WEBVTT - The Profile:  Larry Soffer

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<v Speaker 1>Let's get up close and personal profile on Weekend Breakfast

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<v Speaker 1>with Sarah Jane Maguela King.

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<v Speaker 2>The skullduggery has begun. Larry's Soffer is in studio, the

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<v Speaker 2>leading mentalist in Africa. I'm calling him that the last

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<v Speaker 2>time that he was here, I don't know if remember

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<v Speaker 2>it was more than a year ago, and just blowing

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<v Speaker 2>my mind on a minute by minute basis. The thing

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<v Speaker 2>that stands out for me most though, is that Larry

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<v Speaker 2>managed to give the name of the person with whom

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<v Speaker 2>I had my first kiss at the age of thirteen.

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<v Speaker 2>Only two other people in the world, the kisser, kissy,

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<v Speaker 2>the kissed and my best friend knew the name of

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<v Speaker 2>that person. I wasn't even sure if my best friend

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<v Speaker 2>would remember the name of that person, and somehow Larry

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<v Speaker 2>guessed it and I should just say, Larry, Hello, good

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<v Speaker 2>to have you back, Good to be as I was

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<v Speaker 2>saying to you off air. That interview was one of

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<v Speaker 2>the interviews, one of the conversations that we had on

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<v Speaker 2>the show that we and submitted to the Telcom Radio Awards,

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<v Speaker 2>which secured us in what November of last year, the

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<v Speaker 2>best weekend Breakfast show in South Africa title it's amazing,

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<v Speaker 2>Thank you very much. Indeed, literally couldn't have done it

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<v Speaker 2>without you. Right, what nonsense are we getting up to today? Please?

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<v Speaker 1>Well, we can definitely do a whole bunch of things,

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<v Speaker 1>and yeah, maybe we can get started with just a

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<v Speaker 1>little bit of a warm up with you. Yeah. So

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<v Speaker 1>I'm going to have a look into the future and

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<v Speaker 1>I'm going to try and see a number between one

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<v Speaker 1>and one hundred that you're going to think of before

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<v Speaker 1>you think it. Okay, so don't think of anything just yet.

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<v Speaker 1>And we do have another gentleman in the studio. What

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<v Speaker 1>is your name, sir?

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<v Speaker 2>Get on the mic ob obi Obi.

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<v Speaker 1>Okay, so Obi, here we go. Okay, I definitely have something, Sarah.

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<v Speaker 1>I think this is the number that you're about to say.

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<v Speaker 1>I'm just going to write this down here and I'll

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<v Speaker 1>leave my market just here in front of you, and

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<v Speaker 1>you can think of any number you like between one

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<v Speaker 1>and one hundred. Most people go for the naughty number

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<v Speaker 1>the first time round. If you don't know what it is,

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<v Speaker 1>your partner will tell you. Okay, so you can change

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<v Speaker 1>your mind as many times as you like. When you

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<v Speaker 1>have one in your head, you can say it out

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<v Speaker 1>odd eighty six eighty six, and Obi, if you had

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<v Speaker 1>to choose a number, what number would you have chosen?

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<v Speaker 1>Thirty seven? So you can see that that would have

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<v Speaker 1>been completely different. But Sarah, I told you that this

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<v Speaker 1>was meant for you. Do you want to tell them

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<v Speaker 1>what you see there? What it is?

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<v Speaker 2>It says on a piece of paper that I've literally

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<v Speaker 2>just watched, Larry Wright, you will say eighty six.

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<v Speaker 1>Before you even thought the number.

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<v Speaker 2>I don't know how he does it, folks, And I

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<v Speaker 2>don't know that. I don't know if I care. Whenever

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<v Speaker 2>Larry's in the studio, I start sweating.

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<v Speaker 1>I kind of have that effect on woman.

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<v Speaker 2>I don't that's weird and remarkable. I don't know how

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<v Speaker 2>he does it, but he does do it? Is there something? Wait? Okay,

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<v Speaker 2>what else? What else can we do that's going to

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<v Speaker 2>blow my mind? I mean everything?

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<v Speaker 1>Yeah? What did I show you last time? I don't really?

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<v Speaker 2>Oh gosh, honestly, Larry, do.

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<v Speaker 1>I bend any any things for you? Did I bend metal?

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<v Speaker 2>I don't think you bent metal. I don't think you

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<v Speaker 2>did any you were gathering with us? Or did he?

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<v Speaker 2>I can't remember. I don't know. I don't think so, not.

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<v Speaker 1>At all Okay, cool, what do you need, Well, we

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<v Speaker 1>definitely have cutlery. If you want to get color cutlery

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<v Speaker 1>from the kitchen, we cand do that. Yeah, and then

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<v Speaker 1>do you have a two round coin on you?

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<v Speaker 2>Probably not, but Vicky, Vicky money Bags, probably does.

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<v Speaker 1>We'll see otherwise. I do have a two rand coin,

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<v Speaker 1>but I don't want you to think that I'm thinking.

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<v Speaker 2>Your doctor your doctors that I don't think I do. Actually,

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<v Speaker 2>let's see if let's see if Vicky can can find it.

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<v Speaker 2>She's going to go and get a fork and a

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<v Speaker 2>and a two round coin because I definitely don't have one,

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<v Speaker 2>and we don't want you to bend my car keys

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<v Speaker 2>because then we then we will be in real trouble. Okay,

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<v Speaker 2>Vicky is going to do that.

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<v Speaker 1>And I also have a two rand point here if

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<v Speaker 1>you want to check that out, we can totally use that.

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<v Speaker 2>I mean, it looks like a bona fide a two

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<v Speaker 2>round coin, so yep.

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<v Speaker 1>Okay, okay, great, and you can't bend it, right, do

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<v Speaker 1>you want to pass it to obk Ben then yeah,

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<v Speaker 1>let's see. Yeah, not vendable, not possible. Right, So we'll

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<v Speaker 1>start off with the spoon is just brought in.

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<v Speaker 2>It's not very own spoon. He hasn't.

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<v Speaker 1>You can feel it. It's from your kitchen.

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<v Speaker 2>Yes, yes, good, there's the spoon all right, yeah.

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<v Speaker 1>Just so you know, I'm not doing any funny business.

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<v Speaker 1>This is your stuff. Yes, it's stainless steel. Right, So

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<v Speaker 1>you've tried to take the spoon. You've tried to physically

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<v Speaker 1>bend it. You know it's impossible. Tell them what you see.

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<v Speaker 1>You can tell them what you see there.

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<v Speaker 2>The spoon is bending at Vicky's face. It's actually moving.

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<v Speaker 2>I can see it in front of my very own eyes.

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<v Speaker 2>I don't know how he's doing that.

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<v Speaker 1>And you can see that's quite ben at quite the angle.

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<v Speaker 1>So let me see if I can move a little

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<v Speaker 1>bit more around to your side. Oh sorry, I shifted

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<v Speaker 1>your camera there, and you can feel that it's it's

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<v Speaker 1>nice and solid.

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<v Speaker 2>Yes, yes, how have you done that? I don't know?

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<v Speaker 1>Okay, okay, cool. And you've tried to you've physically tried

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<v Speaker 1>to bend this night.

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<v Speaker 2>It's not possible.

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<v Speaker 1>Watch you can see it's pretty much bent or pretty

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<v Speaker 1>bent at a maybe a thirty twenty thirty degree angle.

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<v Speaker 1>Let see if we can get it to go a

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<v Speaker 1>little bit higher. Tell them what you see.

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<v Speaker 2>I'm watching this spoon moving before my eyes. It's heading

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<v Speaker 2>towards quite a ninety degree angle. At this point we're

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<v Speaker 2>at about forty five degrees. That is remarkable. I don't

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<v Speaker 2>know how he's doing this.

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<v Speaker 1>And you can feel it. Really makes sure it's a

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<v Speaker 1>solid spoon. This is from your kitchen.

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<v Speaker 2>I mean it's not even warm. Really, that is a

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<v Speaker 2>solid spoon from our kitchen. That I mean. Now, we've

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<v Speaker 2>got to explain that to the boss. That's the only

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<v Speaker 2>that's the only problem is it's a prime media budget

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<v Speaker 2>for new spoons.

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<v Speaker 1>Well instead of straightening it, instead of let's make this

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<v Speaker 1>a a little bit further so you can see it's

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<v Speaker 1>pretty bend. But let's try and do this like in

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<v Speaker 1>the movie the Matrix. Tell them what you're seeing.

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<v Speaker 2>He is bend. The spoony part of the spoon is, oh,

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<v Speaker 2>he's just bending that.

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<v Speaker 1>The ball is actually moving down right, and you can

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<v Speaker 1>see how much that's actually been Could you open up

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<v Speaker 1>your right handed for me. I'm just going to straight

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<v Speaker 1>this for you. Let's see if we can. It's just

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<v Speaker 1>I'm filming and you're going to be a witness to

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<v Speaker 1>this because Sarah is going to keep her eyes closed.

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<v Speaker 1>I'm going to move around to you to your side.

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<v Speaker 1>Can you maybe move your mic in a little bit

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<v Speaker 1>closer and you can come to show and open up

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<v Speaker 1>your right handed for me. Hold on tight to the

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<v Speaker 1>spoon and pull up your sleeve. What and you're going

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<v Speaker 1>to tell us when you feel like an energy around

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<v Speaker 1>your head, like like a tingling, fuzzy sense. Ready, here

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<v Speaker 1>we go, Here we go. Let me come a little

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<v Speaker 1>bit closer if I remove this.

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<v Speaker 2>A little bit, move that's fine.

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<v Speaker 1>Yeah, okay, I'm just moving the mic. Here you go,

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<v Speaker 1>and Obi you can tell them what you see or Sarah,

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<v Speaker 1>you can tell them what you see here. I'm actually

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<v Speaker 1>putting my hand around your hand, or my hands around

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<v Speaker 1>your hands, your hand, and I'm not touching you right, No,

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<v Speaker 1>that's right. But can you feel that? Can you feel

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<v Speaker 1>like an energy? I don't know. Can you feel like

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<v Speaker 1>a like a fuzzy kind of weird sensation around your hand? Yes,

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<v Speaker 1>you can feel that. Can you feel that getting into it,

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<v Speaker 1>like building up a little bit more into like a

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<v Speaker 1>slight pressure like I'm starting to squeeze. Can you feel

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<v Speaker 1>that pressure around your fingers?

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<v Speaker 2>Goods?

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<v Speaker 1>Yes? Now, just in case they're not too sure that

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<v Speaker 1>you're really feeling this at home. And just in case

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<v Speaker 1>Obi is not sure about this, You're going to close

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<v Speaker 1>your eyes and Obi is going to confirm what's happening

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<v Speaker 1>of you. I'm just gonna pull up your sleeve a

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<v Speaker 1>little bit more, and you're going to tell us when

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<v Speaker 1>you feel, when you feel something. Every time you feel

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<v Speaker 1>me touch you, you're going to say yes, but just the

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<v Speaker 1>normal yes, we'll do all right, okay, So here you go, right,

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<v Speaker 1>so here we go. Keep your eyes closed. Whenever I

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<v Speaker 1>touch you, just say.

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<v Speaker 2>Yes, yes, yes, yes, yes.

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<v Speaker 1>You felt that every single time, right, and that last

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<v Speaker 1>one you smiled a little bit more. Did you enjoy that?

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<v Speaker 1>I did? Obie? Did I touch her? No? You were

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<v Speaker 1>just moving your hands hand.

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<v Speaker 2>To stop it. What do you mean, curl your fingertips

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<v Speaker 2>on my arm?

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<v Speaker 1>Yeah, you can open up your eyes. You felt me

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<v Speaker 1>like kind of like fluttering up and down your arm, right,

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<v Speaker 1>and Obie, did I touch her? All o? No, not

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<v Speaker 1>at all? Right, I'm very good at long distance relationships, Sarah.

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<v Speaker 1>What you felt was actually energy passing through into the fork,

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<v Speaker 1>making it so soft that it actually melts. Tell them

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<v Speaker 1>what you see.

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<v Speaker 2>Larry is twisting the mesa of this spoon, literally twisting

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<v Speaker 2>the metal of the spoon. He's turned it round a

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<v Speaker 2>full rotation.

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<v Speaker 1>And can you physically can you physically untwist that?

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<v Speaker 2>I definitely cannot physically untwist this.

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<v Speaker 1>You want to pass it to Obi Obi? Can you

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<v Speaker 1>can you untwist that is sorcery?

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<v Speaker 2>I'm still not possible.

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<v Speaker 1>Right, you'll probably need a vice and supplies to get

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<v Speaker 1>their back, that's right. Yeah, And you get to keep that.

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<v Speaker 1>That's your spoon, so.

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<v Speaker 2>You can have that spoon over because you're going to

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<v Speaker 2>need to explain that to the.

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<v Speaker 1>Boss the first time you've been spooned in studio.

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<v Speaker 2>Sadly, Yes, it is. Listen, I don't understand how that

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<v Speaker 2>felt like you were touching me?

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<v Speaker 1>Then? Did I touch her at all? And Vicky, you

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<v Speaker 1>were standing on that side of the Vicky's behind the

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<v Speaker 1>box of you. You can see you by a nod

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<v Speaker 1>or shake of her head. Did I touch her?

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<v Speaker 2>Larry Soffer's in studio with us, which is which is

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<v Speaker 2>wonderful and baffling in core measure. Always I'm never quite

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<v Speaker 2>sure what to do. I it's so remarkable what you

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<v Speaker 2>do that I don't quite know. Do you ever do

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<v Speaker 2>you ever. Do people ever? I must be careful how

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<v Speaker 2>I phrase this question, because I don't know how you

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<v Speaker 2>do what you do. I don't know whether it's magic, madness, mysticism,

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<v Speaker 2>I don't know. But do people ever get it?

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<v Speaker 1>Well? Like what you just saw me do here, I

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<v Speaker 1>actually do over the radio, and I've done it many

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<v Speaker 1>times before. I haven't done it for many years, but

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<v Speaker 1>I actually make people spoons and forks bend in their homes,

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<v Speaker 1>across the studio, across the telephone. And just so everybody knows,

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<v Speaker 1>Vicky was actually shaking her head over there as a

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<v Speaker 1>no that you actually won't touch, but you felt it right,

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<v Speaker 1>and you got that two rand coin over there. You

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<v Speaker 1>told me you cannot bend that right.

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<v Speaker 2>No, I cannot bend that is That is a bona

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<v Speaker 2>fide a two rand coin.

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<v Speaker 1>And could you remember the year or on the back

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<v Speaker 1>of the coin? And if you could also put your

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<v Speaker 1>initials on both sides of the coin.

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<v Speaker 2>Okay, this is a twenty twenty one and I'm going

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<v Speaker 2>to put my initials.

0:11:10.240 --> 0:11:17.839
<v Speaker 1>On that is this? You can put it on both sides, great, okay,

0:11:18.880 --> 0:11:20.280
<v Speaker 1>and you can put on the other side, or you

0:11:20.280 --> 0:11:22.560
<v Speaker 1>can make a drawing. If you like, just so you

0:11:22.679 --> 0:11:24.880
<v Speaker 1>know that's the same coin. You know that I'm not

0:11:24.920 --> 0:11:25.840
<v Speaker 1>switching coins.

0:11:26.360 --> 0:11:27.319
<v Speaker 2>Smiley face on that.

0:11:27.640 --> 0:11:29.800
<v Speaker 1>You can make sure it's dry so it doesn't rub off,

0:11:32.880 --> 0:11:35.480
<v Speaker 1>that's all good, Yeah, well dry, yes, And you've tried

0:11:35.520 --> 0:11:38.520
<v Speaker 1>to take this coin. You've tried to physically bend this coin,

0:11:38.559 --> 0:11:41.679
<v Speaker 1>but you know that it's impossible or impossible. Yeah, so

0:11:42.840 --> 0:11:45.640
<v Speaker 1>watch this and just show everybody, well, just tell everybody

0:11:45.640 --> 0:11:49.440
<v Speaker 1>at least what you're experiencing over here, and they'll see

0:11:49.440 --> 0:11:51.280
<v Speaker 1>it on camera afterwards. Let me just get into my

0:11:51.800 --> 0:11:54.360
<v Speaker 1>shot of my camera here as well. So watch this,

0:11:54.440 --> 0:11:57.320
<v Speaker 1>watch very closely, tell them what you see.

0:11:57.520 --> 0:12:02.040
<v Speaker 2>Okay, So, Larry, is the coin seems to be moved.

0:12:02.120 --> 0:12:04.720
<v Speaker 2>Oh my goodness, me, the coin is bending in half.

0:12:05.600 --> 0:12:08.760
<v Speaker 2>The coin is bending, the very same coin that I

0:12:08.840 --> 0:12:09.439
<v Speaker 2>just wrote my.

0:12:09.640 --> 0:12:12.120
<v Speaker 1>And you can see your smiley face and your initials

0:12:12.120 --> 0:12:16.640
<v Speaker 1>on the other side. Here we go, tell them what

0:12:16.679 --> 0:12:17.199
<v Speaker 1>you see.

0:12:18.000 --> 0:12:23.600
<v Speaker 2>So the coin is actually bending, it's like warping, and

0:12:23.640 --> 0:12:24.200
<v Speaker 2>that's the word.

0:12:24.440 --> 0:12:27.120
<v Speaker 1>Without any force or anything, none at all.

0:12:27.200 --> 0:12:29.880
<v Speaker 2>Larry is barely touching it with the tips of his fingers.

0:12:30.559 --> 0:12:33.040
<v Speaker 1>Is that the same one with your initials.

0:12:32.520 --> 0:12:36.560
<v Speaker 2>With my initials are on there? I drew a smiley

0:12:36.600 --> 0:12:39.120
<v Speaker 2>face on the back and the coin is now warped

0:12:40.080 --> 0:12:43.079
<v Speaker 2>and I can't move it back. I don't know how

0:12:43.120 --> 0:12:44.080
<v Speaker 2>you do that, Larry.

0:12:44.840 --> 0:12:47.160
<v Speaker 1>Whatever you believe in your mind, you can make happen

0:12:47.200 --> 0:12:47.840
<v Speaker 1>in reality.

0:12:49.440 --> 0:12:51.800
<v Speaker 2>Is that your stick, Larry? Or do you is that?

0:12:52.200 --> 0:12:53.600
<v Speaker 2>Do you change his face?

0:12:53.800 --> 0:12:57.440
<v Speaker 1>Absolutely? I mean it's an absolute truth. I mean just

0:12:57.480 --> 0:12:59.360
<v Speaker 1>think about it, like whatever you want to create in

0:12:59.400 --> 0:13:01.600
<v Speaker 1>your life. I think you told me last time how

0:13:01.640 --> 0:13:04.240
<v Speaker 1>you got how you got to be on the on

0:13:04.280 --> 0:13:07.000
<v Speaker 1>the show this time round, and you just believed it.

0:13:07.000 --> 0:13:08.480
<v Speaker 1>You knew that this is what you're going to do.

0:13:08.760 --> 0:13:10.040
<v Speaker 2>Yeah, yeah, that is true.

0:13:10.360 --> 0:13:10.800
<v Speaker 1>Yeah.

0:13:10.840 --> 0:13:13.000
<v Speaker 2>Could you manifest that man that I've had my eye

0:13:13.040 --> 0:13:15.560
<v Speaker 2>on you? Could you make that happen?

0:13:15.640 --> 0:13:17.640
<v Speaker 1>Free? Well, first of all, you get to keep their coin.

0:13:17.720 --> 0:13:20.119
<v Speaker 1>It's the same one with your initials on it, and

0:13:20.120 --> 0:13:21.840
<v Speaker 1>and it shows you how weak the end is.

0:13:22.000 --> 0:13:24.680
<v Speaker 2>Yeah, ah, very very good.

0:13:27.320 --> 0:13:30.600
<v Speaker 1>Two one, four, four, six oh five, six seven.

0:13:31.440 --> 0:13:35.280
<v Speaker 2>We're back in studio with mentalist Larry Soffer, who is

0:13:35.559 --> 0:13:37.480
<v Speaker 2>blowing our minds, as he always does when he comes

0:13:37.520 --> 0:13:39.680
<v Speaker 2>in to pay us a visit. I'm always a little

0:13:39.679 --> 0:13:41.520
<v Speaker 2>bit I'm always a little bit on the back foot.

0:13:41.520 --> 0:13:43.200
<v Speaker 2>And yeah, I want him to give me the good stuff.

0:13:43.559 --> 0:13:45.400
<v Speaker 2>You know, I always want to know how on the why,

0:13:45.480 --> 0:13:49.640
<v Speaker 2>but I also want to do some strange stuff. Jen says,

0:13:49.679 --> 0:13:51.640
<v Speaker 2>I still have a fork on my desk that Larry

0:13:51.679 --> 0:13:55.640
<v Speaker 2>bent in my hand years ago. It still blows me away, both, Jen,

0:13:56.480 --> 0:13:58.440
<v Speaker 2>I don't know how he does it? Right? What are

0:13:58.440 --> 0:13:59.800
<v Speaker 2>we doing now? What are you up to?

0:14:00.400 --> 0:14:03.480
<v Speaker 1>So? Can I get you to think of can I

0:14:03.520 --> 0:14:08.400
<v Speaker 1>get you to think of? Wow, let's see what we

0:14:08.400 --> 0:14:14.240
<v Speaker 1>can get you to think of? Actually? Why not get

0:14:14.280 --> 0:14:17.000
<v Speaker 1>you to think of an embarrassing memory? Okay?

0:14:18.080 --> 0:14:20.680
<v Speaker 2>And which wonder I pick? All right?

0:14:21.120 --> 0:14:22.760
<v Speaker 1>Okay? And can you think of.

0:14:24.280 --> 0:14:25.880
<v Speaker 2>Hmm, embarrassing?

0:14:26.280 --> 0:14:29.040
<v Speaker 1>Also somebody in your life that you'd love to reconnect with?

0:14:30.200 --> 0:14:30.520
<v Speaker 2>Yes?

0:14:30.880 --> 0:14:35.560
<v Speaker 1>Yes? And can you also think of let's say something

0:14:36.080 --> 0:14:38.200
<v Speaker 1>that if I could read your mind on what this

0:14:38.760 --> 0:14:40.320
<v Speaker 1>thing is, it could be a person, or could be

0:14:40.360 --> 0:14:41.960
<v Speaker 1>an item, It could be an object, it could be

0:14:42.000 --> 0:14:44.640
<v Speaker 1>absolutely anything that if I could read your mind on

0:14:44.680 --> 0:14:47.920
<v Speaker 1>what that thing is or person is, who that person is,

0:14:48.800 --> 0:14:52.240
<v Speaker 1>if I could read your mind on that item, that

0:14:52.360 --> 0:14:55.040
<v Speaker 1>this would prove to you beyond a shadow of doubt

0:14:55.040 --> 0:14:57.720
<v Speaker 1>that what I do is real. You got something? So

0:14:57.800 --> 0:15:01.160
<v Speaker 1>let's start off with that, because maybe it's a little

0:15:01.160 --> 0:15:04.200
<v Speaker 1>bit disconnected. And let's see if we can get that.

0:15:04.280 --> 0:15:06.720
<v Speaker 1>So you've got an item or a person or something

0:15:06.760 --> 0:15:08.720
<v Speaker 1>in your mind that if I could read your mind

0:15:08.760 --> 0:15:11.000
<v Speaker 1>on who or what that thing is, that this would

0:15:11.040 --> 0:15:13.000
<v Speaker 1>prove to you that what I do is real.

0:15:14.680 --> 0:15:18.920
<v Speaker 2>Okay, if you get this, Okay, okay, just.

0:15:18.840 --> 0:15:21.080
<v Speaker 1>Look at me, and can you put your hand just

0:15:21.120 --> 0:15:24.480
<v Speaker 1>above mine, just above mine? If you can move in closer,

0:15:24.560 --> 0:15:27.160
<v Speaker 1>let's try and do this. There we go, all right.

0:15:28.400 --> 0:15:31.320
<v Speaker 1>I don't know if you feel that like a slight warmth. Yes,

0:15:31.800 --> 0:15:38.240
<v Speaker 1>that's like an energetic connection that we both have right now. Okay, okay,

0:15:38.440 --> 0:15:40.800
<v Speaker 1>you can lower your hand. I'm getting that this is

0:15:41.640 --> 0:15:46.200
<v Speaker 1>an item, it's not a person. Yeah, is that right?

0:15:48.560 --> 0:15:51.880
<v Speaker 1>And this means something to you because you've found it

0:15:52.000 --> 0:15:58.280
<v Speaker 1>of interest, but not because of something that you're totally

0:15:58.280 --> 0:16:04.960
<v Speaker 1>connected to or is there a very deep connection with this?

0:16:05.200 --> 0:16:08.880
<v Speaker 1>There is a very deep connection. Okay, And you don't

0:16:08.880 --> 0:16:15.920
<v Speaker 1>mind me digging deeper here, not at all? Okay, Okay,

0:16:15.920 --> 0:16:17.960
<v Speaker 1>immediately when I when I look at you, and I

0:16:17.960 --> 0:16:20.160
<v Speaker 1>am getting like the sensation I'm getting like lots of

0:16:20.160 --> 0:16:22.920
<v Speaker 1>writing and I'm getting pages of soorts, is this a

0:16:22.920 --> 0:16:27.400
<v Speaker 1>book that you're thinking of? It is? It's not like

0:16:27.440 --> 0:16:29.240
<v Speaker 1>an essay or anything like that. It's a book.

0:16:29.520 --> 0:16:30.160
<v Speaker 2>It's a book.

0:16:31.640 --> 0:16:35.960
<v Speaker 1>Look at me, the.

0:16:38.320 --> 0:16:39.920
<v Speaker 2>Don't do it Larry?

0:16:41.000 --> 0:16:43.640
<v Speaker 1>Is that the Book of Alcoholics? Anonymous?

0:16:47.440 --> 0:16:54.400
<v Speaker 2>Yes? How do you do that? You freakd It is

0:16:54.400 --> 0:17:00.120
<v Speaker 2>the Big Book of Alcoholics Anonymous? My bible? What what

0:17:00.200 --> 0:17:03.320
<v Speaker 2>do you do that? How would you know that? What's

0:17:03.360 --> 0:17:04.600
<v Speaker 2>going on in that brain?

0:17:06.200 --> 0:17:08.960
<v Speaker 1>I try to see your images. I try to hear

0:17:09.000 --> 0:17:12.239
<v Speaker 1>your voices in your mind. So whatever kind of crops up,

0:17:12.240 --> 0:17:15.880
<v Speaker 1>I just pick up on and we can we can

0:17:15.920 --> 0:17:20.320
<v Speaker 1>definitely take this a little bit further sweating. Okay, yep,

0:17:20.359 --> 0:17:22.320
<v Speaker 1>go on, But we may need your phone for this.

0:17:22.600 --> 0:17:23.840
<v Speaker 2>Okay, okay, yep.

0:17:24.000 --> 0:17:26.439
<v Speaker 1>So let me just see here.

0:17:26.320 --> 0:17:28.439
<v Speaker 2>Marry softis in the studio. If you're just tuning in

0:17:28.440 --> 0:17:30.879
<v Speaker 2>and you're hearing me, call a guest a freak on

0:17:30.960 --> 0:17:39.399
<v Speaker 2>it mentalist in studio, blowing our minds. Okay, let me.

0:17:39.800 --> 0:17:42.080
<v Speaker 2>I'm trying to save because we're gonna upload all of

0:17:42.080 --> 0:17:44.480
<v Speaker 2>this later. I'll turn it into a nice little thing

0:17:44.640 --> 0:17:46.760
<v Speaker 2>like the kids do on social media. All right, yes,

0:17:46.800 --> 0:17:47.520
<v Speaker 2>my phone here?

0:17:47.680 --> 0:17:47.800
<v Speaker 1>Right?

0:17:47.880 --> 0:17:48.480
<v Speaker 2>What do we need?

0:17:48.600 --> 0:17:50.520
<v Speaker 1>Okay? Cool? So I'm going to show my phone to

0:17:50.720 --> 0:17:54.080
<v Speaker 1>the camera over here on this side. Yeah, and I've

0:17:54.080 --> 0:17:56.600
<v Speaker 1>got my Wi Fi open over him Obi. If you

0:17:56.600 --> 0:17:59.480
<v Speaker 1>could have your phone available as well, that would be great.

0:18:00.400 --> 0:18:05.080
<v Speaker 1>Oh damn. Okay, and can you think of I asked

0:18:05.119 --> 0:18:07.040
<v Speaker 1>you to think of an embarrassing memory. Let's let's go

0:18:07.119 --> 0:18:13.000
<v Speaker 1>with that. Yes, okay, just look at me, okay, immediately,

0:18:13.280 --> 0:18:16.680
<v Speaker 1>because we've already got a connection going over immediately when

0:18:16.720 --> 0:18:19.320
<v Speaker 1>I look at you, I'm getting that this was when

0:18:19.320 --> 0:18:24.440
<v Speaker 1>you were quite a bit younger. Yes, And I'm getting

0:18:24.480 --> 0:18:27.040
<v Speaker 1>that this happened with like I'm getting like an idea

0:18:27.040 --> 0:18:29.800
<v Speaker 1>of like a few friends around you. Is that like

0:18:29.800 --> 0:18:34.639
<v Speaker 1>like lots of friends. And I'm getting you're not dancing?

0:18:37.680 --> 0:18:40.840
<v Speaker 1>Is that is that music you're playing? You're playing in

0:18:40.880 --> 0:18:51.040
<v Speaker 1>a band? Yeah? Yeah, And I'm getting sweat. I'm getting

0:18:51.119 --> 0:18:54.639
<v Speaker 1>that you that you had like like a liking for

0:18:54.720 --> 0:19:01.800
<v Speaker 1>somebody as always, yes, yes. And the embarrassing part of

0:19:01.840 --> 0:19:05.880
<v Speaker 1>this is that you told his girlfriend, Oh lord, yes,

0:19:06.080 --> 0:19:12.760
<v Speaker 1>that hat. Now what's super crazy is there's no way

0:19:12.840 --> 0:19:16.240
<v Speaker 1>that I could know that you. I couldn't know, couldn't

0:19:16.280 --> 0:19:18.080
<v Speaker 1>have known any of this. You didn't tell me, you

0:19:18.080 --> 0:19:21.680
<v Speaker 1>didn't write it. Down. You didn't tell ob or Vicki

0:19:21.840 --> 0:19:25.080
<v Speaker 1>or anything like that. Nobody knows, right, And there's no

0:19:25.160 --> 0:19:30.160
<v Speaker 1>way that I could know the name of this person, right. No, Okay,

0:19:30.840 --> 0:19:35.719
<v Speaker 1>let me just keep my screen, oh gosh visible, if

0:19:35.720 --> 0:19:38.400
<v Speaker 1>you could just take my hand. Okay, So in a moment,

0:19:38.400 --> 0:19:40.280
<v Speaker 1>you're gonna take my hand. We're gonna hold hands like this,

0:19:40.640 --> 0:19:42.800
<v Speaker 1>and I want to feel the energy from you, and

0:19:42.840 --> 0:19:45.639
<v Speaker 1>I want you to focus on this person's name and

0:19:45.800 --> 0:19:48.320
<v Speaker 1>just focus on the WiFi over here here we go.

0:19:48.520 --> 0:19:51.280
<v Speaker 1>Just focus touch my hand and he will go tell

0:19:51.320 --> 0:19:55.720
<v Speaker 1>them what you see.

0:19:56.080 --> 0:19:59.879
<v Speaker 2>Every single Wi Fi connection, every single Wi Fi connection,

0:20:00.080 --> 0:20:00.880
<v Speaker 2>has come up with the.

0:20:00.920 --> 0:20:03.720
<v Speaker 1>Name and the meg The name is Craig.

0:20:05.240 --> 0:20:07.359
<v Speaker 2>Craig from the band that I used to be in

0:20:07.400 --> 0:20:10.640
<v Speaker 2>when I was seventeen years old one hundred years ago,

0:20:10.760 --> 0:20:14.880
<v Speaker 2>has now become the name of every single network on Larry's.

0:20:14.920 --> 0:20:17.840
<v Speaker 1>But it's not every single network on my phone. It's

0:20:17.920 --> 0:20:21.760
<v Speaker 1>every single network in the building. Oh no, look on

0:20:21.800 --> 0:20:25.720
<v Speaker 1>your phone. If it happens on my phone, it happens everywhere.

0:20:30.119 --> 0:20:37.520
<v Speaker 2>Oh my gosh, how on earth every single is it

0:20:37.560 --> 0:20:38.400
<v Speaker 2>on your phone?

0:20:38.840 --> 0:20:41.160
<v Speaker 1>And it's on Vicki's phone too, ohbeit, it's on your phone.

0:20:41.200 --> 0:20:42.920
<v Speaker 1>Can we show the camera over you on your phone?

0:20:43.200 --> 0:20:49.560
<v Speaker 1>This is your phone and you can see it, says Craig. Craig. Craig, Yes, Craig,

0:20:50.040 --> 0:20:51.480
<v Speaker 1>And it was Craig that you like.

0:20:51.520 --> 0:20:53.840
<v Speaker 2>It was Craig. I really did like him. He was

0:20:53.880 --> 0:20:55.720
<v Speaker 2>the bass player in the band that I was in.

0:20:56.280 --> 0:20:58.600
<v Speaker 2>And one day, must I tell the story to give something?

0:20:58.600 --> 0:21:01.800
<v Speaker 2>Now you can in this band you probably know this, folks.

0:21:02.200 --> 0:21:03.840
<v Speaker 2>I was in a band when I was younger. I

0:21:03.880 --> 0:21:06.480
<v Speaker 2>was a singer and I was in a band with

0:21:07.080 --> 0:21:10.200
<v Speaker 2>I was seventeen, a very attractive bass player by the

0:21:10.240 --> 0:21:13.080
<v Speaker 2>name of Craig, and I fancied him rotten, absolutely fancied

0:21:13.080 --> 0:21:15.080
<v Speaker 2>the pants off him. And one night we were a

0:21:15.080 --> 0:21:20.840
<v Speaker 2>gig at a place in the club in Croydon, South London,

0:21:21.680 --> 0:21:23.480
<v Speaker 2>and that was going to be the night that I

0:21:23.560 --> 0:21:25.399
<v Speaker 2>was going to make my move on Craig. And so

0:21:25.440 --> 0:21:27.879
<v Speaker 2>I went to the bathroom to get all dold up

0:21:27.920 --> 0:21:30.800
<v Speaker 2>to go on stage, and my friend who was with me,

0:21:30.920 --> 0:21:32.399
<v Speaker 2>I said, this is going to be it. This is

0:21:32.440 --> 0:21:34.240
<v Speaker 2>the night I'm going to make a move on Craig.

0:21:34.320 --> 0:21:36.800
<v Speaker 2>And I fancy him so much and he's so hot

0:21:36.800 --> 0:21:39.920
<v Speaker 2>and blah blah blah and out walked from one of

0:21:39.960 --> 0:21:44.680
<v Speaker 2>the cubicles a very attractive, very gracious young lady who said,

0:21:44.920 --> 0:21:50.280
<v Speaker 2>it's so nice to meet you. I'm Craig's girlfriend and

0:21:50.359 --> 0:21:53.440
<v Speaker 2>to this day it has been the most mortifying moment

0:21:53.480 --> 0:21:56.800
<v Speaker 2>of my life. How would you know that though, Larry Soffer,

0:21:57.080 --> 0:22:00.520
<v Speaker 2>you never told me no, well, I to tell us

0:22:00.560 --> 0:22:01.560
<v Speaker 2>few people as possible.

0:22:01.560 --> 0:22:04.760
<v Speaker 1>Honestly, you never wrote it down. Nobody here knows No.

0:22:06.080 --> 0:22:09.480
<v Speaker 2>You are a peculiar creature. I need to just say

0:22:09.560 --> 0:22:11.920
<v Speaker 2>before before we end off. We've got about two minutes left,

0:22:11.960 --> 0:22:14.119
<v Speaker 2>and before we end off, if you would like to

0:22:14.119 --> 0:22:18.080
<v Speaker 2>come and see some of Larry's magical madness, mysticism and

0:22:18.119 --> 0:22:21.920
<v Speaker 2>mentalism in person, then you need to get tickets. Move now.

0:22:22.240 --> 0:22:24.480
<v Speaker 2>Cuicket is where you will find tickets for his event

0:22:24.560 --> 0:22:26.800
<v Speaker 2>on the third of August at Cafe Rout and NORDUK

0:22:27.640 --> 0:22:28.800
<v Speaker 2>run don't walk and.

0:22:29.400 --> 0:22:32.240
<v Speaker 1>Just just just before we end off, because I have

0:22:32.400 --> 0:22:35.159
<v Speaker 1>prepared one more special thing for you, if that's okay

0:22:35.200 --> 0:22:37.520
<v Speaker 1>with you, so yes, come and see the show on

0:22:37.600 --> 0:22:41.159
<v Speaker 1>the third of August at Cafe INUATUK. It's going to

0:22:41.200 --> 0:22:42.919
<v Speaker 1>be so much fun. You're going to see things like

0:22:43.000 --> 0:22:46.800
<v Speaker 1>this and so much more. I did ask you to

0:22:46.880 --> 0:22:48.720
<v Speaker 1>think of somebody in your life that you'd love to

0:22:48.720 --> 0:22:49.639
<v Speaker 1>reconnect with? You?

0:22:49.680 --> 0:22:51.679
<v Speaker 2>Did you ask me to think of a person in

0:22:51.720 --> 0:22:53.399
<v Speaker 2>my life who I would like to reconnect with?

0:22:53.440 --> 0:22:56.800
<v Speaker 1>And that was about five to ten minutes ago. Yes, yeah,

0:22:56.880 --> 0:22:58.679
<v Speaker 1>there's no way I could know who this person is.

0:22:58.800 --> 0:23:03.159
<v Speaker 2>Oh it's a repeat of the phlipsam wi snaga. No,

0:23:03.520 --> 0:23:06.479
<v Speaker 2>there's no way because I probably haven't thought about this

0:23:06.560 --> 0:23:09.040
<v Speaker 2>person in forty years.

0:23:09.359 --> 0:23:14.080
<v Speaker 1>Okay, amazing, Well take my hand, take my hand, okay,

0:23:14.160 --> 0:23:17.080
<v Speaker 1>immediately I'm getting this as a female. Yes, okay, this

0:23:17.119 --> 0:23:18.960
<v Speaker 1>was when you're quite young. This is when you were

0:23:19.160 --> 0:23:23.120
<v Speaker 1>in your teenagers or just entering your teenagers. Actually, yes,

0:23:23.359 --> 0:23:25.280
<v Speaker 1>were you like eight nine years old or something like that?

0:23:25.320 --> 0:23:32.320
<v Speaker 1>Look at me, Okay, this person did they? Did they

0:23:32.359 --> 0:23:36.600
<v Speaker 1>have like blondish hair? It was dark hair? Okay. And

0:23:36.800 --> 0:23:39.280
<v Speaker 1>this person was in school with you, and they were

0:23:39.320 --> 0:23:41.840
<v Speaker 1>a good friend, in fact, one of your best friends

0:23:41.840 --> 0:23:44.439
<v Speaker 1>that you'd love to reconnect with at some point. You

0:23:44.480 --> 0:23:49.119
<v Speaker 1>haven't seen this person in forty years, right before I

0:23:49.200 --> 0:23:51.120
<v Speaker 1>even got onto the show here today.

0:23:50.960 --> 0:23:54.960
<v Speaker 2>Oh, not this nonsense. Go on, what have you done?

0:23:56.200 --> 0:23:58.960
<v Speaker 1>I went onto my Instagram and I typed in the

0:23:59.119 --> 0:24:02.240
<v Speaker 1>name of a person that I believed that you would

0:24:02.280 --> 0:24:05.000
<v Speaker 1>have thought of, a person that I felt that you'd

0:24:05.080 --> 0:24:07.480
<v Speaker 1>love to reconnect with. And there's no way that I

0:24:07.520 --> 0:24:11.239
<v Speaker 1>could know who this person is. You never told me

0:24:11.320 --> 0:24:14.000
<v Speaker 1>once again, you never told anybody here. You never wrote

0:24:14.040 --> 0:24:16.240
<v Speaker 1>it down, nothing like that. Right now, if you could

0:24:16.280 --> 0:24:19.439
<v Speaker 1>go onto your Instagram and everybody, go onto your Instagram

0:24:19.520 --> 0:24:23.560
<v Speaker 1>right now and type in my name La r Ry

0:24:24.560 --> 0:24:30.440
<v Speaker 1>sof Eer and read what it says out loud, Sarah

0:24:30.560 --> 0:24:34.200
<v Speaker 1>Jane in my bio, in my biography on Instagram, word

0:24:34.240 --> 0:24:35.680
<v Speaker 1>for word, Please, what does it say?

0:24:35.880 --> 0:24:39.480
<v Speaker 2>It says I believe Sarah Jane or think of Jennifer Goulding,

0:24:40.119 --> 0:24:42.880
<v Speaker 2>which is exactly who I thought of, my childhood best

0:24:42.880 --> 0:24:45.200
<v Speaker 2>friend from the ages of five to nine. Haven't seen

0:24:45.240 --> 0:24:50.720
<v Speaker 2>her in forty years. How does he get Oh, Larry,

0:24:52.520 --> 0:24:56.520
<v Speaker 2>do you do that? Go on to Larry's softas Instagram,

0:24:56.640 --> 0:24:58.560
<v Speaker 2>give him a follow while you're there, Make sure that

0:24:58.600 --> 0:25:01.200
<v Speaker 2>you buy tickets for the gig on the third of August,

0:25:01.200 --> 0:25:04.040
<v Speaker 2>and you will see some of the nonsense that he

0:25:04.080 --> 0:25:06.560
<v Speaker 2>gets up to. I believe Sarah Jane will think of

0:25:06.640 --> 0:25:11.159
<v Speaker 2>Jennifer Goulding and it's spelled correctly, which is incredible. I

0:25:11.320 --> 0:25:13.639
<v Speaker 2>don't know how you've done that, Larry. I wish we

0:25:13.720 --> 0:25:15.399
<v Speaker 2>had more time for you, but we don't. It is

0:25:15.720 --> 0:25:19.920
<v Speaker 2>always utterly, utterly wonderful to have you in studio FOT.

0:25:21.520 --> 0:25:24.359
<v Speaker 2>You must go and see him. The tickets will not

0:25:24.440 --> 0:25:28.080
<v Speaker 2>be around for long. Go now to quick it and

0:25:28.119 --> 0:25:30.639
<v Speaker 2>book yourself tickets. I'm going to go. It's my birthday weekend,

0:25:30.680 --> 0:25:33.480
<v Speaker 2>so I'm going Third of August Cafe ru In Nuduk

0:25:34.040 --> 0:25:38.720
<v Speaker 2>and be blown away by the mind that is Larry

0:25:38.800 --> 0:25:39.119
<v Speaker 2>Suffer