1 00:00:00,120 --> 00:00:02,360 Speaker 1: The Rocky Horror Picture Show, which is on at Theater 2 00:00:02,400 --> 00:00:05,120 Speaker 1: in the Bay, Theater on the Bay in Camps Bay, 3 00:00:05,400 --> 00:00:09,400 Speaker 1: running until the thirty first of May. It's presented, of 4 00:00:09,400 --> 00:00:14,240 Speaker 1: course by Petertorian with the Lampter and it's it's outrageous, 5 00:00:14,440 --> 00:00:21,880 Speaker 1: it's funny, it's saucy, it's it's marvelous. The lovely Craiger 6 00:00:21,960 --> 00:00:24,840 Speaker 1: Barney has stepped back into the stilettos, so you don't 7 00:00:24,840 --> 00:00:27,240 Speaker 1: need to worry. He's sorted. I don't think he needs 8 00:00:27,280 --> 00:00:31,240 Speaker 1: an understudy in the form of Dylan. He stepped back 9 00:00:31,280 --> 00:00:34,519 Speaker 1: into the stilettos of the iconic doctor Frank Confurter, and 10 00:00:34,560 --> 00:00:38,440 Speaker 1: the gorgeous, spectacular and enormously talented Natasha Sutherlands, who plays 11 00:00:38,440 --> 00:00:42,400 Speaker 1: the narrator, joins us on the line. Now, Natasha, good morning. 12 00:00:43,000 --> 00:00:45,479 Speaker 2: Good morning. How are you. 13 00:00:46,560 --> 00:00:47,240 Speaker 1: I'm fine. 14 00:00:47,320 --> 00:00:50,280 Speaker 2: I'm just so enjoying listening to you trying to explain 15 00:00:50,320 --> 00:00:53,360 Speaker 2: to Dylan about you know, officiates in Rocky Horror. 16 00:00:53,520 --> 00:00:57,080 Speaker 1: No, I know, I mean, just just wonderful clam clamoring 17 00:00:57,080 --> 00:01:01,840 Speaker 1: in the dark for context for Jenna. The generational gap 18 00:01:01,960 --> 00:01:03,280 Speaker 1: just growing ever bigger. 19 00:01:04,200 --> 00:01:06,400 Speaker 2: And I have this lovely picture of Bill Mills. 20 00:01:06,440 --> 00:01:09,959 Speaker 1: Now, oh, no, no, what a spectacular chat really really, 21 00:01:10,000 --> 00:01:11,760 Speaker 1: although I won't I won't go into the rest of 22 00:01:11,760 --> 00:01:17,959 Speaker 1: his video collection, which is an entirely different Yes lately 23 00:01:18,040 --> 00:01:21,200 Speaker 1: that's a whole podcast for dealing with childhood trauma. Right 24 00:01:23,040 --> 00:01:27,000 Speaker 1: last night, like official kind of media opening night? How 25 00:01:27,000 --> 00:01:28,760 Speaker 1: did it gow? How was it? 26 00:01:29,880 --> 00:01:31,880 Speaker 2: I think it were I think it were brilliantly. We 27 00:01:31,880 --> 00:01:33,840 Speaker 2: had a maginee in the afternoon and then we had 28 00:01:33,880 --> 00:01:37,760 Speaker 2: an opening night, so you know, we we we were 29 00:01:37,840 --> 00:01:41,959 Speaker 2: just doing our thing really and seemed to have seemed 30 00:01:42,000 --> 00:01:44,160 Speaker 2: to have a fantastic reaction from the audience, which is 31 00:01:44,640 --> 00:01:49,360 Speaker 2: always wonderful when you're on a cult iconic musical like this. Yeah, 32 00:01:49,520 --> 00:01:52,440 Speaker 2: it's you know, it's a daunting thing to jump into, 33 00:01:52,640 --> 00:01:57,840 Speaker 2: but it's got such a strong cast and an immensely 34 00:01:58,600 --> 00:02:03,920 Speaker 2: brilliant creative team. Always couldn't wait for it to, you know, 35 00:02:04,040 --> 00:02:07,120 Speaker 2: to open and for people to be on the receiving 36 00:02:07,240 --> 00:02:09,800 Speaker 2: end of it, because like a symbiotic relationship, isn't it 37 00:02:11,919 --> 00:02:14,600 Speaker 2: need the you know, you need the show, need the audience, 38 00:02:14,720 --> 00:02:18,640 Speaker 2: everything will becomes one. And yeah, so it just a 39 00:02:18,680 --> 00:02:24,360 Speaker 2: wonderful celebration. Lots of fish nets, Dylan and like beautiful legs, 40 00:02:24,400 --> 00:02:27,440 Speaker 2: good legs, looking beautiful and fish. 41 00:02:28,320 --> 00:02:29,239 Speaker 1: I'm sure. I'm sure. 42 00:02:29,520 --> 00:02:29,840 Speaker 2: Listen. 43 00:02:30,360 --> 00:02:33,720 Speaker 1: This is a question that I wouldn't normally ask because 44 00:02:33,720 --> 00:02:36,080 Speaker 1: I normally hate give us the synoptis, tell us what 45 00:02:36,120 --> 00:02:38,959 Speaker 1: it's about. But but I think it's important for context 46 00:02:39,000 --> 00:02:41,320 Speaker 1: and for the likes of Dylan who maybe don't know, 47 00:02:42,200 --> 00:02:44,600 Speaker 1: and and also because I just want to see how 48 00:02:44,720 --> 00:02:50,000 Speaker 1: you describe the Rocky heart, because it's not just like 49 00:02:50,080 --> 00:02:53,440 Speaker 1: it's not you know, girl meets boy or uh, you know, 50 00:02:53,600 --> 00:02:55,720 Speaker 1: lots of jazz hands. I don't know how you're going 51 00:02:55,760 --> 00:02:58,519 Speaker 1: to do this, Natasha, but that's your that's your job 52 00:02:58,520 --> 00:03:01,400 Speaker 1: and not mine. Give us up for the show, Natasha, 53 00:03:01,400 --> 00:03:03,440 Speaker 1: sont just. 54 00:03:03,720 --> 00:03:06,639 Speaker 2: Done an opening night, Please quickly give us. The thing 55 00:03:06,639 --> 00:03:09,359 Speaker 2: about Rocky is that I remember, I remember the first 56 00:03:09,400 --> 00:03:12,480 Speaker 2: time I saw it, and I you know, gosh, I 57 00:03:12,560 --> 00:03:14,640 Speaker 2: was I was quite young, I mean not too young. 58 00:03:14,800 --> 00:03:18,040 Speaker 2: That was not illegal to watch Rocky, right, but I 59 00:03:18,080 --> 00:03:20,040 Speaker 2: remember watching it and it was like a flap in 60 00:03:20,080 --> 00:03:24,560 Speaker 2: the face with a feather boa and I was trying 61 00:03:24,560 --> 00:03:27,040 Speaker 2: to make sense of it because I was born into 62 00:03:27,040 --> 00:03:29,000 Speaker 2: a family of storytellers. And the thing is actually to 63 00:03:29,000 --> 00:03:33,519 Speaker 2: almost not try and make sense of it, because Richard O'Brien, 64 00:03:33,600 --> 00:03:36,760 Speaker 2: who sort of wrote it and put it together. It's, 65 00:03:36,760 --> 00:03:40,040 Speaker 2: you know, it's a mishmash of so many themes of 66 00:03:40,080 --> 00:03:42,320 Speaker 2: the times in the seventies there as well as the 67 00:03:42,360 --> 00:03:45,640 Speaker 2: fact that he just had this wonderful love for nineteen 68 00:03:45,720 --> 00:03:50,200 Speaker 2: fifties b grades to show horror films like Fey Ray 69 00:03:50,280 --> 00:03:53,360 Speaker 2: and the Ape and Invisible Man, and so in a sense, 70 00:03:53,960 --> 00:03:55,839 Speaker 2: it's a it's a mash up of all of that, 71 00:03:56,320 --> 00:03:59,960 Speaker 2: and it works brilliantly. It starts off with our tag, 72 00:04:00,040 --> 00:04:03,080 Speaker 2: as I suppose you could say, Janet and Brad boy 73 00:04:03,160 --> 00:04:06,680 Speaker 2: has a really met girl. They meet and they get engaged, 74 00:04:07,280 --> 00:04:11,080 Speaker 2: and they decide to go and visit and ex signs 75 00:04:11,200 --> 00:04:14,880 Speaker 2: tout a friend of theirs, Dr Everett Scott, and they 76 00:04:15,240 --> 00:04:18,800 Speaker 2: have a this storm coming along the way, and they 77 00:04:18,839 --> 00:04:22,560 Speaker 2: have a spare tire that is flat, as young people do. 78 00:04:22,680 --> 00:04:25,200 Speaker 2: I shouldn't say that, really, Hey, I did as well, 79 00:04:25,240 --> 00:04:30,080 Speaker 2: and I'm definitely not young. But regardless, they go ahead 80 00:04:30,080 --> 00:04:32,640 Speaker 2: and they drive to meet doctor Scott, but their car 81 00:04:32,680 --> 00:04:35,120 Speaker 2: has a blowout in the middle of a thunderstorm and 82 00:04:35,160 --> 00:04:38,160 Speaker 2: they get out and they need help, and they end 83 00:04:38,240 --> 00:04:41,440 Speaker 2: up as everyone always does, on the night out when 84 00:04:41,440 --> 00:04:43,240 Speaker 2: there's a storm and a blow out. They end up 85 00:04:43,279 --> 00:04:48,719 Speaker 2: at the castle and asking for help, and a strange 86 00:04:48,839 --> 00:04:52,640 Speaker 2: looking man creature called riff Raff allows them to come 87 00:04:52,640 --> 00:04:56,480 Speaker 2: into the castle and from there the whole their whole 88 00:04:56,720 --> 00:05:02,640 Speaker 2: journey as people and the couple take a take a 89 00:05:02,760 --> 00:05:08,440 Speaker 2: very quick swift turn. The head of the household is 90 00:05:10,480 --> 00:05:14,159 Speaker 2: all intents and purposes and mad scientists. Yeah, doctor friend Theurter, 91 00:05:14,680 --> 00:05:17,080 Speaker 2: and he has a sort of bunch of acolytes which 92 00:05:17,160 --> 00:05:19,920 Speaker 2: we are called week, all the phantoms on stage who 93 00:05:20,360 --> 00:05:23,800 Speaker 2: are there because he's about to have this grand unveiling. He's, 94 00:05:24,200 --> 00:05:30,520 Speaker 2: you know, created this human creature Rocky, after what we 95 00:05:30,560 --> 00:05:34,600 Speaker 2: can only imagine of some some reasonably failed science experiments. 96 00:05:34,880 --> 00:05:38,000 Speaker 2: He's created this creature and everyone's day to celebrate it. 97 00:05:38,400 --> 00:05:42,560 Speaker 2: And poor Brad and Janet rather unwittingly have walked in 98 00:05:42,720 --> 00:05:47,080 Speaker 2: onto this scene. And then I don't know how much 99 00:05:47,080 --> 00:05:49,240 Speaker 2: to reveal you now, No, I think I think that's 100 00:05:49,360 --> 00:05:50,120 Speaker 2: I think that's good. 101 00:05:50,200 --> 00:05:53,160 Speaker 1: I think you've done terribly well there, because it's not 102 00:05:53,720 --> 00:05:58,440 Speaker 1: it's not an easy unless you can unless you've seen it, 103 00:05:58,520 --> 00:06:01,080 Speaker 1: unless you can see what you're talking talking about. I mean, 104 00:06:01,080 --> 00:06:03,280 Speaker 1: if somebody's just tuned in and they've just arrived from 105 00:06:03,320 --> 00:06:07,760 Speaker 1: planet Mars and what on Earth is this debauched? But 106 00:06:07,880 --> 00:06:10,360 Speaker 1: what is this? The funny thing is having grown up 107 00:06:10,360 --> 00:06:13,279 Speaker 1: in England and Richard O'Brien, he used to host a 108 00:06:13,320 --> 00:06:17,520 Speaker 1: show in the UK Natasha called the Crystal Maize and 109 00:06:17,560 --> 00:06:19,880 Speaker 1: he was the kind of I mean, he was the host. 110 00:06:19,920 --> 00:06:22,640 Speaker 1: But he's I'm saying, was this If he's in I 111 00:06:22,640 --> 00:06:24,920 Speaker 1: think he's still with us. I don't think he's no 112 00:06:25,000 --> 00:06:28,960 Speaker 1: longer with us, but he was. He's quite a strange character. 113 00:06:29,520 --> 00:06:33,680 Speaker 1: He's quite an eccentric character. So once you link those two, 114 00:06:33,760 --> 00:06:35,880 Speaker 1: you go, oh, this all man sense because he's a 115 00:06:35,880 --> 00:06:38,120 Speaker 1: bit you know, he's a bit of a weirdo and 116 00:06:38,920 --> 00:06:42,520 Speaker 1: I use that term lovingly. He's you know, always clad 117 00:06:42,600 --> 00:06:46,200 Speaker 1: in kind of leather pants and leopard print, which makes 118 00:06:46,240 --> 00:06:48,159 Speaker 1: me think that he and I would get on terribly well. 119 00:06:48,320 --> 00:06:51,440 Speaker 1: But he is he is quite odd. He is quite odd, 120 00:06:51,640 --> 00:06:54,039 Speaker 1: and so the fact that this has come from within 121 00:06:54,080 --> 00:06:57,200 Speaker 1: the depths of his brain isn't really a massive surprise. 122 00:06:57,839 --> 00:07:00,599 Speaker 1: What's been what's it been like working with that with 123 00:07:00,680 --> 00:07:01,920 Speaker 1: the lamb To crew, Natasha? 124 00:07:02,880 --> 00:07:08,320 Speaker 2: Oh, absolutely humbling and amazing. You know, they are so 125 00:07:08,400 --> 00:07:14,400 Speaker 2: professional and hard working and kind and their work ethic 126 00:07:14,600 --> 00:07:20,640 Speaker 2: is just phenomenal to watch and obviously obviously super talented, 127 00:07:20,840 --> 00:07:27,360 Speaker 2: and it's really amazing. Where As with everything in the world, 128 00:07:27,440 --> 00:07:30,840 Speaker 2: you know, you're watching as a write of pathogism, someone 129 00:07:30,880 --> 00:07:33,960 Speaker 2: who's much older in the profession, watching the new guard 130 00:07:34,800 --> 00:07:39,240 Speaker 2: coming in and realizing that story storytelling in this in 131 00:07:39,320 --> 00:07:44,000 Speaker 2: this country is is. It's so cool and well held, 132 00:07:44,120 --> 00:07:47,679 Speaker 2: and it's just going to fly further and further. So yeah, 133 00:07:47,800 --> 00:07:51,560 Speaker 2: it's been it's been a pretty amazing ride, really, really very. 134 00:07:52,120 --> 00:07:56,240 Speaker 1: I love I love speaking to to LAMB to students 135 00:07:56,280 --> 00:08:03,720 Speaker 1: and LAMBTA alumni, alumnus, alumni, because the talent, the young 136 00:08:03,800 --> 00:08:08,520 Speaker 1: talent that we have in this country is just remarkable. 137 00:08:08,520 --> 00:08:10,200 Speaker 1: And every time I'm at theater on the Bay or 138 00:08:10,240 --> 00:08:12,160 Speaker 1: I'm at the artscape and I look at that, you 139 00:08:12,200 --> 00:08:14,560 Speaker 1: know and some you sort of you get to see 140 00:08:14,640 --> 00:08:16,680 Speaker 1: that some of the same faces, don't you, And you 141 00:08:16,720 --> 00:08:19,400 Speaker 1: get to know certain people and you think, God, we 142 00:08:19,440 --> 00:08:22,400 Speaker 1: are we are so lucky, and we are so blessed 143 00:08:22,680 --> 00:08:26,200 Speaker 1: and fortunate to have such a crop of excellent I mean, 144 00:08:26,240 --> 00:08:28,280 Speaker 1: I'm thinking about cats that I saw what the end 145 00:08:28,360 --> 00:08:31,280 Speaker 1: of last year, which absolutely blew my mind. And we 146 00:08:31,320 --> 00:08:34,080 Speaker 1: had three of the three of the the young young 147 00:08:34,080 --> 00:08:36,959 Speaker 1: performers in the studio, all lambta folk and you just think, 148 00:08:37,000 --> 00:08:40,360 Speaker 1: God that the future of musical theater is safe in 149 00:08:40,440 --> 00:08:42,400 Speaker 1: the hands of this of this next generation. 150 00:08:43,240 --> 00:08:46,079 Speaker 2: Yeah, and it's not just talent, you know, it's I'm 151 00:08:46,120 --> 00:08:48,680 Speaker 2: not saying not just talent. It's talent, but it's them 152 00:08:48,760 --> 00:08:55,880 Speaker 2: learning about discipline and crash or etiquette and you know, 153 00:08:56,040 --> 00:09:01,240 Speaker 2: so many things that make this an industry that needs 154 00:09:01,280 --> 00:09:06,199 Speaker 2: that needs to be respected and known. Yeah, a lot 155 00:09:06,280 --> 00:09:08,800 Speaker 2: an easy thing to do this that requires a lot, 156 00:09:10,559 --> 00:09:13,160 Speaker 2: a huge amount of collaboration of self of skills to 157 00:09:13,200 --> 00:09:16,280 Speaker 2: get together and do it. And yeah, it's been been 158 00:09:16,280 --> 00:09:18,840 Speaker 2: an awesome process because as a narrator, you know, I 159 00:09:18,880 --> 00:09:20,840 Speaker 2: sort of be sudden rehearsal and watch a lot and 160 00:09:20,880 --> 00:09:24,000 Speaker 2: I love watching the creative. So I've just been watching 161 00:09:24,840 --> 00:09:30,000 Speaker 2: watching them, them working and it's been. Yeah, it's pretty amazing. 162 00:09:30,240 --> 00:09:32,280 Speaker 1: I can't wait to come and see this at tickets 163 00:09:32,320 --> 00:09:35,880 Speaker 1: we can get via web tickets and running until the 164 00:09:36,120 --> 00:09:38,640 Speaker 1: thirty first of May. That's a nice significant run. I 165 00:09:38,760 --> 00:09:38,960 Speaker 1: like that. 166 00:09:40,000 --> 00:09:42,880 Speaker 2: Yeah. Yeah, so you're going to be there in Lepprint. 167 00:09:43,000 --> 00:09:45,520 Speaker 1: I'm to listen. You only need to You only need 168 00:09:45,559 --> 00:09:48,520 Speaker 1: to ask me once and then I'm in. Yeah, I'm 169 00:09:48,520 --> 00:09:52,720 Speaker 1: one hundred percent. I can't wait a thing along I'm listen, 170 00:09:53,000 --> 00:09:55,640 Speaker 1: I am, I cannot wait. Yeah. I am such a 171 00:09:55,640 --> 00:09:57,400 Speaker 1: fan of the show. I'm such a fan of me. 172 00:09:57,400 --> 00:09:59,480 Speaker 1: I always you know, I'm a real musical theater hall. 173 00:09:59,520 --> 00:10:03,320 Speaker 1: I act asolutely of some obsessed with musical theater. This 174 00:10:03,480 --> 00:10:06,400 Speaker 1: is one of my favorites. And what Dylan doesn't know 175 00:10:06,520 --> 00:10:08,800 Speaker 1: is that I will be tucking a pair of fishnet 176 00:10:08,880 --> 00:10:12,560 Speaker 1: tights in my bag when we go and forcing him 177 00:10:12,559 --> 00:10:15,720 Speaker 1: to put them on as we enter the theater. I 178 00:10:15,760 --> 00:10:17,800 Speaker 1: can't wait to come and see it. Natasha, appreciate your 179 00:10:17,800 --> 00:10:22,000 Speaker 1: time this morning. Thank you very much. Indeed, really really 180 00:10:21,720 --> 00:10:24,280 Speaker 1: lovely having you on. Natasha souther Than starring as the 181 00:10:24,360 --> 00:10:29,880 Speaker 1: narrator in Peter Torune's The Rocky Horror Picture Show on 182 00:10:30,000 --> 00:10:32,720 Speaker 1: a theater on the Bait in Camps Bay until the 183 00:10:32,760 --> 00:10:33,840 Speaker 1: thirty first of Mate