1 00:00:00,280 --> 00:00:05,920 Speaker 1: This is your KFM Top forty soundtrack your style with Ackerman's. 2 00:00:06,320 --> 00:00:06,920 Speaker 2: There is. 3 00:00:08,480 --> 00:00:11,399 Speaker 1: An opportunity always for newer artists to come through to 4 00:00:11,440 --> 00:00:14,280 Speaker 1: the KFM Top forty and showcase their stuff. Often you get, 5 00:00:15,000 --> 00:00:16,759 Speaker 1: you know what. Most of the new artists I meet 6 00:00:17,160 --> 00:00:20,000 Speaker 1: or in my DMS, one of them was this guy. 7 00:00:20,800 --> 00:00:25,840 Speaker 1: Please welcome Joshua Gabriel. Hello, my friend, Hi, thanks for 8 00:00:25,880 --> 00:00:30,280 Speaker 1: having me, thanks for sliding, thanks to climbing the DMS. No, 9 00:00:30,360 --> 00:00:32,440 Speaker 1: it's so good to it's so good to meet you 10 00:00:32,760 --> 00:00:35,160 Speaker 1: and to hear your music. Do you know that there's 11 00:00:35,200 --> 00:00:37,920 Speaker 1: one of my colleagues actually sent through your song before 12 00:00:37,960 --> 00:00:41,479 Speaker 1: you DM me. Really yes, So this is a colleague 13 00:00:41,479 --> 00:00:42,920 Speaker 1: of mind and M is you to her moness, and 14 00:00:42,960 --> 00:00:45,000 Speaker 1: she sent me. She sent me an email She's like, 15 00:00:45,200 --> 00:00:46,519 Speaker 1: what do you think of this guy? I'm like this, 16 00:00:46,720 --> 00:00:49,240 Speaker 1: I love this guy. And then I got really busy 17 00:00:49,440 --> 00:00:51,120 Speaker 1: and then your DM kind of like gave me a 18 00:00:51,120 --> 00:00:52,520 Speaker 1: little bit of a knock on the door like hello, 19 00:00:52,680 --> 00:00:55,920 Speaker 1: wake up, hoisty and the p right, Yes it is 20 00:00:56,720 --> 00:00:59,480 Speaker 1: just now we need to get to know Joshua Gabriel. 21 00:00:59,520 --> 00:01:02,320 Speaker 2: So let's off with where are you from? 22 00:01:02,920 --> 00:01:10,040 Speaker 3: So I'm originally from East London, Eastern Cape, the Eastern capeiope, yes, sorry, 23 00:01:10,040 --> 00:01:10,640 Speaker 3: I didn't know what happened. 24 00:01:11,200 --> 00:01:11,840 Speaker 2: No, it's fine. 25 00:01:12,160 --> 00:01:15,080 Speaker 3: I'm from the Eastern Cape and yeah, I grew up there. 26 00:01:15,160 --> 00:01:18,120 Speaker 3: I moved to Cape Town when I turned eighteen, so 27 00:01:18,200 --> 00:01:21,360 Speaker 3: like straight off the school days, okay, and yeah this 28 00:01:21,400 --> 00:01:21,839 Speaker 3: is great. 29 00:01:21,920 --> 00:01:25,280 Speaker 1: But are your family from all from Eastern Cape or 30 00:01:25,280 --> 00:01:26,639 Speaker 1: some of them from Cape Town or. 31 00:01:26,520 --> 00:01:29,480 Speaker 3: Actually most of my family from well, actually all of 32 00:01:29,480 --> 00:01:32,280 Speaker 3: my family from Cape Town. I've got family dispersed over 33 00:01:32,319 --> 00:01:33,280 Speaker 3: the world, but we from. 34 00:01:33,160 --> 00:01:34,160 Speaker 2: Course, of course we do. 35 00:01:34,640 --> 00:01:36,360 Speaker 1: Can I tell you something like let me let me 36 00:01:36,400 --> 00:01:38,440 Speaker 1: guess your family in Australia. 37 00:01:38,040 --> 00:01:44,040 Speaker 3: Yes, I do, see Australia, Canada, America always, yes, even Dubai. 38 00:01:44,160 --> 00:01:47,280 Speaker 1: It's like a new one that people kind of dispersed you. 39 00:01:47,680 --> 00:01:49,960 Speaker 1: That's how it goes. So when you were in school, 40 00:01:50,040 --> 00:01:52,120 Speaker 1: was was a focus always music or you're actually a 41 00:01:52,160 --> 00:01:54,360 Speaker 1: sporty guy or both. 42 00:01:54,920 --> 00:01:57,800 Speaker 3: So I actually went to a music school so that's cool. 43 00:01:57,880 --> 00:01:58,040 Speaker 2: Yeah. 44 00:01:58,120 --> 00:02:00,880 Speaker 3: Yeah, so that's where I learned like out of the instruments, 45 00:02:01,000 --> 00:02:04,760 Speaker 3: like the basics of your top, you know, drums. Yeah. 46 00:02:04,800 --> 00:02:07,720 Speaker 3: So I wanted to be a soccer player growing up. 47 00:02:07,840 --> 00:02:11,600 Speaker 3: That was like my dream me too, yeah. 48 00:02:10,880 --> 00:02:11,400 Speaker 2: All of us. 49 00:02:11,880 --> 00:02:13,440 Speaker 1: We thought we're gonna play for a fun of a final. 50 00:02:13,760 --> 00:02:17,520 Speaker 1: I thought it was d Do you still ball now? 51 00:02:17,720 --> 00:02:20,680 Speaker 3: No? Not at all? Actually what Yeah, it's crazy. I 52 00:02:20,720 --> 00:02:23,000 Speaker 3: need to play fives. I mean I've played a few times, yeah, 53 00:02:23,040 --> 00:02:23,720 Speaker 3: but not really. 54 00:02:23,840 --> 00:02:26,120 Speaker 1: No. You need you need to regularity in the football 55 00:02:26,160 --> 00:02:28,840 Speaker 1: space to balance it. So you want to You started 56 00:02:28,880 --> 00:02:30,840 Speaker 1: by wanting to be a footballer, and then you go 57 00:02:30,840 --> 00:02:33,880 Speaker 1: to a music school and then somehow you just stack 58 00:02:33,919 --> 00:02:34,200 Speaker 1: hold on. 59 00:02:34,480 --> 00:02:36,360 Speaker 2: This music thing is actually a thing for me. 60 00:02:36,960 --> 00:02:39,639 Speaker 3: Yeah, I think it was always in my family. Even 61 00:02:39,680 --> 00:02:42,440 Speaker 3: when I was growing up. We went to church and 62 00:02:42,680 --> 00:02:45,400 Speaker 3: my parents were on worship most of the time, so 63 00:02:45,440 --> 00:02:47,440 Speaker 3: I just like at home when they were practicing, I 64 00:02:47,480 --> 00:02:50,120 Speaker 3: would learn on the instruments there at home. So it 65 00:02:50,200 --> 00:02:52,760 Speaker 3: was just in our house the whole time. And the 66 00:02:52,760 --> 00:02:56,120 Speaker 3: passion started there. And hearing the radio, hearing all the 67 00:02:56,240 --> 00:02:58,480 Speaker 3: cool artists, I was like, Wow, this can actually be 68 00:02:58,520 --> 00:03:01,240 Speaker 3: like a profession. This is actually something that you can 69 00:03:01,280 --> 00:03:04,480 Speaker 3: take further than just playing at home with the family. 70 00:03:04,600 --> 00:03:05,839 Speaker 3: That's they started out. 71 00:03:05,880 --> 00:03:08,080 Speaker 1: I need to know who those artists were that got 72 00:03:08,200 --> 00:03:09,919 Speaker 1: your interest peaked. 73 00:03:10,360 --> 00:03:11,960 Speaker 2: Yeah, yeah, who are the artists? 74 00:03:12,000 --> 00:03:14,640 Speaker 1: I mean, let's go local because there's always a local 75 00:03:14,720 --> 00:03:16,919 Speaker 1: artist that I think. That's what I love about local 76 00:03:17,000 --> 00:03:20,080 Speaker 1: music is that a local musician being playlisted in k 77 00:03:20,160 --> 00:03:22,960 Speaker 1: from ninety four point five then inspires another local musician 78 00:03:22,960 --> 00:03:24,680 Speaker 1: to say, hold on, I can do this. 79 00:03:24,760 --> 00:03:25,400 Speaker 2: That could be me. 80 00:03:25,600 --> 00:03:27,640 Speaker 1: I could be on the KF and Top forty. So like, 81 00:03:27,680 --> 00:03:29,760 Speaker 1: who are those artists for you that you kind of, 82 00:03:29,960 --> 00:03:31,040 Speaker 1: I'm gonna say, looked up to. 83 00:03:31,280 --> 00:03:34,480 Speaker 3: Yeah, yeah, I would say at first it was the 84 00:03:34,520 --> 00:03:35,480 Speaker 3: international scene. 85 00:03:35,600 --> 00:03:35,840 Speaker 2: Okay. 86 00:03:36,080 --> 00:03:38,840 Speaker 3: I think Jimmy Nervous was the first person that made 87 00:03:38,880 --> 00:03:41,320 Speaker 3: me realize, like, you can take this to the next level. Yes, 88 00:03:41,400 --> 00:03:43,240 Speaker 3: because I think it was in like twenty twelve when 89 00:03:43,240 --> 00:03:45,160 Speaker 3: he blew up right or twenty thirty. 90 00:03:45,040 --> 00:03:45,520 Speaker 2: Yeah, it was. 91 00:03:45,560 --> 00:03:47,880 Speaker 1: It was, yeah, your this is actually a long time 92 00:03:48,120 --> 00:03:50,800 Speaker 1: while Elephant Shoes came out. Yes, yeah, I think it 93 00:03:50,840 --> 00:03:54,320 Speaker 1: was just I remember like two thousand and I'm gonna 94 00:03:54,320 --> 00:03:56,760 Speaker 1: say two thousand and that's that's it. 95 00:03:56,760 --> 00:03:58,680 Speaker 2: It's a long time ago. 96 00:03:59,440 --> 00:04:03,400 Speaker 1: But I recall that that first interview with Jimmy and 97 00:04:03,480 --> 00:04:06,160 Speaker 1: Elephant Shoes, Yes, I recall it very and I and 98 00:04:06,200 --> 00:04:09,800 Speaker 1: just the way he was he was writing, so like 99 00:04:09,880 --> 00:04:12,880 Speaker 1: his writing was interesting because it wasn't literal. It was 100 00:04:12,880 --> 00:04:16,120 Speaker 1: always Subliminal, which became an album title of his as well. 101 00:04:17,440 --> 00:04:19,919 Speaker 1: So you hear Jimmy Nevis like, which song was like 102 00:04:19,960 --> 00:04:20,839 Speaker 1: playing on the radio. 103 00:04:20,680 --> 00:04:23,840 Speaker 2: At the time. You remember that one? Was it heart Boxing? 104 00:04:24,360 --> 00:04:26,720 Speaker 3: So heart Boxing? I love heart Boxing. I was showing 105 00:04:26,760 --> 00:04:30,679 Speaker 3: it to my whole family like yeah, yeah, lie Boxing. 106 00:04:30,720 --> 00:04:31,640 Speaker 3: Oh that song is great. 107 00:04:31,720 --> 00:04:34,080 Speaker 1: Oh man, And and then suddenly you were like, okay, wait, 108 00:04:34,160 --> 00:04:36,440 Speaker 1: told that I can do this thing, right, So you 109 00:04:36,440 --> 00:04:39,279 Speaker 1: you work and work. It's such a daunting thing to 110 00:04:39,440 --> 00:04:42,520 Speaker 1: record and release. So what gave you the courage? 111 00:04:43,560 --> 00:04:49,200 Speaker 3: Wow? I remember releasing my first song. Yes, I was 112 00:04:49,240 --> 00:04:51,400 Speaker 3: just like, okay, let me do this. I recorded on 113 00:04:51,440 --> 00:04:54,159 Speaker 3: my phone. Well I actually didn't release it like propertly. 114 00:04:54,320 --> 00:04:57,040 Speaker 3: I just like posted it on like social media, poky, 115 00:04:57,400 --> 00:04:59,680 Speaker 3: but it was it was pretty It was pretty bad 116 00:04:59,680 --> 00:05:02,240 Speaker 3: because recorded on my phone and then it was just 117 00:05:02,240 --> 00:05:05,320 Speaker 3: like on my status and a post. So that was 118 00:05:05,360 --> 00:05:07,320 Speaker 3: the first gay I posted a song. Yeah, and it 119 00:05:07,400 --> 00:05:10,040 Speaker 3: was just me singing in the cupboard, like covering myself 120 00:05:10,080 --> 00:05:13,240 Speaker 3: with a with like one of the clothes, just singing 121 00:05:13,240 --> 00:05:16,800 Speaker 3: into the mic. Yeah. And yeah, that was in the car. 122 00:05:16,960 --> 00:05:19,200 Speaker 3: I don't think that answered your question, No, it actually did. 123 00:05:19,320 --> 00:05:20,600 Speaker 2: Okay, so hold on. No. 124 00:05:20,720 --> 00:05:22,599 Speaker 1: Why I say that is because a lot of people 125 00:05:22,640 --> 00:05:24,360 Speaker 1: are in their situation now where they're trying to make 126 00:05:24,360 --> 00:05:28,200 Speaker 1: a soundproof cupboard and recording on their phone and thinking 127 00:05:28,240 --> 00:05:31,760 Speaker 1: like I have to release this, maybe somebody will will 128 00:05:31,760 --> 00:05:34,960 Speaker 1: see it. And I think that actually drives you because 129 00:05:35,200 --> 00:05:39,479 Speaker 1: clearly somebody saw Stole My Heart, saw your first single maybe, 130 00:05:39,720 --> 00:05:42,000 Speaker 1: and and so that's where the little magic happens, does 131 00:05:42,040 --> 00:05:44,760 Speaker 1: it when you take yourself seriously, take that step, just 132 00:05:44,839 --> 00:05:46,839 Speaker 1: that step right jump, have the faith that you go. 133 00:05:47,120 --> 00:05:48,000 Speaker 2: Who is the producer? 134 00:05:49,680 --> 00:05:53,160 Speaker 1: Oh my word, what I told myself how to produce 135 00:05:53,960 --> 00:05:54,800 Speaker 1: on what platform? 136 00:05:55,320 --> 00:06:00,320 Speaker 3: On? Look? Just starting there, and then I did go 137 00:06:00,400 --> 00:06:03,960 Speaker 3: to see for a little bit. Yes, good, That's kind 138 00:06:04,000 --> 00:06:07,880 Speaker 3: of where I developed that ability. But I've been working 139 00:06:07,880 --> 00:06:11,200 Speaker 3: with guys like Janee Baker. Yeah, so he's yeah, he's 140 00:06:11,240 --> 00:06:13,719 Speaker 3: the guy. That's really he was the first producer. Meant, 141 00:06:13,720 --> 00:06:14,560 Speaker 3: when I came to Cape Town. 142 00:06:14,640 --> 00:06:15,320 Speaker 2: That's so cool. 143 00:06:15,400 --> 00:06:17,920 Speaker 1: So now we here, right, You've you've got this, you 144 00:06:17,920 --> 00:06:19,520 Speaker 1: know these tracks out as well. I mean I did 145 00:06:19,600 --> 00:06:22,680 Speaker 1: check Spotify, so you do have a couple, which is cool? 146 00:06:22,760 --> 00:06:24,440 Speaker 3: Yes, I do. Right. Over the years, I was trying 147 00:06:24,440 --> 00:06:26,920 Speaker 3: to stay consistent, you know, just building myself up to 148 00:06:27,000 --> 00:06:30,200 Speaker 3: this point. I feel like this single for me is 149 00:06:30,200 --> 00:06:32,680 Speaker 3: my favorite one. This is Yeah, this is Josh, Yeah, 150 00:06:32,720 --> 00:06:34,600 Speaker 3: this is Josh. Like the other ones, I feel like 151 00:06:34,640 --> 00:06:36,839 Speaker 3: I was trying to be American maybe, or you know, 152 00:06:37,320 --> 00:06:41,480 Speaker 3: trying to change myself. This feels more like the South 153 00:06:41,520 --> 00:06:42,839 Speaker 3: African Josh from East London. 154 00:06:43,640 --> 00:06:46,359 Speaker 1: Love that And isn't that a big lesson to so 155 00:06:46,440 --> 00:06:48,640 Speaker 1: many newer artists like you feel like you need to 156 00:06:48,640 --> 00:06:50,640 Speaker 1: be part of the mainstream. And what I tell every 157 00:06:50,760 --> 00:06:54,760 Speaker 1: artist is that you have to find the you. And 158 00:06:54,800 --> 00:06:56,640 Speaker 1: once you find the you, you write from the you. 159 00:06:56,920 --> 00:07:00,440 Speaker 1: And that's important because a lot of people listen like, oh, 160 00:07:00,480 --> 00:07:02,880 Speaker 1: that's a cool line, that's a cool person, and you're not. 161 00:07:03,240 --> 00:07:04,880 Speaker 1: You're not part of that narrative at all. So you 162 00:07:04,880 --> 00:07:08,080 Speaker 1: don't have a real a connection that's got conviction to 163 00:07:08,200 --> 00:07:12,400 Speaker 1: the storyline. Tell your stories and release your stuff. Don't 164 00:07:12,440 --> 00:07:16,880 Speaker 1: ever release stuff for radio. And I said this at 165 00:07:16,960 --> 00:07:19,920 Speaker 1: will Linley's album launch this past week. Yes, And I 166 00:07:20,000 --> 00:07:22,320 Speaker 1: said to him, I said, you know, and I said 167 00:07:22,320 --> 00:07:23,960 Speaker 1: to the actual audience, and there was a lot of 168 00:07:24,000 --> 00:07:26,520 Speaker 1: newer artists there, and all I said was, don't release 169 00:07:27,040 --> 00:07:30,880 Speaker 1: for radio, don't play to the commercial scene. Play to 170 00:07:31,000 --> 00:07:33,520 Speaker 1: what your heart says and what you are feeling in 171 00:07:33,560 --> 00:07:35,640 Speaker 1: a song and the story. So if you've got a 172 00:07:35,680 --> 00:07:37,520 Speaker 1: track and stole my heart, I want to hear what 173 00:07:37,560 --> 00:07:40,920 Speaker 1: your story is because chances are that authenticity connects to 174 00:07:40,960 --> 00:07:43,760 Speaker 1: somebody else's story and they're like, I love the song. 175 00:07:44,200 --> 00:07:47,040 Speaker 1: It speaks, it says the words I can't say, And 176 00:07:47,120 --> 00:07:50,200 Speaker 1: that's where you get a real authentic following and not 177 00:07:50,360 --> 00:07:53,200 Speaker 1: a Josh Gabriel is a nice trend artist, but he's 178 00:07:53,200 --> 00:07:56,600 Speaker 1: probably gonna fizzle out. That's not and I do believe 179 00:07:56,640 --> 00:08:00,560 Speaker 1: that it's the authentic side of you that will get you. Really, 180 00:08:00,840 --> 00:08:02,920 Speaker 1: I'm going to say, get the best foundation for you 181 00:08:03,320 --> 00:08:07,120 Speaker 1: in the industry. If you be Josh Moore unless anybody else, 182 00:08:07,280 --> 00:08:09,920 Speaker 1: just you, that's the most important thing. So let's talk 183 00:08:09,920 --> 00:08:13,160 Speaker 1: about Storm my Heart because it is joshuam East London. 184 00:08:13,800 --> 00:08:17,360 Speaker 1: What's the song's backing? Is their story behind Storm my Heart? 185 00:08:17,560 --> 00:08:17,800 Speaker 3: Yes? 186 00:08:17,920 --> 00:08:21,720 Speaker 2: Yes, oh, here we go? So the drama, Yeah, here 187 00:08:21,720 --> 00:08:21,960 Speaker 2: we go. 188 00:08:23,560 --> 00:08:26,800 Speaker 3: It is a story about what I went through. I 189 00:08:26,840 --> 00:08:29,800 Speaker 3: went through a breakup a couple of years ago, and 190 00:08:30,680 --> 00:08:32,920 Speaker 3: all of us go through breakups, go through times where 191 00:08:32,920 --> 00:08:35,320 Speaker 3: people let us down and basically, that's what the song 192 00:08:35,400 --> 00:08:39,680 Speaker 3: is about, an experience I had by taking that negative 193 00:08:39,720 --> 00:08:42,840 Speaker 3: story or that sad story and turning it into something 194 00:08:42,920 --> 00:08:44,280 Speaker 3: uplifting and happy. 195 00:08:44,679 --> 00:08:45,439 Speaker 2: Yeah. 196 00:08:46,160 --> 00:08:48,280 Speaker 3: Yeah, so I would say that's a story behind it. 197 00:08:48,320 --> 00:08:50,680 Speaker 1: That's a brilliant story because you know, like people, you know, 198 00:08:50,720 --> 00:08:55,160 Speaker 1: people's breakups have become their entire career Oscar Dolin, Taylor, 199 00:08:56,120 --> 00:08:58,760 Speaker 1: you know. So that's why I think you're this is 200 00:08:58,840 --> 00:09:01,960 Speaker 1: going to be important for you on an emotional level. 201 00:09:02,000 --> 00:09:04,559 Speaker 1: But now, obviously you you start off with this, I'm 202 00:09:04,559 --> 00:09:07,760 Speaker 1: gonna give it a spin. Yeah, And now what's the 203 00:09:08,160 --> 00:09:11,880 Speaker 1: Joshua dream going forward? Are we releasing more music? Are 204 00:09:11,920 --> 00:09:14,760 Speaker 1: we thinking about doing something for summer as well? Do 205 00:09:14,800 --> 00:09:17,480 Speaker 1: you want to do more live performances like I want 206 00:09:17,480 --> 00:09:18,320 Speaker 1: to manifest with you? 207 00:09:18,400 --> 00:09:19,960 Speaker 2: What's next? Yeah? 208 00:09:20,000 --> 00:09:23,520 Speaker 3: So I'm really looking to release some music, but it 209 00:09:23,600 --> 00:09:25,840 Speaker 3: for the song. Focus on the song for now. I 210 00:09:25,920 --> 00:09:29,520 Speaker 3: have other songs in the pipeline, but I'm not really 211 00:09:29,520 --> 00:09:30,200 Speaker 3: going to talk about that. 212 00:09:30,559 --> 00:09:31,640 Speaker 2: Don't. Let's focus on this. 213 00:09:31,800 --> 00:09:34,920 Speaker 1: Yeah, yea, we will chat again. You're invited back with 214 00:09:35,040 --> 00:09:35,960 Speaker 1: other tracks, don't worry. 215 00:09:36,760 --> 00:09:38,240 Speaker 2: Yeah. 216 00:09:38,320 --> 00:09:40,400 Speaker 3: So, yeah, I want to perform live. I want to 217 00:09:40,480 --> 00:09:44,120 Speaker 3: just network, get out there, because obviously I'm not from Kitan. 218 00:09:44,240 --> 00:09:45,640 Speaker 3: I don't really know the scene around you. 219 00:09:46,720 --> 00:09:48,480 Speaker 2: There's no scene. There's just scenery. 220 00:09:48,760 --> 00:09:49,400 Speaker 3: Yeah, scenery. 221 00:09:49,440 --> 00:09:51,480 Speaker 2: It's beautiful, that's it. There's no scene. No. 222 00:09:52,320 --> 00:09:54,240 Speaker 1: I'd like to think that you are going to meet 223 00:09:54,360 --> 00:09:57,360 Speaker 1: artists as well and their producers, and you're going to 224 00:09:57,400 --> 00:09:59,079 Speaker 1: meet a lot of good friends and they're going to 225 00:09:59,120 --> 00:10:01,920 Speaker 1: connect with you. And I did see this, you know, 226 00:10:02,000 --> 00:10:06,560 Speaker 1: this week at will Linley's album launch. Every artist that 227 00:10:06,760 --> 00:10:09,880 Speaker 1: was there, they were aspiring, they were established, but they 228 00:10:09,880 --> 00:10:11,120 Speaker 1: were just there to support each other. 229 00:10:11,280 --> 00:10:12,000 Speaker 2: That's what I loved. 230 00:10:12,040 --> 00:10:16,800 Speaker 1: And I think getting into those types of connections, those sceneries, 231 00:10:16,960 --> 00:10:18,960 Speaker 1: not scenes, sceneries. 232 00:10:18,400 --> 00:10:20,200 Speaker 3: It's actually friendships, a relationships. 233 00:10:20,280 --> 00:10:22,640 Speaker 1: Yes, that's it, and I think that's important for you 234 00:10:22,679 --> 00:10:25,360 Speaker 1: as well. But remember you know you you're on the 235 00:10:25,440 --> 00:10:28,080 Speaker 1: show now and if you ever need any sort of help, 236 00:10:28,160 --> 00:10:31,560 Speaker 1: I got you back, okay, because we have to work 237 00:10:31,600 --> 00:10:34,520 Speaker 1: with you and get you into the spaces and places 238 00:10:34,520 --> 00:10:36,960 Speaker 1: that you belong and I think that comes from your 239 00:10:37,040 --> 00:10:39,079 Speaker 1: self belief. Just a quick one. If I take you 240 00:10:39,120 --> 00:10:40,760 Speaker 1: to a karaoke, what song are you going to pick 241 00:10:40,760 --> 00:10:41,240 Speaker 1: from the book? 242 00:10:42,840 --> 00:10:44,200 Speaker 3: Like out of anybody or a local? 243 00:10:44,440 --> 00:10:44,560 Speaker 2: No? 244 00:10:44,559 --> 00:10:46,880 Speaker 1: No, anybody, like if you're you and I go to 245 00:10:46,880 --> 00:10:50,199 Speaker 1: a karaoke together and like could be paid through the book. Well, 246 00:10:50,240 --> 00:10:52,800 Speaker 1: it's actually digital now if you go to certain characters. 247 00:10:53,080 --> 00:10:55,160 Speaker 1: So which song do you choose that you feel like 248 00:10:55,200 --> 00:10:56,520 Speaker 1: brings the best out of your voice? 249 00:10:57,440 --> 00:10:59,920 Speaker 3: Maybe? Like, hey there, Delilah, do you know that's all? 250 00:11:00,360 --> 00:11:07,080 Speaker 2: What are you talking about? It just is that? Is 251 00:11:07,080 --> 00:11:07,480 Speaker 2: that the one? 252 00:11:07,520 --> 00:11:09,600 Speaker 3: That's the one? Actually that I that's my go to 253 00:11:09,760 --> 00:11:10,360 Speaker 3: in karaoke. 254 00:11:11,440 --> 00:11:14,240 Speaker 2: That's a that's a goodie right now. 255 00:11:14,920 --> 00:11:17,079 Speaker 1: Well, I mean I thought I was actually gonna give 256 00:11:17,080 --> 00:11:18,959 Speaker 1: it a play, but I just like, that'll be great 257 00:11:19,080 --> 00:11:21,040 Speaker 1: if you if you want to, because I got that 258 00:11:21,080 --> 00:11:21,560 Speaker 1: in my book. 259 00:11:21,559 --> 00:11:24,360 Speaker 2: Here, just look at this song. It's over here. I've 260 00:11:24,400 --> 00:11:29,080 Speaker 2: got such a nice little Oh look at this. Do 261 00:11:29,080 --> 00:11:29,760 Speaker 2: you know the words? 262 00:11:29,960 --> 00:11:30,439 Speaker 3: Of course you do? 263 00:11:30,559 --> 00:11:33,280 Speaker 2: Right? Hey? Really you want to drop in here? 264 00:11:35,000 --> 00:11:35,520 Speaker 3: Hey there? 265 00:11:36,440 --> 00:11:39,720 Speaker 4: What's it like in New York City? I'm a thousand 266 00:11:39,880 --> 00:11:43,080 Speaker 4: miles away, but a night you look so pretty? 267 00:11:43,280 --> 00:11:43,920 Speaker 3: Yes you do? 268 00:11:45,720 --> 00:11:55,319 Speaker 4: Yes, I'm sorry, brad as you it's true. Hey, you 269 00:11:55,480 --> 00:11:57,119 Speaker 4: worry about the distance. 270 00:11:58,280 --> 00:12:00,800 Speaker 3: I forgot the words yet, that's fine. Waiting for the chorus. 271 00:12:01,000 --> 00:12:02,760 Speaker 2: Yes, I'm also waiting for the chorus. I want to 272 00:12:02,800 --> 00:12:06,160 Speaker 2: hear that that part from you. Yes, listen to my voice. 273 00:12:06,200 --> 00:12:09,760 Speaker 4: That's my DISCUYSM by side. 274 00:12:11,679 --> 00:12:17,880 Speaker 3: Oh it's what you do to me. It's what you 275 00:12:18,040 --> 00:12:23,160 Speaker 3: do to me. Oh, it's what you do to me. 276 00:12:26,360 --> 00:12:30,080 Speaker 4: It's what you do to me, what you do to me. 277 00:12:32,200 --> 00:12:36,280 Speaker 2: Wow, dude, this is it was all the spot. I 278 00:12:36,320 --> 00:12:38,000 Speaker 2: love it though, I'm sorry. I'm sorry I. 279 00:12:38,440 --> 00:12:41,560 Speaker 1: Had to because karaokes that's the thing that's my I 280 00:12:41,600 --> 00:12:43,840 Speaker 1: feel like that's gonna be my summer thing. Yeah, I 281 00:12:43,840 --> 00:12:46,520 Speaker 1: want to take artist to karaoke choints and see what happens. 282 00:12:46,679 --> 00:12:47,520 Speaker 3: That'll be sick. 283 00:12:47,679 --> 00:12:48,480 Speaker 2: Yeah, you want to go. 284 00:12:48,679 --> 00:12:51,960 Speaker 3: I think I think this place is of course, this. 285 00:12:51,400 --> 00:12:54,839 Speaker 1: Is BOQ that's or bou care whatever you want to 286 00:12:54,920 --> 00:12:57,000 Speaker 1: want to call it. Down the road to Ncpoint, that's 287 00:12:57,000 --> 00:13:00,199 Speaker 1: a good spot. I've been there before. That's where I 288 00:13:00,480 --> 00:13:04,040 Speaker 1: sang that there's a private room for a friend's birthday. 289 00:13:04,080 --> 00:13:06,959 Speaker 1: And it was very, very good because it was obviously 290 00:13:06,960 --> 00:13:09,520 Speaker 1: a private room, so I could sing anything. And I 291 00:13:09,559 --> 00:13:13,240 Speaker 1: remember I sang sure, I sang Lincoln Park. 292 00:13:13,520 --> 00:13:15,520 Speaker 2: Oh yeah, yeah. I had to do. 293 00:13:15,480 --> 00:13:17,839 Speaker 1: A Lincoln Park song there, and that's what I did there. 294 00:13:17,880 --> 00:13:20,000 Speaker 1: I did a Craig David song, Craig David's always part 295 00:13:20,040 --> 00:13:23,559 Speaker 1: of my repertoire. Just but I really want to do this, 296 00:13:23,600 --> 00:13:26,480 Speaker 1: and I want to get some newer artists like yourself, and. 297 00:13:26,440 --> 00:13:28,480 Speaker 2: We should just go hit a karaoke joint. Bro, I'm 298 00:13:28,920 --> 00:13:30,000 Speaker 2: nobody knows who we are. 299 00:13:30,640 --> 00:13:32,280 Speaker 1: We just walk in there and we pick a couple 300 00:13:32,320 --> 00:13:33,760 Speaker 1: of songs and we disrupt the stage. 301 00:13:33,960 --> 00:13:35,439 Speaker 2: That's what I want to do the dream. 302 00:13:35,960 --> 00:13:38,000 Speaker 1: But now, Joshua, thanks so much for joining us on 303 00:13:38,040 --> 00:13:39,800 Speaker 1: the k from Top forty. I really appreciate you, and 304 00:13:39,880 --> 00:13:42,959 Speaker 1: I'm really I'm excited about what people are going to 305 00:13:43,000 --> 00:13:45,040 Speaker 1: think about this song because it's such a great track. 306 00:13:45,160 --> 00:13:48,160 Speaker 2: Stole My Heart. Are you ready for this first time? 307 00:13:48,320 --> 00:13:50,480 Speaker 3: I don't know, I think, so let's go