1 00:00:00,120 --> 00:00:03,080 Speaker 1: I am very very nice when it comes to three 2 00:00:03,160 --> 00:00:07,440 Speaker 1: incredible individuals who are in studio, and I only realized 3 00:00:07,440 --> 00:00:09,560 Speaker 1: from chatting to them off air now that this is 4 00:00:09,560 --> 00:00:12,040 Speaker 1: the first time that we've had all three in the 5 00:00:12,119 --> 00:00:15,319 Speaker 1: same studio on the KFM Top forty. I am very 6 00:00:15,440 --> 00:00:18,960 Speaker 1: very excited to introduce you. And the thing is, you 7 00:00:19,000 --> 00:00:21,160 Speaker 1: know what, I almost feel like that that Destiny's Child thing, 8 00:00:21,280 --> 00:00:24,119 Speaker 1: like I want to go to say can you handle it? 9 00:00:24,640 --> 00:00:25,040 Speaker 2: Tasha? 10 00:00:25,440 --> 00:00:29,240 Speaker 1: Can you handle it? Taran? Can you handle it? I 11 00:00:29,280 --> 00:00:37,479 Speaker 1: don't think you handle it? Hello Blackbird? 12 00:00:40,880 --> 00:00:46,480 Speaker 3: That was actually very cool. He wait actually second. 13 00:00:47,400 --> 00:00:50,520 Speaker 1: Wait, we'll get there later. We'll get there later. First 14 00:00:50,560 --> 00:00:52,400 Speaker 1: and foremost ladies, Happy woman's day. 15 00:00:52,680 --> 00:00:56,480 Speaker 2: Yeahay's day. 16 00:00:56,800 --> 00:00:59,840 Speaker 1: But obviously yes, that's that's that's a good place to 17 00:00:59,880 --> 00:01:02,920 Speaker 1: be sometimes when you feel rich at your gardening, you 18 00:01:02,960 --> 00:01:10,680 Speaker 1: know what, that's fine, Mark, Mark, thank you? But ladies, wait, wait, 19 00:01:10,760 --> 00:01:11,959 Speaker 1: can I sorry? Like, can I. 20 00:01:11,959 --> 00:01:20,440 Speaker 4: Just five minutes as a landed at somewhere, thank you? 21 00:01:20,480 --> 00:01:21,720 Speaker 1: Can I just chat to my ex quickly? 22 00:01:22,959 --> 00:01:23,240 Speaker 4: Wow? 23 00:01:23,520 --> 00:01:26,040 Speaker 5: You know what I was like about to log on 24 00:01:26,040 --> 00:01:28,600 Speaker 5: onto this computer in front of me looking for the 25 00:01:28,600 --> 00:01:32,679 Speaker 5: traffic report. I'm a hashtag just saying I would it's 26 00:01:32,760 --> 00:01:34,000 Speaker 5: likely to be on this side of the disk. 27 00:01:34,200 --> 00:01:36,759 Speaker 1: It is, isn't It's beautiful, but you are always out 28 00:01:36,760 --> 00:01:37,080 Speaker 1: of the desk. 29 00:01:37,640 --> 00:01:39,320 Speaker 2: Everybody didn't sit in my same seat? 30 00:01:39,400 --> 00:01:42,039 Speaker 1: Oh yeah, I know that to your seat. 31 00:01:42,040 --> 00:01:44,080 Speaker 5: I'm sorry now you must Actually I didn't want to 32 00:01:44,080 --> 00:01:45,120 Speaker 5: sit there a game otherwise. 33 00:01:46,959 --> 00:01:51,120 Speaker 2: Tears, you know, sign Oh because we're emotional. 34 00:01:51,200 --> 00:01:54,480 Speaker 5: You know, maybe because because it's Women's Day and I 35 00:01:54,480 --> 00:01:57,280 Speaker 5: get to lum with incredible strong women. 36 00:01:58,800 --> 00:02:01,360 Speaker 1: No, no, this is I invited you here because not 37 00:02:01,360 --> 00:02:03,520 Speaker 1: only because the new single, but I just what what 38 00:02:03,640 --> 00:02:05,680 Speaker 1: really makes me proud is that in the beginning, I 39 00:02:05,720 --> 00:02:11,800 Speaker 1: feel like I was part of the being linging listen 40 00:02:11,919 --> 00:02:14,519 Speaker 1: properly almost. 41 00:02:18,080 --> 00:02:18,200 Speaker 6: So. 42 00:02:18,480 --> 00:02:21,959 Speaker 1: I just I had two hundred and fifty thousand, four hundred, 43 00:02:22,560 --> 00:02:27,519 Speaker 1: sixteen and seven eighteen and five listened properly, and four 44 00:02:27,600 --> 00:02:30,600 Speaker 1: hundred dreams for this group to go off and do 45 00:02:30,680 --> 00:02:33,680 Speaker 1: amazing things. Now, whenever I see a festival, whenever I 46 00:02:33,720 --> 00:02:37,600 Speaker 1: see some something, it's your three beautiful faces on that flyer. 47 00:02:37,800 --> 00:02:40,480 Speaker 1: Every I feel like you booked for everything. I think 48 00:02:40,520 --> 00:02:43,480 Speaker 1: at the moment you are so popular, you probably honestly 49 00:02:43,480 --> 00:02:47,799 Speaker 1: booked for the opening of a cocaine That's like what 50 00:02:47,840 --> 00:02:49,240 Speaker 1: you are now we booked. 51 00:02:48,960 --> 00:02:50,400 Speaker 3: For everything all. 52 00:02:55,360 --> 00:02:59,079 Speaker 5: Don't worry about you, wan't you talk to the people. 53 00:02:58,840 --> 00:03:00,880 Speaker 2: Man for us. 54 00:03:01,160 --> 00:03:02,480 Speaker 1: Well, we are alive now, so. 55 00:03:05,320 --> 00:03:11,960 Speaker 4: Come on, gold on we write a song for really. Yeah, 56 00:03:12,600 --> 00:03:26,280 Speaker 4: let's do that, a song for Kday. Okay, let this yes, 57 00:03:27,040 --> 00:03:28,440 Speaker 4: your heart of Verdie Kate. 58 00:03:31,800 --> 00:03:37,640 Speaker 1: Sorry, you know what I feel like, this is a 59 00:03:37,680 --> 00:03:41,040 Speaker 1: great idea, Let's do this, But I just wanted to 60 00:03:41,040 --> 00:03:44,240 Speaker 1: find out about this journey. The thing is in the beginning, sorry, 61 00:03:44,240 --> 00:03:47,839 Speaker 1: in the being, we had this beautiful connection between three 62 00:03:47,960 --> 00:03:51,160 Speaker 1: completely different people. And I know there was a dream 63 00:03:51,240 --> 00:03:53,240 Speaker 1: to start this off. Trust me. In the build up, 64 00:03:53,280 --> 00:03:55,760 Speaker 1: Tarrans the chat to me daily about this thing and 65 00:03:55,840 --> 00:03:58,120 Speaker 1: about the excitement about what's happening. And also can I 66 00:03:58,120 --> 00:03:59,520 Speaker 1: tell you she tried to hide a lot of stuff 67 00:03:59,520 --> 00:04:02,320 Speaker 1: from me before it is revealed. And then and then 68 00:04:02,440 --> 00:04:06,840 Speaker 1: now being in this group and just moving forward writing music, 69 00:04:07,040 --> 00:04:10,680 Speaker 1: enjoying it like Toche for you? Have you have you 70 00:04:10,760 --> 00:04:12,760 Speaker 1: felt this connection because I know that you've been through 71 00:04:12,800 --> 00:04:16,599 Speaker 1: your own reality TV journey solo journey and are you 72 00:04:16,680 --> 00:04:19,320 Speaker 1: in a group of ladies who support you and you 73 00:04:19,360 --> 00:04:21,560 Speaker 1: can also do which I've seen you also have your 74 00:04:21,680 --> 00:04:24,320 Speaker 1: your solo stuff is still alive. So how has it 75 00:04:24,360 --> 00:04:25,080 Speaker 1: been feeling for you? 76 00:04:25,520 --> 00:04:26,560 Speaker 3: Shure, It's incredible. 77 00:04:26,960 --> 00:04:29,839 Speaker 7: The main I always say the music is important, but 78 00:04:29,920 --> 00:04:32,800 Speaker 7: I think the camaraderie between the group is the most 79 00:04:32,800 --> 00:04:36,280 Speaker 7: important thing. The family unit and that stuff. The music 80 00:04:36,320 --> 00:04:41,960 Speaker 7: can come, but you can't buy the vibe between us, 81 00:04:42,000 --> 00:04:44,400 Speaker 7: you know what I'm saying. So that's the most important thing. 82 00:04:44,400 --> 00:04:46,799 Speaker 7: And from day one we just clicked. And that doesn't 83 00:04:46,800 --> 00:04:50,120 Speaker 7: happen often. No, I think even in family settings there's 84 00:04:50,160 --> 00:04:53,240 Speaker 7: these problems. But with us, it's just like natural. It 85 00:04:53,360 --> 00:04:56,880 Speaker 7: just feels like it just flows, you know. So No, 86 00:04:56,960 --> 00:04:59,240 Speaker 7: it's incredible, and I think each of us bring a 87 00:04:59,360 --> 00:05:02,000 Speaker 7: unique thing to the group, which is also very unique. 88 00:05:02,040 --> 00:05:05,279 Speaker 1: Yeah. I like that about this group, each the individuals 89 00:05:05,279 --> 00:05:08,040 Speaker 1: that come together and create something of like a melting 90 00:05:08,080 --> 00:05:11,640 Speaker 1: pot of different angles when it comes to songwriting, et cetera. 91 00:05:12,040 --> 00:05:16,000 Speaker 1: Just Tasha instant terms of the way writing happens. I'm 92 00:05:16,000 --> 00:05:18,000 Speaker 1: always interested to see, like, you know, Taran comes up 93 00:05:18,040 --> 00:05:21,680 Speaker 1: with this line then is like maybe we should do this. 94 00:05:21,760 --> 00:05:23,400 Speaker 1: Then you come in with like no, no, but maybe 95 00:05:23,400 --> 00:05:25,640 Speaker 1: we should do this. How do you navigate those moments 96 00:05:25,640 --> 00:05:27,480 Speaker 1: where you are writing together? 97 00:05:27,839 --> 00:05:31,359 Speaker 6: So can I just say that it's absolute chaos. 98 00:05:31,600 --> 00:05:34,680 Speaker 3: It's such chaos. But the thing is what happens is 99 00:05:34,920 --> 00:05:35,800 Speaker 3: this always happens. 100 00:05:35,839 --> 00:05:39,240 Speaker 6: It's like a structure that so Taran has this thing 101 00:05:39,600 --> 00:05:43,360 Speaker 6: in a visy and then it just like and then 102 00:05:43,360 --> 00:05:46,039 Speaker 6: she's like okay, guys, yeah, this's quickly and then she 103 00:05:46,120 --> 00:05:49,039 Speaker 6: sings the visy and then is the first one to 104 00:05:49,080 --> 00:05:51,640 Speaker 6: be like yeah, and then she goes and then she's 105 00:05:51,680 --> 00:05:52,919 Speaker 6: like okay, and then what about this? 106 00:05:53,000 --> 00:05:55,200 Speaker 3: But is like a you know, the derosel bunny. 107 00:05:55,279 --> 00:05:57,000 Speaker 1: She's like, I know this, She's like that. 108 00:05:57,760 --> 00:06:02,279 Speaker 6: And I'm the quiet one usually, so I get overstimulated, 109 00:06:02,360 --> 00:06:05,080 Speaker 6: like and me and Taron just keeps on and then 110 00:06:05,120 --> 00:06:07,520 Speaker 6: they just keep talking, so I don't usually get a 111 00:06:07,520 --> 00:06:07,800 Speaker 6: word in. 112 00:06:07,880 --> 00:06:08,560 Speaker 3: So then I leave. 113 00:06:09,440 --> 00:06:12,560 Speaker 6: I usually leave and I go stand outside in the quiet, 114 00:06:13,080 --> 00:06:15,560 Speaker 6: and then I can my brain can actually then work, 115 00:06:15,839 --> 00:06:16,080 Speaker 6: you know. 116 00:06:16,600 --> 00:06:19,080 Speaker 3: And then usually in the middle of all the chaos, 117 00:06:19,120 --> 00:06:25,279 Speaker 3: and I'm like, guys, what about And then we're like okay, Darren, 118 00:06:25,360 --> 00:06:26,159 Speaker 3: let's run with it. 119 00:06:26,200 --> 00:06:27,599 Speaker 2: And then it's like okay. 120 00:06:27,279 --> 00:06:28,560 Speaker 3: Cool, yes, this works. 121 00:06:28,760 --> 00:06:34,680 Speaker 6: So we have this amazing, very unstructured way of writing 122 00:06:34,760 --> 00:06:35,680 Speaker 6: that just works for us. 123 00:06:36,720 --> 00:06:37,040 Speaker 4: Mom. 124 00:06:37,240 --> 00:06:40,240 Speaker 6: Yeah, and then it's quite easy sometimes, but with home, 125 00:06:40,480 --> 00:06:43,600 Speaker 6: like our new single The Drop Yesterday. We almost took 126 00:06:43,640 --> 00:06:46,320 Speaker 6: a year to complete that song because it was like 127 00:06:46,480 --> 00:06:49,159 Speaker 6: we had like I think five different versions of the 128 00:06:49,160 --> 00:06:53,719 Speaker 6: song at one point, yes, and it was just not landing. 129 00:06:53,839 --> 00:06:57,920 Speaker 6: And then I think when we finished it. I remember 130 00:06:59,200 --> 00:07:01,440 Speaker 6: as well, when we finished that, Taran was like, Okay, 131 00:07:01,480 --> 00:07:03,359 Speaker 6: let's quickly play it acoustic and I was like, Taran, 132 00:07:04,279 --> 00:07:04,760 Speaker 6: how does. 133 00:07:04,640 --> 00:07:05,560 Speaker 3: The song go again? 134 00:07:05,960 --> 00:07:08,599 Speaker 6: Because I couldn't remember which version we're supposed to do. 135 00:07:09,320 --> 00:07:12,360 Speaker 5: It's always difficult writing a song that is very close 136 00:07:12,600 --> 00:07:15,760 Speaker 5: to your heart O yes to home. So how do 137 00:07:15,840 --> 00:07:19,679 Speaker 5: you find the right words that measure enough? 138 00:07:20,760 --> 00:07:22,600 Speaker 2: And you have to fit it into like three. 139 00:07:22,520 --> 00:07:26,600 Speaker 5: Minutes and you want to say every yeah exactly and 140 00:07:26,640 --> 00:07:29,840 Speaker 5: then you weigh like you weighing the chorus, you weighing 141 00:07:29,880 --> 00:07:32,840 Speaker 5: the pre chorus, And does it kind of connect to 142 00:07:32,920 --> 00:07:36,600 Speaker 5: the emotion that you're trying to make seem effortless? 143 00:07:36,760 --> 00:07:36,840 Speaker 6: Ye? 144 00:07:37,040 --> 00:07:37,640 Speaker 3: Even like the. 145 00:07:37,560 --> 00:07:40,160 Speaker 7: Little stupid words like it or the or whatever, it 146 00:07:40,240 --> 00:07:45,640 Speaker 7: is important in every sentence, like every single letter. 147 00:07:46,520 --> 00:07:47,520 Speaker 2: It must be intentional. 148 00:07:47,680 --> 00:07:51,320 Speaker 6: But I must say, we do have a we usually 149 00:07:51,360 --> 00:07:54,080 Speaker 6: have a situation where we end up where we have 150 00:07:54,200 --> 00:07:58,000 Speaker 6: too many ideas, So it's actually not a bad issue 151 00:07:58,000 --> 00:08:01,400 Speaker 6: to have, but usually we have like, yeah, five lines 152 00:08:01,840 --> 00:08:04,679 Speaker 6: ideas for one line, so then we have to choose 153 00:08:04,720 --> 00:08:07,440 Speaker 6: between them, and it's always difficult to choose the right one. 154 00:08:07,600 --> 00:08:09,560 Speaker 6: So I think we have like that issue where we 155 00:08:09,640 --> 00:08:11,960 Speaker 6: have too many ideas of song. 156 00:08:12,000 --> 00:08:16,400 Speaker 5: They become like psychologists or like English literature teachers, and 157 00:08:16,440 --> 00:08:18,000 Speaker 5: they were like shaving the words. 158 00:08:18,840 --> 00:08:20,880 Speaker 7: And then we make like I much stories in my head, 159 00:08:21,000 --> 00:08:24,160 Speaker 7: like of people and trying to see where they like 160 00:08:25,120 --> 00:08:28,840 Speaker 7: story goes, like create scenarios and kind of like a 161 00:08:28,920 --> 00:08:30,160 Speaker 7: cool to kme Ma Visuakan. 162 00:08:30,600 --> 00:08:33,560 Speaker 1: You know, I love this process, and you're sharing a 163 00:08:33,600 --> 00:08:36,760 Speaker 1: lot about your process now, and I think I appreciate 164 00:08:36,840 --> 00:08:39,480 Speaker 1: this because I don't think a lot of people consuming 165 00:08:39,520 --> 00:08:42,640 Speaker 1: the music understand now it is the three different minds 166 00:08:42,640 --> 00:08:45,400 Speaker 1: to write one song and have the same purpose and 167 00:08:45,480 --> 00:08:48,960 Speaker 1: the same thought and the same motivation. That is the challenge. 168 00:08:49,000 --> 00:08:51,880 Speaker 1: And I think people they underestimate that. They just think 169 00:08:51,920 --> 00:08:54,360 Speaker 1: are they harmonized leka, therefore they can write lequa. It 170 00:08:54,360 --> 00:08:56,679 Speaker 1: doesn't work that way. You know, you can't do that, 171 00:08:56,760 --> 00:09:01,440 Speaker 1: which is always just outstanding. I know in visually you 172 00:09:01,760 --> 00:09:04,240 Speaker 1: all can write songs, all of you, but now how 173 00:09:04,280 --> 00:09:07,720 Speaker 1: do you bring it together with the different backgrounds? Exactly, 174 00:09:07,840 --> 00:09:11,840 Speaker 1: They different heartbreaks, different loves, different things in your life. 175 00:09:11,840 --> 00:09:14,280 Speaker 1: I think that is the magic of songwriting, isn't it. 176 00:09:14,480 --> 00:09:17,760 Speaker 1: And I think songwriting is like I think just that's 177 00:09:17,760 --> 00:09:19,960 Speaker 1: the the best way to bring things across. You know, 178 00:09:20,080 --> 00:09:22,360 Speaker 1: Like they say, with corporate speak, you know, when you 179 00:09:22,400 --> 00:09:25,000 Speaker 1: want to tell somebody that they are just not being 180 00:09:25,080 --> 00:09:28,560 Speaker 1: too nice and corporate, you'll rather say, I hope this 181 00:09:28,679 --> 00:09:33,000 Speaker 1: email finds you. Well, the intelligence that you try to 182 00:09:33,080 --> 00:09:36,200 Speaker 1: grasp seem to have escaped to you. Yeah, that's like 183 00:09:36,360 --> 00:09:39,960 Speaker 1: your corporate speak. But then in songwriting it's different. You 184 00:09:40,040 --> 00:09:48,720 Speaker 1: understand stupid. Yeah, well do you have a full time job? Yeah, exactly. 185 00:09:50,360 --> 00:09:55,040 Speaker 7: Stupid, but you understand myself. 186 00:09:55,720 --> 00:09:57,160 Speaker 1: But there we go. And I mean, I feel like 187 00:09:57,200 --> 00:09:59,240 Speaker 1: in songwriting, if you want to tell somebody that it's 188 00:09:59,280 --> 00:10:01,439 Speaker 1: a lot different, you heard what I'm saying, Like you 189 00:10:01,600 --> 00:10:05,040 Speaker 1: just you'll be like just you know, You're like your 190 00:10:05,080 --> 00:10:07,800 Speaker 1: intelligence is like a sunrise, except I've only met you 191 00:10:07,800 --> 00:10:08,440 Speaker 1: at sunset. 192 00:10:11,480 --> 00:10:12,559 Speaker 7: There was right. 193 00:10:12,760 --> 00:10:14,760 Speaker 2: See, I love the opposite. I love that you have. 194 00:10:16,440 --> 00:10:19,360 Speaker 3: Oh, we must into the writing sessions and she right 195 00:10:19,440 --> 00:10:22,640 Speaker 3: to know filter song like, no, it's not. 196 00:10:22,559 --> 00:10:25,280 Speaker 1: Gonna pay. 197 00:10:26,840 --> 00:10:32,000 Speaker 7: Like you are stupid, like you know, just like brutally honest. 198 00:10:31,520 --> 00:10:33,040 Speaker 3: Honest song and the song. 199 00:10:32,920 --> 00:10:35,080 Speaker 1: Times pretty honest, pretty honest. I like, I like where 200 00:10:35,080 --> 00:10:37,480 Speaker 1: you're going with this, except if you so you can't 201 00:10:37,480 --> 00:10:39,280 Speaker 1: you swear words in the song, So how would you 202 00:10:39,320 --> 00:10:40,000 Speaker 1: bring it across? 203 00:10:40,360 --> 00:10:42,960 Speaker 7: Gotta be bull honest something you know? 204 00:10:43,800 --> 00:10:47,240 Speaker 3: Just yea, your awesome sinking. 205 00:10:48,760 --> 00:10:51,920 Speaker 7: Like see that song, may see there's like that song 206 00:10:52,040 --> 00:10:52,960 Speaker 7: that's brutally honest. 207 00:10:54,000 --> 00:10:56,680 Speaker 3: Yes, when you come visit, leave your shoes at the door. 208 00:10:56,760 --> 00:10:59,040 Speaker 6: Not because I'm aware of my house, but because your 209 00:10:59,040 --> 00:11:05,760 Speaker 6: food always that's fine, yourink you're in your coffee because 210 00:11:05,840 --> 00:11:06,520 Speaker 6: I can see it. 211 00:11:06,600 --> 00:11:12,439 Speaker 3: And I like you. 212 00:11:14,320 --> 00:11:15,000 Speaker 2: I like you. 213 00:11:15,400 --> 00:11:21,160 Speaker 5: I want to love you, but I like you. 214 00:11:20,559 --> 00:11:22,720 Speaker 2: I like to love you. 215 00:11:25,400 --> 00:11:27,880 Speaker 3: Really like. 216 00:11:28,280 --> 00:11:30,280 Speaker 1: I feel like we're writing a song right here, brutally honestly. 217 00:11:30,320 --> 00:11:33,079 Speaker 1: Please let it be the next single from Black Bird honest. 218 00:11:33,240 --> 00:11:37,320 Speaker 3: But then you have to go like can you wrap? 219 00:11:37,800 --> 00:11:38,640 Speaker 1: Okay? Of course I. 220 00:11:38,640 --> 00:11:44,760 Speaker 3: Can have a reposition. There is no no you know. 221 00:11:44,960 --> 00:11:48,160 Speaker 1: That's that's actually my rap name, you know, And I 222 00:11:48,200 --> 00:11:51,959 Speaker 1: can come in there with with some bars brutally honesty. 223 00:11:51,640 --> 00:11:53,440 Speaker 6: And just like I know what your name could be 224 00:11:53,760 --> 00:12:01,920 Speaker 6: low wasted, you know, get a little wasted or low wasted. 225 00:12:02,320 --> 00:12:06,920 Speaker 1: And but I mean that SA minimize the Democrats. 226 00:12:06,520 --> 00:12:07,640 Speaker 3: Because you've got a beautiful waist. 227 00:12:08,000 --> 00:12:13,920 Speaker 6: So it's like, you know, your compliments stifle Thank you 228 00:12:13,960 --> 00:12:17,080 Speaker 6: so much, we cant all that stories. 229 00:12:18,640 --> 00:12:21,920 Speaker 1: By the way, that compliment is are X. Appreciate that 230 00:12:22,000 --> 00:12:23,240 Speaker 1: compliment is are X. 231 00:12:23,440 --> 00:12:25,040 Speaker 3: The people understand that we love it. 232 00:12:26,080 --> 00:12:29,440 Speaker 1: It's a recommended rate of exertion, by the way. Anyway, right, 233 00:12:29,559 --> 00:12:32,160 Speaker 1: let's get let's get onto before we get to. 234 00:12:32,000 --> 00:12:37,080 Speaker 3: For the other people, what does like I appreciate that 235 00:12:37,120 --> 00:12:39,680 Speaker 3: three thousand. That's for the Marvel fans out there. 236 00:12:39,760 --> 00:12:41,200 Speaker 1: Oh nice, love you three thousands. 237 00:12:43,640 --> 00:12:48,320 Speaker 7: I can year three thousand, yeah, three thousands to say, 238 00:12:48,559 --> 00:12:49,559 Speaker 7: but they live on. 239 00:12:51,160 --> 00:12:53,400 Speaker 1: I just want to get writing this honest song so much. 240 00:12:53,440 --> 00:12:55,640 Speaker 1: I'm thinking about all the things that you really should 241 00:12:55,679 --> 00:12:59,920 Speaker 1: say to somebody. Hey, so what are you doing later? Wow, 242 00:13:00,920 --> 00:13:02,800 Speaker 1: I'm actually doing a women's event later. Believe it. 243 00:13:04,320 --> 00:13:04,599 Speaker 6: That's it. 244 00:13:04,720 --> 00:13:07,160 Speaker 1: I'm doing a woman's It's going to be really great. 245 00:13:07,160 --> 00:13:09,600 Speaker 1: That's actually it's a's a woman It's an all women event, 246 00:13:09,640 --> 00:13:12,400 Speaker 1: and it's about ladies from all different walks of life 247 00:13:12,840 --> 00:13:17,160 Speaker 1: and different entrepreneurs and and everybody in the same room, 248 00:13:17,280 --> 00:13:19,720 Speaker 1: lifting each other and promoting each other. 249 00:13:21,520 --> 00:13:21,920 Speaker 6: Each other. 250 00:13:24,120 --> 00:13:28,600 Speaker 1: That's correct. So it's going to be a lovely clean event. 251 00:13:28,960 --> 00:13:35,800 Speaker 1: There's another cross for term. That's correct. Yeah, and yeah, 252 00:13:35,800 --> 00:13:37,160 Speaker 1: we're naming the bar burpees. 253 00:13:38,200 --> 00:13:42,720 Speaker 4: I love that, but Mama, that's correct. 254 00:13:43,240 --> 00:13:44,280 Speaker 3: Did you see to me? 255 00:13:44,720 --> 00:13:47,800 Speaker 6: Is the seventh She's got a seventh title. Now that's 256 00:13:48,960 --> 00:13:50,360 Speaker 6: she's now in the in the in. 257 00:13:50,360 --> 00:13:52,400 Speaker 3: The what do you call it? That league of like 258 00:13:52,480 --> 00:13:55,320 Speaker 3: all the people whose who's won seven, just. 259 00:13:55,360 --> 00:13:57,440 Speaker 1: Like elite the Elite seven. Now it's going to be 260 00:13:57,480 --> 00:14:00,840 Speaker 1: like that. Yeah, if you start me on this transfit conversation, 261 00:14:00,840 --> 00:14:01,760 Speaker 1: we're not going to talk about home. 262 00:14:01,800 --> 00:14:02,079 Speaker 6: You know that. 263 00:14:02,360 --> 00:14:04,960 Speaker 3: But in back we do allay, we. 264 00:14:04,920 --> 00:14:09,280 Speaker 1: Should totally do that. I can't please. I did a 265 00:14:09,320 --> 00:14:13,680 Speaker 1: bear complex the other day. Okay, stop, let's let's talk 266 00:14:13,720 --> 00:14:16,599 Speaker 1: about home and how these three dynamic and as you 267 00:14:16,640 --> 00:14:19,360 Speaker 1: can hear, all of them are so dynamic. These dynamic 268 00:14:19,440 --> 00:14:23,240 Speaker 1: minds come together for a song. That means it's equally 269 00:14:23,280 --> 00:14:25,360 Speaker 1: as important to each and every one of you. And 270 00:14:25,400 --> 00:14:27,080 Speaker 1: that's why I'm going to go around the room. 271 00:14:27,120 --> 00:14:35,160 Speaker 5: So Taren, Shirley, Jesse, Baby Daddy, Mummy, Oprah, Cousins, Love it. 272 00:14:36,000 --> 00:14:40,240 Speaker 3: No, I think of a lot of words. Home is that. 273 00:14:40,440 --> 00:14:45,800 Speaker 5: Yeah, these things you can't see that feelings, sure, Tasha. 274 00:14:46,240 --> 00:14:48,880 Speaker 3: So home is like also. 275 00:14:51,800 --> 00:14:55,960 Speaker 6: My boyfriend, who's the h my cat, and my family 276 00:14:56,160 --> 00:14:58,320 Speaker 6: is very far away. But the thing is I always 277 00:14:58,320 --> 00:15:00,880 Speaker 6: speak to my dad. And the other day my dad 278 00:15:00,880 --> 00:15:02,480 Speaker 6: had a birthday and I phoned him and I was like, 279 00:15:02,520 --> 00:15:04,080 Speaker 6: I wish I was there, and he was like, my baby, 280 00:15:04,080 --> 00:15:11,840 Speaker 6: you always are. So I was like, So, I was like, yeah, 281 00:15:11,880 --> 00:15:13,840 Speaker 6: he's like, you're always in the house even though you're not. Yeah, 282 00:15:13,840 --> 00:15:17,000 Speaker 6: you always yet so I said to him as well, 283 00:15:17,040 --> 00:15:19,520 Speaker 6: happy birthday, Daddy, and just remember I'm always there. 284 00:15:19,880 --> 00:15:21,320 Speaker 3: And so the thing is like. 285 00:15:21,360 --> 00:15:26,320 Speaker 6: Home isn't isn't physically the place, it's the it's the space. 286 00:15:26,360 --> 00:15:28,560 Speaker 3: It's the people who create that for you. 287 00:15:28,600 --> 00:15:31,920 Speaker 6: So yeah, sometimes I feel like I'm home even though 288 00:15:31,920 --> 00:15:35,440 Speaker 6: I'm not home or you know. And it's like we 289 00:15:36,800 --> 00:15:41,720 Speaker 6: who travel so so much throughout the year, the amount 290 00:15:41,800 --> 00:15:44,440 Speaker 6: of times we spend on their own and away from 291 00:15:44,440 --> 00:15:48,200 Speaker 6: our people, the moment you get home, it's like, you know, 292 00:15:48,320 --> 00:15:49,440 Speaker 6: that feeling where you can just. 293 00:15:49,360 --> 00:15:53,240 Speaker 3: Like, honey, I'm home, and it's happiness. Honey, home, hang 294 00:15:53,320 --> 00:15:56,080 Speaker 3: up the coat and kick out the shoes. But it's 295 00:15:56,360 --> 00:15:57,440 Speaker 3: it's it's people. 296 00:16:01,000 --> 00:16:04,200 Speaker 1: Kick off the shoes and we are We're gonna write, 297 00:16:04,520 --> 00:16:07,880 Speaker 1: continue just writing and writing. Okay, that's home for you, 298 00:16:08,040 --> 00:16:08,680 Speaker 1: this song. 299 00:16:08,720 --> 00:16:10,920 Speaker 7: The shoes actually. 300 00:16:12,880 --> 00:16:16,840 Speaker 3: Yet home seen it for me. And I'm gonna speak Afrikaans. 301 00:16:16,440 --> 00:16:21,440 Speaker 1: Because that's home Africa as well. 302 00:16:21,520 --> 00:16:25,480 Speaker 7: Exactly Africans, his ice, Africans, your your, I want to 303 00:16:25,480 --> 00:16:31,040 Speaker 7: take yours freaking incredible, so Afrikaans almost mir this that's 304 00:16:31,200 --> 00:16:34,440 Speaker 7: very awesome sat round wall and I feel mirror so 305 00:16:34,560 --> 00:16:40,800 Speaker 7: that your actual almost means almost lift almost all that 306 00:16:40,840 --> 00:16:44,800 Speaker 7: hammocks Una actually need when the dunk comocks al based 307 00:16:44,840 --> 00:16:49,080 Speaker 7: the dunk fermines on the creeny my your homost is 308 00:16:49,120 --> 00:16:53,840 Speaker 7: my obviously my frow and my mall in my skill 309 00:16:53,960 --> 00:16:54,440 Speaker 7: cuts it. 310 00:16:55,240 --> 00:16:59,960 Speaker 3: I yeah, Lee, you're. 311 00:17:01,680 --> 00:17:05,560 Speaker 7: I'm mean for Bonnie for Bonnie Bonnie enormous Bonnie Tyler 312 00:17:05,960 --> 00:17:11,240 Speaker 7: site actually and in in now into klunk sizes Bonnie Tyler. 313 00:17:11,840 --> 00:17:13,640 Speaker 1: Yeah, I thought she just made a total. 314 00:17:15,760 --> 00:17:30,719 Speaker 7: And also yeah, my own hate me yerros knee. Anyway, 315 00:17:31,520 --> 00:17:34,480 Speaker 7: it's awesome in in her fulla in Swans. 316 00:17:34,680 --> 00:17:37,120 Speaker 3: Yeah, there's I'm like a free Salva song. 317 00:17:38,240 --> 00:17:42,520 Speaker 7: Yeah, we don the father. 318 00:17:44,280 --> 00:17:47,480 Speaker 1: Well before I play the song, ladies, and it's just wow, 319 00:17:47,520 --> 00:17:49,720 Speaker 1: We're going to be songwriters together. I feel like I'm 320 00:17:49,720 --> 00:17:51,520 Speaker 1: going to be a ghost writer of a blackbird after 321 00:17:51,560 --> 00:17:54,760 Speaker 1: this conversation with a song called Brutally Honest, coming soon, 322 00:17:55,160 --> 00:17:57,679 Speaker 1: but I did. I'm serious about the harmonizing thing. I 323 00:17:57,680 --> 00:17:59,960 Speaker 1: feel like if you could harmonize introing the song the 324 00:18:00,040 --> 00:18:01,400 Speaker 1: k from top forty, that'll be amazing. 325 00:18:02,080 --> 00:18:04,480 Speaker 2: Okay, Okay, it's good. That's okay. 326 00:18:04,600 --> 00:18:05,480 Speaker 1: Well, I think. 327 00:18:08,040 --> 00:18:14,440 Speaker 4: Right, you think good, Babia can't help it. 328 00:18:14,680 --> 00:18:16,040 Speaker 7: I just think about you. 329 00:18:16,880 --> 00:18:18,720 Speaker 3: Get a key, thanks so much. 330 00:18:19,560 --> 00:18:22,879 Speaker 1: Must This is why we do the things live. We 331 00:18:22,920 --> 00:18:26,040 Speaker 1: couldn't been in practice before, and yes we didn't know, 332 00:18:28,440 --> 00:18:30,640 Speaker 1: but that's what I do. I work on live radio 333 00:18:30,720 --> 00:18:35,160 Speaker 1: as often as I can by kicking the chicking the key. 334 00:18:35,840 --> 00:18:42,080 Speaker 5: I think enough, I think will not think. 335 00:18:46,480 --> 00:18:49,680 Speaker 3: Baby can't help it. I just think about you. 336 00:18:52,960 --> 00:18:58,000 Speaker 1: It was amazing. There was incredible to think I was 337 00:18:58,040 --> 00:19:03,280 Speaker 1: going to jump in with just you know. But honestly, ladies, 338 00:19:03,800 --> 00:19:07,200 Speaker 1: it has been an incredible journey for all three of you, 339 00:19:07,440 --> 00:19:10,120 Speaker 1: and I'm so proud of you, and it's it's woman's Day. 340 00:19:10,240 --> 00:19:11,840 Speaker 1: But I think if I look at the three of you, 341 00:19:11,960 --> 00:19:15,159 Speaker 1: I see three role models, and each one of you 342 00:19:15,320 --> 00:19:18,119 Speaker 1: has something that that I think every woman can can 343 00:19:18,200 --> 00:19:21,520 Speaker 1: take from, like honesty. Dasche, you are just unapologetically you 344 00:19:22,640 --> 00:19:25,479 Speaker 1: and that is amazing to see that, Like you are 345 00:19:25,800 --> 00:19:29,120 Speaker 1: somebody who a lot of people struggle to be because 346 00:19:29,160 --> 00:19:31,720 Speaker 1: they worry about everybody else around them. They worry about 347 00:19:31,800 --> 00:19:34,720 Speaker 1: what is that person going to say? Is this like this? 348 00:19:35,000 --> 00:19:36,840 Speaker 1: Is this like that? I hate it when people say 349 00:19:36,920 --> 00:19:39,159 Speaker 1: things like oh, that's not lady like. I hate that 350 00:19:41,400 --> 00:19:48,520 Speaker 1: exactly who governs that? No one governs? Yes, And that's 351 00:19:48,560 --> 00:19:50,679 Speaker 1: what I see coming from you. And then Tasha, can 352 00:19:50,760 --> 00:19:53,480 Speaker 1: I tell you, I feel like when it comes to change, right, 353 00:19:53,640 --> 00:19:57,360 Speaker 1: You've faced so much change in your life and if 354 00:19:57,680 --> 00:19:59,520 Speaker 1: any woman would take a leaf out of your book, 355 00:19:59,800 --> 00:20:05,600 Speaker 1: it's it's definitely about embracing changes, embracing how things can 356 00:20:05,640 --> 00:20:08,480 Speaker 1: come into your life and they can change completely. It 357 00:20:08,560 --> 00:20:10,720 Speaker 1: doesn't mean you have to lose yourself. It just means 358 00:20:10,720 --> 00:20:11,800 Speaker 1: you need to put more of you in it. 359 00:20:12,080 --> 00:20:19,680 Speaker 6: Your why because now I feel I usually don't feel 360 00:20:19,680 --> 00:20:22,119 Speaker 6: as strong as I as I want to be, but 361 00:20:22,240 --> 00:20:24,480 Speaker 6: that just made me feel like very empowered. So thank you. 362 00:20:24,840 --> 00:20:26,880 Speaker 1: But that's the truth. That's what I feel like women 363 00:20:26,920 --> 00:20:28,359 Speaker 1: can take that from you as one of the members 364 00:20:28,400 --> 00:20:31,440 Speaker 1: of Blackbird, but I mean it's three ladies and then this, 365 00:20:31,640 --> 00:20:35,159 Speaker 1: this woman of her Taran. Now, yes, having worked with you, 366 00:20:35,280 --> 00:20:38,040 Speaker 1: but I just think that, honestly, if a woman needs 367 00:20:38,080 --> 00:20:41,320 Speaker 1: to know where strength lies, it is in all of 368 00:20:41,440 --> 00:20:46,600 Speaker 1: a vulnerability. And you, madam, you make vulnerability as superpower. 369 00:20:47,200 --> 00:20:51,399 Speaker 1: You make feeling a superpower, like in the depths of 370 00:20:51,520 --> 00:20:55,119 Speaker 1: your heart. Many people stray away from that, but I 371 00:20:55,200 --> 00:20:57,840 Speaker 1: think women they need to lean into it because that 372 00:20:58,000 --> 00:21:00,840 Speaker 1: is where your strength lies at lies in every tier. 373 00:21:01,400 --> 00:21:06,159 Speaker 1: Every cramp, every pain, every heartbreak, everything, every time you 374 00:21:06,280 --> 00:21:09,800 Speaker 1: felt not good enough, lies in it, lies in it 375 00:21:09,880 --> 00:21:12,760 Speaker 1: a beautiful thing it is. It lies in a center 376 00:21:12,960 --> 00:21:14,080 Speaker 1: of where your strength comes from. 377 00:21:16,520 --> 00:21:18,320 Speaker 2: I didn't see enough today, That's what the. 378 00:21:19,840 --> 00:21:21,960 Speaker 5: How does this feel like that moment on the beach 379 00:21:22,040 --> 00:21:26,520 Speaker 5: in couple's retreatment where everybody gets an animal. 380 00:21:28,160 --> 00:21:32,119 Speaker 3: You gym, you're call yeah yeah dem and a plaque 381 00:21:32,119 --> 00:21:36,680 Speaker 3: and the stop and means you light up a room. 382 00:21:36,800 --> 00:21:38,920 Speaker 1: I'm just I'm just here to I just told you 383 00:21:39,000 --> 00:21:40,440 Speaker 1: what I see from each and every one of you, 384 00:21:40,720 --> 00:21:42,600 Speaker 1: and I think it's important for us to. I think 385 00:21:42,720 --> 00:21:45,520 Speaker 1: sometimes there's a culture where you see see people who 386 00:21:45,560 --> 00:21:47,840 Speaker 1: are successful and you want to find fault with them. 387 00:21:47,880 --> 00:21:49,800 Speaker 1: Trust me, I work in this industry where people like 388 00:21:49,880 --> 00:21:53,440 Speaker 1: finding fault. But why are we not saying that's a 389 00:21:53,560 --> 00:21:55,440 Speaker 1: role model, that's That's what I want to take from 390 00:21:55,480 --> 00:21:57,680 Speaker 1: that person, That's what I would like to learn. I 391 00:21:57,800 --> 00:21:59,919 Speaker 1: want to aspire to be that. I think we too 392 00:22:00,160 --> 00:22:03,919 Speaker 1: busy looking around us thinking how can I discredit? How 393 00:22:04,000 --> 00:22:06,640 Speaker 1: can I bring somebody down enough to make me feel 394 00:22:06,680 --> 00:22:15,640 Speaker 1: like I'm valid? Let's do that especially? Yeah, exactly, So, ladies, 395 00:22:15,680 --> 00:22:21,360 Speaker 1: thank you so much, honestly for wasted anytime wasted? 396 00:22:22,440 --> 00:22:24,400 Speaker 3: And you must do sun City again? That was fun. 397 00:22:24,680 --> 00:22:27,240 Speaker 1: Oh yeah, we did a gig in sun City five. 398 00:22:33,080 --> 00:22:38,320 Speaker 1: Let's play you this song, Happy Woman's Day. And I 399 00:22:38,440 --> 00:22:41,200 Speaker 1: think this is a beautiful song that I think just 400 00:22:41,200 --> 00:22:43,280 Speaker 1: spits the cherry on top of regard to what is 401 00:22:43,440 --> 00:22:46,440 Speaker 1: a gorgeous day. It's home and whatever home means to you. 402 00:22:46,880 --> 00:22:49,600 Speaker 1: Maybe while you're listening to the song, contemplate and start 403 00:22:49,760 --> 00:22:52,679 Speaker 1: thinking about what that means to you personally. I honestly 404 00:22:52,800 --> 00:22:55,879 Speaker 1: think that home should be just where you are sitting 405 00:22:56,800 --> 00:22:59,879 Speaker 1: alone perhaps, And if you think that you are alone, 406 00:22:59,880 --> 00:23:01,920 Speaker 1: I don't think you really really are you have a 407 00:23:02,000 --> 00:23:05,800 Speaker 1: higher power, You have yourself that you honestly, you're a 408 00:23:05,840 --> 00:23:08,200 Speaker 1: gift to the world already. That's why you hear and 409 00:23:08,280 --> 00:23:10,359 Speaker 1: I think. Find home and who you are. That's the 410 00:23:10,440 --> 00:23:14,080 Speaker 1: most important thing. Before you look at anybody else, look 411 00:23:14,080 --> 00:23:16,080 Speaker 1: at a mirror, and then you'll find your whole house. 412 00:23:17,000 --> 00:23:17,440 Speaker 1: Let's do that.