1 00:00:02,279 --> 00:00:06,360 Speaker 1: Joe Gasolo in studio morning, good morning, Have you recovered yet? 2 00:00:07,360 --> 00:00:09,800 Speaker 2: Just it's a Phairly big week. 3 00:00:09,880 --> 00:00:12,520 Speaker 1: Yeah, big week with another edition of the Mid Canterbury 4 00:00:12,560 --> 00:00:14,800 Speaker 1: Summer Singing School. And I was lucky enough to be 5 00:00:14,920 --> 00:00:17,239 Speaker 1: at the event center on Friday night on a cute 6 00:00:17,280 --> 00:00:21,000 Speaker 1: mandate with Gret Dad Dave. And this one was a 7 00:00:21,040 --> 00:00:23,639 Speaker 1: celebration of Broadway where that scene come from, because you 8 00:00:23,720 --> 00:00:26,920 Speaker 1: essentially took us through the history of Broadway and all 9 00:00:26,960 --> 00:00:28,160 Speaker 1: these wonderful milestones. 10 00:00:28,480 --> 00:00:31,920 Speaker 2: Oh look, the process starts probably six months out where 11 00:00:31,960 --> 00:00:36,160 Speaker 2: I'm scanning music and looking for things. And because we'd 12 00:00:36,159 --> 00:00:39,479 Speaker 2: had Cabinet and Rock Siller, I wanted to change, you know, 13 00:00:39,600 --> 00:00:42,080 Speaker 2: what was happening for the audiences. So they're not singing 14 00:00:42,120 --> 00:00:44,599 Speaker 2: a similar type of thing in a row, So we'll 15 00:00:44,640 --> 00:00:47,120 Speaker 2: go back to the old Broadway. But it was the 16 00:00:47,159 --> 00:00:48,120 Speaker 2: older Broadway. 17 00:00:48,360 --> 00:00:49,000 Speaker 1: Yeah, for the. 18 00:00:49,000 --> 00:00:52,159 Speaker 2: Seniors, and you know, you kind of think, oh, I 19 00:00:52,159 --> 00:00:54,840 Speaker 2: wonder how they'll go with us, But generally they just 20 00:00:55,000 --> 00:00:57,760 Speaker 2: loved it, and the audience loved it because it took 21 00:00:57,800 --> 00:00:59,360 Speaker 2: them back on memory. 22 00:00:59,160 --> 00:01:02,040 Speaker 1: Lane time remind us again how all this works. You've 23 00:01:02,040 --> 00:01:06,319 Speaker 1: got students' age what not nine to twenty two. Years 24 00:01:06,319 --> 00:01:08,120 Speaker 1: old and they bring it together over the course of 25 00:01:08,120 --> 00:01:08,440 Speaker 1: a week. 26 00:01:09,040 --> 00:01:11,840 Speaker 2: It's nuts. It is crazy. I mean it's not the 27 00:01:11,840 --> 00:01:15,600 Speaker 2: fainthearted Luca, you know, and that exhausted by the end 28 00:01:15,600 --> 00:01:18,720 Speaker 2: of it, but exhilarated. I think, you know. It's the thing. Well, 29 00:01:18,760 --> 00:01:21,120 Speaker 2: the fact that they keep coming back tells you that 30 00:01:21,840 --> 00:01:24,240 Speaker 2: we do work them extremely hard. I have to say, 31 00:01:24,319 --> 00:01:28,039 Speaker 2: what sort of ours, Well, the juniors come from nine 32 00:01:28,080 --> 00:01:31,839 Speaker 2: to twelve on Monday to Thursday, and then the seniors 33 00:01:31,880 --> 00:01:34,720 Speaker 2: are from one to five. We start on the Sunday 34 00:01:34,720 --> 00:01:37,840 Speaker 2: with auditions. It's but like the voice, the competition for 35 00:01:37,880 --> 00:01:40,320 Speaker 2: those solo lines is amazing. 36 00:01:40,720 --> 00:01:42,360 Speaker 1: I can see why because there's so much talent. 37 00:01:42,560 --> 00:01:46,680 Speaker 2: We spent you know, all day Sunday and Sarah and 38 00:01:46,720 --> 00:01:48,480 Speaker 2: I spent an hour and a half trying to pack 39 00:01:48,520 --> 00:01:52,559 Speaker 2: who was doing what solos? So it's a big week. Yeah, 40 00:01:52,960 --> 00:01:54,000 Speaker 2: it starts then. 41 00:01:54,040 --> 00:01:57,120 Speaker 1: Yeah, being Sarah Hart, you're offside, and that's rather parteat 42 00:01:57,120 --> 00:01:58,920 Speaker 1: it because wasn't she sort of a day one student 43 00:01:58,960 --> 00:01:59,320 Speaker 1: of yours? 44 00:01:59,360 --> 00:02:01,400 Speaker 2: What she was? She's one of my singing students and 45 00:02:01,440 --> 00:02:06,000 Speaker 2: she's also one of the first students at summer school. 46 00:02:06,040 --> 00:02:10,119 Speaker 2: So it is amazing how things turn full circle. It's 47 00:02:10,160 --> 00:02:13,120 Speaker 2: great and she's fantastic. Gosh, it's so lucky to have her. 48 00:02:13,480 --> 00:02:17,200 Speaker 2: You know, I did it with Alice Solace for twenty 49 00:02:17,280 --> 00:02:20,960 Speaker 2: years and she decided that she wanted to retire, and 50 00:02:21,000 --> 00:02:24,680 Speaker 2: then I thought, I'll use students who have been in 51 00:02:24,919 --> 00:02:28,520 Speaker 2: Summer School before and gone into that field, and so 52 00:02:28,840 --> 00:02:29,520 Speaker 2: it's been great. 53 00:02:29,720 --> 00:02:32,640 Speaker 1: Yeah, this sort of serves as an opportunity to enable 54 00:02:32,880 --> 00:02:36,359 Speaker 1: future stars too. I see three have been awarded scholarships, 55 00:02:36,360 --> 00:02:38,400 Speaker 1: Tams and Cartney, who we got to know is one 56 00:02:38,440 --> 00:02:42,200 Speaker 1: of the head prefects of Ashburton College, Lily Partridge and 57 00:02:42,440 --> 00:02:45,480 Speaker 1: Chloe Graham. There's another familiar name, but between them nearly 58 00:02:45,720 --> 00:02:49,240 Speaker 1: three decades of attendance in the Summer Singing School. What 59 00:02:49,320 --> 00:02:51,600 Speaker 1: does the scholarship enable for them. 60 00:02:51,600 --> 00:02:57,480 Speaker 2: Well, it's a monetary reward. I set the bar that 61 00:02:57,600 --> 00:02:59,880 Speaker 2: it needs to be for a high end singing exam 62 00:03:00,520 --> 00:03:05,320 Speaker 2: or for tertiary levels sort of education and music, but 63 00:03:05,480 --> 00:03:09,000 Speaker 2: particularly singing, because you know that's my gem is singing. 64 00:03:09,440 --> 00:03:11,920 Speaker 2: So they have to have been at Summer School for 65 00:03:11,960 --> 00:03:16,160 Speaker 2: a minimum of three years. And honestly, each year we 66 00:03:16,240 --> 00:03:19,079 Speaker 2: give Paul and I give two scholarships. We just couldn't 67 00:03:19,080 --> 00:03:23,960 Speaker 2: pick the year, so we gave three, couldn't separate them. 68 00:03:24,720 --> 00:03:27,480 Speaker 1: Well, they're all got some pretty exciting stuff lined up. 69 00:03:27,480 --> 00:03:30,560 Speaker 2: Oh, yes they have, and they're such talented young lady. 70 00:03:30,760 --> 00:03:33,760 Speaker 1: So yeah, quite touching. Just quickly Joe to note that 71 00:03:33,800 --> 00:03:35,560 Speaker 1: it sort of served as a bit of a tribute 72 00:03:35,560 --> 00:03:36,800 Speaker 1: to the late Margaret Jackson. 73 00:03:37,280 --> 00:03:41,440 Speaker 2: Yes it did. It was unbelievable that I had picked 74 00:03:41,480 --> 00:03:44,600 Speaker 2: that music and the Friday was the day of her funeral. 75 00:03:44,640 --> 00:03:48,440 Speaker 2: She would have loved it, and she had been the 76 00:03:48,520 --> 00:03:52,240 Speaker 2: lead in shows like Hello, Dolly, and Nancy and Oliver 77 00:03:52,320 --> 00:03:55,480 Speaker 2: and the list went on. So it was just fortuitous 78 00:03:55,560 --> 00:03:58,920 Speaker 2: and quite touching that the music hit on the same day. 79 00:03:59,040 --> 00:04:01,080 Speaker 1: Yeah, I know that she's given a lot to the 80 00:04:01,120 --> 00:04:04,680 Speaker 1: stage and to those involved Herean mcckennerry over the years. 81 00:04:04,680 --> 00:04:06,360 Speaker 1: What sort of influences she left on you. 82 00:04:07,240 --> 00:04:14,200 Speaker 2: She was just a very gracious lady who who gave 83 00:04:14,280 --> 00:04:16,800 Speaker 2: a lot behind the scenes as well as on the 84 00:04:16,839 --> 00:04:20,600 Speaker 2: stage in her day, and she was always very supportive 85 00:04:20,839 --> 00:04:23,800 Speaker 2: of projects and always had a lovely word and came 86 00:04:23,880 --> 00:04:24,960 Speaker 2: and watched and came and. 87 00:04:24,920 --> 00:04:29,960 Speaker 1: Supported late patron of Variety Theater. And I'm sure she 88 00:04:30,000 --> 00:04:33,440 Speaker 1: would have been fizzing for the next big production here 89 00:04:33,480 --> 00:04:36,760 Speaker 1: as we move on quite quickly from the Summer Singing 90 00:04:36,800 --> 00:04:40,920 Speaker 1: School to Footloose the musical. So this has lined up 91 00:04:40,960 --> 00:04:45,400 Speaker 1: for what may is it twenty second the Ashburn Events 92 00:04:45,400 --> 00:04:48,599 Speaker 1: Center with the new line ray sound system that I 93 00:04:48,640 --> 00:04:51,520 Speaker 1: see has arrived for Roger and the team. So belated 94 00:04:51,560 --> 00:04:52,240 Speaker 1: Christmas gift. 95 00:04:52,360 --> 00:04:53,839 Speaker 2: That's pretty exciting, hasn't it? 96 00:04:54,040 --> 00:04:54,200 Speaker 1: Well? 97 00:04:54,240 --> 00:04:55,240 Speaker 2: From my angle it is. 98 00:04:55,400 --> 00:04:57,400 Speaker 1: Yes, it's going to sound awesome and it's going to 99 00:04:57,520 --> 00:04:59,880 Speaker 1: look awesome. So remind us again that the story behind 100 00:05:00,440 --> 00:05:01,840 Speaker 1: I remember Kevin Bacon. 101 00:05:02,040 --> 00:05:05,280 Speaker 2: Well, Footloots is about a guy called Wren who comes 102 00:05:05,320 --> 00:05:08,280 Speaker 2: into a small towns he's sort of a bit of 103 00:05:08,640 --> 00:05:11,159 Speaker 2: a rebel as such, but of course he's got another 104 00:05:11,240 --> 00:05:16,480 Speaker 2: side from the little town that he comes into has 105 00:05:16,520 --> 00:05:19,120 Speaker 2: had a bit of grief because the reverence son has 106 00:05:19,160 --> 00:05:22,200 Speaker 2: been killed in a car accident, so the teenagers are 107 00:05:22,200 --> 00:05:25,280 Speaker 2: not allowed to sing or dance or do anything of 108 00:05:25,320 --> 00:05:28,960 Speaker 2: any fun in their town. So he brings a lot 109 00:05:29,000 --> 00:05:33,159 Speaker 2: of life to the town looking. 110 00:05:31,920 --> 00:05:36,039 Speaker 1: To make some rebellious change. You mentioned how for many 111 00:05:36,080 --> 00:05:39,440 Speaker 1: years with the Summer Singing School you worked with Alis Solas. Well, 112 00:05:39,440 --> 00:05:42,960 Speaker 1: Hello the dynamic Joe I was back together. She's the 113 00:05:43,000 --> 00:05:44,240 Speaker 1: director I know. 114 00:05:44,680 --> 00:05:48,280 Speaker 2: That's great, isn't it. Yes, I am, And you know 115 00:05:48,360 --> 00:05:51,160 Speaker 2: the team is Alice, Jesse and I So we're going 116 00:05:51,200 --> 00:05:53,640 Speaker 2: to have lots of fun and there is a wealth 117 00:05:53,680 --> 00:05:57,920 Speaker 2: of experience in that group, so we're looking forward to 118 00:05:57,960 --> 00:05:59,200 Speaker 2: working together. It would be great. 119 00:05:59,279 --> 00:06:04,240 Speaker 1: What an opportunity full of stars to capitalize on that. 120 00:06:04,360 --> 00:06:06,640 Speaker 1: So I mean that there's there's no show without the stars. 121 00:06:07,440 --> 00:06:09,120 Speaker 1: Auditions being held this coming weekend. 122 00:06:09,240 --> 00:06:12,840 Speaker 2: Yes, they're on Saturday and possibly callbacks on Sunday if 123 00:06:12,839 --> 00:06:15,960 Speaker 2: we don't, you know, make our final decision on Saturday. 124 00:06:16,480 --> 00:06:19,200 Speaker 2: So it's not too late. It's not too late at 125 00:06:19,200 --> 00:06:22,839 Speaker 2: all to join the auditions. And they need to sing 126 00:06:23,640 --> 00:06:26,919 Speaker 2: a song that they if they email VTA, they'll be 127 00:06:26,960 --> 00:06:30,640 Speaker 2: told which one. The joy of YouTube and Spotify and 128 00:06:30,760 --> 00:06:34,760 Speaker 2: things is very easy to listen to these songs very quickly, Yeah, 129 00:06:34,760 --> 00:06:36,479 Speaker 2: and just sing them over and over and when you come, 130 00:06:36,920 --> 00:06:39,839 Speaker 2: it's we try to make it as easy for the 131 00:06:39,839 --> 00:06:42,480 Speaker 2: people as we can. There is no easy way to audition. 132 00:06:42,600 --> 00:06:46,520 Speaker 2: I mean, it's terrifying, but it's also it's just an 133 00:06:46,600 --> 00:06:49,920 Speaker 2: indication of us of their their talent, you know, and 134 00:06:49,960 --> 00:06:51,640 Speaker 2: we try and bring out the best and the time 135 00:06:51,680 --> 00:06:52,440 Speaker 2: frame that we have. 136 00:06:52,800 --> 00:06:54,880 Speaker 1: Is there one group in particular that you find needs 137 00:06:54,920 --> 00:06:57,679 Speaker 1: a little more motivation, so they need some more lads 138 00:06:57,800 --> 00:06:58,800 Speaker 1: or younger people. 139 00:07:00,120 --> 00:07:05,320 Speaker 2: Come on always Yeah, when I'm reincarnated, I'm coming back 140 00:07:05,360 --> 00:07:06,320 Speaker 2: as a male singer. 141 00:07:06,400 --> 00:07:09,520 Speaker 1: Honestly, come on, fellas. 142 00:07:10,680 --> 00:07:13,280 Speaker 2: We've got a good lineup, but we could always do 143 00:07:13,680 --> 00:07:17,400 Speaker 2: with more. So there's you know that kind of teenage 144 00:07:17,440 --> 00:07:21,400 Speaker 2: to mid late twenty range, and then there's adults, the 145 00:07:21,480 --> 00:07:26,160 Speaker 2: towns folk, and of course this appearance the reverend and 146 00:07:26,160 --> 00:07:30,360 Speaker 2: his wife and the mother of ren So there's quite 147 00:07:30,400 --> 00:07:33,840 Speaker 2: a few roles in there for different age groups. 148 00:07:33,880 --> 00:07:36,920 Speaker 1: Here brilliant. Yeah, do get into touch VTA auditions at 149 00:07:37,040 --> 00:07:40,080 Speaker 1: gmail dot com. We want you in a Kevin Bacon 150 00:07:40,160 --> 00:07:42,280 Speaker 1: to shine and be part of what's going to be 151 00:07:42,480 --> 00:07:46,000 Speaker 1: another world class production Footloose the Musical by Variety Theater 152 00:07:46,080 --> 00:07:48,680 Speaker 1: Auditions this coming weekend. Thanks so much for dropping by, 153 00:07:48,720 --> 00:07:49,240 Speaker 1: Joe Castello. 154 00:07:49,600 --> 00:07:50,360 Speaker 2: Thank you,