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Speaker 1: Hanging out with Clement on seven O two.

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Speaker 2: Let's and now we're hanging out feature this morning, We're

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Speaker 2: hanging out with legendary actor Kenneth Cossie, who has can

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Speaker 2: you believe it, has been in the industry for thirty years.

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Speaker 2: So when I was like six years old, he was studying.

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Speaker 3: Wow, he is brick. Kenneth good money. Welcome to the

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Speaker 3: do make you feel old and you can see I'm

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Speaker 3: transfer to make me feel young man, And.

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Speaker 4: It looks you're doing good, because how old are you know?

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Speaker 4: I'm turning fifty three on the two. Yeah, you don't

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Speaker 4: look fifty three at all. No, I don't, and I

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Speaker 4: refuse for fifty three.

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Speaker 3: Yeah.

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Speaker 4: No, I'm kept young by my kids, young children, twenty

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Speaker 4: three year old, year old, a three year old, so yeah,

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Speaker 4: so I'm not going at a three.

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Speaker 3: Year old and three old. Yes.

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Speaker 2: So when you're fifty, yeah.

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Speaker 3: I was.

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Speaker 4: Okay, I mean, I'm fly you find out.

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Speaker 2: So let me say this. I've always wondered how it

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Speaker 2: feels like to be fifty. Yeah, it is it different

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Speaker 2: to how when you tend forty because I'm looking forward

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Speaker 2: to forty.

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Speaker 3: Oh my god, I'm thirty six. It's actually quite unbelievable.

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Speaker 2: I'm tending thirty six this year, and I'm thinking forty

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Speaker 2: is going to be for me like the pinnacle?

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Speaker 4: What was it for you as a forty or fifty?

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Speaker 4: It always feels like it's going to be, but the

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Speaker 4: reality is and it just moves, It just moves. Pity,

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Speaker 4: it's the same to me. It doesn't feel any different.

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Speaker 4: Is that their excellent pains? Where the other places whare?

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Speaker 4: When you wake up to be more careful? Music can

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Speaker 4: be too loud though, music can't be too loud, you know.

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Speaker 4: But the child in me never grew, you know, and

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Speaker 4: like as much as possible because I don't want to

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Speaker 4: be old, you know. I mean the aging is beautiful

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Speaker 4: because it comes with knowledge, it comes to the whole

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Speaker 4: of wisdom and wisdom and all that. But hey, me,

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Speaker 4: as they can anything, because I'm an about driver and

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Speaker 4: now it's just that having having a good time. So

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Speaker 4: how did you get into acting?

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Speaker 3: Well?

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Speaker 4: Acting to me is something that just came to me,

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Speaker 4: to be honest, you know, I started to way back.

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Speaker 4: I think I must have been thirteen years of age.

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Speaker 3: Who told you about it? Did you even know anything

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Speaker 3: about acting?

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Speaker 5: No?

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Speaker 3: No, you know we used to have a youth lab

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Speaker 3: in Rowville, so way too.

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Speaker 4: There's an institution that is called NECHROME, which is National

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Speaker 4: Institute for Crime Prevention and Rehabilitation of Offenders. So they

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Speaker 4: had this beautiful organization that is happening and the biggest

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Speaker 4: aim was to try and prevent crime from his primary level,

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Speaker 4: meaning to not isn't what I have to deal with

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Speaker 4: offenders they wanted.

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Speaker 3: They didn't want offenders.

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Speaker 4: So they have to help us young people come up

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Speaker 4: with a youth club where they will be educating us

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Speaker 4: in various issues like usually as you're.

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Speaker 3: Training that transering and singing and all that.

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Speaker 4: In the eighties, we didn't sit around in watching computers.

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Speaker 4: We were out there really being actors.

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Speaker 2: Right And were you interested though, because I remember those

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Speaker 2: youth organizations even when I was growing up. I think

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Speaker 2: I joined some of them where they were teaching us

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Speaker 2: to dance to act, but honestly speaking, best.

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Speaker 3: Not interested.

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Speaker 2: Okay, So when at what point did you decide, oh,

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Speaker 2: actually this is something I could take seriously.

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Speaker 4: The thing about is that they rather joint in Richmond Project,

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Speaker 4: which used to bring actors in that very club. You

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Speaker 4: know the old actors sol Racchio who came to impart

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Speaker 4: knowledge on acting and stuff like that, and that's when

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Speaker 4: there was something I was able to do better than

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Speaker 4: everybody else, and that fascinated me. You know, growing up

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Speaker 4: as a young boy was spoking and I would lose esteem.

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Speaker 4: But all of a sudden I was able to do

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Speaker 4: this one thing that man know and that that was

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Speaker 4: the decision. Truly, that's all I knew it from the

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Speaker 4: age of th thing, this is what I would love

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Speaker 4: to do, went onto high school, opened the community group

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Speaker 4: in the high school, went on to study at the

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Speaker 4: Magazination Laboratory and the rest is history.

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Speaker 2: That's a that's amazing And are you because often people

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Speaker 2: who've done theater and they go into whether they do

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Speaker 2: films or so present novelas. There's a difference between the two.

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Speaker 2: For you, what's your first live is there? Or for

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Speaker 2: you it's just acting?

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Speaker 3: Is acting?

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Speaker 6: Well?

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Speaker 4: The reality of the metage at every it's all terriory stage. Yeah,

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Speaker 4: that's where we come from, you know, that's where we began.

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Speaker 4: And there's there's something about the intimacy of you as

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Speaker 4: an audience member sitting here and me having to perform

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Speaker 4: and say these lines and not knowing if I'm going

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Speaker 4: to kill them that night. I'm not that excitement amazing,

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Speaker 4: So that would be the first live like any other actor.

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Speaker 4: But acting is acting. As you grow up, you realize

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Speaker 4: that you know you, you you meet up with someone,

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Speaker 4: and with that somebody, you decide to have a child.

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Speaker 4: And then you realize that no, you need to go

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Speaker 4: and make money, right, and then theater doesn't do as

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Speaker 4: mass And initially it doesn't, right, So I went on

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Speaker 4: to do.

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Speaker 3: Television because we needed to fit families.

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Speaker 2: I just wish that and I hope you're going to

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Speaker 2: get to a point where the industry just also appreciate

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Speaker 2: theater like that, and even us, yeah, you know, just

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Speaker 2: as consumers.

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Speaker 3: Yeah, because I mean when you go to countries like Europe,

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Speaker 3: and it used to be prick.

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Speaker 4: In this country. I mean you look at people like

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Speaker 4: you look at people likes and can and all that.

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Speaker 4: People used to dress up and go out to go

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Speaker 4: and watch the cinema and other places. Right, what happens there?

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Speaker 4: But the reality I think maybe the democratic came with

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Speaker 4: that as well, because then you have more than one option, right,

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Speaker 4: because that's not a reality now. Thees Techechnica, there was

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Speaker 4: that kind center and all that take your girlfriend and

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Speaker 4: go to cuton Center instead of around the corner. Mccret

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Speaker 4: with that too, And but I hope, and I really

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Speaker 4: do hope that we we we cultivate the audience said,

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Speaker 4: because theater is beautiful and people are missing out in

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Speaker 4: so much and it has nothing to do with money,

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Speaker 4: people who always go, no, it's about money and all that.

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Speaker 3: People are able to brow a lot of.

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Speaker 4: Money in one weekend and they can take a taxi

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Speaker 4: and go to the Maga Theater or the Job Theater.

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Speaker 2: And literally, yeah, it's it's so brilliant. Did you pick

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Speaker 2: up a change in the opportunities? I think I've read

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Speaker 2: somewhere that there was a time you're sitting with your mom,

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Speaker 2: You're watching the inauguration of Nelson Mandela and after that

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Speaker 2: you really worked for about seven years non stuff.

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Speaker 3: Was there a change that you witnessed, you know, as

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Speaker 3: we entered this new democracy? No, it was huge, it

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Speaker 3: was huge.

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Speaker 4: I mean, I mean it was a time when I

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Speaker 4: mean it was nineteen ninety four on the tenth of May,

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Speaker 4: that's when I was born. When I was watching that

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Speaker 4: inauguration right there was do you remember when we used

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Speaker 4: to have this takelin Ya tourism. I think South Africa

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Speaker 4: alive with possibility. That's exactly outflt like at that time, right,

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Speaker 4: it was beautiful. We're living in Yovl at the time

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Speaker 4: I was living in yov and all that. That's what

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Speaker 4: That's when the things were happening.

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Speaker 3: That's when.

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Speaker 4: Ras Matas were happened, and find White was happening. It

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Speaker 4: felt like there was so much gonna be happening in

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Speaker 4: this country. There was there was a light somewhere. We

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Speaker 4: saw ourself getting better and better as the people. I

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Speaker 4: wish I lived during that time in your Ville.

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Speaker 3: Yeah, your parents, your late I am. I am, But

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Speaker 3: because a lot of people I speak to who have

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Speaker 3: lived in Yoville will tell you that yo Like, You'll

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Speaker 3: be walking down the street and there's a blend of fuzzy.

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Speaker 4: Fus times square, trend of fussy at times square, me

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Speaker 4: young man, you know, and you'll go down your road

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Speaker 4: and in Rocky Street you go listen to watch I

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Speaker 4: see it and Admiral playing the tan.

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Speaker 7: Do you know?

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Speaker 3: We used to have such a beautiful time on our past.

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Speaker 4: Now in Yovel is a shadow of itself, but it

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Speaker 4: created so many beautiful artists and it was just a nice,

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Speaker 4: beautiful community where people work. The creatives, musicians, actors, dancers

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Speaker 4: wanted to hang together and have a bit of a job.

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Speaker 5: You know.

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Speaker 3: Yeah, what do you think is replaced that place? Now?

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Speaker 4: It's so funny because what happened after your new Town?

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Speaker 4: The place, that place, and then the corporate came in

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Speaker 4: new Town.

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Speaker 3: Now are the creatives now? Where do they hang? I

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Speaker 3: don't know, I don't know. We find them sometimes in Joval,

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Speaker 3: in Melville. I mean, but.

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Speaker 2: There's the thing called is it for Stanley? When I

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Speaker 2: sometimes the Stanley is beautiful?

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Speaker 3: Ut but it's not.

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Speaker 6: It's not like that.

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Speaker 4: I mean, I think you've lost places like that. It's

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Speaker 4: such it's so sad. I mean you look at the

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Speaker 4: new Town. The only place you have is the I

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Speaker 4: can see it all Nicky's oasis, you know, but most

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Speaker 4: of the places.

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Speaker 3: That used to be there.

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Speaker 4: People used just to gather at the market every Friday

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Speaker 4: and we will discuss issues, we will discuss problems, we'll

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Speaker 4: discuss projects and come up with ideas and how we're

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Speaker 4: going to move ourselves forward.

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Speaker 3: But now I don't even know where people hang. And

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Speaker 3: it is so sad. It is so sad.

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Speaker 2: Yeah, it is because it's nicer to have creatives come

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Speaker 2: together and to have places that are just melted list.

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Speaker 4: And you've got more of the young people right now,

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Speaker 4: mostly going to my boney right because then you've got

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Speaker 4: your fishing designers there. You've got some musicians there, You've

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Speaker 4: got you know of visual artists there some, but I

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Speaker 4: don't know if it's as vibey as it.

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Speaker 2: Used to be with your other So part of getting

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Speaker 2: to know you is to also play some of your

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Speaker 2: favorite songs. Yes, and we're going to get to some

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Speaker 2: songs now and then I'll come to your WhatsApps. I

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Speaker 2: see them on seven seven o two and seven oh two.

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Speaker 2: We're hanging out with Kenneth and see the legendary actor.

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Speaker 2: If you've got a question for him, or want to

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Speaker 2: say hello, you want to reflect, maybe you've worked with him.

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Speaker 2: You can give us a call on one one eight

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Speaker 2: eight three h seven oh two or send you what's up?

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Speaker 2: Also then two seven oh two one seven or two

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Speaker 2: missing you. Why do you like this song so much?

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Speaker 2: It is a beautiful production called set It Up. I

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Speaker 2: don't know if you remember the movie called Set It Up.

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Speaker 4: Jada Picket Smith queen, Yes, yes, yes, and I think

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Speaker 4: a Smith and Fox or something like that. It was

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Speaker 4: just it isn't the ending of that movie where Jada

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Speaker 4: everybody has died and she's just by herself reminiscing about

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Speaker 4: her friends and her friendships.

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Speaker 3: To me, that's what it is. It is about the

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Speaker 3: people I've missed and I've lost in my life.

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Speaker 2: Sure, that's amazing. We'll get to it in a moment.

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Speaker 2: But is that Is that the kind of music you

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Speaker 2: listen to?

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Speaker 3: Are you're more.

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Speaker 2: Mixed back, guys, because I mean, you've given Usapot Sola.

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Speaker 2: You've got Brenda Facie, got Michael Jackson, you got Bombo mapping,

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Speaker 2: I've got Yeah, I've got k See, I've got Rebecca.

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Speaker 4: My Rope so you I I love my Irran b

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Speaker 4: as well you Adele. I mean, I'm my favorite at sharing.

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Speaker 4: I've got James Plant, I've got what's this old man

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Speaker 4: that I love so much?

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Speaker 3: Critical Reporter. So I've got a mixed bag of music.

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Speaker 8: That's what I say.

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Speaker 2: I love music, all right, We'll get to that music

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Speaker 2: after the break. It's twenty minutes now after ten out clock.

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Speaker 1: Hanging out with Clement on seven O two.

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Speaker 2: Let's walk the talk It's twenty three minutes after ten

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Speaker 2: out clock. Kenneth and Cossey is on our hanging Out

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Speaker 2: feature this morning. Here's one of his favorite songs, I'm

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Speaker 2: missing you.

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Speaker 5: This.

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Speaker 2: I just had a light bulb moment. I just realized

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Speaker 2: that this is not a love song. But we you know,

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Speaker 2: we used to play the song when we were going

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Speaker 2: through because lyrics. Lyrics on a Sunday Sunday, Oh my goodness.

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Speaker 2: But what a beautiful song.

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Speaker 3: And I'm not working. Yeah, seven color. Yeah, let's go

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Speaker 3: to what episode.

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Speaker 9: Money and comments, you know, to Londons Clement, you are

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Speaker 9: sitting with a living legend the bon Course by Kenneth

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Speaker 9: Cause you know, I was also six. I was also

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Speaker 9: six when he started thirty years ago. But I just

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Speaker 9: want to speak on a video just been It's been

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Speaker 9: making the rounds. It's been shared by millions.

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Speaker 3: Of South Africans.

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Speaker 9: It's a snippet from I Think It's Sotsy where Kenneth

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Speaker 9: says she's off, She's over great.

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Speaker 3: You know, like the video has been making the rounds.

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Speaker 9: People have been using it to make their own videos

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Speaker 9: and it speaks to the whole that we have as

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Speaker 9: a person looks you you know, that's what this is over,

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Speaker 9: twenty what this is over? Thank you for everything, because

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Speaker 9: thank you so much for your contribution to the arts

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Speaker 9: and our lives. You truly are living legend mass God

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Speaker 9: protectly beautiful than.

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Speaker 2: Man. Let's go to some calls as well. On one, eight,

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Speaker 2: three or seven or two. Mamillian do but good morning,

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Speaker 2: So I wondered everywhere you know.

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Speaker 3: Let me tell you.

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Speaker 2: This is what I feel every time I have to

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Speaker 2: speak to Mamalyiu and I'm like, Yo, I wonder today,

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Speaker 2: how are you, Mamilius?

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Speaker 6: I'm okay when man Clement, you don't know how proud

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Speaker 6: I am of you, my baby. I've listened to seven

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Speaker 6: or two every day we out here related but hey

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Speaker 6: the rapper every day you really you've got my boy

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Speaker 6: the price. I wonder OCD instead of telling you about

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Speaker 6: where me and him come from, you're not looking for me?

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Speaker 4: Oh man, what's back in? Mamso the problem you radio?

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Speaker 4: And then as comes you know, really know, you know.

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Speaker 4: My first appearance on television all film was Mambillian Family.

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Speaker 3: I was she was my agent. I started as an extra.

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Speaker 4: IPING told me I was an extra text to so to,

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Speaker 4: I was an extra movies years ago before actually started acting.

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Speaker 4: It was Mam Lilian kom Fulgentia alien to the agency

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Speaker 4: who plugged me, who called me, there.

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Speaker 3: You are You know what I mean? Mansoso. That's amazing.

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Speaker 6: Clement at this boy. I've got so much respect for him.

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Speaker 6: Me and him were educating people about HIV and a

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Speaker 6: you should have seen Kennet script. It was so long

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Speaker 6: and he was HIV positive at the time when we

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Speaker 6: were all scared afraid of the script that we are holding.

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Speaker 6: Nana rebel gives HIV You're not. Why did you not

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Speaker 6: get an award for that?

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Speaker 3: Can directed that it was free filmmakers.

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Speaker 4: It was just an amazing and it was listen to me,

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Speaker 4: young actor just starting up having to act opposite Mam

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Speaker 4: Lillian Doube one on one for days and it tells.

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Speaker 6: The two of us, remember the two of us, you know,

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Speaker 6: lots of dialogue and who are drained. We should have

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Speaker 6: been taken for brief briefing and giving money and and

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Speaker 6: we we need a stage.

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Speaker 3: Whatever said one moment one day, I didn't like my

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Speaker 3: ex wife.

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Speaker 4: Isn't no better tell you educated people? Wait before everybody

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Speaker 4: was talking about it.

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Speaker 6: Married Kenneth Quite is good because then we were both

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Speaker 6: Sola lap and yet work with him age even though

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Speaker 6: you know I look at your life and I look

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Speaker 6: at mine, there's a lot of gap between our age,

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Speaker 6: but I know we are still the same age.

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Speaker 2: Yeah yeah, Mamalyan, thank you so much. What a lovely

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Speaker 2: LILIANDU is a veteran actress. It's ten thirty two hanging.

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Speaker 1: Out with Clement seven two. Let's walk the talk.

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Speaker 2: Twenty four minutes before eleven out lock. We're hanging out

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Speaker 2: with legendary actor Kennethan Cocy this morning on our hanging

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Speaker 2: Out feature. And before we continue our chat and play

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Speaker 2: some more songs that are his favorite, let's go to

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Speaker 2: some calls on on one eighty three or seven Oti Patrick,

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Speaker 2: you call him from sway to good.

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Speaker 3: Morning, Hi Jamen, how are you? I'm all right? Patrick?

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Speaker 3: Go ahead?

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Speaker 10: Oh what a great man, Jamin, thanks for inviting you

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Speaker 10: can father?

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Speaker 5: How are you that?

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Speaker 9: Ye?

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Speaker 3: Can't you?

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Speaker 10: But I remember you, fiber You used to joking world

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Speaker 10: I meet you imagine.

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Speaker 3: When coming to school Handley Primary School and.

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Speaker 4: Higher higher prob.

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Speaker 3: Yeah, I want young as when I was, so when I.

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Speaker 4: You should becoming let because people who know me from

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Speaker 4: my husband I'm let letas.

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Speaker 10: Yeah.

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Speaker 3: Yeah, to tell you one thing about this.

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Speaker 10: We're grew working and either when when there was a

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Speaker 10: corporal punishment when we were keeping through leaships, he used

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Speaker 10: to talk about it and we used to laugh.

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Speaker 3: So he was always a funny guy. I was always

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Speaker 3: in trouble, that's why. Yeah, yeah, Petrick, thank you, Billy.

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Speaker 3: You're calling us from Reda Park High really used to

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Speaker 3: my my my kids transport drive and just googl from park?

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Speaker 3: Who handed me like my bro?

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Speaker 6: But against I want to tell when you tell what

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Speaker 6: you did to me one day when I had a breakdown.

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Speaker 3: What happened?

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Speaker 9: Yo?

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Speaker 6: He said to me.

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Speaker 11: You know what, I don't care. You just made sure

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Speaker 11: my children get to school.

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Speaker 6: You get don't.

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Speaker 4: I don't care. I pay a lot of money to get.

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Speaker 6: There, but that's food.

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Speaker 10: You better make a play, Billy?

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Speaker 3: Have you always been a player?

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Speaker 4: You put me in check?

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Speaker 6: But it was nice. I'm wake up.

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Speaker 3: Now, thank you very much for they What a lovely person?

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Speaker 5: Then?

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Speaker 6: What a lovely person?

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Speaker 3: That's every day I passed out every wish I.

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Speaker 10: Could see him and say, hey, mace Acain, are you good?

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Speaker 3: Now you see me? Now you don't, but now you

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Speaker 3: can hear me all over the bill? Yeah, yeah, yeah,

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Speaker 3: all right, so what's up?

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Speaker 8: And to.

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Speaker 3: Pay money money Hey, Kenn, it goes uh bade.

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Speaker 4: Favorite German and kumbulabo move he put gun said.

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Speaker 3: Over cred Hey, big use, big up, big up, big out.

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Speaker 5: It's eating Good morning, m good morning gas shows. Always

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Speaker 5: you're hanging up with the boss, Kenn, mister coy. This

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Speaker 5: guy is always antic, always an entertic. You can tell

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Speaker 5: that he loves his weak He enjoys doing this at things.

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Speaker 5: You know, there's no money used now, it's just it's

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Speaker 5: it's their only talks and everyway so crand my thing

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Speaker 5: is from toy yeah yeah, a man, great shore man.

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Speaker 3: This is episode is from so thank you some stuff.

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Speaker 3: This slip is quite popular.

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Speaker 4: It is got huge, you know, and I think it's

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Speaker 4: coming at a time where people are going through so

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Speaker 4: much time and so much time, you know, and and.

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Speaker 3: We're pressed passing away.

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Speaker 4: And I think I repeated it well I was to

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Speaker 4: give my speech there in his memorial service, and people

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Speaker 4: kept to it.

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Speaker 3: You know, would you fairly get it? What is so ground? Yeah?

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Speaker 3: You know it's that song. Yeah, looky yeah, so tell

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Speaker 3: me so The other voice note spoke about how you

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Speaker 3: are always so energetic? Are you always energetic?

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Speaker 4: It's impossible to be always It's not practicant, it's not

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Speaker 4: It's not possible. But but I do recognize the business

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Speaker 4: that put myself in, which is called acting. And I

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Speaker 4: chose the comedy part of it, the energy part of it,

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Speaker 4: and that's how people know me. And when people want

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Speaker 4: to see me in the street or in the mall wherever,

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Speaker 4: they expect exactly.

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Speaker 3: That, and I give them that all the time.

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Speaker 4: But unfortunately I was talking about it the other time

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Speaker 4: with my partner that you know, I get home, I'm

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Speaker 4: so exhausted, and I'm dad father who when kids?

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Speaker 3: When people are asking my kids house the father, is

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Speaker 3: it funny at home? Papa? Never? Because I'm never a

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Speaker 3: funny at home. I need to be a father.

404
00:22:39,920 --> 00:22:39,960
Speaker 2: No.

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Speaker 4: No, my friends, I'm responsible for them, probably not responsible

406
00:22:44,560 --> 00:22:46,920
Speaker 4: for everybody else, but borna echo Chai, I have to

407
00:22:46,960 --> 00:22:49,360
Speaker 4: be able to do so to make sure that I'm good.

408
00:22:49,680 --> 00:22:52,000
Speaker 4: But then I'm slowly thinking about it. No, maybe it's

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00:22:52,119 --> 00:22:55,359
Speaker 4: unfair on them at the same time, right, But but

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Speaker 4: I chose this. So when I go there and I'm

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Speaker 4: in Clement, I've got energy. I'm gonna move, yeah to

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Speaker 4: another meeting. I'm on energy when I get home, like

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Speaker 4: I just sleep. Yeah, that's just when I get into

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Speaker 4: my room.

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Speaker 2: How do you So, how do you manage that with

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00:23:12,600 --> 00:23:15,480
Speaker 2: because I mean, as someone who's well known, people come

417
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Speaker 2: to you, they ask for pictures, they expect you to

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Speaker 2: be funny.

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Speaker 3: So in moments when you maybe not in the mood

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Speaker 3: or how do you manage that?

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00:23:24,320 --> 00:23:28,080
Speaker 4: I enjoy my own company. Yeah, and I do love

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Speaker 4: my TV. I can watch it until it's ready in

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Speaker 4: the back. I'm a big consumer of television and radio

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Speaker 4: and all that. So when I don't feel great, I

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Speaker 4: stay at home. I do not wanna, you know, translate

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00:23:40,560 --> 00:23:42,960
Speaker 4: that to other people out there, my negative energy, and

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00:23:43,359 --> 00:23:45,280
Speaker 4: I know that people will come to me that energy

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Speaker 4: and I'm not feeling okay. So I'd rather stay at

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Speaker 4: home and calm myself down and be okay and then

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Speaker 4: get out when I'm in a good mood.

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Speaker 3: I think that's what I do. I don't know if

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Speaker 3: it's wrong or right, but it worked for me. It

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Speaker 3: works for you. Would you ever consent? Adults? Are you?

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Speaker 6: You?

435
00:24:01,920 --> 00:24:04,840
Speaker 3: Always? It's comedy, the one thing that you just enjoyed

436
00:24:04,920 --> 00:24:07,920
Speaker 3: in fact to be a blank when comment. It is

437
00:24:07,960 --> 00:24:09,200
Speaker 3: not even something that I chose.

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Speaker 4: It's my teachers at school, at the Magasette laboratory, people

439
00:24:12,040 --> 00:24:14,960
Speaker 4: like Robert Coleman or recognized my comic timing and stuff

440
00:24:15,000 --> 00:24:15,119
Speaker 4: like that.

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00:24:15,200 --> 00:24:17,119
Speaker 3: And then it got me into it. Comment to what

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Speaker 3: it did for me.

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Speaker 4: It got me known, It's got me paid so I

444
00:24:21,880 --> 00:24:23,119
Speaker 4: can be able to take care of my family and

445
00:24:23,160 --> 00:24:24,960
Speaker 4: all that. And then it became that, and I worked

446
00:24:24,960 --> 00:24:27,080
Speaker 4: with it because it became that. But I was never

447
00:24:27,160 --> 00:24:29,560
Speaker 4: trained as a comedian. I was trained as an actor.

448
00:24:29,920 --> 00:24:32,919
Speaker 4: I've tired, I've done dramatic rows, and I mean there

449
00:24:32,960 --> 00:24:34,840
Speaker 4: are more roles that are coming up soon that people

450
00:24:34,880 --> 00:24:37,840
Speaker 4: are want to see a different me. But comedy is

451
00:24:38,000 --> 00:24:41,880
Speaker 4: just home. I just laugh entertaining people. I loved people laugh.

452
00:24:41,960 --> 00:24:44,760
Speaker 4: I liked making people forget a bit about their problems.

453
00:24:45,240 --> 00:24:47,920
Speaker 3: Yeah, Tyler, you're calling us from middle Lands? Good morning?

454
00:24:49,440 --> 00:24:55,480
Speaker 3: Oh yes, where do you get these people coming? They're

455
00:24:55,520 --> 00:24:58,000
Speaker 3: calling us? Where do you get these people climbing? Calling us?

456
00:24:58,240 --> 00:25:03,520
Speaker 4: This is all the more paper used the administrator the

457
00:25:03,560 --> 00:25:07,000
Speaker 4: Magazinats laboratory. For me to get into magazines laboratory, it

458
00:25:07,160 --> 00:25:10,440
Speaker 4: was because of this man who came to Negro. Yes

459
00:25:10,600 --> 00:25:13,760
Speaker 4: back when I was a young man. Once we were

460
00:25:13,800 --> 00:25:16,040
Speaker 4: in a student advers of the time when you came

461
00:25:16,160 --> 00:25:19,480
Speaker 4: to teach us some stuff and nicro and then you

462
00:25:19,600 --> 00:25:21,200
Speaker 4: called me to the Magaziniats laboratory.

463
00:25:21,320 --> 00:25:23,159
Speaker 1: I owe you terms a child.

464
00:25:23,680 --> 00:25:25,480
Speaker 3: You saw me as a I saw as a child,

465
00:25:25,600 --> 00:25:28,520
Speaker 3: and the play you did with me I saw as

466
00:25:28,560 --> 00:25:28,960
Speaker 3: a child.

467
00:25:30,200 --> 00:25:32,679
Speaker 11: Oh, I had to call it.

468
00:25:34,400 --> 00:25:34,760
Speaker 10: Lemons.

469
00:25:35,359 --> 00:25:39,360
Speaker 11: If there's any guy who understood his purpos right from

470
00:25:39,400 --> 00:25:44,280
Speaker 11: the beginning, gives him he actually he actually said the

471
00:25:44,480 --> 00:25:48,520
Speaker 11: education I'm going through is not saving my paples and

472
00:25:48,720 --> 00:25:51,879
Speaker 11: my pappos is be on stage and interact with the

473
00:25:51,960 --> 00:25:57,199
Speaker 11: audience directly. And he said, I'm quitting. Please talk to Carco.

474
00:25:58,080 --> 00:25:59,959
Speaker 11: I'm quitting and I'm not going to be useless.

475
00:26:00,480 --> 00:26:01,200
Speaker 6: And there he is.

476
00:26:01,840 --> 00:26:03,840
Speaker 11: Congratulations, thank you very much.

477
00:26:04,240 --> 00:26:06,520
Speaker 4: I really appreciate this, and it is so true what

478
00:26:06,600 --> 00:26:08,159
Speaker 4: he is saying. You know, I really didn't even do

479
00:26:08,280 --> 00:26:10,080
Speaker 4: my trick all day. I walked and I was like,

480
00:26:10,400 --> 00:26:12,639
Speaker 4: my mother was not impressed, and I walked. It was

481
00:26:12,880 --> 00:26:15,040
Speaker 4: if this was a kuboo and it was telemun People

482
00:26:15,040 --> 00:26:17,920
Speaker 4: were like, we'll support you each other way, right, even

483
00:26:17,960 --> 00:26:21,080
Speaker 4: if the first flat I stayed in in heelbro It

484
00:26:21,320 --> 00:26:23,840
Speaker 4: was but Alice flat and I remember I used to

485
00:26:23,880 --> 00:26:25,760
Speaker 4: play twelve Random Months with my friends them.

486
00:26:26,480 --> 00:26:28,240
Speaker 3: It was full of random months. We used to have

487
00:26:28,280 --> 00:26:32,240
Speaker 3: a good time. Than heally, thank you so much for

488
00:26:32,359 --> 00:26:36,359
Speaker 3: your call. All right, here's who. Look it's also one

489
00:26:36,400 --> 00:26:38,800
Speaker 3: of your favorite songs. It's one of my favorite songs. Yeah,

490
00:26:38,840 --> 00:26:40,840
Speaker 3: what does it mean to you? A lot?

491
00:26:41,240 --> 00:26:43,520
Speaker 4: You know, in the past few years, one has lost

492
00:26:43,560 --> 00:26:45,720
Speaker 4: a lot of people. It was my older brother, lost

493
00:26:45,760 --> 00:26:48,159
Speaker 4: my younger brother. I lost my older sister, lost my

494
00:26:48,280 --> 00:26:52,160
Speaker 4: friend only last year, lost my friend who this year.

495
00:26:52,680 --> 00:26:54,760
Speaker 3: So you catch your point and you feel like and

496
00:26:54,960 --> 00:26:59,080
Speaker 3: what's alan? You know? But then you remember, Hori, this

497
00:26:59,280 --> 00:26:59,960
Speaker 3: life is borrowed.

498
00:27:00,280 --> 00:27:04,720
Speaker 4: This give up, give up? You know, it's called Who's

499
00:27:04,720 --> 00:27:06,720
Speaker 4: responsible for our lives? I don't even know when I'm

500
00:27:06,760 --> 00:27:09,160
Speaker 4: going to be gone, but for now because then I'm

501
00:27:09,160 --> 00:27:09,640
Speaker 4: still here?

502
00:27:10,640 --> 00:27:46,520
Speaker 8: Sharp, Why is this ready? Now?

503
00:27:47,160 --> 00:27:53,320
Speaker 12: Please ask? Okay Macknso there, uh, this strip is over right?

504
00:27:53,880 --> 00:27:55,600
Speaker 12: What was that in the script or did they just

505
00:27:55,680 --> 00:27:58,520
Speaker 12: say to him okay, okay? In this scene, we want

506
00:27:58,600 --> 00:28:03,000
Speaker 12: you to show that you're hopeful about your guys' lives.

507
00:28:03,320 --> 00:28:06,200
Speaker 12: Because I always find the actors they underplayer how much

508
00:28:06,680 --> 00:28:09,680
Speaker 12: of their own dialogue they bring to something because you told,

509
00:28:09,960 --> 00:28:11,560
Speaker 12: you told what the plot is and what the scene

510
00:28:11,640 --> 00:28:11,960
Speaker 12: is about.

511
00:28:12,160 --> 00:28:14,000
Speaker 3: But it's up to the actor to give it words.

512
00:28:14,400 --> 00:28:15,760
Speaker 3: Did he give the scene words?

513
00:28:16,840 --> 00:28:20,520
Speaker 4: Well, it was written in English firstly, so obviously I

514
00:28:20,600 --> 00:28:23,560
Speaker 4: need to translated and make it feel good for me

515
00:28:23,840 --> 00:28:26,240
Speaker 4: and feel right for the actor who was working with

516
00:28:26,480 --> 00:28:28,960
Speaker 4: at the time, who was Presley. So there was a

517
00:28:29,040 --> 00:28:31,280
Speaker 4: contribution coming from me. But if you was in the

518
00:28:31,320 --> 00:28:33,960
Speaker 4: script the fact that you will be okay man, you know,

519
00:28:34,000 --> 00:28:36,399
Speaker 4: I could have said, are you'll be okay man, It's

520
00:28:36,440 --> 00:28:37,920
Speaker 4: gonna be fine.

521
00:28:39,040 --> 00:28:41,040
Speaker 3: You know we lost who lost who? But guess what

522
00:28:41,240 --> 00:28:41,600
Speaker 3: we hear?

523
00:28:41,960 --> 00:28:44,920
Speaker 4: But then you needed to give it that the character.

524
00:28:45,040 --> 00:28:47,800
Speaker 4: You needed to give it the roof that it has.

525
00:28:48,520 --> 00:28:49,720
Speaker 4: So but it was in the script.

526
00:28:49,840 --> 00:28:53,440
Speaker 3: Yeah, so I'm not. I'm not that brilliant. Please you

527
00:28:53,880 --> 00:28:57,840
Speaker 3: you gave it live. I gave it live, gave it

528
00:28:57,960 --> 00:29:03,040
Speaker 3: that just called me. Yeah, she sent a voice and

529
00:29:03,160 --> 00:29:07,080
Speaker 3: Neally and he is he is.

530
00:29:07,240 --> 00:29:10,280
Speaker 2: Actually the clip in case you haven't heard it, because

531
00:29:10,360 --> 00:29:12,920
Speaker 2: everybody is talking about this clip, listen to this.

532
00:29:21,480 --> 00:29:21,960
Speaker 9: What was you.

533
00:29:28,400 --> 00:29:30,600
Speaker 10: My clan? Clan?

534
00:29:33,720 --> 00:29:36,720
Speaker 3: That's it that everybody and you can. I mean it

535
00:29:36,880 --> 00:29:40,000
Speaker 3: really gives hope. Yeah, it does. It was a very

536
00:29:40,040 --> 00:29:40,600
Speaker 3: emotional one.

537
00:29:40,680 --> 00:29:43,239
Speaker 4: It was after you know, we've lost some of our

538
00:29:43,280 --> 00:29:45,080
Speaker 4: friends me and so it was just me and him,

539
00:29:45,720 --> 00:29:48,040
Speaker 4: right and then so she was peladic guy this hearing,

540
00:29:48,120 --> 00:29:49,960
Speaker 4: and I was the older guy was not as smart,

541
00:29:50,440 --> 00:29:52,200
Speaker 4: you know. I remember he was like poking me on

542
00:29:52,320 --> 00:29:54,320
Speaker 4: my on my on my on my face, like this

543
00:29:54,440 --> 00:29:57,880
Speaker 4: on my forehead and telling me what what hang man,

544
00:29:58,040 --> 00:29:59,480
Speaker 4: just go, everybody's gone, so go.

545
00:29:59,760 --> 00:30:02,160
Speaker 3: When I was like, no, dog, me and you are

546
00:30:02,200 --> 00:30:02,800
Speaker 3: still together.

547
00:30:02,960 --> 00:30:05,560
Speaker 4: Yeah, we'll be okay, we'll get more other people, then

548
00:30:05,600 --> 00:30:06,320
Speaker 4: we'll continue with.

549
00:30:06,320 --> 00:30:09,600
Speaker 3: Our struggle more. What's ups one? Seven, two and seven

550
00:30:09,680 --> 00:30:09,880
Speaker 3: or two?

551
00:30:11,120 --> 00:30:14,200
Speaker 8: Hey, prac Lamen, thank you for bringing that legend to studio.

552
00:30:14,320 --> 00:30:14,440
Speaker 2: Men.

553
00:30:15,520 --> 00:30:18,960
Speaker 13: The first time I met a Pracknness was at new Town.

554
00:30:19,240 --> 00:30:20,920
Speaker 13: You know, I used to stay in Newta and one

555
00:30:20,920 --> 00:30:23,640
Speaker 13: of the flesh that side near Junction More. He'y be

556
00:30:23,760 --> 00:30:26,760
Speaker 13: cheering there random random Friday in Jay with friends and

557
00:30:26,920 --> 00:30:28,719
Speaker 13: you see them having fun and whatnot.

558
00:30:28,760 --> 00:30:32,560
Speaker 8: But great guy, men, great legend. Thank you. Sepon known

559
00:30:32,600 --> 00:30:34,840
Speaker 8: for Mirror Leans LeMond.

560
00:30:35,760 --> 00:30:38,720
Speaker 7: We think that COSI uh Kereth. You just want to

561
00:30:38,800 --> 00:30:42,000
Speaker 7: say You're a living legend. No one must tell you otherwise.

562
00:30:42,800 --> 00:30:45,760
Speaker 7: You've You've praised our screens for many, many, many years,

563
00:30:45,800 --> 00:30:48,400
Speaker 7: and even today you're still relevant. I think the last

564
00:30:48,440 --> 00:30:50,200
Speaker 7: show that I saw that you did was there What

565
00:30:50,320 --> 00:30:51,400
Speaker 7: What Christmas Holiday?

566
00:30:51,560 --> 00:30:52,040
Speaker 3: Something like that.

567
00:30:54,200 --> 00:30:56,720
Speaker 7: Everything you charge seems to have the funny side of it.

568
00:30:57,400 --> 00:30:59,640
Speaker 7: One thing that I want to know is your friendship

569
00:30:59,680 --> 00:31:06,000
Speaker 7: with pregnancy. Where did you towards start? Because thank you, well,

570
00:31:06,080 --> 00:31:08,800
Speaker 7: we actually met at the market, you know. It just

571
00:31:08,880 --> 00:31:11,200
Speaker 7: came back from Texas.

572
00:31:11,240 --> 00:31:13,960
Speaker 4: I think he was studying there and he was hanging

573
00:31:14,000 --> 00:31:15,520
Speaker 4: around in the market and I met him, and I

574
00:31:15,600 --> 00:31:18,440
Speaker 4: was always admired him because he studied before me, way

575
00:31:18,520 --> 00:31:20,520
Speaker 4: before me with my children in Africa and all that.

576
00:31:21,200 --> 00:31:24,720
Speaker 4: And we started having these conversations and we got hired

577
00:31:24,760 --> 00:31:27,200
Speaker 4: together in city and or the following year nineteen ninety eight,

578
00:31:27,480 --> 00:31:30,560
Speaker 4: we started working together and then we realized there's something

579
00:31:30,640 --> 00:31:33,000
Speaker 4: that you like that we like doing together, which was

580
00:31:33,120 --> 00:31:35,880
Speaker 4: traveling and having fun. We moved from sowurzz Land to

581
00:31:36,640 --> 00:31:39,520
Speaker 4: Froman and all that it fought. We fought a nice,

582
00:31:39,560 --> 00:31:43,080
Speaker 4: beautiful relationship and we were also caught very close because

583
00:31:43,120 --> 00:31:45,240
Speaker 4: of the work that we wanted to create. Which is

584
00:31:45,280 --> 00:31:48,400
Speaker 4: why you created your white weddings, you protestop and other

585
00:31:48,760 --> 00:31:52,360
Speaker 4: Zanzi programs and stuff like that, because we just enjoyed

586
00:31:52,400 --> 00:31:54,320
Speaker 4: each other's company and and that's why it was.

587
00:31:58,000 --> 00:31:58,520
Speaker 8: Familiar.

588
00:31:59,520 --> 00:32:04,960
Speaker 3: Man goes and then Malin decided, movie are you movie?

589
00:32:06,160 --> 00:32:09,880
Speaker 3: I can't be up, Sam.

590
00:32:11,400 --> 00:32:14,840
Speaker 4: I'm sure uber Uber is an uber driver somewhere I

591
00:32:14,920 --> 00:32:18,320
Speaker 4: can listening to me. I love you, miss the malling

592
00:32:18,480 --> 00:32:19,200
Speaker 4: is I love you doing?

593
00:32:20,680 --> 00:32:22,800
Speaker 3: What do you still want to do? There's a whole

594
00:32:22,800 --> 00:32:23,920
Speaker 3: lot that I want to do in my life. I

595
00:32:24,000 --> 00:32:25,760
Speaker 3: haven't I haven't stopped. Number one.

596
00:32:25,840 --> 00:32:27,760
Speaker 4: I promised myself that I was start directing by the

597
00:32:27,800 --> 00:32:31,360
Speaker 4: age of fifty. But instead of of directing the age

598
00:32:31,360 --> 00:32:36,000
Speaker 4: of fifty, insteady dancing. I had this Instagram movie started

599
00:32:36,120 --> 00:32:39,400
Speaker 4: dancing at fifty. Yeah, I starting dancing a lot because

600
00:32:39,440 --> 00:32:43,600
Speaker 4: I was celebrating. I was guess what, let me tell

601
00:32:43,640 --> 00:32:46,880
Speaker 4: you when I was forty nine, you know, at eleven

602
00:32:47,040 --> 00:32:51,680
Speaker 4: thirty PM, and I could not sleep because I really

603
00:32:51,760 --> 00:32:53,120
Speaker 4: wanted to see myself at fifty.

604
00:32:53,920 --> 00:32:54,920
Speaker 3: I couldn't sleep.

605
00:32:55,040 --> 00:32:58,960
Speaker 4: And when they went to midnight and I was fifty,

606
00:32:59,320 --> 00:33:03,520
Speaker 4: and I told myself every Friday, I am going to dance.

607
00:33:03,920 --> 00:33:08,320
Speaker 4: I called it Friday moves on Instagram, and I danced.

608
00:33:08,120 --> 00:33:08,880
Speaker 3: Throughout the year.

609
00:33:09,280 --> 00:33:11,440
Speaker 4: That's what I wanted to do, and I wanted to

610
00:33:11,480 --> 00:33:14,760
Speaker 4: celebrate the fifty years because guess what, Clements, there's a

611
00:33:14,800 --> 00:33:16,680
Speaker 4: whole lot of people that were in borrowed with me

612
00:33:16,840 --> 00:33:19,520
Speaker 4: at the same time with my mother when osborn, that

613
00:33:19,600 --> 00:33:20,520
Speaker 4: are not here anymore.

614
00:33:21,080 --> 00:33:23,880
Speaker 3: So I'll rather enjoyed this as much as that post.

615
00:33:23,880 --> 00:33:25,640
Speaker 3: We can are you? Are you a good dancer?

616
00:33:26,040 --> 00:33:29,480
Speaker 4: I'm I'm fabulous, I'm amazing. Really, I'm standing Clement, I've

617
00:33:29,520 --> 00:33:29,800
Speaker 4: seen it.

618
00:33:32,920 --> 00:33:35,400
Speaker 3: But I can do a challenge with you now. You

619
00:33:35,440 --> 00:33:36,880
Speaker 3: can challenge me now. I mean, let me give you

620
00:33:36,960 --> 00:33:39,920
Speaker 3: my to come will post a video, let me give

621
00:33:39,920 --> 00:33:42,480
Speaker 3: you my dance moves. Let's see who's my Friday moves?

622
00:33:42,760 --> 00:33:43,040
Speaker 6: Come on.

623
00:33:44,640 --> 00:33:47,120
Speaker 2: Thank you so much man for coming through. We wanted

624
00:33:47,200 --> 00:33:50,200
Speaker 2: to appreciate you. We don't want you when you are

625
00:33:50,280 --> 00:33:53,280
Speaker 2: gone and we start talking about the amazing work you've done.

626
00:33:53,320 --> 00:33:56,600
Speaker 2: And this is just us getting to know you and

627
00:33:56,720 --> 00:33:58,760
Speaker 2: saying thank you for your contribution in the arts and

628
00:33:58,840 --> 00:33:59,520
Speaker 2: for your brilliance.

629
00:33:59,720 --> 00:34:00,400
Speaker 3: Thank you very much.

630
00:34:00,400 --> 00:34:02,760
Speaker 4: I really appreciate you having me here. A cool and

631
00:34:02,920 --> 00:34:05,720
Speaker 4: I want to repeat what Mamillian said you're good man.

632
00:34:05,920 --> 00:34:08,680
Speaker 4: Oh yeah, you're good man. Yeah, I'm good at dancing,

633
00:34:08,760 --> 00:34:13,560
Speaker 4: and I'll show you just what it's going to three

634
00:34:13,640 --> 00:34:15,640
Speaker 4: minutes now before eleven o'clock