WEBVTT - S2 Episode 5: Michelle Chong

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<v S1>The

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<v S2>Mutton Sandwich podcast.

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<v S3>All right. Welcome to the Mutton Sandwich podcast, of course.

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<v S3>Here's the show that we put together, and every single

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<v S3>episode we catch up with our famous friend of ours.

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<v S1>Yeah, absolutely. You know, we love to name, drop and

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<v S1>invite famous friends so that people see one month. And

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<v S1>so you know this and this person. And today, one

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<v S1>of the most well known people that we know. That's right.

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<v S1>They finally decided that it's OK to be on, you know,

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<v S1>with us and have a nice little chat.

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<v S3>We named Rob her because she really makes us very,

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<v S3>very cool.

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<v S1>Absolutely.

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<v S3>Let's say hello to Michelle Chong image.

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<v S2>Hi, everybody.

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<v S1>Oh, I love that. I love that. Michelle, we haven't

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<v S1>seen you in such a long time. You know, due

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<v S1>to a pandemic. Regardless, you know, it's it's been a

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<v S1>while since we caught up last so. Yeah. How you been, man? Like,

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<v S1>like what you been up to?

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<v S2>Oh, I've just been very busy.

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<v S1>Yeah, we know.

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<v S3>We know we're following you on on social media. You know,

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<v S3>you've got a series of episodes of your shows that

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<v S3>come out like, you know, every every Saturday. Everybody's timeline

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<v S3>is correct.

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<v S2>Every every Sunday, 10 A. and every Sunday, any the series. Yeah, basically,

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<v S2>we have an artist management agency. Well, it's not really

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<v S2>like it's very boutique is just it's just three of

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<v S2>us that been there from the start for like maybe

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<v S2>close to 10 years. So it's Ponce up, Lee Tung

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<v S2>and myself. Yeah. And we don't want to say anyone

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<v S2>else because we just want to keep it small and

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<v S2>take care of ourselves and take care of ourselves well.

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<v S2>And then also, I have a production house, Michelle Chung Productions,

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<v S2>and basically we do add TV's Brenda Content, digital content,

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<v S2>original shots. So that's what I'm busy doing every day.

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<v S2>So concurrently, we have also quite a few projects FMCG brands, cybersecurity, medical,

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<v S2>so is just ongoing all the time.

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<v S1>Wow, that's incredible.

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<v S3>Awesome. And I mean, I watch the videos that you

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<v S3>put out every weekend and it's a lot of work.

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<v S3>A lot of you don't know the amount of work

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<v S3>that goes into release. One six minute video. Right? Yeah,

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<v S3>I mean, so it's true.

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<v S2>Yeah, you guys. So no, because you guys are doing

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<v S2>so much social media these days. Yeah, everyone is. Yeah.

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<v S2>And social media is such a different animal altogether from

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<v S2>TV and film. Yeah, absolutely. Because it's so competitive, right?

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<v S2>But this is from the whole like, well, you know,

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<v S2>people have like a free content anytime they want anywhere

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<v S2>and anyhow, whatever they want, anytime and the tip of

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<v S2>their fingertips. Literally.

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<v S1>Yeah, and you never know what your your audience on

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<v S1>social media, you know, will be keen to snap up. Like, like,

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<v S1>you know, it could be someone just brushes death and

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<v S1>that could go viral, you know? So so how how

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<v S1>do you plan content? How do you think about how

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<v S1>do you create content for social media? It's a tough job.

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<v S3>So let's ask you, Michelle. I mean, without giving away

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<v S3>too many tricks of the trade because obviously, you know,

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<v S3>that is your rice bowl. But but what? What do

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<v S3>you do? How do you plan to do stuff that

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<v S3>will stand out above all of the other choices and

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<v S3>free stuff that people get?

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<v S2>Yeah. You know, and and like I will say, is

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<v S2>so coveted competitive and it's so difficult because within the

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<v S2>three seconds, if they don't like it, they can just

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<v S2>scroll past around here because there's so much free content available, right?

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<v S2>So so I guess in the first five seconds, you

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<v S2>have to be very engaging already. And what's more, you know,

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<v S2>we don't just do like organic content. We we put

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<v S2>products in there.

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<v S1>Yeah, exactly.

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<v S2>Yeah. So I mean, I think it's actually quite a

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<v S2>feat to to to produce something to produce an ad

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<v S2>that people want to watch. Yeah, yeah. For sure. For sure.

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<v S2>That's a difficult thing. But I mean, that's what we

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<v S2>are known for. Yeah. So we produce engaging ads that

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<v S2>people want to watch, even though they know it's an act.

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<v S2>Maybe sometimes they don't.

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<v S1>Yeah, yeah. Yeah. And that's what sets you apart from

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<v S1>the other people doing the same thing, isn't it?

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<v S2>Oh, actually, for myself and the team, we try to

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<v S2>watch a lot of online content as well, you know,

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<v S2>to see what works, and we have to keep up

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<v S2>to date with like the latest trends. Yeah, local news

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<v S2>or you know what's trending worldwide. Yeah, it's just so

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<v S2>that we know what our audience lights and we have

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<v S2>to keep current with with with like pop culture and

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<v S2>all that.

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<v S1>Right. So, OK, Michelle Chong, as as a business person,

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<v S1>how has the pandemic affected you?

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<v S2>It didn't affect us because we we do a lot

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<v S2>of digital content. Yeah. And because of the pandemic, more

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<v S2>people are staying at home and turning to online entertainment.

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<v S2>So actually, we've had. More people come to us to do.

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<v S1>Wow, that's great news, yeah.

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<v S3>Yeah, and what do you say? I mean, because obviously

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<v S3>social media now is all about numbers. So what do

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<v S3>you say that your your views have increased over the

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<v S3>last one year?

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<v S2>No, I wouldn't say that. OK. OK. Because, like I said,

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<v S2>everyone is going online as well, right?

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<v S3>Right, right, right, right, right, right.

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<v S2>And also and also, don't forget, our Facebook and Instagram

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<v S2>are also very sneaky. They are they they are changing

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<v S2>the algorithm all the time, so you don't know what

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<v S2>to expect. OK, so sometimes even with the same formula,

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<v S2>the same people in the same ads, you know, you

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<v S2>can do very differently in terms of use, right?

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<v S1>Yeah. So true.

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<v S3>So true. And that's where it's up to your team

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<v S3>to keep up with the updates and and how they

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<v S3>prioritize videos to it, they'll be able to break through.

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<v S2>Exactly. Yeah. So, so many things to consider. I know

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<v S3>many things. So so again, for people who go all,

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<v S3>I want Michel Jong so easy every week, pull out

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<v S3>one six minute video cartridge. It's so much work that

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<v S1>goes behind so many different things. How much work

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<v S3>it really takes. Someone who has done it to like, Wow,

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<v S3>you appreciate how much effort it goes into just one video, right?

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<v S3>But hey, I mean, look how we like to reminisce

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<v S3>on the Mutton Sandwich podcast. Yes. Let's let's turn the

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<v S3>clock back a little bit. Before Michel, Michel Chung was

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<v S3>this businesswoman who has entrepreneur, entrepreneur and all these characters

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<v S3>you love and all that. Tell us, because I don't

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<v S3>think I know this story. How did you first get

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<v S3>into showbiz? How did you first become famous, if you would?

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<v S2>Well, I mean, I've always been very interested in in

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<v S2>the creative stuff as goes. So I took theater studies

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<v S2>at Victoria Junior College. Oh, right. S and A-level subjects.

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<v S2>So my teacher thought I was good enough to pursue

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<v S2>this as a career. So he told me to go

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<v S2>to the states to to do this bachelor's in theater study.

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<v S2>And then at the end of year one, we go

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<v S2>into the Asian financial crisis, so I had to come back. OK, OK.

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<v S2>So so I went to us to continue doing theater studies. Okay?

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<v S2>And then while I was there, it was very hot, right?

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<v S2>And then physically, it's very hot. Like. Yeah, and you

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<v S2>were so hot. I think there are not enough trees there.

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<v S2>And also and also, I just got back from the

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<v S2>states where it was very cold because I was in Maine,

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<v S2>which is like, Oh, Ulysses north part of us.

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<v S1>Yeah, so nice. Wow.

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<v S2>Yeah, yeah. Yeah, so so anyway. So when I when

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<v S2>I was that and as my father went to take

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<v S2>the form for fame awards do remember Oh

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<v S1>wow, film awards. My goodness. Yeah, yeah, that's

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<v S2>a blow then. So but but I always say to him, like,

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<v S2>why you never take star search if you think science overnight? Well,

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<v S2>I think it's where Saima wants now. You seem a

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<v S2>lot like

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<v S3>what's lasted one two years anyway.

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<v S2>Yeah, yeah. Yeah, yeah, yeah. Yeah. And it was like

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<v S2>once every two years or something. Yeah, yeah,

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<v S3>it was the Channel five equivalent because he saw star search.

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<v S3>How the how? Yeah, yeah, yeah, Channel five wanted to

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<v S3>do that own one thing I don't see that I hold.

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<v S3>I wanna watch the Chinese.

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<v S2>Oh my God, I was a Taiwan Taiwan. Yeah, yeah.

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<v S2>So they also think that the two of you don't

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<v S2>think that down a few times is.

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<v S1>No, only Dustin. And it was it was a bad

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<v S1>decision on their. But I still

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<v S3>feel too young that I felt that. So, yeah, yeah.

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<v S3>So Feynman was I honestly didn't remember you in the

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<v S3>feeble once.

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<v S2>Well, I mean, I did get into the final. Yeah, OK, OK.

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<v S2>But then after that, things started happening. I mean, I mean,

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<v S2>I I did like bits a bit parts in like

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<v S2>me growing up and the rule and then, you know,

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<v S2>and I did a lot of theater as well. And

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<v S2>I also I was like modelling, you know, doing all

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<v S2>those things, part time acting stuff. So. And then, yeah,

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<v S2>like I said, I did like bit parts in going

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<v S2>on and under one roof. And then you'll notice to me,

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<v S2>I suppose, Oh, this girl is quite good like can, right?

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<v S2>So then when she went to when she went to

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<v S2>MediaWorks channel, I

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<v S3>told her, Yeah, that's right. Yeah, yeah, yeah,

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<v S2>yeah, yeah, they got me to do this. Do you

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<v S2>remember this bikini drama paradise called Paradise with Nadia, who tagalong? Yeah, yeah, yeah. Yeah,

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<v S2>I was the Charlie's Angels. Wow. Oh, so yeah. But

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<v S2>I mean, obviously there was candlelight after like four episodes

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<v S2>or something. So that that that didn't go well. So

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<v S2>but then, okay, so after that, Mr. Munn, because I

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<v S2>was bilingual, right? I thought I was also very good, right? Like,

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<v S2>I mean, bilingual can can host whatever. So then they

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<v S2>also got me to do like hosting four for one.

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<v S2>It was like the channel you equivalent of like. You know,

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<v S3>I mean, yeah, yeah, yeah, yeah.

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<v S2>Yeah, but it wasn't the TV that was channel. Sure,

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<v S2>they'll call MediaWorks. Right, so then. But but because a

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<v S2>lot of the Chinese creatives went over the speech. Yeah, yeah.

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<v S2>The variety people. So then they they produced a lot

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<v S2>of these like city beat kind of shows. So then

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<v S2>I started hosting in Chinese. Yeah. And then after that

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<v S2>they gave me a full time contract. And then but

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<v S2>then before it closed, before I was immersed in media,

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<v S2>called Melvin, who was actually mediocre at the time, who

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<v S2>is now, of course, you know the big wigs of my. Right, right?

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<v S2>So before they merged, he also does like quite good potential.

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<v S2>So he actually got me over like he signed me

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<v S2>to two media calls. Yeah. So I mean, anyway, well,

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<v S2>it's just one thing. I mean, I had a lot

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<v S2>of Quirin that we call a clean slate like a

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<v S2>lot of people been affected. I had the potential, but

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<v S2>you know, I hope I didn't disappoint them, so they

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<v S2>told

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<v S3>me they thought correctly. Yeah.

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<v S2>Well, a lot of things, a lot of the things

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<v S2>that I did also, you know, like shut down media

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<v S2>will shut down paradise can then be your fault.

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<v S1>I love you.

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<v S2>No, no. Of course you don't God. But that drama,

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<v S2>you know? Yeah. And so, yeah, so yeah. So then yeah.

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<v S2>So one thing led to another. And then I I

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<v S2>signed on with with media. And then right after that

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<v S2>late Melvin left. Right. So I was that media cop.

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<v S2>And then when I was mean, I was actually I

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<v S2>was not there for long, like maybe five, six years.

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<v S2>But then I was actually actually actually, I don't really

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<v S2>like being in front of the camera at all.

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<v S1>Are you seriously kidding me?

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<v S2>Yeah, yeah. Yeah. So that was very, very depressed because

0:12:15.400 --> 0:12:17.050
<v S2>I was just in front of the camera all the time.

0:12:18.990 --> 0:12:20.880
<v S3>Oh yeah, that's shocking to hear.

0:12:20.890 --> 0:12:23.170
<v S2>At the time when I was at, Mutacao was also

0:12:23.170 --> 0:12:27.070
<v S2>always pitching ideas to, you know, say, young or whoever just.

0:12:27.700 --> 0:12:30.940
<v S2>But I found it difficult to place me because I

0:12:30.940 --> 0:12:33.339
<v S2>was an actor as a whole was right. So they say, no.

0:12:33.340 --> 0:12:35.410
<v S2>So what do you mean like your pictures project means

0:12:35.410 --> 0:12:37.980
<v S2>you will like, write or you directing you? You would

0:12:37.990 --> 0:12:40.120
<v S2>do it. Then how are we going to pay you?

0:12:40.330 --> 0:12:41.949
<v S2>I mean, are we going to put you in Channel

0:12:41.950 --> 0:12:45.830
<v S2>five team? I mean, I mean, I understand because, you know,

0:12:45.860 --> 0:12:48.290
<v S2>we do call it is it's a it's a big company,

0:12:48.640 --> 0:12:52.360
<v S2>so we can. It's not like a small company, you know,

0:12:52.360 --> 0:12:54.280
<v S2>you can just do whatever you want. So I also

0:12:54.280 --> 0:12:57.340
<v S2>understand so that it's I felt like I really needed

0:12:57.340 --> 0:13:00.130
<v S2>to do my own stuff. You know, I'm OK. I

0:13:00.130 --> 0:13:02.410
<v S2>had stories to tell and I and I love to

0:13:02.410 --> 0:13:07.900
<v S2>create characters. But so then so then two thousand and

0:13:07.900 --> 0:13:11.040
<v S2>eleven I took like. But, you know, I was very popular, right?

0:13:11.530 --> 0:13:12.280
<v S1>Yeah, for sure.

0:13:12.640 --> 0:13:14.980
<v S3>Which actually the next question I was going to ask

0:13:14.980 --> 0:13:16.960
<v S3>you before you get to the next part. What do

0:13:16.960 --> 0:13:21.190
<v S3>you say in all honesty? Michelle Chung explored it as

0:13:21.190 --> 0:13:24.939
<v S3>a as a household name because of the news and

0:13:24.940 --> 0:13:25.960
<v S3>the characters you created.

0:13:26.230 --> 0:13:30.700
<v S2>What would you say? Yeah. Yeah, yeah, yeah. OK. Yes. Yes, yes. Yes, yes. OK, yes,

0:13:30.700 --> 0:13:33.040
<v S2>I would say that. But then also I was also

0:13:33.040 --> 0:13:36.340
<v S2>doing a lot of Channel eight like hosting at that time.

0:13:36.340 --> 0:13:38.620
<v S2>So a lot of the older people also know me

0:13:38.679 --> 0:13:42.260
<v S2>some issue, like most of us about, you know, so.

0:13:42.610 --> 0:13:48.060
<v S2>And those those older people didn't really watch the news either. True, true. True.

0:13:48.070 --> 0:13:50.380
<v S2>I mean, I was quite I was quite I was

0:13:50.380 --> 0:13:52.690
<v S2>very lucky and I was very blessed. I mean, I

0:13:52.690 --> 0:13:54.730
<v S2>had a lot of jobs, you know, I because I

0:13:54.730 --> 0:13:56.920
<v S2>was bilingual, so I could do like a lot of

0:13:56.920 --> 0:14:01.810
<v S2>different things. Yeah, right. So, yeah, so at the time,

0:14:01.809 --> 0:14:05.469
<v S2>I was like, very popular. But the reason why is

0:14:05.470 --> 0:14:06.880
<v S2>because I was very busy, you know?

0:14:07.059 --> 0:14:08.460
<v S1>Yeah, you do lot projects.

0:14:08.490 --> 0:14:12.550
<v S2>People like, yeah, like me for like like, you know, bonds,

0:14:12.550 --> 0:14:16.929
<v S2>oil will be like next year, July to September Miller.

0:14:17.080 --> 0:14:20.200
<v S2>So that was difficult for me to do my own

0:14:20.200 --> 0:14:25.840
<v S2>thing like musical, right? Absolutely. And also because I came

0:14:25.840 --> 0:14:29.400
<v S2>from like nothing, right? As in, I came from like, Oh,

0:14:29.650 --> 0:14:31.410
<v S2>I had no Joss. I struggle, you know, I to

0:14:31.420 --> 0:14:33.850
<v S2>go for auditions. I started from doing because I had

0:14:33.850 --> 0:14:36.850
<v S2>to do this. And then, you know, like, so this

0:14:36.850 --> 0:14:40.430
<v S2>was also obviously very precious to me, like all these jobs, right?

0:14:40.540 --> 0:14:42.430
<v S2>Like I was, I felt very lucky. But at the

0:14:42.430 --> 0:14:44.860
<v S2>same time, I was very depressed because I felt like

0:14:44.920 --> 0:14:47.290
<v S2>this thing. Anyway, one night, you know, I have a

0:14:47.620 --> 0:14:50.590
<v S2>creative outlet, you know, I want to produce my own stuff. So.

0:14:51.220 --> 0:14:55.359
<v S2>So then it took me a while to really must

0:14:55.360 --> 0:14:58.120
<v S2>have the courage to take like a three month low

0:14:58.120 --> 0:15:01.200
<v S2>pay leave to do my own movie. OK. Right. So

0:15:01.200 --> 0:15:02.800
<v S2>so I took it three months. No failing to do

0:15:02.800 --> 0:15:05.950
<v S2>my first movie, right? And then after that, I was

0:15:06.220 --> 0:15:10.090
<v S2>so happy doing it. It's a seven month old baby. Wow.

0:15:10.130 --> 0:15:14.020
<v S2>And then and then, yeah. So actually, it paid off

0:15:14.020 --> 0:15:17.470
<v S2>because my first movie did quite well at the box office. Yeah,

0:15:17.470 --> 0:15:21.560
<v S2>for sure. For sure. It was also chosen as Singapore's

0:15:21.560 --> 0:15:26.030
<v S2>representative to the Oscars. Oh, wow. For best foreign film

0:15:26.030 --> 0:15:27.280
<v S2>in 20 years, it

0:15:27.290 --> 0:15:29.330
<v S1>would have been I would have done better if we

0:15:29.330 --> 0:15:31.790
<v S1>were in it. But yeah, you can't win them all.

0:15:31.910 --> 0:15:34.220
<v S3>I remember we pitched to be in your movie, but

0:15:34.340 --> 0:15:36.160
<v S3>we were overlooked. So yeah, so did you.

0:15:36.380 --> 0:15:37.400
<v S2>Right? Yeah.

0:15:38.000 --> 0:15:41.300
<v S3>Not not to bring it up, but you know, no, no, no.

0:15:41.310 --> 0:15:44.450
<v S2>I'm always very grateful to you too, because for all

0:15:44.450 --> 0:15:47.720
<v S2>of my movies, you were there to help me promote. Oh, absolutely.

0:15:47.830 --> 0:15:49.790
<v S1>I don't know. I mean, we we we really love

0:15:49.790 --> 0:15:51.710
<v S1>you so much and we we think you're you're just

0:15:51.710 --> 0:15:54.580
<v S1>super creative and talented. You know, we can't help it.

0:15:54.590 --> 0:15:55.290
<v S2>Thank you.

0:15:55.720 --> 0:15:59.090
<v S3>And honestly, we don't see that many people with the

0:15:59.090 --> 0:16:00.090
<v S3>passion that you have.

0:16:00.180 --> 0:16:01.550
<v S1>Yeah, it's crazy

0:16:01.670 --> 0:16:04.400
<v S3>to be creative and to be to always be, you know,

0:16:04.430 --> 0:16:07.750
<v S3>one step above everyone else, you know, in that process.

0:16:07.890 --> 0:16:11.930
<v S3>So you've been amazing, all these very inspiration. So let's

0:16:11.930 --> 0:16:15.950
<v S3>talk about the creative process. OK, so so I don't

0:16:15.950 --> 0:16:18.140
<v S3>know if you've ever spoken about this before, but those

0:16:18.650 --> 0:16:21.790
<v S3>awesome characters you created for the new step that have,

0:16:21.890 --> 0:16:24.530
<v S3>you know, people, people, some people think that you are

0:16:24.530 --> 0:16:28.700
<v S3>actually that person. You know, Lulu? Yeah, right? Talk about

0:16:28.700 --> 0:16:32.030
<v S3>the creative process of that. Did someone in Channel five

0:16:32.060 --> 0:16:35.540
<v S3>write that character is Michelle? Can you play this character?

0:16:35.810 --> 0:16:38.660
<v S3>Or is it just something you created in your head?

0:16:38.810 --> 0:16:40.640
<v S3>You brought it to screen and you're like, Oh my God,

0:16:40.640 --> 0:16:41.150
<v S3>it works.

0:16:42.230 --> 0:16:45.530
<v S2>OK, so, so as I was telling you before, I

0:16:45.530 --> 0:16:49.010
<v S2>was always pitching right, like senior management or whoever I can,

0:16:49.460 --> 0:16:52.580
<v S2>you know, get an appointment with like my the head

0:16:52.580 --> 0:16:55.040
<v S2>of a movie, you know, like, say, like, you know,

0:16:55.350 --> 0:16:57.710
<v S2>I'm either cooking show idea with a skill, you know,

0:16:57.710 --> 0:17:00.620
<v S2>blah blah, you know? So I was like, I have

0:17:00.620 --> 0:17:03.980
<v S2>this show, I do. And then just one day, I

0:17:03.980 --> 0:17:08.359
<v S2>was so lucky. Finally, I don't know who it was,

0:17:08.359 --> 0:17:16.400
<v S2>whether it was, was it Kelvin or, yeah, somebody said like, Oh, oh, actually,

0:17:16.400 --> 0:17:20.520
<v S2>someone in Channel five also has a skit idea, right?

0:17:21.230 --> 0:17:23.900
<v S2>Like the fake news, right? So then so then it's

0:17:23.900 --> 0:17:26.000
<v S2>a great great. Then you two can meet and then,

0:17:26.000 --> 0:17:28.910
<v S2>you know, finally, we can do something right? Right? So then, yeah,

0:17:28.910 --> 0:17:33.290
<v S2>so then that was how I got involved. Wow. Yeah.

0:17:33.530 --> 0:17:37.310
<v S2>But I came up with my own characters. So, you know,

0:17:37.310 --> 0:17:40.070
<v S2>it's very funny because, like the news was a very

0:17:40.070 --> 0:17:43.190
<v S2>small team at that time, right? Mm. So I could

0:17:43.190 --> 0:17:47.300
<v S2>pretty much do whatever I want to write so. So

0:17:47.540 --> 0:17:51.080
<v S2>I was also watching Channel NewsAsia at the time. I

0:17:51.080 --> 0:17:53.840
<v S2>don't know whether you remember there was this. There was

0:17:53.840 --> 0:17:56.720
<v S2>this newscaster that had quite a bit of heavy makeup

0:17:56.720 --> 0:18:01.389
<v S2>and very sultry big hair. Yeah, yeah. Yeah, yeah, yeah.

0:18:01.720 --> 0:18:03.020
<v S2>The American accent.

0:18:03.050 --> 0:18:04.280
<v S1>I know exactly who you're talking about.

0:18:04.290 --> 0:18:06.710
<v S2>Yeah, like so she was just sitting next to me

0:18:06.710 --> 0:18:08.300
<v S2>in the makeup on. I was like, Oh my God,

0:18:08.300 --> 0:18:11.360
<v S2>I could totally be that newscaster. So that was how

0:18:11.359 --> 0:18:15.240
<v S2>Adriana wow was was born. Yeah, with a big hair

0:18:15.240 --> 0:18:19.490
<v S2>and you know, the blue eyeshadow and you think, Oh

0:18:19.490 --> 0:18:23.360
<v S2>my gosh, she's not has been balding as well about, yeah,

0:18:23.570 --> 0:18:27.380
<v S2>they'll be funnier if she is more important, right? Absolutely.

0:18:27.410 --> 0:18:30.650
<v S2>And then and then, you know, with with Barbarella is

0:18:30.650 --> 0:18:36.390
<v S2>so funny because, you know, when I was doing modelling. Yeah,

0:18:36.800 --> 0:18:41.120
<v S2>the stories you could tell. Yeah, oh yeah. Kind of. Yeah,

0:18:41.180 --> 0:18:45.640
<v S2>very special, unique characters. So I when I first started,

0:18:45.740 --> 0:18:49.850
<v S2>I had this and this agency mannequin carries on while

0:18:49.850 --> 0:18:54.020
<v S2>doing so. So the the instructor they teach you, like,

0:18:54.020 --> 0:18:58.210
<v S2>how do you know, do make do well? And and

0:18:58.220 --> 0:19:02.050
<v S2>I always thought, Oh gosh, it's all right. She's like, Oh,

0:19:02.060 --> 0:19:04.700
<v S2>you're lying to the mere roll. You see your eyebrows.

0:19:06.800 --> 0:19:10.100
<v S2>Oh my goodness, this toga. So I was just always

0:19:10.609 --> 0:19:15.320
<v S2>I was saying something like that. Yeah, so but then

0:19:15.500 --> 0:19:19.400
<v S2>the thing is that not everybody believed in me when

0:19:19.400 --> 0:19:23.620
<v S2>I was when I first, when I first did Leticia,

0:19:23.720 --> 0:19:27.830
<v S2>I said, I can totally do like a Filipino helper,

0:19:27.830 --> 0:19:30.620
<v S2>a Filipino accent. Yeah. So when I first did it

0:19:30.619 --> 0:19:35.990
<v S2>and I still remember and I still remember the the

0:19:35.990 --> 0:19:39.830
<v S2>soundman or the cameraman say, Are you sure that's Filipino?

0:19:39.830 --> 0:19:44.030
<v S2>Doesn't sound like that, but solid. It got solid. So,

0:19:44.030 --> 0:19:46.880
<v S2>you know, because in the beginning, nobody really knew that

0:19:46.910 --> 0:19:49.369
<v S2>I could do all these things that would go from

0:19:49.369 --> 0:19:51.380
<v S2>Channel eight, you know, and then come in like, do

0:19:51.380 --> 0:19:53.750
<v S2>all this. So even when I did my Barbarella, which

0:19:53.750 --> 0:19:56.210
<v S2>I thought was hilarious, like the first thing I did,

0:19:56.210 --> 0:19:59.119
<v S2>I myself thought it was very funny. I mean, we

0:19:59.119 --> 0:20:02.240
<v S2>were sending also or 2000. But I remember the app

0:20:02.240 --> 0:20:04.840
<v S2>was just like, like, nobody laugh at all right now.

0:20:04.960 --> 0:20:08.580
<v S2>You know, they were folding their arms. And just like,

0:20:08.580 --> 0:20:10.370
<v S2>Is this very funny? Like, when I do my takes,

0:20:10.369 --> 0:20:14.270
<v S2>everybody takes, you know, out of towels or devices stall,

0:20:14.270 --> 0:20:16.850
<v S2>sending it just like looking around like, OK, I dont like,

0:20:16.850 --> 0:20:22.290
<v S2>you know, like, just like nobody. Oh, my God. Like,

0:20:22.530 --> 0:20:23.720
<v S2>I knew it would be a hit.

0:20:24.050 --> 0:20:27.620
<v S3>Yeah, yeah. You, you knew, right? Because and then those,

0:20:28.130 --> 0:20:30.500
<v S3>you know, all those characters were created at the infancy

0:20:30.500 --> 0:20:33.560
<v S3>of social media. Yeah. So when those clips started getting

0:20:33.560 --> 0:20:37.790
<v S3>shared on it, people loved it, you know, so I guess. OK, well,

0:20:38.390 --> 0:20:41.990
<v S3>comedy is not for everyone, I suppose, you know. And

0:20:42.109 --> 0:20:44.810
<v S3>you know, some people find something funny. Some people won't

0:20:44.810 --> 0:20:47.210
<v S3>find it funny. Right? But the majority found your

0:20:47.210 --> 0:20:48.379
<v S1>character very funny.

0:20:48.380 --> 0:20:53.120
<v S3>Very funny, really, really, really awesome. But but then came

0:20:53.119 --> 0:20:56.540
<v S3>a point where you had left Mediacorp. Right? Mm hmm. Yeah.

0:20:56.710 --> 0:21:00.590
<v S3>And there was and there was an issue about, will

0:21:00.590 --> 0:21:03.310
<v S3>you be able to use these characters outside of medical?

0:21:03.740 --> 0:21:06.740
<v S2>Right, right, right. Right, right? The answer is no, because

0:21:06.950 --> 0:21:11.540
<v S2>whatever that I did were on medical platforms. And so

0:21:11.540 --> 0:21:15.030
<v S2>those characters belong to them, which which which I agree

0:21:15.030 --> 0:21:17.900
<v S2>it's OK. But when? So that's why when I did Lulu,

0:21:17.900 --> 0:21:20.000
<v S2>the movie, I bought the rights. I bought the rights

0:21:20.320 --> 0:21:21.050
<v S2>for the movie.

0:21:21.410 --> 0:21:23.780
<v S3>So that was the process. You actually bought the Lulu

0:21:23.780 --> 0:21:24.830
<v S3>rights from your call?

0:21:25.580 --> 0:21:29.510
<v S2>Yes. Yes, yes. So, so so that's why. That's why

0:21:29.510 --> 0:21:33.560
<v S2>now I do my own platform, my own characters, which

0:21:33.560 --> 0:21:37.100
<v S2>belong to me like alien. You know, Shelly go the

0:21:37.340 --> 0:21:41.960
<v S2>office lady Emily Emilia, the Taiwanese. You know, like, yeah,

0:21:41.990 --> 0:21:44.510
<v S2>like all these characters belong to me.

0:21:44.540 --> 0:21:48.109
<v S1>Right, right? Yeah. Because I find it in so strange

0:21:48.109 --> 0:21:51.560
<v S1>to be someone else for something you created, right? It's

0:21:51.560 --> 0:21:54.649
<v S1>a tough business, but yeah, intellectual property and stuff like that. Yes.

0:21:55.180 --> 0:21:58.580
<v S2>I mean, times have changed. As in as in now,

0:21:58.580 --> 0:22:04.290
<v S2>because I mean, people in media have come and gone also, right? Yeah, sure. Yeah. Yeah, yeah.

0:22:04.910 --> 0:22:07.490
<v S2>Whoever was in charge. So I mean, I mean, things

0:22:07.490 --> 0:22:09.500
<v S2>are a bit better now. I mean, I mean, there's

0:22:09.500 --> 0:22:12.380
<v S2>no animosity between us. I mean, I still produce stuff

0:22:12.380 --> 0:22:15.560
<v S2>for me to write nice stuff. Yeah. Yeah, we do

0:22:15.560 --> 0:22:18.500
<v S2>like chic and cozy, which was like a home, the

0:22:18.500 --> 0:22:23.060
<v S2>property hunting show for Channel five and I'll go on

0:22:23.060 --> 0:22:27.060
<v S2>my case. You know, what was it? Yeah. Oh, right. Yeah.

0:22:27.350 --> 0:22:30.050
<v S2>So we did that one. So I directed that, and

0:22:30.050 --> 0:22:33.469
<v S2>it was very well-received, actually. Yeah. Yeah. And then I

0:22:33.470 --> 0:22:38.929
<v S2>also director like two army dramas, Chinese dramas on Channel

0:22:38.930 --> 0:22:40.790
<v S2>You and for me, you watch as well, which also

0:22:40.790 --> 0:22:43.940
<v S2>had like the highest ratings for like the Chinese Chinese

0:22:43.940 --> 0:22:48.050
<v S2>series on toggles. Very cool. So I mean, we still

0:22:48.050 --> 0:22:51.649
<v S2>do stuff, but then I personally still do stuff with them. So.

0:22:51.770 --> 0:22:55.910
<v S2>And and also, I think things have changed now as

0:22:55.910 --> 0:22:58.669
<v S2>in if it's produced by us now. But but even

0:22:58.670 --> 0:23:01.520
<v S2>on their platforms, the characters belong to us. So I

0:23:01.520 --> 0:23:05.780
<v S2>see the Chinese. I do Chinese Gong Dalloway, which is

0:23:05.780 --> 0:23:12.650
<v S2>like a Chinese. I love that a Chinese journalist, you know, A. journalist. Right. Well,

0:23:12.800 --> 0:23:17.960
<v S2>it just so a big conservative, a bit grumpy, kind

0:23:17.960 --> 0:23:22.760
<v S2>of a Chinese anti journalist's character. So I did that

0:23:22.760 --> 0:23:26.720
<v S2>for them. Mm hmm. And actually, I created this character

0:23:26.720 --> 0:23:29.500
<v S2>for them. But now this character belongs to me as well.

0:23:29.510 --> 0:23:31.340
<v S2>So sure, things have changed. That's great.

0:23:31.660 --> 0:23:34.669
<v S3>That's fantastic. Because, you know, creative people, ideally you want

0:23:34.670 --> 0:23:37.719
<v S3>to own what you of. I mean, as Taylor Swift, yeah,

0:23:37.790 --> 0:23:39.230
<v S3>you know, they were. You really want to own.

0:23:39.410 --> 0:23:41.810
<v S2>Yeah, yeah. Yeah, well, that's

0:23:42.020 --> 0:23:44.690
<v S3>that's that's that's fantastic. It feels almost like it's come

0:23:44.810 --> 0:23:45.639
<v S3>full circle.

0:23:45.800 --> 0:23:48.170
<v S2>That's well, right. Yeah. Yes. No. I think it's good now. Yeah,

0:23:48.170 --> 0:23:48.770
<v S2>I'm going

0:23:48.770 --> 0:23:50.869
<v S3>to ask you a difficult question because, you know, you know,

0:23:50.869 --> 0:23:53.480
<v S3>for parents, it's very it's impossible to choose a favorite child. Yeah.

0:23:53.810 --> 0:23:55.670
<v S3>So if we were to put you in the spot

0:23:55.670 --> 0:23:58.760
<v S3>and ask you, who's the favorite character you ever created?

0:23:58.790 --> 0:23:59.480
<v S3>Can you name one?

0:24:00.440 --> 0:24:01.960
<v S2>No, I can't. You could, right?

0:24:02.800 --> 0:24:04.879
<v S1>They're all special, too difficult.

0:24:04.940 --> 0:24:06.500
<v S3>And they're also unique as well.

0:24:08.150 --> 0:24:10.550
<v S2>You know, you know, better. I don't know how they

0:24:10.550 --> 0:24:13.790
<v S2>explain this to you without sounding very cold, but actually,

0:24:13.790 --> 0:24:17.210
<v S2>it's just walk to me. Right, right, right. So I mean,

0:24:17.220 --> 0:24:22.730
<v S2>they're not my children. I, I, I, I don't care

0:24:22.730 --> 0:24:27.560
<v S2>for them. Yeah. But but I care deeply about my work,

0:24:27.760 --> 0:24:30.680
<v S2>what I put out. So I'm a perfectionist in that sense.

0:24:30.680 --> 0:24:33.770
<v S2>So I mean, I go through the edit many times

0:24:33.770 --> 0:24:37.460
<v S2>because I go through the script many times with a T.

0:24:37.520 --> 0:24:40.190
<v S2>I go through the edit many times because I want

0:24:40.190 --> 0:24:42.350
<v S2>it to be very funny. I wanted the client to

0:24:42.350 --> 0:24:45.130
<v S2>be happy that like, you know, the messaging is one,

0:24:45.260 --> 0:24:48.470
<v S2>you know, I want people to love the content, you know,

0:24:48.500 --> 0:24:52.670
<v S2>I want everyone to be happy. So you're a perfectionist. What? Yeah. Yeah.

0:24:52.670 --> 0:24:55.040
<v S2>So that's what I care about. Like whether the timing

0:24:55.040 --> 0:24:57.350
<v S2>is right. Like, Oh no, you should have so personal here.

0:24:57.350 --> 0:24:59.750
<v S2>You can add da, you know, like here you might

0:24:59.750 --> 0:25:02.030
<v S2>do a digital zoom. Otherwise, who's going to notice what

0:25:02.240 --> 0:25:05.449
<v S2>you know, the deadline or, you know? So, so I mean,

0:25:05.570 --> 0:25:08.930
<v S2>these are very specific things, right? Yes. So so that's

0:25:08.930 --> 0:25:11.060
<v S2>what I care about. But if you ask me like

0:25:11.090 --> 0:25:15.140
<v S2>a paparazzo like, who cares? Right, right? I mean, I mean,

0:25:15.650 --> 0:25:17.300
<v S2>I mean, when we think about it, it's not like, Oh,

0:25:17.300 --> 0:25:19.280
<v S2>my favorite character is this, let's do this. But more

0:25:19.550 --> 0:25:23.350
<v S2>like whether it fits this product or whether it's this video,

0:25:23.359 --> 0:25:27.250
<v S2>whether it is this, was it the right character? Yeah, yeah. Yeah.

0:25:27.260 --> 0:25:28.850
<v S2>So that's what I care about.

0:25:29.119 --> 0:25:31.970
<v S3>You know, I wish there were more people in this

0:25:31.970 --> 0:25:36.040
<v S3>industry that that that that that commitment to the art. Yeah,

0:25:36.109 --> 0:25:38.149
<v S3>but you do. You know, I really wish there was.

0:25:38.420 --> 0:25:40.850
<v S3>Because I mean, you call it, call it DA. What

0:25:40.850 --> 0:25:44.030
<v S3>do you call that? I call it jaded or, you know,

0:25:44.119 --> 0:25:47.960
<v S3>like or whatever it might be, complacency or whatever. But,

0:25:47.960 --> 0:25:50.990
<v S3>you know, I wish more people would really love what

0:25:50.990 --> 0:25:53.030
<v S3>they do. So much do spend so much time to

0:25:53.030 --> 0:25:53.720
<v S3>make it perfect

0:25:54.060 --> 0:25:58.040
<v S1>and not put put out something for the sake of putting. Yeah, yeah, absolutely.

0:25:58.040 --> 0:26:01.790
<v S2>So. But you know, I I am jaded. Well, I

0:26:01.790 --> 0:26:04.910
<v S2>am just really, you know, you just want it. Yes. No,

0:26:04.910 --> 0:26:07.400
<v S2>I'm done and I'm very tired. And actually, it's not

0:26:07.400 --> 0:26:09.170
<v S2>that I love it so much. It's just that I

0:26:09.170 --> 0:26:13.120
<v S2>cannot help it. You're right. Yeah. So I guess I mean,

0:26:13.160 --> 0:26:14.780
<v S2>a lot of the times I just think, yeah, just

0:26:14.780 --> 0:26:17.600
<v S2>like all of my friends, you know, the team should

0:26:17.600 --> 0:26:19.820
<v S2>know that anyway, but I can't let go. So then

0:26:19.820 --> 0:26:21.890
<v S2>that's just that's bad, actually.

0:26:23.390 --> 0:26:24.260
<v S3>No. Well, we

0:26:24.260 --> 0:26:26.660
<v S1>will. We see your content, people see your content and

0:26:26.900 --> 0:26:29.540
<v S1>people love it. So you know it all pays off

0:26:29.540 --> 0:26:31.570
<v S1>at the end of the day. Absolutely. That's a good thing.

0:26:31.580 --> 0:26:32.990
<v S2>I hope Solo Hope Solo

0:26:33.109 --> 0:26:35.960
<v S3>does like, OK, let's let's let's play H.R. department for

0:26:35.960 --> 0:26:36.290
<v S3>a moment.

0:26:36.440 --> 0:26:37.460
<v S1>H.R. Department.

0:26:37.460 --> 0:26:41.030
<v S3>OK, OK, so what's next for Michelle Chong? Is there

0:26:41.030 --> 0:26:44.420
<v S3>something that you haven't achieved? Is there something that you

0:26:44.630 --> 0:26:47.750
<v S3>want to do? But what Demi or whatever you haven't

0:26:47.750 --> 0:26:50.330
<v S3>done it yet, like in the next three, four, five years?

0:26:50.330 --> 0:26:53.629
<v S3>Like what? Is there something in the pipeline that you

0:26:53.630 --> 0:26:54.110
<v S3>can tell us?

0:26:54.770 --> 0:27:00.949
<v S2>Actually, contrary to popular belief on, I mean, like despite

0:27:00.950 --> 0:27:04.640
<v S2>what people might think, like what I am, you know,

0:27:04.700 --> 0:27:08.240
<v S2>I actually don't plan anything, you know, OK, I don't play, OK.

0:27:08.270 --> 0:27:13.790
<v S2>I don't plan anything in advance. All right. I have nothing.

0:27:13.790 --> 0:27:15.919
<v S2>But currently I hope to lose weight.

0:27:16.910 --> 0:27:18.230
<v S1>Are you? Are you kidding?

0:27:20.660 --> 0:27:25.130
<v S2>Yeah. Yeah, because I'm also doing a flip me endorsement now.

0:27:25.160 --> 0:27:29.010
<v S2>Oh yeah, because because I don't know all these productions

0:27:29.040 --> 0:27:31.970
<v S2>that I'm doing. I'm also the ambassador for quite a

0:27:31.970 --> 0:27:36.650
<v S2>lot things that I Johnson protein, sorry, homestead. Yeah. And

0:27:36.650 --> 0:27:41.390
<v S2>another one coming out and and la da da, you know? Yeah. Yeah.

0:27:42.050 --> 0:27:47.550
<v S2>Have a lot of things to do like to optimize mug.

0:27:48.290 --> 0:27:53.000
<v S2>And yeah. So to me, that's also quite stressful because

0:27:54.680 --> 0:27:56.420
<v S2>like I said before, I really do like to be

0:27:56.420 --> 0:27:58.399
<v S2>in front of the camera. But I guess if it's

0:27:58.400 --> 0:28:01.250
<v S2>still pays my bills, I should be grateful for it. Yeah,

0:28:02.190 --> 0:28:04.550
<v S2>and I am, and I am very grateful for it.

0:28:04.550 --> 0:28:06.950
<v S2>So I cannot just like, give that all up now.

0:28:06.950 --> 0:28:08.690
<v S2>But I look forward to the day where I don't

0:28:08.690 --> 0:28:10.860
<v S2>have to care about doing my makeup and I don't

0:28:10.880 --> 0:28:14.030
<v S2>have to keep my hair long for this. I think

0:28:14.030 --> 0:28:19.340
<v S2>that's what I am. And no, but but I can

0:28:19.340 --> 0:28:22.530
<v S2>still do my behind the scenes. Yeah, sure. Sure. Yeah, yeah.

0:28:22.640 --> 0:28:26.990
<v S2>And I'm very busy doing that, right? So then I just, yeah, yeah.

0:28:26.990 --> 0:28:32.600
<v S2>So so actually my my wish is that I can really,

0:28:32.600 --> 0:28:34.220
<v S2>really don't have to be in front of a camera

0:28:34.220 --> 0:28:37.399
<v S2>anymore and just doing behind the scenes. Wow. So that's

0:28:37.400 --> 0:28:39.480
<v S2>just like, yeah, my ultimate wish.

0:28:39.770 --> 0:28:43.070
<v S1>Wow. You never think you hear that from from someone

0:28:43.070 --> 0:28:45.720
<v S1>who's doing so well in front of the camera? Exactly that.

0:28:45.750 --> 0:28:48.280
<v S2>That doesn't sound very ungrateful. It does.

0:28:48.410 --> 0:28:50.930
<v S1>Oh, no, no, no. That's not what I meant at all.

0:28:51.320 --> 0:28:55.130
<v S1>Because no, it really isn't what I meant at all. Because,

0:28:55.130 --> 0:28:57.830
<v S1>you know, we we sometimes we feel the way you do,

0:28:57.830 --> 0:29:00.210
<v S1>sometimes when we feel jaded, when we see. We feel

0:29:00.210 --> 0:29:01.800
<v S1>that we have been doing the same thing every day.

0:29:02.040 --> 0:29:04.850
<v S1>You know, sometimes we wish that, you know, we wish

0:29:04.860 --> 0:29:07.680
<v S1>we could just sit back, write content or come up,

0:29:07.680 --> 0:29:10.200
<v S1>create content and give someone else to do so that

0:29:10.200 --> 0:29:12.930
<v S1>you know, we yeah. Yeah. But yeah, I totally know

0:29:12.930 --> 0:29:15.120
<v S1>how you feel. It doesn't sound a great maybe.

0:29:15.510 --> 0:29:17.400
<v S3>Maybe it takes someone in the industry to know exactly

0:29:17.400 --> 0:29:18.840
<v S3>what you mean, but I know, I know completely

0:29:18.940 --> 0:29:19.960
<v S1>what you mean. Yeah, yeah.

0:29:20.200 --> 0:29:23.560
<v S3>So the idea is you just you just feel that way, right? Well, yeah,

0:29:23.580 --> 0:29:24.480
<v S3>it's so eye opening.

0:29:24.900 --> 0:29:27.060
<v S1>Chatting with you, young man, is such a great guy.

0:29:27.210 --> 0:29:29.970
<v S3>One more thing to do before we go, Michel, because

0:29:29.970 --> 0:29:31.790
<v S3>we know you're very busy. You know things to do.

0:29:31.800 --> 0:29:33.210
<v S3>So we want to hold you for too much longer.

0:29:33.450 --> 0:29:36.840
<v S3>But it is tradition for all our guests and a

0:29:36.840 --> 0:29:39.950
<v S3>mother and sandwich podcast to forward the tables to turn.

0:29:39.960 --> 0:29:42.330
<v S3>So now you will get to ask us the question

0:29:42.330 --> 0:29:44.700
<v S3>Is there anything you've ever wanted to ask the mountains about?

0:29:44.700 --> 0:29:48.060
<v S3>Never had a chance to. So it's now and now

0:29:48.060 --> 0:29:50.190
<v S3>it's on record. So go ahead. Michelle Chong, what do

0:29:50.190 --> 0:29:50.730
<v S3>you want to ask?

0:29:50.970 --> 0:29:53.250
<v S2>Yeah, so you are really asking for this. So you

0:29:53.250 --> 0:29:54.200
<v S2>better answer the question.

0:29:54.210 --> 0:29:57.990
<v S1>Yeah, yeah. We we promise to answer any question wasn't scary.

0:29:58.020 --> 0:30:01.290
<v S2>No, no, no, no, no, no, no, no.

0:30:01.290 --> 0:30:03.570
<v S1>Honestly. Straight shooting, straight shooting.

0:30:03.820 --> 0:30:08.520
<v S2>OK. So who is your least favorite guest ever and

0:30:08.520 --> 0:30:13.140
<v S2>who's your most favorite guest ever on your show?

0:30:13.710 --> 0:30:15.630
<v S3>On the gas, on the in the show?

0:30:15.660 --> 0:30:17.719
<v S2>No, no, no podcast. No polka.

0:30:17.980 --> 0:30:20.880
<v S3>Oh yeah, oh great. Because I have a great answer

0:30:20.880 --> 0:30:21.060
<v S3>for that.

0:30:21.180 --> 0:30:23.030
<v S1>OK. Who's who's your least favorite? You go ahead.

0:30:23.790 --> 0:30:26.070
<v S3>No. So I'll tell you my least favorite guest I

0:30:26.070 --> 0:30:31.170
<v S3>ever interview. You'll be shocked that his name was Kylie Minogue, right?

0:30:31.290 --> 0:30:33.690
<v S3>Oh yeah. I think this was. I'll have to admit,

0:30:33.690 --> 0:30:37.110
<v S3>this was very early, early on in my career and

0:30:37.110 --> 0:30:41.220
<v S3>this was pre pre social media. So like, like MTV

0:30:41.220 --> 0:30:43.800
<v S3>and all that were the biggest things. So she came

0:30:43.800 --> 0:30:46.190
<v S3>to Singapore for a concert or promo. I came in

0:30:46.200 --> 0:30:49.080
<v S3>while she was here. And so we were there to

0:30:49.080 --> 0:30:53.850
<v S3>do an interview. So, you know, everybody's rostered to go

0:30:53.850 --> 0:30:56.460
<v S3>in five minutes with Kylie and all that. So you

0:30:56.460 --> 0:30:59.580
<v S3>could tell straight away that when there was a camera

0:30:59.820 --> 0:31:02.610
<v S3>like an MTV was interviewing her, what she was like,

0:31:02.610 --> 0:31:05.040
<v S3>all glammed up and like, Whoa, she should put it on,

0:31:05.040 --> 0:31:07.320
<v S3>you know? And the moment she found out that the

0:31:07.320 --> 0:31:10.470
<v S3>next interview was with radio, there was no camera. There

0:31:10.470 --> 0:31:14.310
<v S3>was no glamour shot. All I'm doing is just recording

0:31:14.310 --> 0:31:17.940
<v S3>her and her voice. She became the most uninteresting person

0:31:17.940 --> 0:31:18.420
<v S3>in the world.

0:31:18.450 --> 0:31:18.780
<v S1>Wow.

0:31:19.050 --> 0:31:21.750
<v S3>Yeah, I was. I was shocked because it was Kylie

0:31:21.750 --> 0:31:23.670
<v S3>Minogue going to get shot. I've been shot because, you know,

0:31:23.670 --> 0:31:26.610
<v S3>she she was the queen night. So it was it

0:31:26.610 --> 0:31:28.830
<v S3>was so bad. I could barely use the interview because

0:31:28.830 --> 0:31:32.760
<v S3>she sounded so bored and so uninterested. Everything she said

0:31:32.760 --> 0:31:36.150
<v S3>was like one one, two words, you know? So I

0:31:36.150 --> 0:31:40.080
<v S3>was so disappointed when that happened. All those years ago,

0:31:40.080 --> 0:31:42.150
<v S3>it was two thousand and one I think it was

0:31:42.420 --> 0:31:45.630
<v S3>20 years ago. Hmm. So, yeah, that was actually the

0:31:46.050 --> 0:31:48.720
<v S3>till today the worst interview I've ever done personally. Yeah.

0:31:48.810 --> 0:31:52.740
<v S3>And oh, did I say. It was quite bad because

0:31:52.740 --> 0:31:55.170
<v S3>she was such a big name. I'll tell you a story,

0:31:55.170 --> 0:31:57.030
<v S3>something very similar.

0:31:57.030 --> 0:31:59.460
<v S1>And in fact, this was in the 90s when social

0:31:59.460 --> 0:32:04.830
<v S1>media really didn't exist. And I had to interview Jon

0:32:04.830 --> 0:32:08.070
<v S1>Bon Jovi called the biggest robin in the world. You're right,

0:32:08.700 --> 0:32:12.840
<v S1>and exactly the same scenario. Like, like when I went in,

0:32:12.840 --> 0:32:16.620
<v S1>I'm a guy from a radio station. So the boys

0:32:16.620 --> 0:32:18.930
<v S1>literally has sat there and read magazines. While I ask

0:32:18.930 --> 0:32:21.420
<v S1>them questions, they couldn't even be bothered to look at

0:32:21.420 --> 0:32:25.110
<v S1>me while answering questions, right? So by the third question,

0:32:25.110 --> 0:32:27.780
<v S1>I realized they really weren't interested. So I just stopped

0:32:27.780 --> 0:32:29.700
<v S1>the interview and I say, OK, thanks guys. And I

0:32:29.700 --> 0:32:33.030
<v S1>walked out. The next person to interview the guys were

0:32:33.030 --> 0:32:35.820
<v S1>What was this hot MTV veejay shall not name her name,

0:32:35.820 --> 0:32:39.200
<v S1>but she was a hot MTV veejay with the camera crew. Wow,

0:32:39.220 --> 0:32:42.960
<v S1>you see these guys so talkative they lit up there.

0:32:42.960 --> 0:32:45.450
<v S1>They were like, Why are you smiling and laughing? And

0:32:45.870 --> 0:32:48.600
<v S1>so I was like, Oh, OK. I never, ever put

0:32:48.600 --> 0:32:50.430
<v S1>on the interview because I didn't want to use it.

0:32:51.360 --> 0:32:53.250
<v S1>Even though they were the biggest rock band in the world,

0:32:53.250 --> 0:32:54.610
<v S1>John Boehner, yeah, yeah,

0:32:54.680 --> 0:32:56.520
<v S2>so no, horrible.

0:32:56.580 --> 0:32:59.970
<v S3>Yeah, unfortunately, you know, it was a time that we

0:32:59.970 --> 0:33:02.310
<v S3>were quite used to it because a lot of these stars,

0:33:02.310 --> 0:33:03.870
<v S3>they they kind of knew when to turn it on

0:33:03.870 --> 0:33:06.270
<v S3>and went to the air radio or Neil, I don't care. Yeah.

0:33:06.300 --> 0:33:07.420
<v S3>So we

0:33:07.910 --> 0:33:09.270
<v S2>knew we were the ones

0:33:09.270 --> 0:33:12.150
<v S3>who carry your songs 50 times a day to make

0:33:12.150 --> 0:33:15.320
<v S3>you famous. You ungrateful piece of itself, anyway.

0:33:15.870 --> 0:33:20.010
<v S2>No radio people are always so discriminating. Yeah, well, we

0:33:20.020 --> 0:33:21.150
<v S2>read about them all.

0:33:21.980 --> 0:33:24.810
<v S3>But to be fair, doesn't happen that often. More often

0:33:24.810 --> 0:33:26.790
<v S3>than not, people are very grateful of that. We played

0:33:26.790 --> 0:33:29.040
<v S3>our songs. Yeah, have you? Sorry. Did you ask about

0:33:29.040 --> 0:33:30.540
<v S3>best as well? Do you just ask about worst,

0:33:31.020 --> 0:33:33.810
<v S2>best as well? But, but but let me what I

0:33:33.810 --> 0:33:35.700
<v S2>want to say is that it doesn't just happen to

0:33:35.700 --> 0:33:38.190
<v S2>radio people because you know, when we when we go

0:33:38.190 --> 0:33:40.950
<v S2>in for like movie junkets and all. Yeah, yeah. I

0:33:40.960 --> 0:33:45.510
<v S2>know that. Yeah, I also can now get utterly gone

0:33:45.510 --> 0:33:47.670
<v S2>to answer your question. Who was it? Who was it?

0:33:47.940 --> 0:33:49.200
<v S2>Jada Pinkett Smith?

0:33:49.290 --> 0:33:53.790
<v S1>Oh, wow. Yeah. Oh no. We we've we've had very

0:33:53.790 --> 0:33:58.380
<v S1>mixed feelings about that family. We've we've never interviewed Jada Pinkett,

0:33:58.380 --> 0:34:01.870
<v S1>but we've interviewed Will Smith. And he loved this so much.

0:34:01.870 --> 0:34:05.700
<v S1>She wanted to adopt us. Yeah, he's amazing. Oh, super nice, guy.

0:34:05.910 --> 0:34:08.730
<v S1>I love him. Yeah. And then we interview his son, Jaden,

0:34:08.730 --> 0:34:11.730
<v S1>who was a teenager then. And, you know, talking to teenagers.

0:34:11.730 --> 0:34:13.770
<v S1>Very difficult lesson. Yeah, we didn't have a very good

0:34:13.770 --> 0:34:16.980
<v S1>time doing that interview. But yeah. Wow. What a what

0:34:16.980 --> 0:34:18.960
<v S1>a mixed bag. No family member. Yeah.

0:34:19.230 --> 0:34:24.100
<v S2>But I'm so happy to hear that. Will Smith is nine. Oh,

0:34:24.120 --> 0:34:24.270
<v S2>it's

0:34:24.270 --> 0:34:27.180
<v S1>one of the nicest guys on the planet, and I

0:34:27.180 --> 0:34:27.630
<v S1>don't think he

0:34:27.900 --> 0:34:29.970
<v S3>takes anyone for granted, which is, we say it's a

0:34:29.969 --> 0:34:33.359
<v S3>lot of very professional about him. I'll tell you about

0:34:33.360 --> 0:34:35.490
<v S3>my best very quickly. Before we we we would go

0:34:35.489 --> 0:34:38.100
<v S3>too long. I've told this story many times. So you've

0:34:38.100 --> 0:34:39.780
<v S3>heard this story a thousand times what that yeah, my

0:34:39.780 --> 0:34:42.359
<v S3>best was and maybe you is almost predictable.

0:34:42.360 --> 0:34:43.500
<v S1>Why put all your stories at

0:34:45.719 --> 0:34:49.440
<v S3>my best was the rock. So I interviewed him when

0:34:49.590 --> 0:34:51.420
<v S3>this was his first movie, The Scorpion King. They came

0:34:51.420 --> 0:34:54.390
<v S3>to Singapore to do a promo. He was just just

0:34:54.390 --> 0:34:55.980
<v S3>making it in the industry, but he was a very

0:34:55.980 --> 0:34:59.610
<v S3>big WWE wrestler. So anyway, I interview him and you know, Michel,

0:34:59.610 --> 0:35:02.730
<v S3>most interviews when when Time's Up, the Time's Up, bye bye.

0:35:02.760 --> 0:35:05.460
<v S3>They'll chase you off, right? Yeah. Because the star has

0:35:05.460 --> 0:35:08.100
<v S3>many more people to interview that person. So same thing.

0:35:08.100 --> 0:35:11.970
<v S3>I interview the rock again. Only audio, no cameras interview him.

0:35:12.210 --> 0:35:16.500
<v S3>His minder came in and says, Ah, rock, sorry, time's up.

0:35:16.680 --> 0:35:19.140
<v S3>With with Justin, are we going to move on? He

0:35:19.140 --> 0:35:22.500
<v S3>turned is the only movie star to ever do this.

0:35:22.710 --> 0:35:25.700
<v S3>He turned to his mind and said, I am finished

0:35:25.710 --> 0:35:30.239
<v S3>when Justin finishes his questions. Well, it was like, Oh

0:35:30.239 --> 0:35:31.189
<v S3>my God,

0:35:31.200 --> 0:35:33.279
<v S1>it's so nice. I bet he regrets it. Do this

0:35:33.280 --> 0:35:36.150
<v S1>this morning. I waste time with that guy, man.

0:35:36.300 --> 0:35:39.960
<v S3>Which huge movie star? Have you ever heard behaves like that?

0:35:40.260 --> 0:35:40.650
<v S3>You know,

0:35:41.310 --> 0:35:42.090
<v S2>and

0:35:42.090 --> 0:35:44.130
<v S3>I've interviewed him like two or three times since, and

0:35:44.130 --> 0:35:47.430
<v S3>he's always nice, like the persona he puts forward on

0:35:47.430 --> 0:35:50.370
<v S3>his Instagram and all that. That's the real deal. That's

0:35:50.370 --> 0:35:53.219
<v S3>the real Dwayne Johnson. So a lot of people say

0:35:53.219 --> 0:35:54.959
<v S3>he will be the next president of the United States.

0:35:55.230 --> 0:35:57.840
<v S3>I believe that. I believe that he really and awesome

0:35:57.840 --> 0:35:58.680
<v S3>and awesome guy.

0:35:58.760 --> 0:35:59.910
<v S1>Oh yeah. Nice.

0:35:59.910 --> 0:36:00.710
<v S2>Nice, awesome.

0:36:00.719 --> 0:36:02.910
<v S3>Yeah. Oh, did you have one yo yo best Madden

0:36:02.910 --> 0:36:03.299
<v S3>or

0:36:04.320 --> 0:36:06.660
<v S1>no idea what people usually say. I'm their best when

0:36:06.660 --> 0:36:10.590
<v S1>they interviewed me. So yeah, it's again. I know my

0:36:10.590 --> 0:36:14.340
<v S1>best was is and will forever be Michelle Chong.

0:36:14.510 --> 0:36:18.270
<v S3>Oh no, she said no. B.S. answer

0:36:18.739 --> 0:36:22.049
<v S1>yes. And I'm not even being PC because Michelle is always,

0:36:22.110 --> 0:36:26.250
<v S1>you know, so accommodating, so nice, always wants to talk

0:36:26.250 --> 0:36:29.400
<v S1>to us. And it's all real with answers. She's never been.

0:36:29.670 --> 0:36:31.920
<v S1>She's never like, Oh, I cannot tell you this again.

0:36:32.190 --> 0:36:35.200
<v S1>You know you. You you've you've always been very straightforward

0:36:35.210 --> 0:36:38.340
<v S1>this and I appreciate you and I really appreciate it.

0:36:38.620 --> 0:36:40.680
<v S3>The best, Michelle. Hey, thanks for spending

0:36:40.680 --> 0:36:45.450
<v S2>the time with always supported me. Truly, like all my interviews,

0:36:45.630 --> 0:36:49.359
<v S2>I mean, all my movie promos and yeah, and supportive,

0:36:49.380 --> 0:36:49.680
<v S2>and we

0:36:49.680 --> 0:36:51.330
<v S3>will continue to do so the next time you've got

0:36:51.330 --> 0:36:53.730
<v S3>a big project. Yeah, man. Drop us a line. We

0:36:53.730 --> 0:36:54.359
<v S3>will be very

0:36:54.989 --> 0:37:02.910
<v S1>happy to support, even though we're lowly radio people. Oh yeah, yeah, yeah.

0:37:03.750 --> 0:37:06.600
<v S3>Michelle, thanks for spending the time. We really appreciate it.

0:37:06.870 --> 0:37:09.330
<v S3>See you soon. Take care and we we hope to

0:37:09.330 --> 0:37:10.560
<v S3>catch up in the near future.

0:37:10.890 --> 0:37:12.030
<v S2>Thank you so much.

0:37:12.090 --> 0:37:14.280
<v S1>Thanks, Michel. You, too. Stay safe.