 3: does that feel he's banging the paper on, shuffling it? 313 00:13:57,040 --> 00:14:00,600 Speaker 2: That's Allison Chain's ten. Let's have a chair now, boys, 314 00:14:00,600 --> 00:14:03,280 Speaker 2: about some news that I've just received here. 315 00:14:04,080 --> 00:14:06,280 Speaker 1: Actually, you know, if you want a little look behind 316 00:14:06,320 --> 00:14:08,800 Speaker 1: the curtain in My Rural News, if you are listening 317 00:14:08,840 --> 00:14:12,040 Speaker 1: to this before the Ready Highlights podcast and My Rural News, 318 00:14:12,720 --> 00:14:16,199 Speaker 1: Rudy wanted to add an extra fact and he was 319 00:14:16,280 --> 00:14:17,559 Speaker 1: kind of trying to throw to me, and I was 320 00:14:17,640 --> 00:14:20,200 Speaker 1: big dumb and I couldn't see it. So he pretended 321 00:14:20,400 --> 00:14:23,440 Speaker 1: that he was getting like news hot off the press 322 00:14:23,760 --> 00:14:27,040 Speaker 1: and rustled his paper up next to the micro would. 323 00:14:27,720 --> 00:14:30,800 Speaker 3: If David Copperfield was here, would you tell everyone what 324 00:14:30,840 --> 00:14:32,840 Speaker 3: he did with the statue of liberty language? What are 325 00:14:32,880 --> 00:14:33,200 Speaker 3: you done? 326 00:14:33,520 --> 00:14:38,000 Speaker 1: I was trying to give you big ups. You're sorry. 327 00:14:38,600 --> 00:14:40,160 Speaker 1: I'm sorry, it's very defensive. 328 00:14:40,560 --> 00:14:43,600 Speaker 2: Ken tomorrow on the ben Hilly's rule round up. Yes, 329 00:14:43,720 --> 00:14:44,960 Speaker 2: news you can get around the back. 330 00:14:44,840 --> 00:14:48,560 Speaker 1: Too, the news. You can hang out the back of. 331 00:14:52,800 --> 00:14:54,000 Speaker 2: This sting update for tomorrow. 332 00:14:55,000 --> 00:14:56,320 Speaker 3: Can we go to do that? 333 00:14:56,640 --> 00:15:00,240 Speaker 2: Maybe we present those off bits of paper? Yes, I 334 00:15:00,240 --> 00:15:02,200 Speaker 2: feel like that would add to the rural element of it. 335 00:15:02,240 --> 00:15:03,800 Speaker 2: Is just I like the idea of playing this thing 336 00:15:03,880 --> 00:15:06,280 Speaker 2: and then just hearing a bit of a today. 337 00:15:06,920 --> 00:15:09,600 Speaker 1: Yeah, r all around it. Yeah, and next week maybe 338 00:15:09,680 --> 00:15:10,840 Speaker 1: stone tablets. 339 00:15:12,040 --> 00:15:13,400 Speaker 2: Yes, we should go to stone tablets. 340 00:15:13,400 --> 00:15:16,600 Speaker 3: Next week, smoke signals, we could do that. One day. 341 00:15:18,240 --> 00:15:22,080 Speaker 2: We can get a pigeon and deliver someone is cash something. 342 00:15:22,520 --> 00:15:24,240 Speaker 1: There's a fact somewhere here in a court like a 343 00:15:24,320 --> 00:15:26,280 Speaker 1: dusty corner, a facts. 344 00:15:28,600 --> 00:15:31,320 Speaker 2: If I'm not sure if there's a facts around here? 345 00:15:31,520 --> 00:15:35,880 Speaker 1: No, I think where are all the faxes? Just in landfill? 346 00:15:36,080 --> 00:15:36,880 Speaker 2: Could we get one? 347 00:15:38,200 --> 00:15:39,080 Speaker 1: Should we give one away? 348 00:15:39,120 --> 00:15:42,200 Speaker 2: It'd be fuck and awesome to have a fax, But 349 00:15:42,240 --> 00:15:44,120 Speaker 2: then people have to have a fax. Machine to be 350 00:15:44,120 --> 00:15:45,360 Speaker 2: able to send us a fact or does that? 351 00:15:46,040 --> 00:15:49,280 Speaker 1: Ye see how many people still have them in the country. 352 00:15:48,920 --> 00:15:51,320 Speaker 2: Because can you set up a fax machine and studio 353 00:15:51,400 --> 00:15:54,560 Speaker 2: and we can get immediate facts through. But the only 354 00:15:54,600 --> 00:15:55,720 Speaker 2: way you can do to day is. 355 00:15:55,680 --> 00:15:58,840 Speaker 1: If I wonder if they're like queued up, like so 356 00:15:58,920 --> 00:16:01,720 Speaker 1: if you plugged it in, just have faxes coming through 357 00:16:01,760 --> 00:16:02,760 Speaker 1: from two thousand and one. 358 00:16:02,880 --> 00:16:05,480 Speaker 2: Yeah, nice reference, But Harry Potter one when there's let 359 00:16:05,600 --> 00:16:08,400 Speaker 2: us coming through the door. That's what I'm imagining happening 360 00:16:08,400 --> 00:16:10,040 Speaker 2: if you plug in a fax machine for the first 361 00:16:10,040 --> 00:16:11,280 Speaker 2: time in twenty years. 362 00:16:15,680 --> 00:16:17,520 Speaker 3: I wonder what happened if you plug it in for 363 00:16:17,560 --> 00:16:18,600 Speaker 3: the first time in twenty years. 364 00:16:18,720 --> 00:16:20,960 Speaker 2: Yeah, that would happen. I reckon that would happen. So 365 00:16:21,400 --> 00:16:24,360 Speaker 2: Jerry's away in Byron Bay Fellas, So we're just going 366 00:16:24,360 --> 00:16:27,520 Speaker 2: to keep kind of treating the boards until until he's back. 367 00:16:27,640 --> 00:16:30,320 Speaker 2: I think tomorrow We've got plenty of the show, don't we. 368 00:16:30,400 --> 00:16:32,520 Speaker 2: I think we're going to talk about after school snacks, 369 00:16:32,680 --> 00:16:33,680 Speaker 2: which I'm excited for. 370 00:16:33,840 --> 00:16:34,040 Speaker 1: Yeah. 371 00:16:34,120 --> 00:16:36,640 Speaker 2: Same, I mean you suggested that be in with about 372 00:16:36,680 --> 00:16:39,680 Speaker 2: ten minutes to go in the show today off here, Yeah, 373 00:16:39,680 --> 00:16:41,080 Speaker 2: and it was the most as excited I've been on 374 00:16:41,120 --> 00:16:41,400 Speaker 2: the show. 375 00:16:41,560 --> 00:16:43,240 Speaker 1: I tell you why it's a good subject to talk 376 00:16:43,240 --> 00:16:45,920 Speaker 1: about is because it's it's like your first cooking you 377 00:16:45,920 --> 00:16:48,640 Speaker 1: ever do for yourself. You know, you get home from 378 00:16:48,640 --> 00:16:51,680 Speaker 1: school and you make yourself a snack, so you know, 379 00:16:51,760 --> 00:16:53,880 Speaker 1: it's kind of the first stuff you do like. 380 00:16:53,840 --> 00:16:56,800 Speaker 2: That at risk of kind of burning tomorrow's content. Now, Yeah, 381 00:16:56,880 --> 00:16:58,360 Speaker 2: do you remember like the amount of food you guys 382 00:16:58,400 --> 00:17:01,640 Speaker 2: could eat and you're both dudes, as about a thirteen 383 00:17:01,720 --> 00:17:03,120 Speaker 2: to sixteen year old boy. 384 00:17:03,040 --> 00:17:04,439 Speaker 3: How expensive that must have been. 385 00:17:04,720 --> 00:17:06,760 Speaker 2: Just your parents coming home and just telling you that 386 00:17:06,920 --> 00:17:09,240 Speaker 2: I've just done the bloody shopping and there's nothing left 387 00:17:09,280 --> 00:17:10,240 Speaker 2: in the cupboard we've had. 388 00:17:11,119 --> 00:17:11,960 Speaker 3: I spoil your dinner. 389 00:17:12,040 --> 00:17:12,720 Speaker 2: Yeah, that's right. 390 00:17:12,760 --> 00:17:15,399 Speaker 1: I'll tell you what I walked to school, which was 391 00:17:15,440 --> 00:17:17,359 Speaker 1: about four k right. 392 00:17:17,280 --> 00:17:19,920 Speaker 2: Oh fucking hell, jeez all, hail Ben, hurly mate, I'm 393 00:17:20,119 --> 00:17:21,040 Speaker 2: congrats brother. 394 00:17:21,400 --> 00:17:23,520 Speaker 1: Hey, then you do an hour a pe at school? 395 00:17:23,640 --> 00:17:27,840 Speaker 1: Yeah right, this is high school. I'malking about right, all interval, 396 00:17:28,000 --> 00:17:31,480 Speaker 1: all lunchtime, I'd play some sort of sport. This is 397 00:17:31,480 --> 00:17:34,600 Speaker 1: a good point, and then quite often after school i'd 398 00:17:34,600 --> 00:17:36,359 Speaker 1: have like sports practice. 399 00:17:36,880 --> 00:17:38,600 Speaker 2: You were just burning so many calories. 400 00:17:39,400 --> 00:17:42,600 Speaker 3: Your body was an absolute crash of hormones. 401 00:17:42,720 --> 00:17:43,720 Speaker 1: Yeah, obviously I. 402 00:17:43,680 --> 00:17:46,840 Speaker 2: Was checking off and so no wonder you could smash 403 00:17:46,840 --> 00:17:50,400 Speaker 2: it ntire loaf of white death. Yeah, I was eating 404 00:17:50,400 --> 00:17:52,520 Speaker 2: a regular full loafs of bread of toast after school 405 00:17:52,520 --> 00:17:55,000 Speaker 2: each day. Don't even get me started on the whetbex. Oh, 406 00:17:55,080 --> 00:17:56,879 Speaker 2: we should come back to weetbeks tomorrow as well. I 407 00:17:56,960 --> 00:17:58,280 Speaker 2: begin to know as a growin men, when was the 408 00:17:58,359 --> 00:18:00,480 Speaker 2: last time you tried to max out on wheatbak on? 409 00:18:00,640 --> 00:18:01,120 Speaker 3: Max out? 410 00:18:02,080 --> 00:18:02,280 Speaker 2: Can? 411 00:18:02,720 --> 00:18:04,520 Speaker 3: I'll buy some. I'll buy some wheat boaks today and 412 00:18:04,520 --> 00:18:06,240 Speaker 3: we'll see how many we can do in the morning, because. 413 00:18:06,040 --> 00:18:08,880 Speaker 1: I think, yeah, yeah, okay, can you do? We'll feel 414 00:18:08,880 --> 00:18:09,479 Speaker 1: like all blacks. 415 00:18:09,960 --> 00:18:12,680 Speaker 3: That's that's why I feel like an a reckon. 416 00:18:12,720 --> 00:18:15,320 Speaker 1: You guys have got any how many can I do? 417 00:18:15,920 --> 00:18:17,119 Speaker 1: Like maximum? Maybe? Six? 418 00:18:17,880 --> 00:18:18,520 Speaker 2: Bullshit? 419 00:18:18,720 --> 00:18:20,639 Speaker 1: Ben? Do you can well, you're. 420 00:18:20,480 --> 00:18:23,160 Speaker 2: A you're a double double. 421 00:18:24,200 --> 00:18:24,880 Speaker 1: Do you can wet? 422 00:18:25,160 --> 00:18:26,080 Speaker 3: You can have milk on it? 423 00:18:26,680 --> 00:18:29,359 Speaker 2: Sugar if you're a bit of happy for you to 424 00:18:29,359 --> 00:18:30,800 Speaker 2: warm them up in the microwave's well being? 425 00:18:31,400 --> 00:18:34,879 Speaker 1: No, I like mine just playing milk on Do you know? 426 00:18:34,920 --> 00:18:36,680 Speaker 2: I got really judged when I moved sugar. 427 00:18:37,280 --> 00:18:39,200 Speaker 1: But no, but no hot water because the. 428 00:18:39,119 --> 00:18:41,119 Speaker 2: Hot water is something that you have to grow out of, 429 00:18:41,200 --> 00:18:44,040 Speaker 2: isn't it. I think like that the warm wheatbooks, because 430 00:18:44,080 --> 00:18:46,080 Speaker 2: the warm Weet Box is nice. But I don't know 431 00:18:46,080 --> 00:18:48,000 Speaker 2: if there's much credibility as an adult running a warm 432 00:18:48,000 --> 00:18:51,600 Speaker 2: week book. It's I still do yeah, exhibit. 433 00:18:52,080 --> 00:18:54,200 Speaker 1: It's like it's lazy mens porridge, really, isn't it? 434 00:18:55,200 --> 00:18:56,440 Speaker 3: Por don't have time? 435 00:18:56,760 --> 00:18:57,399 Speaker 2: Brand sugar? 436 00:18:57,880 --> 00:19:01,159 Speaker 1: Yeah, brand sugar over what? 437 00:19:01,359 --> 00:19:03,920 Speaker 2: Yeahah, weet books. I'd say brown sugar. Is it more 438 00:19:03,920 --> 00:19:05,119 Speaker 2: concentrated brown sugar? 439 00:19:06,160 --> 00:19:08,560 Speaker 1: Is it better for you? Unrefined? Yeah, brown sugar is 440 00:19:08,800 --> 00:19:12,240 Speaker 1: better for you Jesus. Really, they just it's like cocaine. 441 00:19:12,280 --> 00:19:15,560 Speaker 1: They just bleach it. You know. That's the problem with 442 00:19:15,760 --> 00:19:17,640 Speaker 1: one of the major problems with the cocaine, is they 443 00:19:17,640 --> 00:19:18,080 Speaker 1: bleach it. 444 00:19:18,200 --> 00:19:19,480 Speaker 3: Can you get brown cocaine? 445 00:19:19,600 --> 00:19:21,280 Speaker 1: I think it comes off brown? What comes to the 446 00:19:21,320 --> 00:19:21,879 Speaker 1: coca plant? 447 00:19:21,960 --> 00:19:26,800 Speaker 2: Right, If you get that kind of bulgarian strand flam, 448 00:19:26,840 --> 00:19:28,199 Speaker 2: it comes out brown or something, doesn't it. 449 00:19:28,280 --> 00:19:30,959 Speaker 1: Yeah, it's like in baking bed when they accidentally make 450 00:19:31,000 --> 00:19:31,480 Speaker 1: blue meth. 451 00:19:32,400 --> 00:19:35,560 Speaker 3: Oh yes, but it's the most pure form apparently. 452 00:19:35,600 --> 00:19:37,600 Speaker 2: So yeah, Okay, is that us? We're happy with that? 453 00:19:38,000 --> 00:19:38,399 Speaker 3: I had that. 454 00:19:38,480 --> 00:19:41,160 Speaker 2: I did have a story all the time. 455 00:19:41,680 --> 00:19:44,399 Speaker 3: I actually teach the story back on the seventh of 456 00:19:44,440 --> 00:19:46,080 Speaker 3: October and then promptly forgot to tell it. 457 00:19:46,800 --> 00:19:48,040 Speaker 2: What are we today? The twenty fourth? 458 00:19:48,119 --> 00:19:50,080 Speaker 3: Yees? So I did go away for ten days? Oh 459 00:19:50,080 --> 00:19:50,639 Speaker 3: what's another day? 460 00:19:50,680 --> 00:19:50,879 Speaker 1: They know? 461 00:19:50,920 --> 00:19:54,919 Speaker 3: We'll wrap it up there, I'll please please Do you 462 00:19:54,920 --> 00:19:58,440 Speaker 3: remember the first day that g Lane was on the show? Oh, 463 00:19:58,520 --> 00:20:01,280 Speaker 3: I try not to and and Jerry talked about how 464 00:20:01,359 --> 00:20:04,560 Speaker 3: you control your rages if you get it not rage? 465 00:20:04,840 --> 00:20:09,720 Speaker 3: Oh your rage? Yeah, how you control your rager an erection? Yeah? 466 00:20:09,800 --> 00:20:12,200 Speaker 1: How you I've got a method. 467 00:20:12,160 --> 00:20:14,159 Speaker 2: Great, Yeah, your method is the same as mine. And 468 00:20:14,320 --> 00:20:15,320 Speaker 2: it got poop pooed. 469 00:20:15,680 --> 00:20:16,920 Speaker 1: No, it's not the same as yours. 470 00:20:16,920 --> 00:20:17,320 Speaker 3: What's yours? 471 00:20:17,400 --> 00:20:18,840 Speaker 2: To go hammer and tongs on yourself. 472 00:20:18,840 --> 00:20:22,199 Speaker 1: I just tuck it up with everything, don't touch it. 473 00:20:22,240 --> 00:20:23,000 Speaker 3: That's my method. 474 00:20:23,480 --> 00:20:25,600 Speaker 1: Tuck it up and get into like the feet because 475 00:20:25,600 --> 00:20:28,959 Speaker 1: it's usually in bed, right, and you get into basically 476 00:20:29,000 --> 00:20:33,600 Speaker 1: the fetal position. So you so you've got your twigg 477 00:20:33,760 --> 00:20:34,840 Speaker 1: and berries. 478 00:20:34,600 --> 00:20:36,560 Speaker 2: Up because if you are, I see what you're doing here, 479 00:20:36,560 --> 00:20:39,600 Speaker 2: because if you're lying in a plank fashion, yes, and 480 00:20:39,640 --> 00:20:42,240 Speaker 2: you are, you can't be and you're running the operation. 481 00:20:42,960 --> 00:20:44,000 Speaker 1: God, forget about that. 482 00:20:44,000 --> 00:20:45,840 Speaker 2: You've got there and it's and it's operating at a 483 00:20:45,880 --> 00:20:47,600 Speaker 2: nine degree kind of perpendicular angle. 484 00:20:47,720 --> 00:20:49,040 Speaker 1: Yes, that can. 485 00:20:48,880 --> 00:20:53,080 Speaker 2: Stick out up to for you, up to what a 486 00:20:53,200 --> 00:20:56,000 Speaker 2: ruler's length, you know, so if you but if you 487 00:20:56,080 --> 00:20:57,000 Speaker 2: fold the body. 488 00:20:56,880 --> 00:20:58,760 Speaker 1: Yes, fold the body, and I believe it kind of 489 00:20:58,800 --> 00:20:59,959 Speaker 1: cuts off some blood flows. 490 00:21:00,440 --> 00:21:00,960 Speaker 3: That's fear. 491 00:21:01,160 --> 00:21:02,679 Speaker 1: Yeah, my theory. 492 00:21:02,720 --> 00:21:04,520 Speaker 2: Do you find your erections going away quicker when you're 493 00:21:04,560 --> 00:21:05,040 Speaker 2: in their position? 494 00:21:05,320 --> 00:21:05,520 Speaker 3: Yes? 495 00:21:06,640 --> 00:21:09,160 Speaker 2: Yeah, yeah again, I still think it's quicker to just. 496 00:21:10,560 --> 00:21:14,600 Speaker 1: But there's not a waste time at my age the inclination. 497 00:21:14,880 --> 00:21:16,080 Speaker 2: Yeah, and that kind of might. 498 00:21:16,080 --> 00:21:18,560 Speaker 3: Not be appropriate, like right now, if I had one, 499 00:21:18,640 --> 00:21:20,960 Speaker 3: I could either do Jerry's thing of think of my 500 00:21:21,000 --> 00:21:23,880 Speaker 3: grandmother or I'm not going to do your thing of. 501 00:21:24,960 --> 00:21:27,760 Speaker 2: You but hang on. Those are the only two options. 502 00:21:28,480 --> 00:21:29,680 Speaker 2: They're not No, they're definitely not. 503 00:21:30,160 --> 00:21:31,920 Speaker 3: You're you're really endorsing your option. 504 00:21:32,080 --> 00:21:35,320 Speaker 2: Yeah, my option would be actually, mate, come on, don't 505 00:21:35,400 --> 00:21:37,960 Speaker 2: be crude, go for a walk, jump in the disabled 506 00:21:38,040 --> 00:21:40,520 Speaker 2: toilet and have a take so you don't have to 507 00:21:40,520 --> 00:21:41,920 Speaker 2: do these are the things you've got to think about. 508 00:21:42,200 --> 00:21:45,200 Speaker 1: I discovered mine that doesn't definitely right there. I discovered 509 00:21:45,200 --> 00:21:46,080 Speaker 1: mine at high school. 510 00:21:46,320 --> 00:21:47,880 Speaker 3: To go to the toilet at the show. 511 00:21:48,440 --> 00:21:51,320 Speaker 1: I had quite a mixed, like like co ed group 512 00:21:51,359 --> 00:21:53,800 Speaker 1: of friends at high school, and we were it was 513 00:21:53,840 --> 00:21:56,960 Speaker 1: all very non it was all very platonic, and we'd 514 00:21:56,960 --> 00:22:01,840 Speaker 1: often literally sleep have sleepovers. It's like teenagers. But there 515 00:22:01,880 --> 00:22:03,560 Speaker 1: was an issue with the boys. 516 00:22:03,600 --> 00:22:05,400 Speaker 2: In the morning because you keep shoving it in there. 517 00:22:05,440 --> 00:22:07,520 Speaker 1: Well you were We woke up like that, and they 518 00:22:07,520 --> 00:22:09,800 Speaker 1: didn't want to see that they were just friends genuinely. 519 00:22:09,880 --> 00:22:12,440 Speaker 1: So that's how I discovered it. That's how I discovered 520 00:22:12,440 --> 00:22:14,480 Speaker 1: the recovery position, as I called it. 521 00:22:14,680 --> 00:22:17,800 Speaker 2: Recovery positions are going there because you were friends with women. 522 00:22:17,960 --> 00:22:20,160 Speaker 2: Women he just shared a night in bed with them. 523 00:22:20,240 --> 00:22:22,720 Speaker 1: Were not do you see like in a lounge or something. 524 00:22:22,760 --> 00:22:24,720 Speaker 1: You know, you're hanging out in the lounge and you 525 00:22:24,800 --> 00:22:25,800 Speaker 1: just crash out kind of thing. 526 00:22:25,800 --> 00:22:28,120 Speaker 2: That doesn't happen. When does that stop happening? The kind 527 00:22:28,160 --> 00:22:30,040 Speaker 2: of shared a lounge sleepovers because the. 528 00:22:30,080 --> 00:22:31,120 Speaker 1: Great aren't they are the best? 529 00:22:31,440 --> 00:22:33,639 Speaker 2: And there is an underlight We've talked about underlong sexual 530 00:22:33,640 --> 00:22:34,960 Speaker 2: tones today on the radio show. 531 00:22:35,040 --> 00:22:36,760 Speaker 1: Yeah, I mean it was always sexual tension, but that 532 00:22:37,080 --> 00:22:38,280 Speaker 1: almost never acted on it. 533 00:22:38,400 --> 00:22:40,560 Speaker 2: No, you didn't know how to you knew how to 534 00:22:40,640 --> 00:22:42,639 Speaker 2: hold a hand that felt about as exciting as it goes. 535 00:22:42,640 --> 00:22:45,720 Speaker 1: Oh, yeah, cuddles that lasted a bit too long. 536 00:22:45,760 --> 00:22:48,480 Speaker 3: When you at school, weren't you like Forest Gumban that's 537 00:22:48,480 --> 00:22:51,920 Speaker 3: seen with Genny when they just basically touches the boo 538 00:22:52,480 --> 00:22:53,480 Speaker 3: and goes oh. 539 00:22:56,720 --> 00:22:58,320 Speaker 1: Did you have a story attached to this road or 540 00:22:58,400 --> 00:22:59,560 Speaker 1: do you just want to talk about. 541 00:23:00,119 --> 00:23:02,800 Speaker 3: So my story about it because I went to drama 542 00:23:02,840 --> 00:23:06,360 Speaker 3: school in my early twenties. I went to drama school. 543 00:23:06,080 --> 00:23:06,600 Speaker 2: And get that. 544 00:23:06,800 --> 00:23:10,800 Speaker 3: I went to drama school now Unitech and all clas one, 545 00:23:10,880 --> 00:23:14,520 Speaker 3: and one of our early projects in our first year 546 00:23:14,640 --> 00:23:17,800 Speaker 3: was to put on full body leotards called unitards and 547 00:23:17,880 --> 00:23:21,639 Speaker 3: go out to primary schools and perform physical theater, like 548 00:23:21,680 --> 00:23:24,040 Speaker 3: we'd have to pretend we're a tree, or pretend we're 549 00:23:24,080 --> 00:23:26,280 Speaker 3: a wall, or pretend like all of these weird things. 550 00:23:27,119 --> 00:23:30,000 Speaker 3: But of course I was in my early twenties, as 551 00:23:30,320 --> 00:23:32,159 Speaker 3: most of the other people were somewhere in their teens, 552 00:23:32,720 --> 00:23:37,479 Speaker 3: and I pointed out, hey would be quite horrific if 553 00:23:37,520 --> 00:23:39,440 Speaker 3: one of these guys got a bloody eriction, wouldn't it? 554 00:23:39,440 --> 00:23:41,920 Speaker 3: And we all laughed, And then I went home put 555 00:23:41,960 --> 00:23:43,960 Speaker 3: on the unitard and had a look at what it 556 00:23:43,960 --> 00:23:45,960 Speaker 3: would look like and I said, I will be going 557 00:23:46,000 --> 00:23:50,119 Speaker 3: to jail if that happens because it's so obvious. And 558 00:23:50,160 --> 00:23:52,960 Speaker 3: then a couple of the girls decided that what they 559 00:23:52,960 --> 00:23:55,639 Speaker 3: wanted to do was try and catch me out in 560 00:23:55,640 --> 00:23:58,200 Speaker 3: front of the children. And so every time I was 561 00:23:58,240 --> 00:24:00,600 Speaker 3: anywhere near them making a tree or making the cave 562 00:24:00,720 --> 00:24:05,320 Speaker 3: or whatever it is, they just go into my ear 563 00:24:05,720 --> 00:24:07,000 Speaker 3: to try and make me have an erection. 564 00:24:07,200 --> 00:24:09,720 Speaker 2: Yeah, I see the issue you've got. You're you're an idiot, mate, 565 00:24:10,240 --> 00:24:10,840 Speaker 2: You're an idiot. 566 00:24:11,280 --> 00:24:11,879 Speaker 3: Well no, I'm not. 567 00:24:12,040 --> 00:24:14,680 Speaker 2: What you should have done. You should have gone out outside, 568 00:24:14,760 --> 00:24:16,800 Speaker 2: got a couple of leaves off the tree, made an 569 00:24:16,800 --> 00:24:20,120 Speaker 2: extra branch. Just fucking use your head, mate. 570 00:24:20,560 --> 00:24:21,480 Speaker 3: Well I did you use my head? 571 00:24:21,480 --> 00:24:23,840 Speaker 1: Actually, just use your head. And that is physical theater. 572 00:24:24,040 --> 00:24:26,199 Speaker 3: And do you know what Ben, Ben will appreciate this 573 00:24:26,240 --> 00:24:27,960 Speaker 3: because I know he's bigger on his cricket. 574 00:24:28,000 --> 00:24:29,119 Speaker 2: The trees just grown a branch. 575 00:24:29,280 --> 00:24:35,240 Speaker 1: And hey, least you said brandtson, not twig. 576 00:24:35,960 --> 00:24:39,240 Speaker 3: Thanks mate, good, thanks mate. And you know it was 577 00:24:39,240 --> 00:24:40,840 Speaker 3: the early two thousands and what I used to do 578 00:24:40,920 --> 00:24:43,800 Speaker 3: as I used to pump my fist while these girls were. 579 00:24:45,640 --> 00:24:47,760 Speaker 2: Sorry, can we we need more background around the story, 580 00:24:47,800 --> 00:24:49,879 Speaker 2: cause he's getting first, getting more and more problematic. So 581 00:24:49,920 --> 00:24:50,520 Speaker 2: how old are you? 582 00:24:51,359 --> 00:24:51,920 Speaker 3: Forty five? 583 00:24:53,119 --> 00:24:55,760 Speaker 1: Wow, this is recent and no, no, this is in 584 00:24:55,760 --> 00:24:56,520 Speaker 1: the early twenties. 585 00:24:56,560 --> 00:24:58,439 Speaker 3: So this is in my early twenties. Oh sorry, you're 586 00:24:58,440 --> 00:25:01,600 Speaker 3: falling right now. And this will give it a historical 587 00:25:02,080 --> 00:25:04,520 Speaker 3: it's making more sense. Ben will appreciate it's making more sense. 588 00:25:04,680 --> 00:25:07,480 Speaker 3: So I used to pump my fists and block out 589 00:25:07,480 --> 00:25:11,000 Speaker 3: what these horrible Victens were doing by naming in order 590 00:25:11,040 --> 00:25:13,480 Speaker 3: the New Zealand batting lineup. Oh no, so I used 591 00:25:13,480 --> 00:25:17,480 Speaker 3: to go, what you well, what year two thousand? I'm 592 00:25:17,480 --> 00:25:18,680 Speaker 3: going to run through it. Wait, hang on, hang on, 593 00:25:19,000 --> 00:25:19,959 Speaker 3: what year two thousand? 594 00:25:20,080 --> 00:25:21,639 Speaker 2: Can we can we just can we try to get 595 00:25:21,680 --> 00:25:23,520 Speaker 2: there as a team without looking at your computer? Because 596 00:25:23,520 --> 00:25:24,680 Speaker 2: it's something that Ben Hill is going to be. 597 00:25:25,680 --> 00:25:30,040 Speaker 3: It was testing test think think we played a three 598 00:25:30,040 --> 00:25:31,399 Speaker 3: match series against Australia. 599 00:25:32,240 --> 00:25:33,960 Speaker 1: Okay, Stephen Fleming. 600 00:25:34,600 --> 00:25:38,400 Speaker 3: Stephen Fleming was number Fourchon, it was number four. No, 601 00:25:38,920 --> 00:25:42,640 Speaker 3: Mark Richardson was not there be pumping my fist, Brian. No. 602 00:25:43,800 --> 00:25:46,919 Speaker 3: In fact, the first name is a lot to do 603 00:25:46,960 --> 00:25:52,960 Speaker 3: with an erection. Matt Horn, Yes, Matt Horn was the 604 00:25:53,000 --> 00:25:56,080 Speaker 3: first time, and then the second name was probably as 605 00:25:56,200 --> 00:26:06,600 Speaker 3: actually reasonably eeriction focused as well. No, no spit Craig Spearman, Spearman, Yeah, 606 00:26:07,119 --> 00:26:09,560 Speaker 3: Horn Spearman three. 607 00:26:09,640 --> 00:26:13,000 Speaker 2: Then it's two thousand, Yeah. 608 00:26:12,840 --> 00:26:19,200 Speaker 3: Two thousand made a big debut, Matty Matthew sinklein number three, 609 00:26:19,480 --> 00:26:20,680 Speaker 3: Stephen Fleming number four? 610 00:26:21,600 --> 00:26:22,840 Speaker 1: Are you going? Number five? 611 00:26:25,000 --> 00:26:27,639 Speaker 3: And it's starting to go down by now? Adam PERORI 612 00:26:27,760 --> 00:26:30,160 Speaker 3: number six, No, Adam Prory and this team is number 613 00:26:30,160 --> 00:26:35,240 Speaker 3: eight eight, Yes, so you're going Horn Spearman, Sinclear, Fleming 614 00:26:35,640 --> 00:26:47,080 Speaker 3: a still lem on, No well keeper, he's eight. McMillan, McMillan, Ye, okay, 615 00:26:47,160 --> 00:26:51,840 Speaker 3: so christ number seven, Christy number. 616 00:26:51,640 --> 00:26:54,080 Speaker 1: Eight, number eight nomber I never went to the ballers, 617 00:26:54,080 --> 00:26:56,919 Speaker 1: so pretty obvious, Pretty obvious. 618 00:26:57,560 --> 00:27:01,240 Speaker 3: No, he hadn't debut yet, pretty obviously. 619 00:27:01,320 --> 00:27:02,080 Speaker 1: Shane O'Connor. 620 00:27:02,119 --> 00:27:05,400 Speaker 3: Shane O'Connor is eleven in this lineup. You're missing too, 621 00:27:05,920 --> 00:27:07,399 Speaker 3: you're missing too, a missing to. 622 00:27:07,760 --> 00:27:12,480 Speaker 1: Two other barlers to other quick oh no, Davory. 623 00:27:13,119 --> 00:27:16,200 Speaker 3: And my get rid of my erection lineup. Horn is 624 00:27:16,240 --> 00:27:23,320 Speaker 3: a shamous Spearman. No't debut yet, Horn, Spearman, Sinclear, Fleming, Estell, McMillan, 625 00:27:23,600 --> 00:27:31,800 Speaker 3: Keirn's Perori eriction gone vittry broadcaster. Oh, Dolly, Dolly, of course, 626 00:27:31,880 --> 00:27:35,520 Speaker 3: Jiel O'Connor. That's my eleven that got me through. I'm 627 00:27:35,560 --> 00:27:36,440 Speaker 3: not going to jail there. 628 00:27:36,440 --> 00:27:39,080 Speaker 1: There's I mean and good on you because it's quite 629 00:27:39,080 --> 00:27:39,840 Speaker 1: a sixty eleven. 630 00:27:40,760 --> 00:27:42,520 Speaker 3: Well, I didn't realize Spearman. 631 00:27:43,000 --> 00:27:46,680 Speaker 1: Yeah is also damn but Tory. He was notorious in 632 00:27:46,720 --> 00:27:47,280 Speaker 1: those days. 633 00:27:47,400 --> 00:27:49,760 Speaker 2: Anyway, there was fun. I enjoyed their boys. But you've 634 00:27:49,760 --> 00:27:50,920 Speaker 2: got seen sharp meeting to get to. 635 00:27:50,840 --> 00:27:52,600 Speaker 3: I understand Jesus nine. 636 00:27:52,720 --> 00:27:53,800 Speaker 1: Yeah, so you got. 637 00:27:53,760 --> 00:27:55,080 Speaker 2: One minute to get across the here. We'll see you 638 00:27:55,119 --> 00:27:57,040 Speaker 2: tomorrow on the Headacre brig for sure. Thank you for 639 00:27:57,040 --> 00:28:03,639 Speaker 2: being with the way. Jeremy Wells is away. Alright, scene Kyota. 640 00:28:02,960 --> 00:28:06,920 Speaker 3: Alright, Rder, I'm alright, alright right, thanks man, alright. 641 00:28:06,640 --> 00:28:07,280 Speaker 1: I love you guys. 642 00:28:07,440 --> 00:28:07,880 Speaker 2: Take care,