1 00:00:02,680 --> 00:00:03,600 Speaker 1: Life Audio. 2 00:00:04,400 --> 00:00:07,520 Speaker 2: Hey Stellio, thanks for joining me. Hey Michael, good morning. 3 00:00:07,520 --> 00:00:08,400 Speaker 2: Thank you for having me. 4 00:00:08,680 --> 00:00:12,440 Speaker 1: You are welcome. Stelio Sabonte is our guest. He is 5 00:00:12,480 --> 00:00:15,720 Speaker 1: in a new family film, Hazel's Heart. It's on Angel platforms. 6 00:00:15,760 --> 00:00:16,919 Speaker 1: It's also on video demand. 7 00:00:17,360 --> 00:00:19,720 Speaker 2: He was also in Sarah's Oil last. 8 00:00:19,600 --> 00:00:21,680 Speaker 1: Year, one of my favorite films of twenty twenty five, 9 00:00:22,160 --> 00:00:24,280 Speaker 1: another family film. Of course, you've been in The Chosen too. 10 00:00:24,280 --> 00:00:27,800 Speaker 1: We might get to that, Stelio. As I say every 11 00:00:27,800 --> 00:00:29,560 Speaker 1: time I talk to you, You're in so many movies 12 00:00:29,640 --> 00:00:32,040 Speaker 1: I enjoy. I think Hazel's Heart will be other other 13 00:00:32,080 --> 00:00:34,880 Speaker 1: one when I finally watch it. The plot is amazing. 14 00:00:34,960 --> 00:00:37,040 Speaker 1: It's based on a true story. From what I understand. 15 00:00:37,560 --> 00:00:39,920 Speaker 1: Just give us the summary of it and what attracted 16 00:00:39,960 --> 00:00:41,680 Speaker 1: you to this this amazing movie. 17 00:00:42,600 --> 00:00:44,919 Speaker 3: Yeah, thank you and thank you for all that. Hazel's 18 00:00:44,920 --> 00:00:47,479 Speaker 3: Harden is a true story based on the life of 19 00:00:47,520 --> 00:00:50,479 Speaker 3: Hazel Lighter. It's a very very well known story in 20 00:00:50,520 --> 00:00:53,160 Speaker 3: North Dakota, which is why the rest of the world 21 00:00:53,240 --> 00:00:54,440 Speaker 3: needed to hear this story. 22 00:00:54,520 --> 00:00:56,200 Speaker 2: She's a young heroine at the turn. 23 00:00:56,040 --> 00:00:59,280 Speaker 3: Of the century who basically puts her life on the 24 00:00:59,320 --> 00:01:03,440 Speaker 3: line to save her siblings during one of the worst snowstorms. 25 00:01:02,760 --> 00:01:03,560 Speaker 2: In their history. 26 00:01:04,400 --> 00:01:10,320 Speaker 3: I was very impressed with the script because it told 27 00:01:10,800 --> 00:01:14,480 Speaker 3: essentially kind of David and Goliath's story. We all have 28 00:01:14,600 --> 00:01:17,840 Speaker 3: those moments in our lives, and it's in those moments 29 00:01:18,160 --> 00:01:21,600 Speaker 3: that we have to make choices we're sometimes not prepared for. 30 00:01:22,680 --> 00:01:25,480 Speaker 3: I felt that she needed to be honored. I loved 31 00:01:25,600 --> 00:01:29,319 Speaker 3: Daniel's vision for the story. And you know, having grown 32 00:01:29,400 --> 00:01:31,440 Speaker 3: up and been raised in South Africa and then living 33 00:01:31,440 --> 00:01:33,280 Speaker 3: in New York and here in LA, I've never really 34 00:01:33,319 --> 00:01:37,360 Speaker 3: experienced a snowstorm anywhere near the magnitude, so I was 35 00:01:37,440 --> 00:01:42,440 Speaker 3: fascinated by it. And the response has been outstanding. Samuel 36 00:01:42,440 --> 00:01:44,840 Speaker 3: Gold would have done really well getting it out there 37 00:01:44,840 --> 00:01:47,240 Speaker 3: for us, and yes it's on Angel platform. 38 00:01:47,520 --> 00:01:49,120 Speaker 2: I love these regional stories. 39 00:01:49,320 --> 00:01:51,440 Speaker 1: There was a movie out a few years ago about 40 00:01:52,000 --> 00:01:54,040 Speaker 1: a boy who got lost on a mountain and I 41 00:01:54,080 --> 00:01:56,520 Speaker 1: think I think it was Maine, New Hampshire, Vermont, one 42 00:01:56,520 --> 00:01:58,360 Speaker 1: of those New England states. And this one, of course, 43 00:01:58,400 --> 00:02:00,200 Speaker 1: like you said, this is a story that's well in 44 00:02:00,200 --> 00:02:04,720 Speaker 1: North Dakota. It's the girl was lost in for twenty 45 00:02:04,760 --> 00:02:07,400 Speaker 1: five hours, I think, or she was trying to keep 46 00:02:07,440 --> 00:02:10,079 Speaker 1: her siblings a lot for twenty five hours and freezing 47 00:02:10,120 --> 00:02:14,320 Speaker 1: of temperatures nineteen twenty. North Dakota is the setting for this, 48 00:02:14,520 --> 00:02:17,480 Speaker 1: so just an unbelievable story of survival. 49 00:02:17,840 --> 00:02:19,400 Speaker 2: Tell us about your character. I don't know a lot 50 00:02:19,440 --> 00:02:20,400 Speaker 2: about your character. 51 00:02:20,919 --> 00:02:25,160 Speaker 3: Absolutely so I play William Lener, her father, who you 52 00:02:25,160 --> 00:02:27,520 Speaker 3: know usually as a father, as a parent, which I 53 00:02:27,639 --> 00:02:33,480 Speaker 3: am protecting providing those are were driven by that, and 54 00:02:34,240 --> 00:02:37,160 Speaker 3: in the beginning of the film, he makes a certain 55 00:02:37,240 --> 00:02:42,800 Speaker 3: choice he later would come to regret, and he goes 56 00:02:42,840 --> 00:02:45,600 Speaker 3: out on a mission to try to, you know, help 57 00:02:45,639 --> 00:02:49,800 Speaker 3: them survive, redeem the situation, and do everything he can 58 00:02:50,440 --> 00:02:54,800 Speaker 3: to pull his children out of this storm. History not 59 00:02:55,000 --> 00:02:58,680 Speaker 3: the kindest to William. But the fascinating thing about all 60 00:02:58,720 --> 00:03:01,560 Speaker 3: of this, which I didn't mention and was that about 61 00:03:01,600 --> 00:03:04,080 Speaker 3: seventy five to eighty percent of the film is shot 62 00:03:04,160 --> 00:03:07,280 Speaker 3: in Are you Ready for This and abandoned kmart. 63 00:03:07,800 --> 00:03:08,440 Speaker 2: Oh. 64 00:03:08,680 --> 00:03:13,920 Speaker 3: Yeah. The effects team were remarkable. We were in a 65 00:03:14,080 --> 00:03:17,640 Speaker 3: very competitive bidding situation. Distributors were so impressed by the film. 66 00:03:17,680 --> 00:03:20,000 Speaker 3: We did a justice, but that was not what you 67 00:03:20,040 --> 00:03:24,440 Speaker 3: expected to see when you show up, is okay? We're 68 00:03:24,440 --> 00:03:27,840 Speaker 3: shooting it in an abandoned kmark, which we did know. 69 00:03:27,919 --> 00:03:30,160 Speaker 3: I'd had meetings with the director. I had a lot 70 00:03:30,160 --> 00:03:34,320 Speaker 3: of questions about seeing how the effects worked. Then there 71 00:03:34,320 --> 00:03:36,840 Speaker 3: were concerns with the horses and everything else because the 72 00:03:36,880 --> 00:03:40,240 Speaker 3: floor was very slippery. But I am so proud of 73 00:03:40,240 --> 00:03:43,240 Speaker 3: what Daniel and Tarik and his entire team were able 74 00:03:43,240 --> 00:03:44,840 Speaker 3: to pull off and accomplish. 75 00:03:45,040 --> 00:03:46,400 Speaker 1: I think this is the movie I might be thinking 76 00:03:46,400 --> 00:03:48,280 Speaker 1: of as Lost on a Mountain in Maine something like that. 77 00:03:48,440 --> 00:03:49,840 Speaker 1: It's a movie that came out a few years ago. 78 00:03:49,880 --> 00:03:51,160 Speaker 1: Of course, you were not involved in that. This one 79 00:03:51,200 --> 00:03:54,360 Speaker 1: is Hazel's part. Another one you were involved in last 80 00:03:54,440 --> 00:03:58,080 Speaker 1: year that I really enjoyed is Sarah's Oil. That was 81 00:03:58,120 --> 00:04:01,120 Speaker 1: a I believe it was a Kingdom story movie, and 82 00:04:01,480 --> 00:04:04,440 Speaker 1: you played the bad guy in that film, and I 83 00:04:04,440 --> 00:04:07,560 Speaker 1: didn't realize it until afterwards. Stelio I was watching it 84 00:04:07,600 --> 00:04:10,760 Speaker 1: and didn't realize it and thought, he wait, that was 85 00:04:10,760 --> 00:04:12,440 Speaker 1: Stelio Savante playing. 86 00:04:12,160 --> 00:04:17,000 Speaker 2: The bad guy that I was cheering against. So how 87 00:04:17,000 --> 00:04:18,599 Speaker 2: do you approach such a role. 88 00:04:18,640 --> 00:04:21,720 Speaker 1: What is it like to portray the character people are 89 00:04:21,760 --> 00:04:23,400 Speaker 1: going to cheer against? 90 00:04:24,400 --> 00:04:25,320 Speaker 2: You know, I think. 91 00:04:25,160 --> 00:04:28,320 Speaker 3: One doesn't necessarily think in those terms, or I should 92 00:04:28,320 --> 00:04:32,560 Speaker 3: speak for myself and not be assuming every actor does 93 00:04:33,520 --> 00:04:36,960 Speaker 3: Earle was very earnest in what he was doing, which was, 94 00:04:37,839 --> 00:04:40,919 Speaker 3: you know, honoring his boss, his employer, so to speak. 95 00:04:41,520 --> 00:04:45,440 Speaker 3: I had had wonderful conversations with a director, highly accomplished, 96 00:04:45,480 --> 00:04:49,240 Speaker 3: critically acclaimed director cyrus Naarraste, who had worked with before 97 00:04:49,240 --> 00:04:51,920 Speaker 3: on Infidel. I just did another project with him in Brazil, 98 00:04:51,920 --> 00:04:54,680 Speaker 3: which I can't go into yet. And what we had 99 00:04:54,680 --> 00:04:58,600 Speaker 3: discussed with Earle was once the Oklahoma oil rush rumors 100 00:04:58,600 --> 00:05:01,040 Speaker 3: had started, a lot of folks from the East Coast 101 00:05:01,640 --> 00:05:04,360 Speaker 3: had moved there to get work, as they had done 102 00:05:04,400 --> 00:05:08,000 Speaker 3: when the railroad was built, etc. And what made Earl 103 00:05:08,040 --> 00:05:11,080 Speaker 3: so fascinating was that because he was an outsider, he 104 00:05:11,320 --> 00:05:15,640 Speaker 3: was not easily bought, and the employer he worked for 105 00:05:15,800 --> 00:05:19,320 Speaker 3: could get leveraged by using him. So to me, Earle 106 00:05:19,520 --> 00:05:23,240 Speaker 3: was a character that believed he was definitely doing the 107 00:05:23,360 --> 00:05:26,839 Speaker 3: right thing and actually got a lot of enjoyment out 108 00:05:26,839 --> 00:05:29,919 Speaker 3: of goading people and needling them in order to get that. 109 00:05:30,120 --> 00:05:33,279 Speaker 3: He has some physicality to him, but there's also a 110 00:05:33,400 --> 00:05:36,919 Speaker 3: tongue in cheek humor and what an incredible project to 111 00:05:36,960 --> 00:05:41,280 Speaker 3: be part of. Seniqua and her husband Kenrick, we had 112 00:05:41,320 --> 00:05:45,720 Speaker 3: remarkable conversations. They come to my church. Now Melrodriguez, who 113 00:05:45,760 --> 00:05:49,279 Speaker 3: plays Mace, who is just a sweetheart. His daughter was 114 00:05:49,279 --> 00:05:51,400 Speaker 3: baptized by my pastor. We end up going to the 115 00:05:51,400 --> 00:05:54,320 Speaker 3: same church. So there were so many great relationships on 116 00:05:54,440 --> 00:05:57,320 Speaker 3: set and being in Tulsa over the course of the summer. 117 00:05:57,360 --> 00:06:00,160 Speaker 3: For I think it was nine or ten weeks was 118 00:06:00,200 --> 00:06:01,919 Speaker 3: great because that's where it actually happened. 119 00:06:02,360 --> 00:06:03,080 Speaker 2: That's exactly right. 120 00:06:03,120 --> 00:06:04,560 Speaker 1: And of course for those who don't know the story, 121 00:06:04,600 --> 00:06:07,560 Speaker 1: it's a story instead of the early nineteen hundreds in Oklahoma, 122 00:06:07,920 --> 00:06:11,400 Speaker 1: African American young girl is I think I don't know. 123 00:06:11,360 --> 00:06:12,360 Speaker 2: The verb here. 124 00:06:12,360 --> 00:06:15,640 Speaker 1: I think deeded a plot of land because she was 125 00:06:16,080 --> 00:06:18,599 Speaker 1: from she had lived in a Cherokee tribe. I'm Cherokee 126 00:06:18,640 --> 00:06:21,119 Speaker 1: tribe who are and yet Native American tribe? I forget 127 00:06:21,120 --> 00:06:24,520 Speaker 1: the tribe, but anyway, they think it's worthless land. But 128 00:06:24,560 --> 00:06:28,479 Speaker 1: it turns out to be filled with oil underneath that land, 129 00:06:28,520 --> 00:06:31,479 Speaker 1: and of course then that starts people trying to get 130 00:06:31,480 --> 00:06:33,680 Speaker 1: that land away from her. Sarah's Oil is the name 131 00:06:33,720 --> 00:06:36,680 Speaker 1: of that one. It seems there's been a surge stillio 132 00:06:36,839 --> 00:06:39,960 Speaker 1: of these faith and family movies in recent years, and 133 00:06:40,000 --> 00:06:42,800 Speaker 1: I don't remember this many movies pre pandemic. 134 00:06:43,320 --> 00:06:44,320 Speaker 2: Do you have any thoughts of that. 135 00:06:44,480 --> 00:06:48,240 Speaker 1: What is driving this surge of content that is filled 136 00:06:48,279 --> 00:06:50,040 Speaker 1: with values and faith? 137 00:06:50,520 --> 00:06:53,960 Speaker 3: I think first and foremost is audience. I think there's 138 00:06:54,000 --> 00:06:56,719 Speaker 3: a need for it. I think there's an appreciation for 139 00:06:56,800 --> 00:06:59,279 Speaker 3: it because these kinds of films are so better made, 140 00:06:59,320 --> 00:07:02,320 Speaker 3: so far better are executed and made, and have so 141 00:07:02,400 --> 00:07:07,560 Speaker 3: much more artistic integrity than what It's easy in hindsight 142 00:07:07,560 --> 00:07:10,200 Speaker 3: in twenty twenty to call cheesy Christian films because we 143 00:07:10,200 --> 00:07:13,800 Speaker 3: did have an era of them where maybe the message 144 00:07:13,920 --> 00:07:16,720 Speaker 3: was solid, but the execution and artistic integrity of the 145 00:07:16,720 --> 00:07:19,360 Speaker 3: films was horrible. And the flip side of that is 146 00:07:19,480 --> 00:07:23,640 Speaker 3: in mainstream films, the artistic integrity is outstanding, but the 147 00:07:23,720 --> 00:07:28,360 Speaker 3: message is sometimes vacuous of some wholesome integrity. I also 148 00:07:28,480 --> 00:07:31,080 Speaker 3: think the success, and it's easy for me to say 149 00:07:31,080 --> 00:07:33,320 Speaker 3: that I'm biased, I think the success of the Chosen, 150 00:07:33,840 --> 00:07:36,760 Speaker 3: how well done it is, the remarkable effect it had 151 00:07:36,840 --> 00:07:40,000 Speaker 3: during COVID, where people all over the world could download 152 00:07:40,000 --> 00:07:43,520 Speaker 3: it free on an app. It gave them something to 153 00:07:43,560 --> 00:07:47,080 Speaker 3: look forward to. And I also think the success what 154 00:07:47,280 --> 00:07:49,920 Speaker 3: the Kingdom Stories and wonder Projects of the world have 155 00:07:50,040 --> 00:07:52,880 Speaker 3: been able to do has kind of the train has 156 00:07:52,920 --> 00:07:55,280 Speaker 3: left the station, because now these stories are traveling. 157 00:07:55,280 --> 00:07:56,440 Speaker 2: They're not just American. 158 00:07:57,000 --> 00:07:59,280 Speaker 3: There's hunger and thirst for them everywhere. 159 00:07:59,400 --> 00:08:00,280 Speaker 2: Even while I was. 160 00:08:00,200 --> 00:08:04,120 Speaker 3: In Brazil, the amount of wholesome were spiritually driven or 161 00:08:04,160 --> 00:08:07,960 Speaker 3: faith in content that's being shown there is off the charts. 162 00:08:08,400 --> 00:08:10,800 Speaker 3: So I would say those are the two biggest contributing 163 00:08:10,840 --> 00:08:14,240 Speaker 3: factors that I think. Also our filmmakers, who happened to 164 00:08:14,280 --> 00:08:17,080 Speaker 3: be people of faith are being a little bit more 165 00:08:17,080 --> 00:08:21,480 Speaker 3: disciplined in learning their craft and wanting to make sure 166 00:08:21,600 --> 00:08:25,200 Speaker 3: that what's on the page is excellent, good enough to 167 00:08:25,240 --> 00:08:29,040 Speaker 3: elicit response from critically acclaimed actors that we typically would 168 00:08:29,040 --> 00:08:32,280 Speaker 3: not see in these kind of stories, and that only helps, 169 00:08:32,720 --> 00:08:34,200 Speaker 3: you know, bring in a bigger audience. 170 00:08:34,800 --> 00:08:37,440 Speaker 2: Absolutely, And you mentioned Brazil. 171 00:08:37,440 --> 00:08:40,440 Speaker 1: Brazil was is one of the biggest viewers of the 172 00:08:40,559 --> 00:08:43,840 Speaker 1: chosen From my understanding, it was number two worldwide for 173 00:08:43,880 --> 00:08:46,400 Speaker 1: the for the longest time. And I know that Kindrick Brothers, 174 00:08:46,440 --> 00:08:49,360 Speaker 1: who are good friends of mine there they were I think, 175 00:08:49,440 --> 00:08:52,080 Speaker 1: down in Brazil making a movie in the past year. 176 00:08:52,200 --> 00:08:55,960 Speaker 1: So it's it's how we need hope all around the world. 177 00:08:56,000 --> 00:08:57,640 Speaker 1: I think that that's what that's what we're saying here. 178 00:08:57,640 --> 00:08:59,800 Speaker 1: Of course, it's the hope of Christ, but these movies 179 00:08:59,840 --> 00:09:02,960 Speaker 1: that portray that hope also help as well. You are 180 00:09:03,000 --> 00:09:06,600 Speaker 1: a person of faith, Celio, what part does your faith 181 00:09:06,640 --> 00:09:08,840 Speaker 1: play in these roles that you take? It seems like 182 00:09:08,880 --> 00:09:11,720 Speaker 1: you land in a lot of movies that have hope 183 00:09:11,720 --> 00:09:22,079 Speaker 1: in them. 184 00:09:22,600 --> 00:09:25,320 Speaker 3: I have the last few years. You know, I've been 185 00:09:25,600 --> 00:09:27,720 Speaker 3: literally doing this since the Last Supper. I've been at 186 00:09:27,720 --> 00:09:29,640 Speaker 3: it a long time. This is my fourth decade. I 187 00:09:29,679 --> 00:09:34,439 Speaker 3: started in the early nineties, mostly with thriller's action thrillers, 188 00:09:34,760 --> 00:09:38,040 Speaker 3: very kind of successful series on the critical side, but 189 00:09:38,480 --> 00:09:40,920 Speaker 3: have nothing to do with any sort of faith. The 190 00:09:41,000 --> 00:09:43,360 Speaker 3: last few years, I feel God has just been pulling 191 00:09:43,360 --> 00:09:47,040 Speaker 3: me into them. The projects find me, and to the 192 00:09:47,040 --> 00:09:50,440 Speaker 3: first part of your question, it's given me a much 193 00:09:50,480 --> 00:09:56,319 Speaker 3: more kind of discerning I in terms of what I engaging. 194 00:09:56,840 --> 00:09:58,600 Speaker 3: In the past, I'd said yes to a lot of 195 00:09:58,640 --> 00:10:02,240 Speaker 3: projects I had no business. I do regret some of those, 196 00:10:02,720 --> 00:10:06,520 Speaker 3: especially while my my child was growing up, but we 197 00:10:06,640 --> 00:10:09,960 Speaker 3: have to provide and and in retrospect, I do wish 198 00:10:10,000 --> 00:10:11,920 Speaker 3: on some of them i'd made better choices. Now my 199 00:10:12,040 --> 00:10:14,080 Speaker 3: child is an eighteen year old and she gets to 200 00:10:14,120 --> 00:10:16,480 Speaker 3: make fun of my nose. On screen, so it's it's 201 00:10:16,520 --> 00:10:17,240 Speaker 3: it's okay. 202 00:10:17,760 --> 00:10:19,800 Speaker 1: Wells really don't need to imply that that we should 203 00:10:19,840 --> 00:10:23,559 Speaker 1: only be in movies that provide hope through Christ. I mean, 204 00:10:23,679 --> 00:10:26,040 Speaker 1: you know, I I enjoy movies that have nothing to 205 00:10:26,120 --> 00:10:28,640 Speaker 1: do with Jesus. I was watching to Spika with me 206 00:10:28,760 --> 00:10:31,000 Speaker 1: last night with my with my kiddo. Although that has 207 00:10:31,040 --> 00:10:32,600 Speaker 1: some good values in it as well, I would argue 208 00:10:32,600 --> 00:10:33,840 Speaker 1: it's it's a pro adoption film. 209 00:10:35,320 --> 00:10:38,600 Speaker 2: Let's let's talk. Let's let's talk. Let's talk about let's 210 00:10:38,600 --> 00:10:41,960 Speaker 2: talk about your early role and the Chosen. That's yes, 211 00:10:42,559 --> 00:10:43,439 Speaker 2: that's just it. 212 00:10:43,640 --> 00:10:45,960 Speaker 1: It's amazing to talk to someone who was there from 213 00:10:46,000 --> 00:10:49,040 Speaker 1: the get go, which you were, and now this thing 214 00:10:49,440 --> 00:10:53,040 Speaker 1: is worldwide, it's a it's viewed by it's been viewed 215 00:10:53,040 --> 00:10:56,760 Speaker 1: by just one hundreds of millions of people worldwide, people 216 00:10:56,840 --> 00:10:59,920 Speaker 1: from Wolpe Guildberg to tuck her Carlson, like the Chosen, 217 00:11:00,280 --> 00:11:01,920 Speaker 1: and those who wouldn't agree on anything. 218 00:11:04,559 --> 00:11:06,120 Speaker 2: It's incredible. It's incredible to see. 219 00:11:06,160 --> 00:11:09,439 Speaker 1: Though, take us back to the early days and what 220 00:11:09,679 --> 00:11:12,480 Speaker 1: was your role then and what do you remember about 221 00:11:12,520 --> 00:11:13,040 Speaker 1: those days? 222 00:11:13,160 --> 00:11:16,200 Speaker 2: Do you have any sense that it can be anything big? 223 00:11:17,440 --> 00:11:20,839 Speaker 3: There's a lot of nostalgia that comes up because I 224 00:11:21,040 --> 00:11:23,160 Speaker 3: was part of a short film called The Two Thieves 225 00:11:23,920 --> 00:11:26,480 Speaker 3: or Once We Were Slaves about the perspective of the 226 00:11:26,520 --> 00:11:30,120 Speaker 3: Crucifixion from the Two Thieves point of view, which again 227 00:11:30,240 --> 00:11:32,439 Speaker 3: Dallas is very nuanced in what he does. I think 228 00:11:32,520 --> 00:11:36,640 Speaker 3: that's a remarkable gift he's been given. That kind of 229 00:11:37,040 --> 00:11:39,160 Speaker 3: paved the way was the birth pangs, and he has 230 00:11:39,240 --> 00:11:44,240 Speaker 3: said that of the Chosen coming to fruition, I portrayed 231 00:11:44,280 --> 00:11:46,960 Speaker 3: the good thief on the Cross. Jonathan Roumy, who plays Jesus, 232 00:11:47,040 --> 00:11:51,240 Speaker 3: portrayed the Lord in that and Jonathan, excuse me, Dallas 233 00:11:51,280 --> 00:11:54,880 Speaker 3: had reached out to me. I believe it was twenty 234 00:11:55,840 --> 00:11:59,440 Speaker 3: seventeen or twenty eighteen with a role on the Chosen, 235 00:11:59,520 --> 00:12:01,880 Speaker 3: a different role than the Moses role. He said, I 236 00:12:02,000 --> 00:12:05,640 Speaker 3: have something I want you to look at. Excuse me, 237 00:12:05,760 --> 00:12:07,960 Speaker 3: I'm lying. I did not tell him I received an 238 00:12:07,960 --> 00:12:11,160 Speaker 3: appointment for it. Then he found out I had to 239 00:12:11,400 --> 00:12:15,360 Speaker 3: pass on the film he call on the series because 240 00:12:15,360 --> 00:12:18,360 Speaker 3: I've been contracted to do Infidel in Jordan. I have 241 00:12:18,520 --> 00:12:20,680 Speaker 3: no idea something else will come back up, and he said, 242 00:12:20,679 --> 00:12:22,920 Speaker 3: don't worry about it, Stellio, We'll find something else for you. 243 00:12:23,080 --> 00:12:25,520 Speaker 3: I'm in Jordan. I go to all of the architectural 244 00:12:25,640 --> 00:12:28,800 Speaker 3: biblical sites, which I'm fascinated by. I go and see 245 00:12:28,840 --> 00:12:31,720 Speaker 3: gets Semine in the Holy Land. I take my wife 246 00:12:31,800 --> 00:12:34,040 Speaker 3: and daughter to Mount Nebo, where Moses is buried. 247 00:12:34,080 --> 00:12:35,280 Speaker 2: It was very emotional for me. 248 00:12:36,120 --> 00:12:38,559 Speaker 3: I see the Holy Land, and I know that that's 249 00:12:38,600 --> 00:12:41,959 Speaker 3: the last thing that Moses saw before he passed. According 250 00:12:42,000 --> 00:12:45,480 Speaker 3: to his word, the Lord's work, Moses didn't get to 251 00:12:45,559 --> 00:12:48,280 Speaker 3: go in. I think that's not only because he was 252 00:12:48,320 --> 00:12:51,800 Speaker 3: disobedient and struck the rock, but because Moses represented the law. 253 00:12:51,880 --> 00:12:56,400 Speaker 3: The lonely gets you so far. Jesus is what takes 254 00:12:56,480 --> 00:12:59,160 Speaker 3: us to the Promised Land. He literally walks us in 255 00:12:59,559 --> 00:13:01,959 Speaker 3: or walks us through there so it would be the 256 00:13:02,000 --> 00:13:05,760 Speaker 3: New Testament. And I get very emotional. I have photos 257 00:13:06,080 --> 00:13:08,680 Speaker 3: under the snake in the poll, not the original because 258 00:13:08,720 --> 00:13:13,520 Speaker 3: that was destroyed. My wife and daughter and I see 259 00:13:13,559 --> 00:13:16,800 Speaker 3: the museum. I come back about three months go by. 260 00:13:17,000 --> 00:13:19,120 Speaker 3: Michael Dallas calls me up, says, I have a very 261 00:13:19,360 --> 00:13:21,520 Speaker 3: iconic role for you. I'd really prefer if you didn't 262 00:13:21,559 --> 00:13:26,439 Speaker 3: say no. I read it. It's Moses, and it feels 263 00:13:26,600 --> 00:13:29,800 Speaker 3: like God had qualified a certain part of that for me. 264 00:13:30,760 --> 00:13:35,080 Speaker 3: My grandfather also survived the Holocaust Jewish believer by moving 265 00:13:35,160 --> 00:13:39,679 Speaker 3: to South Africa. My mother's a Christian via she's a 266 00:13:39,760 --> 00:13:44,880 Speaker 3: Messianic Jews, so a lot of personal attachment to that role. 267 00:13:45,200 --> 00:13:49,120 Speaker 3: And I don't know how much of an inkling we'd 268 00:13:49,200 --> 00:13:52,199 Speaker 3: have of the success of it, but we do know 269 00:13:52,520 --> 00:13:55,760 Speaker 3: that it was the most successfully publicly funded project of 270 00:13:55,760 --> 00:13:58,839 Speaker 3: all time. I think they raised record sums at the time, 271 00:13:58,920 --> 00:14:01,599 Speaker 3: it was somewhere between maybe sixteen and twenty mili, so 272 00:14:01,720 --> 00:14:03,920 Speaker 3: we knew the audience was there, but now to see 273 00:14:04,880 --> 00:14:09,920 Speaker 3: you know it going into season seven is just remarkable. 274 00:14:10,520 --> 00:14:13,360 Speaker 1: One final question for you about The Chosen. What are 275 00:14:13,360 --> 00:14:17,880 Speaker 1: your thoughts on it's popularity. We've had projects about christ 276 00:14:17,960 --> 00:14:21,400 Speaker 1: before and they did okay at the box office, and 277 00:14:22,400 --> 00:14:24,800 Speaker 1: you know, some people watch them, but it wasn't to 278 00:14:24,840 --> 00:14:25,320 Speaker 1: this level. 279 00:14:25,840 --> 00:14:29,040 Speaker 2: What is taken into another level? What's been the difference 280 00:14:29,120 --> 00:14:29,800 Speaker 2: with The Chosen? 281 00:14:30,840 --> 00:14:34,680 Speaker 3: You know, that's a great That is a great question 282 00:14:35,240 --> 00:14:39,640 Speaker 3: I know I can answer for myself. Yeah, and I 283 00:14:39,760 --> 00:14:43,520 Speaker 3: think it goes back to Dallas's gift. When Dallas wrote 284 00:14:43,560 --> 00:14:47,280 Speaker 3: The Chosen, he made a statement about it and he said, 285 00:14:48,160 --> 00:14:51,600 Speaker 3: other projects about the Lord have always been told from 286 00:14:51,720 --> 00:14:55,640 Speaker 3: Jesus perspective. The key with the Chosen is it's from 287 00:14:55,720 --> 00:14:58,800 Speaker 3: the perspective of the people who knew, spend time with, 288 00:14:59,000 --> 00:15:02,320 Speaker 3: were influenced in moved by the Lord, and it's filmed 289 00:15:03,160 --> 00:15:07,120 Speaker 3: that way. Literally, it is framed that way, and I 290 00:15:07,240 --> 00:15:09,760 Speaker 3: think it feels more personal, and we get to see 291 00:15:09,880 --> 00:15:14,240 Speaker 3: Jesus the man and what he suffered and what his 292 00:15:14,360 --> 00:15:17,840 Speaker 3: struggles were and what his victories are because of it. 293 00:15:18,000 --> 00:15:22,680 Speaker 3: But we also, from those people's perspective, get to understand 294 00:15:23,160 --> 00:15:27,360 Speaker 3: where his impact can be applicable to us personally because 295 00:15:27,400 --> 00:15:31,200 Speaker 3: it's told that way. So I am not Dallas's publicist, 296 00:15:31,240 --> 00:15:34,160 Speaker 3: but I would give him credit for that. I agree 297 00:15:34,200 --> 00:15:35,000 Speaker 3: with everything you said. 298 00:15:35,040 --> 00:15:36,720 Speaker 1: I think when I watched The Jose that I see 299 00:15:36,800 --> 00:15:40,440 Speaker 1: myself through those characters, and so when when christ is 300 00:15:40,560 --> 00:15:42,600 Speaker 1: talking to one of them, I feel like I feel 301 00:15:42,640 --> 00:15:45,760 Speaker 1: like it's a word for me, you know, And so 302 00:15:46,680 --> 00:15:48,680 Speaker 1: we can see ourselves in those characters. You know, we 303 00:15:49,440 --> 00:15:52,280 Speaker 1: are Peter, we are Mary Magdalen. Yeah, so I think 304 00:15:52,320 --> 00:15:54,640 Speaker 1: you're exactly, absolutely exactly right. Let's go to go back 305 00:15:55,000 --> 00:15:58,600 Speaker 1: to Hazel's Heart, which is now on Angel Angel platform 306 00:15:58,640 --> 00:16:01,160 Speaker 1: as well as video owned. Man Give Me One or 307 00:16:01,200 --> 00:16:05,120 Speaker 1: two maybe lessons from that film that you want families 308 00:16:05,200 --> 00:16:05,960 Speaker 1: to take away from it. 309 00:16:06,840 --> 00:16:09,880 Speaker 3: You know, Hazel's heart is filled with them. There are 310 00:16:09,880 --> 00:16:12,040 Speaker 3: a lot of young characters in the film. The lead 311 00:16:12,360 --> 00:16:16,920 Speaker 3: is Hazel played by Madeline Dundan, who was just outstanding 312 00:16:17,000 --> 00:16:19,720 Speaker 3: showed wisdom beyond her years in the role. I think 313 00:16:19,800 --> 00:16:25,080 Speaker 3: the lessons are that in those moments that come we 314 00:16:25,200 --> 00:16:29,479 Speaker 3: all face them, we lose family members, we go through hardship, 315 00:16:30,280 --> 00:16:33,240 Speaker 3: we have to have something to lean on because the 316 00:16:33,360 --> 00:16:37,320 Speaker 3: decisions we make when stakes are high can have life 317 00:16:37,400 --> 00:16:42,360 Speaker 3: altering consequences. That doesn't mean bad, It just means that 318 00:16:43,120 --> 00:16:46,000 Speaker 3: in those moments we have to be very careful how 319 00:16:46,080 --> 00:16:50,600 Speaker 3: we choose. I also think that Hazel's heart has a 320 00:16:50,840 --> 00:16:55,480 Speaker 3: very redeeming quality of hope because it's not about how 321 00:16:55,560 --> 00:16:59,440 Speaker 3: long your life burns, it's about how brightly the flame flickers. 322 00:17:00,040 --> 00:17:02,480 Speaker 3: So while you have an opportunity to serve others and 323 00:17:02,640 --> 00:17:05,159 Speaker 3: do something in your life, step into that. 324 00:17:05,920 --> 00:17:08,760 Speaker 2: It's so much more rewarding to give than to receive. 325 00:17:08,960 --> 00:17:11,800 Speaker 3: And that's not just a Christmas time, it's every day 326 00:17:12,000 --> 00:17:16,080 Speaker 3: with every person we meet. Your smile could make a 327 00:17:16,119 --> 00:17:18,919 Speaker 3: difference on a day in someone's life when they were 328 00:17:18,960 --> 00:17:22,080 Speaker 3: going to take their life. I'm in an industry where 329 00:17:22,440 --> 00:17:29,760 Speaker 3: depression is rampant, and those opportunities that we have are paramount, 330 00:17:30,560 --> 00:17:32,680 Speaker 3: So I think those are the two things that come 331 00:17:32,760 --> 00:17:37,120 Speaker 3: from that discernment about making choices and giving people hope. 332 00:17:39,560 --> 00:17:41,920 Speaker 1: If you like today's episode, please subscribe and leave a 333 00:17:42,000 --> 00:17:42,919 Speaker 1: five star review. 334 00:17:43,240 --> 00:17:46,000 Speaker 3: That's how we help more people just like you find 335 00:17:46,040 --> 00:17:46,400 Speaker 3: the show. 336 00:17:46,960 --> 00:17:48,800 Speaker 2: A big thanks to the team at life. 337 00:17:48,600 --> 00:17:51,160 Speaker 3: Audio for their partnership with us on the podcast. 338 00:17:51,680 --> 00:17:53,359 Speaker 2: If you go to lifeaudio dot com, you. 339 00:17:53,359 --> 00:17:57,000 Speaker 1: Will find dozens of other faith centered podcasts in their network. 340 00:17:57,520 --> 00:17:58,240 Speaker 2: See you next time 341 00:18:00,000 --> 00:18:00,040 Speaker 1: And