1 00:00:00,080 --> 00:00:02,800 Speaker 1: Is Lee Cole? What is up my brother? 2 00:00:03,960 --> 00:00:04,760 Speaker 2: What is happening? 3 00:00:04,800 --> 00:00:05,000 Speaker 3: Brother? 4 00:00:05,080 --> 00:00:05,880 Speaker 2: How are you? 5 00:00:06,280 --> 00:00:08,360 Speaker 3: It's Saturday. I'm doing what I love. I'm working on 6 00:00:08,480 --> 00:00:11,639 Speaker 3: Radio live and I'm chatting to one of my best friends. 7 00:00:11,680 --> 00:00:13,560 Speaker 3: I mean, this is the best day ever. Actually, if 8 00:00:13,600 --> 00:00:14,000 Speaker 3: you think. 9 00:00:13,840 --> 00:00:15,720 Speaker 2: About it, it's a good day. It's a good day 10 00:00:15,760 --> 00:00:16,200 Speaker 2: to be alive. 11 00:00:16,720 --> 00:00:18,279 Speaker 1: So you've been teasing this song for long? 12 00:00:18,320 --> 00:00:18,440 Speaker 3: Eh? 13 00:00:18,640 --> 00:00:20,880 Speaker 1: Like you've you honestly are becoming a tease. 14 00:00:21,160 --> 00:00:23,200 Speaker 3: Like I just want to say, not that you that 15 00:00:23,320 --> 00:00:25,520 Speaker 3: you You're never not to tease, but I just you 16 00:00:25,520 --> 00:00:28,200 Speaker 3: you are. You were teasing this one for way too long. 17 00:00:29,640 --> 00:00:31,320 Speaker 2: Not correct? I think I teach this on like two 18 00:00:31,320 --> 00:00:33,440 Speaker 2: months ago he had read something else and released this 19 00:00:33,440 --> 00:00:34,160 Speaker 2: one and it's been. 20 00:00:34,760 --> 00:00:37,720 Speaker 3: It was actually two months, three days and fourteen hours ago. 21 00:00:39,200 --> 00:00:43,280 Speaker 1: I checked working. 22 00:00:43,440 --> 00:00:45,640 Speaker 3: Yeah you see you see? So what are you doing 23 00:00:45,680 --> 00:00:47,640 Speaker 3: at the moment? It's off past one on a Saturday. 24 00:00:47,640 --> 00:00:50,080 Speaker 3: What does Lee Cole do at hof pust one on 25 00:00:50,120 --> 00:00:50,680 Speaker 3: a Saturday? 26 00:00:52,159 --> 00:00:53,480 Speaker 2: Brother? The grind never stop? 27 00:00:53,600 --> 00:00:53,720 Speaker 3: You know? 28 00:00:53,720 --> 00:00:58,080 Speaker 2: I'm actually here with you? What I'm here with Max Moore? 29 00:00:58,480 --> 00:00:58,840 Speaker 2: I think you. 30 00:01:00,640 --> 00:01:02,480 Speaker 1: Didn't you do a solo mask stuck on you? 31 00:01:03,480 --> 00:01:03,720 Speaker 3: Yes? 32 00:01:03,840 --> 00:01:06,679 Speaker 2: Yes, it SyES espectually finishing one of these on the 33 00:01:06,800 --> 00:01:09,080 Speaker 2: Cold tet Lane job. But that's what that's what's be 34 00:01:09,120 --> 00:01:09,680 Speaker 2: doing right now. 35 00:01:10,040 --> 00:01:11,720 Speaker 3: Said. This is what I love about Julie is that 36 00:01:11,760 --> 00:01:14,440 Speaker 3: you always that you're donating your time to other artists 37 00:01:14,480 --> 00:01:14,880 Speaker 3: as well. 38 00:01:15,360 --> 00:01:16,959 Speaker 1: You have never been selfish. 39 00:01:16,959 --> 00:01:19,160 Speaker 3: You've never been a person that is where it's all 40 00:01:19,160 --> 00:01:21,320 Speaker 3: about mine, mine, mine, and this is the name of 41 00:01:21,360 --> 00:01:24,640 Speaker 3: your song. You've always just been someone who shares. And 42 00:01:24,680 --> 00:01:27,360 Speaker 3: that's the incredible thing. That's why you you have so 43 00:01:27,440 --> 00:01:31,920 Speaker 3: many blessings upon your life. It's because you give so much. Man, Honestly, 44 00:01:32,240 --> 00:01:33,640 Speaker 3: thank you, thank you, thank you. 45 00:01:33,720 --> 00:01:34,120 Speaker 1: All right. 46 00:01:34,160 --> 00:01:35,800 Speaker 3: So I'm looking forward to whatever you're working on with 47 00:01:35,800 --> 00:01:36,959 Speaker 3: Max because that stuck a new song. 48 00:01:37,000 --> 00:01:39,200 Speaker 1: As incredible you're it. 49 00:01:39,280 --> 00:01:43,280 Speaker 2: Is, this one's even better. So he's going to be banging. 50 00:01:43,400 --> 00:01:45,360 Speaker 3: Lovely next time. He was joined for an interview. Man, 51 00:01:45,360 --> 00:01:48,480 Speaker 3: you must interview Max with me. That'll be okay, right, 52 00:01:48,920 --> 00:01:49,480 Speaker 3: So to do. 53 00:01:49,440 --> 00:01:51,760 Speaker 2: That on his next release. I'll join the call and 54 00:01:51,800 --> 00:01:53,160 Speaker 2: we can we can catch up them. 55 00:01:53,200 --> 00:01:55,240 Speaker 3: Please, that would be so cool. Not join the call 56 00:01:55,440 --> 00:01:58,360 Speaker 3: come to the cape. Man, it's been way too long. 57 00:01:59,040 --> 00:02:02,080 Speaker 3: Stop it now, like you you you you literally taking 58 00:02:02,120 --> 00:02:02,520 Speaker 3: your time. 59 00:02:02,920 --> 00:02:03,800 Speaker 1: I've been waiting for you. 60 00:02:03,680 --> 00:02:05,760 Speaker 3: You know how many other artists have already moved down 61 00:02:05,800 --> 00:02:09,520 Speaker 3: here to the Cape. Even boushe let g was from 62 00:02:09,600 --> 00:02:12,280 Speaker 3: Carria in Quebert. He moved to Cape Town. All right, 63 00:02:12,320 --> 00:02:14,359 Speaker 3: I'm moving everybody downe You moved to Capetown, of course 64 00:02:14,360 --> 00:02:15,240 Speaker 3: he is. I know where he lives. 65 00:02:15,240 --> 00:02:17,400 Speaker 2: Now, all right, I need to get a program. I 66 00:02:18,120 --> 00:02:19,600 Speaker 2: need to get to the program. That's what I'm hearing. 67 00:02:19,840 --> 00:02:20,639 Speaker 1: That's that's it. 68 00:02:20,800 --> 00:02:25,680 Speaker 3: So let's talk very quickly about this new track mine. 69 00:02:26,080 --> 00:02:27,160 Speaker 1: It's sounding so good. 70 00:02:27,200 --> 00:02:29,840 Speaker 3: I'm liking the I've only heard a few of the 71 00:02:29,919 --> 00:02:32,880 Speaker 3: lyrics of it, obviously because of the tees, but I'm 72 00:02:32,919 --> 00:02:36,160 Speaker 3: liking the writing. Man, it's so playful and it's so creative. 73 00:02:36,800 --> 00:02:39,480 Speaker 3: Are you stretching yourself a bit now? Are you enjoying 74 00:02:39,560 --> 00:02:41,600 Speaker 3: writing a bit more at the moment? 75 00:02:42,720 --> 00:02:45,480 Speaker 2: I am? I am. I'm trying to. I don't know. 76 00:02:45,680 --> 00:02:47,120 Speaker 2: It's kind of a good thing and a bad thing 77 00:02:47,120 --> 00:02:48,760 Speaker 2: at the same time, because I'm always trying to like 78 00:02:49,320 --> 00:02:51,840 Speaker 2: write new things and experiments with my voice and sound, 79 00:02:52,240 --> 00:02:54,239 Speaker 2: and I never know what says you're going to hit, what's. 80 00:02:54,080 --> 00:02:54,520 Speaker 1: Not going to hit. 81 00:02:54,560 --> 00:02:56,280 Speaker 2: But I decide to go a very simplicitic group of 82 00:02:56,360 --> 00:02:59,320 Speaker 2: time and keep the lyrics the chords, you know, loveral 83 00:02:59,440 --> 00:03:02,320 Speaker 2: vibray play full and really simple. And that's that's that's 84 00:03:02,360 --> 00:03:04,640 Speaker 2: how mind came about. So I don't know, Captain will 85 00:03:04,639 --> 00:03:06,400 Speaker 2: tell me if it's working, if it's not working. But 86 00:03:06,520 --> 00:03:07,919 Speaker 2: I had a lot of fun making this one. 87 00:03:08,000 --> 00:03:10,720 Speaker 3: It was quite lifehearted, it is, and that's why I'm 88 00:03:10,760 --> 00:03:13,160 Speaker 3: saying the creativity that I heard. Are there a particular 89 00:03:13,200 --> 00:03:15,400 Speaker 3: set of lyrics that you are pretty proud of? Like 90 00:03:15,680 --> 00:03:17,720 Speaker 3: maybe you wrote, you wrote it down and said, ah, 91 00:03:17,760 --> 00:03:19,519 Speaker 3: that would be crazy to sing, and you just left 92 00:03:19,560 --> 00:03:22,079 Speaker 3: it in there. Because there are some playful lyrics here, men. 93 00:03:22,800 --> 00:03:25,120 Speaker 2: There are there are. Actually the lyrics probably took the 94 00:03:25,120 --> 00:03:27,400 Speaker 2: longest time in the song because like I wanted to 95 00:03:27,440 --> 00:03:30,920 Speaker 2: be cheesy, but not to cheese yeah, meanful, not too crazy, 96 00:03:30,919 --> 00:03:32,720 Speaker 2: you know, because you can't give too much gouda otherwise 97 00:03:32,720 --> 00:03:35,240 Speaker 2: it gives the song away. So I was playing, I 98 00:03:35,280 --> 00:03:37,080 Speaker 2: was playing around at the lyrics center. Abs. I was like, 99 00:03:37,120 --> 00:03:39,480 Speaker 2: you know what this sounds like something you want to 100 00:03:39,520 --> 00:03:41,360 Speaker 2: tell somebody love is Like I just I just wish 101 00:03:41,400 --> 00:03:42,600 Speaker 2: you were mine, you know, we could we could be 102 00:03:42,640 --> 00:03:43,960 Speaker 2: good for each other. Give me a chance, and I 103 00:03:44,040 --> 00:03:46,680 Speaker 2: was like, okay, the lyrics and the chorus specifically, you know, 104 00:03:46,720 --> 00:03:48,320 Speaker 2: I'd be I'd be the match, we'd be the fire. 105 00:03:48,760 --> 00:03:50,640 Speaker 2: Things like that, as like, how could you say that 106 00:03:50,720 --> 00:03:53,160 Speaker 2: without being cheesy? You just got to just say it, 107 00:03:53,240 --> 00:03:53,680 Speaker 2: I guess, you. 108 00:03:53,720 --> 00:03:56,080 Speaker 3: Know, but it's fine. I think it's okay to be 109 00:03:56,440 --> 00:03:59,400 Speaker 3: to be cheesy. This is why, you know, personally, I've 110 00:03:59,400 --> 00:04:01,560 Speaker 3: always wanted to write a song for you Lee. I've 111 00:04:01,600 --> 00:04:04,720 Speaker 3: always wanted to do that that type of of things. 112 00:04:04,720 --> 00:04:06,400 Speaker 3: Because when I heard these lyrics, I'm like, you know what, 113 00:04:07,200 --> 00:04:09,320 Speaker 3: I wish I could have added a verse to this song. 114 00:04:10,200 --> 00:04:12,520 Speaker 1: You know, it would have been nice, you know, just 115 00:04:13,600 --> 00:04:17,280 Speaker 1: just well, I mean, I know, I like writing on 116 00:04:17,360 --> 00:04:17,640 Speaker 1: the fly. 117 00:04:17,880 --> 00:04:19,880 Speaker 3: You know, when I think about love and think about 118 00:04:20,000 --> 00:04:22,440 Speaker 3: just like just matching people up, just I think it'd 119 00:04:22,480 --> 00:04:22,880 Speaker 3: be great. 120 00:04:22,960 --> 00:04:25,320 Speaker 1: You know, some people like you too, some people like 121 00:04:25,440 --> 00:04:26,200 Speaker 1: le Boo boo. 122 00:04:26,720 --> 00:04:30,000 Speaker 3: And and like I think about playing around with generational 123 00:04:30,160 --> 00:04:33,760 Speaker 3: connections with somebody as well, and and using those lyrics 124 00:04:33,960 --> 00:04:37,120 Speaker 3: and just making them making them significant, you know, just 125 00:04:37,760 --> 00:04:39,680 Speaker 3: I mean, not like like not like like I'm the 126 00:04:39,760 --> 00:04:42,360 Speaker 3: rain and You're the cloud like that, not like that, 127 00:04:43,200 --> 00:04:45,000 Speaker 3: but just something a bit deeper it, you know, and 128 00:04:45,160 --> 00:04:46,560 Speaker 3: and a bit more relevant. 129 00:04:46,160 --> 00:04:48,360 Speaker 1: To what we're going through at the moment. You understand 130 00:04:48,360 --> 00:04:48,800 Speaker 1: what I'm saying. 131 00:04:49,600 --> 00:04:50,440 Speaker 2: I get you, I get you. 132 00:04:50,640 --> 00:04:54,120 Speaker 3: I get you like I feel like loving somebody is 133 00:04:54,200 --> 00:04:55,760 Speaker 3: like being Macha in Cape Town. 134 00:04:56,240 --> 00:05:00,800 Speaker 1: It just goes together. It's like the people ages exactly 135 00:05:01,560 --> 00:05:04,960 Speaker 1: like to a business meeting and paddle at the moment. 136 00:05:06,720 --> 00:05:10,840 Speaker 1: But that's the type of lyrics, you know, that's what 137 00:05:11,000 --> 00:05:14,159 Speaker 1: we need. We need to hear these things that really connect. 138 00:05:14,600 --> 00:05:18,960 Speaker 2: That's it relatable. Yes, speak to the mass. 139 00:05:19,839 --> 00:05:22,640 Speaker 3: Yeah, I want to love you like liking my own post. 140 00:05:25,920 --> 00:05:27,360 Speaker 3: I can't wait to write more. 141 00:05:27,320 --> 00:05:27,840 Speaker 1: Music with you. 142 00:05:28,880 --> 00:05:30,440 Speaker 2: No, no, no, no, we're gonna We're gonna sit one 143 00:05:30,480 --> 00:05:32,080 Speaker 2: day down. 144 00:05:32,200 --> 00:05:34,200 Speaker 3: Yes, this is going to be so good, you know, 145 00:05:34,480 --> 00:05:37,640 Speaker 3: just like I want all the negativity in your life 146 00:05:37,680 --> 00:05:40,719 Speaker 3: to be like a story on Instagram. It doesn't last long, 147 00:05:42,760 --> 00:05:45,680 Speaker 3: like a snapchat slap chat story. That's right, you see 148 00:05:45,680 --> 00:05:47,800 Speaker 3: what I'm talking about. You see, we are working toward 149 00:05:48,160 --> 00:05:50,920 Speaker 3: the next song and I'm looking forward to that, but 150 00:05:51,600 --> 00:05:54,960 Speaker 3: for now, please do We're doing a writing camp when 151 00:05:54,960 --> 00:05:57,960 Speaker 3: you move to Cape Town soon. But now I want 152 00:05:58,000 --> 00:05:59,960 Speaker 3: to play the song because I think it's a it's 153 00:06:00,279 --> 00:06:02,800 Speaker 3: it's beautiful and I love the lyrics and I love 154 00:06:02,839 --> 00:06:05,000 Speaker 3: our play for you got with this one. So this 155 00:06:05,200 --> 00:06:06,920 Speaker 3: is and you know, I asked a couple of the 156 00:06:07,400 --> 00:06:12,040 Speaker 3: other individuals I interviewed earlier. I chatted to Liam Berger 157 00:06:12,080 --> 00:06:15,160 Speaker 3: from Faker Streets and Ben Rodriguez today, and I need 158 00:06:15,240 --> 00:06:18,240 Speaker 3: to ask you the same thing about this single. I 159 00:06:18,400 --> 00:06:21,560 Speaker 3: want to know the person that you picture listening to 160 00:06:21,640 --> 00:06:22,160 Speaker 3: it right now? 161 00:06:22,720 --> 00:06:25,760 Speaker 1: Who are they? Where are they? How are they? 162 00:06:30,080 --> 00:06:34,080 Speaker 2: The answer question is, yeah, she's not with you right now, 163 00:06:34,520 --> 00:06:37,200 Speaker 2: she's on the way to her family event. Yes, the 164 00:06:37,320 --> 00:06:38,040 Speaker 2: song is for you. 165 00:06:39,200 --> 00:06:47,600 Speaker 3: Oh that's so romantic. Sure, So are you saying that 166 00:06:47,760 --> 00:06:51,440 Speaker 3: that that she is the gold and you are the mind. 167 00:06:52,040 --> 00:06:54,479 Speaker 2: And I'm the mind. Yeah, she's I am the scar. 168 00:06:55,000 --> 00:06:57,880 Speaker 1: That that is amazing. This is so good. Right, you're 169 00:06:57,920 --> 00:07:00,120 Speaker 1: the pizza bass and she's the chief. 170 00:07:00,040 --> 00:07:03,279 Speaker 2: At gptd's pairings and they just somehow work. 171 00:07:05,120 --> 00:07:07,279 Speaker 1: Yes, these do? These works? 172 00:07:07,320 --> 00:07:10,040 Speaker 3: So well, let's let's do this thing. I can't wait 173 00:07:10,080 --> 00:07:11,920 Speaker 3: to write the new song. I'm looking forward to it. 174 00:07:12,000 --> 00:07:14,280 Speaker 3: But it's always great chatting to you. And let me 175 00:07:14,320 --> 00:07:16,720 Speaker 3: know when you come visit Capeton again. Please with you 176 00:07:16,840 --> 00:07:17,240 Speaker 3: a coffee? 177 00:07:18,120 --> 00:07:21,240 Speaker 2: All right? It's going to be actually very shortly. I 178 00:07:21,320 --> 00:07:23,120 Speaker 2: can't an answer this, but will be quite exciting when 179 00:07:23,120 --> 00:07:24,200 Speaker 2: I do announcewers. 180 00:07:23,760 --> 00:07:25,680 Speaker 1: That I will see it well an answered here. I'll 181 00:07:25,720 --> 00:07:26,119 Speaker 1: be waiting. 182 00:07:26,160 --> 00:07:29,560 Speaker 3: Okay, drop me, miss Okay, love it man, Lee call 183 00:07:29,680 --> 00:07:30,480 Speaker 3: enjoy your Saturday. 184 00:07:30,680 --> 00:07:33,640 Speaker 1: This song is called Mine. Do you want it on 185 00:07:33,720 --> 00:07:34,120 Speaker 1: your chart