WEBVTT - ‘I want to call you Daddy’

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<v Speaker 1>Aptor WhatsApp Sarah Jane on seven to two five six

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<v Speaker 1>seven one five six seven all right.

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<v Speaker 2>August is Women's Month and the twenty twenty five Antscape

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<v Speaker 2>Women's Humanity Festival is back with a strong message, piece

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<v Speaker 2>in action, working together among a powerful lineup of events.

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<v Speaker 2>One performance is already generating some buzz. It's called I

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<v Speaker 2>Want to Call You Daddy. It's a raw, intimate, wo

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<v Speaker 2>woman play written and performed by Marcia Underwood, a Cape

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<v Speaker 2>Town based artist who blends music, poetry and storytelling. And

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<v Speaker 2>she joins me on the line now to tell us

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<v Speaker 2>about the play. Good to have you with us, Thanks

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<v Speaker 2>so much for coming through on the line.

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<v Speaker 1>Good to be here, Good to be here, Siah, Thanks

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<v Speaker 1>for having me.

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<v Speaker 3>Yeah, an absolute pleasure.

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<v Speaker 2>Let's start a little bit with your background. You're not

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<v Speaker 2>just a writer and performer, but also a singer. We've

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<v Speaker 2>had you on, maybe not this show for a while,

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<v Speaker 2>but certainly when I was doing the late night show.

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<v Speaker 2>Tell us little bit about your journey as a performer.

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<v Speaker 1>Well, it's an interesting one, and I think the audience

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<v Speaker 1>and my followers will certainly be surprised by what I've

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<v Speaker 1>put together. So you're quite right, I mean I started

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<v Speaker 1>out straight after high school studying opera at U c T.

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<v Speaker 1>I live that direct directorship of Virginia David, Professor Virginia David.

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<v Speaker 1>So yes, some some some giants, uh that have come

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<v Speaker 1>my way and really assisted me on my journey. And

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<v Speaker 1>I yeah, after I studied opera, then went into exploring

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<v Speaker 1>other genres. So yeah, the likes of I guess, jazz

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<v Speaker 1>and contemporary styles. Uh. And for a long time yea,

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<v Speaker 1>even up until the day, I still feature doing some

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<v Speaker 1>yeah friendly jazz gigs. I'm gonna put it like that.

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<v Speaker 1>And this is a lot different to that.

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<v Speaker 2>It's a striking title. I want to call you, daddy.

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<v Speaker 2>What inspired you to write this piece?

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<v Speaker 1>Well, you know, when I was studying, literally almost slap

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<v Speaker 1>bang in the middle of my journey, I had my

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<v Speaker 1>daughter and yeah, so I mean I went back to

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<v Speaker 1>complete my studies, but it really took me on a

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<v Speaker 1>different journey. And this story is exactly that journey of

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<v Speaker 1>single parenthood, of single motherhood and the struggles that come

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<v Speaker 1>with it, and just having gone through it, you know,

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<v Speaker 1>for close to ten years, so it's been quite a

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<v Speaker 1>journey and I thought now is the time to tell

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<v Speaker 1>it and using my creativity and my poetry that I've

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<v Speaker 1>been writing all along through my career, a fifteen year

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<v Speaker 1>career poetry song, and I've added a movement just to

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<v Speaker 1>bring it all together. Yes, I mean I have. I

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<v Speaker 1>don't want to give too much away. I want the

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<v Speaker 1>listeners to come through, but it does give the good

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<v Speaker 1>the bad, and I won't say ugly, I'd say interesting

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<v Speaker 1>parts of the journey through narratives and song. So it's

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<v Speaker 1>it's a lot more serious and people may be surprised,

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<v Speaker 1>but it's a story that needs to be told, and

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<v Speaker 1>it's you know, I think my mum always says, you know,

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<v Speaker 1>if there's one person that you can inspire in the

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<v Speaker 1>audience that connects with your story, with your song, with

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<v Speaker 1>your poem, then you've done what you've needed to do.

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<v Speaker 1>And it is so true. You know, one needs to

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<v Speaker 1>tell your story because it's always somebody that's shares that

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<v Speaker 1>same story. You know, none of ours stories are are

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<v Speaker 1>set apart in that way. It's just unlocking, unlocking it

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<v Speaker 1>for the next person and saying it's okay.

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<v Speaker 2>Why is it important for you to tell the story

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<v Speaker 2>as a one woman show?

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<v Speaker 3>Particularly?

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<v Speaker 1>I think as I was writing it and I took

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<v Speaker 1>a bit of a performance break, one could say, last year.

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<v Speaker 1>You know, I didn't put myself out there to do

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<v Speaker 1>any gigs. I just sat down over a couple of nights,

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<v Speaker 1>very many nights, a few weeks, and I sat down

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<v Speaker 1>and I thought, okay, you know, as a singer, which

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<v Speaker 1>direction would I like to go into? And typically one

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<v Speaker 1>would write songs, you know, you'd write your own original songs.

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<v Speaker 1>But I've got this burning, you know, desire for I

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<v Speaker 1>guess lyrics, but also poetry. And when you write poetry,

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<v Speaker 1>you know so much like yourself with writing books, you

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<v Speaker 1>know you're putting you want to put out something original,

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<v Speaker 1>but also something so close to your heart. And I thought,

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<v Speaker 1>let me start here, you know, let me start with Yeah,

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<v Speaker 1>my first, real, painful and a challenging story. And I

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<v Speaker 1>wrote that during last year. So it was important for

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<v Speaker 1>me to go becker and say, what's my voice really about?

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<v Speaker 1>You know? Is it in song? Sure? But I need

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<v Speaker 1>to dig a little deeper. And even in the writing

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<v Speaker 1>of it, it was quite quite interesting, you know, putting

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<v Speaker 1>pink to pep pen, saying okay, you know, how raw

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<v Speaker 1>are we going?

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<v Speaker 3>And how raw do you go? Because I mean the

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<v Speaker 3>writing process.

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<v Speaker 2>You know, I know this is that the the right

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<v Speaker 2>You might think that you have dealt with a certain

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<v Speaker 2>issue or healed or whatever it processed, whatever word you

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<v Speaker 2>might want to use, and then, as you say, the

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<v Speaker 2>minute you put pen to paper and actually have to

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<v Speaker 2>put it into words in a way that makes it

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<v Speaker 2>connectible and relatable to a potential audience that can then

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<v Speaker 2>shine a light on parts of it that you hadn't

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<v Speaker 2>perhaps processed.

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<v Speaker 3>So what was that experience like for you?

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<v Speaker 1>It was certainly interesting, you know, me being a very

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<v Speaker 1>particular performer, you know, when I stand up and I

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<v Speaker 1>sing a very you know, as in tunes that other

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<v Speaker 1>people have written, you know, in the jazz genre or

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<v Speaker 1>let's say poper contemporary, you know, people are most likely

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<v Speaker 1>to clap, you know, they like the song. Then they've

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<v Speaker 1>heard the song before, you know, and I'm laughing and

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<v Speaker 1>I'm smiling, and it's enjoyable music. But when I was

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<v Speaker 1>writing it, you quite write, I had to dig deeper

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<v Speaker 1>but also realize that people may not clap. You know,

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<v Speaker 1>the story as you're telling it is, you know, my

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<v Speaker 1>particular story. So it is whether the audience claps or not,

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<v Speaker 1>whether they connect or not. I just have to be

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<v Speaker 1>willing to put it out there. So it was really

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<v Speaker 1>going deep to say, this is my story and I'm

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<v Speaker 1>going to tell it. You know, whether the audience uh

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<v Speaker 1>likes it. Yeah, they may not like it, you know,

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<v Speaker 1>whether they clap. Sure, if they do, great, that means

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<v Speaker 1>they've enjoyed it. But I was preparing myself for Yeah,

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<v Speaker 1>it really has to go raw, you know, and people

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<v Speaker 1>may not like the fact that I'm going a very

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<v Speaker 1>raw into my story of single parenthood, you know, looking

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<v Speaker 1>at a child from the mother's perspective and their child's

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<v Speaker 1>longing for the second parent, you know. So I had

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<v Speaker 1>to really get deep, get in there and get the

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<v Speaker 1>story going.

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<v Speaker 2>So yes, online actually say not not to give not

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<v Speaker 2>to give too much away, but too much away I'm

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<v Speaker 2>fascinated by. I'm fascinated by some of the themes that

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<v Speaker 2>are likely to come to come up, you know. I

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<v Speaker 2>I know the single parenthood had journey and there's a

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<v Speaker 2>lot of stuff that comes up.

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<v Speaker 3>And as you say, very very raw. What are some

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<v Speaker 3>of the what a some of.

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<v Speaker 2>The feelings and experiences that have come up for you

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<v Speaker 2>that perhaps you explore. Are you exploring issues around guilts?

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<v Speaker 2>Are you exploring issues around overwhelm what are some of

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<v Speaker 2>the themes that we might see in the piece.

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<v Speaker 1>Absolutely, I'm exploring a number of topics. And one could say,

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<v Speaker 1>you know, when I went through single period, I was

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<v Speaker 1>not only you know, raising a child alone, but I

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<v Speaker 1>was also living alone. So you know, you're also having

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<v Speaker 1>to deal with a lot of questions when you just

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<v Speaker 1>buy yourself and of course having I haven't come from

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<v Speaker 1>a single parent myself, so I was also doing a

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<v Speaker 1>lot of yeah, soul searching, you know, looking at the

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<v Speaker 1>world through my own child's eyes, you know, and thinking great, okay, fine,

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<v Speaker 1>we are we are weak with us, you know. And

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<v Speaker 1>it's a daily things. It's a complete daily journey and topic.

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<v Speaker 1>So there are themes that are being explored, and it

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<v Speaker 1>is of course single motherhood, but also the challenges around

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<v Speaker 1>the justice system. So and that was my initial debut.

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<v Speaker 1>I had a little insert at the Albisarch's Conference at

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<v Speaker 1>u c T and that was under the topic of

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<v Speaker 1>children justice, children's rights, and that particular topic came through

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<v Speaker 1>or comes through in this play. So yeah, I mean,

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<v Speaker 1>there are certainly challenges at the our maintenance courts. I mean,

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<v Speaker 1>one needs to to put it out there and I

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<v Speaker 1>do go through that, yeah, and it's a very real factor.

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<v Speaker 2>The play features as part of the Women's Month Humanity Festival.

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<v Speaker 2>Why is that such a.

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<v Speaker 3>A great vehicle for the piece specifically?

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<v Speaker 1>Well, were I'll be positioned is in the arena, and

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<v Speaker 1>that's fantastic because it's one hundred and twenty nine seats

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<v Speaker 1>and the show spans over three days, so from the

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<v Speaker 1>sixth till the eighth, and then on the ninth in

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<v Speaker 1>the afternoon at two o'clock, So then that's also part

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<v Speaker 1>of the festival. But that intimate space is exactly what

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<v Speaker 1>this play, you know, our leverages off. And it's incredible

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<v Speaker 1>because with that intimate space, I'm able to then connect

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<v Speaker 1>directly with the audience in close proximity, you know, with

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<v Speaker 1>the movement and the sound and the poetry. So it's

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<v Speaker 1>going to be one for the books.

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<v Speaker 2>Do you have any plans to sort of outside of

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<v Speaker 2>the festival for the piece?

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<v Speaker 3>Is it something that.

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<v Speaker 2>You'd like to perform elsewhere?

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<v Speaker 3>What?

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<v Speaker 2>What do you think that I suppose a crude way

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<v Speaker 2>of saying it is, has it got legs?

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<v Speaker 1>Absolutely? Absolutely? Yeah. I've been part of a number of

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<v Speaker 1>other festivals, you know, abroad and I thought about that too,

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<v Speaker 1>you know. So it will be recorded video recorded as

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<v Speaker 1>part of my submission to other festivals. So I look

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<v Speaker 1>forward to featuring it that you know. The topic is uh,

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<v Speaker 1>it's international, you know, there are no a few single

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<v Speaker 1>appearance in one corner of the earth is Yeah, we

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<v Speaker 1>spread for far and white for sure, for sure. So

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<v Speaker 1>it's going to again, it's going to move, you know,

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<v Speaker 1>and I look forward to it.

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<v Speaker 3>I don't know how old your your daughter is. How

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<v Speaker 3>can I ask cow old she is?

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<v Speaker 1>Absolutely well, she'll be thirteen.

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<v Speaker 2>Okay, yeah, so's she's at the age I mean, has

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<v Speaker 2>she said will she see it?

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<v Speaker 1>Does she?

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<v Speaker 3>I'm fascinated to know because.

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<v Speaker 2>I mean she perhaps is the one audience member whose

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<v Speaker 2>response means most to you.

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<v Speaker 3>What are her thoughts?

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<v Speaker 1>Absolutely well, without giving too much away, Yes, she was

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<v Speaker 1>not far from me when I was physically writing the play,

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<v Speaker 1>you know, she was right there. And yeah, I mean

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<v Speaker 1>I listened to her you know in so many yeah,

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<v Speaker 1>in so many ways. And the play, Yeah, it features

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<v Speaker 1>definitely a raw material from her mind and her soul.

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<v Speaker 2>Do you think it's something in a few years time

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<v Speaker 2>or even you know, when she's in a twenties thirties,

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<v Speaker 2>she might be able to look back on and it

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<v Speaker 2>and it be something that explains a lot to her, almost.

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<v Speaker 3>Like a gift to her.

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<v Speaker 1>Absolutely it is, you know, I think naturally as an artist,

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<v Speaker 1>you know, every little bit of music that one puts out,

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<v Speaker 1>you know, every gig, every performance, and over the years,

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<v Speaker 1>you know, the very many times that she's been to

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<v Speaker 1>my gigs and seeing me, it's always just been you know,

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<v Speaker 1>for her. You know, as our kids look at us,

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<v Speaker 1>it's to achieve for them, you know, once you have children,

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<v Speaker 1>it's to achieve for them. And even this piece, it's

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<v Speaker 1>to honor her. You know that she's not alone. You know,

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<v Speaker 1>I certainly wasn't alone in this journey. There were other

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<v Speaker 1>single parents around me, but I've always let her know,

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<v Speaker 1>you know, she's not alone. You know, even though she

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<v Speaker 1>may feel alone, there are other little boys and little

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<v Speaker 1>girls out there feeling the same thing, you know, feeling

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<v Speaker 1>that sense of abandonment, not knowing, you know. So it

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<v Speaker 1>is definitely to honor her feelings and to honor her journey.

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<v Speaker 1>And she's in her own way strength and buy it

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<v Speaker 1>and enlightened by it. And I'm just so proud of

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<v Speaker 1>her as well, So yeah.

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<v Speaker 2>The play runs from the sixth to the ninth of August.

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<v Speaker 2>How can people get tickets?

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<v Speaker 1>So we're tickets that's where the tickets are being sold. Yeah,

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<v Speaker 1>looking forward to it. From the sixth to the eighth.

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<v Speaker 1>It will be running every night at seven pm and

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<v Speaker 1>then on the ninth at two pm in the afternoon.

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<v Speaker 3>So ye, yeah, looking forward to seeing it.

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<v Speaker 2>It is called I Want to Call You Daddy, and

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<v Speaker 2>it's an intimate one woman play written and performed by

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<v Speaker 2>Marseille Underwood at Cape Town based artist Make sure that

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<v Speaker 2>you get your tickets for that and head to the

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<v Speaker 2>Artscape to find out more about the full program from

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<v Speaker 2>the twenty twenty five Women's Humanity Festival.