1 00:00:02,730 --> 00:00:06,840 Speaker 1: Life audio hey paul thanks for joining me hi michael 2 00:00:07,600 --> 00:00:10,219 Speaker 1: good to be here thank you dove winning singer and 3 00:00:10,260 --> 00:00:13,219 Speaker 1: songwriter all the lush is our guest today you have 4 00:00:13,240 --> 00:00:15,480 Speaker 1: written so many songs paul i'll name a few of 5 00:00:15,520 --> 00:00:18,280 Speaker 1: them here open the eyes of my heart above all 6 00:00:18,340 --> 00:00:21,709 Speaker 1: hosanna i love those three you have a new album 7 00:00:21,750 --> 00:00:23,330 Speaker 1: as well that's why i wanted to have you on 8 00:00:23,590 --> 00:00:26,570 Speaker 1: yes we believe recorded live at a church in dallas 9 00:00:26,590 --> 00:00:28,830 Speaker 1: i want to talk about your career in songwriting but 10 00:00:28,850 --> 00:00:31,170 Speaker 1: let's talk about the album first what was your goal 11 00:00:31,190 --> 00:00:34,550 Speaker 1: with the new album and why name it Yes We Believe? 12 00:00:35,670 --> 00:00:39,589 Speaker 2: Good question. What was my goal? You know, I've been 13 00:00:39,610 --> 00:00:42,310 Speaker 2: with Integrity now 30 years, and the goal has always been, 14 00:00:42,340 --> 00:00:45,019 Speaker 2: you know, as a worship pastor, I find that a 15 00:00:45,060 --> 00:00:49,059 Speaker 2: lot of worship songs oftentimes kind of rise up or 16 00:00:49,140 --> 00:00:52,580 Speaker 2: begin in the midst of worship time, maybe a Friday 17 00:00:52,620 --> 00:00:55,290 Speaker 2: night prayer meeting or a Sunday morning. There's sometimes a 18 00:00:55,390 --> 00:00:58,130 Speaker 2: phrase that comes out of your mouth in the midst 19 00:00:58,170 --> 00:01:01,650 Speaker 2: of leading worship, or you hear someone pray. a certain 20 00:01:01,770 --> 00:01:04,350 Speaker 2: phrase and you're like, Ooh, Ooh, that's, that's me. That 21 00:01:04,370 --> 00:01:08,650 Speaker 2: could be potentially something that we sing. So the goal 22 00:01:08,730 --> 00:01:12,280 Speaker 2: would be, it was the same to this project was 23 00:01:12,360 --> 00:01:15,640 Speaker 2: the opportunity to just sort of take some of those 24 00:01:15,680 --> 00:01:17,720 Speaker 2: songs that have collected over the last couple of years 25 00:01:18,160 --> 00:01:20,720 Speaker 2: and try to choose the best ones. And, you know, 26 00:01:20,780 --> 00:01:22,919 Speaker 2: kind of where do I want to do this? I'm 27 00:01:22,959 --> 00:01:26,500 Speaker 2: not on staff at a church at this season, like 28 00:01:26,540 --> 00:01:29,260 Speaker 2: I was for, for 25 years, like I said, um, 29 00:01:30,430 --> 00:01:34,190 Speaker 2: So this was an opportunity, Christ for the Nations. It's 30 00:01:34,890 --> 00:01:39,220 Speaker 2: been there 70 years, and they have students from 50 31 00:01:39,220 --> 00:01:43,660 Speaker 2: different nations. And that got me excited, the possibility of 32 00:01:43,920 --> 00:01:49,140 Speaker 2: working with next generation kids that are excited about the Lord, 33 00:01:49,220 --> 00:01:53,900 Speaker 2: pursuing the Lord, pursuing education from nations around the world. 34 00:01:53,980 --> 00:01:56,660 Speaker 2: And I thought, yeah, let's move toward this. So it 35 00:01:56,720 --> 00:01:59,750 Speaker 2: turned out to be a perfect place to do a 36 00:01:59,790 --> 00:02:03,590 Speaker 2: live recording with a lot of the band members or 37 00:02:03,610 --> 00:02:09,100 Speaker 2: guys I've played with for over two decades. We've toured places, 38 00:02:09,120 --> 00:02:13,560 Speaker 2: you know, from India to Malaysia and Singapore, Korea, South Africa, 39 00:02:14,280 --> 00:02:17,380 Speaker 2: you know, just dear friends. So it just meant a 40 00:02:17,419 --> 00:02:20,720 Speaker 2: lot to do. And also live, there's something dynamic about 41 00:02:20,760 --> 00:02:24,520 Speaker 2: a live experience. And yes, we believe the bottom line 42 00:02:24,600 --> 00:02:28,089 Speaker 2: is real quick that the songwriting, the song itself, him 43 00:02:28,130 --> 00:02:31,910 Speaker 2: about in a conversation with the co-writer, and he was 44 00:02:31,940 --> 00:02:35,620 Speaker 2: just in conversation, said something like, you know, blah, blah, blah, but, 45 00:02:35,639 --> 00:02:37,820 Speaker 2: you know, do we really believe, you know, that it's 46 00:02:37,840 --> 00:02:40,399 Speaker 2: going to be this or that? And after he finished, 47 00:02:40,419 --> 00:02:42,060 Speaker 2: I said, you know, that's an interesting phrase. You said, 48 00:02:42,639 --> 00:02:45,660 Speaker 2: do we really believe? Like, that would actually be a 49 00:02:45,700 --> 00:02:49,660 Speaker 2: good beginning to a song. Like, do we really believe 50 00:02:50,080 --> 00:02:53,669 Speaker 2: in a man named Jesus, that he died to save 51 00:02:53,770 --> 00:02:57,410 Speaker 2: us on a Roman cross? Do we really believe in 52 00:02:57,430 --> 00:03:01,090 Speaker 2: the resurrection, in a place called heaven that waits for us. 53 00:03:01,850 --> 00:03:03,690 Speaker 2: Do we really believe so? It just became kind of 54 00:03:03,710 --> 00:03:06,430 Speaker 2: like an inventory of like, what do we really believe? 55 00:03:07,389 --> 00:03:10,470 Speaker 2: Maybe from a new believer to a mature believer, you know, like, huh. 56 00:03:11,030 --> 00:03:14,510 Speaker 2: So anyway, of course, the response on the chorus had 57 00:03:14,560 --> 00:03:17,820 Speaker 2: to be, yes, yes, we believe, you know, so. 58 00:03:18,500 --> 00:03:21,320 Speaker 1: It's kind of a declaration. That's a declaration for the 59 00:03:21,380 --> 00:03:24,299 Speaker 1: audience there, I guess. It's kind of a declaration in 60 00:03:24,620 --> 00:03:27,990 Speaker 1: a secular society, kind of like Daniel in his friends 61 00:03:28,030 --> 00:03:31,290 Speaker 1: there in Babylon. I don't know. I don't know if 62 00:03:31,310 --> 00:03:33,290 Speaker 1: I'm pushing there, but it seems like that's kind of 63 00:03:33,310 --> 00:03:36,710 Speaker 1: what it is with me. What was the audience? Was 64 00:03:36,850 --> 00:03:39,850 Speaker 1: it cross section of the church or was it mostly students? 65 00:03:40,890 --> 00:03:42,950 Speaker 2: Good cross section. A lot of young people, all of 66 00:03:43,190 --> 00:03:44,750 Speaker 2: the students were there. I don't know if they had 67 00:03:44,790 --> 00:03:47,410 Speaker 2: to be there, but it was again, quite beautiful to 68 00:03:47,450 --> 00:03:50,050 Speaker 2: look out. Some of them sort of brought along their 69 00:03:50,110 --> 00:03:52,430 Speaker 2: nation's flag, you know, so it was interesting throughout the 70 00:03:52,470 --> 00:03:56,500 Speaker 2: night to see certain flags at times. And, just sort 71 00:03:56,520 --> 00:04:00,610 Speaker 2: of a reminder that every nation, tribe, and tongue, as Revelation, 72 00:04:00,670 --> 00:04:04,510 Speaker 2: the book of Revelation describes, worshiping the Lord. And there 73 00:04:04,530 --> 00:04:07,770 Speaker 2: was just a lot of youthful energy. The church that 74 00:04:07,810 --> 00:04:10,470 Speaker 2: I was at for all those years in Texas, it 75 00:04:10,510 --> 00:04:13,100 Speaker 2: was close to a YWAM, Youth with a Mission base, 76 00:04:13,620 --> 00:04:18,620 Speaker 2: and teen mania. And so I've always loved and you 77 00:04:18,670 --> 00:04:22,789 Speaker 2: kind of feed off of just that, that young 20 something, 78 00:04:22,910 --> 00:04:25,090 Speaker 2: just met the Lord, just got to know the Lord, 79 00:04:25,150 --> 00:04:28,490 Speaker 2: reaching out, pressing into God. So, yeah. And then there was, 80 00:04:28,510 --> 00:04:30,670 Speaker 2: in addition to that, of course, a lot of folks 81 00:04:30,690 --> 00:04:33,450 Speaker 2: from just the, they call the Metroplex. 82 00:04:33,890 --> 00:04:37,530 Speaker 1: Yeah. The Metroplex. I know what you're talking about. So 83 00:04:38,290 --> 00:04:40,750 Speaker 1: how did you choose what tracks have been on this album? Some, 84 00:04:40,790 --> 00:04:42,790 Speaker 1: some of them are ones that I've, I've loved for years. 85 00:04:42,830 --> 00:04:45,370 Speaker 1: Stand it all to him has sits on the throne. 86 00:04:45,950 --> 00:04:48,790 Speaker 1: I think some of them are newer than that. So, yeah. 87 00:04:49,110 --> 00:04:51,969 Speaker 2: So interesting that you mentioned those because they were not intended. 88 00:04:52,010 --> 00:04:55,130 Speaker 2: You know, it was pretty much all new songs. And 89 00:04:55,170 --> 00:04:58,530 Speaker 2: yet in the midst of rehearsing for a day or two, 90 00:04:59,130 --> 00:05:00,599 Speaker 2: we sort of get to the end of this one 91 00:05:00,630 --> 00:05:03,540 Speaker 2: song that was very much written around the book of 92 00:05:03,620 --> 00:05:08,760 Speaker 2: Revelation and really a picture of, yeah, to him, to him, 93 00:05:08,860 --> 00:05:12,340 Speaker 2: to him who sits on the throne. And when we 94 00:05:12,400 --> 00:05:15,479 Speaker 2: finish that, of course, that's a direct verse in the Bible. 95 00:05:16,220 --> 00:05:18,099 Speaker 2: When we finished that song, it was just like this 96 00:05:18,160 --> 00:05:21,760 Speaker 2: holy hush. And I just, we were in that key 97 00:05:21,800 --> 00:05:23,760 Speaker 2: and we're just kind of staying there. And I just 98 00:05:23,779 --> 00:05:28,719 Speaker 2: could hear, to him who sits on the throne. And 99 00:05:28,760 --> 00:05:32,620 Speaker 2: eventually asked the worship leader at Christ for the Nations 100 00:05:32,640 --> 00:05:35,850 Speaker 2: to lead that. Maria, her name is. She's from Nigeria. 101 00:05:35,990 --> 00:05:41,070 Speaker 2: And boy, when she sings, there's something really deep and 102 00:05:41,150 --> 00:05:44,230 Speaker 2: special there. So that became like, let's do that tomorrow night. 103 00:05:44,770 --> 00:05:48,020 Speaker 2: During the recording, let's see what happens. So I love, again, 104 00:05:48,060 --> 00:05:50,180 Speaker 2: that's what I love about a live project is you're 105 00:05:50,220 --> 00:05:54,560 Speaker 2: leading worship, but you're open to anything could happen. You know, 106 00:05:54,620 --> 00:05:58,039 Speaker 2: anything we may, we could go into this old course 107 00:05:58,220 --> 00:06:00,270 Speaker 2: or we could just stay here and we could repeat 108 00:06:00,310 --> 00:06:03,890 Speaker 2: that or we could do an acapella moment or so. Yeah, 109 00:06:04,029 --> 00:06:04,470 Speaker 2: I love that. 110 00:06:04,950 --> 00:06:07,770 Speaker 1: I love live recordings. One of my first ones that 111 00:06:07,870 --> 00:06:10,070 Speaker 1: I really fell in love with, there's a couple actually, 112 00:06:10,089 --> 00:06:12,380 Speaker 1: Hillsong had one years ago, like one of the first ones. 113 00:06:13,240 --> 00:06:15,510 Speaker 1: that Darlene Check came out with. And then Michael W. 114 00:06:15,520 --> 00:06:18,320 Speaker 1: Smith had a couple that were so good. And so 115 00:06:18,339 --> 00:06:21,310 Speaker 1: I love, love live recordings. There's something powerful about it. 116 00:06:21,940 --> 00:06:25,630 Speaker 1: It's almost indescribable, really. Two of your more popular songs 117 00:06:25,690 --> 00:06:27,950 Speaker 1: were Above All, which was covered by Michael W. Smith, 118 00:06:28,470 --> 00:06:30,730 Speaker 1: and Open the Eyes of My Heart. I always like 119 00:06:31,070 --> 00:06:34,610 Speaker 1: asking songwriters who saw something grow bigger than they thought 120 00:06:34,650 --> 00:06:37,300 Speaker 1: it could ever be, what they thought when they wrote it. 121 00:06:37,370 --> 00:06:40,630 Speaker 1: So when you were writing these two songs, Above All 122 00:06:40,690 --> 00:06:42,990 Speaker 1: and Open the Eyes of My Heart, I mean, they 123 00:06:43,029 --> 00:06:45,040 Speaker 1: might be years apart, but when you were writing those songs, 124 00:06:45,560 --> 00:06:48,339 Speaker 1: did you have a sense they could become bigger than 125 00:06:48,920 --> 00:06:49,680 Speaker 1: the average song? 126 00:06:50,660 --> 00:06:54,940 Speaker 2: Not necessarily, to be honest, especially Open the Eyes. And 127 00:06:54,960 --> 00:06:57,339 Speaker 2: the proof is it was on my second live album 128 00:06:57,400 --> 00:07:02,030 Speaker 2: I did with Integrity Music. And it was song, you know, 129 00:07:02,050 --> 00:07:05,070 Speaker 2: that's when we had cassettes and CDs. And it's song 130 00:07:05,110 --> 00:07:08,870 Speaker 2: number eight. So out of like 14 songs, there's something 131 00:07:08,910 --> 00:07:11,840 Speaker 2: in me that said, oh, let's make sure we do 132 00:07:11,880 --> 00:07:13,700 Speaker 2: this one. Yeah, this feels like we should probably put 133 00:07:13,740 --> 00:07:15,670 Speaker 2: this on the record. You know, if I had known 134 00:07:15,700 --> 00:07:18,830 Speaker 2: that the song would resonate with people as much as 135 00:07:18,930 --> 00:07:21,770 Speaker 2: it has, then I probably would have, like, put it 136 00:07:21,930 --> 00:07:24,990 Speaker 2: first or second, entitled the album, Open the Eyes of 137 00:07:25,010 --> 00:07:28,010 Speaker 2: My Heart. So I think that's proof that I think 138 00:07:28,070 --> 00:07:31,060 Speaker 2: at the time it was just one of many songs, 139 00:07:31,070 --> 00:07:34,580 Speaker 2: you know, there was a real fervent prayer movement happening 140 00:07:34,600 --> 00:07:36,920 Speaker 2: in our church. A lot of times, you know, Friday 141 00:07:36,960 --> 00:07:39,880 Speaker 2: nights as a worship band were just There was no 142 00:07:39,980 --> 00:07:43,830 Speaker 2: tracks or anything like that. We're just playing and providing 143 00:07:43,870 --> 00:07:47,070 Speaker 2: some background music and familiar choruses as people are praying. 144 00:07:47,090 --> 00:07:50,030 Speaker 2: And then so often just that phrase I had for 145 00:07:50,050 --> 00:07:53,790 Speaker 2: a couple of years, open the eyes of my heart. 146 00:07:53,890 --> 00:07:57,470 Speaker 2: It's from Ephesians 1.18. But, you know, Lord, we want 147 00:07:57,490 --> 00:08:00,420 Speaker 2: to see you. God, open our eyes. God, to see 148 00:08:00,450 --> 00:08:02,940 Speaker 2: you high and lifted up. God, pour out your power 149 00:08:02,980 --> 00:08:05,540 Speaker 2: and your love. You know, those were the kinds of prayers. 150 00:08:05,600 --> 00:08:08,280 Speaker 2: Pour out your Holy Spirit, Jesus. We call out to you, 151 00:08:08,360 --> 00:08:11,890 Speaker 2: you know. So it wasn't like, you know, sitting down, 152 00:08:11,950 --> 00:08:14,210 Speaker 2: I'm going to write a song. It was more of a, 153 00:08:14,970 --> 00:08:20,970 Speaker 2: almost a byproduct, just an unction and cry of the heart. 154 00:08:21,790 --> 00:08:25,690 Speaker 2: And then quickly, above all, I always sort of had 155 00:08:25,730 --> 00:08:27,290 Speaker 2: a place in the back of my journal as the 156 00:08:27,330 --> 00:08:32,090 Speaker 2: last page for any like title ideas, song title possibilities, 157 00:08:32,929 --> 00:08:35,600 Speaker 2: even in a conversation like this, or maybe a sermon 158 00:08:35,700 --> 00:08:38,490 Speaker 2: or whatever. Being in a prayer meeting, I'd hear something 159 00:08:38,510 --> 00:08:43,030 Speaker 2: and go, oh, that could be an interesting song title, maybe. 160 00:08:43,070 --> 00:08:45,050 Speaker 2: So I would always keep that. So I remember sitting 161 00:08:45,090 --> 00:08:48,030 Speaker 2: down in my little church there on Tuesday morning and 162 00:08:48,070 --> 00:08:49,829 Speaker 2: just opening up that and looking at some of the 163 00:08:49,870 --> 00:08:53,650 Speaker 2: titles and thought, above all, above all. And I just 164 00:08:53,690 --> 00:08:57,630 Speaker 2: remember thinking, what could I say about the Lord or 165 00:08:58,580 --> 00:09:01,700 Speaker 2: to the Lord with that phrase? You know, you're above all, 166 00:09:01,740 --> 00:09:08,210 Speaker 2: you're above all. kingdoms and you're above all powers you're 167 00:09:08,250 --> 00:09:13,050 Speaker 2: above all all education and wealth and treasures and so 168 00:09:13,110 --> 00:09:15,370 Speaker 2: I just began kind of writing down some of those 169 00:09:16,270 --> 00:09:20,020 Speaker 2: things that our culture esteems and it's like just to 170 00:09:20,080 --> 00:09:22,820 Speaker 2: declare that began to become clear like oh it'd be 171 00:09:22,860 --> 00:09:25,319 Speaker 2: cool to to write a song that just sort of 172 00:09:25,360 --> 00:09:28,859 Speaker 2: declares you're above all of this and you're above all 173 00:09:29,580 --> 00:09:33,520 Speaker 2: you know etc and then I ended up after playing 174 00:09:33,540 --> 00:09:37,949 Speaker 2: with that for a not two weeks straight, sitting at 175 00:09:37,970 --> 00:09:40,559 Speaker 2: the piano. But that's how songwriting works. You kind of 176 00:09:40,600 --> 00:09:42,400 Speaker 2: get a good start. And then an hour, I got 177 00:09:42,420 --> 00:09:45,040 Speaker 2: to go pick up my son from soccer practice or something. 178 00:09:45,940 --> 00:09:48,199 Speaker 2: But it's in the back of your mind and you're prayerfully, 179 00:09:48,660 --> 00:09:50,679 Speaker 2: you know, it's bouncing around. And I had a different 180 00:09:50,740 --> 00:09:53,530 Speaker 2: chorus for that. And we sang it at our church 181 00:09:53,550 --> 00:09:56,550 Speaker 2: for about a year. And it was almost a shout 182 00:09:56,570 --> 00:09:58,570 Speaker 2: to the Lord kind of a chorus. You know, there's 183 00:09:58,610 --> 00:10:02,059 Speaker 2: no way to measure what's you were. And then it 184 00:10:02,100 --> 00:10:04,580 Speaker 2: was like a real, but every time we sang it, 185 00:10:04,920 --> 00:10:07,380 Speaker 2: I just felt like something in my heart was like, 186 00:10:07,400 --> 00:10:09,740 Speaker 2: I think there's a better chorus. 187 00:10:10,120 --> 00:10:10,540 Speaker 1: I don't know. 188 00:10:10,660 --> 00:10:13,320 Speaker 2: I think there's, I really believe in this A section. 189 00:10:13,380 --> 00:10:15,420 Speaker 2: So bottom line is I kind of pulled it off the, 190 00:10:16,000 --> 00:10:19,620 Speaker 2: out of rotation. And a few months later, Happened to 191 00:10:19,720 --> 00:10:22,880 Speaker 2: meet with Lenny LeBlanc, an old friend that, you know, 192 00:10:22,920 --> 00:10:24,939 Speaker 2: we hadn't seen each other in a while. Spent the 193 00:10:24,980 --> 00:10:27,080 Speaker 2: night at his house and kind of, let's try to 194 00:10:27,120 --> 00:10:29,100 Speaker 2: work on a few songs. I threw out some ideas 195 00:10:29,179 --> 00:10:32,400 Speaker 2: and he wasn't crazy. Threw out just that above all section. 196 00:10:33,280 --> 00:10:36,040 Speaker 2: And he was like, let me mess with that. And 197 00:10:36,100 --> 00:10:39,160 Speaker 2: the next morning he had that first line. What do 198 00:10:39,179 --> 00:10:41,580 Speaker 2: you think of that? Like, there's no way to measure 199 00:10:41,640 --> 00:10:47,140 Speaker 2: what you were. And crucified, laid behind a stone. You know, 200 00:10:47,220 --> 00:10:51,990 Speaker 2: you lived. to die, rejected. And so then we, you know, 201 00:10:52,470 --> 00:10:55,890 Speaker 2: jumped in there probably in 20 minutes, pretty much wrote itself. 202 00:10:55,970 --> 00:10:58,770 Speaker 2: And we were filled with emotion. We could just feel 203 00:10:58,809 --> 00:11:02,460 Speaker 2: the emotion of just, Lord, you know, whatever. Your brain 204 00:11:02,500 --> 00:11:05,440 Speaker 2: isn't immediately like, oh, this might catch on someday or 205 00:11:05,500 --> 00:11:09,059 Speaker 2: be on a CD. It's more of just like, wow, like, Lord, 206 00:11:09,260 --> 00:11:13,579 Speaker 2: receive this worship, receive this praise. God, you're, you know, 207 00:11:14,320 --> 00:11:16,839 Speaker 2: it really felt like that. So I'm sorry it's a 208 00:11:16,870 --> 00:11:17,710 Speaker 2: long answer, but. 209 00:11:18,150 --> 00:11:21,689 Speaker 1: That's an amazing answer. So above all, it began with 210 00:11:21,730 --> 00:11:24,189 Speaker 1: a different tune that you sang at your church for 211 00:11:24,350 --> 00:11:27,050 Speaker 1: a year. And then you thought, no, it needs to 212 00:11:27,070 --> 00:11:30,350 Speaker 1: be a little different. That's a great story. I always 213 00:11:30,390 --> 00:11:31,770 Speaker 1: think a song is a song when it gets its 214 00:11:31,790 --> 00:11:34,350 Speaker 1: own Wikipedia page. Both of these have their own Wikipedia pages. 215 00:11:35,790 --> 00:11:41,030 Speaker 1: That means nothing to you. But I think that's always funny. Paul, 216 00:11:41,500 --> 00:11:44,400 Speaker 1: what was the first song that you wrote that really 217 00:11:44,440 --> 00:11:46,839 Speaker 1: became big, though? I don't think it was these two. 218 00:11:46,880 --> 00:11:49,630 Speaker 1: It was years before that. So what was your first 219 00:11:49,960 --> 00:11:50,360 Speaker 1: big one? 220 00:11:51,080 --> 00:11:54,420 Speaker 2: Yeah, that's a good question. You know, like big, it's 221 00:11:54,440 --> 00:11:57,000 Speaker 2: hard to, you know, to find big per se. I 222 00:11:57,200 --> 00:12:00,160 Speaker 2: know what you mean. It's a fair question. Again, I'm 223 00:12:00,200 --> 00:12:04,420 Speaker 2: a worship leader at this little non-denominational church, kind of 224 00:12:04,460 --> 00:12:08,280 Speaker 2: a YWAM kind of church. It's very loose. It was very, 225 00:12:08,300 --> 00:12:09,939 Speaker 2: it's a great place to sort of grow as a 226 00:12:09,960 --> 00:12:12,540 Speaker 2: worship leader. There was a lot of grace. It was 227 00:12:12,559 --> 00:12:16,020 Speaker 2: all volunteers. So there was a lot of, um, Well. 228 00:12:16,040 --> 00:12:18,000 Speaker 1: Let me rephrase the question. What was the first song 229 00:12:18,020 --> 00:12:22,190 Speaker 1: you wrote that was sung outside your church by other people? Yeah, good. 230 00:12:22,330 --> 00:12:22,490 Speaker 3: Good. 231 00:12:22,530 --> 00:12:25,030 Speaker 2: Thanks. It was on the first Integrity album I did 232 00:12:25,070 --> 00:12:27,010 Speaker 2: with them, a live album called He Is Faithful. And 233 00:12:27,050 --> 00:12:29,590 Speaker 2: the first song was called I Love To Be In 234 00:12:29,610 --> 00:12:33,650 Speaker 2: Your Presence. And that really gave me a taste of 235 00:12:33,950 --> 00:12:36,240 Speaker 2: writing songs. I just finished a song in the key 236 00:12:36,250 --> 00:12:39,760 Speaker 2: of G. It was like, woo, yeah. All right, Lord, 237 00:12:39,800 --> 00:12:42,260 Speaker 2: we've And just out of my mouth came, Lord, we 238 00:12:42,340 --> 00:12:45,000 Speaker 2: love to be in your presence, just with your people, 239 00:12:45,059 --> 00:12:48,960 Speaker 2: just singing praises. And as that came out of my mouth, 240 00:12:49,320 --> 00:12:50,800 Speaker 2: it was one of the first times I had ever 241 00:12:50,840 --> 00:12:53,500 Speaker 2: gone and said, hey, I don't know, it sounds like 242 00:12:53,540 --> 00:12:55,599 Speaker 2: a song. I said on the mic, like, and I 243 00:12:55,600 --> 00:12:58,450 Speaker 2: looked at my drummer, it was like, I was like, 244 00:12:58,470 --> 00:12:59,850 Speaker 2: just follow me here. I was like, I don't know, 245 00:12:59,870 --> 00:13:02,929 Speaker 2: let's just sing that little phrase together. Love to be 246 00:13:03,030 --> 00:13:11,790 Speaker 2: in your presence with your people singing praises. I didn't 247 00:13:11,809 --> 00:13:13,489 Speaker 2: have words for that. And then, you know, so it 248 00:13:13,510 --> 00:13:15,170 Speaker 2: was the kind of church that was like, yeah, sure, 249 00:13:15,250 --> 00:13:18,210 Speaker 2: let's do it. And I clapped along and eventually finished 250 00:13:18,270 --> 00:13:21,230 Speaker 2: the song, writing it, you know, over the next week 251 00:13:21,270 --> 00:13:24,790 Speaker 2: or two with Ed Carr, our piano player. And that 252 00:13:24,820 --> 00:13:26,880 Speaker 2: was the first song on our first album I ever 253 00:13:26,920 --> 00:13:29,680 Speaker 2: did with Integrity. And that song got translated into Spanish 254 00:13:30,260 --> 00:13:33,840 Speaker 2: quickly and it was sung all over Latin America and 255 00:13:33,880 --> 00:13:36,220 Speaker 2: really caught on in the U.S. Now it's not as popular. 256 00:13:36,240 --> 00:13:37,920 Speaker 2: A lot of folks may not have heard that, but 257 00:13:38,400 --> 00:13:41,750 Speaker 2: That was a kind of a taste of, also on 258 00:13:41,760 --> 00:13:44,550 Speaker 2: that album, it was the first live version of Lord, 259 00:13:44,650 --> 00:13:47,990 Speaker 2: I lift your name on high. And there'd never been 260 00:13:48,030 --> 00:13:51,349 Speaker 2: a live worship version. It was still pretty new. And 261 00:13:51,570 --> 00:13:53,130 Speaker 2: most of the songs on that album I had written, 262 00:13:53,170 --> 00:13:55,520 Speaker 2: but not that one. So for years, people would think, oh, 263 00:13:56,090 --> 00:13:58,840 Speaker 2: I love your songs, especially Lord, I lift your name 264 00:13:58,890 --> 00:14:01,520 Speaker 2: on high. And I'd be like, I'll tell the author 265 00:14:01,559 --> 00:14:05,300 Speaker 2: you said that, you know, I'll pass that along. But Anyway, 266 00:14:05,340 --> 00:14:07,990 Speaker 2: that was a taste, and then the next album opened 267 00:14:08,000 --> 00:14:09,510 Speaker 2: the eyes of my heart, and there were some other 268 00:14:09,530 --> 00:14:10,990 Speaker 2: songs on there as well. 269 00:14:21,510 --> 00:14:23,960 Speaker 1: Let me ask you a question that's often debated, and 270 00:14:24,000 --> 00:14:26,380 Speaker 1: I know you've thought about this a lot, but what 271 00:14:26,420 --> 00:14:29,400 Speaker 1: makes a song a worship song? Is it the lyrics? 272 00:14:29,460 --> 00:14:31,140 Speaker 1: Is it the heart behind it? Is it whether the 273 00:14:31,180 --> 00:14:33,880 Speaker 1: congregation can sing it? Is it all of those things? 274 00:14:34,730 --> 00:14:35,620 Speaker 1: what makes a song a worship song? 275 00:14:35,640 --> 00:14:38,150 Speaker 2: Probably all of those would be included in the definition. 276 00:14:38,170 --> 00:14:41,650 Speaker 2: And you're very good, Michael. Who is to say for sure? 277 00:14:42,250 --> 00:14:45,650 Speaker 2: I guess just off the top of my head, my 278 00:14:45,710 --> 00:14:49,270 Speaker 2: instinct is a song that feels like you're singing a 279 00:14:49,330 --> 00:14:54,590 Speaker 2: prayer to the Lord. Of course, worship songs can be much, 280 00:14:55,550 --> 00:14:58,340 Speaker 2: you know, that's such a narrow definition. But for me, 281 00:14:58,410 --> 00:15:01,820 Speaker 2: even as a songwriter, when I'm finishing a song, I 282 00:15:01,920 --> 00:15:04,820 Speaker 2: ask myself, you know, does this feel like an authentic prayer? 283 00:15:05,350 --> 00:15:09,390 Speaker 2: Does this feel and sound like a sincere, authentic prayer 284 00:15:09,450 --> 00:15:12,850 Speaker 2: to the Lord? And to me, that feels like a 285 00:15:12,890 --> 00:15:16,090 Speaker 2: worship song or a praise song. Now, there are songs 286 00:15:16,110 --> 00:15:18,720 Speaker 2: where we sing about the Lord, you know, we're like, hey, 287 00:15:18,760 --> 00:15:21,860 Speaker 2: let's stand together and we love, you know, about the Lord. 288 00:15:21,900 --> 00:15:24,300 Speaker 2: And then there's songs to the Lord. So I guess 289 00:15:24,440 --> 00:15:26,520 Speaker 2: all of those can fall under the category of a 290 00:15:26,620 --> 00:15:31,660 Speaker 2: worship song. But I know that's a question. I don't 291 00:15:31,680 --> 00:15:33,720 Speaker 2: know if we'll ever have a definitive answer, but that's 292 00:15:33,800 --> 00:15:36,140 Speaker 2: my take is that, does it feel like you're singing 293 00:15:36,180 --> 00:15:37,480 Speaker 2: a prayer? Okay. 294 00:15:38,120 --> 00:15:41,390 Speaker 1: I'm just curious how, you know, we have this genre 295 00:15:41,590 --> 00:15:44,550 Speaker 1: in Christian music right now, and it seems like it 296 00:15:44,590 --> 00:15:47,010 Speaker 1: lacks a definition and everybody has their own definition, which 297 00:15:47,070 --> 00:15:50,590 Speaker 1: is fine because it's, it's, it's difficult to, I think biblically, 298 00:15:50,650 --> 00:15:53,290 Speaker 1: it's kind of difficult to define in the first place. 299 00:15:54,050 --> 00:15:55,860 Speaker 1: Like you said, it could have a lot of definitions. 300 00:15:55,960 --> 00:16:00,420 Speaker 1: And so, yeah, that, That's an interesting topic. Are there 301 00:16:00,440 --> 00:16:02,510 Speaker 1: any songs that you thought would be big that didn't 302 00:16:02,530 --> 00:16:06,109 Speaker 1: go big? Once again, that you thought, this is so good, 303 00:16:06,150 --> 00:16:09,190 Speaker 1: but other people didn't like it as much as you 304 00:16:09,230 --> 00:16:10,870 Speaker 1: liked it. Right. 305 00:16:11,010 --> 00:16:13,160 Speaker 2: I would say, yes, there's at least a handful of 306 00:16:13,240 --> 00:16:18,020 Speaker 2: songs over the years, talking many years, that I had 307 00:16:18,060 --> 00:16:20,200 Speaker 2: this feeling like, man, this feels like it's really going 308 00:16:20,220 --> 00:16:22,560 Speaker 2: to resonate with people. You know, it's really going to. 309 00:16:23,480 --> 00:16:25,830 Speaker 2: I think they'll grab onto it quickly and it could be, 310 00:16:25,920 --> 00:16:27,570 Speaker 2: it feels like a prayer they might want to sing 311 00:16:27,610 --> 00:16:31,090 Speaker 2: to the Lord. And quite often I'm wrong. I was 312 00:16:31,130 --> 00:16:34,290 Speaker 2: wrong most of the time. Maybe one other example, you 313 00:16:34,330 --> 00:16:37,970 Speaker 2: may have heard the song, Your Name. Your name is 314 00:16:38,030 --> 00:16:42,870 Speaker 2: a strong and mighty tower. Your name. And that was 315 00:16:42,930 --> 00:16:45,570 Speaker 2: a song written right from scripture. It came really quick 316 00:16:46,490 --> 00:16:51,290 Speaker 2: and I immediately demoed that. And I was surprised how... 317 00:16:51,910 --> 00:16:55,890 Speaker 2: I was almost not surprised that I remember we finished 318 00:16:55,910 --> 00:16:59,120 Speaker 2: that with Glenn Packham. He's a pastor now in Southern California. 319 00:16:59,740 --> 00:17:01,080 Speaker 2: But it was just him and I in a room. 320 00:17:01,120 --> 00:17:05,040 Speaker 2: We're reading scripture out loud, just kind of prayerfully. And that, 321 00:17:05,480 --> 00:17:09,080 Speaker 2: as morning dawns and evening fades. Bottom line, the song 322 00:17:09,859 --> 00:17:12,580 Speaker 2: was done in 20 minutes. And there was a sense like, 323 00:17:12,980 --> 00:17:15,500 Speaker 2: I think people are going to connect with this. And 324 00:17:15,600 --> 00:17:17,939 Speaker 2: I would say I probably sing that song anytime I 325 00:17:17,980 --> 00:17:18,239 Speaker 2: do a. 326 00:17:18,220 --> 00:17:18,860 Speaker 1: Night of worship. 327 00:17:19,619 --> 00:17:23,920 Speaker 2: And people... people love to sing that. So I'm, I'm, 328 00:17:25,080 --> 00:17:27,580 Speaker 2: I'm grateful. That's the goal is to try to write 329 00:17:27,640 --> 00:17:30,609 Speaker 2: songs that people can say, Oh, this feels like a 330 00:17:30,670 --> 00:17:31,850 Speaker 2: prayer to the Lord, you know? 331 00:17:32,630 --> 00:17:34,210 Speaker 1: But what, what does that tell you though? Cause you've 332 00:17:34,230 --> 00:17:36,310 Speaker 1: had songs that you didn't think would go big that did. 333 00:17:36,410 --> 00:17:39,830 Speaker 1: And then what songs that you thought would be, would 334 00:17:39,869 --> 00:17:42,360 Speaker 1: resonate worldwide and, and did not. I mean, is that, 335 00:17:42,940 --> 00:17:44,400 Speaker 1: is there a lesson? Is there a spiritual lesson there 336 00:17:44,420 --> 00:17:47,240 Speaker 1: about what God breathes all in? 337 00:17:47,619 --> 00:17:51,350 Speaker 2: Great question is I have no idea. And most of 338 00:17:51,430 --> 00:17:54,770 Speaker 2: us have no idea. There's really not a formula as 339 00:17:54,830 --> 00:17:56,490 Speaker 2: much as we would like to think there is. I 340 00:17:56,750 --> 00:17:59,910 Speaker 2: think just showing up with your loaves and fishes, that's 341 00:17:59,950 --> 00:18:03,650 Speaker 2: always like this mental image I have is like, you know, 342 00:18:03,790 --> 00:18:06,129 Speaker 2: we don't know if this whatever we write today is 343 00:18:06,170 --> 00:18:08,979 Speaker 2: going to resonate and really connect with people all over 344 00:18:09,020 --> 00:18:12,560 Speaker 2: the world. We have no control over that. But we 345 00:18:12,580 --> 00:18:15,119 Speaker 2: do have control over showing up. We can show up 346 00:18:15,619 --> 00:18:20,060 Speaker 2: with some ideas and open up the scriptures and and 347 00:18:20,100 --> 00:18:24,040 Speaker 2: maybe ideas that we've got from sermons that we've heard, 348 00:18:24,100 --> 00:18:27,220 Speaker 2: or podcasts, or even above all, it's funny, I think, 349 00:18:27,260 --> 00:18:30,280 Speaker 2: where did I get that? Occasionally, I'll see a commercial, 350 00:18:30,340 --> 00:18:33,480 Speaker 2: even like a drug commercial, and it'll be like, oh, blah, blah, blah, blah, blah, 351 00:18:33,510 --> 00:18:37,110 Speaker 2: it has these benefits and that, but above all, it blah, blah, blah, blah, 352 00:18:37,130 --> 00:18:40,609 Speaker 2: you know, it'll help with your indigestion, and every once 353 00:18:40,650 --> 00:18:42,490 Speaker 2: in a while, I'll see a commercial where they'll like say, 354 00:18:42,609 --> 00:18:45,430 Speaker 2: but above all, and I'll go, hey, I mean, I 355 00:18:46,109 --> 00:18:49,240 Speaker 2: don't even remember where that title came from, but it 356 00:18:49,300 --> 00:18:51,270 Speaker 2: could have been from a commercial, but the point is 357 00:18:51,720 --> 00:18:57,270 Speaker 2: collecting these inspired ideas and then making time showing up 358 00:18:57,750 --> 00:19:01,410 Speaker 2: to kind of prayerfully sing these ideas to the Lord 359 00:19:01,630 --> 00:19:04,879 Speaker 2: and see if, you know, maybe you get another line 360 00:19:04,900 --> 00:19:06,820 Speaker 2: and maybe there's a phrase or, Oh, this makes me 361 00:19:06,859 --> 00:19:08,740 Speaker 2: think of a scripture or someone, let me go to 362 00:19:08,800 --> 00:19:09,500 Speaker 2: that scripture. 363 00:19:09,580 --> 00:19:11,180 Speaker 1: And, Oh yeah, yeah, yeah. 364 00:19:11,220 --> 00:19:13,780 Speaker 2: And so it's a mystery, you know, and that's the, 365 00:19:14,540 --> 00:19:17,979 Speaker 2: That's the joy. It's almost fishing-like. You show up with 366 00:19:18,000 --> 00:19:21,320 Speaker 2: your rod and your reel and your aster. But you 367 00:19:21,359 --> 00:19:23,679 Speaker 2: don't know if you'll catch anything or not. But at 368 00:19:23,720 --> 00:19:26,570 Speaker 2: least you showed up. And if you don't show up, 369 00:19:26,580 --> 00:19:28,820 Speaker 2: you're definitely not going to catch anything. Yeah. 370 00:19:28,940 --> 00:19:31,960 Speaker 1: If God breathes on it, it works. That's the answer. 371 00:19:32,000 --> 00:19:34,240 Speaker 1: That's the answer. But you never know what God's going 372 00:19:34,260 --> 00:19:37,879 Speaker 1: to breathe on it from your side. What advice? You've 373 00:19:37,900 --> 00:19:40,580 Speaker 1: been in this business for decades, this ministry for decades. 374 00:19:40,600 --> 00:19:43,270 Speaker 1: Maybe I should rephrase it. What advice would you give 375 00:19:43,310 --> 00:19:47,480 Speaker 1: today's Christian singers, those who are well-known and those who 376 00:19:47,920 --> 00:19:51,280 Speaker 1: want to do what? you've done for a living? What 377 00:19:51,359 --> 00:19:52,159 Speaker 1: advice would you give them? 378 00:19:52,180 --> 00:19:55,379 Speaker 2: It'd be good to know if you're called. Are you 379 00:19:55,400 --> 00:19:57,540 Speaker 2: part of a fellowship and are there people in your 380 00:19:57,580 --> 00:20:00,700 Speaker 2: life who have sort of affirmed that there's a calling 381 00:20:00,740 --> 00:20:03,820 Speaker 2: on your life? You may love to sing, you may 382 00:20:03,859 --> 00:20:06,160 Speaker 2: love to do this, but actually maybe your primary gift 383 00:20:06,290 --> 00:20:09,879 Speaker 2: is administration, or it might be sales, or it might be, 384 00:20:09,950 --> 00:20:13,300 Speaker 2: you know, some kind of legal or technical mind where you, 385 00:20:14,220 --> 00:20:17,840 Speaker 2: are you called? It's interesting. I'm not prepared for that question, 386 00:20:17,880 --> 00:20:20,500 Speaker 2: but that's the first thing that comes to mind. You know, 387 00:20:20,520 --> 00:20:24,260 Speaker 2: it says in 1 Chronicles that David appointed the Levites. 388 00:20:24,320 --> 00:20:28,679 Speaker 2: They were appointed and they would, says in 1 Chronicles 25, 389 00:20:28,680 --> 00:20:31,670 Speaker 2: that they were trained and skilled in music for the Lord. 390 00:20:32,109 --> 00:20:35,930 Speaker 2: So that implies that if you do feel called, then 391 00:20:35,990 --> 00:20:38,200 Speaker 2: make sure you're putting in the time and effort. You 392 00:20:38,220 --> 00:20:41,900 Speaker 2: be trained and skilled. Make sure you're practicing every day, 393 00:20:41,960 --> 00:20:44,959 Speaker 2: whatever that might be, vocally, keyboards, guitar, you know, just 394 00:20:45,500 --> 00:20:50,040 Speaker 2: doing that consistently. So that's the skill part. Psalm 33.3 says, 395 00:20:50,140 --> 00:20:54,109 Speaker 2: play skillfully. And it doesn't say, just play. Just play. 396 00:20:54,130 --> 00:20:58,510 Speaker 2: It doesn't matter. Just play. No, play skillfully if you're called. 397 00:20:59,330 --> 00:21:01,550 Speaker 2: But you want to make sure at the same time 398 00:21:01,570 --> 00:21:07,399 Speaker 2: you're cultivating a sincere, authentic, devotional life. with Jesus, that 399 00:21:07,440 --> 00:21:10,930 Speaker 2: you're in the scriptures, that you are in a group 400 00:21:10,970 --> 00:21:13,470 Speaker 2: of people, could be a small group, could be a handful, 401 00:21:13,490 --> 00:21:17,070 Speaker 2: hopefully a part of a larger group, but a few 402 00:21:17,210 --> 00:21:20,510 Speaker 2: close friends who are pursuing God in the way that 403 00:21:20,530 --> 00:21:22,570 Speaker 2: you want to pursue the Lord and, you know, meet 404 00:21:22,609 --> 00:21:26,300 Speaker 2: for prayer, meet for Bible study, hang out. It's so important. 405 00:21:26,320 --> 00:21:29,859 Speaker 2: We can't do this by ourselves. We need to surround 406 00:21:29,900 --> 00:21:33,899 Speaker 2: ourselves with other people that are fervent and sincere in 407 00:21:33,940 --> 00:21:35,040 Speaker 2: their pursuit of the Lord. 408 00:21:35,609 --> 00:21:38,250 Speaker 1: Final question for you then. You discussed just then what 409 00:21:38,430 --> 00:21:42,050 Speaker 1: advice you would give potential Christian singers or those who 410 00:21:42,070 --> 00:21:45,129 Speaker 1: want to get in this ministry. What about those who 411 00:21:45,190 --> 00:21:47,980 Speaker 1: are already on stage and maybe give them some lessons 412 00:21:48,000 --> 00:21:50,199 Speaker 1: you've learned over the past several decades of doing what 413 00:21:50,220 --> 00:21:50,560 Speaker 1: you've done? 414 00:21:51,600 --> 00:21:54,600 Speaker 2: Great question. Again, off the top of my head, I 415 00:21:54,660 --> 00:21:58,580 Speaker 2: think there's sometimes we see these YouTube videos and everybody 416 00:21:58,680 --> 00:22:01,850 Speaker 2: looks amazing. They sound amazing. They're just like, then I 417 00:22:01,880 --> 00:22:03,690 Speaker 2: would go back to my little church in Texas and 418 00:22:03,710 --> 00:22:07,689 Speaker 2: we're all volunteers. And, you know, different age groups. I 419 00:22:07,730 --> 00:22:09,730 Speaker 2: think we will never look like that. We'll never be 420 00:22:09,770 --> 00:22:14,520 Speaker 2: as cool as that YouTube situation there. So part of 421 00:22:14,580 --> 00:22:17,640 Speaker 2: it is taking stock of who you are and believing 422 00:22:17,680 --> 00:22:21,500 Speaker 2: and trusting how God made you and not feeling like 423 00:22:21,540 --> 00:22:24,300 Speaker 2: you have to be like this person. You can be 424 00:22:24,340 --> 00:22:28,170 Speaker 2: inspired by the singer or inspired by that person. But 425 00:22:28,190 --> 00:22:30,929 Speaker 2: if you try to be Phil Wickham, that's going to 426 00:22:30,950 --> 00:22:35,500 Speaker 2: be weird. Be the most authentic version of yourself. And 427 00:22:35,540 --> 00:22:37,639 Speaker 2: I think that happens when you're in the midst of 428 00:22:37,800 --> 00:22:42,980 Speaker 2: a healthy fellowship environment, as I just mentioned earlier, where 429 00:22:43,840 --> 00:22:47,669 Speaker 2: you're growing in the Lord and don't feel like you 430 00:22:47,690 --> 00:22:53,109 Speaker 2: have to put on some presentation, performative thing. Yes, practice 431 00:22:53,150 --> 00:22:56,310 Speaker 2: and play well and all that, but be who you are. 432 00:22:56,790 --> 00:23:01,870 Speaker 2: Be that person. Be the most authentic version of yourself. Yeah, so... 433 00:23:02,609 --> 00:23:04,490 Speaker 2: If I came to your house and knocked on your door, 434 00:23:04,619 --> 00:23:06,409 Speaker 2: you would be like, hey, what's up, Paul? 435 00:23:06,630 --> 00:23:07,359 Speaker 1: How you doing? 436 00:23:07,600 --> 00:23:08,359 Speaker 2: Praise the Lord. 437 00:23:08,580 --> 00:23:10,740 Speaker 1: You guys ready to worship the Lord? Yeah. 438 00:23:11,140 --> 00:23:13,020 Speaker 2: You know what I mean? Like, I don't think so. 439 00:23:13,060 --> 00:23:16,260 Speaker 2: I think you'd be more, hey, good morning. Hey, thanks 440 00:23:16,300 --> 00:23:19,100 Speaker 2: for being here. Good morning. Hey, let's stand together. Like, 441 00:23:19,540 --> 00:23:25,020 Speaker 2: whatever best authentic version of yourself. I keep coming back 442 00:23:25,040 --> 00:23:28,000 Speaker 2: to that, I guess, is don't try to be like 443 00:23:28,040 --> 00:23:31,300 Speaker 2: these other people. Trust how the Lord made you and 444 00:23:31,420 --> 00:23:34,290 Speaker 2: be that. be the best version of that too. You know, 445 00:23:34,310 --> 00:23:35,650 Speaker 2: you don't want to get up there and be like, 446 00:23:36,430 --> 00:23:38,490 Speaker 2: if you had a bad week, you know, tell everybody 447 00:23:38,530 --> 00:23:41,950 Speaker 2: about your bad week. You know, you can say, hey, 448 00:23:42,820 --> 00:23:45,680 Speaker 2: good morning. Let's stand together. We're going to worship the Lord. 449 00:23:45,740 --> 00:23:47,620 Speaker 2: And some of you may have had a difficult week. 450 00:23:48,160 --> 00:23:50,280 Speaker 2: Maybe some of you had a mountaintop week, you know, 451 00:23:50,320 --> 00:23:53,550 Speaker 2: but nonetheless, either way, let's sing our prayers to the 452 00:23:53,570 --> 00:23:56,030 Speaker 2: Lord this morning. And I'd begin that first song and boom, 453 00:23:56,050 --> 00:23:58,030 Speaker 2: you know, anyway, that's my advice. 454 00:23:59,250 --> 00:24:02,000 Speaker 1: That is good advice. I love that advice. Be authentic. 455 00:24:02,020 --> 00:24:04,120 Speaker 1: I think the next generation wants authenticity, and I think 456 00:24:04,160 --> 00:24:07,440 Speaker 1: that's what you're saying there. The album is Yes, We Believe. 457 00:24:07,480 --> 00:24:09,680 Speaker 1: We've been talking to Paul Belash. Paul, thanks so much. 458 00:24:10,280 --> 00:24:11,980 Speaker 2: Thank you, Michael. Thank you for your time. 459 00:24:14,750 --> 00:24:17,410 Speaker 3: If you enjoyed today's interview, please make sure to subscribe 460 00:24:17,470 --> 00:24:19,830 Speaker 3: and share the episode with a friend. A big thanks 461 00:24:20,130 --> 00:24:22,330 Speaker 3: to the team at Life Audio for their partnership with 462 00:24:22,450 --> 00:24:25,810 Speaker 3: us on the podcast. If you go to lifeaudio.com, you 463 00:24:25,830 --> 00:24:30,409 Speaker 3: will find dozens of other faith-centered podcasts and their network. 464 00:24:30,940 --> 00:24:31,520 Speaker 1: See you next time.