1 00:00:03,520 --> 00:00:06,360 Speaker 1: My name is Charlie kirk I run the largest pro 2 00:00:06,400 --> 00:00:09,960 Speaker 1: American student organization in the country, fighting for the future 3 00:00:10,080 --> 00:00:13,360 Speaker 1: of our republic. My call is to fight evil and 4 00:00:13,480 --> 00:00:16,520 Speaker 1: to proclaim truth. If the most important thing for you 5 00:00:16,960 --> 00:00:19,919 Speaker 1: is just feeling good, you're gonna end up miserable. But 6 00:00:20,000 --> 00:00:23,200 Speaker 1: if the most important thing is doing good, you'll end 7 00:00:23,280 --> 00:00:26,400 Speaker 1: up purposeful. College is a scam, everybody. You got to 8 00:00:26,400 --> 00:00:28,600 Speaker 1: stop sending your kids to college. You should get married 9 00:00:28,640 --> 00:00:31,160 Speaker 1: as young as possible and have as many kids as possible. 10 00:00:31,240 --> 00:00:33,280 Speaker 1: Go start at turning point you would say college chapter. 11 00:00:33,479 --> 00:00:35,599 Speaker 1: Go start atturning point youould say high school chapter. Go 12 00:00:35,640 --> 00:00:37,280 Speaker 1: find out how your church can get involved. 13 00:00:37,440 --> 00:00:38,880 Speaker 2: Sign up and become an activist. 14 00:00:39,000 --> 00:00:40,880 Speaker 1: I gave my life to the Lord in fifth grade, 15 00:00:41,200 --> 00:00:43,879 Speaker 1: most important decision I ever made in my life, and 16 00:00:43,920 --> 00:00:45,080 Speaker 1: I encourage you to do the same. 17 00:00:45,200 --> 00:00:47,080 Speaker 3: Here I am Lord, Use me. 18 00:00:48,200 --> 00:00:57,800 Speaker 1: Buckle up, everybody, Here we go. Noble Gold Investments is 19 00:00:57,800 --> 00:01:01,120 Speaker 1: the official gold sponsor of the Charlie Kirkshaw, a company 20 00:01:01,120 --> 00:01:06,040 Speaker 1: that specializes in gold iras and physical delivery of precious metals. 21 00:01:06,400 --> 00:01:09,679 Speaker 1: Learn how you could protect your wealth with Noble Gold 22 00:01:09,720 --> 00:01:17,280 Speaker 1: Investments at noblegoldinvestments dot Com. That is Noblegoldinvestments dot Com. 23 00:01:17,360 --> 00:01:20,080 Speaker 2: Well, ladies and gentlemen, we are back. It's time for 24 00:01:20,200 --> 00:01:23,960 Speaker 2: another Thursday edition of Thursday thought Crime. And there are 25 00:01:24,000 --> 00:01:28,720 Speaker 2: so many thought crimes. Yes, thought crimes are abundant around 26 00:01:28,920 --> 00:01:33,240 Speaker 2: in our society, in our world, online, offline. Wherever you go, 27 00:01:33,319 --> 00:01:36,120 Speaker 2: you may run into a thought crime. And in fact, 28 00:01:36,200 --> 00:01:38,720 Speaker 2: when you're getting money out of an ATM late at 29 00:01:38,800 --> 00:01:41,520 Speaker 2: night in inner city Philadelphia, look over your shoulder because 30 00:01:41,520 --> 00:01:44,800 Speaker 2: there might be a thought crime creeping up behind you. 31 00:01:45,280 --> 00:01:47,600 Speaker 4: Yes, So who we got on deck today? 32 00:01:47,680 --> 00:01:50,480 Speaker 2: I am, of course in studio, but it looks like 33 00:01:50,520 --> 00:01:54,200 Speaker 2: we got AK forty seven himself, Andrew Covet. What's up Andrew? 34 00:01:54,840 --> 00:01:55,160 Speaker 5: What's up? 35 00:01:55,280 --> 00:01:57,240 Speaker 3: Jack? How's the weather been? Latest? 36 00:01:57,600 --> 00:01:59,600 Speaker 6: F Yeah, were waiting. 37 00:01:59,400 --> 00:02:03,400 Speaker 2: On Tyler a legend, Tyler Tyler is joining Tyler's coming. 38 00:02:04,200 --> 00:02:07,760 Speaker 3: He's party as usual, he claims he's coming. 39 00:02:08,680 --> 00:02:12,399 Speaker 2: He's he's on what we call Mormon time, okay, And 40 00:02:12,680 --> 00:02:15,120 Speaker 2: it's a little a little bit different than you know, 41 00:02:15,360 --> 00:02:18,280 Speaker 2: regular time. The same reason that you know they don't 42 00:02:18,280 --> 00:02:21,560 Speaker 2: go for daylight savings. They have different numerology. It's it's 43 00:02:21,680 --> 00:02:24,239 Speaker 2: it's one of those things, right, Blake pretty much? 44 00:02:24,320 --> 00:02:27,959 Speaker 6: Yeah, he always uh he always leaves us on our toasts. 45 00:02:28,240 --> 00:02:29,919 Speaker 6: You never know when he'll he'll surface. 46 00:02:30,280 --> 00:02:33,360 Speaker 3: Yeah, well, like Jesus, I could be right behind me. 47 00:02:33,400 --> 00:02:34,520 Speaker 3: The team. 48 00:02:34,720 --> 00:02:36,000 Speaker 2: He's like a thought crime. 49 00:02:36,760 --> 00:02:38,920 Speaker 3: The team is ready for him when he enters. Let 50 00:02:39,000 --> 00:02:39,720 Speaker 3: me just assure you. 51 00:02:39,600 --> 00:02:42,480 Speaker 2: You know, they say, you know, they say that thirteen 52 00:02:42,520 --> 00:02:47,160 Speaker 2: percent of thought crimes cause fifty percent of all the 53 00:02:48,280 --> 00:02:49,240 Speaker 2: thought crimes. 54 00:02:49,600 --> 00:02:52,800 Speaker 3: What you know, it's funny thirteen percent of the time 55 00:02:52,960 --> 00:02:55,480 Speaker 3: they work every time, So Jack, you know it's funny 56 00:02:55,520 --> 00:02:58,720 Speaker 3: that you actually are onto something. Probably about thirteen percent 57 00:02:58,760 --> 00:03:00,280 Speaker 3: of the thought crimes that we do on the show 58 00:03:00,360 --> 00:03:02,440 Speaker 3: end up going viral in one way, shape or another. 59 00:03:02,800 --> 00:03:05,560 Speaker 6: But that involved Lord of the Rings. 60 00:03:07,720 --> 00:03:08,680 Speaker 3: Jack, right about that? 61 00:03:09,560 --> 00:03:13,920 Speaker 2: Still pagans still overtly pagan. 62 00:03:14,440 --> 00:03:15,720 Speaker 3: Don't wait, don't we have the. 63 00:03:15,720 --> 00:03:19,560 Speaker 2: Line overtly overtly pagan? 64 00:03:20,639 --> 00:03:20,799 Speaker 3: There? 65 00:03:20,800 --> 00:03:25,799 Speaker 2: It is the pagan that's becoming like a meme. Now 66 00:03:25,919 --> 00:03:28,440 Speaker 2: every time I post something, they're like, oh, Jack, is 67 00:03:28,480 --> 00:03:29,440 Speaker 2: that overtly pagan? 68 00:03:29,520 --> 00:03:29,720 Speaker 3: Too? 69 00:03:30,160 --> 00:03:31,959 Speaker 2: Goes. I was like, I went to see like the 70 00:03:32,480 --> 00:03:35,120 Speaker 2: actually I have it here, this isn't branded, But I 71 00:03:35,160 --> 00:03:37,760 Speaker 2: went to see the Super Mario Galaxy with my kids. 72 00:03:37,920 --> 00:03:38,600 Speaker 6: Is that pagan? 73 00:03:39,240 --> 00:03:39,560 Speaker 3: The thing? 74 00:03:39,640 --> 00:03:43,440 Speaker 2: They're like, they're like Super Mario Galaxy overtly pagan. 75 00:03:44,240 --> 00:03:46,480 Speaker 6: I mean, is super Mario Galaxy? 76 00:03:46,480 --> 00:03:47,240 Speaker 5: Is it Pagan? 77 00:03:47,360 --> 00:03:48,720 Speaker 6: I feel like it's gotta be right. 78 00:03:49,360 --> 00:03:54,960 Speaker 2: Yeah, it is absolutely obviously. I mean it's got turtle Wizards. 79 00:03:55,160 --> 00:03:57,560 Speaker 3: I'm I'm on a set with two Catholics right now. 80 00:03:57,840 --> 00:04:00,880 Speaker 3: You guys have me beat on the identify find of Pagan. 81 00:04:01,120 --> 00:04:03,640 Speaker 6: On the other hand, Mario is Italian, and I feel 82 00:04:03,640 --> 00:04:07,200 Speaker 6: like him being Italian implicitly means well. 83 00:04:07,080 --> 00:04:11,040 Speaker 2: So actually, wait, so this is wait no, there's actually 84 00:04:11,160 --> 00:04:14,280 Speaker 2: a great uh line about this because the Legend of 85 00:04:14,360 --> 00:04:17,040 Speaker 2: zeldas you know link the main character in Legend of Zelda, 86 00:04:17,040 --> 00:04:18,920 Speaker 2: everyone thinks his name is Eelda. It's is actually link 87 00:04:19,240 --> 00:04:21,480 Speaker 2: that if you go back, I think in the Japanese 88 00:04:21,600 --> 00:04:25,800 Speaker 2: versions of like the original Legend of Zelda, he he 89 00:04:25,920 --> 00:04:30,240 Speaker 2: is like explicitly Catholic and they've got like crosses and 90 00:04:30,400 --> 00:04:33,159 Speaker 2: on his shield and there's like Bibles. But it's like 91 00:04:33,240 --> 00:04:36,080 Speaker 2: the Japanese version of the Middle Ages, so it's like 92 00:04:36,600 --> 00:04:39,520 Speaker 2: it's it's like he has actual magical powers and abilities 93 00:04:39,520 --> 00:04:42,000 Speaker 2: as well. And then in the American version they changed 94 00:04:42,040 --> 00:04:42,320 Speaker 2: it up. 95 00:04:43,400 --> 00:04:46,920 Speaker 6: Yeah they do. Oh, they definitely have. There's a did 96 00:04:46,920 --> 00:04:48,560 Speaker 6: you ever play Castlevania back in the day. 97 00:04:48,600 --> 00:04:51,000 Speaker 3: I know that one. 98 00:04:50,920 --> 00:04:53,840 Speaker 6: Yeah, yeah, and you fight Dracula and stuff and in 99 00:04:54,160 --> 00:04:56,799 Speaker 6: the manual it is it is canonical in the manual 100 00:04:56,839 --> 00:04:59,440 Speaker 6: that the Pope called a crusade against Dracula. And that's 101 00:04:59,440 --> 00:05:00,760 Speaker 6: why you have to go big Dracula. 102 00:05:01,000 --> 00:05:02,720 Speaker 5: Wow, because I ordered you to do it. 103 00:05:02,920 --> 00:05:05,239 Speaker 3: You know, we really didn't talk enough on the show 104 00:05:05,279 --> 00:05:07,680 Speaker 3: about because I think we covered in the Daily Show. 105 00:05:07,720 --> 00:05:11,680 Speaker 3: But the the Japanese American connection, how strong it is. 106 00:05:11,839 --> 00:05:12,400 Speaker 5: Oh, it's great. 107 00:05:12,480 --> 00:05:14,680 Speaker 3: We love gave us the like the Twitter purge. We 108 00:05:14,720 --> 00:05:14,960 Speaker 3: all love. 109 00:05:15,240 --> 00:05:15,880 Speaker 6: We love our Japan. 110 00:05:16,000 --> 00:05:18,920 Speaker 3: Good. Yeah, I have a I need to go to Japan. 111 00:05:19,080 --> 00:05:21,320 Speaker 3: You've been to yes, you went with Charlie, But I 112 00:05:21,760 --> 00:05:26,120 Speaker 3: have not gone to Japan to a place. Wow. I 113 00:05:26,120 --> 00:05:29,599 Speaker 3: think I feel like I really want to know. Actually, 114 00:05:29,680 --> 00:05:31,040 Speaker 3: I bet I when I was in. 115 00:05:32,800 --> 00:05:35,680 Speaker 2: When I was in fleet, you know, Japan obviously was 116 00:05:35,720 --> 00:05:39,120 Speaker 2: like our headquarters to anything that was you know, like 117 00:05:39,240 --> 00:05:41,040 Speaker 2: conference wise or that I had to go to for 118 00:05:41,120 --> 00:05:43,159 Speaker 2: whatever reason, would be in you Cosco. So you know 119 00:05:43,200 --> 00:05:45,480 Speaker 2: you're coming up, You're flying through Tokyo and I mean 120 00:05:45,520 --> 00:05:48,719 Speaker 2: it's just the I'll never forget, you know, just riding 121 00:05:48,800 --> 00:05:54,640 Speaker 2: around on the metro in Japan and seeing how kids 122 00:05:54,920 --> 00:05:57,680 Speaker 2: it's so safe that they let their kids just ride 123 00:05:57,960 --> 00:06:01,039 Speaker 2: mass transit to like go to school by them selves. 124 00:06:02,360 --> 00:06:06,120 Speaker 2: There you go, and it's like and it's kind of 125 00:06:06,200 --> 00:06:07,960 Speaker 2: jarring at first, You're like, where are the parents for 126 00:06:08,000 --> 00:06:09,960 Speaker 2: these children? And they're just like, you know, dressed for 127 00:06:10,000 --> 00:06:12,600 Speaker 2: school and they're going like little kids and they're just 128 00:06:12,600 --> 00:06:14,600 Speaker 2: like dressed for school and with their uniforms and then 129 00:06:14,640 --> 00:06:17,240 Speaker 2: off they go, and it's it's very it's just very 130 00:06:17,279 --> 00:06:18,359 Speaker 2: neat and orderly. 131 00:06:19,240 --> 00:06:22,360 Speaker 3: I I remember that with some of Charlie's selfie videos 132 00:06:22,360 --> 00:06:24,200 Speaker 3: and like social media videos, but that was actually I 133 00:06:24,240 --> 00:06:26,080 Speaker 3: remember him saying that about South Korea. 134 00:06:26,080 --> 00:06:28,040 Speaker 6: Actually South Korea was the one where he was walking. 135 00:06:28,279 --> 00:06:29,800 Speaker 6: I mean that was where he walks through the park 136 00:06:29,839 --> 00:06:31,560 Speaker 6: and the people are on like the bubble chairs and 137 00:06:31,600 --> 00:06:35,480 Speaker 6: those would obviously be like covered with graffitihati. 138 00:06:35,600 --> 00:06:38,479 Speaker 3: Yeah, which is sad. We don't have to live this way, 139 00:06:38,520 --> 00:06:41,720 Speaker 3: but we've decided to import a permanent underclass. 140 00:06:41,760 --> 00:06:44,560 Speaker 6: And though what I will say Korea is the place 141 00:06:45,120 --> 00:06:47,719 Speaker 6: is the dirty version of Japan. So if Korea is clean, 142 00:06:48,120 --> 00:06:49,320 Speaker 6: Japan is hyper clean. 143 00:06:49,360 --> 00:06:54,160 Speaker 2: He just went and China is China is like ten times, 144 00:06:54,200 --> 00:06:58,640 Speaker 2: like ten thousand times worse than Korea. Japan is incredible. 145 00:06:58,720 --> 00:07:01,680 Speaker 2: So also the remember the trash can thing in Japan? 146 00:07:03,440 --> 00:07:07,800 Speaker 6: Yes, the fact that they don't exist exactly. Oh, hold on, 147 00:07:07,960 --> 00:07:09,320 Speaker 6: do we have a musical cue? 148 00:07:09,720 --> 00:07:10,920 Speaker 5: We have music playing? 149 00:07:11,160 --> 00:07:17,560 Speaker 6: Is this Japanese someone is arriving? It's late arrival? Themes? 150 00:07:17,880 --> 00:07:20,679 Speaker 2: Mormon music, Mormon theme songs, this Mormon music. 151 00:07:21,640 --> 00:07:22,240 Speaker 3: I think it is. 152 00:07:22,280 --> 00:07:24,320 Speaker 5: It must be. He wouldn't listen to it if it wasn't. 153 00:07:25,960 --> 00:07:28,400 Speaker 3: Is it like mandated? 154 00:07:29,360 --> 00:07:30,720 Speaker 5: This is a new. 155 00:07:30,680 --> 00:07:31,880 Speaker 3: Shoes new shoes. 156 00:07:31,920 --> 00:07:34,040 Speaker 5: This is one of my favorite. If I was going 157 00:07:34,040 --> 00:07:35,880 Speaker 5: to have a podcast, this would be my intrip. 158 00:07:36,040 --> 00:07:38,480 Speaker 6: Well, if I was making her, if I was making 159 00:07:38,480 --> 00:07:41,000 Speaker 6: your theme song for you arriving late, it would it 160 00:07:41,040 --> 00:07:42,720 Speaker 6: would probably be I'd probably go. 161 00:07:42,960 --> 00:07:45,800 Speaker 5: Like Charlie wul Be, like we would like find out 162 00:07:45,800 --> 00:07:48,040 Speaker 5: like a few minutes before like the podcast, He's like 163 00:07:48,520 --> 00:07:49,960 Speaker 5: it's like I'm not gonna be there or I would 164 00:07:49,960 --> 00:07:51,560 Speaker 5: be late, and then we would have to like stall 165 00:07:52,000 --> 00:07:56,880 Speaker 5: like that's the next For last four weeks, I feel like, 166 00:07:56,920 --> 00:07:57,679 Speaker 5: all right, well. 167 00:07:57,520 --> 00:07:57,920 Speaker 3: Since. 168 00:07:59,320 --> 00:08:00,720 Speaker 2: So we were well, no, I want to want to 169 00:08:00,760 --> 00:08:02,720 Speaker 2: hit on this more so so, Tyler, we were just 170 00:08:02,800 --> 00:08:06,200 Speaker 2: kind of like I don't even remember how we got there, 171 00:08:06,200 --> 00:08:08,960 Speaker 2: but we were sort of loving on Japan and talking 172 00:08:08,960 --> 00:08:11,640 Speaker 2: about how Japan and America really need to like be 173 00:08:11,720 --> 00:08:14,520 Speaker 2: allies now, and that was like a big trend on Twitter. 174 00:08:15,240 --> 00:08:19,080 Speaker 2: Trump met with the Prime Minister, the new Prime Minister. 175 00:08:18,960 --> 00:08:22,040 Speaker 4: Of Japan in the White House, and. 176 00:08:21,680 --> 00:08:23,240 Speaker 2: You know that kind of just and then but at 177 00:08:23,240 --> 00:08:26,520 Speaker 2: the same time, Twitter like they sort of did this 178 00:08:26,640 --> 00:08:28,160 Speaker 2: bot purge. I don't know if it was a full 179 00:08:28,160 --> 00:08:30,280 Speaker 2: bot purge or something, but it just made it so 180 00:08:30,360 --> 00:08:35,440 Speaker 2: that Americans could see Japanese accounts more and for people 181 00:08:35,520 --> 00:08:38,040 Speaker 2: don't know that for a long time, Japan has been 182 00:08:38,080 --> 00:08:41,160 Speaker 2: the largest country on Twitter that has the largest daily 183 00:08:41,200 --> 00:08:44,840 Speaker 2: active users DAUS for any country, even more than America. 184 00:08:45,000 --> 00:08:47,559 Speaker 2: It's just sort of like their their main social media 185 00:08:47,600 --> 00:08:51,840 Speaker 2: there in Japan, and you know, people didn't realize that 186 00:08:52,280 --> 00:08:55,480 Speaker 2: the Japanese had so much affection for the United States 187 00:08:55,480 --> 00:08:58,720 Speaker 2: of America, and you know that led to this kind 188 00:08:58,760 --> 00:09:02,920 Speaker 2: of you know, rekindling of the bromance or perhaps like 189 00:09:03,559 --> 00:09:06,880 Speaker 2: perhaps you could even say like a like a you know, 190 00:09:07,040 --> 00:09:10,360 Speaker 2: blessing of the bromance between America and Japan. And of 191 00:09:10,400 --> 00:09:13,679 Speaker 2: course that I came out and said on human events 192 00:09:13,840 --> 00:09:16,160 Speaker 2: that we need to go a step further and we 193 00:09:16,240 --> 00:09:19,880 Speaker 2: need to remilitarize Japan. We need to allow them to 194 00:09:19,920 --> 00:09:22,880 Speaker 2: have their full navy back. Let him get nuclear weapons, like, 195 00:09:22,960 --> 00:09:23,800 Speaker 2: let's go all in. 196 00:09:25,320 --> 00:09:26,640 Speaker 3: The memes have been so good. 197 00:09:26,679 --> 00:09:29,600 Speaker 2: Though, for the record, it wouldn't be the first time 198 00:09:29,600 --> 00:09:34,720 Speaker 2: that we gave Japan nukes. Oh, just you know, a 199 00:09:34,720 --> 00:09:35,240 Speaker 2: different ways. 200 00:09:35,280 --> 00:09:37,680 Speaker 6: Not too soon, So it's not too not too soon. 201 00:09:37,679 --> 00:09:39,240 Speaker 2: Not too soon, not too soon. 202 00:09:39,640 --> 00:09:42,800 Speaker 4: Trump Trump made the joke about Pearl Harbor, remember, because. 203 00:09:42,720 --> 00:09:44,880 Speaker 6: That's kind of where it started. All this all right, now. 204 00:09:46,640 --> 00:09:47,120 Speaker 2: Do we have it? 205 00:09:47,520 --> 00:09:48,319 Speaker 6: No, we don't. 206 00:09:48,400 --> 00:09:49,000 Speaker 3: We should have. 207 00:09:49,120 --> 00:09:51,400 Speaker 2: Oh, because because he goes, just for anyone who hasn't 208 00:09:51,440 --> 00:09:53,520 Speaker 2: heard it, he goes, they said, well, you know, why 209 00:09:53,520 --> 00:09:56,200 Speaker 2: didn't you tell us about the I guess it was 210 00:09:56,200 --> 00:09:59,360 Speaker 2: like a Japanese reporter or something like, why didn't you 211 00:09:59,400 --> 00:10:02,600 Speaker 2: tell us about the surprise attack on Iran? 212 00:10:02,720 --> 00:10:05,200 Speaker 4: He said, why didn't you tell us about Pearl Harper. 213 00:10:05,280 --> 00:10:07,280 Speaker 6: Yeah, no, we saw we saw it. No, but we 214 00:10:07,400 --> 00:10:09,680 Speaker 6: we speaking of a country that used to be a 215 00:10:09,800 --> 00:10:13,480 Speaker 6: US ally. We have another country. So now people are 216 00:10:13,520 --> 00:10:16,240 Speaker 6: saying Japan is our best ally or our best. 217 00:10:16,000 --> 00:10:19,280 Speaker 3: Friend, hold on our greatest ally, should we play a 218 00:10:19,360 --> 00:10:20,600 Speaker 3: video since we're talking? 219 00:10:20,720 --> 00:10:22,560 Speaker 6: No, no, no, no, I want to we have we have 220 00:10:22,600 --> 00:10:24,120 Speaker 6: we we saw that before. We've got to get to 221 00:10:24,360 --> 00:10:26,640 Speaker 6: We've got to get to the the x US ally, 222 00:10:26,760 --> 00:10:30,520 Speaker 6: the decaying us ally. It was a special relationship now 223 00:10:30,520 --> 00:10:34,520 Speaker 6: it's more just very special in that special way, which 224 00:10:34,559 --> 00:10:39,199 Speaker 6: is the UK. The UK is banning travel from America 225 00:10:39,280 --> 00:10:41,959 Speaker 6: to Japan at least if you are one specific person. 226 00:10:43,240 --> 00:10:47,800 Speaker 3: I yes, and that person would be well Kanye with 227 00:10:48,120 --> 00:10:48,800 Speaker 3: multiple names. 228 00:10:49,000 --> 00:10:49,959 Speaker 6: He does have many. 229 00:10:49,840 --> 00:10:53,559 Speaker 3: Names, Kanye, Kanye West. What do you what do we call? 230 00:10:53,760 --> 00:10:55,720 Speaker 3: Is it? Is it you now? I don't care. 231 00:10:56,080 --> 00:10:56,400 Speaker 5: I don't care. 232 00:10:56,400 --> 00:10:58,719 Speaker 6: I call it Kanye West because when they changed too much, 233 00:10:58,800 --> 00:11:00,920 Speaker 6: it's not my obligation to know what it is. 234 00:11:01,000 --> 00:11:06,640 Speaker 3: Jesus, Jesus, there it is? Did you like? 235 00:11:06,960 --> 00:11:09,040 Speaker 4: I gotta say, though, wait, do we have the video? 236 00:11:09,440 --> 00:11:12,280 Speaker 2: Do we have the video of that? What do they 237 00:11:12,320 --> 00:11:14,280 Speaker 2: call it? The world stage that he was using with 238 00:11:14,320 --> 00:11:18,679 Speaker 2: the with the fog, because we can you know that 239 00:11:19,040 --> 00:11:20,320 Speaker 2: that was him standing on it. 240 00:11:20,360 --> 00:11:23,040 Speaker 4: But dude, look at this. Is this not the coolest 241 00:11:23,120 --> 00:11:23,880 Speaker 4: aage you've ever seen? 242 00:11:25,080 --> 00:11:25,719 Speaker 5: It really is. 243 00:11:27,080 --> 00:11:28,920 Speaker 2: I'm sorry, It's the coolest stage I've ever stag. 244 00:11:29,080 --> 00:11:32,040 Speaker 5: I've also never said. I also think that that was 245 00:11:32,080 --> 00:11:34,160 Speaker 5: the widest crowd that Kanye has ever had it. 246 00:11:34,200 --> 00:11:34,679 Speaker 2: Look at this? 247 00:11:35,120 --> 00:11:35,599 Speaker 3: Where was this? 248 00:11:35,679 --> 00:11:36,240 Speaker 6: Look at this? 249 00:11:36,679 --> 00:11:39,000 Speaker 5: I think that was in in California at the uh 250 00:11:39,440 --> 00:11:41,280 Speaker 5: at the end of it, that's sick. 251 00:11:41,640 --> 00:11:43,560 Speaker 2: Oh, I see, I thought that was fear. I thought 252 00:11:43,559 --> 00:11:44,800 Speaker 2: that was one of those fear things. 253 00:11:45,160 --> 00:11:47,600 Speaker 5: Oh was it? I thought I thought he did his 254 00:11:47,600 --> 00:11:51,559 Speaker 5: concert into it though that was amazing, But I saw 255 00:11:51,600 --> 00:11:52,440 Speaker 5: a video of it. 256 00:11:53,720 --> 00:11:55,719 Speaker 2: I just found out that. Oh wait, I don't want 257 00:11:55,720 --> 00:11:59,960 Speaker 2: to say this. Shoot okay, never mind blame my last 258 00:12:00,000 --> 00:12:01,280 Speaker 2: I'm not going to say that because it might be 259 00:12:01,320 --> 00:12:04,480 Speaker 2: a surprise for Kanya. And you watch just this. 260 00:12:04,880 --> 00:12:10,080 Speaker 5: I saw like people taking videos from the crowd, and 261 00:12:10,120 --> 00:12:12,720 Speaker 5: I was just like interested, Like who showed up? And 262 00:12:12,760 --> 00:12:15,439 Speaker 5: it was a very white crowd at this thing at 263 00:12:15,520 --> 00:12:20,480 Speaker 5: Kanye Kanye's concert. Well Kany, And again, I think I 264 00:12:20,480 --> 00:12:23,880 Speaker 5: think Kanye's appealed to a lot of that thing, a 265 00:12:23,960 --> 00:12:28,160 Speaker 5: lot of people of different diverse backgrounds. But it was 266 00:12:28,200 --> 00:12:32,480 Speaker 5: definitely there was definitely He's definitely gained a lot of 267 00:12:32,559 --> 00:12:34,960 Speaker 5: new wider fans. 268 00:12:35,000 --> 00:12:36,840 Speaker 6: Probably probably is that just a way of saying that 269 00:12:36,880 --> 00:12:40,600 Speaker 6: he's because he's embraced certain controversial. 270 00:12:39,960 --> 00:12:44,480 Speaker 5: Players that he No, I'm not saying it. 271 00:12:44,559 --> 00:12:47,520 Speaker 4: I'm just expect him to have a less white audience 272 00:12:47,520 --> 00:12:48,080 Speaker 4: if he does that. 273 00:12:48,360 --> 00:12:50,920 Speaker 5: Yeah, exactly, that's what that's Yeah, I think I think 274 00:12:50,960 --> 00:12:52,040 Speaker 5: that that's more popular. 275 00:12:52,160 --> 00:12:54,440 Speaker 3: That's interesting about this, though, is he's been on this 276 00:12:54,520 --> 00:12:58,839 Speaker 3: like apology tour trying to say hey, I'm he's going 277 00:12:58,880 --> 00:13:03,080 Speaker 3: with the like Jewish abby saying sorry, and then he 278 00:13:03,160 --> 00:13:05,880 Speaker 3: gets blocked. This is fair. I don't understand how this 279 00:13:05,960 --> 00:13:07,800 Speaker 3: even happened, Like, why would the UK go out of 280 00:13:07,840 --> 00:13:10,480 Speaker 3: their way to block Kanye? What's the explanation they're giving 281 00:13:10,559 --> 00:13:11,040 Speaker 3: just because of. 282 00:13:11,240 --> 00:13:12,520 Speaker 6: They want us to be stuck with him? 283 00:13:12,720 --> 00:13:15,440 Speaker 4: They've they've blocked people before, They've blocked Michael Savage. 284 00:13:16,559 --> 00:13:18,040 Speaker 3: Yeah, Michael Savage. 285 00:13:18,120 --> 00:13:19,880 Speaker 5: Michael Savage can go yeah. 286 00:13:20,320 --> 00:13:24,280 Speaker 3: The conservative commentator. 287 00:13:24,360 --> 00:13:27,240 Speaker 6: I'm sort of with two minds on this one. I 288 00:13:27,280 --> 00:13:29,880 Speaker 6: don't know why we're supposed to care that much about 289 00:13:29,920 --> 00:13:32,920 Speaker 6: what Kanye West says. And I thought it was weird 290 00:13:32,920 --> 00:13:35,080 Speaker 6: when we had that episode, especially a couple of years ago. 291 00:13:35,120 --> 00:13:38,480 Speaker 3: If like that the real thought crime, like why do it? Like, 292 00:13:38,559 --> 00:13:40,880 Speaker 3: why do people care what Kanye West has to Like? 293 00:13:41,000 --> 00:13:43,719 Speaker 6: As far as I'm concerned, not really. 294 00:13:45,040 --> 00:13:46,200 Speaker 5: Rap is not really music. 295 00:13:46,240 --> 00:13:49,880 Speaker 6: And on top of that, like when they say insane things, 296 00:13:49,920 --> 00:13:52,480 Speaker 6: it's really just barely a step above a crazy guy 297 00:13:52,559 --> 00:13:55,640 Speaker 6: on the subway saying insane things. And I don't feel 298 00:13:55,640 --> 00:13:57,800 Speaker 6: that Kanye is that far away from that caboose. 299 00:13:57,880 --> 00:13:59,920 Speaker 3: Could we get some Can we get some Kanye track 300 00:14:00,160 --> 00:14:02,320 Speaker 3: that you actually like? Or do you? Are you against? 301 00:14:02,520 --> 00:14:02,679 Speaker 7: Well? 302 00:14:02,840 --> 00:14:05,600 Speaker 5: Here's what's the most crazy part of this. One of 303 00:14:05,600 --> 00:14:08,480 Speaker 5: the most popular again I don't I don't like the song, 304 00:14:08,480 --> 00:14:11,400 Speaker 5: but one of those popular songs ever was his collaboration 305 00:14:11,559 --> 00:14:12,920 Speaker 5: that he did for American Boy. 306 00:14:14,000 --> 00:14:15,679 Speaker 3: I don't even know it. 307 00:14:15,720 --> 00:14:21,200 Speaker 5: Does anybody know the song Amery no No? I proudly don't. 308 00:14:22,080 --> 00:14:24,800 Speaker 3: Yeah, it's about what was that song? 309 00:14:24,840 --> 00:14:30,360 Speaker 5: It's about a British It's about a British girl being 310 00:14:30,400 --> 00:14:35,480 Speaker 5: into an American guy, and Kanye is is did the 311 00:14:35,760 --> 00:14:40,320 Speaker 5: did the collab on that? And now he can't go 312 00:14:40,360 --> 00:14:40,840 Speaker 5: to the UK? 313 00:14:41,360 --> 00:14:46,400 Speaker 3: My, that is full circle. My favorite thing that Kanye 314 00:14:46,520 --> 00:14:48,520 Speaker 3: sort of had a hand in doing was you remember 315 00:14:48,520 --> 00:14:51,600 Speaker 3: when he did that music video with Kim Kardashian on 316 00:14:51,600 --> 00:14:52,280 Speaker 3: the motorcycle. 317 00:14:52,520 --> 00:14:54,320 Speaker 5: No, you don't know. 318 00:14:55,520 --> 00:14:59,160 Speaker 6: I don't really know Kanye until until he started running 319 00:14:59,160 --> 00:14:59,720 Speaker 6: for President. 320 00:15:01,640 --> 00:15:05,680 Speaker 3: That's the video. Uh so bound too, So it's just 321 00:15:05,880 --> 00:15:10,200 Speaker 3: super weird. The whole music video is like them on 322 00:15:10,240 --> 00:15:13,440 Speaker 3: a motorcycle and it's like gyrating, like I don't know, 323 00:15:13,480 --> 00:15:16,280 Speaker 3: and Kim Kardashian is not wearing a whole lot or 324 00:15:16,320 --> 00:15:19,120 Speaker 3: anything at all. And then anyways, but the point is 325 00:15:19,200 --> 00:15:24,320 Speaker 3: Seth Rogan and James Franco did a whole mock like 326 00:15:24,640 --> 00:15:28,360 Speaker 3: parody of it. Where where Seth Rogan's writing on it? 327 00:15:28,520 --> 00:15:30,040 Speaker 3: We should get this, we should get this. 328 00:15:32,200 --> 00:15:34,760 Speaker 5: I think is Stelle that did that song with Kanye 329 00:15:35,320 --> 00:15:38,480 Speaker 5: was at that concert. I think she showed up as 330 00:15:38,520 --> 00:15:40,480 Speaker 5: one of his because he had a bunch of guest appearances. 331 00:15:40,520 --> 00:15:42,560 Speaker 5: I think she was. I think she came out and 332 00:15:42,600 --> 00:15:43,840 Speaker 5: sang with it. I don't know. 333 00:15:44,720 --> 00:15:47,600 Speaker 3: Uh, well, anyways, we don't seem that passionate about Kanye. 334 00:15:47,720 --> 00:15:48,680 Speaker 3: Nobody seems to care. 335 00:15:48,800 --> 00:15:51,720 Speaker 6: Well I care. I just I kind of treat care. 336 00:15:51,840 --> 00:15:54,160 Speaker 6: I fold Kanye in with all other rappers, which is 337 00:15:54,440 --> 00:15:56,320 Speaker 6: you just want to I just aggressively want to dump 338 00:15:56,360 --> 00:15:58,120 Speaker 6: on them, Like why do people like this stuff? I 339 00:15:58,160 --> 00:16:01,000 Speaker 6: think it is a setback for the right that people 340 00:16:01,120 --> 00:16:04,960 Speaker 6: on the right are fans of rap music that's not Kanye. 341 00:16:04,680 --> 00:16:07,320 Speaker 5: Though, this is Kanye, this is Delle, this is his 342 00:16:07,520 --> 00:16:10,760 Speaker 5: version of it. Stell sings a song original. He just 343 00:16:10,800 --> 00:16:13,920 Speaker 5: the guy mumbled, she sings this song and then he raps. 344 00:16:15,040 --> 00:16:16,200 Speaker 3: I didn't realize. Here we go. 345 00:16:17,160 --> 00:16:20,840 Speaker 5: He said, wait, no, speed up, it's it's it's for 346 00:16:20,960 --> 00:16:23,160 Speaker 5: their it's for do we have to listen to this 347 00:16:23,240 --> 00:16:25,600 Speaker 5: Harry song in London? 348 00:16:26,040 --> 00:16:27,160 Speaker 3: Oh that's Kanye the. 349 00:16:28,800 --> 00:16:30,000 Speaker 5: Money right now? 350 00:16:30,960 --> 00:16:34,520 Speaker 3: I remember this? I you know I was this. 351 00:16:34,720 --> 00:16:37,120 Speaker 6: Was that song really enhanced by having a guy like 352 00:16:37,280 --> 00:16:38,000 Speaker 6: jabbering in it? 353 00:16:38,360 --> 00:16:43,280 Speaker 5: Yeah, he's he's the American boy in the song. I mean, 354 00:16:43,320 --> 00:16:45,560 Speaker 5: that's not who she wrote the song for. But in this, 355 00:16:45,680 --> 00:16:50,200 Speaker 5: in that version, here's more Kanye. But that was a 356 00:16:50,320 --> 00:16:53,040 Speaker 5: very a very popular song. But that's isn't that? 357 00:16:53,080 --> 00:16:54,400 Speaker 3: This is a this is a big hit. 358 00:16:54,640 --> 00:16:56,880 Speaker 5: Okay, it was a big hit. So what so is 359 00:16:56,920 --> 00:16:58,640 Speaker 5: the so is the Barbie Girl song? 360 00:17:00,080 --> 00:17:00,280 Speaker 3: Ah? 361 00:17:01,120 --> 00:17:06,560 Speaker 5: Here's my question? What if America banned popular British people 362 00:17:06,600 --> 00:17:07,720 Speaker 5: from coming to America? 363 00:17:07,920 --> 00:17:11,320 Speaker 3: It would be like like, are there media freak? 364 00:17:12,280 --> 00:17:15,960 Speaker 5: Imagine we lose if we banned How is imagine pretty 365 00:17:16,040 --> 00:17:19,479 Speaker 5: banned media doing with this? Imagine if we banned Uh, 366 00:17:21,240 --> 00:17:21,679 Speaker 5: I don't know. 367 00:17:22,160 --> 00:17:24,600 Speaker 2: I can't even think of the Beatles. 368 00:17:24,200 --> 00:17:26,800 Speaker 5: Well, yeah, the Beatles. I mean, I don't know if 369 00:17:26,840 --> 00:17:31,560 Speaker 5: you could compare Kanye Now to keep Beatles, but American 370 00:17:33,400 --> 00:17:34,760 Speaker 5: titled Kyle Hitler. 371 00:17:36,280 --> 00:17:39,560 Speaker 3: So the summer it was it was John Lennon who 372 00:17:39,600 --> 00:17:40,480 Speaker 3: had the Hitler stuff. 373 00:17:40,520 --> 00:17:42,679 Speaker 5: Yeah, yeah, I mean John Lennon. I guess that's a 374 00:17:42,680 --> 00:17:45,159 Speaker 5: good point, Like you could probably compare Kanye West and 375 00:17:45,200 --> 00:17:48,080 Speaker 5: John Lennon, Yeah you could. And like if if we 376 00:17:48,320 --> 00:17:51,280 Speaker 5: if we would have banned, if we would have banned 377 00:17:51,359 --> 00:17:55,600 Speaker 5: John Lennon, Hu, yeah, he said tons of controversial politicals. 378 00:17:56,600 --> 00:17:58,679 Speaker 2: I think Nixon did try to ban John Lennon. 379 00:17:59,119 --> 00:18:00,600 Speaker 5: Yeah, but if he would have and that it would 380 00:18:00,640 --> 00:18:01,520 Speaker 5: have been World War three. 381 00:18:02,400 --> 00:18:04,040 Speaker 2: No, but I mean I think he did actually try 382 00:18:04,080 --> 00:18:06,960 Speaker 2: to do it, like they were trying to pull his 383 00:18:06,960 --> 00:18:08,280 Speaker 2: his immigration or something. 384 00:18:08,480 --> 00:18:11,200 Speaker 6: Oh yeah, yeah, Nixon wanted to. Also, John Lennon once 385 00:18:11,240 --> 00:18:13,480 Speaker 6: proposed putting Hitler on the cover of Sergeant Pepper's. 386 00:18:14,520 --> 00:18:19,840 Speaker 7: Oh see yeah, so okay again, like he's there's a 387 00:18:19,840 --> 00:18:22,520 Speaker 7: lot of like provocative people on the Sergeant Pepper's album 388 00:18:22,560 --> 00:18:24,480 Speaker 7: if you if you look close lately, so here's because 389 00:18:24,920 --> 00:18:25,199 Speaker 7: it's like. 390 00:18:25,200 --> 00:18:30,640 Speaker 2: A whole array of you know, dead celebrity famous people. 391 00:18:30,359 --> 00:18:30,800 Speaker 3: Et cetera. 392 00:18:31,160 --> 00:18:35,080 Speaker 2: Here's McCartney, who who died in between the filming or 393 00:18:35,080 --> 00:18:38,320 Speaker 2: the recording of Revolver and Sergeant Pepper and was secretly 394 00:18:38,400 --> 00:18:41,000 Speaker 2: replaced by a guy by the name of Billy Shears. 395 00:18:42,480 --> 00:18:45,400 Speaker 2: And because as we know, Paul McCartney actually died and 396 00:18:45,440 --> 00:18:47,680 Speaker 2: in a car crash, and there's like secrets hidden in 397 00:18:47,720 --> 00:18:48,280 Speaker 2: the lyrics. 398 00:18:51,000 --> 00:18:53,840 Speaker 3: I wasn't expecting this, I have to say, but death 399 00:18:53,960 --> 00:18:57,920 Speaker 3: of Recess it stopped me in my tracks. This isn't 400 00:18:57,960 --> 00:19:02,240 Speaker 3: about dodgeballs and jungle gyms, about control. The modern American 401 00:19:02,280 --> 00:19:05,720 Speaker 3: classroom didn't just happen. It was intentionally designed. It was 402 00:19:05,760 --> 00:19:08,800 Speaker 3: standardized and centralized. And once you see who built it 403 00:19:08,840 --> 00:19:13,160 Speaker 3: and who protects it, everything clicks. Billions of dollars are 404 00:19:13,200 --> 00:19:17,080 Speaker 3: flowing through education bureaucracies every year, test scores collapse, and 405 00:19:17,119 --> 00:19:20,720 Speaker 3: somehow the answer is always more money and less parental authority. 406 00:19:20,760 --> 00:19:25,480 Speaker 3: The documentary breaks down how organizations like the NEA amassed 407 00:19:25,640 --> 00:19:29,640 Speaker 3: enormous influence, how radical gender ideology entered classrooms, and why 408 00:19:29,720 --> 00:19:33,480 Speaker 3: something as basic as recess movement, freedom childhood, you know, 409 00:19:34,080 --> 00:19:39,480 Speaker 3: had to go. That's not random, that's systemic. Institutions protect themselves. 410 00:19:39,480 --> 00:19:42,000 Speaker 3: They do not protect your kids. And that's why this 411 00:19:42,080 --> 00:19:46,880 Speaker 3: documentary exists on Angel Studio streaming platform Angel Guild. Angel 412 00:19:46,880 --> 00:19:50,560 Speaker 3: Guild is willing to distribute films that challenge powerful systems 413 00:19:50,600 --> 00:19:53,919 Speaker 3: when legacy media won't touch them. So right now, go 414 00:19:54,000 --> 00:19:58,360 Speaker 3: to angel dot com slash Charlie and watch Death of Recess. 415 00:19:58,520 --> 00:20:00,800 Speaker 3: Right now. If your parent or planned to be you 416 00:20:00,880 --> 00:20:04,199 Speaker 3: need to see this. That's Angel dot com slash Charlie 417 00:20:04,480 --> 00:20:06,240 Speaker 3: and watch Death of Recess. 418 00:20:08,840 --> 00:20:11,040 Speaker 5: Okay, so, but here's the I hadn't even heard this. 419 00:20:11,160 --> 00:20:11,840 Speaker 5: Here's the thought that. 420 00:20:12,320 --> 00:20:14,800 Speaker 2: You didn't know that docccartney died in nineteen sixty six 421 00:20:14,880 --> 00:20:15,240 Speaker 2: and was. 422 00:20:15,600 --> 00:20:15,960 Speaker 5: Never heard of. 423 00:20:16,000 --> 00:20:20,800 Speaker 6: The dead conspiracy. No, it's behind Mike Huckabee on that one. 424 00:20:20,840 --> 00:20:21,639 Speaker 5: I remember Huckaby. 425 00:20:21,800 --> 00:20:24,760 Speaker 6: Actually the whole Paul is Dead thing while running for president. 426 00:20:24,760 --> 00:20:27,000 Speaker 3: Do you think it's real? You actually believe it? Jay 427 00:20:28,440 --> 00:20:29,000 Speaker 3: Paul is dead. 428 00:20:29,080 --> 00:20:33,920 Speaker 2: I mean, it's you just you have to believe the songs. 429 00:20:33,960 --> 00:20:35,880 Speaker 2: It's all there, it's all there, it's way. 430 00:20:35,960 --> 00:20:38,399 Speaker 3: Which song do they say, which song do they say 431 00:20:38,880 --> 00:20:40,840 Speaker 3: reveals this that has the hidden. 432 00:20:40,600 --> 00:20:42,960 Speaker 6: Well, there's a song in like all of them. There's 433 00:20:42,960 --> 00:20:45,080 Speaker 6: a song in the White album that is titled Paul 434 00:20:45,160 --> 00:20:48,040 Speaker 6: McCartney is dead, but don't talk about this song and 435 00:20:48,080 --> 00:20:50,679 Speaker 6: don't tell anyone about it and just pretend this doesn't exist. 436 00:20:50,680 --> 00:20:52,440 Speaker 6: But it's on this album. He's dead and he was 437 00:20:52,480 --> 00:20:53,400 Speaker 6: replaced by this guy. 438 00:20:54,000 --> 00:20:56,080 Speaker 2: So it's on the track the song I'm So Tired. 439 00:20:56,119 --> 00:20:59,400 Speaker 2: It's the song I'm So Tired. Ellen on Revolver has 440 00:20:59,440 --> 00:21:02,119 Speaker 2: that at the end of it. It's where it's like, 441 00:21:02,160 --> 00:21:06,040 Speaker 2: if you play it backwards, you hear you hear is dead. 442 00:21:07,520 --> 00:21:12,320 Speaker 2: And and there's a bunch of like hidden clues within 443 00:21:12,359 --> 00:21:16,119 Speaker 2: the Sergeant Pepper album. For example, on the cover of 444 00:21:16,160 --> 00:21:19,320 Speaker 2: Sergeant Pepper, someone has like an open hand over Paul 445 00:21:19,359 --> 00:21:23,119 Speaker 2: McCartney's head and they say that that in like Eastern religions, 446 00:21:23,200 --> 00:21:26,680 Speaker 2: like like Hinduism, that we know that the Beatles were 447 00:21:26,720 --> 00:21:29,600 Speaker 2: like heavily into around this time. They'd gone and hung 448 00:21:29,640 --> 00:21:33,200 Speaker 2: out in India, and they were like tight with Robbie 449 00:21:33,200 --> 00:21:36,360 Speaker 2: shang Gar, George Harrison was and whose daughter is NORAA Jones? 450 00:21:36,400 --> 00:21:40,160 Speaker 2: Funny enough, you know, And. 451 00:21:38,800 --> 00:21:41,760 Speaker 6: So I guess that's really convenient in and. 452 00:21:41,760 --> 00:21:44,719 Speaker 4: So that's like a sign of death basically. 453 00:21:45,119 --> 00:21:47,360 Speaker 6: Okay, so is it really convenient in the story then 454 00:21:47,400 --> 00:21:49,399 Speaker 6: that they found a guy who not only looked like 455 00:21:49,400 --> 00:21:53,600 Speaker 6: Paul McCartney but was also a transcendentally good songwriter. Because 456 00:21:53,760 --> 00:21:57,520 Speaker 6: Paul McCartney or his impostor has continued to write songs 457 00:21:57,520 --> 00:21:58,040 Speaker 6: and they've. 458 00:21:57,960 --> 00:22:00,720 Speaker 3: Maybe they've been well received. Maybe they just went through 459 00:22:00,760 --> 00:22:03,159 Speaker 3: some of the like recorded tracks that were never released 460 00:22:03,160 --> 00:22:04,159 Speaker 3: and you just started releasing. 461 00:22:04,240 --> 00:22:09,560 Speaker 2: Yeah, Or but if you have the Beatles with the Beatles. 462 00:22:09,200 --> 00:22:12,399 Speaker 6: What if John Lennon was actually still alive secretly and 463 00:22:12,480 --> 00:22:15,680 Speaker 6: he was writing the music attributed to Paul McCartney even 464 00:22:15,720 --> 00:22:17,879 Speaker 6: after Yeah he was so so John was. 465 00:22:17,880 --> 00:22:22,440 Speaker 2: Alive for a decade after the Beatles. 466 00:22:22,480 --> 00:22:24,600 Speaker 3: So yeah, you could see things like. 467 00:22:26,119 --> 00:22:29,640 Speaker 2: So you see the hand over the head, there's stuff, 468 00:22:29,960 --> 00:22:33,240 Speaker 2: you know over Paul. You could see there's what is 469 00:22:33,280 --> 00:22:36,040 Speaker 2: it like with the with the doll on the far right, 470 00:22:36,560 --> 00:22:38,879 Speaker 2: you know, there's it's like a Freddy Krueger kind of 471 00:22:38,920 --> 00:22:43,000 Speaker 2: like like shears, like like scissors. I think there's some 472 00:22:43,160 --> 00:22:45,119 Speaker 2: what is the one thing? Where's the there's like a 473 00:22:45,200 --> 00:22:48,760 Speaker 2: car on the kids knee and that's supposed to be 474 00:22:48,760 --> 00:22:52,280 Speaker 2: a reference to the you know the death of Paul 475 00:22:52,359 --> 00:22:55,600 Speaker 2: McCartney in a car crash, and and there's that song 476 00:22:55,680 --> 00:23:01,040 Speaker 2: on the on the white album that Ringo sings where 477 00:23:01,080 --> 00:23:03,320 Speaker 2: the it talks about you. You know, I'm so you 478 00:23:03,359 --> 00:23:06,320 Speaker 2: know you wait, hold on line. It's you were in 479 00:23:06,359 --> 00:23:08,000 Speaker 2: a car crash and you lost your hair. 480 00:23:07,960 --> 00:23:10,439 Speaker 6: And you're forgetting, forgetting the big one, Jack, You're forgetting 481 00:23:10,480 --> 00:23:12,280 Speaker 6: the big one, which is the cover of Abbey Road, 482 00:23:12,280 --> 00:23:15,480 Speaker 6: which is Paul McCartney is one. He has his right. 483 00:23:15,320 --> 00:23:16,800 Speaker 5: Foot in front of him instead of his left. 484 00:23:16,880 --> 00:23:20,600 Speaker 2: Yeah, I can that, So he's barefoot and yeah, and 485 00:23:20,640 --> 00:23:25,199 Speaker 2: he's barefoot. So so the cover of Abbey Road is 486 00:23:25,400 --> 00:23:29,840 Speaker 2: actually a funeral procession, and so uh you have John 487 00:23:29,920 --> 00:23:33,480 Speaker 2: Lennon is there as the you know, like the angel 488 00:23:34,040 --> 00:23:35,600 Speaker 2: then and that's why he's all white. 489 00:23:35,800 --> 00:23:38,680 Speaker 4: Then Ringo Star is in all blacks, so he's. 490 00:23:38,560 --> 00:23:43,840 Speaker 2: Like the priest. Then Paul is the one being buried, 491 00:23:43,880 --> 00:23:45,919 Speaker 2: and then Georgia of course is the grave digger. So 492 00:23:46,160 --> 00:23:50,040 Speaker 2: him being barefoot while he's on on asphalt on a 493 00:23:50,080 --> 00:23:53,280 Speaker 2: sunny day when it's hot, that signifies death. The fact 494 00:23:53,280 --> 00:23:55,360 Speaker 2: that he has his cigarette in his right hand, even 495 00:23:55,359 --> 00:23:58,840 Speaker 2: though everybody knows that Paul McCartney was left handed, you know, 496 00:23:58,880 --> 00:24:00,240 Speaker 2: shows that it's an impossible there. 497 00:24:00,840 --> 00:24:01,720 Speaker 6: Uh man. 498 00:24:01,760 --> 00:24:03,600 Speaker 2: There was something with the license plate as well. That 499 00:24:03,640 --> 00:24:06,439 Speaker 2: I forget of the Beatle that you you. 500 00:24:06,480 --> 00:24:11,320 Speaker 5: Heard You've never heard of that, but I have no. 501 00:24:11,560 --> 00:24:13,240 Speaker 5: But I'm like, are you faking? 502 00:24:14,280 --> 00:24:16,880 Speaker 6: Because the Mormon Church was well the Beatles. 503 00:24:16,880 --> 00:24:20,520 Speaker 5: The Beatles are so disinteresting to me, Like I'm so 504 00:24:20,560 --> 00:24:22,000 Speaker 5: disinterested only the. 505 00:24:21,920 --> 00:24:27,560 Speaker 2: Past period the most innovative band, clearly the most popular band. 506 00:24:27,720 --> 00:24:29,919 Speaker 2: There will never be a band at more popular than 507 00:24:29,920 --> 00:24:30,359 Speaker 2: the Beatles. 508 00:24:30,600 --> 00:24:32,320 Speaker 3: I actually agree with that, j And I hate that. 509 00:24:32,520 --> 00:24:33,520 Speaker 5: I hate that about the band. 510 00:24:33,600 --> 00:24:36,240 Speaker 3: So this is These are Paul McCartney's post Beatles career, 511 00:24:36,280 --> 00:24:40,960 Speaker 3: spanning solo work and wings, produced numerous hits, critically acclaimed tracks. 512 00:24:41,280 --> 00:24:43,720 Speaker 3: Check us out Band on the Run the Beatles. Maybe 513 00:24:43,760 --> 00:24:45,800 Speaker 3: I'm amazed, that's a huge song. 514 00:24:45,840 --> 00:24:48,159 Speaker 5: But here here's the Beatles. 515 00:24:48,119 --> 00:24:51,320 Speaker 3: Live and Let Live and Let Die Jet coming up. 516 00:24:51,680 --> 00:24:56,320 Speaker 5: The Beatles did so much damage to American the American youth. 517 00:24:57,000 --> 00:25:00,600 Speaker 5: How so, I just think their influence was so negative 518 00:25:01,560 --> 00:25:04,919 Speaker 5: at a time that that was an outlet for people 519 00:25:04,960 --> 00:25:09,440 Speaker 5: that like were turning away from like basic American principles 520 00:25:09,480 --> 00:25:10,720 Speaker 5: and they were Oh so. 521 00:25:10,720 --> 00:25:12,480 Speaker 2: You'll say that about the Beatles, but you won't say 522 00:25:12,480 --> 00:25:14,320 Speaker 2: that about Lord of the Rings, who those people were 523 00:25:14,359 --> 00:25:14,960 Speaker 2: also into. 524 00:25:16,359 --> 00:25:19,840 Speaker 5: Oh good, I don't want to cause you more problems 525 00:25:20,000 --> 00:25:21,920 Speaker 5: than you already have. With Lord of the Rings. 526 00:25:21,920 --> 00:25:24,080 Speaker 6: Fans jack overtly and I will cause. 527 00:25:25,440 --> 00:25:25,760 Speaker 3: People. 528 00:25:25,840 --> 00:25:28,720 Speaker 2: In the nineteen sixties loved Lord of the Rings. Lord 529 00:25:28,720 --> 00:25:30,359 Speaker 2: of the Rings was like the hippie Bible. 530 00:25:30,440 --> 00:25:33,560 Speaker 6: Hold on, don't talk about Zeppelin. We're going to talk 531 00:25:33,560 --> 00:25:34,480 Speaker 6: about the effects. 532 00:25:34,520 --> 00:25:36,320 Speaker 2: Like we have to be fair about this. 533 00:25:37,920 --> 00:25:43,119 Speaker 5: Okay, listen, I'm back to the Beatles. The Beatles were 534 00:25:43,359 --> 00:25:49,760 Speaker 5: like like subverting American culture at the time. They turned 535 00:25:49,880 --> 00:25:55,200 Speaker 5: heart's young, hearts and minds away from pro American values. 536 00:25:55,840 --> 00:25:57,480 Speaker 5: And you can't change my mind. 537 00:25:58,000 --> 00:26:02,159 Speaker 6: So you're saying that you know that there was a 538 00:26:02,200 --> 00:26:03,520 Speaker 6: plot against Paul. 539 00:26:03,720 --> 00:26:07,119 Speaker 3: And could be Yeah, he's kind of playing into your 540 00:26:07,119 --> 00:26:07,880 Speaker 3: stereotype here. 541 00:26:09,640 --> 00:26:11,280 Speaker 5: That very well could be. 542 00:26:11,640 --> 00:26:15,120 Speaker 3: So so what's interesting is I heard this one time. 543 00:26:15,160 --> 00:26:17,480 Speaker 3: It was a cultural critic about the Beatles, and he 544 00:26:17,560 --> 00:26:21,399 Speaker 3: was saying, you know, everybody wanted to hear what the 545 00:26:21,440 --> 00:26:23,840 Speaker 3: Beatles had to say. The only problem with the Beatles 546 00:26:24,119 --> 00:26:28,960 Speaker 3: is they said nothing. And I think that's kind of interesting. 547 00:26:29,040 --> 00:26:32,160 Speaker 3: It was sort of they said stuff, obviously, but they 548 00:26:32,160 --> 00:26:35,159 Speaker 3: didn't really have like something they were we're. 549 00:26:35,000 --> 00:26:38,600 Speaker 6: Complaining that the Beatles don't have a hard hitting political message. 550 00:26:39,119 --> 00:26:40,760 Speaker 6: I feel like we've got plenty of hard hitting and 551 00:26:40,760 --> 00:26:43,000 Speaker 6: political message, well nowadays do, but yeah, now we. 552 00:26:42,960 --> 00:26:45,560 Speaker 3: Have Tyler's point maybe like if you have this whole 553 00:26:45,600 --> 00:26:48,760 Speaker 3: sort of malaise with the youth then turning away from 554 00:26:48,760 --> 00:26:52,560 Speaker 3: traditional values, and they're kind of emblematic of that into 555 00:26:52,600 --> 00:26:56,359 Speaker 3: this like ethereal nothingness that they were leading everybody in. 556 00:26:56,480 --> 00:26:58,159 Speaker 5: Yeah, I would agree with that. I actually think the 557 00:26:58,160 --> 00:27:02,240 Speaker 5: Beatles entire vibe was like like, uh, it almost like 558 00:27:02,320 --> 00:27:07,000 Speaker 5: don't care about things except for your own emotions, like 559 00:27:07,000 --> 00:27:08,440 Speaker 5: like very self centered think. 560 00:27:08,359 --> 00:27:10,920 Speaker 3: About they don't. They don't really have like you think 561 00:27:10,960 --> 00:27:12,720 Speaker 3: back some of their lyrics, they didn't really have anything 562 00:27:12,720 --> 00:27:14,960 Speaker 3: to say. They didn't and I remember thinking that that 563 00:27:14,960 --> 00:27:18,119 Speaker 3: that like some of their biggest tracks, I mean like 564 00:27:18,280 --> 00:27:19,800 Speaker 3: I want to Hold your Hand Okay, that was like 565 00:27:19,840 --> 00:27:22,360 Speaker 3: the one of the originals, like okay, it's a love song, 566 00:27:22,480 --> 00:27:24,520 Speaker 3: but like you keep going down. As they got more 567 00:27:24,640 --> 00:27:28,560 Speaker 3: like eclectic and more experimental, I don't really know what 568 00:27:28,600 --> 00:27:32,360 Speaker 3: the message was. Does there need to be a message? 569 00:27:33,359 --> 00:27:35,920 Speaker 3: But I think they're like in the cultural context of 570 00:27:35,960 --> 00:27:38,919 Speaker 3: the time, Yeah, it kind of makes sense that they 571 00:27:38,920 --> 00:27:40,240 Speaker 3: were leading everybody nowhere. 572 00:27:40,320 --> 00:27:44,240 Speaker 6: So you're saying we should have banned the Beatles from America. 573 00:27:45,040 --> 00:27:48,000 Speaker 2: I don't know, I just I don't think that art 574 00:27:48,040 --> 00:27:49,920 Speaker 2: needs to have a message like that. I think it's 575 00:27:49,960 --> 00:27:51,320 Speaker 2: it's just can just stand on its own. 576 00:27:51,480 --> 00:27:55,439 Speaker 3: I think maybe maybe, I mean, I don't think that 577 00:27:55,600 --> 00:27:57,560 Speaker 3: strong of thoughts about any of this stuff, to be honest, 578 00:27:57,600 --> 00:28:00,479 Speaker 3: but I mean, listen, I think they're very talent. I 579 00:28:00,480 --> 00:28:03,840 Speaker 3: think to who said it, who's point there will never 580 00:28:03,880 --> 00:28:07,840 Speaker 3: be another Beatles that has that sort of like cultural dominance, 581 00:28:08,080 --> 00:28:11,720 Speaker 3: and you know, Beatlemania and all of this stuff, and 582 00:28:12,040 --> 00:28:15,840 Speaker 3: just the the song, the songs that they have, there's 583 00:28:16,000 --> 00:28:18,160 Speaker 3: so many huge hits like I just don't think we'll 584 00:28:18,160 --> 00:28:20,800 Speaker 3: ever see anything like it again. I just I don't know. 585 00:28:20,840 --> 00:28:22,920 Speaker 3: It just does I kind of resonate with Tyler saying 586 00:28:22,960 --> 00:28:25,160 Speaker 3: on some level because it was as was a time 587 00:28:25,200 --> 00:28:28,439 Speaker 3: when kids were turning their backs on traditional values and 588 00:28:28,680 --> 00:28:29,359 Speaker 3: going to nowhere. 589 00:28:29,359 --> 00:28:31,000 Speaker 4: It was a road to nowhere, and the reading Lord 590 00:28:31,000 --> 00:28:31,480 Speaker 4: of the Rings. 591 00:28:31,800 --> 00:28:33,280 Speaker 2: Lord of the Rings was their favorite novel. 592 00:28:33,520 --> 00:28:36,879 Speaker 5: I think most importantly was that any yes it is. 593 00:28:37,080 --> 00:28:37,679 Speaker 3: Go look it up. 594 00:28:37,680 --> 00:28:39,880 Speaker 2: The hippies loved Lord of the Rings. Lord of the 595 00:28:39,960 --> 00:28:43,440 Speaker 2: Rings was they viewed the Hobbits as like the Potsmokers. 596 00:28:43,760 --> 00:28:47,120 Speaker 2: They viewed the Hobbits as like the Shire was like 597 00:28:47,160 --> 00:28:50,800 Speaker 2: a commune that was like communistic. They viewed the Mortar 598 00:28:51,000 --> 00:28:55,000 Speaker 2: was like the military industrial complex and corporate society, and 599 00:28:55,040 --> 00:28:58,360 Speaker 2: they had to fight against that. And it was always 600 00:28:58,360 --> 00:29:00,920 Speaker 2: seen up until the movies came out as a vehicle 601 00:29:00,960 --> 00:29:03,480 Speaker 2: of the left. It was totally embraced by the hippie 602 00:29:03,480 --> 00:29:04,400 Speaker 2: counterculture movement. 603 00:29:04,600 --> 00:29:06,680 Speaker 6: Yeah, but that they made the movie and it was awesome. 604 00:29:06,800 --> 00:29:09,840 Speaker 6: So now it's straight and right wing and awesome. Zuzu's 605 00:29:09,840 --> 00:29:12,800 Speaker 6: Pedals donated one dollar and says sadly the Beatles became 606 00:29:13,280 --> 00:29:17,200 Speaker 6: dirty hippies. That's true. Also, Zuzu Pedal earlier she said 607 00:29:17,240 --> 00:29:19,920 Speaker 6: she would she should, uh, we would ban Adele from 608 00:29:19,960 --> 00:29:20,400 Speaker 6: the US. 609 00:29:20,400 --> 00:29:21,160 Speaker 3: That is what she said. 610 00:29:21,520 --> 00:29:25,400 Speaker 8: I think I think that the I'm pointing out everyone 611 00:29:26,120 --> 00:29:28,600 Speaker 8: here that if we're going to talk about the Beatles 612 00:29:28,680 --> 00:29:30,600 Speaker 8: of the impact on culture, we should talk about Lord 613 00:29:30,600 --> 00:29:31,600 Speaker 8: of the Rings impact on the. 614 00:29:31,520 --> 00:29:34,560 Speaker 3: Sixth hold on, hold on, can you name me Jack 615 00:29:34,920 --> 00:29:37,200 Speaker 3: the drummer before. 616 00:29:38,280 --> 00:29:41,760 Speaker 2: Peep besting Ringo? Who Pete Best? 617 00:29:42,160 --> 00:29:44,080 Speaker 3: Yeah? Did you know that? No? 618 00:29:44,760 --> 00:29:47,400 Speaker 5: Ringo Ringo ended up being there. There was also Stu 619 00:29:47,480 --> 00:29:52,640 Speaker 5: Sutcliffe huh wow, I didn't know you were such a fan. 620 00:29:52,800 --> 00:29:55,479 Speaker 3: Yeah. Did you know that the Beatles like performed all 621 00:29:55,520 --> 00:29:58,000 Speaker 3: over Europe for like years just being a kind of 622 00:29:58,000 --> 00:30:00,360 Speaker 3: a journey in Yeah. 623 00:30:00,040 --> 00:30:02,880 Speaker 5: And played in Hamburg lunch. 624 00:30:02,960 --> 00:30:04,480 Speaker 6: And that's how I got good. That's how they got 625 00:30:04,480 --> 00:30:07,280 Speaker 6: played every night and every night for hours at least. 626 00:30:07,280 --> 00:30:11,360 Speaker 2: That's there's actually a couple of versions of like I 627 00:30:11,400 --> 00:30:13,840 Speaker 2: want to hold your hand in German, come give me 628 00:30:13,920 --> 00:30:19,600 Speaker 2: that guy there, come give me guying there hand that 629 00:30:19,680 --> 00:30:21,520 Speaker 2: you can actually get with the Beatles singing. 630 00:30:21,600 --> 00:30:24,960 Speaker 3: About the Beatles? Did you engineer this topic just so 631 00:30:25,000 --> 00:30:26,040 Speaker 3: we could talk about the Beatles? 632 00:30:26,040 --> 00:30:26,400 Speaker 6: What is it? 633 00:30:26,480 --> 00:30:27,160 Speaker 3: What was the one? 634 00:30:29,640 --> 00:30:30,240 Speaker 2: She loves you? 635 00:30:30,440 --> 00:30:32,640 Speaker 4: Is like she leaped Dick or something like she leaped dick? 636 00:30:32,800 --> 00:30:36,280 Speaker 2: Yeah, yeah, yeah, yeah, yeah, Okay. 637 00:30:36,080 --> 00:30:42,600 Speaker 3: We're gonna as a clip to I she leaped all right, 638 00:30:42,640 --> 00:30:47,000 Speaker 3: well hold on, just to put a final like you know, 639 00:30:47,560 --> 00:30:50,240 Speaker 3: I guess point. 640 00:30:49,280 --> 00:30:51,920 Speaker 2: To see yeh see leaped Yeah. 641 00:30:52,160 --> 00:30:54,520 Speaker 6: I was related topic off of this. We should do 642 00:30:54,560 --> 00:30:57,560 Speaker 6: that next, which is the bigger picture thing. 643 00:30:57,560 --> 00:30:58,240 Speaker 5: We got it, we got it. 644 00:30:58,680 --> 00:31:01,840 Speaker 6: The big picture idea is does the music you like 645 00:31:02,560 --> 00:31:06,520 Speaker 6: show your IQ? And the answer is the science is settled. 646 00:31:07,000 --> 00:31:11,480 Speaker 6: One hundred and fifty percent. Yes, your favorite band reveals 647 00:31:11,560 --> 00:31:12,400 Speaker 6: how smart. 648 00:31:12,120 --> 00:31:13,640 Speaker 3: You are really? 649 00:31:13,880 --> 00:31:16,960 Speaker 6: Yes? So what if your let's throw up throw up 650 00:31:17,080 --> 00:31:21,040 Speaker 6: number twelve? This is the chart that was made. It's 651 00:31:21,080 --> 00:31:22,680 Speaker 6: no one's going to be able to read it, I suppose, 652 00:31:22,760 --> 00:31:25,760 Speaker 6: but it's someone like did a big I think they 653 00:31:25,760 --> 00:31:28,760 Speaker 6: compared what your SAT score, your SAT score average B 654 00:31:28,920 --> 00:31:31,520 Speaker 6: versus the band you list as your favorite. 655 00:31:32,080 --> 00:31:32,800 Speaker 5: Where the Beatles at? 656 00:31:33,280 --> 00:31:36,320 Speaker 6: Let's go check this one. It's I don't think by 657 00:31:36,480 --> 00:31:38,320 Speaker 6: here you can see some of the dumb ones. 658 00:31:38,320 --> 00:31:42,040 Speaker 5: Wait, so you the most the most famous, most impactful 659 00:31:42,240 --> 00:31:44,360 Speaker 5: band in the history. 660 00:31:47,480 --> 00:31:48,960 Speaker 3: The Beatles are on that, right they have? 661 00:31:49,080 --> 00:31:50,840 Speaker 6: Yeah, the Beatles. The Beatles are definitely on here. I 662 00:31:50,880 --> 00:31:52,880 Speaker 6: just say there's a lot of bands on this list. 663 00:31:52,960 --> 00:31:55,880 Speaker 6: The highest IQ, the highest SAT score by a mile, 664 00:31:55,960 --> 00:32:00,680 Speaker 6: actually is Beethoven some other bands that some other bands 665 00:32:00,680 --> 00:32:02,960 Speaker 6: that finished high is Counting Crows. 666 00:32:03,040 --> 00:32:05,000 Speaker 5: I don't even know who that is. You don't know 667 00:32:05,000 --> 00:32:06,280 Speaker 5: who the count I mean, I've heard of them. 668 00:32:08,680 --> 00:32:08,960 Speaker 3: Here. 669 00:32:10,840 --> 00:32:16,280 Speaker 6: The dumbest, the dumbest straight oh gosh, the dumbest artist 670 00:32:17,200 --> 00:32:21,160 Speaker 6: is Lil Wayne something ray big hit. 671 00:32:21,360 --> 00:32:32,280 Speaker 5: Their biggest hit was ah what is that the miss 672 00:32:32,400 --> 00:32:35,720 Speaker 5: the girl from there? 673 00:32:36,880 --> 00:32:38,560 Speaker 3: Yeah, the Beatles. 674 00:32:39,000 --> 00:32:42,400 Speaker 6: The Beatles are probably about sixteen the Beatles. 675 00:32:42,800 --> 00:32:43,520 Speaker 5: The Beatles look like. 676 00:32:43,440 --> 00:32:46,400 Speaker 6: They're about like seventy fifth eightieth percentile. They're an S 677 00:32:46,400 --> 00:32:49,040 Speaker 6: A T yeah, eleven forty. 678 00:32:48,920 --> 00:32:51,120 Speaker 5: But round here by The Counting Crows is one of 679 00:32:51,120 --> 00:32:52,120 Speaker 5: the best songs I ever read. 680 00:32:52,400 --> 00:32:55,240 Speaker 3: Wait, why is you too so high? 681 00:32:55,400 --> 00:32:59,320 Speaker 6: Because British, if you're listening to them. 682 00:32:58,960 --> 00:33:04,000 Speaker 3: You're you apparently have more refined tastes. I don't know 683 00:33:04,120 --> 00:33:07,360 Speaker 3: you are, I don't know. Yeah, why Where's my problem? 684 00:33:07,480 --> 00:33:09,640 Speaker 3: Is that? Like, when I looked at this list, I 685 00:33:09,680 --> 00:33:12,440 Speaker 3: was like, my my, most of my bands that I 686 00:33:12,440 --> 00:33:13,560 Speaker 3: probably listen to or not on. 687 00:33:13,520 --> 00:33:15,720 Speaker 6: The keep the keep the b roll scrolling so the 688 00:33:15,800 --> 00:33:19,000 Speaker 6: listeners can see it and identify where their bands are 689 00:33:19,040 --> 00:33:22,720 Speaker 6: on there. Argue Memnon, which is an amazing user name, 690 00:33:22,720 --> 00:33:26,200 Speaker 6: I must say. Argue Memnon that's awesome, says that Counting 691 00:33:26,200 --> 00:33:28,280 Speaker 6: Crows equals complaining rock. 692 00:33:28,480 --> 00:33:29,560 Speaker 3: It is complaining, right. 693 00:33:29,520 --> 00:33:29,960 Speaker 6: That's great. 694 00:33:30,040 --> 00:33:31,440 Speaker 5: That's Jones and me. 695 00:33:31,480 --> 00:33:34,360 Speaker 3: It was great. The December is definitely more of. 696 00:33:34,320 --> 00:33:38,400 Speaker 5: A Counting Crows and that nineties vibe, that like that 697 00:33:38,600 --> 00:33:43,040 Speaker 5: early nineties that that was the the mother of all music. 698 00:33:43,120 --> 00:33:45,280 Speaker 3: Yeah, the bands just so you're looking at the screen. 699 00:33:45,360 --> 00:33:47,920 Speaker 3: The bands on the left are dumb and the bands 700 00:33:47,920 --> 00:33:48,440 Speaker 3: on the right. 701 00:33:48,520 --> 00:33:50,920 Speaker 6: So if you're if you're a taking back fan, when 702 00:33:50,920 --> 00:33:51,920 Speaker 6: you're kind of done here. 703 00:33:51,840 --> 00:33:53,880 Speaker 3: I look switch Foot. I do not agree that if 704 00:33:53,920 --> 00:33:56,440 Speaker 3: you like switch Foot you're as dumb as a Maroon 705 00:33:56,520 --> 00:33:56,960 Speaker 3: five fan. 706 00:33:57,960 --> 00:33:59,000 Speaker 5: Well, deal with it. 707 00:33:59,040 --> 00:34:00,120 Speaker 3: This is sign yellow car. 708 00:34:00,200 --> 00:34:05,239 Speaker 6: So anyway, either we actually had all of us, We 709 00:34:05,280 --> 00:34:07,720 Speaker 6: had all of us look at this list and submit 710 00:34:07,800 --> 00:34:09,440 Speaker 6: their top five so we can finally determine. 711 00:34:09,480 --> 00:34:11,239 Speaker 3: This is much clearer than the thing I was looking at. 712 00:34:11,239 --> 00:34:12,399 Speaker 3: I couldn't even read half the. 713 00:34:13,080 --> 00:34:15,800 Speaker 2: Why is Aerosmith so low? That's weird? 714 00:34:16,239 --> 00:34:18,840 Speaker 3: Well it's not low. I think it's just like it 715 00:34:18,880 --> 00:34:21,960 Speaker 3: matters on the left to right axis. The y axis here. 716 00:34:21,840 --> 00:34:23,520 Speaker 4: Does not mean what I'm saying, like, why is it 717 00:34:23,600 --> 00:34:24,080 Speaker 4: so left? 718 00:34:24,120 --> 00:34:26,040 Speaker 3: Look at the left? 719 00:34:26,160 --> 00:34:29,160 Speaker 6: Super Beyonce is for dumbs. It's confirmed. But anyway, we 720 00:34:29,200 --> 00:34:31,359 Speaker 6: did have everyone sign off their list, so let's let's 721 00:34:31,400 --> 00:34:31,799 Speaker 6: go through it. 722 00:34:31,880 --> 00:34:33,800 Speaker 5: How about we do Let's do Tyler first. 723 00:34:33,640 --> 00:34:35,799 Speaker 6: Because he was last getting in and you know what 724 00:34:35,800 --> 00:34:39,400 Speaker 6: they say, the last Shelby first. So we've got Tyler's list? 725 00:34:40,000 --> 00:34:41,840 Speaker 6: What what are his top five? 726 00:34:42,040 --> 00:34:45,920 Speaker 3: Let me see something corporate Jimmy eat World, system of 727 00:34:45,960 --> 00:34:46,440 Speaker 3: a down. 728 00:34:46,560 --> 00:34:49,719 Speaker 5: That's not that's not mine. It's not No, that that 729 00:34:49,800 --> 00:34:52,120 Speaker 5: wasn't Those are the ones. I didn't have the ones. 730 00:34:53,160 --> 00:34:58,880 Speaker 5: It was something corporate Jimmy World, Yellow Card, counting crows 731 00:34:59,719 --> 00:35:00,720 Speaker 5: and and I can't remember. 732 00:35:01,120 --> 00:35:03,480 Speaker 6: We have an inaccurate Tyler top five. That's not going 733 00:35:03,560 --> 00:35:04,000 Speaker 6: to cut it. 734 00:35:04,239 --> 00:35:08,359 Speaker 3: Yeah, that was all right, Onto the next one. 735 00:35:08,400 --> 00:35:11,080 Speaker 6: All right, let's let's go to Jack's What what's Jack's 736 00:35:11,080 --> 00:35:14,600 Speaker 6: top five? We have radio Head the Beatles. Okay, so 737 00:35:14,640 --> 00:35:17,680 Speaker 6: he loves this hippie pagan band. Let it be noted, 738 00:35:17,920 --> 00:35:22,920 Speaker 6: it's an overtly pagan. Overtly pagan band. David Bowie. We've 739 00:35:22,960 --> 00:35:25,040 Speaker 6: seen Labyrinth. That's a pagan movie. 740 00:35:25,600 --> 00:35:29,560 Speaker 3: Uh, David Bowie, I'm into these. We have Nirvana. I 741 00:35:29,640 --> 00:35:29,960 Speaker 3: like your. 742 00:35:31,560 --> 00:35:32,120 Speaker 6: Nirvana. 743 00:35:32,160 --> 00:35:35,080 Speaker 4: Is this is my list out of like what's on here? 744 00:35:35,160 --> 00:35:38,319 Speaker 2: Because I'm a huge I'm a huge Smashing Pumpkins fan, 745 00:35:38,440 --> 00:35:39,840 Speaker 2: and I don't see the pump I didn't see the 746 00:35:39,840 --> 00:35:42,959 Speaker 2: Pumpkins anywhere on there, So that would be so. 747 00:35:42,880 --> 00:35:45,319 Speaker 3: Far to the left, Jack that you must have missed it. 748 00:35:45,960 --> 00:35:47,799 Speaker 2: No, Actually they were so far to the right, right 749 00:35:47,840 --> 00:35:51,160 Speaker 2: there off there, just beyond they just blew the bell Curve. 750 00:35:51,480 --> 00:35:55,880 Speaker 3: Yeah, I okay, So I like Radiohead, I I like 751 00:35:55,960 --> 00:35:57,840 Speaker 3: some of the Beatles song I'm not like a Beatles 752 00:35:57,960 --> 00:36:01,400 Speaker 3: like fanatic. David Bowie. I like his movies better than 753 00:36:01,400 --> 00:36:06,040 Speaker 3: his music. Nirvana liked them, Metallica like the bow He's phenomenal. 754 00:36:06,600 --> 00:36:07,200 Speaker 2: I got to see him. 755 00:36:07,200 --> 00:36:09,719 Speaker 3: The thing is, I just I never really as I 756 00:36:09,719 --> 00:36:12,200 Speaker 3: never really have absorbed David Bowie. But maybe I'll have 757 00:36:12,200 --> 00:36:12,600 Speaker 3: to go back. 758 00:36:12,640 --> 00:36:16,279 Speaker 6: And I'm not sure I've heard it. 759 00:36:16,360 --> 00:36:18,000 Speaker 3: I've heard, I've heard, I've heard David. 760 00:36:18,480 --> 00:36:20,080 Speaker 6: All right, do we have do we have an Andrew? 761 00:36:20,400 --> 00:36:20,800 Speaker 5: Andrew? 762 00:36:20,840 --> 00:36:24,680 Speaker 6: Make one Andrew, We've got Bob Dylan. Do you just 763 00:36:24,719 --> 00:36:26,680 Speaker 6: love band like singers who are out of key? 764 00:36:27,400 --> 00:36:31,000 Speaker 3: I am not? Does it feel so here? I like 765 00:36:31,040 --> 00:36:34,399 Speaker 3: Bob Dylan for a lot of reasons. Actually, the guy 766 00:36:34,400 --> 00:36:36,840 Speaker 3: who married me is a guy named Don Williams. Me 767 00:36:36,880 --> 00:36:39,359 Speaker 3: and my wife guy married you. Sorry that did come 768 00:36:39,360 --> 00:36:44,719 Speaker 3: out wrong. The pastor who married my wife and I 769 00:36:44,760 --> 00:36:47,480 Speaker 3: wrote a book about Bob Dylan and his Christian faith, 770 00:36:47,560 --> 00:36:51,720 Speaker 3: and so that sent me down a whole rabbit trail 771 00:36:51,800 --> 00:36:55,160 Speaker 3: where I started listening to Bob Dylan song. So I 772 00:36:55,400 --> 00:36:58,160 Speaker 3: became a really big Bob Dylan song just lyrically obviously 773 00:36:58,160 --> 00:37:01,560 Speaker 3: his voice was you know, trouble in it was not 774 00:37:01,840 --> 00:37:04,440 Speaker 3: was not perfect by the way. And then uh, I 775 00:37:04,520 --> 00:37:08,160 Speaker 3: ended up dating a girl in uh when I was uh, 776 00:37:08,440 --> 00:37:10,279 Speaker 3: I don't know, like twenty five, I think, and and 777 00:37:11,040 --> 00:37:13,640 Speaker 3: her family house was right next to where Bob Dylan's 778 00:37:13,640 --> 00:37:19,040 Speaker 3: house was in Point Doom in uh uh in Malibu. 779 00:37:19,719 --> 00:37:21,960 Speaker 3: And so I it's very anyway, I just got into 780 00:37:21,960 --> 00:37:23,920 Speaker 3: Bob del It's a long story. Pearl Jam loved them. 781 00:37:24,040 --> 00:37:25,360 Speaker 3: He loves Seattle. 782 00:37:25,680 --> 00:37:28,359 Speaker 6: You love so you know Bob Dylancy like singers who 783 00:37:28,360 --> 00:37:28,759 Speaker 6: are I went. 784 00:37:29,040 --> 00:37:35,240 Speaker 3: I went to university like the most left Jimmy World 785 00:37:35,280 --> 00:37:37,839 Speaker 3: and then George Straight because I was like, give me 786 00:37:37,880 --> 00:37:40,560 Speaker 3: some country in there. Because I listened to country and uh, 787 00:37:40,600 --> 00:37:43,760 Speaker 3: I know which I everything on on the list Country 788 00:37:43,920 --> 00:37:49,480 Speaker 3: was low IQ. So all right, if you've been listening 789 00:37:49,600 --> 00:37:52,760 Speaker 3: for a while, you may have noticed something new. Andrew 790 00:37:52,760 --> 00:37:56,120 Speaker 3: and Todd dot Com is now part of Union Home Mortgage. 791 00:37:56,480 --> 00:37:59,319 Speaker 3: The parent company changed, But Andrew del Rey and Todd 792 00:37:59,320 --> 00:38:03,080 Speaker 3: of Akan didn't. I have known these guys for years literally, 793 00:38:03,280 --> 00:38:08,160 Speaker 3: and they're amazing, amazing, amazing patriots, great Christian men, same people, 794 00:38:08,280 --> 00:38:10,880 Speaker 3: same values and the same honest advice now back by 795 00:38:10,920 --> 00:38:13,640 Speaker 3: a national lender, and right now a lot of homeowners 796 00:38:13,640 --> 00:38:16,240 Speaker 3: are wondering if there's an opportunity for them in this market. 797 00:38:16,440 --> 00:38:20,480 Speaker 3: Everybody's asking this question. With rates and home values constantly shifting, 798 00:38:20,520 --> 00:38:22,960 Speaker 3: it's a smart time to review your mortgage and see 799 00:38:22,960 --> 00:38:26,239 Speaker 3: what options you may have. You might be able to refinance, 800 00:38:26,320 --> 00:38:29,080 Speaker 3: lower your payment, or consolidate debt. But it all starts 801 00:38:29,120 --> 00:38:32,200 Speaker 3: with understanding what's possible. That's where Andrew and Todd come in. 802 00:38:32,280 --> 00:38:35,080 Speaker 3: With over forty years of combined experience. They walk you 803 00:38:35,120 --> 00:38:37,239 Speaker 3: through the process from start to finish, and they make 804 00:38:37,280 --> 00:38:40,839 Speaker 3: it easy. Start with a free refinance review today. Go 805 00:38:40,920 --> 00:38:45,600 Speaker 3: to Andrewantodd dot com. That's Andrew and toodd dot com 806 00:38:45,680 --> 00:38:48,319 Speaker 3: or call eight eight eight eight eight one one seven 807 00:38:48,320 --> 00:38:52,400 Speaker 3: to two, Triple A, Triple A eleven seventy two Andrewantodd 808 00:38:52,520 --> 00:38:55,320 Speaker 3: dot com. Amazing guys. Check them out. Please. 809 00:38:57,880 --> 00:38:59,600 Speaker 6: Well, I guess I can't escape from having my list, 810 00:38:59,640 --> 00:39:02,200 Speaker 6: although is definitely the toughest. I was the one who 811 00:39:02,280 --> 00:39:04,800 Speaker 6: like bit the bullet and just circled like the genre ones, 812 00:39:05,400 --> 00:39:08,120 Speaker 6: which is yeah, like classic rock, saw a queen. 813 00:39:08,400 --> 00:39:10,160 Speaker 2: Wait a minute, I don't think I actually saw a 814 00:39:10,200 --> 00:39:11,920 Speaker 2: queen on the list. 815 00:39:12,040 --> 00:39:14,480 Speaker 6: Your musical choices are so are so dumb you can't 816 00:39:14,520 --> 00:39:19,080 Speaker 6: read no, not so. I listened to an absolute crapload 817 00:39:19,120 --> 00:39:20,240 Speaker 6: of synth wave music. 818 00:39:20,440 --> 00:39:21,879 Speaker 3: Literally, that's all. 819 00:39:21,800 --> 00:39:26,320 Speaker 6: That fantasy, like fake eighties music that they made. 820 00:39:27,640 --> 00:39:28,479 Speaker 3: Classic rock. 821 00:39:28,920 --> 00:39:32,560 Speaker 6: But I did just circle classic rock and then I 822 00:39:32,600 --> 00:39:35,359 Speaker 6: have Metallica there. I mean, overall, my choices are dumb, 823 00:39:35,360 --> 00:39:38,680 Speaker 6: but luckily day I didn't really like a lot of 824 00:39:39,160 --> 00:39:41,080 Speaker 6: I really don't listen to a lot of these bands, 825 00:39:41,120 --> 00:39:42,879 Speaker 6: which is why it's a good thing, because I came 826 00:39:42,920 --> 00:39:45,560 Speaker 6: out with you know, frankly, let's just say the lowest 827 00:39:45,600 --> 00:39:48,080 Speaker 6: ii Q average on I like pretty dumb music, which 828 00:39:48,120 --> 00:39:51,279 Speaker 6: is but hold on, hold on. The thing is is 829 00:39:51,320 --> 00:39:53,680 Speaker 6: they did just do an updated version of the study 830 00:39:53,719 --> 00:39:56,799 Speaker 6: today that added one band. Throw it up. We have 831 00:39:56,920 --> 00:40:01,160 Speaker 6: the number one actual list, and come on, throw it up, 832 00:40:02,320 --> 00:40:04,600 Speaker 6: throw it up. You don't have it. I sent it 833 00:40:04,640 --> 00:40:08,319 Speaker 6: to you guys. You guys are killing me. Well, I'm 834 00:40:08,360 --> 00:40:10,360 Speaker 6: gonna have to hold you guys in suspense and filibuster 835 00:40:10,480 --> 00:40:11,440 Speaker 6: until they have it ready to go. 836 00:40:12,840 --> 00:40:14,440 Speaker 5: The lowest IQ of all they are. 837 00:40:14,680 --> 00:40:17,400 Speaker 6: But there's a new number one IQ spot. 838 00:40:17,640 --> 00:40:20,120 Speaker 5: Isn't that weird though, that you are you are kind 839 00:40:20,120 --> 00:40:22,680 Speaker 5: of viewed as the smartest person here and you have 840 00:40:22,719 --> 00:40:23,600 Speaker 5: the lowest IQ. 841 00:40:24,360 --> 00:40:27,920 Speaker 6: Uh, listen, I actually do genuinely kind of like slightly 842 00:40:28,000 --> 00:40:28,720 Speaker 6: dumb music. 843 00:40:28,760 --> 00:40:31,880 Speaker 3: I must say you like you like Beyonce. 844 00:40:31,960 --> 00:40:34,279 Speaker 5: Like you probably do have the highest IQ of all 845 00:40:34,320 --> 00:40:35,759 Speaker 5: of us. That's probably like. 846 00:40:35,760 --> 00:40:38,000 Speaker 6: Okay, finally, all right, they got it. So breaking new 847 00:40:38,120 --> 00:40:42,239 Speaker 6: science came in and actually the highest IQ band by 848 00:40:42,280 --> 00:40:46,800 Speaker 6: a long shot is Megadeth featuring Dave Mustaine. We have 849 00:40:46,880 --> 00:40:51,040 Speaker 6: songs like pace Cells, but who's buying We have rust in? 850 00:40:53,040 --> 00:40:53,239 Speaker 3: Yeah? 851 00:40:53,280 --> 00:40:56,680 Speaker 6: Do uh do like Symphony of Destruction or of Tornado 852 00:40:56,719 --> 00:40:58,880 Speaker 6: of Souls or something? Those are those are both good ones? 853 00:40:59,760 --> 00:41:03,400 Speaker 3: Say this is shocking stuff. 854 00:41:03,520 --> 00:41:05,719 Speaker 6: Yeah, so that's like by far all the way to 855 00:41:05,760 --> 00:41:08,480 Speaker 6: the right. It's to the right of Beethoven. Even the 856 00:41:08,560 --> 00:41:12,080 Speaker 6: highest IQ band by a mile is Holy Rash metal 857 00:41:12,160 --> 00:41:14,400 Speaker 6: pioneers who did meth. 858 00:41:18,680 --> 00:41:21,040 Speaker 3: Okaying air guitar. 859 00:41:21,960 --> 00:41:24,719 Speaker 6: Well, it's like there was a classic article in The 860 00:41:24,719 --> 00:41:29,160 Speaker 6: Onion which pointed out humanity, humanity still producing new art, 861 00:41:29,200 --> 00:41:33,120 Speaker 6: as though Megadeth's rust and Piece doesn't already exist, Like really, 862 00:41:33,120 --> 00:41:35,040 Speaker 6: we could have stopped music, Like you guys are liking 863 00:41:35,040 --> 00:41:37,680 Speaker 6: all these nineties bins oh, I love radio Head, I 864 00:41:37,760 --> 00:41:41,040 Speaker 6: love Pearl Jem. Here's what happened. In nineteen ninety, Megadeth 865 00:41:41,120 --> 00:41:44,319 Speaker 6: released Rust and Peace. It had Rust and Piece, Polaris, 866 00:41:44,520 --> 00:41:48,600 Speaker 6: Holy Wars, The Punishment, Do Hangar eighteen, Tornado of Stoles, 867 00:41:48,719 --> 00:41:51,240 Speaker 6: it had all of those on one album. This feels 868 00:41:51,320 --> 00:41:52,840 Speaker 6: we really didn't need any more music after that. 869 00:41:53,160 --> 00:41:57,040 Speaker 2: But Andrew Fair, did you know that? You know that 870 00:41:57,120 --> 00:42:00,920 Speaker 2: the so Dave Mustain was from Megadeth was original guitarist 871 00:42:00,920 --> 00:42:01,520 Speaker 2: of Metallica. 872 00:42:02,360 --> 00:42:04,920 Speaker 3: I didn't know that. Yes, that's cool. 873 00:42:04,960 --> 00:42:09,120 Speaker 2: So it is specifically if you listen to the their 874 00:42:09,120 --> 00:42:14,080 Speaker 2: first album, Kill Them All, A lot of those like songs, 875 00:42:14,160 --> 00:42:17,200 Speaker 2: the rips, the solos, even though it's Kirk Haamt I 876 00:42:17,200 --> 00:42:19,600 Speaker 2: believe who actually plays on the album, A lot of 877 00:42:19,600 --> 00:42:20,880 Speaker 2: that was written by Dave Missdain. 878 00:42:21,160 --> 00:42:23,120 Speaker 3: So like the early. 879 00:42:22,920 --> 00:42:25,200 Speaker 2: Metallica stuff and Mega Deth like kind of have the 880 00:42:25,200 --> 00:42:28,319 Speaker 2: same origin basically. But he was fired by Metallica why 881 00:42:29,360 --> 00:42:32,920 Speaker 2: because he was kind of crazy drinking a lot of drinking. 882 00:42:33,680 --> 00:42:34,640 Speaker 5: Yeah, I guess, I guess. 883 00:42:34,640 --> 00:42:38,160 Speaker 3: Why do bands break apart when Yoko Ono? I bet 884 00:42:38,160 --> 00:42:39,520 Speaker 3: you know all the Yoko Ono lore. 885 00:42:40,840 --> 00:42:41,800 Speaker 6: Let's see what we've got to do. 886 00:42:42,200 --> 00:42:45,920 Speaker 2: But you know, I think a lot of it's highly exaggerated. Honestly, 887 00:42:46,280 --> 00:42:46,759 Speaker 2: I really do. 888 00:42:48,200 --> 00:42:50,239 Speaker 3: I think they were just burned out. Man, they went 889 00:42:50,280 --> 00:42:52,520 Speaker 3: hard for like what was it? What was there? What 890 00:42:52,600 --> 00:42:57,200 Speaker 3: was the Beatles years. 891 00:42:55,360 --> 00:42:57,080 Speaker 2: Year nineteen sixty to nineteen seventy? 892 00:42:57,160 --> 00:42:59,560 Speaker 3: Yeah, yeah, yeah, I like, that's a heck of a decks. 893 00:42:59,640 --> 00:43:04,279 Speaker 6: Why the seventy x y guy is responding Beethoven back 894 00:43:04,360 --> 00:43:06,920 Speaker 6: handle put all of these lists to shame, that's true, 895 00:43:07,120 --> 00:43:11,400 Speaker 6: And then he says, no, dummy, But if he was 896 00:43:11,400 --> 00:43:13,480 Speaker 6: a proper Rush fan, x Y guy should be named 897 00:43:13,560 --> 00:43:14,520 Speaker 6: hyyse guy. 898 00:43:14,760 --> 00:43:15,480 Speaker 3: So you change? 899 00:43:16,360 --> 00:43:17,799 Speaker 5: Did we have the update in my list? I want 900 00:43:17,800 --> 00:43:19,560 Speaker 5: to see my numbers were compared. 901 00:43:19,239 --> 00:43:23,280 Speaker 3: To your average is probably somewhere around ten. 902 00:43:23,640 --> 00:43:27,120 Speaker 5: Counting Crows brings me brings me up high because Counting 903 00:43:27,160 --> 00:43:28,720 Speaker 5: Crows is twelve fourteen. 904 00:43:28,680 --> 00:43:32,960 Speaker 6: Rush rock something. So I've never blinking card really pulled 905 00:43:33,000 --> 00:43:34,920 Speaker 6: me down. I have never heard of something corporate in 906 00:43:34,920 --> 00:43:35,919 Speaker 6: my life. Is this is something? 907 00:43:35,920 --> 00:43:37,640 Speaker 5: Oh my gosh, something Corporate's incredible. 908 00:43:38,280 --> 00:43:40,320 Speaker 2: I've heard the name that I couldn't tell you anything 909 00:43:40,320 --> 00:43:40,640 Speaker 2: they do. 910 00:43:41,640 --> 00:43:47,720 Speaker 5: Now you know you probably know there that that song. Oh, 911 00:43:47,719 --> 00:43:50,240 Speaker 5: I'm thinking Jack's Mannequin because it turned into Jack's Mannequin. 912 00:43:50,600 --> 00:43:52,279 Speaker 6: I've never heard of Jackson Mannequin either. 913 00:43:52,320 --> 00:43:54,480 Speaker 5: It was something corporate. Chances are, if. 914 00:43:54,440 --> 00:43:56,239 Speaker 6: I've heard any of these bands, I'll only have heard 915 00:43:56,280 --> 00:43:58,560 Speaker 6: them because they were on a Tony Hawk's pro Skater soundtrack. 916 00:43:59,080 --> 00:44:01,200 Speaker 6: Were any of these guys in any hawks presktter sound. 917 00:44:01,080 --> 00:44:02,279 Speaker 5: I don't know if any of these were. 918 00:44:02,760 --> 00:44:06,160 Speaker 2: I know someone who was Yellow Card my Primus. Jerry 919 00:44:06,200 --> 00:44:07,040 Speaker 2: was a race car driver. 920 00:44:08,680 --> 00:44:09,960 Speaker 3: Well done. I don't know. 921 00:44:10,080 --> 00:44:12,360 Speaker 5: This is all like punk. This is all punk emo, 922 00:44:13,520 --> 00:44:14,480 Speaker 5: postal services. 923 00:44:14,520 --> 00:44:17,040 Speaker 4: Where where's Primus? How come Primus isn't on the list? 924 00:44:17,640 --> 00:44:18,720 Speaker 2: Primus sucks? 925 00:44:18,800 --> 00:44:23,520 Speaker 5: And it really Princess I picked yeah punk rock? Oh jeez, 926 00:44:23,640 --> 00:44:27,280 Speaker 5: oh oh oh lasty a punk rock prin Wait a minute, 927 00:44:27,320 --> 00:44:30,719 Speaker 5: Wait a minute, garage band king. 928 00:44:30,800 --> 00:44:33,359 Speaker 3: I'm getting hit by ads. I'm just trying, just. 929 00:44:33,280 --> 00:44:35,359 Speaker 6: Getting wrecked by ads. 930 00:44:35,840 --> 00:44:36,640 Speaker 2: Wait a minute. 931 00:44:37,400 --> 00:44:40,279 Speaker 5: Oh, I woke up in a car. I woke up 932 00:44:40,320 --> 00:44:42,440 Speaker 5: in a car. I woke up in a car. 933 00:44:43,440 --> 00:44:46,640 Speaker 3: I don't recognize it, all right, you don't. 934 00:44:46,640 --> 00:44:50,040 Speaker 5: You don't recognize that. It's like California. It's like California rock. 935 00:44:50,200 --> 00:44:51,640 Speaker 5: I didn't grow something corporate. 936 00:44:51,760 --> 00:44:53,600 Speaker 6: Yeah, I didn't grow up in California either. More to 937 00:44:53,600 --> 00:44:56,000 Speaker 6: the point I have avoided California my entire life. 938 00:44:56,120 --> 00:45:00,960 Speaker 5: Yeah, god, this is something corporate, Yeah something, this is great, 939 00:45:01,160 --> 00:45:01,959 Speaker 5: This is great music. 940 00:45:02,000 --> 00:45:05,240 Speaker 6: But all of these jazz literally all of these bands 941 00:45:05,440 --> 00:45:06,200 Speaker 6: sound the same. 942 00:45:06,480 --> 00:45:07,480 Speaker 5: It's like I'm. 943 00:45:07,320 --> 00:45:09,759 Speaker 6: Gonna play on the soul. 944 00:45:10,960 --> 00:45:15,080 Speaker 5: It is actually actually something corporate. Was is actually what 945 00:45:15,239 --> 00:45:18,680 Speaker 5: my wife and I danced to are as our songs. 946 00:45:20,000 --> 00:45:22,360 Speaker 3: Guitar right now, this is the first. 947 00:45:22,400 --> 00:45:24,280 Speaker 2: It's actually my fretless acoustic bass. 948 00:45:24,760 --> 00:45:26,240 Speaker 3: Fretless acoustic bass. 949 00:45:26,280 --> 00:45:29,600 Speaker 2: Fretless kind of like attune though, is that like a 950 00:45:29,640 --> 00:45:30,719 Speaker 2: guitar hero controller? 951 00:45:36,000 --> 00:45:39,040 Speaker 5: So I have a theory about all these all these IQs. 952 00:45:39,840 --> 00:45:44,040 Speaker 5: I actually think it's more based off of that the 953 00:45:44,200 --> 00:45:47,680 Speaker 5: time tape. So the more popular someone was in a 954 00:45:47,719 --> 00:45:54,120 Speaker 5: certain era probably made you more smart. Go on, So 955 00:45:54,160 --> 00:45:57,440 Speaker 5: some of that nineties, so some of that nineties music 956 00:45:57,520 --> 00:45:59,520 Speaker 5: like Pearl Jam was pretty out there, wasn't it. 957 00:46:00,239 --> 00:46:04,120 Speaker 2: Yeah, I would, I would. I would say it's the opposite. 958 00:46:04,160 --> 00:46:06,680 Speaker 2: I think that's a lagging indicator. I think that a 959 00:46:06,719 --> 00:46:13,440 Speaker 2: smarter population like smarter music. So the popularity getting of 960 00:46:13,719 --> 00:46:16,320 Speaker 2: dumb music getting better means you have more dumb people. 961 00:46:16,520 --> 00:46:19,520 Speaker 5: I think you could be a combination of both. So 962 00:46:19,560 --> 00:46:21,920 Speaker 5: you have eras of smarter people. Like people were really 963 00:46:21,920 --> 00:46:22,760 Speaker 5: stupid in the sixties. 964 00:46:22,760 --> 00:46:26,880 Speaker 3: I will say like people were stupid, but actually the 965 00:46:26,920 --> 00:46:31,600 Speaker 3: population was still like closer to it to the traditional values, 966 00:46:31,640 --> 00:46:35,160 Speaker 3: the things that made America great. They had like remnant smarts. 967 00:46:36,560 --> 00:46:38,480 Speaker 3: So if you listen to the lyrics of like classic 968 00:46:38,600 --> 00:46:41,680 Speaker 3: rock or it, you know rock in the sixties, I 969 00:46:41,680 --> 00:46:45,120 Speaker 3: mean it was elevated more so, it was. 970 00:46:45,080 --> 00:46:47,480 Speaker 6: More musically complex. Do you know about that? They had 971 00:46:47,520 --> 00:46:55,120 Speaker 6: more key changes, more uh time signature change. There's more 972 00:46:55,160 --> 00:46:57,880 Speaker 6: musical variety, there's more dynamic range, like you'll have music 973 00:46:57,880 --> 00:47:00,399 Speaker 6: that's quiet and then loud, it'll have a white range. 974 00:47:00,560 --> 00:47:03,640 Speaker 6: For some reason, they compress all their music. Music is 975 00:47:03,719 --> 00:47:08,120 Speaker 6: very refined and simplified. It's almost like it's actually kind 976 00:47:08,120 --> 00:47:09,839 Speaker 6: of like what they do with drugs or fast food. 977 00:47:09,840 --> 00:47:11,920 Speaker 6: They figure out how to make it more addictive and catchy. 978 00:47:12,000 --> 00:47:14,920 Speaker 6: Yet as a result, it's extremely simplified and you don't 979 00:47:15,000 --> 00:47:17,359 Speaker 6: get truly transcendental about now. 980 00:47:17,480 --> 00:47:19,520 Speaker 3: Yes, now yeah, yeah, Well it's because it's it's the 981 00:47:19,560 --> 00:47:25,080 Speaker 3: wal martification. Yeah, of it's the big boxification of American music. 982 00:47:25,120 --> 00:47:26,560 Speaker 6: And it's gonna be even worse because now we can 983 00:47:26,600 --> 00:47:30,040 Speaker 6: write catchy pop beats with AI, and there's already hit 984 00:47:30,080 --> 00:47:33,239 Speaker 6: AI music on Spotify and all of that. But I 985 00:47:33,280 --> 00:47:34,840 Speaker 6: think eventually we're just gonna it's just gonna be a 986 00:47:34,840 --> 00:47:38,120 Speaker 6: matter of course that the pop star is just maybe 987 00:47:38,120 --> 00:47:39,680 Speaker 6: going to be a brand, and you'll have a lot 988 00:47:39,719 --> 00:47:43,080 Speaker 6: of AI generated fluff for the songs on their albums 989 00:47:43,480 --> 00:47:46,200 Speaker 6: because who cares, Like I bet, I bet there's tons 990 00:47:46,239 --> 00:47:48,040 Speaker 6: of AI going into K pop music right now. 991 00:47:48,080 --> 00:47:51,880 Speaker 3: But if you like Caboose play to Blake's point, play 992 00:47:52,080 --> 00:47:57,120 Speaker 3: the Chain by Fleetwood Mac nineteen seventy seven, there's the 993 00:47:57,520 --> 00:47:59,880 Speaker 3: dynamic range that you're talking about all over the place. 994 00:48:00,040 --> 00:48:02,919 Speaker 3: I think there's I do think there is like sort 995 00:48:02,960 --> 00:48:06,799 Speaker 3: of uh timing changes in it as well, like that 996 00:48:07,000 --> 00:48:10,120 Speaker 3: if you compare The Chain by Fleetwood Mac nineteen thirty seven. 997 00:48:12,880 --> 00:48:17,839 Speaker 6: Yeah, but but I mean, we're not gonna so it's 998 00:48:17,920 --> 00:48:20,600 Speaker 6: such a good song. It is a good song song. 999 00:48:20,560 --> 00:48:24,560 Speaker 3: But like, okay, so, but like and then you go 1000 00:48:24,680 --> 00:48:31,759 Speaker 3: to you had that quick by the way, kaboo, he's 1001 00:48:31,840 --> 00:48:37,040 Speaker 3: very good, okay, so, but then then there's a different 1002 00:48:37,040 --> 00:48:38,560 Speaker 3: parts of the song, is what I'm saying. It's the 1003 00:48:38,600 --> 00:48:42,320 Speaker 3: complexity of that song will be anything modern music. 1004 00:48:42,360 --> 00:48:45,040 Speaker 5: Well, that's like, that's like Bob Dylan. Maybe that's what 1005 00:48:45,160 --> 00:48:47,399 Speaker 5: I picked. Yeah, that's like I mean, but that that 1006 00:48:47,520 --> 00:48:50,840 Speaker 5: actually that actually supports the Bob Dylan theory. 1007 00:48:50,880 --> 00:48:54,239 Speaker 3: On the I think Bob Dylan's like really smart music. 1008 00:48:54,320 --> 00:48:56,320 Speaker 3: You know. What I would say is it's poetry. 1009 00:48:56,320 --> 00:48:57,920 Speaker 6: What I would say is interesting if you think of 1010 00:48:58,640 --> 00:49:02,480 Speaker 6: the older you think of the standard song, so many 1011 00:49:02,520 --> 00:49:07,480 Speaker 6: songs are basically verse chorus, verse, chorus, bridge and then 1012 00:49:07,520 --> 00:49:09,840 Speaker 6: like the chorus again or something. When you think of 1013 00:49:09,880 --> 00:49:12,520 Speaker 6: the songs that are most likely to top a list 1014 00:49:12,560 --> 00:49:16,640 Speaker 6: of the absolute best songs in rock history or musical history, 1015 00:49:16,760 --> 00:49:18,759 Speaker 6: have you ever noticed almost none of them seem to 1016 00:49:18,760 --> 00:49:22,920 Speaker 6: actually follow that format. So I remember going up, well, so, yeah, exactly. 1017 00:49:22,960 --> 00:49:25,520 Speaker 6: The Union Rhapsody doesn't follow that I was just gonna 1018 00:49:25,520 --> 00:49:29,399 Speaker 6: stop believing doesn't follow that, Stairway to Heaven doesn't follow that. 1019 00:49:29,440 --> 00:49:33,840 Speaker 6: All three of those are irregular progressive songs, progressive in 1020 00:49:33,880 --> 00:49:35,200 Speaker 6: terms of they just changed throughout. 1021 00:49:35,239 --> 00:49:37,680 Speaker 2: I find that you can't just say that like just 1022 00:49:37,719 --> 00:49:40,840 Speaker 2: because something breaks the mold like means it's going to 1023 00:49:40,920 --> 00:49:44,080 Speaker 2: be good or it's going to be popular, because like 1024 00:49:44,200 --> 00:49:46,839 Speaker 2: go look at like Tool for example, like nothing nothing 1025 00:49:46,880 --> 00:49:49,719 Speaker 2: the tool puts out you know, fits that and has 1026 00:49:49,760 --> 00:49:53,520 Speaker 2: tons of time changes Danny Carey, you know on drums, 1027 00:49:53,560 --> 00:49:56,239 Speaker 2: like it's known for time changes. But you know that's 1028 00:49:56,280 --> 00:49:58,360 Speaker 2: not like quote unquote super popular. 1029 00:49:58,560 --> 00:50:01,839 Speaker 5: But Blake's points actually really good one because and I've 1030 00:50:01,880 --> 00:50:04,239 Speaker 5: never really thought about it this, some of my favorite 1031 00:50:05,160 --> 00:50:08,919 Speaker 5: songs of my favorite artists are non traditional. I haven't 1032 00:50:08,920 --> 00:50:11,840 Speaker 5: thought about this, like Jimmy World. One of my favorite 1033 00:50:11,880 --> 00:50:14,880 Speaker 5: songs ever is good Bye Sky Harbor, and it followed 1034 00:50:14,920 --> 00:50:18,160 Speaker 5: it's that same same thing, something like. 1035 00:50:20,200 --> 00:50:23,440 Speaker 6: Rose Songs November Ras has an irregular structure and Sweet 1036 00:50:23,480 --> 00:50:24,960 Speaker 6: Child the Mind has an irregular structure. 1037 00:50:25,040 --> 00:50:27,840 Speaker 5: Now my favorite so I'm thinking about American Pie is 1038 00:50:27,840 --> 00:50:30,160 Speaker 5: still verse chorus. It's just really long. Some of my 1039 00:50:30,200 --> 00:50:32,880 Speaker 5: favorite some of my favorite songs ever have been totally. 1040 00:50:32,680 --> 00:50:34,600 Speaker 3: Around I mean the fact that it's really long though 1041 00:50:34,640 --> 00:50:38,160 Speaker 3: breaks sort of like so speaking of like, I. 1042 00:50:38,120 --> 00:50:41,200 Speaker 5: Think it lends to longer songs. Do you follow that? Like, 1043 00:50:41,280 --> 00:50:45,600 Speaker 5: so the irregularity creates longer songs because they have different. 1044 00:50:45,960 --> 00:50:48,239 Speaker 6: Yeah, we've got a good flow to this. So to 1045 00:50:48,320 --> 00:50:52,200 Speaker 6: get into our third topic, So you mentioned was something 1046 00:50:52,200 --> 00:50:53,600 Speaker 6: corporate your dance song at your wedding or what was 1047 00:50:53,640 --> 00:50:55,640 Speaker 6: your first dance song and was so that was that? 1048 00:50:55,680 --> 00:50:59,040 Speaker 5: What was your first dance song? The corporate hurricane m 1049 00:51:00,800 --> 00:51:06,279 Speaker 5: give me in trouble you don't oh, no, no. 1050 00:51:04,960 --> 00:51:07,000 Speaker 3: No, like. I think it was something like really So 1051 00:51:07,040 --> 00:51:10,160 Speaker 3: we had a great musical like wedding. I mean, we 1052 00:51:10,200 --> 00:51:11,799 Speaker 3: had great music, we had a live band and all 1053 00:51:11,800 --> 00:51:13,440 Speaker 3: this stuff. But I think our first dance song was 1054 00:51:13,480 --> 00:51:16,280 Speaker 3: like pretty sappy and that's fine. 1055 00:51:17,640 --> 00:51:20,319 Speaker 6: Jason Maras, how about how about you Jack first dance? 1056 00:51:20,560 --> 00:51:22,680 Speaker 5: You didn't pick it, so we did too. 1057 00:51:24,080 --> 00:51:26,520 Speaker 4: We did like a slow song and a fast song. 1058 00:51:28,000 --> 00:51:30,600 Speaker 2: So we did uh and uh. The slow song was 1059 00:51:30,600 --> 00:51:33,239 Speaker 2: Oh My Love by John Lennon. Uh, and then the 1060 00:51:33,280 --> 00:51:38,200 Speaker 2: fast song was wait, what's that actually called? Like wake 1061 00:51:38,239 --> 00:51:39,920 Speaker 2: Me Up by wham Oh. 1062 00:51:39,960 --> 00:51:42,080 Speaker 6: That's a great one, jud Bug I love that song. 1063 00:51:43,080 --> 00:51:45,200 Speaker 2: That's what it's. It's called wake me up, right, wake 1064 00:51:45,200 --> 00:51:47,359 Speaker 2: me up before you. 1065 00:51:47,400 --> 00:51:49,600 Speaker 6: I don't, of course have one. I do know my parents. 1066 00:51:49,640 --> 00:51:52,000 Speaker 6: My parents was may I have this stance for the 1067 00:51:52,040 --> 00:51:54,160 Speaker 6: rest of my life? By whoever did that song. 1068 00:51:55,280 --> 00:52:00,680 Speaker 3: So, now that you're talking about weddings, we asked that we're. 1069 00:52:00,560 --> 00:52:02,520 Speaker 6: Going to the dirty underbelly of this, which is story 1070 00:52:02,560 --> 00:52:04,120 Speaker 6: in the New York Times where The New York Times 1071 00:52:04,120 --> 00:52:07,080 Speaker 6: loves to write about trends that are Oh wait, actually 1072 00:52:07,080 --> 00:52:08,640 Speaker 6: it was People mag Never mind, I just like to 1073 00:52:08,680 --> 00:52:11,200 Speaker 6: be up with the New York Times anyway. So what 1074 00:52:11,360 --> 00:52:14,400 Speaker 6: it is is there is a new trend that they're 1075 00:52:14,440 --> 00:52:17,400 Speaker 6: profiling because they want it to happen, just like polyamory. 1076 00:52:17,440 --> 00:52:22,120 Speaker 6: And it's women throwing wedding parties for themselves when they 1077 00:52:22,200 --> 00:52:25,520 Speaker 6: turn forty when they are not actually getting married. So 1078 00:52:25,560 --> 00:52:30,279 Speaker 6: it's a fake wedding level blowout for turning forty. And 1079 00:52:31,120 --> 00:52:34,040 Speaker 6: this trend is, if not sweeping America, it's at least 1080 00:52:34,080 --> 00:52:37,400 Speaker 6: sweeping the pages of People magazine and sweeping your timeline 1081 00:52:37,680 --> 00:52:40,960 Speaker 6: on X to propagandize. 1082 00:52:39,880 --> 00:52:43,640 Speaker 3: To prove you don't need a partner to celebrate yourself. 1083 00:52:43,880 --> 00:52:45,680 Speaker 2: Man, what you know. 1084 00:52:45,840 --> 00:52:49,400 Speaker 5: So you're they're throwing like like fortieth birthday parties that 1085 00:52:49,480 --> 00:52:51,880 Speaker 5: are that are made to look like weddings. 1086 00:52:51,960 --> 00:52:53,280 Speaker 2: Is that what you're saying? 1087 00:52:53,960 --> 00:52:58,520 Speaker 3: A faked women devoted themselves to like corporate ladder climbing, 1088 00:52:58,640 --> 00:53:00,560 Speaker 3: and so they may not have a partner, but they 1089 00:53:00,600 --> 00:53:05,160 Speaker 3: probably have enough money to throw a very extravagant, expensive party. 1090 00:53:05,719 --> 00:53:08,120 Speaker 5: I can't even picture this. Can I see a video? There? 1091 00:53:09,120 --> 00:53:13,959 Speaker 6: Do we have every day, we have video. 1092 00:53:15,640 --> 00:53:20,480 Speaker 3: Can I please see this spiritual soul rot on display? 1093 00:53:20,960 --> 00:53:23,800 Speaker 6: You have a lot, but I think, you know, let's people. 1094 00:53:23,920 --> 00:53:26,279 Speaker 2: People get on me for saying that we need you know, 1095 00:53:26,480 --> 00:53:27,719 Speaker 2: I've never actually said that we. 1096 00:53:27,680 --> 00:53:30,640 Speaker 4: Need a new Franco. But man, you see stuff like 1097 00:53:30,719 --> 00:53:31,200 Speaker 4: this and. 1098 00:53:31,120 --> 00:53:33,239 Speaker 3: It's like overtly pagan legit. 1099 00:53:33,440 --> 00:53:35,000 Speaker 6: Yeah all right, so we're told to start. We have 1100 00:53:35,040 --> 00:53:38,360 Speaker 6: seven clips. Let's start pagan to let Tyler understand this. 1101 00:53:38,480 --> 00:53:39,640 Speaker 6: Let's play clip five. 1102 00:53:39,680 --> 00:53:40,640 Speaker 5: I can't even picture this. 1103 00:53:41,440 --> 00:53:44,920 Speaker 9: This weekend, I'm throwing myself a wedding birthday. It's my 1104 00:53:44,960 --> 00:53:47,960 Speaker 9: own wedding son's husband had a manner in the British 1105 00:53:47,960 --> 00:53:50,760 Speaker 9: countryside for my fortieth You know, I never had a wedding, 1106 00:53:50,800 --> 00:53:52,920 Speaker 9: so I was like, how do I celebrate the biggest 1107 00:53:52,920 --> 00:54:04,839 Speaker 9: way possible? And here's the itinerary. Black PI first night, 1108 00:54:05,120 --> 00:54:07,719 Speaker 9: everyone's wearing black, and then I will be in. 1109 00:54:07,680 --> 00:54:08,319 Speaker 2: A white gown. 1110 00:54:09,000 --> 00:54:16,320 Speaker 9: People escape, very salturn, moody red lights. I think dripping candles, figs, grapes. 1111 00:54:16,680 --> 00:54:19,040 Speaker 9: That will party in the living room like an aristocrat. 1112 00:54:19,480 --> 00:54:22,920 Speaker 9: Next morning as Princess Diana themed British country side shooting day. 1113 00:54:23,080 --> 00:54:26,480 Speaker 9: Don't worry we're just using Clay very Ralph Lauren. Plus 1114 00:54:26,480 --> 00:54:29,000 Speaker 9: it just rains all the time here. So finally the 1115 00:54:29,000 --> 00:54:33,040 Speaker 9: Birthday night Studio fifty four vibe glitter sequence just over 1116 00:54:33,080 --> 00:54:37,600 Speaker 9: the top everything jeans. 1117 00:54:37,840 --> 00:54:39,960 Speaker 5: I really wait, why did it end with like a 1118 00:54:40,000 --> 00:54:40,840 Speaker 5: gay dance. 1119 00:54:40,560 --> 00:54:44,080 Speaker 6: Party at the end for all of her gay friends, 1120 00:54:44,080 --> 00:54:47,279 Speaker 6: who I guess wouldn't happened in a normal way. I 1121 00:54:47,320 --> 00:54:49,719 Speaker 6: really genuinely don't know what to make of that, Like, 1122 00:54:49,800 --> 00:54:53,600 Speaker 6: if you got invited to a party like that, do 1123 00:54:53,640 --> 00:54:54,000 Speaker 6: you go? 1124 00:54:55,040 --> 00:54:55,120 Speaker 3: No? 1125 00:54:56,080 --> 00:54:58,400 Speaker 2: No, I mean listen, I mean it just shows for 1126 00:54:58,560 --> 00:55:01,560 Speaker 2: rack culturally, it just oh, the you know, the lack 1127 00:55:01,600 --> 00:55:04,200 Speaker 2: of I mean this, I think we all know what 1128 00:55:04,280 --> 00:55:06,400 Speaker 2: Charlie would say about this, you know, I mean it 1129 00:55:06,560 --> 00:55:07,520 Speaker 2: just it just. 1130 00:55:07,480 --> 00:55:09,080 Speaker 4: Shows where we're at as a society. 1131 00:55:09,280 --> 00:55:12,680 Speaker 2: And you you would wish and that people have this 1132 00:55:12,800 --> 00:55:18,439 Speaker 2: fulfillment that is being unmet, this this desire that's being 1133 00:55:18,600 --> 00:55:23,719 Speaker 2: unmet because of their own choices, because they eschewed family 1134 00:55:24,040 --> 00:55:27,440 Speaker 2: and marriage and child rearing, and yet they still want 1135 00:55:27,480 --> 00:55:31,520 Speaker 2: those feelings, and so they've created for themselves this false 1136 00:55:32,400 --> 00:55:36,799 Speaker 2: reality of It's like the participation trophy, right, Like you 1137 00:55:36,840 --> 00:55:40,719 Speaker 2: didn't actually achieve or commit to a wedding, which is 1138 00:55:40,719 --> 00:55:44,680 Speaker 2: supposed to be, you know, a union between two individuals 1139 00:55:44,840 --> 00:55:46,480 Speaker 2: in the sight of man and in the sight of 1140 00:55:46,480 --> 00:55:53,160 Speaker 2: God and instead obviously yes, but you know, two souls 1141 00:55:53,160 --> 00:55:56,120 Speaker 2: is what I'm trying to say. And the idea here 1142 00:55:56,280 --> 00:55:59,480 Speaker 2: is that it's like there's no unity, there's no union 1143 00:55:59,680 --> 00:56:03,399 Speaker 2: at the part of this other than like you and yourself, right, 1144 00:56:03,520 --> 00:56:05,480 Speaker 2: Like that's what this is. You know, there's no like, 1145 00:56:05,960 --> 00:56:08,360 Speaker 2: there isn't even a boyfriend. There isn't even a stand 1146 00:56:08,400 --> 00:56:10,520 Speaker 2: in for a husband here, there's no sign of God 1147 00:56:10,560 --> 00:56:12,920 Speaker 2: at all. It's all just a celebration of the self. 1148 00:56:13,280 --> 00:56:15,880 Speaker 3: Well that headline from People magazine where it says you 1149 00:56:15,920 --> 00:56:18,080 Speaker 3: don't need a partner to celebrate yourself. 1150 00:56:18,120 --> 00:56:19,600 Speaker 6: Yeah, and it turns out there wasn't New York Times 1151 00:56:19,640 --> 00:56:21,920 Speaker 6: when we had bodies that New York Times one is 1152 00:56:21,960 --> 00:56:23,840 Speaker 6: a wedding party, no husband required. 1153 00:56:24,560 --> 00:56:27,320 Speaker 3: Yeah, that is a So is it just this gal 1154 00:56:27,480 --> 00:56:28,600 Speaker 3: or is this a trend like that? 1155 00:56:28,760 --> 00:56:32,640 Speaker 2: It's like that that movie what's that The Housemaid right 1156 00:56:32,680 --> 00:56:36,200 Speaker 2: where it's just it's anti marriage, it's anti husband. It's 1157 00:56:36,320 --> 00:56:41,760 Speaker 2: it's all this like hyper feminist gobly you know, Gaga, 1158 00:56:41,800 --> 00:56:45,799 Speaker 2: that's just everywhere today and you know, it's like, you 1159 00:56:45,840 --> 00:56:48,719 Speaker 2: don't need a man. You could like I said that, 1160 00:56:49,040 --> 00:56:50,560 Speaker 2: you know, going back, where do we hear that you 1161 00:56:50,560 --> 00:56:53,320 Speaker 2: don't need a man? Frozen? It was a Disney movie. 1162 00:56:53,640 --> 00:56:56,200 Speaker 6: It was a lesbian Frozen again. 1163 00:56:56,760 --> 00:57:00,440 Speaker 2: Lesbian propaganda. Here we go, Here we go, oh again. 1164 00:57:03,239 --> 00:57:06,560 Speaker 3: We've been really fortunate to work with a lot of 1165 00:57:06,560 --> 00:57:08,640 Speaker 3: great partners over the years at the Charlie Kirk Show, 1166 00:57:08,640 --> 00:57:12,239 Speaker 3: but some relationships are just different. 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All I know is that there's something 1188 00:58:20,400 --> 00:58:25,600 Speaker 3: about this that I find a little bit like disrespectful. 1189 00:58:25,840 --> 00:58:30,560 Speaker 3: It's almost sacrilegious because the wedding in white, as you mentioned, Jack, 1190 00:58:30,960 --> 00:58:33,960 Speaker 3: it's like it's something you do have to achieve, but 1191 00:58:34,200 --> 00:58:36,960 Speaker 3: just basically saying to the world, I don't have to 1192 00:58:37,000 --> 00:58:39,040 Speaker 3: achieve this to still wear white and be the center 1193 00:58:39,080 --> 00:58:42,600 Speaker 3: of attention and everybody's there for me. It's really narcissistic, 1194 00:58:43,080 --> 00:58:46,000 Speaker 3: but it's and it's self serving, but it's also just 1195 00:58:46,840 --> 00:58:48,920 Speaker 3: disrespectful to the institution of marriage. 1196 00:58:49,120 --> 00:58:52,080 Speaker 5: If everyone gets a trophy type stuff, well, it's. 1197 00:58:51,960 --> 00:58:54,920 Speaker 3: Sort of like it's just anti traditions. 1198 00:58:55,720 --> 00:58:58,800 Speaker 5: It's like we feel so bad for you or for 1199 00:58:58,840 --> 00:59:02,160 Speaker 5: ourselves that we're going to give ourselves the things that 1200 00:59:02,880 --> 00:59:05,680 Speaker 5: we feel like. And again it feels very similar to 1201 00:59:05,920 --> 00:59:10,480 Speaker 5: also like the Disney adult thing, where it's like people 1202 00:59:10,600 --> 00:59:11,520 Speaker 5: like living. 1203 00:59:11,200 --> 00:59:13,200 Speaker 2: Out, Yeah it does, that's exactly right. 1204 00:59:13,240 --> 00:59:15,000 Speaker 5: People like I don't know why that like like this 1205 00:59:15,160 --> 00:59:16,120 Speaker 5: like triggered that for me. 1206 00:59:16,160 --> 00:59:18,320 Speaker 6: But it's like people, no, yeah, that's one hundred percent. 1207 00:59:18,360 --> 00:59:19,360 Speaker 2: It's the same way of length. 1208 00:59:19,440 --> 00:59:21,680 Speaker 5: Like the exact same way. They didn't get to do 1209 00:59:21,840 --> 00:59:24,880 Speaker 5: it when they were kids or whatever, and so like 1210 00:59:25,000 --> 00:59:28,360 Speaker 5: now they're fulfilling out this like fantasy of like being. 1211 00:59:28,520 --> 00:59:32,480 Speaker 2: Kid because what is that, right, that's that's the you know, 1212 00:59:32,560 --> 00:59:37,440 Speaker 2: millennials with disposable income who haven't achieved those life wickets, 1213 00:59:37,480 --> 00:59:41,040 Speaker 2: those life benchmarks and milestones that you're supposed to hit 1214 00:59:41,120 --> 00:59:45,040 Speaker 2: by certain ages. So by that age, you you typically 1215 00:59:45,080 --> 00:59:49,040 Speaker 2: do have like children, and you are then starting to 1216 00:59:49,080 --> 00:59:52,520 Speaker 2: want to bring your kids to uh to you know, 1217 00:59:52,560 --> 00:59:54,600 Speaker 2: do family stuff, and yet you don't have that. So 1218 00:59:54,680 --> 00:59:57,439 Speaker 2: it's this infantilization, which of course Charlie also talked about 1219 00:59:57,480 --> 01:00:01,800 Speaker 2: the extended adolescence where where people don't leave it. And 1220 01:00:01,880 --> 01:00:04,840 Speaker 2: so it's like we're going to infantilize ourselves and act 1221 01:00:04,880 --> 01:00:09,000 Speaker 2: like we're children and go to Disney buy ourselves So. 1222 01:00:09,960 --> 01:00:13,160 Speaker 5: The fortieth birthday party is very similar, where it's like 1223 01:00:13,320 --> 01:00:17,200 Speaker 5: you're doing something and it's this fantasy of something that 1224 01:00:17,240 --> 01:00:19,560 Speaker 5: you should have probably done at an earlier time period 1225 01:00:19,600 --> 01:00:20,240 Speaker 5: in your life. 1226 01:00:20,240 --> 01:00:21,560 Speaker 6: But we've got, we've got, and you're. 1227 01:00:21,480 --> 01:00:23,480 Speaker 5: Still omitting just like Disney, like you don't have the 1228 01:00:23,560 --> 01:00:26,720 Speaker 5: kids with you, you're doing it. It makes you feel good, 1229 01:00:26,760 --> 01:00:30,520 Speaker 5: stroking something in your ego. I haven't seen this clip, 1230 01:00:30,520 --> 01:00:31,440 Speaker 5: but I can tell it's going. 1231 01:00:31,320 --> 01:00:33,000 Speaker 2: To be great and it's a broken generation. 1232 01:00:34,360 --> 01:00:35,160 Speaker 5: Let's do number eight. 1233 01:00:36,160 --> 01:00:39,120 Speaker 10: Okay, I'm about to walk down the aisle, and this 1234 01:00:39,240 --> 01:00:42,760 Speaker 10: moment is for every little girl in every twenty something 1235 01:00:43,000 --> 01:00:46,320 Speaker 10: and every thirty something that waited their whole lives to 1236 01:00:46,360 --> 01:00:50,840 Speaker 10: get married and maybe it didn't work out and they 1237 01:00:50,840 --> 01:00:53,680 Speaker 10: still wanted to have this moment. So it's my fortieth 1238 01:00:53,680 --> 01:00:57,840 Speaker 10: birthday tonight, and I decided to throw a wedding birthday 1239 01:00:58,280 --> 01:01:01,800 Speaker 10: in the British countryside inner. It's this huge estate, it's 1240 01:01:01,840 --> 01:01:04,200 Speaker 10: straight out of downtown Happy and I had this moment 1241 01:01:04,560 --> 01:01:07,240 Speaker 10: where I thought, I am the first woman in three 1242 01:01:07,400 --> 01:01:13,280 Speaker 10: hundred years that has rented this house for herself and 1243 01:01:13,360 --> 01:01:14,480 Speaker 10: celebrated herself. 1244 01:01:15,400 --> 01:01:18,000 Speaker 6: Yeah, I know I'm gonna object in general, one, probably 1245 01:01:18,000 --> 01:01:18,720 Speaker 6: not two. 1246 01:01:18,960 --> 01:01:20,720 Speaker 5: You just shouldn't do a. 1247 01:01:20,640 --> 01:01:25,280 Speaker 6: Party to celebrate yourself in general, I think it's self indulgent. 1248 01:01:25,800 --> 01:01:29,360 Speaker 6: I would say, even if, even if she was married 1249 01:01:29,400 --> 01:01:31,360 Speaker 6: and everything, I think it would be incredibly self indulgent 1250 01:01:31,400 --> 01:01:34,760 Speaker 6: to just throw a party for yourself turning forty or fifty. 1251 01:01:34,960 --> 01:01:37,640 Speaker 6: I think ideally you'd have a spouse and they would 1252 01:01:37,760 --> 01:01:39,760 Speaker 6: organize it and throw it for you, or it could 1253 01:01:39,760 --> 01:01:41,960 Speaker 6: be your friends would do it. There's ways to do it, 1254 01:01:42,000 --> 01:01:44,240 Speaker 6: but in general, you should not throw parties that are 1255 01:01:44,280 --> 01:01:45,080 Speaker 6: just I am awesome. 1256 01:01:45,200 --> 01:01:49,320 Speaker 3: I just like I miss like an ethic, a value 1257 01:01:49,360 --> 01:01:52,080 Speaker 3: system in which people just get old and they don't 1258 01:01:52,080 --> 01:01:55,960 Speaker 3: make it about themselves, like old people acting old. Yeah, 1259 01:01:56,080 --> 01:02:00,760 Speaker 3: like just just do with something more convinced. And it's 1260 01:02:00,760 --> 01:02:03,160 Speaker 3: so refreshing now when you just see like old people 1261 01:02:03,400 --> 01:02:05,960 Speaker 3: becoming adults and then they like think. 1262 01:02:05,760 --> 01:02:08,200 Speaker 6: About the image we have of grannies, you know, loving 1263 01:02:08,240 --> 01:02:10,120 Speaker 6: grammys and you know still live on a farm. They're 1264 01:02:10,120 --> 01:02:12,360 Speaker 6: making about this, Think about how that's all going to 1265 01:02:12,440 --> 01:02:15,640 Speaker 6: vanish when your seventy five year old grandma has tattoos 1266 01:02:15,840 --> 01:02:18,640 Speaker 6: and like and like social media posts that are still 1267 01:02:18,640 --> 01:02:20,320 Speaker 6: out there of her being a bad girl. 1268 01:02:20,400 --> 01:02:21,000 Speaker 5: At twenty two. 1269 01:02:21,520 --> 01:02:23,120 Speaker 3: I was thinking about this the other day. So when 1270 01:02:23,160 --> 01:02:24,920 Speaker 3: I was a kid, when we were all kids, think 1271 01:02:24,960 --> 01:02:27,760 Speaker 3: about your grandma, they had like bobbed hair, like some 1272 01:02:27,840 --> 01:02:29,440 Speaker 3: of them died them, some of it was just gray. 1273 01:02:30,040 --> 01:02:32,840 Speaker 3: And like those women that are now that age now 1274 01:02:32,960 --> 01:02:36,959 Speaker 3: they've got like long hair, it's dyed, they've got work done. 1275 01:02:36,960 --> 01:02:40,360 Speaker 3: They're like trying to look as young as possible. Our granny, 1276 01:02:40,360 --> 01:02:43,920 Speaker 3: our grannies like literally just look like old old ladies. 1277 01:02:44,440 --> 01:02:46,280 Speaker 5: That's That's like the Golden Girls thing is like they 1278 01:02:46,280 --> 01:02:51,400 Speaker 5: were like in their forties and they look like literally like. 1279 01:02:50,400 --> 01:02:51,600 Speaker 3: Is that I don't really like? 1280 01:02:51,600 --> 01:02:53,760 Speaker 5: And I am noticing Golden Girls are like literally in 1281 01:02:53,800 --> 01:02:56,720 Speaker 5: their late forties and some of those those those ladies, 1282 01:02:56,760 --> 01:03:00,960 Speaker 5: and they're like we thought they were, Like is that true? 1283 01:03:01,400 --> 01:03:05,400 Speaker 3: Okay? So okay, the characters were in their fifties and eighties. 1284 01:03:05,800 --> 01:03:09,080 Speaker 3: Blanche was roughly fifty, Dorothy and Rose were fifty five, 1285 01:03:09,120 --> 01:03:10,480 Speaker 3: and Sofia was seventy nine. 1286 01:03:10,640 --> 01:03:10,880 Speaker 5: Wow. 1287 01:03:10,880 --> 01:03:13,520 Speaker 3: Which one was Sophia? Oh, with Sophia the like really 1288 01:03:13,560 --> 01:03:14,280 Speaker 3: really old one. 1289 01:03:14,520 --> 01:03:17,520 Speaker 5: Yeah, man, I was like the mom was that Like 1290 01:03:17,600 --> 01:03:19,040 Speaker 5: you know what I was thinking about with this whole 1291 01:03:19,040 --> 01:03:22,040 Speaker 5: thing is like how how offensive. It also is to 1292 01:03:22,320 --> 01:03:24,680 Speaker 5: the women who don't do this right, like they have 1293 01:03:24,840 --> 01:03:25,760 Speaker 5: enough self respect. 1294 01:03:25,800 --> 01:03:29,400 Speaker 2: That's like, speaking of Golden Girls, we have to we 1295 01:03:29,440 --> 01:03:32,919 Speaker 2: have to say the great connection that so you know who? 1296 01:03:33,040 --> 01:03:34,640 Speaker 2: Do you know who? The son of the creator of 1297 01:03:34,680 --> 01:03:43,720 Speaker 2: the Golden Girls is? Skoy Adams Close Actually like Sam Harris. 1298 01:03:43,960 --> 01:03:45,880 Speaker 5: Oh really okay? Interesting? 1299 01:03:45,880 --> 01:03:47,960 Speaker 3: Wait so wait. 1300 01:03:47,840 --> 01:03:49,480 Speaker 5: I want to fish. I want to finish my thought 1301 01:03:49,480 --> 01:03:52,800 Speaker 5: on this though. The women who who look at this 1302 01:03:53,360 --> 01:03:55,080 Speaker 5: and it actually I think this is part of the 1303 01:03:55,080 --> 01:03:58,200 Speaker 5: mental illness that makes women feel bad on social media. 1304 01:03:58,880 --> 01:04:01,400 Speaker 5: So you have one one and throwing herself a birthday 1305 01:04:01,440 --> 01:04:05,560 Speaker 5: party that is meant to replicate a wedding. There's plenty 1306 01:04:05,600 --> 01:04:09,280 Speaker 5: of women out there that are unmarried for maybe it's 1307 01:04:09,320 --> 01:04:11,000 Speaker 5: not their own choice, maybe they just I mean, I 1308 01:04:11,040 --> 01:04:14,280 Speaker 5: know lots of good people couldn't find the right guy whatever. 1309 01:04:14,320 --> 01:04:18,720 Speaker 5: I feel really bad for them. But that person seeing 1310 01:04:19,000 --> 01:04:22,520 Speaker 5: another person do something like this, I feel like makes 1311 01:04:22,520 --> 01:04:25,280 Speaker 5: it worse for all those people I don't like. To me, 1312 01:04:25,360 --> 01:04:27,560 Speaker 5: it's like and this is like, this is the same 1313 01:04:27,560 --> 01:04:29,680 Speaker 5: thing with the social media generation. This is like the 1314 01:04:29,720 --> 01:04:33,560 Speaker 5: Disney adult thing. This is about like people who do 1315 01:04:33,680 --> 01:04:38,680 Speaker 5: the you know, perfect perfection vacation thing that they put 1316 01:04:38,720 --> 01:04:41,280 Speaker 5: on social media even though you know that's probably not true, 1317 01:04:41,880 --> 01:04:44,200 Speaker 5: or the perfect house thing or whatever. 1318 01:04:44,400 --> 01:04:48,000 Speaker 2: Like do you remember do you remember Hanksgiving? Remember we 1319 01:04:48,040 --> 01:04:50,720 Speaker 2: did that a while back, was the Hanksgiving that they 1320 01:04:50,760 --> 01:04:56,320 Speaker 2: all had together. It was like Thanksgivings, the same same thing. 1321 01:04:56,560 --> 01:04:58,360 Speaker 5: But it's just like it just like to me, it's 1322 01:04:58,440 --> 01:05:00,880 Speaker 5: just like I don't think it helps societ in general, 1323 01:05:01,040 --> 01:05:03,720 Speaker 5: like doing these things. And again it's a free country, 1324 01:05:03,760 --> 01:05:06,160 Speaker 5: like do whatever you want. But like, like there's a 1325 01:05:06,160 --> 01:05:09,080 Speaker 5: bunch of women who follow this woman. She's probably got friends, 1326 01:05:09,080 --> 01:05:11,440 Speaker 5: she probably has a social media following. That's probably the 1327 01:05:11,440 --> 01:05:12,480 Speaker 5: reason why she's doing this. 1328 01:05:12,760 --> 01:05:14,680 Speaker 3: You know that it's like this whole like it's this 1329 01:05:14,760 --> 01:05:17,960 Speaker 3: whole trends you see it with like shout your abortion right, 1330 01:05:18,000 --> 01:05:20,360 Speaker 3: where there's actually shame over something and they're trying to 1331 01:05:20,400 --> 01:05:23,280 Speaker 3: reclaim something that makes them feel shameful to like be 1332 01:05:23,400 --> 01:05:25,400 Speaker 3: like I'm just going to buck the trend and screw 1333 01:05:25,440 --> 01:05:27,720 Speaker 3: the tradition and I'm gonna I'm gonna be loud and 1334 01:05:27,720 --> 01:05:28,720 Speaker 3: proud even in my shame. 1335 01:05:29,160 --> 01:05:30,240 Speaker 5: It's a perfect transition. 1336 01:05:30,440 --> 01:05:33,800 Speaker 6: Does what if one of them does a like wedding 1337 01:05:33,880 --> 01:05:36,840 Speaker 6: level eighty thousand dollars party for their abortion. 1338 01:05:37,560 --> 01:05:40,560 Speaker 3: That's pretty sick, that'd be I bet it's happened, actually, 1339 01:05:41,280 --> 01:05:44,000 Speaker 3: because because they you got to understand, like the human 1340 01:05:44,040 --> 01:05:47,200 Speaker 3: condition we have, we sin, and therefore we have shame. 1341 01:05:47,240 --> 01:05:48,840 Speaker 3: And if you don't, if you're not a Christian, there's 1342 01:05:48,880 --> 01:05:51,600 Speaker 3: no there's no mechanism to get rid of that shame. 1343 01:05:51,640 --> 01:05:56,560 Speaker 3: And so you try and invent human celebrations or institutions 1344 01:05:56,600 --> 01:06:00,240 Speaker 3: to remove that shame from yourself. So that's all this is. Actually, 1345 01:06:00,400 --> 01:06:03,360 Speaker 3: it was interesting. I was having this back and forth Jack. 1346 01:06:03,400 --> 01:06:06,800 Speaker 3: You know Lisa Booth, right, she's yeah Fox New, so 1347 01:06:06,840 --> 01:06:08,200 Speaker 3: she was kind of she went on this whole thing 1348 01:06:08,240 --> 01:06:10,640 Speaker 3: about saying that the problem with the right is that 1349 01:06:10,680 --> 01:06:14,360 Speaker 3: we make marriage and family feel like obligatory. So if 1350 01:06:14,400 --> 01:06:18,400 Speaker 3: you are not that, you feel ashamed, you feel like 1351 01:06:18,440 --> 01:06:20,280 Speaker 3: you're out of the club. And if on the left, 1352 01:06:20,800 --> 01:06:24,520 Speaker 3: they demonize marriage and abortions, so they don't. Her point 1353 01:06:24,560 --> 01:06:26,200 Speaker 3: was that there's a bunch of women that don't feel 1354 01:06:26,240 --> 01:06:28,880 Speaker 3: like they belong to either camp when it comes to 1355 01:06:28,920 --> 01:06:33,320 Speaker 3: this issue. And then but like, I think that there's 1356 01:06:33,360 --> 01:06:35,680 Speaker 3: a lot of people that have kids that feel like 1357 01:06:36,160 --> 01:06:39,280 Speaker 3: by the liberal progressive society, they have to feel ashamed 1358 01:06:39,360 --> 01:06:41,680 Speaker 3: or they have to hide their joy, or hide their kids, 1359 01:06:41,760 --> 01:06:43,720 Speaker 3: or hide all the good things about their family because 1360 01:06:43,920 --> 01:06:46,320 Speaker 3: there's so many women in culture that aren't experiencing this, 1361 01:06:46,960 --> 01:06:49,640 Speaker 3: and so it's just I don't know what the answer 1362 01:06:49,680 --> 01:06:51,560 Speaker 3: is exactly, but to me, it's like, if we don't 1363 01:06:51,600 --> 01:06:53,680 Speaker 3: lift up the ideal, you're gonna have a bunch of 1364 01:06:53,680 --> 01:06:56,320 Speaker 3: people like this forty year old crazy lady that goes 1365 01:06:56,440 --> 01:06:58,560 Speaker 3: flies over and spends one hundred thousand dollars on a 1366 01:06:58,600 --> 01:07:00,000 Speaker 3: fake wedding for herself. 1367 01:07:00,880 --> 01:07:05,200 Speaker 2: Because I know that's exactly right. And it's like, again, 1368 01:07:05,520 --> 01:07:08,840 Speaker 2: I mean this, I'll like defer to to the man himself. 1369 01:07:08,840 --> 01:07:11,240 Speaker 2: But Ck used to talk about this a lot. He said, 1370 01:07:11,280 --> 01:07:14,080 Speaker 2: it's it's not about like forcing anyone to make any 1371 01:07:14,120 --> 01:07:18,120 Speaker 2: one decision or another. It's just talking about what is 1372 01:07:18,480 --> 01:07:22,840 Speaker 2: the greater societal good. And we see through study after 1373 01:07:22,880 --> 01:07:28,000 Speaker 2: study that marriage, two parent households that with the mom 1374 01:07:28,080 --> 01:07:31,680 Speaker 2: and a dad are always the best outcomes for society. 1375 01:07:31,800 --> 01:07:35,080 Speaker 2: And so if our government or our political movements are 1376 01:07:35,120 --> 01:07:38,240 Speaker 2: going to push for certain things, we should always push 1377 01:07:38,280 --> 01:07:41,680 Speaker 2: for the things that we know are the most beneficial, 1378 01:07:41,800 --> 01:07:45,560 Speaker 2: pro social things. And that is a general goal that 1379 01:07:45,360 --> 01:07:47,360 Speaker 2: that person has to fit. 1380 01:07:47,720 --> 01:07:49,600 Speaker 3: I have a Catholic question for you on that kind 1381 01:07:49,600 --> 01:07:52,960 Speaker 3: of same thought. Does the Catholic Church have a strong 1382 01:07:52,960 --> 01:07:54,040 Speaker 3: position on surrogacy? 1383 01:07:54,840 --> 01:07:55,640 Speaker 5: Like they don't like it? 1384 01:07:56,920 --> 01:07:58,880 Speaker 2: I mean, I can't imagine they're for it. I would 1385 01:07:58,920 --> 01:07:59,360 Speaker 2: have to check. 1386 01:08:00,000 --> 01:08:02,680 Speaker 6: Okay, Calolics don't even like don't they don't like IVF either? 1387 01:08:02,720 --> 01:08:03,600 Speaker 3: Did they have a position? 1388 01:08:03,840 --> 01:08:06,360 Speaker 2: Yeah, against IVF to begin with, So they. 1389 01:08:06,240 --> 01:08:08,600 Speaker 3: Would so they would have they would have a strong 1390 01:08:08,640 --> 01:08:11,120 Speaker 3: position on like a gay couple adopting. 1391 01:08:10,720 --> 01:08:14,440 Speaker 6: A kid togainst because they're against they're against every life. 1392 01:08:14,480 --> 01:08:16,160 Speaker 2: Yeah, just double check it. I didn't want to like 1393 01:08:16,200 --> 01:08:18,839 Speaker 2: speak out a turn, but yes, the Catholic chure strictly 1394 01:08:18,840 --> 01:08:21,880 Speaker 2: opposes all forms of surrogacy, doing it as a grave 1395 01:08:22,000 --> 01:08:25,759 Speaker 2: violation of human dignity, the integrity of marriage and appropriation process. 1396 01:08:25,840 --> 01:08:27,960 Speaker 3: I feel the same. I get really weird at out 1397 01:08:28,000 --> 01:08:30,479 Speaker 3: with surrogacy and I can't like and I it's like 1398 01:08:30,520 --> 01:08:34,280 Speaker 3: one of those things where you're like, it's a child. Yeah, 1399 01:08:34,360 --> 01:08:37,240 Speaker 3: it's weird. There's something weird about like renting a womb. 1400 01:08:38,040 --> 01:08:39,000 Speaker 3: I just find it. It's weird. 1401 01:08:39,200 --> 01:08:41,719 Speaker 6: I mean with IVF, the biggest objection is that you 1402 01:08:41,800 --> 01:08:45,000 Speaker 6: basically make ten human lives and right away a bunch 1403 01:08:45,000 --> 01:08:50,599 Speaker 6: of there still dislike it, will still dislike it if 1404 01:08:50,640 --> 01:08:53,080 Speaker 6: you could just make one. And because they don't like 1405 01:08:53,200 --> 01:08:54,280 Speaker 6: the means, what if. 1406 01:08:54,200 --> 01:08:57,880 Speaker 3: You were like, hey, we're going to implant ten embryos 1407 01:08:57,880 --> 01:09:03,240 Speaker 3: fertilized embryos, and if you have ten you have to. 1408 01:09:03,200 --> 01:09:05,200 Speaker 5: Keep all they still they still what if. 1409 01:09:05,080 --> 01:09:06,960 Speaker 3: You commit is a good Catholic to saying I'm going 1410 01:09:07,040 --> 01:09:08,639 Speaker 3: to take all of them, it's less bad. 1411 01:09:08,520 --> 01:09:11,280 Speaker 6: Because you're not throwing lives away intentionally, they still don't 1412 01:09:11,360 --> 01:09:15,040 Speaker 6: like it. The Church's position is quite trad where basically 1413 01:09:15,080 --> 01:09:18,240 Speaker 6: you should only have kids by like the proper natural 1414 01:09:18,479 --> 01:09:22,800 Speaker 6: old school. Yes, they're still okay with adoption, but I. 1415 01:09:22,720 --> 01:09:24,960 Speaker 5: Think part of that. I think part of the theory 1416 01:09:25,040 --> 01:09:29,640 Speaker 5: with that is that there's so much, isn't it just 1417 01:09:29,680 --> 01:09:35,320 Speaker 5: like the holiness of the system that God, that God 1418 01:09:35,360 --> 01:09:38,320 Speaker 5: gave us, and playing God with these things, it's kind 1419 01:09:38,320 --> 01:09:39,280 Speaker 5: of viewed as play well. 1420 01:09:39,160 --> 01:09:41,479 Speaker 2: And it's it's it's also so that's part of it too, 1421 01:09:41,520 --> 01:09:44,800 Speaker 2: But it's also about how how the Church always has 1422 01:09:44,880 --> 01:09:49,120 Speaker 2: always positioned that the procreative act should take place within 1423 01:09:49,200 --> 01:09:53,160 Speaker 2: the confines of marriage, that the point of marriage is 1424 01:09:53,240 --> 01:09:58,320 Speaker 2: procreation and children and that act of the bringing together 1425 01:09:58,520 --> 01:10:01,960 Speaker 2: of the mother and the father marriage and through procreation, 1426 01:10:02,080 --> 01:10:07,160 Speaker 2: and so whenever you're you know, abrogating that process somehow or. 1427 01:10:07,400 --> 01:10:10,599 Speaker 4: Or or you know, sidestepping it or whatever. 1428 01:10:11,520 --> 01:10:14,240 Speaker 5: So you're telling me, Jack, you could have a fortieth 1429 01:10:14,400 --> 01:10:17,560 Speaker 5: birthday party pretending to get married and then have a 1430 01:10:17,640 --> 01:10:19,080 Speaker 5: kid without ever having sex. 1431 01:10:19,120 --> 01:10:21,479 Speaker 3: Wow, that is the liberal way. 1432 01:10:21,560 --> 01:10:24,000 Speaker 5: That is the way. There's a lot that is the 1433 01:10:24,040 --> 01:10:25,400 Speaker 5: sex and the city you will own. 1434 01:10:25,880 --> 01:10:27,960 Speaker 6: But if we abandon this topic. I'm looking at the 1435 01:10:28,000 --> 01:10:30,080 Speaker 6: New York Times article and there's something very funny I 1436 01:10:30,120 --> 01:10:32,960 Speaker 6: see which they talk to some woman who does consulting 1437 01:10:33,439 --> 01:10:35,679 Speaker 6: for these wedding style fortieth birthday parties. 1438 01:10:35,760 --> 01:10:37,000 Speaker 3: So this is a trend. It's not just her. 1439 01:10:37,080 --> 01:10:40,639 Speaker 6: Yes, yes, there's a consultant's real thing. And she says 1440 01:10:40,960 --> 01:10:43,680 Speaker 6: the planning process is more streamlined than a wedding, and 1441 01:10:43,720 --> 01:10:48,280 Speaker 6: such events generally cost just ten to thirty percent of 1442 01:10:48,320 --> 01:10:52,160 Speaker 6: a typical wedding budget. So hear me out. Here's an idea. 1443 01:10:53,000 --> 01:10:56,840 Speaker 6: You're planning to get married, but you tell them it's 1444 01:10:56,880 --> 01:10:59,960 Speaker 6: either a fortieth birthday fake wedding or a divorce party. 1445 01:11:00,960 --> 01:11:04,479 Speaker 6: Get all the stuff for wedding related things, but you 1446 01:11:04,479 --> 01:11:06,479 Speaker 6: get it cheaper because you didn't say the W word 1447 01:11:06,479 --> 01:11:10,519 Speaker 6: that doubles the price of everything. And then bamo, switch through. 1448 01:11:10,600 --> 01:11:13,639 Speaker 6: You have a clergyman there and you get married. 1449 01:11:14,840 --> 01:11:17,000 Speaker 5: Yeah, bring you bring a guy? 1450 01:11:17,160 --> 01:11:18,479 Speaker 3: Do you want to know it's weird? Do you want 1451 01:11:18,520 --> 01:11:20,200 Speaker 3: to create I don't know why this didn't make it 1452 01:11:20,200 --> 01:11:20,479 Speaker 3: to thought. 1453 01:11:20,560 --> 01:11:25,200 Speaker 2: What are you accident? Wait? Wait, wait no, I was 1454 01:11:25,200 --> 01:11:26,880 Speaker 2: just gonna say it would be funny, is is what 1455 01:11:26,920 --> 01:11:29,040 Speaker 2: if you were having one of these like fake marriage parties, 1456 01:11:29,080 --> 01:11:31,679 Speaker 2: but you hire the guy right who's But it turns 1457 01:11:31,680 --> 01:11:33,800 Speaker 2: out the guys like actually ordained in the state that 1458 01:11:33,840 --> 01:11:36,959 Speaker 2: you're having the party in, and you accidentally get actually 1459 01:11:37,040 --> 01:11:41,040 Speaker 2: married at like the fake the fake marriage party, and 1460 01:11:41,080 --> 01:11:43,439 Speaker 2: you're like, wait a minute, that terrible night. 1461 01:11:44,000 --> 01:11:47,600 Speaker 3: I was gonna say, it sounds like sounds like like 1462 01:11:47,720 --> 01:11:50,640 Speaker 3: Jason Bateman in this like it would get increasingly convoluted, 1463 01:11:50,640 --> 01:11:53,080 Speaker 3: and for like some dumb reason, they are required to 1464 01:11:53,120 --> 01:11:56,000 Speaker 3: also live together for a while. Okay, hold on, I 1465 01:11:56,080 --> 01:11:57,439 Speaker 3: have to take this. It's gonna owe you. 1466 01:11:57,920 --> 01:12:00,599 Speaker 5: I have a really a really important point, I'm sure, 1467 01:12:00,880 --> 01:12:04,760 Speaker 5: and I'm sorry to offend all the women there, but 1468 01:12:04,800 --> 01:12:06,760 Speaker 5: no man would ever do this, No. 1469 01:12:06,960 --> 01:12:09,040 Speaker 3: Of course not. Oh wait a gay man would. 1470 01:12:09,200 --> 01:12:12,840 Speaker 5: Okay, okay, well no, no, straight be a different type 1471 01:12:12,840 --> 01:12:13,240 Speaker 5: of party. 1472 01:12:13,800 --> 01:12:16,320 Speaker 3: Yeah, I mean speaking of which, but did you know this? 1473 01:12:16,560 --> 01:12:19,719 Speaker 5: But this is like but that's also it's like what's 1474 01:12:19,800 --> 01:12:24,160 Speaker 5: feeding the egos of women in America today where they leminism? 1475 01:12:24,320 --> 01:12:27,000 Speaker 5: It's the feminism. It's social media postbube. 1476 01:12:27,680 --> 01:12:29,640 Speaker 3: You can have it all even if you don't have 1477 01:12:29,720 --> 01:12:34,000 Speaker 3: it all. If you're a parent, you don't need to 1478 01:12:34,000 --> 01:12:36,959 Speaker 3: be told that online safety is important. That's why TikTok 1479 01:12:37,000 --> 01:12:40,800 Speaker 3: has over fifty pre set safety in privacy settings, and 1480 01:12:40,840 --> 01:12:43,479 Speaker 3: beyond that, parents can set up family pairing to help 1481 01:12:43,520 --> 01:12:46,320 Speaker 3: shape their teens experience on the app. With family pairing, 1482 01:12:46,680 --> 01:12:50,280 Speaker 3: parents can get visibility into their teens followers and who 1483 01:12:50,320 --> 01:12:53,280 Speaker 3: they follow, help restrict content that's not right for them, 1484 01:12:53,280 --> 01:12:56,760 Speaker 3: and set screen time limits. Parents can also set restricted 1485 01:12:56,800 --> 01:12:59,599 Speaker 3: times so they're not on TikTok when they shouldn't be, 1486 01:12:59,600 --> 01:13:02,160 Speaker 3: because feeling good about the time your teen spends online 1487 01:13:02,240 --> 01:13:04,920 Speaker 3: shouldn't come with guess work. In addition to the already 1488 01:13:04,920 --> 01:13:08,240 Speaker 3: built in safety and privacy protections, family pairing gives parents 1489 01:13:08,320 --> 01:13:11,920 Speaker 3: more tools to shape their teens online experience based on 1490 01:13:12,040 --> 01:13:15,719 Speaker 3: what's right for their family. Remember when safety comes first, 1491 01:13:15,840 --> 01:13:18,960 Speaker 3: discovery and creativity can follow. Learn more by going to 1492 01:13:19,240 --> 01:13:25,640 Speaker 3: TikTok dot com Slash Guardian's guide. Hey, so, did you 1493 01:13:25,640 --> 01:13:30,040 Speaker 3: guys know that Minneapolis is thinking about bringing back bathhouses 1494 01:13:30,120 --> 01:13:33,320 Speaker 3: for the first time after a forty nearly forty year band. 1495 01:13:33,720 --> 01:13:35,320 Speaker 6: Oh, you really wanted to get into this, No, I 1496 01:13:35,320 --> 01:13:36,400 Speaker 6: mean well. 1497 01:13:36,240 --> 01:13:37,400 Speaker 3: It kind of made me think about it when we 1498 01:13:37,400 --> 01:13:41,640 Speaker 3: started talking about gay couples getting doing adoptions. They're okay, So, 1499 01:13:42,240 --> 01:13:45,439 Speaker 3: just to put this, like in perspective, they believe in 1500 01:13:45,479 --> 01:13:50,720 Speaker 3: like unlimited Muslims, unlimited Somali fraud pirate people, bathhouses and 1501 01:13:50,720 --> 01:13:54,320 Speaker 3: bathhouses like Minneapolis, And it's like George Floyd and. 1502 01:13:54,320 --> 01:13:57,160 Speaker 6: The Canadian yab they are both. 1503 01:13:57,160 --> 01:14:02,960 Speaker 3: They are the most Canadian city in the in the country. 1504 01:14:03,760 --> 01:14:06,840 Speaker 6: Adult bath houses had a component of nightlife prior to 1505 01:14:06,880 --> 01:14:09,559 Speaker 6: the advent of the AIDS crisis in the nineteen eighties, 1506 01:14:09,760 --> 01:14:13,360 Speaker 6: which led to the passage of numerous ordinances banning them 1507 01:14:13,400 --> 01:14:17,519 Speaker 6: among virtually all US urban areas. Imagine that. 1508 01:14:18,240 --> 01:14:21,160 Speaker 3: Yeah. In nineteen eighty eight, Minneapolis passed an ordinance to 1509 01:14:21,240 --> 01:14:24,559 Speaker 3: ban bathhouses. There were three bathhouses that existed in the 1510 01:14:24,600 --> 01:14:28,840 Speaker 3: city Hennepin Baths, Locker Room Baths, and Big Daddy's bath House. 1511 01:14:29,120 --> 01:14:31,240 Speaker 5: Big Daddy's Bath House, all of. 1512 01:14:31,200 --> 01:14:34,439 Speaker 3: Them closed Prior to to the bed Locker Room Baths 1513 01:14:34,600 --> 01:14:37,120 Speaker 3: was known as the three point fifteen Health Club at 1514 01:14:37,120 --> 01:14:40,760 Speaker 3: the time of closure. Why were they banned after the 1515 01:14:40,800 --> 01:14:43,920 Speaker 3: first positive HIV tests in Minneapolis and nineteen eighty two, 1516 01:14:43,960 --> 01:14:45,759 Speaker 3: concerned grew about the spread of the virus. 1517 01:14:46,320 --> 01:14:51,320 Speaker 5: So wait, so let me get this shape. So bath 1518 01:14:51,320 --> 01:14:53,720 Speaker 5: houses were pretty much the only place you could go 1519 01:14:53,800 --> 01:14:54,679 Speaker 5: because it was so. 1520 01:14:55,080 --> 01:14:58,040 Speaker 3: They men just had sexual encounters at the. 1521 01:14:57,960 --> 01:15:04,040 Speaker 5: Back in those days, was like it was very taboo 1522 01:15:04,360 --> 01:15:07,920 Speaker 5: like by cultures, cultural standards. Part of the reason why 1523 01:15:07,920 --> 01:15:10,439 Speaker 5: bathhouses existed was because it was so taboo within the 1524 01:15:10,439 --> 01:15:14,040 Speaker 5: community to like just like go like be gay in public. Well, 1525 01:15:16,400 --> 01:15:18,120 Speaker 5: those well I think it's part of it. I mean 1526 01:15:18,120 --> 01:15:20,760 Speaker 5: I think it's I think they also have men, yeah, 1527 01:15:20,760 --> 01:15:22,240 Speaker 5: well like men men. 1528 01:15:22,360 --> 01:15:24,880 Speaker 6: And then also they would have those parties and they 1529 01:15:24,880 --> 01:15:26,880 Speaker 6: would have sucks with them five minutes after meeting there. 1530 01:15:26,920 --> 01:15:29,600 Speaker 5: It's kind of course, well that's that true, but that 1531 01:15:29,680 --> 01:15:33,280 Speaker 5: that's also like pretty pretty common in the gay community. 1532 01:15:33,520 --> 01:15:36,240 Speaker 5: But like like they just meet and hookup and it's 1533 01:15:36,240 --> 01:15:39,560 Speaker 5: a big hooka culture. But here's my question is because 1534 01:15:39,680 --> 01:15:45,280 Speaker 5: they have so many immigrants coming to Minneapolis, is that 1535 01:15:45,400 --> 01:15:49,080 Speaker 5: the reason why they're reintroducing bathhouses because it's so uh, 1536 01:15:49,800 --> 01:15:53,400 Speaker 5: it's it's so taboo within these immigrant cultures to be 1537 01:15:53,520 --> 01:15:55,200 Speaker 5: gay that they need the bathhouses. 1538 01:15:55,400 --> 01:15:57,040 Speaker 3: I don't know. I think it's just they're going so 1539 01:15:57,160 --> 01:16:01,439 Speaker 3: far left and like HIV is not the fear that 1540 01:16:01,520 --> 01:16:04,519 Speaker 3: it once was, right, although you know then it's going 1541 01:16:04,560 --> 01:16:07,920 Speaker 3: to be monkey pocks, So just to just. 1542 01:16:07,920 --> 01:16:09,840 Speaker 6: To make sure people get angry, did you know that 1543 01:16:09,960 --> 01:16:12,040 Speaker 6: the a lot of doctors, so do you guys know 1544 01:16:12,040 --> 01:16:15,280 Speaker 6: about antibiotic resistance? Yeah, like we're not supposed to just 1545 01:16:15,600 --> 01:16:18,560 Speaker 6: take antibiotics all the time because resistant to them, and 1546 01:16:18,560 --> 01:16:20,400 Speaker 6: then we're gonna get new superbugs and that's why we 1547 01:16:20,439 --> 01:16:22,439 Speaker 6: have TV that resists it. Did you know that a 1548 01:16:22,439 --> 01:16:26,320 Speaker 6: lot of doctors will just kind of put gay men 1549 01:16:26,479 --> 01:16:29,679 Speaker 6: on antibiotics, just a regular dose of them, like it's 1550 01:16:29,760 --> 01:16:33,240 Speaker 6: you know, taking a daily aspirin, because yeah, because you 1551 01:16:33,240 --> 01:16:34,920 Speaker 6: know they're they're prone to getting a lot of diseases, 1552 01:16:34,960 --> 01:16:36,840 Speaker 6: and you we wouldn't want them to get diseases, so 1553 01:16:37,000 --> 01:16:39,799 Speaker 6: we'll just we'll just chip away at our antibiotic resistance 1554 01:16:39,840 --> 01:16:42,080 Speaker 6: so they can keep going to clubs. Another thing, did 1555 01:16:42,080 --> 01:16:47,280 Speaker 6: you know that the federal government will find like gay, prostitute, 1556 01:16:47,360 --> 01:16:49,280 Speaker 6: drug addicts and stuff who are at high risk of 1557 01:16:49,320 --> 01:16:52,400 Speaker 6: contracting HIV and we'll give them free PREP, which is 1558 01:16:52,439 --> 01:16:57,639 Speaker 6: the AIDS kind of HIV prophilectic keeps it from developing AIDS, 1559 01:16:57,920 --> 01:17:00,479 Speaker 6: which costs many thousands of dollars a year to take. 1560 01:17:00,600 --> 01:17:02,599 Speaker 6: I think a few years ago it was like thirty 1561 01:17:02,600 --> 01:17:04,320 Speaker 6: five thousand dollars a year or so, but it might 1562 01:17:04,360 --> 01:17:05,280 Speaker 6: it's probably less by now. 1563 01:17:05,400 --> 01:17:07,759 Speaker 3: Does it make it so you don't contract it? 1564 01:17:08,320 --> 01:17:10,840 Speaker 6: I think it makes it harder to contract it, but 1565 01:17:10,880 --> 01:17:12,600 Speaker 6: it also even if you have it, it kind of 1566 01:17:12,680 --> 01:17:15,640 Speaker 6: keeps it. It makes it a manageable chronic condition instead. 1567 01:17:15,360 --> 01:17:16,400 Speaker 5: Of a SCE. 1568 01:17:17,040 --> 01:17:19,400 Speaker 6: But they will just find people vulnerable to this and 1569 01:17:19,760 --> 01:17:22,040 Speaker 6: the federal government will pay that many thousands of dollars 1570 01:17:22,120 --> 01:17:22,960 Speaker 6: to give it to them for free. 1571 01:17:23,000 --> 01:17:28,400 Speaker 3: The federal grim is still doing this, yes, wild it's 1572 01:17:28,400 --> 01:17:30,640 Speaker 3: like that tax dollars at work. It's like that California 1573 01:17:30,760 --> 01:17:35,080 Speaker 3: law where you it's like no longer a crime or 1574 01:17:35,080 --> 01:17:38,360 Speaker 3: something that's downgraded if you knowingly spread HIV. 1575 01:17:39,840 --> 01:17:44,240 Speaker 5: There's so many, so many. Uh, there's federally analogies to 1576 01:17:45,160 --> 01:17:46,920 Speaker 5: things that happen the Lord of the rings. 1577 01:17:46,600 --> 01:17:51,439 Speaker 6: With that ready set present. Federal it provides pre exposure 1578 01:17:51,479 --> 01:17:55,599 Speaker 6: prophilaxis medication at no cost to individuals without prescription drug covers. 1579 01:17:55,600 --> 01:17:58,400 Speaker 3: So these guys are just like manhorses making advantage and 1580 01:17:58,479 --> 01:18:04,400 Speaker 3: they get paid by the federal government. Yes, Jesus, does 1581 01:18:04,439 --> 01:18:07,559 Speaker 3: President Trump know about this? Actually he's like, he's like 1582 01:18:07,600 --> 01:18:13,200 Speaker 3: weirdly pro gay. He's a New York City guy. I 1583 01:18:13,240 --> 01:18:15,000 Speaker 3: love this article I was reading, by the way, says 1584 01:18:15,200 --> 01:18:19,080 Speaker 3: adult bath houses are community spaces historically frequented by gay 1585 01:18:19,120 --> 01:18:21,800 Speaker 3: men where people could also engage in sexual activity or 1586 01:18:21,880 --> 01:18:23,120 Speaker 3: relax after going out to. 1587 01:18:23,080 --> 01:18:26,000 Speaker 2: The bars or relax or do you guys ever been to. 1588 01:18:27,479 --> 01:18:28,000 Speaker 5: The bros? 1589 01:18:28,000 --> 01:18:31,559 Speaker 3: Thank God? I mean I think is there a difference? 1590 01:18:31,640 --> 01:18:39,320 Speaker 4: Jack who was in Hungary? Yeah, it's different, I guess 1591 01:18:39,720 --> 01:18:40,439 Speaker 4: like Central Europe. 1592 01:18:40,479 --> 01:18:41,960 Speaker 2: So I've been to I've been to a bath house 1593 01:18:42,120 --> 01:18:42,960 Speaker 2: in Budapest. 1594 01:18:43,400 --> 01:18:46,439 Speaker 3: Yeah, but it's isn't it different in the culture surrounding 1595 01:18:46,479 --> 01:18:48,120 Speaker 3: it is? Is different? Or is it the same? 1596 01:18:48,160 --> 01:18:51,880 Speaker 6: It depends some some are gay stuff and some are. 1597 01:18:52,280 --> 01:18:54,480 Speaker 2: I mean, this is like when you go to Budapest, 1598 01:18:54,600 --> 01:19:00,320 Speaker 2: like bath houses and you know the yeah, it's like 1599 01:19:00,320 --> 01:19:03,280 Speaker 2: a hot spring thing. So like you go in and 1600 01:19:03,400 --> 01:19:05,280 Speaker 2: it's you know, it's co ed. So like I went 1601 01:19:05,280 --> 01:19:07,400 Speaker 2: with Tanya and it's I don't know, it was kind 1602 01:19:07,400 --> 01:19:09,200 Speaker 2: of like going to like a community pool, but it 1603 01:19:09,280 --> 01:19:12,080 Speaker 2: was in like a you know, it's like a hot 1604 01:19:12,080 --> 01:19:14,040 Speaker 2: springs kind of deal. So like they have that. They 1605 01:19:14,080 --> 01:19:16,439 Speaker 2: have Idaho as well, they have like hot springs. 1606 01:19:16,439 --> 01:19:18,960 Speaker 6: You can just go to the coolest one. 1607 01:19:19,080 --> 01:19:22,120 Speaker 5: Another phrase in Russian jack that they say for the 1608 01:19:22,120 --> 01:19:24,760 Speaker 5: bath no sloakim bottom. 1609 01:19:25,920 --> 01:19:27,080 Speaker 2: Sloat. 1610 01:19:27,320 --> 01:19:30,559 Speaker 5: What is it? It's like it basically translates to like 1611 01:19:31,000 --> 01:19:34,479 Speaker 5: have an easy steam or have a nice steam. Okay, 1612 01:19:36,680 --> 01:19:44,120 Speaker 5: there's the people when they're they're slot considered. Yeah, get 1613 01:19:44,520 --> 01:19:45,200 Speaker 5: the coolest thing. 1614 01:19:45,560 --> 01:19:47,160 Speaker 6: Since he does mention. In Budapest, they do have a 1615 01:19:47,200 --> 01:19:50,000 Speaker 6: giant bathouse. It's the Session Bathhouses, and it's like looks 1616 01:19:50,040 --> 01:19:52,400 Speaker 6: it's from the eighteen hundred, so it's this big palace, 1617 01:19:52,680 --> 01:19:58,879 Speaker 6: you know, withouture pure and what's cool about it? Especially 1618 01:19:58,960 --> 01:20:01,759 Speaker 6: I went to Budapest in February, so it was cold 1619 01:20:01,800 --> 01:20:05,599 Speaker 6: out but it is a mineral bath and so. 1620 01:20:06,040 --> 01:20:08,360 Speaker 4: Is that the one that's like the Outla has. 1621 01:20:08,240 --> 01:20:10,559 Speaker 6: A big outdoor pool. And so if it's cold, it's 1622 01:20:10,600 --> 01:20:11,200 Speaker 6: still open. 1623 01:20:11,520 --> 01:20:13,200 Speaker 2: It's still you're talking about it's. 1624 01:20:13,040 --> 01:20:16,160 Speaker 6: Still one hundred and five degrees or whatever the temperature 1625 01:20:16,200 --> 01:20:18,800 Speaker 6: is of a hot spring, and it's just steaming like 1626 01:20:18,880 --> 01:20:21,360 Speaker 6: crazy the whole time because it's cold out and just 1627 01:20:21,760 --> 01:20:22,439 Speaker 6: spraying it out. 1628 01:20:22,479 --> 01:20:24,960 Speaker 3: It's like a resort in the Bahamas or something. 1629 01:20:25,000 --> 01:20:27,200 Speaker 5: It's more of like a again that that culture of 1630 01:20:27,280 --> 01:20:29,920 Speaker 5: Eastern Europe is it's it's more of like a public pool. 1631 01:20:30,120 --> 01:20:32,439 Speaker 3: Yeah, this is not this doesn't seem. 1632 01:20:32,280 --> 01:20:35,759 Speaker 5: It's more like public pools and like and it's almost like, okay, 1633 01:20:35,800 --> 01:20:37,479 Speaker 5: it's almost like a hot spring. 1634 01:20:37,520 --> 01:20:40,400 Speaker 3: Hold on, we have to transition. Even though this is 1635 01:20:40,439 --> 01:20:44,559 Speaker 3: a this has been the record, we went to alert. Yes, 1636 01:20:45,000 --> 01:20:46,599 Speaker 3: this has been weird, but we have to try something. 1637 01:20:46,680 --> 01:20:50,080 Speaker 3: This could be awful, so we apologize in advance. But 1638 01:20:50,120 --> 01:20:53,200 Speaker 3: we're going to try something new here because we want 1639 01:20:53,200 --> 01:20:56,080 Speaker 3: to bring you guys into the culture of the office. Actually, 1640 01:20:56,160 --> 01:21:01,160 Speaker 3: and Blake often comes up with random but bizarre obscene 1641 01:21:01,400 --> 01:21:04,719 Speaker 3: would you rather deer? He does? 1642 01:21:05,160 --> 01:21:17,719 Speaker 11: It's true what I generated, So would you rather? 1643 01:21:18,000 --> 01:21:19,840 Speaker 3: Would you rather? Blake? Give us some would you rather? 1644 01:21:19,920 --> 01:21:20,080 Speaker 5: You know? 1645 01:21:20,240 --> 01:21:21,760 Speaker 6: I have one of them? Just making up off the fly. 1646 01:21:21,840 --> 01:21:25,160 Speaker 6: Would you rather go to one of those newly opened 1647 01:21:25,160 --> 01:21:27,479 Speaker 6: Minneapolis bathhouses and you don't have to do anything, You 1648 01:21:27,520 --> 01:21:29,160 Speaker 6: can just kind of sit there, but you have to 1649 01:21:29,160 --> 01:21:33,599 Speaker 6: sit there for the whole evening, or go to one 1650 01:21:33,640 --> 01:21:36,920 Speaker 6: of these forty year old single woman weddings. 1651 01:21:37,360 --> 01:21:39,599 Speaker 3: I'm gonna go to the forty year old single What if. 1652 01:21:39,439 --> 01:21:40,280 Speaker 5: It's really sad? 1653 01:21:40,280 --> 01:21:44,919 Speaker 6: What if she's like insanely unwell, and. 1654 01:21:43,720 --> 01:21:45,719 Speaker 3: I'm going to the way I like anything to avoid. 1655 01:21:46,240 --> 01:21:48,920 Speaker 6: Probably there's probably free food at the wedding, So that 1656 01:21:48,960 --> 01:21:49,240 Speaker 6: is a good. 1657 01:21:49,479 --> 01:21:51,840 Speaker 3: That's a good. That's like Blake's a weak spot. It's 1658 01:21:52,000 --> 01:21:52,240 Speaker 3: all right. 1659 01:21:52,640 --> 01:21:54,160 Speaker 5: So yeah, that was That was good. That was That 1660 01:21:54,560 --> 01:21:56,080 Speaker 5: was a week one. That was a week one, so we. 1661 01:21:56,080 --> 01:21:58,840 Speaker 6: Actually had there's kind of that. There's that classic one 1662 01:21:58,880 --> 01:22:01,120 Speaker 6: people have asked that's like would you rather have a 1663 01:22:01,160 --> 01:22:03,680 Speaker 6: gay son or like a kind of thought daughter? But 1664 01:22:03,760 --> 01:22:06,920 Speaker 6: I thought of a kind of we developed that into 1665 01:22:07,200 --> 01:22:09,720 Speaker 6: a more interesting one. I think, would you rather have 1666 01:22:10,040 --> 01:22:15,080 Speaker 6: a sort of loose daughter or a loser son? Like 1667 01:22:15,120 --> 01:22:19,600 Speaker 6: they're a big time loser, don't have a job, can't. 1668 01:22:19,479 --> 01:22:22,000 Speaker 3: Does my daughter grow out of it eventually? And you can't, 1669 01:22:22,040 --> 01:22:22,519 Speaker 3: we can't. 1670 01:22:22,360 --> 01:22:22,920 Speaker 6: Speak to that. 1671 01:22:24,760 --> 01:22:26,640 Speaker 4: I would say that's a loser behavior for both, by 1672 01:22:26,640 --> 01:22:27,040 Speaker 4: the way. 1673 01:22:27,960 --> 01:22:28,880 Speaker 5: So would would you. 1674 01:22:29,080 --> 01:22:34,639 Speaker 3: I would say, gosh, that is hard. Actually I would 1675 01:22:34,640 --> 01:22:37,320 Speaker 3: say probably the daughter, because I'm gonna like take her 1676 01:22:37,360 --> 01:22:39,040 Speaker 3: to church and try and help her. 1677 01:22:40,200 --> 01:22:44,080 Speaker 5: She never gets better. Though she starts, she starts, she 1678 01:22:44,120 --> 01:22:44,640 Speaker 5: gets she. 1679 01:22:46,760 --> 01:22:47,080 Speaker 3: Doesn't. 1680 01:22:47,520 --> 01:22:49,400 Speaker 5: She leads to people at church astray. 1681 01:22:51,200 --> 01:22:53,880 Speaker 3: So he's going to pick the daughter because it's like, no, 1682 01:22:54,000 --> 01:22:55,400 Speaker 3: I would actually say, lose your son. 1683 01:22:55,640 --> 01:22:57,960 Speaker 2: I would actually say lose her son because I feel 1684 01:22:57,960 --> 01:23:00,519 Speaker 2: like I feel like that'd be easier to fix than 1685 01:23:00,560 --> 01:23:01,439 Speaker 2: having a thought daughter. 1686 01:23:01,680 --> 01:23:04,000 Speaker 5: It never gets better than jack. You just have to 1687 01:23:04,040 --> 01:23:05,040 Speaker 5: live with a loser son. 1688 01:23:05,160 --> 01:23:08,320 Speaker 2: Or No, you didn't say that, you didn't stipulate it 1689 01:23:08,320 --> 01:23:09,519 Speaker 2: never gets better, would you? 1690 01:23:09,600 --> 01:23:10,680 Speaker 5: I said, I couldn't speak to that. 1691 01:23:10,720 --> 01:23:15,960 Speaker 3: Would you rather have a Canadian daughter or a I 1692 01:23:16,000 --> 01:23:17,680 Speaker 3: don't know where I'm going with this ever, want to 1693 01:23:17,720 --> 01:23:20,559 Speaker 3: make fun. I'm just thinking about the what was it 1694 01:23:20,600 --> 01:23:21,879 Speaker 3: the w W I g. 1695 01:23:21,680 --> 01:23:25,720 Speaker 6: G be oh yeah, yeah, yeah, you know, gosh, m am, 1696 01:23:25,760 --> 01:23:27,920 Speaker 6: I we can't worry about that one later. No, so 1697 01:23:28,200 --> 01:23:30,320 Speaker 6: we gotta split the chat. When someone in the chat 1698 01:23:30,320 --> 01:23:33,400 Speaker 6: says they would take the loser son, uh, someone says 1699 01:23:33,439 --> 01:23:36,040 Speaker 6: I was the loser son. Okay, so that's that's a 1700 01:23:36,040 --> 01:23:37,160 Speaker 6: good point towards getting better. 1701 01:23:37,400 --> 01:23:40,280 Speaker 3: You can't. But Tyler looked at me and goes, it. 1702 01:23:40,400 --> 01:23:43,680 Speaker 6: Never gets all right, all right, he says, look the 1703 01:23:43,760 --> 01:23:45,880 Speaker 6: loser son, the fail son can be fixed. 1704 01:23:45,920 --> 01:23:48,720 Speaker 2: I mean, look at Tyler like he's he's come so far. 1705 01:23:49,720 --> 01:23:51,840 Speaker 6: A related one, and this, this one I think is 1706 01:23:51,880 --> 01:23:55,760 Speaker 6: really interesting. Would you rather have your daughter marry a 1707 01:23:55,840 --> 01:23:58,240 Speaker 6: Muslim but it's like a totally normal marriage, they have 1708 01:23:58,320 --> 01:24:00,479 Speaker 6: their kids in wedlock, all of that, But she is 1709 01:24:00,520 --> 01:24:04,719 Speaker 6: married to a Muslim man or pump and dump, trashy 1710 01:24:04,760 --> 01:24:07,320 Speaker 6: single mom. You know, three kids, three different dads. 1711 01:24:09,000 --> 01:24:10,240 Speaker 3: What did your daughter is? 1712 01:24:10,479 --> 01:24:12,720 Speaker 6: Yeah, this is your daughter in both of them and 1713 01:24:12,760 --> 01:24:14,680 Speaker 6: one of them, or we don't even we don't even 1714 01:24:14,680 --> 01:24:15,920 Speaker 6: need say three. It could just be what it's like, 1715 01:24:16,000 --> 01:24:19,240 Speaker 6: she's just she gets knocked up and abandoned by the dad, 1716 01:24:19,520 --> 01:24:21,160 Speaker 6: or even just one she gets knocked up and abandoned 1717 01:24:21,200 --> 01:24:23,200 Speaker 6: by the dad and she's a single mom. Or marries 1718 01:24:23,240 --> 01:24:27,799 Speaker 6: a guy and has kidcernally, but is a Muslim practicing 1719 01:24:27,880 --> 01:24:31,920 Speaker 6: muzzlem yes, yeah, Avid Muslim, you go first on this one. 1720 01:24:32,600 --> 01:24:36,960 Speaker 2: Oh man, uh. 1721 01:24:39,000 --> 01:24:40,439 Speaker 3: Is she a good vance? 1722 01:24:40,680 --> 01:24:43,040 Speaker 2: I'll say, I'll say in this in my in my case, 1723 01:24:43,320 --> 01:24:45,880 Speaker 2: because I feel like the gender doesn't matter on this one. 1724 01:24:45,920 --> 01:24:48,719 Speaker 2: You could say like son and then you know, multiple 1725 01:24:48,720 --> 01:24:50,080 Speaker 2: women or you know. 1726 01:24:50,880 --> 01:24:53,120 Speaker 3: Makes it worse if it's like a woman. 1727 01:24:52,880 --> 01:24:54,679 Speaker 2: I mean it makes it. It makes it worse obviously. 1728 01:24:57,640 --> 01:25:01,800 Speaker 2: So wait, in this sense, are the single are they all? 1729 01:25:01,840 --> 01:25:05,360 Speaker 2: Are they all Christian? The single relationships or whatever? 1730 01:25:06,040 --> 01:25:08,360 Speaker 6: Well, I would say, I would say, if she's the 1731 01:25:08,400 --> 01:25:10,840 Speaker 6: single mom, you can assume she is either yeah, she's 1732 01:25:10,880 --> 01:25:13,519 Speaker 6: either Christian but not following the rule as well, or 1733 01:25:13,560 --> 01:25:16,080 Speaker 6: maybe non religious but the other she's she's converting to 1734 01:25:16,120 --> 01:25:16,599 Speaker 6: Islam and. 1735 01:25:16,880 --> 01:25:19,280 Speaker 3: She's converting to Islam. Then I'll do I'll do the 1736 01:25:19,400 --> 01:25:21,800 Speaker 3: single single every time singles. 1737 01:25:21,479 --> 01:25:21,800 Speaker 5: All right? 1738 01:25:21,880 --> 01:25:23,559 Speaker 6: Or at least or what would make a difference if 1739 01:25:23,600 --> 01:25:26,519 Speaker 6: she wasn't Muslim but he did raise the kids Muslim? 1740 01:25:26,880 --> 01:25:27,960 Speaker 3: Still still single? 1741 01:25:28,720 --> 01:25:31,599 Speaker 6: Yeah, I think I definitely got to go for that one. 1742 01:25:31,760 --> 01:25:34,040 Speaker 6: Uh and didn't you have a couple? 1743 01:25:35,360 --> 01:25:35,920 Speaker 3: Uh? Oh? 1744 01:25:35,960 --> 01:25:36,640 Speaker 5: Man? What was that? 1745 01:25:36,760 --> 01:25:36,920 Speaker 3: Oh? 1746 01:25:37,000 --> 01:25:38,439 Speaker 5: I guess is that is that? 1747 01:25:38,479 --> 01:25:38,559 Speaker 2: Not? 1748 01:25:38,640 --> 01:25:41,200 Speaker 6: I can't remember what the Brian no one was? 1749 01:25:41,800 --> 01:25:44,080 Speaker 3: Anyways, this is this is I don't know if do 1750 01:25:44,080 --> 01:25:45,479 Speaker 3: you guys want us to keep doing? 1751 01:25:45,520 --> 01:25:47,160 Speaker 6: Would you rather I can do a weirder one. I 1752 01:25:47,160 --> 01:25:48,080 Speaker 6: can do a weirder one. 1753 01:25:48,240 --> 01:25:50,000 Speaker 2: No, would you rather a good? In fact, what we 1754 01:25:50,000 --> 01:25:52,080 Speaker 2: should do is we should open the would you rathers 1755 01:25:52,160 --> 01:25:54,880 Speaker 2: up to like the the Rumbo rants and so have 1756 01:25:55,080 --> 01:25:58,280 Speaker 2: we What we should do going forward is have people 1757 01:25:58,840 --> 01:26:00,080 Speaker 2: like when we start. 1758 01:25:59,800 --> 01:26:03,360 Speaker 3: The send your best w yes you. 1759 01:26:03,320 --> 01:26:05,680 Speaker 2: Know, send us your would you rather? And then in 1760 01:26:05,760 --> 01:26:07,880 Speaker 2: the last segment will you know? We'll do them. 1761 01:26:08,000 --> 01:26:10,280 Speaker 6: We've done a lot of musical themed ones, so I 1762 01:26:10,280 --> 01:26:11,719 Speaker 6: do want to do one on that on that front, 1763 01:26:11,760 --> 01:26:13,439 Speaker 6: because we talked about this would you rather? 1764 01:26:13,640 --> 01:26:14,280 Speaker 3: See how he does? 1765 01:26:14,439 --> 01:26:18,320 Speaker 6: Would you rather? Get a new album from your all 1766 01:26:18,360 --> 01:26:21,120 Speaker 6: time favorite band, And just for the hypothetical, it's it 1767 01:26:21,160 --> 01:26:24,559 Speaker 6: comes out, it's at the peak of their quality from 1768 01:26:24,640 --> 01:26:26,120 Speaker 6: your point of view, and it's a ten out of 1769 01:26:26,120 --> 01:26:28,479 Speaker 6: ten albums, so it's new content. Yeah, so yeah, it's new. 1770 01:26:28,520 --> 01:26:30,559 Speaker 6: So like, let's say your favorite band was Guns n' Roses. 1771 01:26:30,560 --> 01:26:33,880 Speaker 6: It comes out nineteen eighty nine and it's ten out 1772 01:26:33,880 --> 01:26:36,439 Speaker 6: of ten, and it's twelve new songs that are as 1773 01:26:36,479 --> 01:26:39,479 Speaker 6: good as any Guns and Rose songs ever, or just 1774 01:26:39,520 --> 01:26:42,040 Speaker 6: get rid of your least favorite genre of music completely, 1775 01:26:42,080 --> 01:26:44,280 Speaker 6: so like rap disappears forever. 1776 01:26:44,040 --> 01:26:46,240 Speaker 3: I would definitely get rid of the worst genre. 1777 01:26:46,280 --> 01:26:47,559 Speaker 6: You would get rid of the world because you don't 1778 01:26:47,600 --> 01:26:48,920 Speaker 6: need to listen to the worst genre. 1779 01:26:49,000 --> 01:26:50,479 Speaker 3: Yeah, but it's terrible for culture. 1780 01:26:51,400 --> 01:26:53,360 Speaker 5: There's so many bad genres though that it's like just 1781 01:26:53,360 --> 01:26:54,679 Speaker 5: getting rid of one doesn't. 1782 01:26:54,479 --> 01:26:56,519 Speaker 6: Really Yeah, like you might get rid of rap and 1783 01:26:56,520 --> 01:26:58,280 Speaker 6: then we just get the you know, it's all R 1784 01:26:58,360 --> 01:26:59,840 Speaker 6: and B everywhere, or something. 1785 01:27:00,240 --> 01:27:04,680 Speaker 3: Is actually great. I'll R and b's phenomenal. 1786 01:27:04,960 --> 01:27:05,879 Speaker 5: I would take a rap. 1787 01:27:07,560 --> 01:27:10,840 Speaker 3: No way, Yeah, rap, Well, I'm thinking like gangster rap. 1788 01:27:10,880 --> 01:27:12,679 Speaker 3: I'm thinking like Doug cold real rap. 1789 01:27:12,960 --> 01:27:14,840 Speaker 6: What if it was only like subgenre, so you could 1790 01:27:14,920 --> 01:27:17,520 Speaker 6: not get rid of all wrap, but maybe only gangster. 1791 01:27:17,240 --> 01:27:21,360 Speaker 3: Rap or drove one here Canadian M M I two 1792 01:27:21,439 --> 01:27:23,960 Speaker 3: l G B two Q I A plus or whatever 1793 01:27:24,000 --> 01:27:26,400 Speaker 3: it is. Daughter or AOC daughter. 1794 01:27:26,320 --> 01:27:27,400 Speaker 5: That's the same thing. 1795 01:27:28,040 --> 01:27:30,160 Speaker 6: That is the same ABC daughter. 1796 01:27:33,280 --> 01:27:39,920 Speaker 3: M. I mean she's a congress woman. She's a congress woman. Yeah. 1797 01:27:40,240 --> 01:27:42,519 Speaker 3: So I mean it's not like, oh, you'd. 1798 01:27:42,320 --> 01:27:44,799 Speaker 6: Get over it if if your live daughter became the president. 1799 01:27:45,000 --> 01:27:47,040 Speaker 6: I mean that's that you'd be like, oh, this is 1800 01:27:47,040 --> 01:27:49,360 Speaker 6: so great. I'm so proud of my daughter who joined 1801 01:27:49,360 --> 01:27:52,520 Speaker 6: congress and pursue evil. 1802 01:27:52,400 --> 01:27:59,920 Speaker 3: Dang ludicrousness one that is deeper question than you probably intended. Yeah, 1803 01:28:00,080 --> 01:28:00,800 Speaker 3: I don't, I don't know. 1804 01:28:02,400 --> 01:28:05,240 Speaker 2: It would be funny. It would be funny to say, 1805 01:28:05,360 --> 01:28:07,240 Speaker 2: what about like what if you switch it up and 1806 01:28:07,280 --> 01:28:11,760 Speaker 2: you say, Okay, this doesn't really make sense, but like 1807 01:28:12,880 --> 01:28:17,600 Speaker 2: what a conservative child who is not successful, but a 1808 01:28:17,640 --> 01:28:21,760 Speaker 2: liberal child who is successful at like liberal politics. 1809 01:28:22,240 --> 01:28:24,280 Speaker 3: I'm gonna go conservative child not successful. 1810 01:28:25,520 --> 01:28:27,840 Speaker 5: That that kind of took me to Like. I was 1811 01:28:27,840 --> 01:28:29,360 Speaker 5: actually right before you said that. I thought you were 1812 01:28:29,360 --> 01:28:33,200 Speaker 5: going to say this. Would you rather have gay child 1813 01:28:33,280 --> 01:28:37,160 Speaker 5: who's conservative or a straight child who is like ultra 1814 01:28:37,280 --> 01:28:38,160 Speaker 5: ultra ultralib? 1815 01:28:38,360 --> 01:28:40,519 Speaker 3: How many grandchildren do they give me? 1816 01:28:41,439 --> 01:28:42,759 Speaker 5: They both give you the same amount? 1817 01:28:43,320 --> 01:28:47,479 Speaker 3: Wait? Get well, No, I was asking how many of the. 1818 01:28:47,760 --> 01:28:51,840 Speaker 5: Gay child who's ultra conservative or a straight child who 1819 01:28:51,960 --> 01:28:53,759 Speaker 5: is ultralib and they never change? 1820 01:28:54,120 --> 01:28:57,400 Speaker 3: But grandkids. I could convince the grand kids they both 1821 01:28:57,439 --> 01:28:59,960 Speaker 3: have grand kids. No, No, I mean I'm saying I could. 1822 01:29:00,160 --> 01:29:02,479 Speaker 3: Even if you have a lib child, you could get 1823 01:29:02,479 --> 01:29:05,559 Speaker 3: the grandkids. If they're married and have kids and stuff 1824 01:29:05,600 --> 01:29:07,160 Speaker 3: like that, you could get them to be conservable. 1825 01:29:07,280 --> 01:29:09,000 Speaker 5: All their kids are exactly what they are. 1826 01:29:11,120 --> 01:29:15,479 Speaker 8: Wait, so the gay guy has kids, They're all. 1827 01:29:15,360 --> 01:29:19,360 Speaker 5: Gay of Scott Pressler and then the lib The lib 1828 01:29:19,560 --> 01:29:21,040 Speaker 5: kids are all the super. 1829 01:29:21,040 --> 01:29:24,360 Speaker 3: Scott Pressler's done done a lot of good things, you know. 1830 01:29:24,360 --> 01:29:25,960 Speaker 5: That's what I'm saying. Like, there's a lot of people 1831 01:29:25,960 --> 01:29:29,720 Speaker 5: who love like the the gay conservatives. 1832 01:29:29,800 --> 01:29:31,920 Speaker 3: I don't know, I don't know. That's tricky. This has 1833 01:29:31,960 --> 01:29:33,519 Speaker 3: been fun. Do you guys like it? Do you want 1834 01:29:33,560 --> 01:29:35,080 Speaker 3: us to keep doing it? That's the question. 1835 01:29:35,439 --> 01:29:37,320 Speaker 6: But I can come up with the infinity hypo. 1836 01:29:37,760 --> 01:29:40,479 Speaker 3: So like there's something weird about Blake's autistic, like hey, 1837 01:29:41,200 --> 01:29:44,400 Speaker 3: like uh, dartmouth brain that he just like this is 1838 01:29:44,400 --> 01:29:44,800 Speaker 3: what he does. 1839 01:29:44,840 --> 01:29:47,519 Speaker 6: Would you rather get every single quarter anywhere in the 1840 01:29:47,560 --> 01:29:50,920 Speaker 6: world that's put into a Teenageman Ninja Turtles arcade game machine, 1841 01:29:51,560 --> 01:29:54,080 Speaker 6: of which there are several, Or would you rather have 1842 01:29:54,120 --> 01:29:56,000 Speaker 6: the teenage Mutant Ninja Turtles be real? 1843 01:29:57,240 --> 01:29:58,880 Speaker 3: Real? Al? 1844 01:30:01,720 --> 01:30:03,120 Speaker 6: Yeah, I feel like I feel like you don't have 1845 01:30:03,160 --> 01:30:04,720 Speaker 6: a soul if you don't want the Turtles to be 1846 01:30:04,800 --> 01:30:07,479 Speaker 6: real fighting evildoers in New York City. 1847 01:30:07,520 --> 01:30:09,240 Speaker 3: Listen, what is it profit a man to gain the 1848 01:30:09,240 --> 01:30:11,120 Speaker 3: whole world but to lose the Ninja Turtles? 1849 01:30:11,200 --> 01:30:14,000 Speaker 6: Exactly Exactly a lot of people I know they just 1850 01:30:14,040 --> 01:30:15,560 Speaker 6: picked the They just picked the money. 1851 01:30:15,479 --> 01:30:18,040 Speaker 5: A lot of Ninja Turtles because they're the only real 1852 01:30:18,160 --> 01:30:22,360 Speaker 5: legitimate superheroes that aren't from a major uh company like 1853 01:30:22,479 --> 01:30:28,640 Speaker 5: Comic Wing that have survived in America. They're like the 1854 01:30:28,640 --> 01:30:31,360 Speaker 5: only ones that actually like are like celebrated and. 1855 01:30:31,360 --> 01:30:34,360 Speaker 3: You like you, you understand the Ninja Turtles like Jack 1856 01:30:34,479 --> 01:30:35,879 Speaker 3: understands the Beatles. 1857 01:30:36,240 --> 01:30:38,840 Speaker 5: Ninja Turtles Ninja Turtles. 1858 01:30:38,600 --> 01:30:42,720 Speaker 2: Or however, though, isn't that wasn't weren't the Turtles technically 1859 01:30:42,760 --> 01:30:48,519 Speaker 2: supposedly based off of Daredevil because who it was the 1860 01:30:48,560 --> 01:30:53,799 Speaker 2: same the same mutagen that gave Matt Murdoch his powers 1861 01:30:53,920 --> 01:30:57,120 Speaker 2: was also the the accident that led to them, you know, 1862 01:30:57,200 --> 01:30:58,639 Speaker 2: conversed they were parody. 1863 01:30:58,880 --> 01:31:02,080 Speaker 3: It started as a pair of all right, but listen, 1864 01:31:02,120 --> 01:31:05,800 Speaker 3: we gotta wrap Jack. This has been fun, you guys 1865 01:31:05,880 --> 01:31:06,400 Speaker 3: has been fun. 1866 01:31:06,479 --> 01:31:06,719 Speaker 5: Jack. 1867 01:31:06,760 --> 01:31:11,840 Speaker 2: Take us home, ladies and gentlemen, go out there and 1868 01:31:11,880 --> 01:31:13,679 Speaker 2: commit more thought crime. 1869 01:31:17,720 --> 01:31:19,080 Speaker 5: That was a nice long episode. 1870 01:31:19,320 --> 01:31:20,800 Speaker 6: Went to a lot of places with that one. 1871 01:31:21,360 --> 01:31:22,000 Speaker 5: That was a good time. 1872 01:31:22,280 --> 01:31:23,639 Speaker 3: That went all over the place. 1873 01:31:24,600 --> 01:31:28,000 Speaker 5: I feel like there's like there's like clips from these 1874 01:31:28,040 --> 01:31:29,840 Speaker 5: things that are like you we're gonna have to work 1875 01:31:30,280 --> 01:31:34,400 Speaker 5: are going for It's just gonna be like when did 1876 01:31:34,439 --> 01:31:34,960 Speaker 5: I see. 1877 01:31:39,479 --> 01:31:41,600 Speaker 6: For more on many of these stories and news you 1878 01:31:41,600 --> 01:31:43,639 Speaker 6: can trust, go to Charlie Kirk dot com