WEBVTT - How Airplane! Became a Comedy Legend

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<v Speaker 1>On today's episode of Timeless Wisdom.

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<v Speaker 2>One of the funniest movies ever made in any language,

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<v Speaker 2>on any planet, in any universe airplane. So who do

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<v Speaker 2>we have in studio? This is really a special special hour, folks.

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<v Speaker 2>We have in studio the writers, the producers, the directors,

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<v Speaker 2>the Zucker brothers and Jim Abrams. Who made this? I'll

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<v Speaker 2>ask you the obvious. Does it seem like thirty years?

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<v Speaker 2>Does it seem like thirty days? Does it seem like

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<v Speaker 2>a century? I mean, you're sitting here. This put you,

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<v Speaker 2>guys in the center of Hollywood and the world.

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<v Speaker 1>That's coming up on Timeless Wisdom with Dennis Prager. Welcome

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<v Speaker 1>to Timeless Wisdom with Dennis Prager. Here thousands of hours

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<v Speaker 1>of Dennis's lectures, courses in classic radio programs, and to

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<v Speaker 1>purchase Dennis Prager's Rational Bibles, go to Dennisprager dot com.

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<v Speaker 2>You are listening to the best of the Dennis Prager Show.

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<v Speaker 2>Stand By for the most extraordinary chain of events ever

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<v Speaker 2>swept up into high adventure. Never has the spoon band

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<v Speaker 2>so big. Have you ever been in a cockpit before, sir,

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<v Speaker 2>I've been before.

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<v Speaker 3>Peter Greggs ever seen a grown man naked.

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<v Speaker 2>Kareem Abdul Jabbar. My name is Roger Murdoch. I'm an

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<v Speaker 2>airline pilot. Leslie Nielsen. This woman has to be got

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<v Speaker 2>into a hospital. That's a big building with patients. That's

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<v Speaker 2>not important right now. Lloyd Bridges, Johnny, what can you

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<v Speaker 2>make out of this?

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<v Speaker 1>This?

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<v Speaker 4>What a big cap for brooch or turned out could

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<v Speaker 4>be grown?

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<v Speaker 2>Robert Stack All right, steeple's face.

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<v Speaker 1>A few facts, and I hope you enjoy the rest

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<v Speaker 1>of your site.

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<v Speaker 2>Julie Haggerty, By.

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<v Speaker 3>The way, is there anyone on board who knows how

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<v Speaker 3>to fly a plane?

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<v Speaker 2>Can you fly this plane and land it? Robert Hayes,

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<v Speaker 2>surely you can't be serious. I am serious, and don't

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<v Speaker 2>call me Shirley. The most incredible adventure the screen has

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<v Speaker 2>ever created.

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<v Speaker 1>Airplane?

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<v Speaker 2>All right, I'm sure you're wondering, my friends, Dennis Praeger

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<v Speaker 2>here why we open the show with the trailer from

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<v Speaker 2>exactly thirty years ago to one of the funniest movies

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<v Speaker 2>ever made in any language, on any planet in any universe, Airplane.

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<v Speaker 2>And the reason is that it is indeed the thirtieth

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<v Speaker 2>anniversary of what is considered a classic. There are not

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<v Speaker 2>many film classics. Airplane is truly one of them, and

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<v Speaker 2>there are almost no comedy classics. It's much easier, in

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<v Speaker 2>my opinion, and we'll talk to the folks that I

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<v Speaker 2>will introduce you to in just a moment. I think

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<v Speaker 2>it's a lot easier in a film. In greenplay to

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<v Speaker 2>make people cry then to make people laugh. It just is,

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<v Speaker 2>you know, somebody's dying of cancer, and and the kid

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<v Speaker 2>is with the mother who's dying, and everybody cries. But

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<v Speaker 2>to make people laugh and to make people laugh for

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<v Speaker 2>thirty years, that's that's an achievement. And by the way,

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<v Speaker 2>it's a beautiful achievement because people do need to laugh.

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<v Speaker 2>So who do we have in studio? This is really

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<v Speaker 2>a special a special hour. Folks. We have in studio,

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<v Speaker 2>the writers, the producers, the directors, the first grip, the

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<v Speaker 2>second grip, the third grip. You guys did everything, I mean, really,

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<v Speaker 2>I don't. I'm surprised anybody else is listed in the credits.

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<v Speaker 2>We have the the Zucker brothers and Jim Abrams who

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<v Speaker 2>made this. There was it wasn't exactly your first film, correct,

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<v Speaker 2>it was.

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<v Speaker 5>It was go On the first time we directed, but

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<v Speaker 5>we had written a movie called Kentucky fris That's.

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<v Speaker 2>Right, Kentucky Fried Chicken. But this was the yeah with

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<v Speaker 2>you directing. I'm sorry, what was that? Oh? I said,

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<v Speaker 2>Chicken Chicken okay, kind of super Bowl. No, No, I

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<v Speaker 2>knew Kentucky Fry movie. But my brain went into automatic.

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<v Speaker 2>It happens every so often, Bill and and so, Jerry Zucker,

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<v Speaker 2>David Zucker, Jim Abrams. This is this is huge. I'll

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<v Speaker 2>ask you the obvious. Does it seem like thirty years?

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<v Speaker 2>Does it seem like thirty days? Does it seem like

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<v Speaker 2>a century? I mean, you're sitting here, this this put you,

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<v Speaker 2>guys in the center of Hollywood and the world. Why

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<v Speaker 2>are you looking at me for this answer?

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<v Speaker 6>It's like, David, all I know is that the traffic

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<v Speaker 6>is much worse in LA today than it was thirty

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<v Speaker 6>years ago, because you know, it took the full you know,

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<v Speaker 6>hour and fifteen minutes to get here. That's true, that is,

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<v Speaker 6>but it just seems I mean the time, well, time flies,

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<v Speaker 6>and it gets goes faster and faster once you get older,

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<v Speaker 6>and you know, I mean soon, you know, one of

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<v Speaker 6>us is going to have a grandchild for.

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<v Speaker 2>All we know. You know, so that's right, may you,

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<v Speaker 2>May you all be blessed with the grandchildren. The movie

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<v Speaker 2>is listed you showed me Alan, it was listed in

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<v Speaker 2>the top ten funniest ever made. I think it's in

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<v Speaker 2>the top three funniest ever made.

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<v Speaker 3>You thought that were funnier?

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<v Speaker 2>No, no, not at all. It could be in the

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<v Speaker 2>top three and number one. Okay, thank you.

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<v Speaker 3>I just want to No, no, I know, no, that's

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<v Speaker 3>very fair.

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<v Speaker 2>I don't know fair. No, actually, no, the truth is

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<v Speaker 2>I'm not okay. That's a good point, and there many are.

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<v Speaker 2>It's it's it's not my genre of of humor, all right.

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<v Speaker 2>Another obvious question, then less obvious questions. What did you

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<v Speaker 2>think would happen to Airplane? Did you think it would do? Okay?

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<v Speaker 2>Did you? Were you overwhelmed by what happened?

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<v Speaker 7>Jim, Well, it took us six years to make Airplane.

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<v Speaker 7>And during those whole sixes from the time he started

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<v Speaker 7>writing it Tewana in a movie theater, and when you

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<v Speaker 7>worked that hired and that passionately and so devout about something,

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<v Speaker 7>you believe in it. And so we absolutely believed in

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<v Speaker 7>it and would have been shocked if it hadn't been

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<v Speaker 7>a hit, that it would have lasted for thirty years

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<v Speaker 7>and we'd be sitting in your studio with Dennis Prager

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<v Speaker 7>thirty years later, reminiscing about what it was like. I

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<v Speaker 7>don't think anybody had a clue that would happen.

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<v Speaker 2>Well, I deserve it. I'll tell you. It's really one

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<v Speaker 2>of those classic adums. I won't say rags to riches.

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<v Speaker 2>I don't know if you guys were in rags, you

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<v Speaker 2>certainly weren't. Is that fair? Yeah? Middle class to rich,

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<v Speaker 2>mid middle class to riches. Are you all from Milwaukee? Yep,

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<v Speaker 2>from the same high school. No kidding, that's very powerful.

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<v Speaker 5>Our fathers were actually business partners at one time, Abrams and.

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<v Speaker 2>Zucker, and our sisters were college roommates.

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<v Speaker 7>And our mothers used to dance together at the Boom

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<v Speaker 7>Boom Club in downtown Milwaukee.

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<v Speaker 2>No kidding.

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<v Speaker 4>Yeah, that was my next question.

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<v Speaker 3>The rest of it is actually true.

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<v Speaker 2>Just now, now, just in case his mom is listening,

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<v Speaker 2>I want you to know that the thing that is

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<v Speaker 2>so amazing about your film, well, one of the things

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<v Speaker 2>is that to this day people will use lines from it.

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<v Speaker 2>That's that's really what you call an achievement. I myself,

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<v Speaker 2>I can't believe it. Will say, uh, don't call me Shirley.

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<v Speaker 2>I can't. You know, when somebody says, oh, Sureley, you're

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<v Speaker 2>going to the park, and I find this, I do.

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<v Speaker 6>The same thing, and it's more embarrassing because you know,

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<v Speaker 6>people ask me how I want my coffee and it

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<v Speaker 6>just comes out, you know, I take it black like

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<v Speaker 6>my men.

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<v Speaker 2>And it's then I forget. Oh wait, I'm just quoting

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<v Speaker 2>from this movie where the actors cooperative and cracking up,

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<v Speaker 2>where there are any problems. I mean, thirty years later,

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<v Speaker 2>I think you could be you could divulge this, not

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<v Speaker 2>not as much as you'd think.

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<v Speaker 6>I mean, you know, the business of making comedy is

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<v Speaker 6>pretty much just that, it's a business.

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<v Speaker 2>You know.

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<v Speaker 6>We we live with the script for a year, a

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<v Speaker 6>couple of years, and then you know, you get it

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<v Speaker 6>on set. You rehearse it a bunch of times. It's

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<v Speaker 6>very little cracking up on the set. Really, No, there

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<v Speaker 6>wasn't really, not not really.

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<v Speaker 2>I mean you have outtakes.

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<v Speaker 5>My memory is a little different than David's, and and

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<v Speaker 5>I I remember actually, I mean, we didn't improvise a

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<v Speaker 5>lot the movie was you did ninety nine percent of

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<v Speaker 5>the script of the film that you see as what

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<v Speaker 5>was on the page. But I do remember laughing a lot,

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<v Speaker 5>you know, watching you know, when we're watching it unfold,

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<v Speaker 5>not after the twelfth take, but I do remember laughing

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<v Speaker 5>a lot and having a just my recollection.

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<v Speaker 3>Of it is that it was just a wonderful time

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<v Speaker 3>making the film.

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<v Speaker 2>I thought you meant like outtake kind of last, but well, yeah,

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<v Speaker 2>I do both. Where Leslie Nielsen would just crack up

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<v Speaker 2>because he couldn't say the lines with the straight fa

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<v Speaker 2>that didn't happen.

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<v Speaker 3>Much, but Jerry's if we were laughing at our own

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<v Speaker 3>jokes were.

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<v Speaker 4>But that's good.

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<v Speaker 6>Part of part of the business of directing comedy is

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<v Speaker 6>you you do have to see at every take, and

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<v Speaker 6>we watch the monitors for the which you know, shows

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<v Speaker 6>what the camera is seen. And we have to laugh

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<v Speaker 6>at the end of because if we don't, that means

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<v Speaker 6>that it's a bad We have to we have to

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<v Speaker 6>approach it like we're seeing these lines.

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<v Speaker 2>Folks, if you'd like to speak, this is probably a

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<v Speaker 2>unique opportunity, a classic film and all and the three

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<v Speaker 2>people responsible for it, writing, directing and producing and everything else.

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<v Speaker 2>Did you guys order the food as well? I mean,

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<v Speaker 2>I'll fortunately not one eight Prager seven seven six and

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<v Speaker 2>uh eight seven seven two four three triple seven six.

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<v Speaker 2>It's the thirtieth anniversary of one of the funniest films

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<v Speaker 2>ever made. What I would be curious to know. I'd

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<v Speaker 2>love to show this to a college audience today, because

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<v Speaker 2>is almost always a culture bound. That's one thing about humor.

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<v Speaker 2>It's very hard to transcept. I mean, nobody starts cracking

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<v Speaker 2>up at a midsommer Night's Dream or any of the

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<v Speaker 2>comedies of Shakespeare. You know, you enjoy it, you smile,

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<v Speaker 2>but the audience is then we're rolling in the aisles presumably,

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<v Speaker 2>And have you tried this? Do you know how it

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<v Speaker 2>would go today with college kids? Maybe some young people

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<v Speaker 2>will call in, Yeah, yeah.

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<v Speaker 5>Actually, at the time, in order to edit the film,

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<v Speaker 5>we screened it for college kids because in a normal

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<v Speaker 5>recruited screening, nobody knew anything about it and it was

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<v Speaker 5>hard to get a the right reaction, So that age

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<v Speaker 5>was actually great. Now, the thing is, because of you know, DVDs,

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<v Speaker 5>they've all seen it since they were eleven, so you

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<v Speaker 5>really don't find a college crowd who were seeing it

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<v Speaker 5>for the first time that terrific.

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<v Speaker 2>I think it can. I it would be better if

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<v Speaker 2>I'm no better.

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<v Speaker 3>Percentage of the DVD is.

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<v Speaker 2>But I believe this transcends time. I well, we've been sighting. Sure,

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<v Speaker 2>you've been screening it all summer.

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<v Speaker 6>At these thirty year anniversary celebration you have and the

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<v Speaker 6>audiences laugh, you know, start to finish.

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<v Speaker 2>Still all right, back at the moment, thirtieth anniversary of Airplane.

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<v Speaker 2>Surely you can't be serious. I am serious, and don't

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<v Speaker 2>call me sure.

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<v Speaker 1>This episode of timeless Wisdom will continue right after this.

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<v Speaker 1>Now back to more of Dennis Prager's timeless wisdom.

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<v Speaker 3>Flight to zero niner.

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<v Speaker 8>You are cleared for takeoff, Roger la departure, break with me?

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<v Speaker 9>What you're three point niner?

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<v Speaker 2>Roger Greek quest.

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<v Speaker 9>Vender old, but fight you a zero niner?

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<v Speaker 8>Clear for vector and free two four?

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<v Speaker 2>You have Clarence Clarence, Roger Rogers. Let's start Victare Victor.

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<v Speaker 8>Now a radio Clarence over that, Clarence over cover.

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<v Speaker 2>Not you're overy. I'm sitting here giggling like I had

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<v Speaker 2>never seen this. This is the thirtieth anniversary of the

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<v Speaker 2>classic film Airplane, and I have the the everything's the

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<v Speaker 2>people who made it, wrote it, directed it, produced it.

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<v Speaker 2>Here the Zucker Brothers, Jerry and David and Jim Abrams.

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<v Speaker 2>They've known each other since high school from Milwaukee. And

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<v Speaker 2>I'm going to go to calls. I have a lot

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<v Speaker 2>of my own questions, but people around the country have

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<v Speaker 2>have questions, all right, New York City, Jonathan, Dennis Prager

0:12:48.080 --> 0:12:51.600
<v Speaker 2>and everybody who made Airplane, Hi, Zucker.

0:12:51.440 --> 0:12:55.880
<v Speaker 10>Brothers, I everybody Abrams. I want to just wish you,

0:12:56.440 --> 0:12:59.560
<v Speaker 10>Mazzletov on your thirtieth anniversary. And I want to tell

0:12:59.600 --> 0:13:02.400
<v Speaker 10>you that you're Your movie literally is one of the

0:13:02.440 --> 0:13:04.800
<v Speaker 10>guiding lights in my life. Actually in the office here

0:13:05.320 --> 0:13:08.559
<v Speaker 10>they have some fans and something. We've literally gone through

0:13:08.600 --> 0:13:10.360
<v Speaker 10>your videos Sometimes in the morning we'll turn it on

0:13:10.440 --> 0:13:11.760
<v Speaker 10>and watch for a few minutes.

0:13:11.559 --> 0:13:12.679
<v Speaker 8>A day, just to start the day.

0:13:13.520 --> 0:13:16.200
<v Speaker 10>And I have a question for you that I've always wondered.

0:13:16.200 --> 0:13:18.000
<v Speaker 10>You know, I watched your movies back in the eighties

0:13:18.080 --> 0:13:20.520
<v Speaker 10>like a little kid, and I've always wondered, how did

0:13:20.559 --> 0:13:23.199
<v Speaker 10>you manage to pull off a PG rating back in

0:13:23.240 --> 0:13:27.400
<v Speaker 10>the eighties with with some of those wild scenes going

0:13:27.480 --> 0:13:27.760
<v Speaker 10>on there.

0:13:28.360 --> 0:13:32.000
<v Speaker 2>There was no PG thirteen invented at that time. This

0:13:32.240 --> 0:13:34.079
<v Speaker 2>was it was. It was a new rate.

0:13:34.160 --> 0:13:37.440
<v Speaker 6>I think Spielberg got that first PG thirteen a couple

0:13:37.480 --> 0:13:40.080
<v Speaker 6>of years later for some movie you did, but there

0:13:40.200 --> 0:13:42.360
<v Speaker 6>was only PG and then I think it went right

0:13:42.440 --> 0:13:42.920
<v Speaker 6>to R.

0:13:43.600 --> 0:13:46.000
<v Speaker 2>Well, there was no except for slapping the lady in

0:13:46.080 --> 0:13:48.040
<v Speaker 2>that row, which I thought was one of the great

0:13:48.080 --> 0:13:50.880
<v Speaker 2>moments of my life. The lady screen will talk about

0:13:50.880 --> 0:13:53.240
<v Speaker 2>that in a moment. There was no nudity right there,

0:13:53.240 --> 0:13:53.560
<v Speaker 2>and there.

0:13:53.559 --> 0:13:54.040
<v Speaker 4>Was there was.

0:13:54.120 --> 0:13:54.800
<v Speaker 3>How did you miss that?

0:13:55.160 --> 0:13:58.400
<v Speaker 2>Yeah? That is paying me. You know, I would forget that,

0:13:58.840 --> 0:14:02.640
<v Speaker 2>you know, maybe I don't know. I had this jumbo

0:14:02.760 --> 0:14:03.319
<v Speaker 2>pop corner.

0:14:03.400 --> 0:14:07.840
<v Speaker 4>Was it was utterly yeah, I mean there was no reason.

0:14:07.640 --> 0:14:10.559
<v Speaker 2>For the which is exactly true for almost all films,

0:14:11.559 --> 0:14:13.720
<v Speaker 2>but it gotta laugh. So we left it in. Okay,

0:14:13.800 --> 0:14:16.400
<v Speaker 2>I see, So that's why he know there's a bad

0:14:16.480 --> 0:14:18.560
<v Speaker 2>sign that I don't remember that. It must have been brief.

0:14:18.720 --> 0:14:20.440
<v Speaker 2>Was it brief? It was very tell me it was brief.

0:14:20.600 --> 0:14:26.760
<v Speaker 3>Okay, fine, but brief but wonderful, as were the auditions.

0:14:26.840 --> 0:14:30.000
<v Speaker 2>And it was my son's favorite part of the movie.

0:14:30.080 --> 0:14:32.080
<v Speaker 2>I mean when he got threur, yeah, I know, I

0:14:32.160 --> 0:14:36.520
<v Speaker 2>knew that was coming. Yeah, I'm sure he did. He

0:14:36.600 --> 0:14:42.960
<v Speaker 2>saw his food. How to three people? How did three

0:14:43.080 --> 0:14:49.000
<v Speaker 2>people direct the movie? Well, it's not really know why.

0:14:49.400 --> 0:14:51.360
<v Speaker 2>All right, I'm a straight man. I am now, I

0:14:51.440 --> 0:14:55.840
<v Speaker 2>am an official straight man. How many times did you

0:14:55.920 --> 0:14:58.240
<v Speaker 2>guys do that? The truth was this the eight thousand

0:14:58.360 --> 0:15:01.480
<v Speaker 2>and four Okay, fine, yeah, I would go into or

0:15:01.560 --> 0:15:07.560
<v Speaker 2>more films here. Let's go to Lake Balboa, California and Gary, Hello, Gary,

0:15:07.600 --> 0:15:10.120
<v Speaker 2>Dennis Prager and the Zuckers and Jim Abrams.

0:15:10.840 --> 0:15:13.840
<v Speaker 11>Hi, Dennis, love your show, Thank you me too. This

0:15:14.000 --> 0:15:17.000
<v Speaker 11>is one of my favorite all time movies, and I've

0:15:17.080 --> 0:15:20.480
<v Speaker 11>always wondered what the inspiration of the genesis for this

0:15:20.720 --> 0:15:22.360
<v Speaker 11>idea was. It's just brilliant.

0:15:23.000 --> 0:15:26.560
<v Speaker 2>I think these guys survived an air crash, and what

0:15:26.880 --> 0:15:31.280
<v Speaker 2>was the genesis. What we used to do with Jim Abrams.

0:15:31.040 --> 0:15:35.240
<v Speaker 7>For inspiration would be to leave a tape recorder on

0:15:35.440 --> 0:15:41.320
<v Speaker 7>the television all night long to capture late night commercials

0:15:42.280 --> 0:15:45.480
<v Speaker 7>because that's when all the cheapest, silliest stuff was on TV,

0:15:46.120 --> 0:15:49.400
<v Speaker 7>and then we would do parodies of those commercials or

0:15:49.520 --> 0:15:52.600
<v Speaker 7>TV shows. One morning, we got to work and had

0:15:52.760 --> 0:15:56.960
<v Speaker 7>captured a movie called Zero Hour, which was a nineteen

0:15:57.040 --> 0:16:01.920
<v Speaker 7>fifty seven melodrama written by Arthur Hey starring Linda Darnell

0:16:02.000 --> 0:16:05.600
<v Speaker 7>and Sterling Hayden. And Dana Andrews, and it was the

0:16:05.680 --> 0:16:11.840
<v Speaker 7>story of Airplane. And so we rewrote Zero Hour as

0:16:11.880 --> 0:16:15.920
<v Speaker 7>a comedy, hung our jokes on their story, using their characters,

0:16:16.000 --> 0:16:17.800
<v Speaker 7>and that was where.

0:16:17.600 --> 0:16:18.040
<v Speaker 4>It came from.

0:16:19.120 --> 0:16:23.200
<v Speaker 2>So that a real film inspired you, an actual real movie. Yes,

0:16:23.600 --> 0:16:24.840
<v Speaker 2>I would like to see that now.

0:16:25.000 --> 0:16:28.360
<v Speaker 7>Yeah, it's fun. It's excellent to see it now, especially

0:16:28.520 --> 0:16:30.239
<v Speaker 7>in the wake of Airplane.

0:16:30.480 --> 0:16:30.720
<v Speaker 1>And we.

0:16:32.920 --> 0:16:37.640
<v Speaker 7>We have put together videos of intercutting Zero Hour scenes

0:16:37.760 --> 0:16:39.520
<v Speaker 7>with our scenes and.

0:16:41.360 --> 0:16:43.400
<v Speaker 2>The public on YouTube.

0:16:44.360 --> 0:16:47.320
<v Speaker 6>They have zero If you google a zero hour an airplane,

0:16:47.400 --> 0:16:51.120
<v Speaker 6>I mean type in zero hour airplane, you may you

0:16:51.200 --> 0:16:51.840
<v Speaker 6>may see this.

0:16:52.120 --> 0:16:54.960
<v Speaker 2>People have done a side by side, a scene by

0:16:55.000 --> 0:16:58.240
<v Speaker 2>scene comparison. Oh really, yeah, right, that they have. It's

0:16:58.280 --> 0:17:02.200
<v Speaker 2>probably studied constantly. Some of the lines we lifted completely intact,

0:17:02.680 --> 0:17:06.440
<v Speaker 2>no kidding. When when Leslie Nielsen says, uh, Stewardess, I

0:17:06.560 --> 0:17:08.879
<v Speaker 2>think you ought to know what our chances are.

0:17:08.960 --> 0:17:11.120
<v Speaker 6>The lives of everyone on board depends on one thing,

0:17:11.359 --> 0:17:14.240
<v Speaker 6>finding someone back there who not only can fly this plane,

0:17:14.400 --> 0:17:15.960
<v Speaker 6>but who didn't have fish for dinner.

0:17:16.680 --> 0:17:19.240
<v Speaker 2>And that's it, and the cats all laugh. But that

0:17:19.400 --> 0:17:23.320
<v Speaker 2>really was the said by the doctor in Zero Hour,

0:17:23.600 --> 0:17:25.719
<v Speaker 2>but he meant it seriously. He meant it seriously right,

0:17:25.840 --> 0:17:30.960
<v Speaker 2>It sounds like quite a film. It's worthy of parody

0:17:31.119 --> 0:17:34.200
<v Speaker 2>in parts unintentionally hilarious. Jerry, how are the first reviews?

0:17:35.160 --> 0:17:37.600
<v Speaker 3>The first reviews were, I think, pretty good, but mixed.

0:17:37.680 --> 0:17:38.520
<v Speaker 3>I mean I think you know.

0:17:38.600 --> 0:17:44.440
<v Speaker 2>Everyone who panned it, Kale, they know now was she wait?

0:17:44.560 --> 0:17:45.280
<v Speaker 2>Was she New Yorker?

0:17:45.440 --> 0:17:46.240
<v Speaker 4>Was she the New Yorker?

0:17:46.359 --> 0:17:46.520
<v Speaker 2>Yeah?

0:17:46.560 --> 0:17:49.920
<v Speaker 6>Yeah, yeah, but I found out later she when she

0:17:50.040 --> 0:17:52.639
<v Speaker 6>saw it, she was sitting next to Woody Allen, and

0:17:52.760 --> 0:17:54.120
<v Speaker 6>Woody Allen kept saying.

0:17:54.000 --> 0:17:54.800
<v Speaker 2>No, this is great.

0:17:54.880 --> 0:17:57.080
<v Speaker 6>Don't you see this is this is funny, and she

0:17:57.600 --> 0:18:00.280
<v Speaker 6>she says, but there's no comedians in it, so she

0:18:00.440 --> 0:18:01.119
<v Speaker 6>just she really.

0:18:01.200 --> 0:18:03.440
<v Speaker 2>Well, look when push comes to show, I rather Woody

0:18:03.480 --> 0:18:06.639
<v Speaker 2>Allen think it's funny than fully right. I mean, you know,

0:18:07.440 --> 0:18:12.560
<v Speaker 2>if you had to really choose so so, but well,

0:18:12.640 --> 0:18:14.920
<v Speaker 2>let's say other reviews and so it was mixed.

0:18:14.920 --> 0:18:16.640
<v Speaker 5>In other words, it was it was, but I think

0:18:16.640 --> 0:18:19.600
<v Speaker 5>it was mostly but it's probably seventy percent favorable. The

0:18:19.920 --> 0:18:25.960
<v Speaker 5>thing about Airplane it was it divided people in the

0:18:26.040 --> 0:18:29.160
<v Speaker 5>sense that there's a certain kind of person that that's

0:18:29.320 --> 0:18:31.840
<v Speaker 5>just that's their sense of humor. They really respond to

0:18:31.920 --> 0:18:34.760
<v Speaker 5>that satire and then there's a certain kind of mind.

0:18:35.000 --> 0:18:39.520
<v Speaker 3>That just didn't you know, didn't get that, didn't love that.

0:18:39.600 --> 0:18:43.080
<v Speaker 5>Didn't understand why everybody was just being straight and there

0:18:43.119 --> 0:18:45.840
<v Speaker 5>weren't any silly, funny people in it.

0:18:47.040 --> 0:18:50.120
<v Speaker 2>In light of that, how did it do overseas? How

0:18:50.200 --> 0:18:51.600
<v Speaker 2>culture bound? Is it great?

0:18:51.720 --> 0:18:51.760
<v Speaker 1>No?

0:18:52.280 --> 0:18:56.880
<v Speaker 5>You know why because it was a satire on American movies,

0:18:57.000 --> 0:18:59.520
<v Speaker 5>and they get American movies, they share.

0:18:59.280 --> 0:19:02.600
<v Speaker 2>The references, but but they wouldn't know Roger Roger and.

0:19:02.720 --> 0:19:06.520
<v Speaker 4>You know Cluns had trouble transfer.

0:19:06.600 --> 0:19:08.719
<v Speaker 7>Yeah, but actually we had a we had an interesting

0:19:08.760 --> 0:19:11.879
<v Speaker 7>experience because we had an opportunity.

0:19:11.440 --> 0:19:12.360
<v Speaker 4>To see it in Germany.

0:19:13.080 --> 0:19:13.679
<v Speaker 2>Yeah, and.

0:19:15.280 --> 0:19:19.000
<v Speaker 4>Was dubbed dub But when the scene came.

0:19:18.920 --> 0:19:24.320
<v Speaker 7>Up with the black guys, the dubbed black guys, it

0:19:24.480 --> 0:19:27.199
<v Speaker 7>got as big a laugh in Germany as it did

0:19:27.280 --> 0:19:30.920
<v Speaker 7>in the United States. And sitting in the audience, how

0:19:31.119 --> 0:19:33.520
<v Speaker 7>why that could happen? And it was explained to us

0:19:33.640 --> 0:19:38.800
<v Speaker 7>afterward that the that the black guys were dubbed in Bavarian,

0:19:40.240 --> 0:19:40.680
<v Speaker 7>which they.

0:19:40.680 --> 0:19:41.160
<v Speaker 2>Don't get.

0:19:43.640 --> 0:19:44.120
<v Speaker 3>Anymore.

0:19:45.440 --> 0:19:47.520
<v Speaker 2>I got to get out of here, I got to

0:19:47.560 --> 0:19:48.160
<v Speaker 2>get out of here.

0:19:49.000 --> 0:19:50.040
<v Speaker 8>Get a hold of yourself.

0:19:55.560 --> 0:19:57.440
<v Speaker 2>I'll get back to your seat. I'll take care of this.

0:20:03.080 --> 0:20:03.880
<v Speaker 2>Everything's pretty.

0:20:15.400 --> 0:20:18.639
<v Speaker 1>This episode of timeless wisdom will continue right after this.

0:20:24.240 --> 0:20:27.800
<v Speaker 1>Now back to more of Dennis Prager's timeless wisdom.

0:20:35.760 --> 0:20:39.760
<v Speaker 5>The red is for agloading and unloading of passengers.

0:20:39.760 --> 0:20:42.440
<v Speaker 2>Only there's no stopping in the White song.

0:20:43.760 --> 0:20:46.840
<v Speaker 11>You know, the white show is for noting and unknowating,

0:20:47.119 --> 0:20:48.320
<v Speaker 11>and there is no stopping.

0:20:48.720 --> 0:20:54.040
<v Speaker 2>The Renais the reds has always been reloading it unloading.

0:20:54.440 --> 0:20:56.480
<v Speaker 2>There's never stopping at on White song.

0:20:56.920 --> 0:20:59.520
<v Speaker 11>Don't tell me which sew is for stopping and which

0:20:59.600 --> 0:20:59.960
<v Speaker 11>sell is.

0:21:00.040 --> 0:21:04.119
<v Speaker 2>Harmony to listen study, don't start up with your white dogyap.

0:21:06.200 --> 0:21:10.920
<v Speaker 2>I'm still laughing. Thirty years later, It's thirty years since

0:21:11.240 --> 0:21:14.080
<v Speaker 2>one of the true classics, and that's that's the highest

0:21:14.119 --> 0:21:16.520
<v Speaker 2>appellation you can give to any any work of art

0:21:18.000 --> 0:21:20.480
<v Speaker 2>has appeared, and that is the film Airplane. And we

0:21:20.640 --> 0:21:23.080
<v Speaker 2>have the Zucker brothers and Jim Abrams who wrote it,

0:21:23.160 --> 0:21:25.119
<v Speaker 2>directed it, produced it, et cetera. By the way, I

0:21:25.200 --> 0:21:27.320
<v Speaker 2>see produced it. Where did you get the money to

0:21:27.440 --> 0:21:29.680
<v Speaker 2>do this? You guys were not rich. Where did you

0:21:29.840 --> 0:21:30.200
<v Speaker 2>How did you?

0:21:30.440 --> 0:21:32.320
<v Speaker 6>We took it for years, we took it around to

0:21:32.480 --> 0:21:36.119
<v Speaker 6>studios and we kept rewriting it, and every studio in

0:21:36.240 --> 0:21:41.280
<v Speaker 6>Hollywood turned it down. Naturally, one guy sought the idea

0:21:41.440 --> 0:21:43.320
<v Speaker 6>and the script and liked it, and that was Michael

0:21:43.320 --> 0:21:45.159
<v Speaker 6>Eisner at Paramount, So.

0:21:45.280 --> 0:21:47.800
<v Speaker 2>I really owe him a lot. He you know, Wow,

0:21:48.000 --> 0:21:50.240
<v Speaker 2>that's fascinating. I'm glad I asked one guy.

0:21:50.359 --> 0:21:54.399
<v Speaker 6>Yeah, and he saw it somehow and had us into

0:21:54.520 --> 0:21:56.880
<v Speaker 6>to meet. And I remember the first time we ever

0:21:57.200 --> 0:21:57.960
<v Speaker 6>went to Paramount.

0:21:58.480 --> 0:22:03.120
<v Speaker 2>We were just awestruck by the carpet. It was really

0:22:03.320 --> 0:22:04.920
<v Speaker 2>plush carpet. Yeah, I believe it.

0:22:05.080 --> 0:22:05.280
<v Speaker 1>Yeah.

0:22:06.480 --> 0:22:09.600
<v Speaker 3>By the way, producers never put their own money into movies.

0:22:09.720 --> 0:22:11.000
<v Speaker 2>They raised very rarely.

0:22:11.040 --> 0:22:14.160
<v Speaker 3>Yeah, get either the studios are foreign financing.

0:22:13.720 --> 0:22:16.800
<v Speaker 2>And you've got a studio so through Paramount is.

0:22:16.800 --> 0:22:17.960
<v Speaker 3>Also very inexpensive.

0:22:18.160 --> 0:22:20.720
<v Speaker 2>And Paramount took the script and made it better. Yeah.

0:22:21.320 --> 0:22:23.960
<v Speaker 2>Why was it inexpensive because it was shot at one place.

0:22:24.480 --> 0:22:26.320
<v Speaker 5>Well, it was you know a bunch of people on

0:22:26.440 --> 0:22:29.080
<v Speaker 5>a you know plane in the control tower and all

0:22:29.240 --> 0:22:32.440
<v Speaker 5>we shot it in seven weeks. It was there was

0:22:32.480 --> 0:22:36.119
<v Speaker 5>a three million dollar three and a half million expensive cast.

0:22:36.280 --> 0:22:37.679
<v Speaker 4>Inexpensive. Everything about it.

0:22:37.760 --> 0:22:42.080
<v Speaker 2>Was who casted it? Did you guys? Did you hire

0:22:42.080 --> 0:22:43.720
<v Speaker 2>a casting Yeah, you have a cast in Dropper.

0:22:43.840 --> 0:22:48.359
<v Speaker 3>But in movies it's not just but the movies.

0:22:48.440 --> 0:22:52.000
<v Speaker 5>The directors make the decision, although obviously the studio can

0:22:52.119 --> 0:22:54.639
<v Speaker 5>say has veto power thought of Kareem.

0:22:56.400 --> 0:23:01.600
<v Speaker 7>Kareem was actually uh fallback position. We had originally written

0:23:01.640 --> 0:23:05.120
<v Speaker 7>that part. We wanted to have a famous athlete play

0:23:05.160 --> 0:23:07.800
<v Speaker 7>a part because to make fun of the whole notion

0:23:08.040 --> 0:23:11.520
<v Speaker 7>that athletes are frequently given parts and movies and they

0:23:11.560 --> 0:23:15.080
<v Speaker 7>really can't act their athletes. And so we originally wrote

0:23:15.119 --> 0:23:18.560
<v Speaker 7>the part for Pete Rose. Oh really, And that was

0:23:18.680 --> 0:23:23.800
<v Speaker 7>before Pete Rose been outed as Pete Grose, and but

0:23:24.040 --> 0:23:26.000
<v Speaker 7>we filmed the movie during the summer and so he

0:23:26.119 --> 0:23:30.040
<v Speaker 7>was unavailable. He was playing baseball. So as a fallback position,

0:23:30.440 --> 0:23:32.760
<v Speaker 7>we wrote the part for Kareem.

0:23:32.920 --> 0:23:34.040
<v Speaker 2>Did he enjoy doing it?

0:23:34.760 --> 0:23:37.000
<v Speaker 4>Not particularly, I don't think I think he.

0:23:37.119 --> 0:23:38.600
<v Speaker 2>Actually did enjoy it.

0:23:39.040 --> 0:23:43.680
<v Speaker 3>But but the thing is, but he's he's not He's

0:23:43.720 --> 0:23:45.520
<v Speaker 3>not the monster. Kareem is a very.

0:23:45.520 --> 0:23:48.600
<v Speaker 5>Low key guy, and so I think it's like hard

0:23:48.680 --> 0:23:54.440
<v Speaker 5>to tell whether Kareem is happier. But he really, he said,

0:23:54.520 --> 0:23:57.200
<v Speaker 5>I ran into him recently, actually just a couple of

0:23:57.240 --> 0:23:59.880
<v Speaker 5>months ago, and he wants to act a get more.

0:24:00.720 --> 0:24:00.920
<v Speaker 3>Yeah.

0:24:02.359 --> 0:24:06.160
<v Speaker 6>Later he responded, yeah, and I've read interviews with him,

0:24:07.040 --> 0:24:09.399
<v Speaker 6>he said airplane changed his life.

0:24:09.640 --> 0:24:11.639
<v Speaker 2>Yeah really, yeah, oh yeah. Register.

0:24:12.440 --> 0:24:16.399
<v Speaker 7>The other thing that it was kind of interesting is

0:24:16.560 --> 0:24:20.120
<v Speaker 7>that at the time he didn't memorize his line.

0:24:19.960 --> 0:24:21.560
<v Speaker 4>So we had to give him que cards.

0:24:22.160 --> 0:24:26.640
<v Speaker 7>And recently, with all this thirty years later stuff coming out,

0:24:27.119 --> 0:24:31.439
<v Speaker 7>somebody wrote and at the time when when you can

0:24:31.560 --> 0:24:34.639
<v Speaker 7>see him reading Q cards in the movie, and we

0:24:34.800 --> 0:24:37.960
<v Speaker 7>were upset because he didn't memorize his lines and had

0:24:38.000 --> 0:24:40.800
<v Speaker 7>to use que cards. Thirty years later in an article,

0:24:40.840 --> 0:24:44.760
<v Speaker 7>we were given credit for being brilliant for exposing athletes

0:24:44.800 --> 0:24:48.520
<v Speaker 7>who are not really actors by making him read obviously reading.

0:24:50.520 --> 0:24:54.280
<v Speaker 2>Yeah. Oh that's precious. Yeah, that is a precious story.

0:24:54.400 --> 0:24:58.480
<v Speaker 2>Let's go to Minneapolis and Bill. Hello, Bill, Dennis Prager

0:24:58.600 --> 0:24:59.880
<v Speaker 2>and the airplane Gang.

0:25:00.880 --> 0:25:03.040
<v Speaker 12>Dennis, good morning to you. First of all, i'd like

0:25:03.160 --> 0:25:05.119
<v Speaker 12>to say it's certainly an honor to talk to you

0:25:05.280 --> 0:25:08.680
<v Speaker 12>and these gentlemen that gave us this American icon, and

0:25:09.200 --> 0:25:12.320
<v Speaker 12>especially from the aviation community. We would just like to

0:25:12.400 --> 0:25:15.119
<v Speaker 12>say thank you, thank you, thank you. It's uh, we

0:25:15.359 --> 0:25:21.080
<v Speaker 12>use these lines almost daily in the cockpit, that's reassured.

0:25:28.280 --> 0:25:30.520
<v Speaker 12>And Dennis, someone will hand me a map, of course

0:25:30.560 --> 0:25:31.280
<v Speaker 12>and say what can you.

0:25:31.320 --> 0:25:32.080
<v Speaker 1>Make a visit and.

0:25:36.400 --> 0:25:40.000
<v Speaker 12>Act it's it's And I was telling your screener one

0:25:40.040 --> 0:25:42.000
<v Speaker 12>time I had a We were sitting at the gate

0:25:42.200 --> 0:25:45.119
<v Speaker 12>and uh, we were finished with our checklists and we

0:25:45.200 --> 0:25:47.920
<v Speaker 12>had briefed the takeoff and all the departure proceeding, so

0:25:48.000 --> 0:25:49.840
<v Speaker 12>we was just kind of a downtime and I turned around.

0:25:49.840 --> 0:25:51.960
<v Speaker 12>There was a young boy standing next to me, which

0:25:52.200 --> 0:25:54.120
<v Speaker 12>happens quite often, you know, they come and they visit

0:25:54.200 --> 0:25:57.200
<v Speaker 12>the cockpit, and not seeing the mother in the cockpit door,

0:25:57.560 --> 0:25:59.520
<v Speaker 12>I turned around and I said, oh, and who are you?

0:25:59.600 --> 0:26:01.720
<v Speaker 12>And he said Kimmy or whatever, And of course, without

0:26:01.720 --> 0:26:02.720
<v Speaker 12>even thinking it just Jimmy.

0:26:02.960 --> 0:26:04.120
<v Speaker 8>Do you like Gladiator move?

0:26:14.520 --> 0:26:15.160
<v Speaker 3>I hear?

0:26:15.920 --> 0:26:18.560
<v Speaker 2>But my dad says you don't work hard enough on defense.

0:26:19.520 --> 0:26:21.640
<v Speaker 3>And he says that lots of times you don't even

0:26:21.720 --> 0:26:26.080
<v Speaker 3>run on court, judge, don't really try set during the playoffs.

0:26:26.520 --> 0:26:30.440
<v Speaker 13>The hell, I don't listen. I've been hearing that for

0:26:30.480 --> 0:26:32.640
<v Speaker 13>ever since I was at U c l A. I'm

0:26:32.680 --> 0:26:35.880
<v Speaker 13>out there busting my buns every night. Tell your old

0:26:35.960 --> 0:26:37.800
<v Speaker 13>man to drag Walton and near roup and down the

0:26:37.840 --> 0:26:39.040
<v Speaker 13>court for forty eight minutes.

0:26:42.080 --> 0:26:48.119
<v Speaker 2>Joe, do you like movies about Gladiators. You're listening to

0:26:48.200 --> 0:26:52.120
<v Speaker 2>the Dennis Prager Show. It was a an airline pilot,

0:26:53.000 --> 0:26:55.679
<v Speaker 2>maybe maybe one of the planes I will be flying

0:26:55.880 --> 0:26:59.280
<v Speaker 2>or have flown, who speaks about how often pilots use

0:26:59.320 --> 0:27:03.480
<v Speaker 2>the jargon and the funny lines from this great classic airplane.

0:27:04.280 --> 0:27:07.119
<v Speaker 2>And if you're just tuning in, shame on you because

0:27:07.160 --> 0:27:11.119
<v Speaker 2>you missed so much fun here. That's why we have Prageatopia,

0:27:11.200 --> 0:27:13.240
<v Speaker 2>by the way, so you can get every hour anytime

0:27:13.320 --> 0:27:17.120
<v Speaker 2>you want at the giant price of six dollars a month,

0:27:17.880 --> 0:27:21.600
<v Speaker 2>and it's Pragatopia at the website. Thennis Praguer dot com.

0:27:22.040 --> 0:27:24.920
<v Speaker 2>Jerry Zucker, David Zucker, Jim Abrams, the folks who made this,

0:27:25.400 --> 0:27:27.880
<v Speaker 2>they were in their early thirties when it was done.

0:27:27.920 --> 0:27:31.960
<v Speaker 2>It's thirty years ago. It's not thirty years ago today,

0:27:32.119 --> 0:27:34.200
<v Speaker 2>but it's thirty years ago. Was there What was the

0:27:34.320 --> 0:27:36.400
<v Speaker 2>opening date? I think late July.

0:27:36.600 --> 0:27:37.720
<v Speaker 4>I'm not sure it was late July.

0:27:38.040 --> 0:27:40.960
<v Speaker 7>We often talk about how sort of the seas divided

0:27:41.520 --> 0:27:46.320
<v Speaker 7>for airplane, I mean, everything eventually just fell into place beautifully.

0:27:46.720 --> 0:27:50.080
<v Speaker 7>And one problem, one of our worries at the time was, gosh,

0:27:50.240 --> 0:27:53.920
<v Speaker 7>late July of nineteen eighty we're going to be competing

0:27:54.000 --> 0:27:57.520
<v Speaker 7>against the Summer Olympics. But what do you know, we

0:27:57.640 --> 0:27:59.959
<v Speaker 7>boycotted the Summer Olympics, so there was no context.

0:28:01.480 --> 0:28:05.399
<v Speaker 2>Oh how interesting. There were those who say that that

0:28:05.640 --> 0:28:08.320
<v Speaker 2>was the reason, not Afghanistan. It was the Help. There

0:28:08.400 --> 0:28:18.600
<v Speaker 2>was the Help airplane and Jimmy Ky. Yeah, so there

0:28:18.680 --> 0:28:24.240
<v Speaker 2>you go. He is a hero, Laurie in Minneapolis, Hi,

0:28:24.520 --> 0:28:26.600
<v Speaker 2>Dennis Prager and the airplane gang.

0:28:27.600 --> 0:28:31.000
<v Speaker 14>Hi, this question is for the Zucker Brothers. Actually it's

0:28:31.080 --> 0:28:33.520
<v Speaker 14>just more of an anecdote. I also love your movie

0:28:33.640 --> 0:28:37.120
<v Speaker 14>Top Secret. I used to work with a woman who

0:28:37.440 --> 0:28:40.160
<v Speaker 14>her husband. I do believe he worked with you guys

0:28:40.200 --> 0:28:43.280
<v Speaker 14>when he was in college. It was a summer job

0:28:43.400 --> 0:28:45.240
<v Speaker 14>or maybe a school year job in Madison.

0:28:45.320 --> 0:28:48.160
<v Speaker 2>Does that sound what's his name?

0:28:48.840 --> 0:28:50.680
<v Speaker 14>I'll just say his first name. I believe it's Bill.

0:28:51.080 --> 0:28:51.480
<v Speaker 2>Oh Bill.

0:28:52.040 --> 0:28:54.240
<v Speaker 14>You guys were lying cooks and he was a dishwasher.

0:28:54.640 --> 0:28:58.760
<v Speaker 14>Does that sound right? A long time ago, so I'm

0:28:58.760 --> 0:28:59.800
<v Speaker 14>trying to remember the details.

0:28:59.840 --> 0:29:03.960
<v Speaker 2>But I was were you yeah, yeah? In college? All right,

0:29:04.000 --> 0:29:06.160
<v Speaker 2>all right, Laurie, thank you so much. All Right, you

0:29:06.200 --> 0:29:09.600
<v Speaker 2>guys don't remember Bill, don't give me a I remember

0:29:09.640 --> 0:29:12.880
<v Speaker 2>a few bit, my guys. I didn't start radio yesterday.

0:29:13.560 --> 0:29:17.320
<v Speaker 2>You don't feel like I know, Bill, my uncle Bill.

0:29:18.360 --> 0:29:23.080
<v Speaker 2>Thank you, Laurie, Atlanta, Georgia. And Ben, Hello, Ben, Dennis Prager,

0:29:23.800 --> 0:29:24.400
<v Speaker 2>how you doing.

0:29:24.720 --> 0:29:27.800
<v Speaker 9>I just want to thank you guys. Your Your movie

0:29:27.960 --> 0:29:29.880
<v Speaker 9>was the first movie I took my wife to be

0:29:30.920 --> 0:29:31.840
<v Speaker 9>we went to see.

0:29:32.960 --> 0:29:34.640
<v Speaker 2>And did she laugh?

0:29:34.760 --> 0:29:35.320
<v Speaker 8>Movie open?

0:29:35.400 --> 0:29:36.440
<v Speaker 2>Wait? Did she laugh?

0:29:37.360 --> 0:29:38.280
<v Speaker 9>Above the Clouds?

0:29:38.760 --> 0:29:40.440
<v Speaker 2>Wait? Ben? Ben? Did she laugh?

0:29:41.600 --> 0:29:42.040
<v Speaker 8>Excuse me?

0:29:42.400 --> 0:29:43.560
<v Speaker 2>Did she laugh?

0:29:44.120 --> 0:29:47.200
<v Speaker 9>She was hysterical? You don't see it again because we

0:29:47.320 --> 0:29:47.880
<v Speaker 9>missed so much?

0:29:47.960 --> 0:29:49.560
<v Speaker 2>Okay, then he did the right thing. I got a

0:29:49.600 --> 0:29:51.959
<v Speaker 2>second date, he got Oh, so that's it. You got

0:29:52.000 --> 0:29:53.720
<v Speaker 2>a second date out of it. And you're thinking, and

0:29:53.880 --> 0:29:54.479
<v Speaker 2>I married her.

0:29:54.840 --> 0:29:56.920
<v Speaker 9>It's going to be our twenty ninth wedding anniversary.

0:29:57.760 --> 0:29:59.920
<v Speaker 2>Congratulations. You can be on the show next year.

0:30:00.040 --> 0:30:00.160
<v Speaker 6>You know.

0:30:00.560 --> 0:30:03.200
<v Speaker 2>I think the three of you should go to Atlanta

0:30:03.280 --> 0:30:05.680
<v Speaker 2>and celebrate with them. Yeah, that would be.

0:30:05.800 --> 0:30:08.520
<v Speaker 9>Movie started and they showed Above the Clouds and the

0:30:08.680 --> 0:30:12.600
<v Speaker 9>Jaws music started playing, and the Tale of That Plane

0:30:12.640 --> 0:30:15.520
<v Speaker 9>went by. I looked at my wife. I said that

0:30:15.760 --> 0:30:19.760
<v Speaker 9>was worth the five bucks, and.

0:30:19.920 --> 0:30:26.480
<v Speaker 2>She said that's all I work. Five bucks for a movie. Yeah,

0:30:26.560 --> 0:30:29.960
<v Speaker 2>that dates it. That absolutely does. All right, let's go

0:30:30.120 --> 0:30:34.360
<v Speaker 2>to uh San Diego and Beck, is that right? Beck?

0:30:34.800 --> 0:30:35.000
<v Speaker 7>Yeah?

0:30:35.120 --> 0:30:35.320
<v Speaker 15>Beck?

0:30:35.520 --> 0:30:35.960
<v Speaker 2>Hi Beck.

0:30:36.240 --> 0:30:38.280
<v Speaker 15>Hey, So look, I've been trying to track down these

0:30:38.320 --> 0:30:40.800
<v Speaker 15>Zookers for a long time because I'd like to put

0:30:40.840 --> 0:30:42.920
<v Speaker 15>in a request for the refund of the three hundred

0:30:42.960 --> 0:30:45.520
<v Speaker 15>and ninety two hours of my husband's life that he

0:30:45.600 --> 0:30:48.200
<v Speaker 15>has lost watching this movie.

0:30:48.600 --> 0:30:52.960
<v Speaker 2>Over and over again, no kidding.

0:30:53.320 --> 0:30:56.640
<v Speaker 15>And he's a pilot, he's a military pilot, private pilot,

0:30:56.760 --> 0:30:59.440
<v Speaker 15>and oh my god, it doesn't matter if it's you know,

0:30:59.560 --> 0:31:01.040
<v Speaker 15>if we have to get up at three am the

0:31:01.160 --> 0:31:03.440
<v Speaker 15>next day to do whatever. If that movie comes on,

0:31:03.720 --> 0:31:04.880
<v Speaker 15>he's staying up and watching it.

0:31:05.000 --> 0:31:07.160
<v Speaker 3>I'm saying that might be a pre existing condition. We

0:31:07.280 --> 0:31:07.760
<v Speaker 3>can't take it.

0:31:09.280 --> 0:31:11.320
<v Speaker 2>I I think you should sue the Zucker brothers and

0:31:11.400 --> 0:31:12.800
<v Speaker 2>Jim I I do you know?

0:31:12.920 --> 0:31:14.920
<v Speaker 15>I think I should too. Are they worth anything?

0:31:17.040 --> 0:31:20.200
<v Speaker 2>Well, the laughter tells you that, thew but the answer

0:31:20.960 --> 0:31:23.040
<v Speaker 2>that's terrific, you know that. I love the fact that

0:31:23.120 --> 0:31:25.720
<v Speaker 2>all these pilots love the film. So that's a great sign.

0:31:26.320 --> 0:31:28.560
<v Speaker 2>But there's certain movies that you just once you start

0:31:28.600 --> 0:31:30.800
<v Speaker 2>watching him, you just you get sucked in. Oh well,

0:31:30.840 --> 0:31:31.800
<v Speaker 2>your that is one of them.

0:31:31.880 --> 0:31:32.080
<v Speaker 1>For me.

0:31:32.160 --> 0:31:32.880
<v Speaker 3>If if I.

0:31:33.080 --> 0:31:36.560
<v Speaker 2>Midway you know, the one with Charlton Heston. It's all

0:31:36.600 --> 0:31:40.360
<v Speaker 2>about the battle. Yeah, no, I didn't see it. Alan,

0:31:40.440 --> 0:31:44.640
<v Speaker 2>you know it? Right? Is that? Does that suck you in? Allen? Okay?

0:31:45.560 --> 0:31:49.000
<v Speaker 2>Get it was panned by the critics, panned by Alan.

0:31:49.080 --> 0:31:52.920
<v Speaker 2>That's that's when the audience left was yes, okay, we

0:31:53.160 --> 0:31:54.840
<v Speaker 2>have here, what is it? Okay?

0:31:55.200 --> 0:31:59.480
<v Speaker 3>So that means the movie sucks, Phoenix said Christine.

0:31:59.640 --> 0:32:02.760
<v Speaker 2>Hello, Christine, Hello, how are you all?

0:32:02.920 --> 0:32:05.640
<v Speaker 16>Gentlemen? Thank you so much for such a wonderful film.

0:32:06.040 --> 0:32:07.920
<v Speaker 16>I have to tell you at the beginning of your hour,

0:32:09.320 --> 0:32:12.200
<v Speaker 16>I watched this movie with my father and the sound

0:32:12.240 --> 0:32:14.280
<v Speaker 16>of him laughing is one of my favorite sounds in

0:32:14.320 --> 0:32:16.360
<v Speaker 16>the world. And I called him to tell him you

0:32:16.400 --> 0:32:19.840
<v Speaker 16>guys were on. He just retired, so he puts you

0:32:19.960 --> 0:32:25.520
<v Speaker 16>on as well. But my question was, how difficult was

0:32:25.560 --> 0:32:28.360
<v Speaker 16>it to get June Cleaver to speak jibs.

0:32:30.680 --> 0:32:31.320
<v Speaker 3>That that was?

0:32:31.440 --> 0:32:33.240
<v Speaker 2>Explain explain that to the audience.

0:32:34.360 --> 0:32:39.960
<v Speaker 5>Uh, well, we grew up on Leave It to Beaver

0:32:40.520 --> 0:32:43.160
<v Speaker 5>and and uh and for David and I it was

0:32:43.280 --> 0:32:45.080
<v Speaker 5>like that was our family, you know.

0:32:45.200 --> 0:32:49.080
<v Speaker 3>And uh, but but we we when we first wrote

0:32:49.160 --> 0:32:51.440
<v Speaker 3>that stuff, Uh, we really didn't.

0:32:51.600 --> 0:32:53.920
<v Speaker 5>We really didn't write those lines we kind of wrote

0:32:53.960 --> 0:32:57.000
<v Speaker 5>the most show for you know, in the script and

0:32:57.280 --> 0:33:00.400
<v Speaker 5>and sort of when when these African American as would

0:33:00.440 --> 0:33:01.920
<v Speaker 5>come into audition, we'd.

0:33:01.760 --> 0:33:04.000
<v Speaker 3>Apologize and just say that's the best.

0:33:04.080 --> 0:33:08.400
<v Speaker 5>Three white Jewish guys from Milwaukee continue you know, and

0:33:08.760 --> 0:33:12.520
<v Speaker 5>and uh, but but so these guys and Norm Gibbs

0:33:12.560 --> 0:33:16.760
<v Speaker 5>an Ale White uh actually wrote this stuff then and

0:33:17.120 --> 0:33:20.479
<v Speaker 5>and and the the actual you know jive and they

0:33:20.640 --> 0:33:22.960
<v Speaker 5>really helped Barbara Billingsley.

0:33:23.280 --> 0:33:26.680
<v Speaker 2>Uh. It's an incredible scene. Back in a moment Dennis

0:33:26.760 --> 0:33:31.000
<v Speaker 2>Prager and the Airplane creators jes lows blood.

0:33:31.240 --> 0:33:32.640
<v Speaker 3>She's gonna catch up and read.

0:33:32.480 --> 0:33:35.720
<v Speaker 2>That what it is, Big Mama, Ma Mama, the raised

0:33:35.760 --> 0:33:36.560
<v Speaker 2>no duns.

0:33:42.960 --> 0:33:44.120
<v Speaker 11>Jumper one a chump.

0:33:47.160 --> 0:33:50.440
<v Speaker 1>This episode of timeless Wisdom will continue right after this.

0:33:56.040 --> 0:34:02.200
<v Speaker 1>Now back to more of Dennis Prager's timeless wisdom in

0:34:02.440 --> 0:34:03.800
<v Speaker 1>me like something to read?

0:34:04.400 --> 0:34:05.760
<v Speaker 14>Do you have anything light?

0:34:08.440 --> 0:34:09.640
<v Speaker 9>How about this leaflet?

0:34:09.800 --> 0:34:11.560
<v Speaker 14>Famous Jewish sports legend?

0:34:13.480 --> 0:34:18.400
<v Speaker 2>Thank you guys. I'll tell you it's a little painful

0:34:18.440 --> 0:34:20.960
<v Speaker 2>that the hour. This is the last segment of the hour.

0:34:21.080 --> 0:34:24.480
<v Speaker 2>I'm having almost as much fun with the creators of

0:34:24.640 --> 0:34:28.560
<v Speaker 2>the movie Airplane as I as I do. I'm stuckering

0:34:28.680 --> 0:34:31.320
<v Speaker 2>here because I love it so much as I do

0:34:31.440 --> 0:34:35.680
<v Speaker 2>watching the actual the actual movie. We have the Zucker

0:34:35.719 --> 0:34:39.440
<v Speaker 2>Brothers and Jim Abrams, the creators of this epic. It's

0:34:39.480 --> 0:34:44.680
<v Speaker 2>thirty years since it was made. Sharon in Los Angeles,

0:34:44.800 --> 0:34:47.160
<v Speaker 2>Dennis Praeger, and the creators of Airplane.

0:34:47.880 --> 0:34:50.640
<v Speaker 8>Hi, guys, thanks for taking my call. I just want

0:34:50.680 --> 0:34:52.480
<v Speaker 8>to share this. In nineteen eighty three, I was a

0:34:52.560 --> 0:34:56.360
<v Speaker 8>soldier back in Israel and we were in the desert

0:34:56.480 --> 0:34:59.759
<v Speaker 8>watching the movie under the open sky at night. Then

0:35:00.000 --> 0:35:02.879
<v Speaker 8>the samement for the soldier. I wanted to thank you guys.

0:35:02.920 --> 0:35:08.920
<v Speaker 8>We have this very intimidating, big guy officer and when

0:35:09.000 --> 0:35:12.320
<v Speaker 8>the h the point where the guitar was playing and

0:35:12.600 --> 0:35:16.120
<v Speaker 8>the tubes were starting to fly out, and uh, he

0:35:16.360 --> 0:35:20.440
<v Speaker 8>just lost it and he almost burst the steam. It

0:35:20.600 --> 0:35:22.439
<v Speaker 8>was a great joy for all of us to see

0:35:22.480 --> 0:35:26.920
<v Speaker 8>this very curious, intimidating guy act humanly.

0:35:27.680 --> 0:35:31.040
<v Speaker 2>That's a beautiful story. That's what That's what you guys,

0:35:31.320 --> 0:35:31.719
<v Speaker 2>that's what you.

0:35:31.880 --> 0:35:34.080
<v Speaker 3>Laughter is a great equalizer.

0:35:34.200 --> 0:35:36.320
<v Speaker 2>When you think that's what. No, that's why I salute you.

0:35:36.440 --> 0:35:39.840
<v Speaker 2>That's exactly right. Let's go to San Diego and and

0:35:40.120 --> 0:35:46.400
<v Speaker 2>and Dennis Prager and the creators of Airplane. Hello, Ann, okay,

0:35:46.680 --> 0:35:52.160
<v Speaker 2>and well let's go to uh Minneapolis and Dean Dean. Hello,

0:35:52.280 --> 0:35:54.400
<v Speaker 2>Dennis Prager and the Airplane creators.

0:35:54.440 --> 0:35:56.759
<v Speaker 17>Hi Dennis, Hi, I love your show and I'm really

0:35:56.840 --> 0:35:57.480
<v Speaker 17>having fun here.

0:35:57.800 --> 0:35:58.000
<v Speaker 2>Yeah.

0:35:58.640 --> 0:36:00.080
<v Speaker 17>I was on a first date as well when I

0:36:00.160 --> 0:36:01.680
<v Speaker 17>first saw this, but it was not only a first

0:36:01.680 --> 0:36:05.520
<v Speaker 17>aid of blind date. Like my friend's girlfriend's cousin was

0:36:05.600 --> 0:36:08.200
<v Speaker 17>visiting from who knows where, and we decided to go

0:36:08.239 --> 0:36:11.000
<v Speaker 17>to a movie, and I just remember spending at least

0:36:11.040 --> 0:36:14.320
<v Speaker 17>half the movie bent over looking down the row of

0:36:15.120 --> 0:36:18.640
<v Speaker 17>seats at my friend with tears in my eyes. Your

0:36:18.719 --> 0:36:21.239
<v Speaker 17>kindent earlier about you know, some people get it, some

0:36:21.320 --> 0:36:23.480
<v Speaker 17>people don't. To this day, I don't know if she

0:36:23.600 --> 0:36:25.080
<v Speaker 17>got it or she didn't, but it was one of

0:36:25.120 --> 0:36:27.839
<v Speaker 17>those where she didn't. I don't think she wanted to laugh,

0:36:27.960 --> 0:36:29.520
<v Speaker 17>or she felt like she couldn't because she didn't.

0:36:29.800 --> 0:36:33.000
<v Speaker 2>Well, all right, yeah he didn't marry Light didn't marry

0:36:33.000 --> 0:36:36.440
<v Speaker 2>you guys prevented a bad marriage. Good. Yeah, listen, in

0:36:36.520 --> 0:36:40.400
<v Speaker 2>all seriousness on behalf of tens of millions, if not

0:36:40.560 --> 0:36:43.600
<v Speaker 2>hundreds of millions of people, thank you, because to make

0:36:43.680 --> 0:36:46.560
<v Speaker 2>people laugh, it's a tough light for everybody. On earth

0:36:46.760 --> 0:36:49.280
<v Speaker 2>and you made people laugh, and you did for thirty years.

0:36:49.840 --> 0:36:52.320
<v Speaker 2>May you have many more years of making great films.

0:36:52.480 --> 0:36:55.799
<v Speaker 2>Thank you, Thank you all. Tell me I'm Dennis Braker.

0:36:56.600 --> 0:36:57.359
<v Speaker 3>Like I picked it wrong.

0:36:57.640 --> 0:36:59.879
<v Speaker 2>They smoke wrong.

0:37:00.000 --> 0:37:04.360
<v Speaker 1>Wait tomorrow on Timeless Wisdom with Dennis Prager.

0:37:04.520 --> 0:37:08.279
<v Speaker 2>All right, Dennis, what's going to make me happy? And

0:37:08.440 --> 0:37:12.920
<v Speaker 2>what's going to make me unhappy? I'll answer that, all right,

0:37:13.400 --> 0:37:16.680
<v Speaker 2>with all the chutzpah at my disposal. I will tell

0:37:16.760 --> 0:37:19.480
<v Speaker 2>you what won't make you happy that you pursue or

0:37:19.560 --> 0:37:22.920
<v Speaker 2>if not you, of course you collectively, not you individually,

0:37:23.640 --> 0:37:29.479
<v Speaker 2>but you and me. I have to fight the same

0:37:29.560 --> 0:37:32.719
<v Speaker 2>battles as many of you. We none of us all

0:37:32.800 --> 0:37:36.520
<v Speaker 2>have the identical battles. But I have battles. If I

0:37:36.600 --> 0:37:39.000
<v Speaker 2>didn't have battles for happiness, I couldn't do this.

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<v Speaker 1>Join us tomorrow to hear more on Timeless Wisdom with

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<v Speaker 1>Dennis Prager. This has been Timeless Wisdom with Dennis Prager.

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<v Speaker 1>Visit Dennispragger dot com for thousands of hours of Dennis's lectures, courses,

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<v Speaker 1>and classic radio programs, and to purchase Dennis Prager's Rational Bibles.