1 00:00:00,000 --> 00:00:02,040 Speaker 1: Once again, I haven't left myself very much time for 2 00:00:02,080 --> 00:00:04,960 Speaker 1: the books. When it comes to thrillers. I have read 3 00:00:05,000 --> 00:00:08,320 Speaker 1: the first four of five of a series that was 4 00:00:08,400 --> 00:00:12,039 Speaker 1: new to me by a British author called Simon Mason, 5 00:00:12,480 --> 00:00:16,680 Speaker 1: and I've been reading the D. I. Wilkins series. In Oxford. 6 00:00:17,040 --> 00:00:20,320 Speaker 1: There's this weird coincidence that there are two detective inspectors, 7 00:00:20,320 --> 00:00:23,639 Speaker 1: both with the surname Wilkins and with the initial R. 8 00:00:23,920 --> 00:00:27,680 Speaker 1: One is Ray and the other is Ryan, and they 9 00:00:27,760 --> 00:00:32,320 Speaker 1: are as strongly contrasted in their personalities and their investigative 10 00:00:32,360 --> 00:00:38,320 Speaker 1: techniques as you can imagine. Ray is Black and Nigerian descent. 11 00:00:38,400 --> 00:00:41,880 Speaker 1: He was educated at Oxford. He's incredibly suave, he's wonderfully 12 00:00:42,080 --> 00:00:45,519 Speaker 1: well dressed, and he's very ambitious. And then Ryan is 13 00:00:45,560 --> 00:00:50,760 Speaker 1: an absolute mess, trailer trash, complete and utter trailer trash. 14 00:00:50,880 --> 00:00:54,800 Speaker 1: He dresses like somebody who is a third rate hoodlum 15 00:00:55,080 --> 00:00:59,279 Speaker 1: in a crack den somewhere in the middle of nowhere. 16 00:00:59,720 --> 00:01:03,080 Speaker 1: But he has the ability to think laterally and bring 17 00:01:03,800 --> 00:01:09,360 Speaker 1: incredibly incredible insights. And they clash, and obviously the chav 18 00:01:09,760 --> 00:01:12,959 Speaker 1: clashes with authority all of the time, and yet somehow 19 00:01:13,080 --> 00:01:15,520 Speaker 1: they seem to work together and over the four books, 20 00:01:15,880 --> 00:01:19,400 Speaker 1: their relationship goes up and down and sideways, but they 21 00:01:19,440 --> 00:01:23,680 Speaker 1: managed to solve a series of really interesting crimes. And 22 00:01:23,720 --> 00:01:26,920 Speaker 1: what's also fascinating is the way that Simon Mason writes 23 00:01:26,959 --> 00:01:31,840 Speaker 1: about Oxford. He obviously understands both the academic side of Oxford, 24 00:01:32,040 --> 00:01:35,600 Speaker 1: the gown part, and also the town part. And Oxford 25 00:01:35,640 --> 00:01:38,839 Speaker 1: Town has many areas of it which are not great, 26 00:01:39,080 --> 00:01:42,240 Speaker 1: rough sleepers, criminals, and so on, and he brings a 27 00:01:42,360 --> 00:01:45,920 Speaker 1: sharp spotlight onto each of those. They're really very good. 28 00:01:45,920 --> 00:01:48,280 Speaker 1: The reason I haven't read the fifth is because it 29 00:01:48,320 --> 00:01:51,160 Speaker 1: isn't available yet. It will be very shortly. But Simon 30 00:01:51,240 --> 00:01:58,400 Speaker 1: Mason the d I. Wilkins series and then the more 31 00:01:58,600 --> 00:02:03,200 Speaker 1: serious novel that I have read with quite a lot 32 00:02:03,200 --> 00:02:08,320 Speaker 1: of discomfort, which is exactly what the author, Jeanette McCurdy 33 00:02:08,840 --> 00:02:12,359 Speaker 1: wants me as a reader to feel. She's a former 34 00:02:12,480 --> 00:02:16,200 Speaker 1: Nickelodeon TV star and she wrote a memoir in twenty 35 00:02:16,280 --> 00:02:20,840 Speaker 1: twenty two which I also loved but was discomforted by, 36 00:02:21,200 --> 00:02:24,959 Speaker 1: called I'm Glad my mom died because her mother was 37 00:02:25,000 --> 00:02:28,600 Speaker 1: a very very strange person who put her daughter through 38 00:02:28,800 --> 00:02:33,680 Speaker 1: very very strange pressures. And half his age is Jeanette 39 00:02:33,720 --> 00:02:38,000 Speaker 1: McCurdy's first novel. It's a kind of reverse Lolita tale 40 00:02:38,600 --> 00:02:43,920 Speaker 1: and the protagonist the female Waldo. This all happens in Alaska, 41 00:02:44,000 --> 00:02:46,800 Speaker 1: and Waldo is seventeen years old, and she's kind of 42 00:02:46,800 --> 00:02:49,040 Speaker 1: weird and kind of ryan, kind of funny and kind 43 00:02:49,040 --> 00:02:52,360 Speaker 1: of clever, and she spends her days slutting around with 44 00:02:52,480 --> 00:02:55,840 Speaker 1: boys that she finds boring. She blows all of her 45 00:02:55,919 --> 00:03:02,160 Speaker 1: money on click baiting, not clickbaiting, a clicking on sheen 46 00:03:02,280 --> 00:03:05,239 Speaker 1: and Timu and getting stuff she doesn't want or doesn't need, 47 00:03:05,320 --> 00:03:08,320 Speaker 1: and it piles up in her life. She works at 48 00:03:08,400 --> 00:03:11,840 Speaker 1: Victoria's Secret, and she's so funny, she's so sardonic. These 49 00:03:11,840 --> 00:03:17,000 Speaker 1: one liners with this black, incredibly funny humor keep coming 50 00:03:17,040 --> 00:03:19,560 Speaker 1: from her. Her dad doesn't know who he is. He's 51 00:03:19,600 --> 00:03:21,880 Speaker 1: out of the picture. Mum's both a sex and a 52 00:03:21,960 --> 00:03:25,000 Speaker 1: love addict, which brings its own tensions. And then she 53 00:03:25,040 --> 00:03:28,520 Speaker 1: develops a crush on her creative writing teacher, mister Corgy 54 00:03:28,840 --> 00:03:33,560 Speaker 1: ko rg Y. And he's not attractive, shall we say? 55 00:03:33,639 --> 00:03:36,800 Speaker 1: He is forty years old, he's balding, he's got a 56 00:03:36,880 --> 00:03:40,640 Speaker 1: sizeable paunch, the hair on which she loves to lick 57 00:03:40,760 --> 00:03:44,640 Speaker 1: as she tells us in a discomforting way, and he's married, 58 00:03:45,200 --> 00:03:48,640 Speaker 1: but she's after him and he begins. He resists at first, 59 00:03:48,640 --> 00:03:50,880 Speaker 1: but then he gives in and they have the strength, 60 00:03:50,880 --> 00:03:54,520 Speaker 1: and you're just saying, girl, he's a loser. When are 61 00:03:54,520 --> 00:03:57,040 Speaker 1: you going to realize, girl, that he's a loser, this 62 00:03:57,080 --> 00:04:01,880 Speaker 1: person that you are with. And it's it's compulsive and 63 00:04:02,080 --> 00:04:05,680 Speaker 1: propulsive because it is so well written. But you're reading 64 00:04:05,720 --> 00:04:10,920 Speaker 1: and you're going, oh, oh, it's going to turn the 65 00:04:10,960 --> 00:04:13,560 Speaker 1: page and see what happens on the next page and 66 00:04:13,680 --> 00:04:18,280 Speaker 1: try and find out at what point she says, nah, nah, 67 00:04:18,520 --> 00:04:23,200 Speaker 1: not not him, not anymore. It's really good, but you 68 00:04:23,360 --> 00:04:26,960 Speaker 1: do need some level of tolerance in order to get 69 00:04:27,000 --> 00:04:33,800 Speaker 1: through it. And then the non fiction work is and 70 00:04:34,400 --> 00:04:37,680 Speaker 1: I'm just trying to find my notes. Here we go. 71 00:04:37,839 --> 00:04:40,040 Speaker 1: I found my notes. It's a book called Year of 72 00:04:40,080 --> 00:04:44,000 Speaker 1: the Rat undercover in the British far Right, and it's 73 00:04:44,080 --> 00:04:48,960 Speaker 1: by young journalist, young journalist activist called Harry Shukman s 74 00:04:49,160 --> 00:04:52,800 Speaker 1: h U K M A N. And he spent a 75 00:04:52,920 --> 00:04:58,760 Speaker 1: year penetrating far right groups and trying to understand them. 76 00:04:58,800 --> 00:05:02,440 Speaker 1: The basket Weavers, for example, a network of young men 77 00:05:02,480 --> 00:05:08,520 Speaker 1: with insul sympathies Britain first, and then some of the 78 00:05:10,240 --> 00:05:14,320 Speaker 1: very wealthy people, couples from Silicon Valley who believe the 79 00:05:14,480 --> 00:05:20,479 Speaker 1: strangest things about eugenics and intelligence and race, and they're 80 00:05:20,720 --> 00:05:22,720 Speaker 1: I mean, it's dangerous because he's filming all of this 81 00:05:22,760 --> 00:05:25,080 Speaker 1: with a hidden camera, and there are times when they 82 00:05:25,080 --> 00:05:29,159 Speaker 1: are going, are you a fed? Of course I'm not 83 00:05:29,200 --> 00:05:31,640 Speaker 1: a fed. And then he makes some racist remark and 84 00:05:32,120 --> 00:05:36,120 Speaker 1: puts himself back into and one of I mean, it's 85 00:05:36,160 --> 00:05:39,360 Speaker 1: really scary what these people believe, the rubbish that they believe. 86 00:05:40,640 --> 00:05:45,120 Speaker 1: But at the same time he he builds up a 87 00:05:45,120 --> 00:05:49,279 Speaker 1: weird kind of sympathy for them. They're all lonely, they've 88 00:05:49,320 --> 00:05:54,560 Speaker 1: got nothing in their lives beside the glue that connects 89 00:05:54,600 --> 00:05:59,320 Speaker 1: them to other lonely people through the set of misshapen 90 00:05:59,800 --> 00:06:05,880 Speaker 1: and indefensible beliefs. It's an extraordinary piece of journalism, of 91 00:06:05,960 --> 00:06:10,040 Speaker 1: the investigative journalism, and written up with with wit, with humor, 92 00:06:10,120 --> 00:06:16,200 Speaker 1: with insight, with understanding and compassion. It is called Year 93 00:06:16,440 --> 00:06:19,240 Speaker 1: of the Rat under Cover in the British Far Right 94 00:06:19,640 --> 00:06:20,880 Speaker 1: by Harry Shukman