1 00:00:00,080 --> 00:00:02,880 Speaker 1: Two of them from South Africa, one from Canada. I 2 00:00:02,920 --> 00:00:05,160 Speaker 1: know this deal gets better and better, but I want 3 00:00:05,160 --> 00:00:09,119 Speaker 1: to welcome all of them into your studio the KFM 4 00:00:09,160 --> 00:00:13,880 Speaker 1: Top forty, in no particular order. Please welcome the incredible 5 00:00:14,040 --> 00:00:17,920 Speaker 1: enigmatic Canadian, which means you're ready like a cape Tonian 6 00:00:18,400 --> 00:00:21,560 Speaker 1: Billy Raffol is here. What is up? My brother? 7 00:00:21,720 --> 00:00:23,840 Speaker 2: Not too much man? Thank you so much for Mikarl. 8 00:00:23,880 --> 00:00:25,919 Speaker 1: What a sweet voice did you just hear? It's just 9 00:00:25,960 --> 00:00:28,600 Speaker 1: a way you, just a way that the mic connects 10 00:00:28,600 --> 00:00:32,800 Speaker 1: with you already. I love that. And then we have 11 00:00:33,560 --> 00:00:37,800 Speaker 1: an incredible song stress, a lyricist, someone who just feels 12 00:00:37,800 --> 00:00:42,680 Speaker 1: connected to nature when you look at her. Tatum dies, starts, 13 00:00:42,920 --> 00:00:46,000 Speaker 1: starts hello. Looks you see just given the softness in 14 00:00:46,040 --> 00:00:49,360 Speaker 1: your voice. Hello Tatum, Hello, welcome to your very first 15 00:00:49,400 --> 00:00:52,640 Speaker 1: interview on KFM ninety four point five. Big thank you 16 00:00:53,200 --> 00:00:56,920 Speaker 1: really I'm not but the show. Yeah, thank you very much, 17 00:00:56,960 --> 00:01:02,440 Speaker 1: appreciate you. And then hello, he number one. We call 18 00:01:02,520 --> 00:01:06,039 Speaker 1: this guy just number one because his check as so. 19 00:01:06,120 --> 00:01:08,560 Speaker 1: We had this lovely event called Galaxy KD and this 20 00:01:08,640 --> 00:01:11,840 Speaker 1: man over year number one on the KFM Top forty 21 00:01:11,920 --> 00:01:12,479 Speaker 1: with here Va. 22 00:01:13,000 --> 00:01:15,520 Speaker 2: Come on, man, it's also unreal. 23 00:01:16,000 --> 00:01:16,400 Speaker 3: I don't know. 24 00:01:16,640 --> 00:01:19,679 Speaker 1: Ah, you my friend, the weight of your talent in 25 00:01:19,720 --> 00:01:23,800 Speaker 1: the industry. I want to ask you, why are you here? Ah, 26 00:01:23,840 --> 00:01:24,560 Speaker 1: what's happening? 27 00:01:24,600 --> 00:01:24,800 Speaker 4: Man? 28 00:01:25,080 --> 00:01:27,679 Speaker 1: Yah? So I'm glad to get all three of you in. 29 00:01:27,880 --> 00:01:30,200 Speaker 1: I want to start off with our friend from Canada, 30 00:01:30,240 --> 00:01:35,240 Speaker 1: Billy here. You love this place. You've been here for 31 00:01:35,360 --> 00:01:38,360 Speaker 1: you know, three times in three years. I know that 32 00:01:38,600 --> 00:01:41,440 Speaker 1: the gateway is probably Neon Dreams or absolutely yes. 33 00:01:41,360 --> 00:01:43,680 Speaker 2: Yes it is. Frank and Adrian. I can't thank him enough. 34 00:01:44,520 --> 00:01:47,160 Speaker 2: Places like no other in the world that I've ever been, 35 00:01:47,360 --> 00:01:50,120 Speaker 2: and the people are beautiful and the music community is 36 00:01:50,160 --> 00:01:52,200 Speaker 2: just incredible. I'm honored to be here. 37 00:01:52,600 --> 00:01:55,160 Speaker 1: I am honored to have you in the studio. The 38 00:01:55,160 --> 00:01:58,280 Speaker 1: first time I heard of well your name, I was 39 00:01:58,280 --> 00:02:03,000 Speaker 1: listening to a Navici song and you knew this right, 40 00:02:03,120 --> 00:02:06,920 Speaker 1: you knew that there's a track from Avici and Billie Roofol. 41 00:02:07,000 --> 00:02:07,360 Speaker 3: I was like. 42 00:02:08,840 --> 00:02:11,520 Speaker 1: What And then when I heard we have an opportunity 43 00:02:11,520 --> 00:02:13,680 Speaker 1: to chat to you? That is? It's incredible man. 44 00:02:14,560 --> 00:02:17,239 Speaker 2: Much man, it was an experience of a lifetime. Is 45 00:02:17,280 --> 00:02:17,919 Speaker 2: it an honor? 46 00:02:18,040 --> 00:02:20,280 Speaker 1: Yeah? No, no, well it's my experience of a lifetime. 47 00:02:20,320 --> 00:02:22,480 Speaker 1: Now it's my honor. Can I have the honor this time? Please? 48 00:02:22,520 --> 00:02:26,160 Speaker 1: Can I share that? Thank you very much, Okay, take it. 49 00:02:26,680 --> 00:02:28,600 Speaker 1: We've had we have had so many Canadians in the studio, 50 00:02:28,680 --> 00:02:31,760 Speaker 1: like I mean, yes, of course, Frank and Adrian, Jamie Fine, 51 00:02:31,840 --> 00:02:33,799 Speaker 1: and they all say the same thing. I think there's 52 00:02:33,800 --> 00:02:36,640 Speaker 1: something about the energy of Canada and South Africa that 53 00:02:36,680 --> 00:02:37,800 Speaker 1: I think you just resonate with. 54 00:02:37,960 --> 00:02:40,519 Speaker 2: Yeah, it's like some kind of magnetic connection. Well I 55 00:02:40,560 --> 00:02:43,480 Speaker 2: don't I don't know what it is, but yeah, I 56 00:02:43,480 --> 00:02:44,760 Speaker 2: hope I get to keep going back. 57 00:02:44,919 --> 00:02:47,399 Speaker 1: I really hope you do the thing that I say 58 00:02:47,400 --> 00:02:50,480 Speaker 1: to every Canadian in this studio, and I think, you know, 59 00:02:50,600 --> 00:02:53,160 Speaker 1: Adrian will agree from Neon Dreams and so will Jamie Fine. 60 00:02:53,200 --> 00:02:54,400 Speaker 1: Is that I need to say it to you. It's 61 00:02:54,400 --> 00:02:57,200 Speaker 1: almost like a rite of passage. And I just want 62 00:02:57,240 --> 00:02:59,480 Speaker 1: to say that in Canada if I ever moved there. 63 00:03:00,080 --> 00:03:02,120 Speaker 1: I know for a fact that I know that you know, 64 00:03:02,240 --> 00:03:04,840 Speaker 1: summer is your favorite day of the year, and. 65 00:03:06,160 --> 00:03:11,120 Speaker 2: It's a favorite afternoon a couple of hours. 66 00:03:11,200 --> 00:03:13,720 Speaker 1: Yes, you do, but we are warming you up beautifully. 67 00:03:13,880 --> 00:03:17,359 Speaker 1: So thanks for coming in. And then you know, of course, 68 00:03:18,240 --> 00:03:20,040 Speaker 1: bush let I'll get to you in a moment. I 69 00:03:20,080 --> 00:03:21,200 Speaker 1: think I've chatted to you enough. 70 00:03:21,360 --> 00:03:24,680 Speaker 3: Yeah, I think I feel like yeah, furniture right now. 71 00:03:24,680 --> 00:03:29,200 Speaker 1: You you're an employee, Yes, yes, you're an employee of 72 00:03:31,200 --> 00:03:38,040 Speaker 1: Yes you are so Tatum first KFM ninety four point 73 00:03:38,120 --> 00:03:43,320 Speaker 1: five interview. So just connecting with these two individuals over 74 00:03:43,360 --> 00:03:47,360 Speaker 1: here on a project like Honey, lending your vocal to this, 75 00:03:48,040 --> 00:03:51,280 Speaker 1: it must have been quite interesting to have two gentlemen 76 00:03:51,320 --> 00:03:54,200 Speaker 1: in the room sharing ideas and you sit in there 77 00:03:54,240 --> 00:03:57,560 Speaker 1: saying I know exactly what to do here and just 78 00:03:57,880 --> 00:04:00,960 Speaker 1: you let the tides roll in from high tide to 79 00:04:01,040 --> 00:04:04,120 Speaker 1: low tide. But it was your time and you took it. 80 00:04:04,120 --> 00:04:04,960 Speaker 2: It was special. 81 00:04:05,320 --> 00:04:08,800 Speaker 5: I think just touching on that point is that they 82 00:04:08,840 --> 00:04:11,400 Speaker 5: are exactly that they are gentlemen. 83 00:04:11,760 --> 00:04:13,119 Speaker 1: Yes they are, And. 84 00:04:14,400 --> 00:04:17,000 Speaker 5: They held so much space for me to find my 85 00:04:17,120 --> 00:04:21,800 Speaker 5: voice literally in the song but also voicing ideas and 86 00:04:22,480 --> 00:04:25,640 Speaker 5: just laughing through it all. And that particular night was 87 00:04:25,720 --> 00:04:28,680 Speaker 5: quite stressful actually, because I was writing writing an exam 88 00:04:28,720 --> 00:04:29,320 Speaker 5: the next day. 89 00:04:29,600 --> 00:04:31,039 Speaker 1: What were you writing? What was the example? 90 00:04:31,839 --> 00:04:36,520 Speaker 5: I'm studying on top of everything else but a BA 91 00:04:36,560 --> 00:04:37,960 Speaker 5: and environmental management? 92 00:04:38,520 --> 00:04:42,080 Speaker 1: How did I know that I knew it would be 93 00:04:42,279 --> 00:04:47,159 Speaker 1: environmental or micology would be another one I. 94 00:04:47,120 --> 00:04:49,880 Speaker 5: Would It was one of those moments. It was just 95 00:04:49,920 --> 00:04:53,159 Speaker 5: like like we just need to be present in the 96 00:04:53,200 --> 00:04:56,680 Speaker 5: moment and yeah kind of put I had my laptop 97 00:04:56,760 --> 00:04:58,440 Speaker 5: out and then I put it down and we just 98 00:04:58,600 --> 00:05:01,000 Speaker 5: it was so fun. And I think those are those 99 00:05:01,040 --> 00:05:04,359 Speaker 5: special moments where you can just you literally just have 100 00:05:04,440 --> 00:05:07,679 Speaker 5: to let go of everything else and appreciate the people 101 00:05:07,720 --> 00:05:09,840 Speaker 5: around you and the creation that you're doing. 102 00:05:10,160 --> 00:05:12,920 Speaker 1: That's that's the interesting thing. So so bushlets just for 103 00:05:13,480 --> 00:05:18,279 Speaker 1: everybody in a room writing together having different ideas, it's 104 00:05:18,480 --> 00:05:21,000 Speaker 1: you have to have a certain synergy, a certain chemistry 105 00:05:21,000 --> 00:05:22,760 Speaker 1: to actually make that work. Because you've got I mean, 106 00:05:22,760 --> 00:05:25,560 Speaker 1: Billy might have an idea, yeah, and he's got his 107 00:05:25,640 --> 00:05:29,680 Speaker 1: experience and his story, and then Tatum as the same thing, 108 00:05:29,680 --> 00:05:32,039 Speaker 1: and then you have the same thing. How does that 109 00:05:32,080 --> 00:05:35,440 Speaker 1: come together? Surely? Like that's where Tatum was saying, holding 110 00:05:35,480 --> 00:05:37,400 Speaker 1: space for one another important, right. 111 00:05:37,680 --> 00:05:39,960 Speaker 3: I think like like the like the experience of writing 112 00:05:40,000 --> 00:05:42,200 Speaker 3: the song has been like one of like the most 113 00:05:42,200 --> 00:05:44,680 Speaker 3: beautiful experiences. Because we were on TWIT with Billy, so 114 00:05:44,720 --> 00:05:47,760 Speaker 3: Billy was playing was doing his acoustic twel last in 115 00:05:47,880 --> 00:05:50,760 Speaker 3: June and had the privilege of opening for him for that, 116 00:05:50,920 --> 00:05:55,280 Speaker 3: and like one of the most beautiful tours ever in 117 00:05:55,279 --> 00:06:00,400 Speaker 3: my entire life. Like the the connection change, everything changed, 118 00:06:00,440 --> 00:06:02,800 Speaker 3: Like I learned, We've learned so much from Billy on 119 00:06:02,880 --> 00:06:06,200 Speaker 3: how just to be like an incredible human being. And 120 00:06:06,320 --> 00:06:10,440 Speaker 3: like I think because of his leadership and the environment 121 00:06:10,560 --> 00:06:13,200 Speaker 3: and the atmosphere that he creates, it makes it so 122 00:06:13,320 --> 00:06:16,400 Speaker 3: easy to be free to create. And because I remember 123 00:06:16,440 --> 00:06:18,440 Speaker 3: like we like it was I think it was halfway 124 00:06:18,480 --> 00:06:20,200 Speaker 3: through tour or like near the tail end of the 125 00:06:20,240 --> 00:06:23,440 Speaker 3: tour and Billy we were in the studio with Paul 126 00:06:24,200 --> 00:06:27,359 Speaker 3: in his London and and Billy is like I have 127 00:06:27,520 --> 00:06:30,640 Speaker 3: had this like griff for like so many years and 128 00:06:30,800 --> 00:06:32,920 Speaker 3: like I don't know, like and like, and he kept 129 00:06:32,960 --> 00:06:35,120 Speaker 3: on talking about it for a while and then. 130 00:06:35,160 --> 00:06:36,560 Speaker 2: Like the back of the car. 131 00:06:39,120 --> 00:06:42,280 Speaker 1: And I was like, Okay, there's there's something. 132 00:06:42,000 --> 00:06:47,159 Speaker 3: Here exploit And it was literally like it was like 133 00:06:47,200 --> 00:06:49,080 Speaker 3: that like kind of like you know, poor Simon John 134 00:06:50,000 --> 00:06:50,520 Speaker 3: vibe to it. 135 00:06:50,880 --> 00:06:52,160 Speaker 1: And then I was like, this is beautiful. 136 00:06:52,279 --> 00:06:55,400 Speaker 3: And at first I didn't want to be almos if 137 00:06:55,400 --> 00:06:58,080 Speaker 3: I'm being honest with it, because because we helped like 138 00:06:58,360 --> 00:07:01,320 Speaker 3: Billy right it and because his voice is so incredible, 139 00:07:01,880 --> 00:07:04,039 Speaker 3: and I was like, bro He's like, we don't we 140 00:07:04,080 --> 00:07:07,680 Speaker 3: don't need that s guy from now Blowberg appeically. 141 00:07:10,080 --> 00:07:11,240 Speaker 1: Meanwhile, You're welcome. 142 00:07:11,560 --> 00:07:13,320 Speaker 2: Meanwhile, I'm over here and I'm like, I am not 143 00:07:13,480 --> 00:07:16,280 Speaker 2: doing this song, man. 144 00:07:17,240 --> 00:07:20,480 Speaker 3: So it was really beautiful, and I think having Tatum 145 00:07:20,520 --> 00:07:22,800 Speaker 3: in the room as well brought such a like like 146 00:07:22,840 --> 00:07:25,680 Speaker 3: a sweetness in the room, like you know, like when 147 00:07:25,800 --> 00:07:28,160 Speaker 3: like you like people have certain aromas that they bring 148 00:07:28,200 --> 00:07:30,440 Speaker 3: in the room, and like Tatum's energy is just like 149 00:07:30,840 --> 00:07:31,760 Speaker 3: absolutely beautiful. 150 00:07:31,760 --> 00:07:31,880 Speaker 2: Man. 151 00:07:31,920 --> 00:07:34,800 Speaker 3: We felt so safe just making the song, and I 152 00:07:34,800 --> 00:07:38,280 Speaker 3: feel like everybody was more focused on what's best for 153 00:07:38,360 --> 00:07:41,200 Speaker 3: the song, and like the minute that came out, everyone 154 00:07:41,280 --> 00:07:44,320 Speaker 3: was like, man, this is such a I was listening 155 00:07:44,320 --> 00:07:47,160 Speaker 3: to this and I'm like, this is a nice song. 156 00:07:47,880 --> 00:07:50,720 Speaker 1: This is like, no, it's a It's a really beautiful song. 157 00:07:50,840 --> 00:07:54,760 Speaker 1: I put it onto my road trip playlist, Yeah, because 158 00:07:54,760 --> 00:07:56,280 Speaker 1: I think on a road trip, when you're going to 159 00:07:56,320 --> 00:07:59,200 Speaker 1: a far away place looking at the beautiful western cape landscape, 160 00:07:59,200 --> 00:08:02,000 Speaker 1: you need a song that comforting, Yeah, and then a 161 00:08:02,080 --> 00:08:05,400 Speaker 1: song that kind of lends itself to just be at peace, 162 00:08:05,680 --> 00:08:09,040 Speaker 1: listen to the story and just get lost in it. Yeah, 163 00:08:09,080 --> 00:08:11,880 Speaker 1: And that's what I found, Honey is all about so Billy. 164 00:08:12,040 --> 00:08:14,520 Speaker 1: When you hear these words from these two South African 165 00:08:14,600 --> 00:08:17,600 Speaker 1: artists about you and the environment you created for them, 166 00:08:17,840 --> 00:08:19,560 Speaker 1: it's wonderful. 167 00:08:19,240 --> 00:08:21,480 Speaker 2: Man, And I can't help but just throw it back 168 00:08:21,480 --> 00:08:24,560 Speaker 2: to them, Like I started playing the guitar Bushley immediately, 169 00:08:25,080 --> 00:08:31,480 Speaker 2: maybe ten different melodic lyrical ideas, just like for something 170 00:08:31,480 --> 00:08:33,400 Speaker 2: that I've had for so long and couldn't find the 171 00:08:33,480 --> 00:08:34,760 Speaker 2: right thing to put to it. And I'm like, Okay, 172 00:08:34,800 --> 00:08:36,560 Speaker 2: well that's great, Well that's great. He's like, how would 173 00:08:36,520 --> 00:08:37,959 Speaker 2: put this? I'm like, oh on, so now let's go 174 00:08:38,000 --> 00:08:39,840 Speaker 2: through each one of them. Because it was such a 175 00:08:39,880 --> 00:08:44,200 Speaker 2: creative like yeah, outpouring it felt like, and it clicked 176 00:08:44,240 --> 00:08:46,120 Speaker 2: within hours, like the whole thing was done, and it 177 00:08:46,200 --> 00:08:48,440 Speaker 2: was just such a privilege to watch it happen. And 178 00:08:48,480 --> 00:08:52,040 Speaker 2: then Tatum like saying that we're holding space for her voice. 179 00:08:52,240 --> 00:08:54,439 Speaker 2: There is a space that only her voice can exist, 180 00:08:54,440 --> 00:08:55,520 Speaker 2: and you hear it on the song, you hear it 181 00:08:55,559 --> 00:08:58,839 Speaker 2: live like we're not going up there anyway. That's all 182 00:08:58,880 --> 00:09:01,439 Speaker 2: your that's your land there anyway, you know. And I 183 00:09:01,800 --> 00:09:06,640 Speaker 2: think that's a natural serendipitous everything lining up. You might 184 00:09:06,679 --> 00:09:09,040 Speaker 2: have another word for it. It was it was just 185 00:09:09,080 --> 00:09:12,720 Speaker 2: a beautiful collaboration. I'm glad we had a day off. 186 00:09:13,880 --> 00:09:14,800 Speaker 2: I'm glad we had It was. 187 00:09:14,760 --> 00:09:18,000 Speaker 3: So funny, like like like you see Tatum like like 188 00:09:18,080 --> 00:09:20,920 Speaker 3: everyone's strong ideas and then you just see Tatum like 189 00:09:21,040 --> 00:09:23,240 Speaker 3: write it down and just like bring everybody down. 190 00:09:23,840 --> 00:09:29,480 Speaker 1: Now, this is well, I don't want to be the 191 00:09:29,480 --> 00:09:32,360 Speaker 1: reality TV producer among you. I don't want to be. 192 00:09:32,400 --> 00:09:33,720 Speaker 1: I don't want to be that we need one so 193 00:09:35,000 --> 00:09:38,040 Speaker 1: but I will be the reality TV producer with such 194 00:09:39,080 --> 00:09:43,400 Speaker 1: humility in this room here, such great aura and aroma. 195 00:09:43,520 --> 00:09:47,480 Speaker 1: You just said. I just I was going to I 196 00:09:47,480 --> 00:09:49,880 Speaker 1: was going to ask you what my like, but at 197 00:09:49,920 --> 00:09:55,440 Speaker 1: the moment, I just I can only guess flowers. But 198 00:09:55,520 --> 00:10:01,480 Speaker 1: how do you gently tell Billy Billy maybe not that 199 00:10:02,400 --> 00:10:05,360 Speaker 1: use of words there, I'll tell Tatum that or Bushley. 200 00:10:05,400 --> 00:10:08,320 Speaker 1: How do you say when you say that maybe we 201 00:10:08,360 --> 00:10:11,559 Speaker 1: should do this, Like, how do you softly with humility, 202 00:10:11,600 --> 00:10:15,000 Speaker 1: because you all are very soft souls tell each other off. 203 00:10:17,000 --> 00:10:20,280 Speaker 1: It didn't really like didn't feel that way because you 204 00:10:20,360 --> 00:10:21,559 Speaker 1: have to sometimes that's. 205 00:10:21,360 --> 00:10:23,520 Speaker 2: Such a good idea. Oh I know about this. 206 00:10:23,520 --> 00:10:25,679 Speaker 1: This is also how this thing both together? 207 00:10:26,360 --> 00:10:28,000 Speaker 2: Yeah, I think I think when you're collaborating in general, 208 00:10:28,000 --> 00:10:30,760 Speaker 2: when you're songwriting in general, if you really trust the 209 00:10:30,760 --> 00:10:33,120 Speaker 2: people you're in the room with, it's a selfless experience. 210 00:10:33,160 --> 00:10:35,880 Speaker 2: It's not about ah, man, I need to get my 211 00:10:36,000 --> 00:10:37,480 Speaker 2: line in here, I need to get my word in here, 212 00:10:37,480 --> 00:10:40,080 Speaker 2: because I feel like I'm not pulling my weight. It's like, no, 213 00:10:40,880 --> 00:10:43,360 Speaker 2: you could be a sounding ward for the other person 214 00:10:43,440 --> 00:10:46,559 Speaker 2: or just a backboard for the other person and still 215 00:10:46,600 --> 00:10:48,760 Speaker 2: be doing just as much work. And as long as 216 00:10:48,800 --> 00:10:50,960 Speaker 2: you're not, you're not concerned with, oh, this is mine, 217 00:10:51,000 --> 00:10:53,280 Speaker 2: my idea needs to be in here. That's that's what's 218 00:10:53,280 --> 00:10:54,400 Speaker 2: going to serve the song of us. 219 00:10:54,480 --> 00:10:56,240 Speaker 3: And I think, I mean there's a level of like 220 00:10:56,240 --> 00:10:58,320 Speaker 3: like humidity that you say, yeah. I mean like if 221 00:10:58,640 --> 00:11:00,920 Speaker 3: if an idea just got into the room and you 222 00:11:00,960 --> 00:11:03,760 Speaker 3: see the room shift, you know what I'm and then 223 00:11:03,840 --> 00:11:05,520 Speaker 3: and then okay, then my ideas is fine. 224 00:11:06,280 --> 00:11:06,959 Speaker 1: It's just like like. 225 00:11:06,960 --> 00:11:09,439 Speaker 3: The room is speaking already, like like you see how 226 00:11:09,520 --> 00:11:12,680 Speaker 3: music responding in people's hearts, and sometimes the song will 227 00:11:12,720 --> 00:11:15,640 Speaker 3: tell you what it needs without And I think it's 228 00:11:15,840 --> 00:11:19,400 Speaker 3: important for an artist to identify that that my opinion, 229 00:11:19,480 --> 00:11:22,400 Speaker 3: my ego doesn't take priority over the song. It's like 230 00:11:22,800 --> 00:11:24,960 Speaker 3: the day if that's what the song needs to be. 231 00:11:25,040 --> 00:11:27,320 Speaker 3: This is what it needs to be. And and I 232 00:11:27,360 --> 00:11:29,760 Speaker 3: feel like we all really like I feel one. We 233 00:11:29,840 --> 00:11:30,960 Speaker 3: just love each other so much. 234 00:11:31,000 --> 00:11:32,120 Speaker 1: I can tell that it's much. 235 00:11:32,200 --> 00:11:33,640 Speaker 3: It's easy for me to get. 236 00:11:35,880 --> 00:11:37,000 Speaker 1: Is that where you're on the other side of it? 237 00:11:38,240 --> 00:11:42,559 Speaker 1: Just like yeah, he separated him. He went to the 238 00:11:44,160 --> 00:11:45,959 Speaker 1: Sorry I was actually wanted all three. 239 00:11:47,040 --> 00:11:48,920 Speaker 5: He was like, he was like, Nah, you wouldn't think 240 00:11:48,920 --> 00:11:49,560 Speaker 5: about it. 241 00:11:50,120 --> 00:11:50,959 Speaker 1: I'm going to see here. 242 00:11:51,679 --> 00:11:54,920 Speaker 2: He told me, this is the comfortable chair. It's the 243 00:11:54,960 --> 00:11:56,559 Speaker 2: lower chair, like. 244 00:11:56,520 --> 00:12:02,280 Speaker 1: The co host. I don't have the sia. You know you, 245 00:12:02,280 --> 00:12:04,120 Speaker 1: but you have a very good what are you talking about? 246 00:12:04,679 --> 00:12:09,680 Speaker 1: To let you know Bosley, we started with Billy and 247 00:12:09,720 --> 00:12:12,319 Speaker 1: I to let you know that. I try to write 248 00:12:12,320 --> 00:12:15,839 Speaker 1: a bit on the song, and Honey came about and 249 00:12:15,920 --> 00:12:18,360 Speaker 1: we realized that the song could have been four minutes. 250 00:12:18,720 --> 00:12:21,240 Speaker 1: We made it two minutes and seventeen seconds. The thing is, 251 00:12:21,240 --> 00:12:24,400 Speaker 1: we know the attention span of anybody. It was like 252 00:12:24,520 --> 00:12:27,559 Speaker 1: that talk. Remember the reason why they call it TikTok 253 00:12:27,640 --> 00:12:30,440 Speaker 1: is because time is taking an attention span. It's going 254 00:12:30,480 --> 00:12:32,720 Speaker 1: to go away. So when we wrote it, we were like, 255 00:12:32,880 --> 00:12:34,360 Speaker 1: this is going to be cool. Can you do an 256 00:12:34,400 --> 00:12:38,360 Speaker 1: impression of me. Can I I don't want to tea? 257 00:12:44,440 --> 00:12:49,599 Speaker 1: Why are you so heavy? Okay, all right, okay, this 258 00:12:49,720 --> 00:12:53,280 Speaker 1: is not the rest of it. It's not yeah, but 259 00:12:54,360 --> 00:12:56,000 Speaker 1: you know what, this is the top of energy I 260 00:12:56,040 --> 00:12:58,320 Speaker 1: love in the studium. And when you say you trust 261 00:12:58,320 --> 00:13:00,920 Speaker 1: one another, I feel like we need to put that 262 00:13:00,960 --> 00:13:03,719 Speaker 1: to the test. All right, later though, I want to 263 00:13:03,720 --> 00:13:06,679 Speaker 1: play the song first. It's two minutes and seventeen seconds. 264 00:13:06,720 --> 00:13:08,320 Speaker 1: I'll be honest. For my road trip playlist, I need 265 00:13:08,360 --> 00:13:10,439 Speaker 1: to put on twice fair enough, you know, just to 266 00:13:10,520 --> 00:13:13,960 Speaker 1: kind of rotate again. But it's a really great song. 267 00:13:14,040 --> 00:13:18,160 Speaker 1: So to Billy, Bouschlea and Tatum, here's your track as 268 00:13:18,200 --> 00:13:20,880 Speaker 1: a future chart on the KFM Top forty. Thereafter, I 269 00:13:20,920 --> 00:13:23,199 Speaker 1: want to do a little exercise called a trust for 270 00:13:25,040 --> 00:13:29,559 Speaker 1: but a musical one. Okay, it's gonna be so much fun. 271 00:13:29,200 --> 00:13:33,120 Speaker 1: You're gonna love it. And here it is. This one's 272 00:13:33,160 --> 00:13:39,040 Speaker 1: called honey. Added to your morning tea, added to your breakfast, 273 00:13:39,600 --> 00:13:42,480 Speaker 1: added to your life. Honey. I just wanted to add 274 00:13:42,480 --> 00:13:44,600 Speaker 1: some honey to your life. Can I just say to 275 00:13:44,760 --> 00:13:48,600 Speaker 1: all of this, honey is beautiful? Thank you. We've got 276 00:13:48,600 --> 00:13:50,800 Speaker 1: a nice crowd in here as well. Thanks to everybody. 277 00:13:52,160 --> 00:13:54,120 Speaker 1: You must be proud of that song, all of you. 278 00:13:54,120 --> 00:13:56,880 Speaker 1: You have to be proud. I'm proud of it. I 279 00:13:57,040 --> 00:13:58,360 Speaker 1: was never a part of it, but I'm proud of 280 00:13:58,360 --> 00:14:01,040 Speaker 1: that song. It's definitely a future charter. Now, if you're 281 00:14:01,080 --> 00:14:03,960 Speaker 1: wondering what Billy's doing in the side, We're going to 282 00:14:03,960 --> 00:14:06,240 Speaker 1: do a trustful exercise. What this means is that you 283 00:14:06,360 --> 00:14:08,280 Speaker 1: spoke so much, Billy about the fact that you can 284 00:14:08,280 --> 00:14:11,880 Speaker 1: trust these people with everything now without any rehearsal. And 285 00:14:11,960 --> 00:14:14,000 Speaker 1: you can tell this no rehearsal, because that tracks two 286 00:14:14,000 --> 00:14:17,439 Speaker 1: minutes and seventeen seconds. What we're going to do is 287 00:14:17,440 --> 00:14:20,680 Speaker 1: a trustful musical exercise where Billy, you've got the guitar, 288 00:14:21,400 --> 00:14:23,680 Speaker 1: you can strum whatever you want to on that guitar 289 00:14:24,240 --> 00:14:26,760 Speaker 1: and on the spot. We're going to go around the 290 00:14:26,800 --> 00:14:30,040 Speaker 1: room and you just have to contribute to the musical experience. 291 00:14:30,400 --> 00:14:31,480 Speaker 2: Oh boy, all right. 292 00:14:31,480 --> 00:14:34,560 Speaker 1: All right, So whatever you want to do, Tatum Boush, 293 00:14:34,600 --> 00:14:39,960 Speaker 1: letg Billy a fool. This is trustful, not by pink, 294 00:14:40,640 --> 00:14:43,840 Speaker 1: but by exercise. Let's do this together and see how 295 00:14:43,880 --> 00:14:46,680 Speaker 1: connected you really are. Billy, take it away me. 296 00:14:46,840 --> 00:15:03,360 Speaker 6: Do I want to tell you about a friend of mine? 297 00:15:08,160 --> 00:15:11,560 Speaker 6: She makes me want to feel like everything's don't shine 298 00:15:11,800 --> 00:15:12,680 Speaker 6: have heard. 299 00:15:29,640 --> 00:15:33,640 Speaker 5: I want to tell you about Oh boy, he makes 300 00:15:33,680 --> 00:15:36,600 Speaker 5: me nervous, beat, he makes me feel so strong. 301 00:15:38,360 --> 00:15:45,760 Speaker 4: Never have I had that before, Because he said, there's 302 00:15:45,840 --> 00:15:49,640 Speaker 4: other tickets to the life we show. 303 00:15:51,200 --> 00:15:52,360 Speaker 7: Come with me. 304 00:15:52,440 --> 00:15:57,120 Speaker 4: Now, honey, Come take a deep breath and dive in 305 00:15:57,400 --> 00:15:57,880 Speaker 4: with me. 306 00:15:59,600 --> 00:16:07,320 Speaker 8: Mm hmm. I don't want to tell you about a 307 00:16:07,680 --> 00:16:12,880 Speaker 8: time I fell over ago was never mind. I don't 308 00:16:12,920 --> 00:16:16,520 Speaker 8: want to tell you about a time I fell full 309 00:16:16,720 --> 00:16:22,560 Speaker 8: a spokle that was never mind. I'll say, come home 310 00:16:22,640 --> 00:16:34,640 Speaker 8: with me, she said, take it over me. I don't 311 00:16:34,640 --> 00:16:36,960 Speaker 8: want to tell you about the time. 312 00:16:37,920 --> 00:16:39,200 Speaker 1: I want to tell you. 313 00:16:39,200 --> 00:16:40,560 Speaker 6: About the time. 314 00:16:41,520 --> 00:16:44,440 Speaker 1: I want to tell you about the time. 315 00:16:48,800 --> 00:16:54,800 Speaker 7: Colling with me with me suffree, honey, come with me, Wow, 316 00:16:55,880 --> 00:17:00,840 Speaker 7: come with me, honey, ul besed, soul free always. 317 00:17:00,800 --> 00:17:08,560 Speaker 5: Now see what you call we got to thank you. 318 00:17:09,680 --> 00:17:12,480 Speaker 1: Get in there all right, You can keep it going 319 00:17:12,520 --> 00:17:14,919 Speaker 1: if you want to. You want going to jump in there, 320 00:17:18,960 --> 00:17:21,119 Speaker 1: You're gonna have to be spoken. Would come on, all right, 321 00:17:21,200 --> 00:17:22,840 Speaker 1: you gotta let's do this. 322 00:17:23,480 --> 00:17:28,960 Speaker 9: Okay, let me tell you about a friend of mine. 323 00:17:30,600 --> 00:17:34,960 Speaker 9: She's so damn fine. Let's tell you about a friend 324 00:17:35,000 --> 00:17:39,440 Speaker 9: of mine, and I'm nervous to share my love, but 325 00:17:40,800 --> 00:17:47,800 Speaker 9: try to see you. I'd like to meet her in 326 00:17:47,800 --> 00:17:55,640 Speaker 9: a differ. I want her to stay, I want. 327 00:17:55,480 --> 00:18:04,560 Speaker 1: Her to be my and I'm just so sha friend of. 328 00:18:07,600 --> 00:18:09,080 Speaker 9: I'm too shine. 329 00:18:11,119 --> 00:18:12,720 Speaker 1: Friendly, Shine. 330 00:18:14,480 --> 00:18:18,240 Speaker 9: Will be all just to shin. 331 00:18:19,440 --> 00:18:24,560 Speaker 4: Come with me, your honey, Come will be so free. 332 00:18:26,720 --> 00:18:31,720 Speaker 4: Come with me, honey, Come will be so free? 333 00:18:36,520 --> 00:18:42,520 Speaker 1: All right? Be selling CDs outside and each please, Bull 334 00:18:43,000 --> 00:18:45,800 Speaker 1: and Bush and Tatum Tides. 335 00:18:47,320 --> 00:18:48,639 Speaker 5: We gripped your intail groups? 336 00:18:50,160 --> 00:18:51,280 Speaker 1: Are we going to drop that song? 337 00:18:54,119 --> 00:18:54,720 Speaker 2: Running a piece? 338 00:18:57,760 --> 00:19:00,359 Speaker 1: Wow? This is just it's been a It's a beautiful experience. 339 00:19:00,440 --> 00:19:02,720 Speaker 1: And I think the way music happens, I think a 340 00:19:02,720 --> 00:19:04,600 Speaker 1: lot of people don't see that side of it. A 341 00:19:04,640 --> 00:19:07,359 Speaker 1: lot of people see the fact that there's a there's 342 00:19:07,480 --> 00:19:09,680 Speaker 1: three did you say in this case? Three different people, 343 00:19:09,760 --> 00:19:12,719 Speaker 1: different walks of life, different ideas, but you come together. 344 00:19:12,840 --> 00:19:15,320 Speaker 1: And I think maybe that's the unity that music brings 345 00:19:15,400 --> 00:19:18,000 Speaker 1: in its assembly but also in its experience when you're 346 00:19:18,000 --> 00:19:20,639 Speaker 1: listening to it. And you've illustrated that today, I'm just 347 00:19:20,720 --> 00:19:23,720 Speaker 1: setting you know. You've proven that music is unity, and 348 00:19:23,840 --> 00:19:26,440 Speaker 1: that's that's what we've we've done here. Whether you're from Canada, 349 00:19:27,040 --> 00:19:30,800 Speaker 1: or whether you're from you know, just Blowberg or from 350 00:19:30,840 --> 00:19:34,520 Speaker 1: where ever, where have a Tatum stays, where she comes from, 351 00:19:34,760 --> 00:19:38,680 Speaker 1: where she comes from, it's probably a garden that you 352 00:19:38,840 --> 00:19:40,920 Speaker 1: just roamed out of. But I'm just saying that that's 353 00:19:41,000 --> 00:19:43,639 Speaker 1: that's the beauty. What just happened here is why we 354 00:19:43,760 --> 00:19:48,000 Speaker 1: love music. Yeah, so different, and it was I've never 355 00:19:48,040 --> 00:19:52,840 Speaker 1: done that before as well. Actually what you've never done? 356 00:19:53,240 --> 00:19:56,320 Speaker 5: Actually the second time now that I've sat and created 357 00:19:56,440 --> 00:19:58,720 Speaker 5: something with other people the. 358 00:19:58,720 --> 00:20:02,520 Speaker 1: Second time and first, just give me a second. It's 359 00:20:02,560 --> 00:20:04,720 Speaker 1: getting emotional in here. But thanks a lot for for 360 00:20:04,840 --> 00:20:06,360 Speaker 1: joining us in the cave and top forty, all three 361 00:20:06,400 --> 00:20:08,159 Speaker 1: of you. I'm looking forward to more. Billy. Are you 362 00:20:08,200 --> 00:20:09,720 Speaker 1: still in the country for a couple of weeks? So 363 00:20:09,760 --> 00:20:10,560 Speaker 1: you're going home soon? 364 00:20:10,640 --> 00:20:13,000 Speaker 2: Leave tomorrow, But we got one more show tonight. 365 00:20:13,560 --> 00:20:15,120 Speaker 1: Where are you going the district? 366 00:20:15,480 --> 00:20:17,000 Speaker 2: I'm going to uh why are you? 367 00:20:17,560 --> 00:20:17,720 Speaker 8: Yeah? 368 00:20:17,760 --> 00:20:17,920 Speaker 3: Why? 369 00:20:18,440 --> 00:20:20,920 Speaker 2: I'm going home for a couple of days to recharge, 370 00:20:20,920 --> 00:20:23,840 Speaker 2: and then I start my European tour with Bushley and 371 00:20:24,000 --> 00:20:25,240 Speaker 2: Zurich Friday. 372 00:20:25,480 --> 00:20:29,399 Speaker 1: Yes, Oh that's gonna be great, the European tour. And 373 00:20:29,520 --> 00:20:32,040 Speaker 1: he's hed Europeans like introduced this man on stage it's 374 00:20:32,160 --> 00:20:35,040 Speaker 1: very how they introduce him on stage, you know what 375 00:20:35,119 --> 00:20:38,240 Speaker 1: I'm saying. So they got these interesting accents and they 376 00:20:38,280 --> 00:20:39,520 Speaker 1: have to say, you know his name. 377 00:20:40,000 --> 00:20:41,160 Speaker 2: It's gonna be a good experience. 378 00:20:43,960 --> 00:20:52,840 Speaker 1: Ladies of German places, welcome and belly with foe as well. Great, 379 00:20:52,920 --> 00:20:54,680 Speaker 1: you know. And then you're gonna go. You're gonna go 380 00:20:54,720 --> 00:20:57,800 Speaker 1: in the tour. You're gonna go to Zurich. We are, 381 00:20:57,960 --> 00:20:58,800 Speaker 1: we're doing Zurich. 382 00:21:00,480 --> 00:21:01,879 Speaker 2: We have four different shows in Germany. 383 00:21:02,000 --> 00:21:07,800 Speaker 1: We're going to Jobany as well, you know. But it's 384 00:21:07,800 --> 00:21:11,879 Speaker 1: funny Spanish just well, it's okay. Video really is a 385 00:21:12,000 --> 00:21:13,800 Speaker 1: very very good player. He's very good. He's saying you 386 00:21:13,800 --> 00:21:15,719 Speaker 1: look like a football player, but he's actually a musician. 387 00:21:15,880 --> 00:21:22,520 Speaker 1: He said. It's a beautiful, very good a stage. Yes, 388 00:21:22,600 --> 00:21:24,640 Speaker 1: but that is a very very good thing. I wanted 389 00:21:24,680 --> 00:21:24,920 Speaker 1: to say. 390 00:21:25,080 --> 00:21:28,600 Speaker 2: Yes, we have an hour every morning on this. What's 391 00:21:28,640 --> 00:21:29,639 Speaker 2: the what's your schedule? 392 00:21:29,760 --> 00:21:36,320 Speaker 5: Like start a podcast for the honey, come on, this 393 00:21:36,440 --> 00:21:38,159 Speaker 5: is look at this, this is like this is it? 394 00:21:39,080 --> 00:21:39,359 Speaker 2: Come on? 395 00:21:39,760 --> 00:21:42,000 Speaker 1: You know what, If you get enough enough people telling you, 396 00:21:42,119 --> 00:21:44,120 Speaker 1: then I think you're gonna start taking it serious thing. Okay, 397 00:21:44,440 --> 00:21:47,000 Speaker 1: that and doused very ruful, Thank you, very much your time. 398 00:21:47,320 --> 00:21:49,560 Speaker 2: Thank you so much. This is incredible any. 399 00:21:49,440 --> 00:21:52,520 Speaker 1: Time, anytime you take them Tides. Thank you for being 400 00:21:52,640 --> 00:21:56,680 Speaker 1: part of my high tide in my day and no, 401 00:21:56,880 --> 00:21:58,960 Speaker 1: thank you. It's it's awesome and you'll be against so 402 00:21:59,080 --> 00:22:01,680 Speaker 1: and I feel it. All the best on your tour 403 00:22:02,560 --> 00:22:04,920 Speaker 1: and all the best with regard to today's chart show. 404 00:22:04,960 --> 00:22:06,680 Speaker 1: We hope that you are number one. I'll call you 405 00:22:06,680 --> 00:22:08,119 Speaker 1: if you're off, please please call. 406 00:22:08,680 --> 00:22:10,800 Speaker 5: We'll do that even if you aren't your number one. 407 00:22:10,840 --> 00:22:19,960 Speaker 1: And we say that to all the kids that don't anyway, No, 408 00:22:20,080 --> 00:22:22,440 Speaker 1: it's not at all. Okay, this is life. Honey is 409 00:22:22,480 --> 00:22:24,800 Speaker 1: out now. But you're a full Tatum, Tides and Bush, 410 00:22:24,840 --> 00:22:25,719 Speaker 1: letg grab it now.