1 00:00:00,160 --> 00:00:05,240 Speaker 1: All right, So if you have never seen used to 2 00:00:05,280 --> 00:00:08,200 Speaker 1: be Madame Zinghara, it's now the Royal Countess Singhara. If 3 00:00:08,200 --> 00:00:11,080 Speaker 1: you haven't seen it yet, can I urge you to 4 00:00:11,119 --> 00:00:13,480 Speaker 1: stop what you're doing right now, go online and book 5 00:00:13,480 --> 00:00:19,239 Speaker 1: yourself some Tiggins because it is quite remarkable and a 6 00:00:19,239 --> 00:00:23,040 Speaker 1: hot new aerial act has joined the show, which is 7 00:00:23,079 --> 00:00:25,080 Speaker 1: going to be It's well, it's here at Century City 8 00:00:25,600 --> 00:00:29,040 Speaker 1: until May. Literally as you're driving to Century City you'll 9 00:00:29,040 --> 00:00:31,720 Speaker 1: see the tent and then it's going to Melrose Arch 10 00:00:31,760 --> 00:00:34,120 Speaker 1: in Johannesburg. And I'm delighted to be joined this morning 11 00:00:34,640 --> 00:00:38,839 Speaker 1: by Johnny Grundy from Bradford in England and Manuel I 12 00:00:39,000 --> 00:00:43,040 Speaker 1: Didna from Sicily, who were both professional dancers before working 13 00:00:43,080 --> 00:00:46,400 Speaker 1: in the circus. They also happened to be married, and 14 00:00:46,560 --> 00:00:52,159 Speaker 1: their combined career highlights include the International Circus China, the 15 00:00:52,240 --> 00:00:57,160 Speaker 1: Rome Opera Theater. I'm imagining that's you, Manuel, the Bradford 16 00:00:57,160 --> 00:01:01,880 Speaker 1: community all no international cruise liners, which I gather is 17 00:01:01,920 --> 00:01:03,080 Speaker 1: where you met on a cruise? 18 00:01:03,320 --> 00:01:03,600 Speaker 2: Yeah? 19 00:01:03,640 --> 00:01:05,080 Speaker 3: How long ago? How long you've been married? 20 00:01:05,400 --> 00:01:06,880 Speaker 2: We've been married for nearly four years. 21 00:01:06,880 --> 00:01:09,639 Speaker 1: Where did you get married in New York? Of course 22 00:01:09,680 --> 00:01:10,840 Speaker 1: you did was it glorious? 23 00:01:11,000 --> 00:01:11,520 Speaker 2: It was lovely? 24 00:01:11,680 --> 00:01:15,039 Speaker 3: Where where did am I? Being very nosy? Did you 25 00:01:15,040 --> 00:01:17,600 Speaker 3: get married in Brooklyn? How gorgeous is Brooklyn? Though? 26 00:01:17,640 --> 00:01:21,760 Speaker 1: Actually I love it too. Now I'm not going to 27 00:01:21,800 --> 00:01:23,520 Speaker 1: tell that story. That was from my drinking days, and 28 00:01:23,560 --> 00:01:25,440 Speaker 1: we don't need to tell that story at nine minutes. 29 00:01:25,200 --> 00:01:27,759 Speaker 3: Past day on a Saturday. I'll save that for after 30 00:01:27,800 --> 00:01:30,160 Speaker 3: the show. Okay. And you met on a cruise liner 31 00:01:30,360 --> 00:01:31,479 Speaker 3: where a cruiser where? 32 00:01:31,640 --> 00:01:33,959 Speaker 2: Yeah, in the Caribbean? Thank God? 33 00:01:34,160 --> 00:01:37,920 Speaker 1: Could your story be anymore gorgeous and wonderful? 34 00:01:38,360 --> 00:01:42,880 Speaker 3: Okay? And then work at you dancers? Is background? Tell 35 00:01:42,920 --> 00:01:45,240 Speaker 3: us a little bit about your background, Johnny. 36 00:01:45,680 --> 00:01:49,280 Speaker 2: I was a dancer for many, many years ago, and 37 00:01:49,320 --> 00:01:51,520 Speaker 2: I met a girl that was performing aerial silks, which 38 00:01:51,560 --> 00:01:55,280 Speaker 2: is an acrobatic act hanging on like kind of a curtain. Yeah, yeah, 39 00:01:55,440 --> 00:01:57,680 Speaker 2: I was in love with it. I begged her to 40 00:01:57,720 --> 00:02:00,160 Speaker 2: teach me until one day she just finally caved in 41 00:02:00,200 --> 00:02:02,320 Speaker 2: and told me how to do it too. And that 42 00:02:02,440 --> 00:02:04,320 Speaker 2: was a long time ago, and that's how I joined 43 00:02:04,360 --> 00:02:05,080 Speaker 2: the circus. 44 00:02:05,320 --> 00:02:07,600 Speaker 3: God, that is wild and well for you. 45 00:02:07,680 --> 00:02:10,160 Speaker 4: My story is kind of the same. The only difference 46 00:02:10,320 --> 00:02:13,760 Speaker 4: is there I made the journey, so yeah, when we met, 47 00:02:13,800 --> 00:02:16,520 Speaker 4: I was still a dancer. We were in the same cast. 48 00:02:16,520 --> 00:02:18,960 Speaker 4: I was a DENTIY was already in Acroba and we 49 00:02:19,120 --> 00:02:23,760 Speaker 4: got together first yeah, and then I fell in love 50 00:02:23,840 --> 00:02:28,040 Speaker 4: with this heart and yeah, and. 51 00:02:27,960 --> 00:02:32,440 Speaker 1: The rest is history. Talk to me about the ely Silks. 52 00:02:32,480 --> 00:02:33,720 Speaker 1: Is that what you did? 53 00:02:34,160 --> 00:02:36,160 Speaker 2: That was the first thing that I did in the show. 54 00:02:36,200 --> 00:02:37,960 Speaker 2: We don't perform every. 55 00:02:37,720 --> 00:02:38,360 Speaker 3: Yeah, you don't. 56 00:02:38,600 --> 00:02:43,680 Speaker 1: But I first saw that gosh zip Zapp Circus were 57 00:02:43,720 --> 00:02:46,680 Speaker 1: doing something in joe Burg at mail Rose Arch where 58 00:02:46,720 --> 00:02:48,520 Speaker 1: you were going to be, that was singless where you 59 00:02:48,560 --> 00:02:50,920 Speaker 1: were going to be in a few weeks time. And 60 00:02:51,320 --> 00:02:57,320 Speaker 1: my stomach was in my throat. And my friend last night, 61 00:02:58,280 --> 00:03:01,160 Speaker 1: who was with this, he literally see as he watched 62 00:03:01,200 --> 00:03:03,520 Speaker 1: you and all of the Varians that he kept going, 63 00:03:04,040 --> 00:03:06,240 Speaker 1: I mean, if they fall, they die, And like, can 64 00:03:06,320 --> 00:03:07,600 Speaker 1: you stop saying. 65 00:03:07,720 --> 00:03:10,400 Speaker 2: We really hopefully have a bathtub underneath us to break your. 66 00:03:10,280 --> 00:03:15,400 Speaker 1: Spie Seriously, I mean that is our whole who's who's 67 00:03:15,440 --> 00:03:18,720 Speaker 1: whose introduction was the bathtub? That is so great, it's 68 00:03:18,840 --> 00:03:21,760 Speaker 1: so so so to in your mind's eye, folks, we 69 00:03:21,800 --> 00:03:24,600 Speaker 1: have what do we call that? A free standing a 70 00:03:24,639 --> 00:03:27,519 Speaker 1: free standing bath think think kind of you know, glamorous, 71 00:03:27,600 --> 00:03:31,160 Speaker 1: romantic hotel and it's filled with water and these two 72 00:03:31,240 --> 00:03:35,760 Speaker 1: gorgeous chaps are essentially splashing about in it. 73 00:03:35,880 --> 00:03:38,960 Speaker 3: And then I mean, how how do we how do 74 00:03:39,040 --> 00:03:41,000 Speaker 3: we describe what you? What you do? 75 00:03:41,080 --> 00:03:44,760 Speaker 1: Just acrobatics above in around and at the end there's 76 00:03:44,760 --> 00:03:46,600 Speaker 1: a there's there's a moment at the where. 77 00:03:46,400 --> 00:03:47,240 Speaker 3: We go, oh, that's lovely. 78 00:03:47,320 --> 00:03:50,680 Speaker 1: Then you go, oh, oh maybe that's oh you've you've 79 00:03:50,720 --> 00:03:53,480 Speaker 1: just tried to submerge him and kill him. Okay, marvelous, 80 00:03:53,880 --> 00:03:57,040 Speaker 1: that's fantastic. How do who comes up with that concept? 81 00:03:57,960 --> 00:04:00,360 Speaker 2: The concept is quite an old one from Burlessa By 82 00:04:00,400 --> 00:04:02,960 Speaker 2: this point, like the Less performers started performing in these 83 00:04:03,000 --> 00:04:05,160 Speaker 2: three standing baths because they look so glamorous and it 84 00:04:05,160 --> 00:04:07,320 Speaker 2: would be kind of a strip tease act. And then 85 00:04:07,440 --> 00:04:09,920 Speaker 2: in the nineties there was a guy that did an 86 00:04:09,960 --> 00:04:12,440 Speaker 2: aerial strap sect by himself in a bathtub for a 87 00:04:12,440 --> 00:04:15,880 Speaker 2: famous show in Edinburgh, right, And since then it's kind 88 00:04:15,920 --> 00:04:18,760 Speaker 2: of ballooned in the circus world. Lots of people take 89 00:04:18,760 --> 00:04:20,560 Speaker 2: this concept and do their own thing with it. We 90 00:04:20,560 --> 00:04:22,040 Speaker 2: were asked to do it a few years ago by 91 00:04:22,040 --> 00:04:24,160 Speaker 2: a director, right, and yeah, I just had a lot 92 00:04:24,200 --> 00:04:27,359 Speaker 2: of fun making our own version of this thing with 93 00:04:27,440 --> 00:04:30,200 Speaker 2: the bathtub. It gives so many possibilities and it's such 94 00:04:30,200 --> 00:04:33,360 Speaker 2: a fun thing to work with, and it's I think 95 00:04:33,400 --> 00:04:35,960 Speaker 2: it gets the audience involved. You'll get a little wet 96 00:04:36,000 --> 00:04:36,960 Speaker 2: as you watch. 97 00:04:36,800 --> 00:04:43,760 Speaker 3: Like, sure, it's it's key, laughing, thank you. 98 00:04:44,360 --> 00:04:52,080 Speaker 1: It is beautiful, it's very sexy. It's breathtaking. You're kind 99 00:04:52,080 --> 00:04:54,880 Speaker 1: of holding your breath. Talk to me about the level 100 00:04:54,920 --> 00:04:57,599 Speaker 1: of trust. I mean, it probably helps that you're married 101 00:04:57,720 --> 00:04:59,640 Speaker 1: it because I and you could. I said to my 102 00:04:59,680 --> 00:05:02,040 Speaker 1: friend last night, you know their marriage went. You can 103 00:05:02,080 --> 00:05:05,159 Speaker 1: totally tell because there is something that there's a there's 104 00:05:05,240 --> 00:05:07,159 Speaker 1: just something lovely between the two of you, but also 105 00:05:07,240 --> 00:05:10,279 Speaker 1: that trust that you must have in your partner to 106 00:05:10,400 --> 00:05:12,760 Speaker 1: be I mean, how how high are you going up 107 00:05:12,800 --> 00:05:13,040 Speaker 1: in the. 108 00:05:13,000 --> 00:05:13,440 Speaker 3: Air on that? 109 00:05:13,920 --> 00:05:17,039 Speaker 2: I think is around seven meters. 110 00:05:16,800 --> 00:05:23,320 Speaker 3: Because high enough. The lo maye also went and they're slippery. 111 00:05:23,640 --> 00:05:26,160 Speaker 3: I was like, good point. I mean the water is 112 00:05:26,200 --> 00:05:28,200 Speaker 3: an added slippery element to the whole. 113 00:05:28,279 --> 00:05:31,520 Speaker 2: Yeah, the water is so danger to it. Recording each 114 00:05:31,520 --> 00:05:33,760 Speaker 2: other and yeah, we are wet and slippery and you 115 00:05:33,880 --> 00:05:35,120 Speaker 2: can you can fall. 116 00:05:35,880 --> 00:05:36,680 Speaker 3: Have you fallen in? 117 00:05:36,800 --> 00:05:37,480 Speaker 4: No? 118 00:05:37,480 --> 00:05:39,480 Speaker 3: No, don't even put it out there now. 119 00:05:39,520 --> 00:05:41,000 Speaker 2: And we have a lot of trust in each other, 120 00:05:41,040 --> 00:05:43,240 Speaker 2: and we practice what we do a lot. Nothing goes 121 00:05:43,279 --> 00:05:45,200 Speaker 2: on stage that we've not done hundreds of times. 122 00:05:45,240 --> 00:05:49,159 Speaker 1: Right, okay, okay, talk me through then, and this is 123 00:05:49,240 --> 00:05:51,320 Speaker 1: I should say that your act is is one of 124 00:05:51,360 --> 00:05:54,000 Speaker 1: a number of La Doulce Royal, which is which is 125 00:05:54,040 --> 00:05:57,120 Speaker 1: part of this this show. For people who haven't been 126 00:05:57,279 --> 00:06:00,280 Speaker 1: to Zingara, what is it? Because I had no idea 127 00:06:00,320 --> 00:06:02,240 Speaker 1: what it was. I really I didn't know what I 128 00:06:02,320 --> 00:06:03,640 Speaker 1: was coming to see. 129 00:06:04,080 --> 00:06:07,800 Speaker 2: Okay, So Zingara is essentially a circus dinner show for 130 00:06:07,880 --> 00:06:09,960 Speaker 2: grown ups. We have like a PG ten plus kind 131 00:06:09,960 --> 00:06:12,919 Speaker 2: of reading. It's more mature entertainment and you get a 132 00:06:12,920 --> 00:06:15,680 Speaker 2: fabulous four course meal as part of it. When we arrived, 133 00:06:15,720 --> 00:06:18,400 Speaker 2: we're new to the cast. We arrived two weeks ago 134 00:06:18,760 --> 00:06:20,560 Speaker 2: and we got to watch the show, so we sat 135 00:06:20,600 --> 00:06:25,359 Speaker 2: down for the meal. The food is fantastic, surfoo. I 136 00:06:25,360 --> 00:06:27,799 Speaker 2: would happily sit down for that again. The food is fantastic. 137 00:06:28,400 --> 00:06:30,760 Speaker 2: As you arrived, there are characters of where you arrive 138 00:06:30,839 --> 00:06:35,560 Speaker 2: in this kind of bohemian world of circus that you're Yeah, 139 00:06:35,600 --> 00:06:38,119 Speaker 2: you're welcomed into by all these characters, and there's drinks 140 00:06:38,120 --> 00:06:41,080 Speaker 2: and there's food, and then there's three fabulous show acts 141 00:06:41,120 --> 00:06:44,160 Speaker 2: between your courses, the meal, and then afterwards the whole 142 00:06:44,200 --> 00:06:45,080 Speaker 2: thing becomes a party. 143 00:06:45,680 --> 00:06:47,599 Speaker 1: I couldn't stay for the part. Did you stay for 144 00:06:47,640 --> 00:06:52,400 Speaker 1: the party, VICKI? Vicky, stay for the party? I can't 145 00:06:52,400 --> 00:06:58,120 Speaker 1: hear you just a little. I couldn't because I knew 146 00:06:58,160 --> 00:07:01,080 Speaker 1: I had the show this morning, and also children. 147 00:07:00,720 --> 00:07:03,400 Speaker 3: And all of that nonsense. Oh, I'll have to go again. 148 00:07:04,200 --> 00:07:05,839 Speaker 1: That's all well, going to have to happen. Okay, So 149 00:07:05,839 --> 00:07:07,760 Speaker 1: there's a bit of an after party, but it is, 150 00:07:07,839 --> 00:07:10,280 Speaker 1: it's it's more than it's more than just your kind 151 00:07:10,280 --> 00:07:11,280 Speaker 1: of dinner and a show. 152 00:07:12,040 --> 00:07:14,360 Speaker 3: It's more dinner. It's it's there's so much. 153 00:07:14,480 --> 00:07:19,680 Speaker 1: Even going to the bathroom was an experience. It's so interactive. 154 00:07:20,160 --> 00:07:22,760 Speaker 1: Did you get your face painted? Yeah, got a face painted. 155 00:07:22,800 --> 00:07:25,720 Speaker 1: She missed the taro the tarot lady now unfortunately she 156 00:07:25,760 --> 00:07:26,520 Speaker 1: was upset about that. 157 00:07:26,560 --> 00:07:26,960 Speaker 3: All right? 158 00:07:27,240 --> 00:07:29,360 Speaker 1: And then where do you all come from? Because you're 159 00:07:29,360 --> 00:07:32,120 Speaker 1: not you're not a company as such in terms of 160 00:07:34,000 --> 00:07:36,000 Speaker 1: like you were brought in from you know, a couple 161 00:07:36,040 --> 00:07:38,520 Speaker 1: of weeks back, and I mean where where where were 162 00:07:38,560 --> 00:07:39,200 Speaker 1: you before. 163 00:07:39,000 --> 00:07:42,920 Speaker 3: You were doing this? We were in sicily doing what's. 164 00:07:42,600 --> 00:07:46,760 Speaker 1: Your what's your day job with the job, yeah, but 165 00:07:46,800 --> 00:07:47,680 Speaker 1: what's your what are you? 166 00:07:47,840 --> 00:07:50,560 Speaker 2: We are based in Katana, so we were on a 167 00:07:50,560 --> 00:07:54,320 Speaker 2: little vacation there and then yeah, we came here and 168 00:07:54,400 --> 00:07:56,480 Speaker 2: your question before like we yeah, we come from all over. 169 00:07:56,720 --> 00:08:01,000 Speaker 2: We came from Katana, Sicily, we have and goes from Argentina. 170 00:08:01,080 --> 00:08:03,800 Speaker 2: We have people from South Africa, we have people from Russia. 171 00:08:04,440 --> 00:08:07,880 Speaker 2: Where else have we got people from? We had a 172 00:08:07,920 --> 00:08:09,280 Speaker 2: doer from the Ukraine. 173 00:08:09,720 --> 00:08:12,880 Speaker 1: And how often are people like how how often are 174 00:08:12,880 --> 00:08:15,520 Speaker 1: people getting moved in and out? And is it what 175 00:08:15,560 --> 00:08:18,080 Speaker 1: I suppose? How does the contract work in that sense? 176 00:08:18,760 --> 00:08:22,440 Speaker 2: In our case, we replaced a lovely lovelydo from the 177 00:08:22,560 --> 00:08:25,440 Speaker 2: Ukraine just because those guys had another thing that they 178 00:08:25,480 --> 00:08:27,800 Speaker 2: already had to agree to in Europe, so they left 179 00:08:27,840 --> 00:08:30,640 Speaker 2: and we came in to replace them and finish it out. 180 00:08:30,680 --> 00:08:33,080 Speaker 2: But I think in general, the intention is that the 181 00:08:33,120 --> 00:08:34,480 Speaker 2: show is made and you. 182 00:08:34,520 --> 00:08:36,640 Speaker 3: Stay together together. 183 00:08:37,120 --> 00:08:40,360 Speaker 1: How do you think your your act will complement each other? 184 00:08:40,400 --> 00:08:43,640 Speaker 1: Because somehow, even though you are all doing different things, 185 00:08:43,760 --> 00:08:47,320 Speaker 1: there's a symbiosis where it all just works. 186 00:08:47,360 --> 00:08:49,520 Speaker 3: I mean, you are transport when you walk. 187 00:08:49,400 --> 00:08:53,080 Speaker 1: Through those curtains, I guess you are transported into this 188 00:08:53,320 --> 00:08:56,760 Speaker 1: magical world. The atmosphere, it's like it's almost like you 189 00:08:56,840 --> 00:09:01,400 Speaker 1: go into a different time. It's just extraordinary. And you know, 190 00:09:02,280 --> 00:09:04,880 Speaker 1: did you glam up the key? Were you quite quite showy? 191 00:09:05,000 --> 00:09:05,200 Speaker 3: Yeah? 192 00:09:05,280 --> 00:09:09,319 Speaker 1: Me too, Yeah, put on a frock Yeah, all of that. 193 00:09:10,160 --> 00:09:15,000 Speaker 1: It's it's all the acts tend to compliment each other beautifully. 194 00:09:15,760 --> 00:09:19,160 Speaker 2: Yeah, we had to wonderful showed directors Craig and Valentine 195 00:09:19,200 --> 00:09:21,520 Speaker 2: I Leo, who put the whole thing together and they 196 00:09:21,880 --> 00:09:23,640 Speaker 2: make sure that the show runs in a way where 197 00:09:23,640 --> 00:09:26,839 Speaker 2: the acts do all compliment each other, that the flow 198 00:09:26,920 --> 00:09:29,680 Speaker 2: and the thread of the show carries you through the evening. 199 00:09:29,920 --> 00:09:30,160 Speaker 3: Yeah. 200 00:09:30,320 --> 00:09:34,880 Speaker 1: Yeah, talk to me about preparing for a show like 201 00:09:34,920 --> 00:09:37,000 Speaker 1: this or for for a performance like yours. I mean, 202 00:09:37,080 --> 00:09:40,640 Speaker 1: talk about the the fitness levels, the train, what does 203 00:09:40,760 --> 00:09:43,200 Speaker 1: what does that look like? And who comes up with 204 00:09:43,320 --> 00:09:46,160 Speaker 1: the I mean obviously it's choreographed. You're not just going 205 00:09:46,200 --> 00:09:50,720 Speaker 1: on I'm going to you know that? Imagine how does 206 00:09:50,760 --> 00:09:51,160 Speaker 1: that work? 207 00:09:51,200 --> 00:09:51,920 Speaker 3: What does that? Does? 208 00:09:51,920 --> 00:09:54,120 Speaker 1: The concept come first and then you talk about it 209 00:09:54,160 --> 00:09:55,360 Speaker 1: and then go well I'm going to do this and 210 00:09:55,400 --> 00:09:56,400 Speaker 1: you do it, like what is it? 211 00:09:56,720 --> 00:09:58,719 Speaker 3: Give us a bit of a behind the scenes. 212 00:09:58,720 --> 00:10:02,719 Speaker 4: Well, the bends Sometimes we is the music helping us? 213 00:10:03,000 --> 00:10:06,960 Speaker 4: For example, if we have a concept, is easier to 214 00:10:08,080 --> 00:10:11,160 Speaker 4: work on some choreography. Yeah, As I was saying, the 215 00:10:11,240 --> 00:10:16,320 Speaker 4: music is very important and we usually try to do 216 00:10:16,360 --> 00:10:23,440 Speaker 4: that together. Johnny is more like as this directing vein. 217 00:10:24,000 --> 00:10:26,800 Speaker 3: Yeah, yeah, yeah. 218 00:10:27,160 --> 00:10:31,880 Speaker 4: Regarding like training, like we usually train like at the gym, 219 00:10:32,200 --> 00:10:36,000 Speaker 4: we do our own training, and then also eating, well, 220 00:10:36,080 --> 00:10:37,000 Speaker 4: it's very important. 221 00:10:37,280 --> 00:10:39,000 Speaker 3: Do you eat a lot of egg whites. 222 00:10:40,200 --> 00:10:40,600 Speaker 4: In general? 223 00:10:40,720 --> 00:10:41,080 Speaker 2: Yes? 224 00:10:42,080 --> 00:10:42,280 Speaker 4: Yeah. 225 00:10:42,360 --> 00:10:44,600 Speaker 2: We try to hit very hard, and there's there's some 226 00:10:44,679 --> 00:10:46,600 Speaker 2: movement every day. There's the gym a couple of times 227 00:10:46,600 --> 00:10:50,079 Speaker 2: a week. That's also our specific acrobatic training. So we'll go, 228 00:10:50,200 --> 00:10:52,679 Speaker 2: we'll hang from something, lots of pull ups, lots of 229 00:10:52,720 --> 00:10:56,880 Speaker 2: going upside down, and then training together holding each other. 230 00:10:57,520 --> 00:11:00,120 Speaker 2: And then for the creation side of it, especially when 231 00:11:00,160 --> 00:11:02,559 Speaker 2: there's two of you and you're hanging from something, because 232 00:11:02,559 --> 00:11:04,120 Speaker 2: a lot of like can you go here? Can I 233 00:11:04,200 --> 00:11:06,559 Speaker 2: go there? No, your foot's in my face? How that hurts? 234 00:11:06,640 --> 00:11:09,600 Speaker 2: And especially when you're married, that gets really interesting really quickly, 235 00:11:09,800 --> 00:11:10,599 Speaker 2: like what are you doing that? 236 00:11:12,520 --> 00:11:15,480 Speaker 1: Imagine having a particularly bad day to day, I'm going 237 00:11:15,520 --> 00:11:16,600 Speaker 1: to drop you on your head. 238 00:11:17,240 --> 00:11:19,959 Speaker 3: Do you always practice that? It might sound like a 239 00:11:19,960 --> 00:11:21,800 Speaker 3: stupid question. But do you always practice at height? 240 00:11:22,000 --> 00:11:24,880 Speaker 2: No? Right, when anything's new, it's not practiced at height. 241 00:11:24,920 --> 00:11:28,040 Speaker 2: And normally we practice with crash mats. So if anyone's 242 00:11:28,080 --> 00:11:30,719 Speaker 2: thinking of going and hanging from anything, please make sure 243 00:11:30,760 --> 00:11:32,560 Speaker 2: you've got a crash mat underneath it. Oh yeah, just 244 00:11:32,679 --> 00:11:33,760 Speaker 2: don't try this at home. 245 00:11:33,920 --> 00:11:35,880 Speaker 4: Don't try any of it at awesome. Most of the 246 00:11:35,920 --> 00:11:39,000 Speaker 4: time we don't have a mortal they can lift us. 247 00:11:39,880 --> 00:11:42,240 Speaker 4: So we have to train law. 248 00:11:42,160 --> 00:11:45,960 Speaker 3: Because you can't. Yeah, yeah, yeah. And in terms of 249 00:11:46,000 --> 00:11:47,280 Speaker 3: the so just. 250 00:11:47,600 --> 00:11:49,679 Speaker 1: I'm not going to use the correct terminology at all. 251 00:11:49,720 --> 00:11:51,319 Speaker 1: But the big circle thing that you. 252 00:11:51,320 --> 00:11:53,800 Speaker 2: Have, the aerial hoop, the aerial hopes. 253 00:11:53,920 --> 00:12:00,040 Speaker 1: You see the aerial hoop, I mean, where is one. 254 00:12:00,080 --> 00:12:02,040 Speaker 3: Buying this sort of equipment? I mean in the in 255 00:12:02,080 --> 00:12:04,160 Speaker 3: the in the circus world, presumably there are. 256 00:12:04,400 --> 00:12:07,079 Speaker 1: It just seems like an we need a massive hoop 257 00:12:07,440 --> 00:12:10,000 Speaker 1: that two very strong gentlemen can hang from. 258 00:12:10,120 --> 00:12:14,120 Speaker 2: Oh they're everywhere now. Yeah. So aerial hoop has been 259 00:12:14,200 --> 00:12:16,480 Speaker 2: around for a while now and it's kind of a 260 00:12:16,600 --> 00:12:20,160 Speaker 2: very I said, generic circus discipline. You can probably try 261 00:12:20,160 --> 00:12:23,280 Speaker 2: it at your local like aerial fitness center or at 262 00:12:23,400 --> 00:12:26,000 Speaker 2: local pole dancing schools. There's a thing now people do 263 00:12:26,080 --> 00:12:28,439 Speaker 2: this also for fitness, like I mean, we do it 264 00:12:28,520 --> 00:12:30,800 Speaker 2: for shows and like for an artistic point of view. 265 00:12:30,800 --> 00:12:33,480 Speaker 2: But yeah, your regular people can also go try this 266 00:12:33,559 --> 00:12:36,880 Speaker 2: out and get some pictures for their Instagram. And it's 267 00:12:36,880 --> 00:12:39,040 Speaker 2: harder than it looks. I mean, yeah, you have to 268 00:12:39,080 --> 00:12:42,280 Speaker 2: go in and be prepared to be humbled, but yeah, 269 00:12:42,320 --> 00:12:44,080 Speaker 2: it's something that everyone can try out. Now. 270 00:12:44,200 --> 00:12:46,760 Speaker 1: My goal for this year is by the end of 271 00:12:46,800 --> 00:12:49,920 Speaker 1: the year, to be able to do one pull up 272 00:12:50,720 --> 00:12:53,520 Speaker 1: by the end of the year. And even that, I'm 273 00:12:53,520 --> 00:12:56,720 Speaker 1: now like, I don't know about that. And then I 274 00:12:56,760 --> 00:13:01,800 Speaker 1: see you yesterday one arming it with it. I was like, oh, no, no, no, 275 00:13:02,280 --> 00:13:03,679 Speaker 1: I don't know about that. If you're just joining us 276 00:13:03,679 --> 00:13:06,480 Speaker 1: this morning, welcome to the show. We are joined in 277 00:13:06,559 --> 00:13:10,920 Speaker 1: studio by Johnny Grundy and his husband Manuel, you know, 278 00:13:10,960 --> 00:13:14,080 Speaker 1: who are both professional dancers, but who are now acrobats 279 00:13:14,280 --> 00:13:17,480 Speaker 1: who work in the now. I always want to call 280 00:13:17,520 --> 00:13:20,120 Speaker 1: it Madame Zinghara. It's the Royal Countess Cingara. Why the 281 00:13:20,200 --> 00:13:20,680 Speaker 1: name changed? 282 00:13:20,720 --> 00:13:22,040 Speaker 2: Do you know about that? I'm not sure. 283 00:13:22,120 --> 00:13:24,720 Speaker 3: I'm not sure either. Doesn't matter, it doesn't matter, move on, 284 00:13:24,800 --> 00:13:25,080 Speaker 3: move on. 285 00:13:25,880 --> 00:13:28,480 Speaker 1: And they are just one of the incredible acts who 286 00:13:28,480 --> 00:13:32,120 Speaker 1: are currently performing at Zingara which is over there at 287 00:13:32,160 --> 00:13:34,040 Speaker 1: Century City at the moment, but then it's going to 288 00:13:34,040 --> 00:13:37,360 Speaker 1: be moving to Melrose arch in joe Burg in May. 289 00:13:37,720 --> 00:13:40,199 Speaker 3: Makes please go and do this? It was? Is it 290 00:13:40,320 --> 00:13:41,560 Speaker 3: patched like that every night? 291 00:13:41,720 --> 00:13:46,200 Speaker 2: Yeah, the rafters. Yeah, we are almost sold out, but 292 00:13:46,240 --> 00:13:48,280 Speaker 2: we do still have some tickets. So do you want 293 00:13:48,320 --> 00:13:50,520 Speaker 2: to see the show? I suggest book. 294 00:13:50,720 --> 00:13:52,000 Speaker 3: Do it now? Do it now? 295 00:13:52,040 --> 00:13:54,240 Speaker 1: It is and you know what it was, people were 296 00:13:54,280 --> 00:13:58,280 Speaker 1: having such a great time, like really, it was just 297 00:13:58,440 --> 00:14:01,080 Speaker 1: it was such a there was such a such a vibe. 298 00:14:01,559 --> 00:14:05,280 Speaker 1: Your careers have literally taken you around the world. How 299 00:14:05,360 --> 00:14:09,360 Speaker 1: do audiences differ enormously? 300 00:14:09,400 --> 00:14:10,120 Speaker 3: I would imagine that. 301 00:14:10,200 --> 00:14:13,000 Speaker 2: Yeah, interesting, Yeah, it really depends where you are. For example, 302 00:14:13,000 --> 00:14:17,160 Speaker 2: like South African audiences are amazing. You guys really know 303 00:14:17,200 --> 00:14:19,440 Speaker 2: how to have a good time. And it's quite a 304 00:14:19,520 --> 00:14:22,320 Speaker 2: nice contrast from we work in Europe a lot. We 305 00:14:22,360 --> 00:14:24,240 Speaker 2: work in Germany where the culture is like a lot 306 00:14:24,280 --> 00:14:27,680 Speaker 2: more conservative, especially depending where you are in Germany, the 307 00:14:27,720 --> 00:14:30,720 Speaker 2: audiences of very conservative and they will show you that 308 00:14:30,800 --> 00:14:33,360 Speaker 2: they're enjoying what you do, but very politely and quietly. 309 00:14:33,640 --> 00:14:36,200 Speaker 2: And the South Africans are of course the whole opposite 310 00:14:36,240 --> 00:14:39,680 Speaker 2: to that. So, yeah, we're having a great time here 311 00:14:39,760 --> 00:14:40,440 Speaker 2: with this vibe. 312 00:14:40,760 --> 00:14:42,800 Speaker 1: I looked down at one point, I think as I 313 00:14:43,520 --> 00:14:46,280 Speaker 1: was leaving last night, and a woman who I'm quite 314 00:14:46,320 --> 00:14:49,040 Speaker 1: convinced is not part of the cast and crew had 315 00:14:49,080 --> 00:14:51,200 Speaker 1: found her way on stage, and I thought, and that 316 00:14:51,400 --> 00:14:56,640 Speaker 1: is my that's time for me to she had enjoyed 317 00:14:56,640 --> 00:14:57,880 Speaker 1: herself last night. 318 00:14:58,720 --> 00:15:01,640 Speaker 4: We actually had someone so they coming backstage. 319 00:15:02,000 --> 00:15:05,600 Speaker 3: Oh, a woman with blonde hair. Blond hair, Okay, that 320 00:15:05,680 --> 00:15:09,680 Speaker 3: was because if it was then that was. Yeah. 321 00:15:09,920 --> 00:15:12,280 Speaker 1: How do you how do you think that being a 322 00:15:12,280 --> 00:15:17,160 Speaker 1: couple enhances your performance, because I mean it really there's 323 00:15:17,160 --> 00:15:19,760 Speaker 1: something about again to go back to that trust element. 324 00:15:19,800 --> 00:15:23,080 Speaker 1: But obviously you also like each other. Presumably you've been 325 00:15:23,120 --> 00:15:25,400 Speaker 1: married for four years. How do you think what do 326 00:15:25,440 --> 00:15:27,040 Speaker 1: you think that brings to the act? 327 00:15:28,120 --> 00:15:29,720 Speaker 2: I think it makes it something authentic. 328 00:15:30,240 --> 00:15:30,600 Speaker 3: For sure. 329 00:15:30,600 --> 00:15:33,280 Speaker 2: You can pretend to do something or like, you know, 330 00:15:33,320 --> 00:15:35,880 Speaker 2: we can act like and you can act to tell 331 00:15:35,920 --> 00:15:39,040 Speaker 2: a story. But in our case, we are missing the 332 00:15:39,080 --> 00:15:41,280 Speaker 2: acting element because we don't have to do that. Yeah, 333 00:15:41,520 --> 00:15:44,400 Speaker 2: which means that we're showing you a real story on stage. 334 00:15:44,520 --> 00:15:46,200 Speaker 1: Have you ever had to be in a situation where 335 00:15:46,240 --> 00:15:48,440 Speaker 1: where maybe somebody is not one of you is not well, 336 00:15:48,520 --> 00:15:49,800 Speaker 1: or you can't be there, you had to get team 337 00:15:49,880 --> 00:15:55,200 Speaker 1: up with someone else. Yeah, and how's that miss each other? 338 00:15:56,680 --> 00:15:58,600 Speaker 3: Right? It doesn't really, it's. 339 00:15:58,520 --> 00:16:01,120 Speaker 2: Part of the job. I mean before well, I worked 340 00:16:01,120 --> 00:16:03,440 Speaker 2: with Manuel, I worked with the girl a few bills 341 00:16:03,440 --> 00:16:06,320 Speaker 2: for a very long time, and when we met, we 342 00:16:06,400 --> 00:16:09,720 Speaker 2: started working together. So yeah, I didn't always work with 343 00:16:09,800 --> 00:16:12,240 Speaker 2: my husband, and then sometimes shows will have us work 344 00:16:12,240 --> 00:16:15,640 Speaker 2: with other people or yeah, maybe like once Spanuel was 345 00:16:15,680 --> 00:16:18,080 Speaker 2: a bit sick and I teamed up with a female 346 00:16:18,120 --> 00:16:21,640 Speaker 2: acrobat to do the number for some shows there. 347 00:16:21,720 --> 00:16:25,280 Speaker 1: Yeah, I think having two guys brought a really a 348 00:16:25,360 --> 00:16:27,720 Speaker 1: really fantastic element to it as well, because it's not 349 00:16:27,720 --> 00:16:29,360 Speaker 1: what people are expecting necessarily. 350 00:16:29,600 --> 00:16:30,600 Speaker 3: No, it's lovely. 351 00:16:30,800 --> 00:16:32,400 Speaker 2: I was actually really scared to do it the first 352 00:16:32,440 --> 00:16:34,200 Speaker 2: time that we did it, because you know, we were 353 00:16:34,200 --> 00:16:37,720 Speaker 2: not sure how people would react, and the reactions are 354 00:16:37,760 --> 00:16:38,560 Speaker 2: actually fantastic. 355 00:16:38,600 --> 00:16:41,400 Speaker 1: Has there been any anything nat? I remember what's the 356 00:16:41,440 --> 00:16:44,480 Speaker 1: show the UK show with the dancing? 357 00:16:44,600 --> 00:16:45,480 Speaker 3: Oh, come on, it's Jay. 358 00:16:46,320 --> 00:16:48,520 Speaker 1: What is that show where you the competitors go and 359 00:16:48,560 --> 00:16:51,160 Speaker 1: you have to dance and then whatever? Oh gosh, come 360 00:16:51,200 --> 00:16:55,280 Speaker 1: on and they're always on the tabloids anyway, strictly come dancing, 361 00:16:56,040 --> 00:16:58,360 Speaker 1: certinly come dancing, and there wasn't there a point which 362 00:16:58,440 --> 00:17:01,800 Speaker 1: sat one year two guys were dancing. There was absolutely 363 00:17:01,840 --> 00:17:03,760 Speaker 1: outrage because two guys were dancing on TV. 364 00:17:03,880 --> 00:17:05,440 Speaker 3: If I know that, I'm sure I haven't. 365 00:17:05,600 --> 00:17:09,560 Speaker 2: It sounds like it sounds yeah, But I think the 366 00:17:09,560 --> 00:17:11,359 Speaker 2: people that are maybe a little bit upset by it 367 00:17:11,400 --> 00:17:12,880 Speaker 2: and maybe the ones that need to see it the most, 368 00:17:13,119 --> 00:17:16,480 Speaker 2: so it doesn't really bother me. And art is very subjective. 369 00:17:16,520 --> 00:17:18,560 Speaker 2: Not everybody has to like it. I don't like everything 370 00:17:18,560 --> 00:17:21,480 Speaker 2: that I see. I hope that most people can find 371 00:17:21,520 --> 00:17:22,399 Speaker 2: something to enjoy in. 372 00:17:22,400 --> 00:17:26,119 Speaker 1: It outside of your own act. Obviously, Do you have 373 00:17:26,160 --> 00:17:28,840 Speaker 1: a favorite? I know that's an awful question to usk. 374 00:17:28,880 --> 00:17:30,200 Speaker 1: Do you have a favorite in the show? 375 00:17:30,400 --> 00:17:33,120 Speaker 2: I don't think I do, just because everything is so different, 376 00:17:33,240 --> 00:17:35,640 Speaker 2: Like you have some things that are really slow and beautiful, 377 00:17:35,640 --> 00:17:37,520 Speaker 2: and then you have some things that are very fast 378 00:17:37,560 --> 00:17:40,840 Speaker 2: and dangerous. You just can't compare those two things. 379 00:17:40,880 --> 00:17:42,879 Speaker 3: It's true, true, Yeah, I do know what you mean. 380 00:17:43,000 --> 00:17:44,280 Speaker 4: There was very different. 381 00:17:44,840 --> 00:17:45,679 Speaker 3: It is very different. 382 00:17:45,680 --> 00:17:48,399 Speaker 1: There was a there was a piece last night with 383 00:17:48,480 --> 00:17:50,960 Speaker 1: a gorgeous woman who's doing and this is going to 384 00:17:51,040 --> 00:17:53,919 Speaker 1: sound bizarre. I don't know how else to describe it. 385 00:17:54,119 --> 00:17:58,439 Speaker 1: Something with sticks. She's doing something with sticks, and I 386 00:17:58,480 --> 00:18:00,919 Speaker 1: know that. To the to the listener who doesn't know 387 00:18:00,960 --> 00:18:03,119 Speaker 1: what I'm talking about, I'm like, oh, that sounds interesting. 388 00:18:04,119 --> 00:18:07,159 Speaker 1: It was the most remarkable thing I ever seen. It 389 00:18:07,240 --> 00:18:09,800 Speaker 1: was beautiful, right, I mean what, I didn't even know 390 00:18:09,840 --> 00:18:12,199 Speaker 1: that that as an art form existed. 391 00:18:12,240 --> 00:18:14,199 Speaker 3: There was so much last night that I watched. I 392 00:18:14,200 --> 00:18:16,240 Speaker 3: was like, I didn't even know that was a thing. 393 00:18:16,359 --> 00:18:18,840 Speaker 3: How did how do? As my friend said, how do 394 00:18:18,880 --> 00:18:21,760 Speaker 3: you know that you're good at that? That's a good point. 395 00:18:21,920 --> 00:18:25,800 Speaker 2: I don't know how she was good at that, but yeah, 396 00:18:25,840 --> 00:18:28,720 Speaker 2: she performs a balancing act with I believe they're whale bones. 397 00:18:28,800 --> 00:18:30,760 Speaker 4: No, no, I think they're palm. 398 00:18:31,040 --> 00:18:37,080 Speaker 2: Palm, and she basically balances them in very extreme ways 399 00:18:37,080 --> 00:18:41,720 Speaker 2: to create this very precarious structure that. Yeah, I don't 400 00:18:41,760 --> 00:18:42,520 Speaker 2: know how she discovered. 401 00:18:43,040 --> 00:18:45,840 Speaker 1: I mean, that is such a soft skill. 402 00:18:45,760 --> 00:18:46,720 Speaker 3: You never know you needed. 403 00:18:46,800 --> 00:18:47,800 Speaker 2: She must be amazing at. 404 00:18:49,400 --> 00:18:54,640 Speaker 1: Yeah, just remind us again. Then you were with your 405 00:18:54,680 --> 00:18:57,600 Speaker 1: at Century City until end of June. 406 00:18:57,760 --> 00:19:01,240 Speaker 2: End of Century City and until I think it's May 407 00:19:01,320 --> 00:19:06,080 Speaker 2: nineteen though, okay it's and then the show transfers to Johannesburg. 408 00:19:06,200 --> 00:19:09,280 Speaker 2: We are unfortunately not joining them. So if you want 409 00:19:09,280 --> 00:19:10,800 Speaker 2: to see our act, you'll have to book. 410 00:19:10,600 --> 00:19:14,439 Speaker 1: The right book now, Book now, book now, Tell your 411 00:19:14,440 --> 00:19:19,000 Speaker 1: friends book now. It's Zingara dot Kosa. The gates open 412 00:19:19,040 --> 00:19:21,400 Speaker 1: at six, wim, please get there early if you're going 413 00:19:21,480 --> 00:19:24,560 Speaker 1: to enjoy all the stuff, don't just kind of turn 414 00:19:24,640 --> 00:19:27,560 Speaker 1: up at eight o'clock and miss all the stuff. Gates 415 00:19:27,600 --> 00:19:29,800 Speaker 1: open at six, Go and enjoy, have a drink, get 416 00:19:29,840 --> 00:19:31,720 Speaker 1: your face painted, do all of that sort of jazz. 417 00:19:32,400 --> 00:19:33,720 Speaker 3: The show begins at eight o'clock. 418 00:19:33,800 --> 00:19:36,560 Speaker 1: And if you are a parent and you're going to 419 00:19:36,600 --> 00:19:38,920 Speaker 1: tell the babysity that give her an extra or whatever 420 00:19:38,920 --> 00:19:41,080 Speaker 1: it is. And stay late for the party, which I'm 421 00:19:41,080 --> 00:19:43,400 Speaker 1: afraid I didn't do last night because it is it's 422 00:19:43,440 --> 00:19:45,800 Speaker 1: a whole We didn't want to leave, and it's a 423 00:19:45,880 --> 00:19:48,160 Speaker 1: chance to get dressed up as well, isn't it. People 424 00:19:48,160 --> 00:19:50,200 Speaker 1: go all out there. It was a sequenced a lot 425 00:19:50,240 --> 00:19:51,640 Speaker 1: of sequence happening last night. 426 00:19:52,000 --> 00:19:52,520 Speaker 3: It was good. 427 00:19:52,720 --> 00:19:54,879 Speaker 4: Yeah. Yeah, the first to know that we'll watch a 428 00:19:54,960 --> 00:19:59,880 Speaker 4: shot cald them tell who? 429 00:20:00,000 --> 00:20:00,040 Speaker 2: So? 430 00:20:00,119 --> 00:20:04,760 Speaker 4: Yeah, what was like a waiter or a guest? Because 431 00:20:04,960 --> 00:20:09,760 Speaker 4: everyone is dressed and it's beautiful. Yeah, that's why it's 432 00:20:09,800 --> 00:20:10,840 Speaker 4: like I've been in another world. 433 00:20:11,040 --> 00:20:12,040 Speaker 3: Yeah, it really is. 434 00:20:12,359 --> 00:20:14,800 Speaker 1: Listen, if people have seen you and and they want 435 00:20:14,840 --> 00:20:16,879 Speaker 1: to maybe follow on social media or if they are 436 00:20:16,960 --> 00:20:19,160 Speaker 1: you know, international jet setters, you might find their way 437 00:20:19,200 --> 00:20:21,080 Speaker 1: to Italy at some point. Where can they see you 438 00:20:21,119 --> 00:20:23,320 Speaker 1: performing there and social media and all of that sort 439 00:20:23,320 --> 00:20:23,680 Speaker 1: of stuff. 440 00:20:23,920 --> 00:20:26,480 Speaker 2: Yeah, they can found us on Instagram. Our instagrams are 441 00:20:26,560 --> 00:20:29,480 Speaker 2: Johnny j O, n n Y, Underscore, Grundy, g Are 442 00:20:29,560 --> 00:20:31,200 Speaker 2: You and dye Y and. 443 00:20:31,440 --> 00:20:34,399 Speaker 4: I'm just Manuel Artino. There we go. 444 00:20:35,400 --> 00:20:38,359 Speaker 1: I absolutely love the show. Thank you very very much. Indeed, 445 00:20:38,640 --> 00:20:42,280 Speaker 1: thank you so much for coming in. It is breathtakingly beautiful. 446 00:20:42,960 --> 00:20:47,160 Speaker 1: Please don't drop each other ever. Continue to love each 447 00:20:47,160 --> 00:20:49,240 Speaker 1: other and literally hold each other close.