1 00:00:00,480 --> 00:00:06,600 Speaker 1: Listen another big interview top forty year are wasty. 2 00:00:06,519 --> 00:00:11,760 Speaker 2: Don dude, welcome back. It's good to be back. I'm 3 00:00:11,800 --> 00:00:14,080 Speaker 2: so happy to see you. It's been so long. Honestly, 4 00:00:14,160 --> 00:00:17,680 Speaker 2: it's been great. Are you down here until the end 5 00:00:17,720 --> 00:00:19,279 Speaker 2: of the year or you're still going to go back up? 6 00:00:20,120 --> 00:00:24,439 Speaker 1: I wish ah. Come on. No, we're in Brazil, we're 7 00:00:24,480 --> 00:00:28,160 Speaker 1: in the Netherlands, all over the States, and then we're 8 00:00:28,200 --> 00:00:29,600 Speaker 1: back in December. But we're going to be up in 9 00:00:29,680 --> 00:00:32,199 Speaker 1: Joburg and Durbin for some shows this weekend, and then 10 00:00:32,200 --> 00:00:33,920 Speaker 1: we'll be back in Cape Town at the end of 11 00:00:33,920 --> 00:00:35,120 Speaker 1: the year for some shows as well. 12 00:00:35,280 --> 00:00:37,720 Speaker 2: Love it, man, Okay, let's talk about the single, because 13 00:00:37,760 --> 00:00:39,199 Speaker 2: the single is so good. You know what I love 14 00:00:39,240 --> 00:00:41,440 Speaker 2: about it. I love the top line of the single. Man, 15 00:00:41,520 --> 00:00:43,800 Speaker 2: It's like we've got twelve languages, but we all speak 16 00:00:43,840 --> 00:00:46,879 Speaker 2: body language. And I love that element of unity there 17 00:00:46,880 --> 00:00:49,320 Speaker 2: because it's so true. You know, you go traveling in 18 00:00:49,360 --> 00:00:52,440 Speaker 2: South Africa and maybe you don't speak you know, you 19 00:00:52,479 --> 00:00:57,840 Speaker 2: don't speak Zulu asa peti, but you can motion towards 20 00:00:57,840 --> 00:01:00,080 Speaker 2: somebody or you just don't speak, and you have a 21 00:01:00,120 --> 00:01:03,320 Speaker 2: good time that night and you're high fiving and enjoying 22 00:01:03,320 --> 00:01:05,520 Speaker 2: each other's company. And I think that's the most beautiful 23 00:01:05,520 --> 00:01:08,120 Speaker 2: thing about body language, is that we always find a 24 00:01:08,160 --> 00:01:11,479 Speaker 2: way to communicate as humans, especially when music is involved. 25 00:01:11,680 --> 00:01:14,440 Speaker 2: And I love that top line was that the angle 26 00:01:14,480 --> 00:01:16,319 Speaker 2: to body language in terms of a single. 27 00:01:16,440 --> 00:01:18,800 Speaker 1: Yeah, it's the most kind of honest language we have. 28 00:01:18,920 --> 00:01:21,240 Speaker 1: I think the body doesn't lie, you know, we can't 29 00:01:21,280 --> 00:01:24,120 Speaker 1: help how we signal to each other. And like we 30 00:01:24,160 --> 00:01:26,360 Speaker 1: always say, the dance floor is the most honest place 31 00:01:27,000 --> 00:01:29,240 Speaker 1: on the planet. Oh yes, you know, you're either feeling 32 00:01:29,240 --> 00:01:31,800 Speaker 1: it or you're not. And I think that's kind of 33 00:01:31,880 --> 00:01:34,040 Speaker 1: where we've been headed as just returning back to our 34 00:01:34,080 --> 00:01:37,680 Speaker 1: original roots and our original sounds, and yeah, just reconnecting 35 00:01:37,800 --> 00:01:41,319 Speaker 1: with the original way we express ourselves, which is dancing 36 00:01:41,480 --> 00:01:42,560 Speaker 1: through body language. 37 00:01:42,800 --> 00:01:45,200 Speaker 2: I love that the first Goldfish, you know, offering the 38 00:01:45,240 --> 00:01:48,000 Speaker 2: first albums the way like there was such a beautiful thing. 39 00:01:48,040 --> 00:01:50,600 Speaker 2: It was just it felt like this merge between like 40 00:01:50,720 --> 00:01:54,000 Speaker 2: South African ingenuity, like even a touch of Cafe del 41 00:01:54,080 --> 00:01:56,200 Speaker 2: Mar and like everything came in. I was like, oh, 42 00:01:56,360 --> 00:01:58,880 Speaker 2: this is a sound. I remember my older brother and 43 00:01:58,920 --> 00:02:01,920 Speaker 2: I we used to listen to you guys. He was studying. 44 00:02:02,280 --> 00:02:04,440 Speaker 2: I used to sleep over at his little bachelor pad 45 00:02:04,680 --> 00:02:07,000 Speaker 2: and we used to listen to and the great thing 46 00:02:07,080 --> 00:02:08,920 Speaker 2: is that there was that sound man, there was just 47 00:02:08,919 --> 00:02:13,400 Speaker 2: something rhythmic, tribal, even houseye, and we could just sit 48 00:02:13,480 --> 00:02:16,600 Speaker 2: there and like chill and listen and it's weird. We 49 00:02:16,680 --> 00:02:19,640 Speaker 2: used to listen to you guys and then interlaced with 50 00:02:19,680 --> 00:02:21,000 Speaker 2: Jimiroquai by the way. 51 00:02:21,040 --> 00:02:22,720 Speaker 1: Oh that's a big company. 52 00:02:22,480 --> 00:02:24,120 Speaker 2: Yes, And it was like no, but it just felt 53 00:02:24,120 --> 00:02:26,480 Speaker 2: that the same sort of vibelay, like we're all chilling. 54 00:02:26,720 --> 00:02:28,760 Speaker 2: Maybe I have a browtside. And then when I heard 55 00:02:28,840 --> 00:02:31,000 Speaker 2: this song, I was like, I see what you're doing. Man. 56 00:02:31,200 --> 00:02:33,480 Speaker 2: You know, there's a there's a big recall here, like 57 00:02:33,520 --> 00:02:35,800 Speaker 2: a like a circle, you know, going back to that 58 00:02:35,880 --> 00:02:39,520 Speaker 2: spot that started you off, but updated enough for it 59 00:02:39,600 --> 00:02:45,919 Speaker 2: to be ready for a big room or even something. Yes, dude, 60 00:02:46,080 --> 00:02:48,920 Speaker 2: So this one, the treatment of it is is so cool. 61 00:02:48,960 --> 00:02:51,520 Speaker 2: I even love the cover art as well. It's very 62 00:02:51,600 --> 00:02:55,200 Speaker 2: it's very very much. I think like I felt like 63 00:02:55,240 --> 00:02:57,920 Speaker 2: a bit of a vendor in there as well. It's 64 00:02:58,400 --> 00:03:00,680 Speaker 2: really really cool. Was that was that the vit album? 65 00:03:01,200 --> 00:03:02,359 Speaker 2: Totally exactly. 66 00:03:02,560 --> 00:03:04,920 Speaker 1: It's nothing like living for almost a decade out of 67 00:03:05,040 --> 00:03:07,520 Speaker 1: South Africa. And the States to make you miss home. 68 00:03:07,600 --> 00:03:10,440 Speaker 1: So I think it's funny how that happens. You kind 69 00:03:10,440 --> 00:03:13,560 Speaker 1: of like I don't really like like silly things like 70 00:03:13,600 --> 00:03:16,720 Speaker 1: you don't like think about borrowas or bull tongue, and 71 00:03:16,760 --> 00:03:19,040 Speaker 1: then you move overseas and then suddenly these things are 72 00:03:19,080 --> 00:03:22,440 Speaker 1: like really important to you. Yes, And I feel like 73 00:03:22,480 --> 00:03:25,120 Speaker 1: that's also come that's come full circle with our music 74 00:03:25,160 --> 00:03:27,400 Speaker 1: as well. It's like you realize, oh, you go overseas 75 00:03:27,440 --> 00:03:29,760 Speaker 1: and you're touring, and you're in all these clubs and 76 00:03:30,000 --> 00:03:33,120 Speaker 1: festivals and and you're like, you know what, the thing 77 00:03:33,160 --> 00:03:35,920 Speaker 1: that actually matters is where we're from and what we 78 00:03:35,960 --> 00:03:38,680 Speaker 1: grew up, you know, being raised in in this cauldron 79 00:03:38,720 --> 00:03:41,440 Speaker 1: that's South Africa, that's just got all these amazing flavors, 80 00:03:41,440 --> 00:03:44,800 Speaker 1: and you know you want to keep that. It's really precious. 81 00:03:45,520 --> 00:03:48,360 Speaker 1: So that first album was called Caught in the Loop, 82 00:03:48,360 --> 00:03:50,080 Speaker 1: and I feel like we're going back to the loop 83 00:03:50,160 --> 00:03:54,200 Speaker 1: in a way with this stuff. M back to the loop. 84 00:03:54,680 --> 00:03:59,400 Speaker 2: Interesting, Yeah, first, back to the loop. I'm also I'm processing. 85 00:03:59,400 --> 00:04:00,920 Speaker 2: I feel like there's is a bit of an Easter 86 00:04:00,960 --> 00:04:06,000 Speaker 2: Egg in there. Maybe aha, maybe possibly maybe Yeah, you could. 87 00:04:05,880 --> 00:04:08,600 Speaker 1: Maybe draw something from that. I could go for shadowing 88 00:04:09,000 --> 00:04:11,080 Speaker 1: all the new music we've got coming. We've been working 89 00:04:11,280 --> 00:04:14,240 Speaker 1: hard in the studio. We've got a track with sex 90 00:04:14,280 --> 00:04:17,800 Speaker 1: BETWEENY Up Next and a track with Zelini Mahala, plus 91 00:04:17,839 --> 00:04:21,320 Speaker 1: you know, some just straightl good original golf stuff. So 92 00:04:21,600 --> 00:04:26,159 Speaker 1: I feel like we've really like reinvigorated ourselves after being 93 00:04:26,520 --> 00:04:29,480 Speaker 1: on the road and on the scene for so many years. 94 00:04:29,760 --> 00:04:32,760 Speaker 1: And it sort of feels like a rebirth in many 95 00:04:32,760 --> 00:04:34,840 Speaker 1: ways for us. So we super stoked to you are 96 00:04:34,920 --> 00:04:35,839 Speaker 1: feeling the vibe. 97 00:04:36,000 --> 00:04:38,279 Speaker 2: I will always feel the vibe. By the way, who's 98 00:04:38,279 --> 00:04:39,560 Speaker 2: the vocalist and body language. 99 00:04:39,640 --> 00:04:41,880 Speaker 1: It's actually a sample that I was digging around a 100 00:04:41,880 --> 00:04:44,839 Speaker 1: funnel YouTube and it took me a while to get 101 00:04:44,880 --> 00:04:46,680 Speaker 1: it to you know, you had to tune it and 102 00:04:46,760 --> 00:04:49,279 Speaker 1: put the harmonies in, et cetera. And that's actually half 103 00:04:49,279 --> 00:04:51,719 Speaker 1: the creativity I think for us, as well as sometimes 104 00:04:52,000 --> 00:04:55,320 Speaker 1: less is more. We'll do songs with amazing vocalists like 105 00:04:55,400 --> 00:04:58,760 Speaker 1: Zex or Zeloni, and then it's almost a thing of 106 00:04:58,800 --> 00:05:02,000 Speaker 1: pairing that back and going, Okay, there's so much amazing 107 00:05:02,040 --> 00:05:04,719 Speaker 1: material here, but let's really like get the essence and 108 00:05:04,760 --> 00:05:08,720 Speaker 1: get those real those single parts that are I don't know, 109 00:05:08,760 --> 00:05:11,200 Speaker 1: it's almost like distilling a fine tequila or a whiskey 110 00:05:11,279 --> 00:05:13,200 Speaker 1: or something. You got to get the really good stuff. 111 00:05:13,800 --> 00:05:15,880 Speaker 1: And with this track, in particular Body Language, it was 112 00:05:15,880 --> 00:05:18,240 Speaker 1: like less is more. Once we found those samples, it 113 00:05:18,320 --> 00:05:19,599 Speaker 1: was like that's all we need. 114 00:05:20,240 --> 00:05:22,400 Speaker 2: This is great. Well I'm going to play the song 115 00:05:22,400 --> 00:05:25,120 Speaker 2: body Language now. That's so so cool. But thank you 116 00:05:25,200 --> 00:05:28,560 Speaker 2: very much, Tom, I appreciate it. He said, Yeah, it's 117 00:05:28,560 --> 00:05:29,800 Speaker 2: good to see your face. But when you come down, 118 00:05:29,839 --> 00:05:31,240 Speaker 2: you must come visit me in studio and if you've 119 00:05:31,240 --> 00:05:34,040 Speaker 2: got time, because I know you're cool. And also he'll 120 00:05:34,080 --> 00:05:35,880 Speaker 2: be back in the center please, said love to Dave 121 00:05:35,920 --> 00:05:38,040 Speaker 2: as well. I know he's also he's actually still overseas there. 122 00:05:38,120 --> 00:05:40,279 Speaker 1: Yeah, he's he's landing today. I think he's still in 123 00:05:40,320 --> 00:05:40,600 Speaker 1: the air. 124 00:05:40,760 --> 00:05:44,000 Speaker 2: Okay, cool, we'll enjoy, dude, enjoy. I have a beautiful 125 00:05:44,440 --> 00:05:46,920 Speaker 2: weekend ahead and we'll chat to you soon. And thanks 126 00:05:46,920 --> 00:05:49,120 Speaker 2: for Body Language and back to the loop. Who knows, 127 00:05:49,160 --> 00:05:51,240 Speaker 2: there could be the new the new new something.