1 00:00:02,680 --> 00:00:03,600 Speaker 1: Life Audio. 2 00:00:04,360 --> 00:00:07,760 Speaker 2: Hey, Tommy, thanks for joining me, David, thanks for having me. Tommy, 3 00:00:07,800 --> 00:00:10,799 Speaker 2: Prophet Award winning composer and producer, has a new album, 4 00:00:11,160 --> 00:00:13,080 Speaker 2: The Resurrection of a King. I really liked it. It's 5 00:00:13,119 --> 00:00:16,960 Speaker 2: really really good. It reimagines beloved hymns as modern worship 6 00:00:17,000 --> 00:00:20,800 Speaker 2: anthem speechers well known singers as well, CC wy EN's Crowder, 7 00:00:21,480 --> 00:00:25,279 Speaker 2: Jen Johnson, John Reddick, Ben Fuller, J M McDonald, Phil 8 00:00:25,280 --> 00:00:29,920 Speaker 2: Wilkom among them. Tommy, this album reimagines classic hymns with 9 00:00:29,960 --> 00:00:33,559 Speaker 2: a cinematic sound. What drew you to this idea? How 10 00:00:33,600 --> 00:00:37,199 Speaker 2: did you decide to pick which songs? I mean, that's 11 00:00:37,200 --> 00:00:37,840 Speaker 2: a good question. 12 00:00:38,520 --> 00:00:41,880 Speaker 1: It all stemmed from I did a Christmas album several 13 00:00:42,000 --> 00:00:44,080 Speaker 1: years ago called The Birth of a King, and it 14 00:00:44,200 --> 00:00:48,520 Speaker 1: was reimagining old Christmas hymns and carols and just giving 15 00:00:48,560 --> 00:00:52,480 Speaker 1: them a movie soundtrack that felt weighty and serious and real, 16 00:00:52,600 --> 00:00:55,720 Speaker 1: you know. And I thought for a long time it'd 17 00:00:55,760 --> 00:00:57,600 Speaker 1: be cool to do an Easter equivalent, but I didn't 18 00:00:57,640 --> 00:01:00,680 Speaker 1: know I did have the idea that it'd be hymns yet, 19 00:01:00,760 --> 00:01:02,600 Speaker 1: I just was like, well, what songs would it be? 20 00:01:03,080 --> 00:01:06,200 Speaker 1: And then finally when that unlocked. I mean, dude, the 21 00:01:06,240 --> 00:01:08,679 Speaker 1: list was I had fifty songs, and I was like, 22 00:01:08,720 --> 00:01:10,559 Speaker 1: I gotta cut this down, so it ended up still 23 00:01:10,600 --> 00:01:14,840 Speaker 1: being a nineteen song album. But yeah, it was just 24 00:01:14,920 --> 00:01:17,080 Speaker 1: really fun to explore these old songs that have such 25 00:01:17,240 --> 00:01:20,600 Speaker 1: rich hairtene in the lyrics, but sometimes stripping them out 26 00:01:20,600 --> 00:01:23,440 Speaker 1: of a melody that worked on a hundred years ago, and 27 00:01:23,520 --> 00:01:25,600 Speaker 1: just doing something new with some of them, not all 28 00:01:25,640 --> 00:01:30,360 Speaker 1: of them, you know, and putting an orchestral movie weight 29 00:01:30,600 --> 00:01:33,280 Speaker 1: to them. Man, it was powerful working on it because 30 00:01:33,319 --> 00:01:37,280 Speaker 1: it just felt like scoring the moment Jesus walked out 31 00:01:37,319 --> 00:01:39,720 Speaker 1: of the two Like, how what would that powerful music 32 00:01:39,920 --> 00:01:40,479 Speaker 1: sound like? 33 00:01:40,680 --> 00:01:43,320 Speaker 2: You know what I mean? How would you describe the 34 00:01:43,400 --> 00:01:46,520 Speaker 2: phrase cinematic sound? Because that's what it's being described at 35 00:01:47,080 --> 00:01:50,360 Speaker 2: I remember I had a college class in rock music, 36 00:01:50,400 --> 00:01:52,800 Speaker 2: and I remember reading about all the different types of 37 00:01:52,840 --> 00:01:55,960 Speaker 2: rock music and reading what music sounds like in print 38 00:01:56,280 --> 00:01:59,360 Speaker 2: is always kind of odd and cumbersome. But how would 39 00:01:59,400 --> 00:02:02,520 Speaker 2: you describe words what a cinematic sound is if you can? 40 00:02:03,880 --> 00:02:07,720 Speaker 1: And well, for me, everyone has a different definition, which 41 00:02:07,760 --> 00:02:13,040 Speaker 1: is interesting I found out recently. For me, it's something 42 00:02:13,080 --> 00:02:17,400 Speaker 1: that feels epic and grand and like it's in a movie, 43 00:02:17,440 --> 00:02:22,400 Speaker 1: which oftentimes correlates to strings and brass. Naturally, That's been 44 00:02:22,680 --> 00:02:26,079 Speaker 1: how we've scored movies for decades now, you know. But yeah, 45 00:02:26,320 --> 00:02:30,600 Speaker 1: weighty and serious, but epic and grand as well and orchestral. 46 00:02:31,680 --> 00:02:34,680 Speaker 2: Yeah, And like you said that, this this album, The 47 00:02:34,720 --> 00:02:38,480 Speaker 2: Resurrection of a King, follows the Christmas themed The Births 48 00:02:38,480 --> 00:02:40,480 Speaker 2: of a King. Did when you were when you were 49 00:02:41,160 --> 00:02:42,960 Speaker 2: recording The Birth of a King, did you were you 50 00:02:43,040 --> 00:02:45,560 Speaker 2: kind of thinking about an Easter album? Was that it 51 00:02:45,600 --> 00:02:47,679 Speaker 2: was out of your mind? No, no, no, I had 52 00:02:47,720 --> 00:02:48,239 Speaker 2: no clue. 53 00:02:48,480 --> 00:02:51,280 Speaker 1: And honestly, even a year ago, I didn't know I 54 00:02:51,320 --> 00:02:52,960 Speaker 1: was going to be doing this project. It kind of 55 00:02:53,000 --> 00:02:55,240 Speaker 1: just dropped into my lap and I just felt so 56 00:02:55,440 --> 00:02:57,800 Speaker 1: nudged and called to make it, you know. I felt 57 00:02:57,840 --> 00:03:00,120 Speaker 1: it felt urgent, like right now, the world just needs 58 00:03:00,840 --> 00:03:03,359 Speaker 1: God so bad. And I'm up here in my studio. 59 00:03:03,480 --> 00:03:05,800 Speaker 1: You know, you were joking before, like it looks like 60 00:03:05,840 --> 00:03:09,080 Speaker 1: spaceship here. And I love being in this room, and 61 00:03:09,120 --> 00:03:12,560 Speaker 1: I love making songs and cinematic songs for movie trailers 62 00:03:12,560 --> 00:03:14,240 Speaker 1: and TV shows and video games. 63 00:03:14,280 --> 00:03:14,520 Speaker 2: You know. 64 00:03:15,400 --> 00:03:18,120 Speaker 1: But as I'm doing that having a blast, I'm also 65 00:03:18,440 --> 00:03:21,120 Speaker 1: just looking out the window and just seeing the world 66 00:03:21,240 --> 00:03:24,480 Speaker 1: fall apart, right at the same time, and there was 67 00:03:24,520 --> 00:03:29,320 Speaker 1: a conviction there of like they they need answers and 68 00:03:29,360 --> 00:03:31,320 Speaker 1: they need hope, and I know the answer. How can 69 00:03:31,400 --> 00:03:35,440 Speaker 1: I not do my part to offer light and hope 70 00:03:35,440 --> 00:03:37,000 Speaker 1: into the world right now? 71 00:03:37,080 --> 00:03:39,280 Speaker 2: You know, hey, man, of that why i'd read you 72 00:03:39,680 --> 00:03:42,680 Speaker 2: said you felt commissioned to make it. I guess since 73 00:03:42,680 --> 00:03:45,520 Speaker 2: that's what you're talking about, let's talk about hymns. Why 74 00:03:45,560 --> 00:03:47,960 Speaker 2: are you so passionate about hims? What do we lose 75 00:03:48,760 --> 00:03:50,520 Speaker 2: when we fail to seeing hymns? 76 00:03:51,640 --> 00:03:51,880 Speaker 3: Man? 77 00:03:52,160 --> 00:03:54,839 Speaker 1: Well, I grew up singing him in my church, and 78 00:03:55,120 --> 00:03:57,600 Speaker 1: I'd go to my grammar's church and they would sing him. 79 00:03:57,480 --> 00:04:00,160 Speaker 2: So I was very familiar. Know. 80 00:04:00,520 --> 00:04:03,280 Speaker 1: I do think over time we're doing less and less hymns, 81 00:04:03,320 --> 00:04:06,560 Speaker 1: and like I said, and we're very much these days. 82 00:04:06,560 --> 00:04:10,960 Speaker 1: I think humans are about style and trends and what's current. 83 00:04:11,240 --> 00:04:13,440 Speaker 1: You know, like all of a sudden, jeans are really 84 00:04:13,440 --> 00:04:17,200 Speaker 1: baggy like that kind of thing, and so I think 85 00:04:17,240 --> 00:04:21,080 Speaker 1: it's it ties the music as well. So like the hymns, 86 00:04:21,240 --> 00:04:24,320 Speaker 1: do you just read the lyrics and the words. They're 87 00:04:24,320 --> 00:04:28,280 Speaker 1: pretty poetic and rich, like I said, But I think 88 00:04:28,480 --> 00:04:31,240 Speaker 1: it's hard for some people to wrap their brain around 89 00:04:31,400 --> 00:04:35,160 Speaker 1: singing it feels very marching band and you know, old style, 90 00:04:35,240 --> 00:04:39,000 Speaker 1: and I think there's still so much good meat in 91 00:04:39,080 --> 00:04:42,039 Speaker 1: there to to pull from. And so that was that 92 00:04:42,160 --> 00:04:44,760 Speaker 1: was my hope. And I didn't know if it'd be possible. 93 00:04:44,839 --> 00:04:46,520 Speaker 1: Some of these hymns. I was like, oh man, what 94 00:04:46,560 --> 00:04:48,120 Speaker 1: are we going to do with that one? I couldn't, 95 00:04:48,120 --> 00:04:51,760 Speaker 1: you know, how can you resurrect no pun intended this 96 00:04:52,320 --> 00:04:56,560 Speaker 1: old hymn and just playing around with different ideas. I 97 00:04:56,640 --> 00:04:58,520 Speaker 1: just felt like these ideas were coming and it just 98 00:04:58,560 --> 00:05:02,080 Speaker 1: felt really special. Those words they work in a lot 99 00:05:02,080 --> 00:05:03,520 Speaker 1: of different contexts. 100 00:05:03,600 --> 00:05:06,000 Speaker 2: You know. Yeah, they're rich, they're rich theologically, and they 101 00:05:06,279 --> 00:05:08,200 Speaker 2: tie us to our past. I think that's one thing 102 00:05:08,240 --> 00:05:11,400 Speaker 2: we kind of lose. We tend I think it's Protestants. 103 00:05:11,440 --> 00:05:13,640 Speaker 2: We tend to think that the church began with Christ. 104 00:05:13,640 --> 00:05:17,120 Speaker 2: Then fast forward to we're at Martin Lutheran. You know, 105 00:05:17,240 --> 00:05:19,480 Speaker 2: now we're Billy Graham, and now we're now, yeah, are 106 00:05:19,480 --> 00:05:22,640 Speaker 2: in twenty twenty six. So it's good to tie our 107 00:05:22,720 --> 00:05:24,640 Speaker 2: faith to people of the past. I think that's one 108 00:05:24,640 --> 00:05:27,520 Speaker 2: thing you're talking about. But like you said, we have 109 00:05:27,600 --> 00:05:30,880 Speaker 2: these rich hymns and you're trying to I guess maybe 110 00:05:31,440 --> 00:05:35,880 Speaker 2: bring them to a new generation that might have forgotten them, 111 00:05:36,040 --> 00:05:41,040 Speaker 2: So that's yeah. So I think it feels familiar and. 112 00:05:41,080 --> 00:05:43,680 Speaker 1: Brand new at the same time. Yeah, you know, there's 113 00:05:43,720 --> 00:05:47,960 Speaker 1: lots of nods in these songs, the reimagined ones to 114 00:05:48,200 --> 00:05:51,719 Speaker 1: the original melodies at times, or different parts of them, 115 00:05:51,839 --> 00:05:55,440 Speaker 1: So it's not just like brand new songs. You know, 116 00:05:56,000 --> 00:05:57,279 Speaker 1: on every single track. 117 00:05:58,320 --> 00:06:01,200 Speaker 2: You've become known for your cinematics. Take us back to 118 00:06:01,240 --> 00:06:03,520 Speaker 2: the beginning. How did you first get into music and 119 00:06:03,839 --> 00:06:07,360 Speaker 2: how did you develop this this style that you're kind 120 00:06:07,360 --> 00:06:07,800 Speaker 2: of known for. 121 00:06:09,080 --> 00:06:11,400 Speaker 1: I always my Parry's bought me a small keyboard when 122 00:06:11,400 --> 00:06:14,120 Speaker 1: I was little, and I just became obsessed with it instantly, 123 00:06:14,520 --> 00:06:18,120 Speaker 1: just wouldn't stop playing it, and I would listen to 124 00:06:18,160 --> 00:06:20,920 Speaker 1: a lot of things I heard on TV, like commercial 125 00:06:21,000 --> 00:06:23,280 Speaker 1: jingles and TV theme songs, and I'd try to figure 126 00:06:23,320 --> 00:06:26,600 Speaker 1: them out by ear. And somewhere along the way, I 127 00:06:26,600 --> 00:06:29,880 Speaker 1: think I just really was fascinated by movie music and soundtracks, 128 00:06:30,080 --> 00:06:33,039 Speaker 1: and not not even the scores per se, but even 129 00:06:33,080 --> 00:06:35,560 Speaker 1: the trailer music. That was like the thing that really 130 00:06:35,600 --> 00:06:38,359 Speaker 1: lit me up and got me excited. And so I 131 00:06:38,400 --> 00:06:40,800 Speaker 1: was that weird kid that like listened to trailer music 132 00:06:40,839 --> 00:06:41,480 Speaker 1: on my iPod. 133 00:06:42,120 --> 00:06:42,680 Speaker 2: You know what I mean. 134 00:06:43,279 --> 00:06:45,320 Speaker 1: No one else I have ever met has said that, 135 00:06:45,360 --> 00:06:47,200 Speaker 1: And I'm like, why why is no one else? It's 136 00:06:47,279 --> 00:06:50,400 Speaker 1: good music, right, And so I don't, dude, I don't 137 00:06:50,440 --> 00:06:53,360 Speaker 1: know how it happened, but slowly, slowly, I found myself 138 00:06:53,360 --> 00:06:59,000 Speaker 1: in a place where I was implementing trailer elements into 139 00:07:00,120 --> 00:07:03,640 Speaker 1: pop music and hip hop music and Christian music and 140 00:07:03,680 --> 00:07:06,719 Speaker 1: worship music. And I just have always had a love 141 00:07:06,760 --> 00:07:09,040 Speaker 1: for big, epic, grand sounds. 142 00:07:09,080 --> 00:07:20,800 Speaker 2: I guess one of the more popular ones that you're 143 00:07:20,840 --> 00:07:22,520 Speaker 2: known for us I guess you work with n F. 144 00:07:23,560 --> 00:07:25,840 Speaker 2: There's many others. I learned as I was reading your 145 00:07:26,320 --> 00:07:29,320 Speaker 2: list that you you I think the elements with sylbea mackew. 146 00:07:29,360 --> 00:07:31,600 Speaker 2: You helped him with that song as well. So I 147 00:07:31,640 --> 00:07:33,400 Speaker 2: think your stuff is in lots of songs. We just 148 00:07:33,440 --> 00:07:35,520 Speaker 2: don't know it. Tell me about the history of you 149 00:07:35,640 --> 00:07:36,920 Speaker 2: at you and n F. I guess you were you 150 00:07:36,920 --> 00:07:39,680 Speaker 2: guys were good friends, and you still are good friends. 151 00:07:39,720 --> 00:07:42,320 Speaker 2: You still work together. It seems you kind of rose 152 00:07:42,520 --> 00:07:45,960 Speaker 2: in popularity and prominence at the same time. Yeah, we 153 00:07:46,240 --> 00:07:50,800 Speaker 2: are both from Michigan and I with that time. I 154 00:07:50,880 --> 00:07:51,520 Speaker 2: had a side job. 155 00:07:51,640 --> 00:07:55,600 Speaker 1: He had a side job, But we both loved music, 156 00:07:55,640 --> 00:07:58,040 Speaker 1: and he came over one night just to hang out. 157 00:07:58,400 --> 00:08:00,600 Speaker 1: I think we're going to watch a movie. But I 158 00:08:00,640 --> 00:08:03,680 Speaker 1: had just gotten some new studio stuff and some new sounds, 159 00:08:03,720 --> 00:08:06,080 Speaker 1: so we were like, well if we just make something 160 00:08:06,120 --> 00:08:08,800 Speaker 1: for fun. It was kind of just two dudes hanging 161 00:08:08,800 --> 00:08:13,880 Speaker 1: out making something on a Friday night, and that song 162 00:08:13,960 --> 00:08:16,960 Speaker 1: that we made ended up being the song that got 163 00:08:17,040 --> 00:08:21,280 Speaker 1: him signed to Capitol Records and brought us both along 164 00:08:21,320 --> 00:08:25,240 Speaker 1: this crazy journey man. That's just we didn't see coming, 165 00:08:25,320 --> 00:08:25,440 Speaker 1: you know. 166 00:08:25,440 --> 00:08:25,720 Speaker 2: What I mean. 167 00:08:25,760 --> 00:08:27,840 Speaker 1: So it was like literally I was in Michigan in 168 00:08:27,880 --> 00:08:31,480 Speaker 1: my basement just making something with my friend, and then 169 00:08:31,520 --> 00:08:34,559 Speaker 1: all of a sudden, it's you know, on TV and 170 00:08:34,600 --> 00:08:37,640 Speaker 1: growing and these touring arenas now, and it's like just 171 00:08:37,679 --> 00:08:39,880 Speaker 1: a very homegrown thing, you know when you see something 172 00:08:39,880 --> 00:08:43,000 Speaker 1: from the very start, you know, knowing where we started, 173 00:08:43,080 --> 00:08:47,480 Speaker 1: and we were both just you know, scrapping by trying 174 00:08:47,480 --> 00:08:49,880 Speaker 1: to do any music we could. Like, it's a it's 175 00:08:49,920 --> 00:08:50,880 Speaker 1: crazy god story. 176 00:08:51,040 --> 00:08:54,040 Speaker 2: You know. At the time, what was was cinematic sound? 177 00:08:54,080 --> 00:08:56,240 Speaker 2: Was that in hip hop much or was that kind 178 00:08:56,240 --> 00:08:56,679 Speaker 2: of anything? 179 00:08:57,800 --> 00:09:00,280 Speaker 1: I don't think so, maybe not quite the same way. 180 00:09:00,400 --> 00:09:02,560 Speaker 1: You know, hip hop is very linear a lot of 181 00:09:02,600 --> 00:09:05,520 Speaker 1: times where it's you know, eight o eight and drums 182 00:09:05,520 --> 00:09:07,559 Speaker 1: and the vocal and that's it. There's not a lot 183 00:09:07,559 --> 00:09:12,120 Speaker 1: of chord changes and musicality in that genre naturally, and 184 00:09:12,200 --> 00:09:14,959 Speaker 1: so that was one thing that I think was different 185 00:09:14,960 --> 00:09:18,120 Speaker 1: and unique, was there lots of chord changes, and you know, 186 00:09:18,360 --> 00:09:23,280 Speaker 1: he also raps and sings, and he can do a lot. 187 00:09:23,360 --> 00:09:26,040 Speaker 1: He's very versatile. And so to do that over a 188 00:09:26,040 --> 00:09:28,880 Speaker 1: brand new sound that was kind of a little hip 189 00:09:28,880 --> 00:09:31,760 Speaker 1: hop but also alternative and had movie music in it 190 00:09:31,960 --> 00:09:34,680 Speaker 1: just hit at the right time in the industry. That 191 00:09:34,880 --> 00:09:37,880 Speaker 1: was kind of a new, fresh sound. You know, tell me, 192 00:09:37,960 --> 00:09:38,720 Speaker 1: tell me the first time you. 193 00:09:38,720 --> 00:09:41,880 Speaker 2: Heard your your your music on television or in a movie. 194 00:09:41,920 --> 00:09:45,199 Speaker 2: And that was so dude, I'll never forget it. It 195 00:09:45,240 --> 00:09:49,640 Speaker 2: was a Will Smith movie trailer for Concussion, and we 196 00:09:49,679 --> 00:09:51,880 Speaker 2: had a song called Soldier that was in one of 197 00:09:51,920 --> 00:09:55,480 Speaker 2: the trailers. And I found out that day They're like, hey, 198 00:09:55,559 --> 00:09:58,000 Speaker 2: it's going to be in a trailer. It launches today, 199 00:09:58,160 --> 00:10:01,120 Speaker 2: And I remember I had my I wasn't home to 200 00:10:01,200 --> 00:10:05,600 Speaker 2: listen to my big studio speakers, but I sat and 201 00:10:05,640 --> 00:10:08,439 Speaker 2: I watched it on my phone and it was kind 202 00:10:08,440 --> 00:10:10,560 Speaker 2: of like all my dreams of my entire life came 203 00:10:10,600 --> 00:10:13,480 Speaker 2: true in that moment. Is like the fast action clips, 204 00:10:13,520 --> 00:10:15,360 Speaker 2: you know, of all the movie scenes put to a 205 00:10:15,400 --> 00:10:18,440 Speaker 2: song that I recorded and then boom it hits and 206 00:10:18,520 --> 00:10:21,040 Speaker 2: it says the title with the little outro music that 207 00:10:21,120 --> 00:10:23,400 Speaker 2: I landed in my head when I was hoping it 208 00:10:23,400 --> 00:10:26,160 Speaker 2: would land in a trailer, you know. So yeah, that 209 00:10:26,320 --> 00:10:28,600 Speaker 2: was that was kind of I had chills and it 210 00:10:28,679 --> 00:10:30,760 Speaker 2: was I think that hooked me too. I was like, 211 00:10:30,760 --> 00:10:34,120 Speaker 2: I want to do more of this music for movies, 212 00:10:34,280 --> 00:10:38,440 Speaker 2: music for trailers, just making music that's emotional and powerful 213 00:10:38,440 --> 00:10:42,959 Speaker 2: and enhances of visual you know, yeah, yeah, yeah. It's 214 00:10:43,000 --> 00:10:45,360 Speaker 2: hard to imagine. Are the best movies without the music? 215 00:10:45,400 --> 00:10:46,800 Speaker 2: And so so much so that you can go to 216 00:10:46,840 --> 00:10:49,480 Speaker 2: a trivia night at a local school, which I do 217 00:10:49,600 --> 00:10:51,640 Speaker 2: a lot, and they play the music to a movie 218 00:10:51,880 --> 00:10:54,200 Speaker 2: and you know, like three night out. Do you know 219 00:10:54,240 --> 00:10:56,480 Speaker 2: what it is? Are you still doing this? I mean, 220 00:10:56,520 --> 00:11:00,000 Speaker 2: are you are what's what's what's your what's your year? Like? Now? 221 00:11:00,080 --> 00:11:03,040 Speaker 2: Are you? Are you mostly collaborating with artists? Are you 222 00:11:03,200 --> 00:11:05,200 Speaker 2: writing your own music? Are you making music? 223 00:11:05,360 --> 00:11:05,600 Speaker 1: Yeah? 224 00:11:05,600 --> 00:11:08,679 Speaker 2: Shows and TV? Yeah, I'm kind of just doing all 225 00:11:08,679 --> 00:11:08,959 Speaker 2: of that. 226 00:11:09,200 --> 00:11:11,520 Speaker 1: This This was a hard this album, The Resurrection of 227 00:11:11,520 --> 00:11:13,480 Speaker 1: a King, was definitely a hard pivot for me because 228 00:11:13,480 --> 00:11:15,960 Speaker 1: I did so much in the mainstream space and out 229 00:11:16,000 --> 00:11:19,400 Speaker 1: of nowhere, I'm dropping a church album, and that's my background. 230 00:11:19,400 --> 00:11:22,880 Speaker 1: I was a worship leader in my life, like and 231 00:11:22,920 --> 00:11:25,480 Speaker 1: then it was just a job change to make movie music. 232 00:11:25,520 --> 00:11:27,640 Speaker 1: And now I'm like, it's full circle, all kind of 233 00:11:27,679 --> 00:11:30,320 Speaker 1: tying together. So I definitely feel like it's a shift 234 00:11:30,360 --> 00:11:33,240 Speaker 1: for me, and I'm now just all the plans that 235 00:11:33,280 --> 00:11:35,920 Speaker 1: I had for the next five to ten years, yeah, 236 00:11:36,200 --> 00:11:39,240 Speaker 1: are probably gonna have to be rethought out since I'm 237 00:11:39,320 --> 00:11:41,280 Speaker 1: kind of going in a different direction, which I'm very 238 00:11:41,280 --> 00:11:43,079 Speaker 1: excited about. I feel like it was a god thing. 239 00:11:43,480 --> 00:11:45,440 Speaker 2: Yeah, I was looking at your Spotify have five million 240 00:11:45,520 --> 00:11:47,800 Speaker 2: streams a month in Spotify. That's more than many artists 241 00:11:47,840 --> 00:11:51,079 Speaker 2: that I listened to regularly. And so the music, the 242 00:11:51,480 --> 00:11:54,240 Speaker 2: person behind the music is kind of who you are. 243 00:11:54,400 --> 00:11:56,040 Speaker 2: How did you come to faith? Before we let you go? 244 00:11:56,040 --> 00:11:57,760 Speaker 2: How did you come to faith? Tommy? You would you 245 00:11:57,760 --> 00:12:00,240 Speaker 2: grow up in a Christian I did. Yeah. 246 00:12:00,280 --> 00:12:01,400 Speaker 1: I grew up in a Christian hall and went to 247 00:12:01,400 --> 00:12:03,440 Speaker 1: a Christian school, grew up in church. I grew up 248 00:12:03,520 --> 00:12:07,160 Speaker 1: playing in church and My parents really just instilled a 249 00:12:07,160 --> 00:12:09,880 Speaker 1: lot of really good you know, teaching me to use 250 00:12:10,360 --> 00:12:12,800 Speaker 1: talent for God. And when you're a little kid, you 251 00:12:12,800 --> 00:12:15,200 Speaker 1: don't really know what that means. Like I is playing 252 00:12:15,720 --> 00:12:18,880 Speaker 1: this piano piece during the offering, I was using my 253 00:12:18,920 --> 00:12:21,480 Speaker 1: gift for God, like I you know, but over time, 254 00:12:21,520 --> 00:12:24,920 Speaker 1: as I grew and matured and just realized what that meant, 255 00:12:24,920 --> 00:12:27,280 Speaker 1: to give your talents to God, like that was a 256 00:12:27,320 --> 00:12:30,080 Speaker 1: really that's something I think about a lot still, you 257 00:12:30,080 --> 00:12:30,680 Speaker 1: know what I mean. 258 00:12:31,320 --> 00:12:32,920 Speaker 2: As we're looking at your own video right now and 259 00:12:32,920 --> 00:12:34,880 Speaker 2: people listening to the podcast and know what we're talking about. 260 00:12:34,880 --> 00:12:37,040 Speaker 2: But is this where the magic is made? Is this? 261 00:12:37,280 --> 00:12:38,600 Speaker 2: Is this your studio? Is this? Is this? 262 00:12:39,160 --> 00:12:39,520 Speaker 3: Is it? 263 00:12:39,840 --> 00:12:40,240 Speaker 2: Yeah? I did. 264 00:12:40,800 --> 00:12:43,000 Speaker 1: It's pretty cool because I actually just added a light 265 00:12:43,040 --> 00:12:45,360 Speaker 1: bulble over here a couple of months ago, and so 266 00:12:45,480 --> 00:12:48,000 Speaker 1: now every time I'm on a zoom call, it adds 267 00:12:48,080 --> 00:12:49,920 Speaker 1: this like anamorphic lens flare. 268 00:12:50,400 --> 00:12:52,200 Speaker 2: And I did not do that on purpose. 269 00:12:52,240 --> 00:12:54,400 Speaker 1: I don't even know how it's happening, but it kind 270 00:12:54,400 --> 00:12:58,520 Speaker 1: of fits the movie theme. It looks like I'm, you know, 271 00:12:58,800 --> 00:13:00,800 Speaker 1: being in a Mike Michael Baby movie or something. 272 00:13:01,280 --> 00:13:04,040 Speaker 2: Yeah, We're we're going through space at light speed or something. 273 00:13:04,040 --> 00:13:06,000 Speaker 2: I'm not sure what's going from here. It's fun though. 274 00:13:06,440 --> 00:13:08,880 Speaker 2: Hey Tommy, you're talking to you. Thanks so much. Yeah, 275 00:13:08,880 --> 00:13:09,840 Speaker 2: you too. I appreciate it. 276 00:13:12,440 --> 00:13:15,160 Speaker 3: If you enjoy today's interview, please make sure to subscribe 277 00:13:15,160 --> 00:13:17,679 Speaker 3: and share the episode with a friend. A big thanks 278 00:13:17,840 --> 00:13:20,120 Speaker 3: to the team at Life Audio for their partnership with 279 00:13:20,200 --> 00:13:21,280 Speaker 3: us on the podcast. 280 00:13:21,760 --> 00:13:23,640 Speaker 2: If you go to lifeaudio dot com, you. 281 00:13:23,559 --> 00:13:28,240 Speaker 3: Will find dozens of other faith centered podcasts in their network. 282 00:13:28,600 --> 00:13:29,360 Speaker 2: See you next time.