1 00:00:00,320 --> 00:00:02,000 Speaker 1: My name is Carl. This is your charch of the 2 00:00:02,080 --> 00:00:05,000 Speaker 1: KFM Top forty and I figured let me just call 3 00:00:05,080 --> 00:00:07,800 Speaker 1: up somebody who is busy preparing for something very big. 4 00:00:08,160 --> 00:00:08,760 Speaker 1: Is this Wade? 5 00:00:09,760 --> 00:00:10,200 Speaker 2: Hey, Carl? 6 00:00:10,280 --> 00:00:11,959 Speaker 3: Yeah, both of us are on the line way down car. 7 00:00:12,119 --> 00:00:15,200 Speaker 1: Hello. Okay, this is see when you do these things 8 00:00:15,200 --> 00:00:17,880 Speaker 1: with twins, it's tough. It's almost like I need you 9 00:00:17,920 --> 00:00:20,880 Speaker 1: to say your name first before you speak with each sentence. 10 00:00:21,280 --> 00:00:22,160 Speaker 1: That's gonna be fun. 11 00:00:23,200 --> 00:00:25,560 Speaker 3: So if you can call me Carl and our store reply. 12 00:00:26,160 --> 00:00:29,240 Speaker 1: That's just a true true I wouldn't know. Oh, never mind, 13 00:00:29,480 --> 00:00:33,320 Speaker 1: it's okay, saxby Twins. I have been longing to chat 14 00:00:33,360 --> 00:00:35,600 Speaker 1: to you guys directly. I know that the last time 15 00:00:35,640 --> 00:00:39,600 Speaker 1: you were available in studio it was it was I 16 00:00:39,600 --> 00:00:41,680 Speaker 1: think I wasn't available. But you know what, when you 17 00:00:41,680 --> 00:00:44,040 Speaker 1: get to Cape Town, we need to sit down. Please, 18 00:00:44,320 --> 00:00:46,440 Speaker 1: I want this interview to happen. It's going to happen. 19 00:00:47,080 --> 00:00:49,800 Speaker 3: Yeah, I've been a minute and we've been wanting to 20 00:00:49,840 --> 00:00:52,320 Speaker 3: chat to you again. Also our souls, but such a 21 00:00:52,320 --> 00:00:55,080 Speaker 3: fun fulfilled interview and it's ad of our years. 22 00:00:56,320 --> 00:00:59,160 Speaker 1: You can do it now over the telephone, Okay, we can, 23 00:00:59,360 --> 00:01:01,639 Speaker 1: But let's start off with where you are right now. 24 00:01:01,680 --> 00:01:04,400 Speaker 1: Apparently you had to move away from a noisy area. 25 00:01:04,520 --> 00:01:05,959 Speaker 1: What do you what do you up to? Both of you? 26 00:01:07,200 --> 00:01:09,680 Speaker 3: Yeah, we've actually been given on in the privilege to 27 00:01:09,760 --> 00:01:13,560 Speaker 3: open all the home Springbok games and we're currently sitting 28 00:01:13,600 --> 00:01:15,640 Speaker 3: in our car in NULS break backstage so we can 29 00:01:15,680 --> 00:01:19,080 Speaker 3: get a bit of quietness away from the stage. So yeah, 30 00:01:19,120 --> 00:01:22,760 Speaker 3: we waiting, were performing now two thirty and ye're currently 31 00:01:22,800 --> 00:01:23,960 Speaker 3: chatting to from our car. 32 00:01:24,680 --> 00:01:28,200 Speaker 1: That's fine, that's good. Congratulations on that because it's a 33 00:01:28,400 --> 00:01:31,920 Speaker 1: huge responsibility to open the festivities of the games. I 34 00:01:31,959 --> 00:01:34,240 Speaker 1: know that it's a big day for sport and it's 35 00:01:34,240 --> 00:01:36,480 Speaker 1: a big day at Bombella, so I'm really happy that 36 00:01:36,520 --> 00:01:38,720 Speaker 1: you are going to do your thing. So how many 37 00:01:38,720 --> 00:01:40,240 Speaker 1: songs do you do or do you have like one 38 00:01:40,280 --> 00:01:42,600 Speaker 1: big number with choreography and everything for the start? 39 00:01:43,440 --> 00:01:46,440 Speaker 3: Yeah, so we aim for around a forty five minute set, nice, 40 00:01:46,440 --> 00:01:50,040 Speaker 3: and we perform plus minus ten songs. Yeah, go up there, 41 00:01:50,160 --> 00:01:53,000 Speaker 3: entertain people and you'll hopefully get the vibe going for 42 00:01:53,040 --> 00:01:53,440 Speaker 3: the boys. 43 00:01:53,760 --> 00:01:56,320 Speaker 1: No, you will, don't worry, and you got enough songs 44 00:01:56,320 --> 00:01:58,360 Speaker 1: to cover that area though, I'm sure you've got enough. 45 00:01:58,440 --> 00:02:01,320 Speaker 1: Unless you do do any covers during your set. 46 00:02:02,280 --> 00:02:03,000 Speaker 2: We do we do? 47 00:02:03,040 --> 00:02:05,640 Speaker 3: We have I think two or three covers, depending on 48 00:02:05,720 --> 00:02:09,560 Speaker 3: how the show is going and stuff. But always fun 49 00:02:09,600 --> 00:02:11,240 Speaker 3: to add in a chuck of an element of a 50 00:02:11,280 --> 00:02:14,400 Speaker 3: South African feature yaday and just SMATs off the show. 51 00:02:14,560 --> 00:02:16,200 Speaker 3: Keep that familiarity going well. 52 00:02:16,240 --> 00:02:18,440 Speaker 1: The Sex be Twins are pretty much becoming the blitz 53 00:02:18,600 --> 00:02:21,519 Speaker 1: of the books. If you think about it, you're starting 54 00:02:21,520 --> 00:02:23,040 Speaker 1: the fire. And I mean, all we need to do 55 00:02:23,120 --> 00:02:25,639 Speaker 1: is like to match and then win a match, which 56 00:02:25,680 --> 00:02:30,880 Speaker 1: is important, which brings me to a single we letter match. Interesting, 57 00:02:31,040 --> 00:02:34,280 Speaker 1: interesting title. I mean, that's that's cool. I need to 58 00:02:34,280 --> 00:02:37,440 Speaker 1: know a bit more about I think let me start 59 00:02:37,480 --> 00:02:39,839 Speaker 1: with the title. Often I wonder, you know, I ask 60 00:02:40,040 --> 00:02:42,440 Speaker 1: artists this all the time. When you write a song, 61 00:02:43,080 --> 00:02:45,160 Speaker 1: you don't you don't start with the title of the song, 62 00:02:45,200 --> 00:02:47,320 Speaker 1: do you. You just write, You've got the verses going, 63 00:02:47,360 --> 00:02:49,320 Speaker 1: you know where you want to go. You know, you 64 00:02:49,360 --> 00:02:52,480 Speaker 1: want to take the chorus. Sometimes the chorus itself sounds 65 00:02:52,480 --> 00:02:55,239 Speaker 1: a good title to the song. Sometimes not so. Was 66 00:02:55,280 --> 00:02:56,320 Speaker 1: it like this for this one? 67 00:02:57,240 --> 00:02:59,400 Speaker 3: Yeah, I mean it's such an interesting process for us. 68 00:02:59,480 --> 00:03:01,560 Speaker 3: It's a lot of agreements disagreements when it comes to 69 00:03:01,600 --> 00:03:03,519 Speaker 3: the title, and I think what we do is we 70 00:03:03,840 --> 00:03:06,040 Speaker 3: kind of get the full song done first and then 71 00:03:06,040 --> 00:03:07,880 Speaker 3: we sit down and we go, okay, cool, now the 72 00:03:07,880 --> 00:03:09,440 Speaker 3: serious part. What are we gonna aad in the song? 73 00:03:09,919 --> 00:03:13,239 Speaker 3: And yeah, I think we lit a match basically summed 74 00:03:13,240 --> 00:03:15,760 Speaker 3: the whole song up and it's it's the catchphrase of 75 00:03:15,800 --> 00:03:17,560 Speaker 3: the song. And yeah, it's kind of a no brain 76 00:03:17,600 --> 00:03:19,839 Speaker 3: of us to decide on that as a name. 77 00:03:20,280 --> 00:03:23,720 Speaker 1: You literally are lighting up a match today. It's the 78 00:03:23,720 --> 00:03:26,120 Speaker 1: book match, which is so cool. But you know, in 79 00:03:26,200 --> 00:03:29,360 Speaker 1: terms of what's behind the song, I'm sure you wanted 80 00:03:29,360 --> 00:03:31,760 Speaker 1: to give people some inspiration if I'm if I'm listening 81 00:03:31,800 --> 00:03:34,399 Speaker 1: to the lyrics correctly, I think what you what you're 82 00:03:34,400 --> 00:03:36,680 Speaker 1: trying to do is is you're trying to lift over 83 00:03:36,760 --> 00:03:38,560 Speaker 1: here and also tell a story. I want to know 84 00:03:38,600 --> 00:03:41,600 Speaker 1: a bit more insight into that one hundred percent. 85 00:03:41,640 --> 00:03:42,920 Speaker 2: So I think at the end of the day, we 86 00:03:43,000 --> 00:03:45,800 Speaker 2: lit a match resembles around that feeling. 87 00:03:45,480 --> 00:03:48,520 Speaker 3: Of whatever home is you and that special person, and 88 00:03:48,560 --> 00:03:50,760 Speaker 3: it's it can be at a brye, I mean fu 89 00:03:50,840 --> 00:03:53,680 Speaker 3: South African, it can be as a party, it can 90 00:03:53,760 --> 00:03:56,560 Speaker 3: be anywhere basically where you meet that special person and 91 00:03:56,600 --> 00:03:59,200 Speaker 3: from that stage that very first moment. That's where the 92 00:03:59,200 --> 00:04:01,520 Speaker 3: spark has started and you just lot a match and 93 00:04:01,560 --> 00:04:04,920 Speaker 3: from there pon, it's just happy memories. But at the 94 00:04:04,920 --> 00:04:07,160 Speaker 3: same time, it doesn't necessarily have to be with someone 95 00:04:07,200 --> 00:04:08,800 Speaker 3: in specific. It can be with your dog, It can 96 00:04:08,840 --> 00:04:10,800 Speaker 3: be with anything that you lot to match with. It 97 00:04:10,840 --> 00:04:12,080 Speaker 3: can be Bombla today. 98 00:04:12,120 --> 00:04:14,720 Speaker 1: I don't know, that's I feel like it's going to 99 00:04:14,760 --> 00:04:17,440 Speaker 1: be at Bombela today. That's where the match is happening 100 00:04:17,640 --> 00:04:20,000 Speaker 1: and where the light is coming from for the entire country, 101 00:04:20,040 --> 00:04:22,200 Speaker 1: because you know, when you watch these games, there's lots 102 00:04:22,240 --> 00:04:24,360 Speaker 1: of inspiration there as well. And I love the fact 103 00:04:24,360 --> 00:04:28,640 Speaker 1: that songs take on an ambiguity, They take on just 104 00:04:28,680 --> 00:04:31,760 Speaker 1: a diverse set of meanings for different people. 105 00:04:31,920 --> 00:04:32,120 Speaker 2: You know. 106 00:04:32,160 --> 00:04:34,120 Speaker 1: That's why a song is like a piece of art. 107 00:04:34,200 --> 00:04:36,920 Speaker 1: You know, you hang it up. The artists themselves has 108 00:04:36,960 --> 00:04:38,719 Speaker 1: a certain idea as to where they were going, but 109 00:04:39,240 --> 00:04:42,400 Speaker 1: the person looking at it, you know, perusing it, they 110 00:04:42,440 --> 00:04:44,880 Speaker 1: and they have something else. But this is such a 111 00:04:45,000 --> 00:04:47,839 Speaker 1: And also the song itself is just I don't know 112 00:04:47,839 --> 00:04:50,000 Speaker 1: what it is because I've I've obviously listened to all 113 00:04:50,040 --> 00:04:53,159 Speaker 1: the music, but there is something really great happening to 114 00:04:53,200 --> 00:04:57,440 Speaker 1: you too, in terms of vocals. I don't know what's 115 00:04:57,600 --> 00:05:00,760 Speaker 1: changed in terms of is it the producer that you 116 00:05:00,880 --> 00:05:03,960 Speaker 1: worked with for this one? Like there's something here that 117 00:05:04,040 --> 00:05:09,359 Speaker 1: I've noticed about the the mastering and the quality of 118 00:05:09,400 --> 00:05:11,400 Speaker 1: the voice. Not to say that it was any less 119 00:05:11,400 --> 00:05:13,840 Speaker 1: than the other ones, but I'm sensing something different. Am 120 00:05:13,880 --> 00:05:15,480 Speaker 1: I picking up something here? What's going on? 121 00:05:16,320 --> 00:05:17,960 Speaker 3: Yeah? I think I think it comes down to how 122 00:05:18,000 --> 00:05:21,200 Speaker 3: we truly believe that we found our sound. And it's 123 00:05:21,200 --> 00:05:23,359 Speaker 3: been a lot of us going back to the drawing 124 00:05:23,360 --> 00:05:25,919 Speaker 3: board and kind of just keep going, keep going, knocking 125 00:05:25,920 --> 00:05:27,719 Speaker 3: on the door and sitting down and saying, you know, 126 00:05:27,839 --> 00:05:28,240 Speaker 3: what is it? 127 00:05:28,360 --> 00:05:29,080 Speaker 2: What type of music? 128 00:05:29,080 --> 00:05:30,560 Speaker 3: What kind of road do we want to go down? 129 00:05:30,600 --> 00:05:32,719 Speaker 3: And yeah, I think with the Wee Little Match, we've 130 00:05:32,720 --> 00:05:35,599 Speaker 3: we've truly found our sound. And yeah, we were in 131 00:05:35,600 --> 00:05:37,440 Speaker 3: the pop scene, we're in the folk scene, and now 132 00:05:37,440 --> 00:05:39,479 Speaker 3: it's kind of combined. It to with our sound is 133 00:05:39,760 --> 00:05:41,280 Speaker 3: something that we wanted to do and it aught. 134 00:05:41,440 --> 00:05:43,799 Speaker 2: It's just been one of those songs we really wanted 135 00:05:43,839 --> 00:05:46,560 Speaker 2: to express our voices in a way to show, I 136 00:05:46,560 --> 00:05:49,960 Speaker 2: guess the capabilities that we have and it's been it's 137 00:05:49,960 --> 00:05:52,120 Speaker 2: been really it's been really a process of doing that 138 00:05:52,200 --> 00:05:54,920 Speaker 2: and I think through this song, we've we've understood quite 139 00:05:54,920 --> 00:05:56,640 Speaker 2: a lot in terms of our career and the direction 140 00:05:56,720 --> 00:05:57,200 Speaker 2: we want to go. 141 00:05:57,960 --> 00:06:02,039 Speaker 1: So I was picking up something, Yeah, and we're. 142 00:06:01,839 --> 00:06:04,000 Speaker 3: So glad you picked up on That's that's one of 143 00:06:04,000 --> 00:06:06,159 Speaker 3: the hidden messages we have behind this new direction. 144 00:06:06,960 --> 00:06:09,840 Speaker 1: Yes, because you started something, You've started a fire. You've 145 00:06:09,839 --> 00:06:11,960 Speaker 1: started a fire with the Saxby Twins in your new 146 00:06:11,960 --> 00:06:14,200 Speaker 1: direction and where you want to go. And I'm liking 147 00:06:14,240 --> 00:06:17,839 Speaker 1: the sound, so long shall it continue? But of course 148 00:06:18,080 --> 00:06:20,120 Speaker 1: you are not the type of creatives to box yourself 149 00:06:20,160 --> 00:06:23,000 Speaker 1: in any way. I feel like there's something more coming 150 00:06:23,000 --> 00:06:25,480 Speaker 1: from you as we head into the other months of 151 00:06:25,520 --> 00:06:28,240 Speaker 1: the year summer. But looking forward to seeing the sax 152 00:06:28,279 --> 00:06:30,600 Speaker 1: Be Twins down in Cape Town very soon. But for now, 153 00:06:31,040 --> 00:06:33,919 Speaker 1: make sure you light up that match at Bombella for 154 00:06:33,960 --> 00:06:34,479 Speaker 1: the booker. 155 00:06:35,600 --> 00:06:37,960 Speaker 3: Thank you, thank you, and thank you to KF and 156 00:06:37,960 --> 00:06:38,960 Speaker 3: we really appreciate your gud 157 00:06:39,000 --> 00:06:41,120 Speaker 1: Support, no problem, got your back always