1 00:00:02,000 --> 00:00:05,480 Speaker 1: It's my forty seven. Now it's been two years since 2 00:00:05,519 --> 00:00:08,360 Speaker 1: we last spoke to our music guest this morning, and 3 00:00:08,400 --> 00:00:11,719 Speaker 1: now Anika Ko has gone and written the title song 4 00:00:12,440 --> 00:00:16,440 Speaker 1: to a documentary, not just any documentary, It's Rachel Kalisi's 5 00:00:16,680 --> 00:00:19,759 Speaker 1: Falling Forward. I'm absolutely thrilled that she joins us on 6 00:00:19,800 --> 00:00:22,520 Speaker 1: the line this morning. Anika, you gorgeous creature. How are you? 7 00:00:23,520 --> 00:00:24,520 Speaker 2: I'm good in yourself. 8 00:00:24,920 --> 00:00:28,240 Speaker 1: I am very very well. I've been seeing pictures of 9 00:00:28,240 --> 00:00:29,880 Speaker 1: you all over and I didn't put two and two 10 00:00:29,920 --> 00:00:35,520 Speaker 1: together until I realized, Okay, this is the Rachel Coalisi documentary. 11 00:00:35,520 --> 00:00:37,680 Speaker 1: How did this come about? How did you end up 12 00:00:37,720 --> 00:00:40,920 Speaker 1: writing the title song for the Falling Forward documentary? 13 00:00:41,000 --> 00:00:42,519 Speaker 2: Okay, So I'm going to try and give you the 14 00:00:42,680 --> 00:00:43,360 Speaker 2: short story. 15 00:00:43,440 --> 00:00:46,440 Speaker 1: Now give us a long, long winded version. 16 00:00:47,000 --> 00:00:50,560 Speaker 2: Okay, okay, Okay. So basically, Rachel and I met from 17 00:00:50,600 --> 00:00:55,960 Speaker 2: a mutual person and his name is Miguel, and he 18 00:00:56,080 --> 00:00:58,480 Speaker 2: sort of brought us together to have a meeting because 19 00:00:58,600 --> 00:01:01,000 Speaker 2: she had spoken to him about the Falling Forward road 20 00:01:01,040 --> 00:01:04,360 Speaker 2: show and she had told him that she wanted a 21 00:01:04,440 --> 00:01:07,800 Speaker 2: singer to sing the song Rescue. It was going to 22 00:01:07,840 --> 00:01:10,360 Speaker 2: be a very special moment for her. And it's a 23 00:01:10,400 --> 00:01:15,200 Speaker 2: song by Lauren Daegel, and I was like totally keen, 24 00:01:15,280 --> 00:01:17,679 Speaker 2: you know. And when we went to the meeting my 25 00:01:17,760 --> 00:01:21,920 Speaker 2: manager Arianne and I, Arianna said, why not actually suggest 26 00:01:22,480 --> 00:01:26,400 Speaker 2: you writing the song for the a song for the documentary. 27 00:01:26,920 --> 00:01:28,360 Speaker 2: And I was like, Oh, that's actually a good idea. 28 00:01:28,360 --> 00:01:31,880 Speaker 2: And so when Rachel and her team came, they loved 29 00:01:31,880 --> 00:01:36,080 Speaker 2: the idea. And the funny, the funny part about the 30 00:01:36,080 --> 00:01:38,280 Speaker 2: whole story is that in the beginning of the year, 31 00:01:38,319 --> 00:01:42,400 Speaker 2: before even yearing anything about the documentary at all, or 32 00:01:44,319 --> 00:01:47,240 Speaker 2: the road show anything like that, I had started writing 33 00:01:47,240 --> 00:01:49,200 Speaker 2: a song and in the lyrics of the song, it 34 00:01:49,280 --> 00:01:52,760 Speaker 2: literally goes falling forward, falling forward the whole time. It 35 00:01:53,200 --> 00:01:54,800 Speaker 2: was like it was like almost like it was meant 36 00:01:54,840 --> 00:01:58,600 Speaker 2: to be. That that that pre chorus and that chorus 37 00:01:58,720 --> 00:02:01,280 Speaker 2: had already been written. It was like it was meant 38 00:02:01,320 --> 00:02:05,400 Speaker 2: to be. So after that, I quickly sent them a 39 00:02:05,400 --> 00:02:08,360 Speaker 2: screenshot of the notes where I had started writing the 40 00:02:08,440 --> 00:02:10,920 Speaker 2: song and literally sent them the dates and everything, so 41 00:02:10,919 --> 00:02:16,040 Speaker 2: they knew, you know, like I'm not trying to and 42 00:02:16,080 --> 00:02:18,920 Speaker 2: they were just like in absolute shock, and they were 43 00:02:18,960 --> 00:02:21,959 Speaker 2: just like, miracles really do happen, and this is clearly 44 00:02:22,000 --> 00:02:25,160 Speaker 2: meant to be. So yeah, it's been. It's been amazing 45 00:02:25,240 --> 00:02:25,600 Speaker 2: so far. 46 00:02:25,840 --> 00:02:29,239 Speaker 1: Isn't it weird how things are so sort of soendipitous 47 00:02:29,280 --> 00:02:32,680 Speaker 1: like that, and so and so sort of tied tied 48 00:02:32,680 --> 00:02:34,520 Speaker 1: to things in that way. I just think that is 49 00:02:34,600 --> 00:02:38,200 Speaker 1: absolutely incredible. I mean that that things. I hear things 50 00:02:38,240 --> 00:02:40,520 Speaker 1: like that, and I'm like, that must have been the universe, 51 00:02:40,560 --> 00:02:43,440 Speaker 1: the way the universe intended it to be. Must have 52 00:02:43,480 --> 00:02:47,480 Speaker 1: been definitely yeah, crazy. So what is the song about? 53 00:02:47,520 --> 00:02:49,560 Speaker 1: Like when you when you put pen to paper for 54 00:02:49,680 --> 00:02:52,600 Speaker 1: you what what were you writing? What were the things 55 00:02:52,600 --> 00:02:54,239 Speaker 1: that were inspiring you about the song? 56 00:02:54,639 --> 00:02:58,040 Speaker 2: So initially it was actually about my grant that I 57 00:02:58,160 --> 00:03:01,320 Speaker 2: passed away a couple of years ago, and she was 58 00:03:01,360 --> 00:03:05,880 Speaker 2: basically like the everything in my life, Like if I 59 00:03:05,960 --> 00:03:09,280 Speaker 2: was feeling sad, if I was just feeling a bit off, 60 00:03:09,320 --> 00:03:11,840 Speaker 2: you know, I knew that I could always go to 61 00:03:11,880 --> 00:03:13,359 Speaker 2: my grand and then just feel a bit better. I 62 00:03:13,400 --> 00:03:16,640 Speaker 2: wouldn't even need to explain to her about anything that 63 00:03:16,720 --> 00:03:18,440 Speaker 2: was going on, you know, she would just make me 64 00:03:18,480 --> 00:03:22,680 Speaker 2: feel better. And so the song in the song it 65 00:03:22,720 --> 00:03:25,280 Speaker 2: goes an angel called from Afar. She said, you know 66 00:03:25,320 --> 00:03:27,720 Speaker 2: who you are if you believe it, it's yours. She 67 00:03:27,800 --> 00:03:31,399 Speaker 2: told me reach for the stars. And basically, the angel 68 00:03:31,960 --> 00:03:35,440 Speaker 2: is my grand and she's tunning me from heaven or 69 00:03:36,520 --> 00:03:39,600 Speaker 2: you know, she's tunning me that I've got this. If 70 00:03:39,640 --> 00:03:42,600 Speaker 2: I'm not believing in myself, she's there rooting for me, 71 00:03:42,720 --> 00:03:48,120 Speaker 2: She's there cheering me on. And when I pitched the 72 00:03:48,200 --> 00:03:50,680 Speaker 2: idea to Rachel and then I said, this angel, it 73 00:03:50,760 --> 00:03:52,560 Speaker 2: was my grand It's my grand for me. It can 74 00:03:52,640 --> 00:03:56,800 Speaker 2: be God for you, it can be your like a 75 00:03:56,960 --> 00:03:58,880 Speaker 2: voice in your head that tells you to keep going. 76 00:03:58,960 --> 00:04:03,000 Speaker 2: But it's it's something or someone that just keeps pushing 77 00:04:03,000 --> 00:04:06,440 Speaker 2: you when you aren't when you aren't able to push yourself, 78 00:04:06,480 --> 00:04:10,000 Speaker 2: when you aren't able to you know, keep on going. 79 00:04:10,040 --> 00:04:13,680 Speaker 2: It's that little voice, that that little piece of something 80 00:04:13,720 --> 00:04:16,719 Speaker 2: that just keeps you going, that keeps pushing you to 81 00:04:16,839 --> 00:04:19,839 Speaker 2: fall forward and to carry on even though things are hard. 82 00:04:20,200 --> 00:04:25,760 Speaker 1: Wow, gosh. For you, when you writing a piece of music, 83 00:04:26,920 --> 00:04:30,240 Speaker 1: do you get attached to songs in terms of would 84 00:04:30,320 --> 00:04:33,479 Speaker 1: you write for other people or do you feel almost 85 00:04:33,520 --> 00:04:35,840 Speaker 1: possessive of your own work? 86 00:04:36,920 --> 00:04:40,279 Speaker 2: That's very good question. I feel like I definitely am 87 00:04:40,400 --> 00:04:43,400 Speaker 2: that kind of person. I think that's why I haven't 88 00:04:43,560 --> 00:04:48,320 Speaker 2: really written for anyone yet, but it is something that 89 00:04:48,440 --> 00:04:51,960 Speaker 2: I'm wanting to do this year. So hopefully I can 90 00:04:52,160 --> 00:04:54,800 Speaker 2: actually open up that door finally and just let go, 91 00:04:54,880 --> 00:04:57,440 Speaker 2: because yeah, I am someone that I struggle to let go. 92 00:04:57,480 --> 00:04:59,400 Speaker 2: I mean, I've got songs that I've written before that, 93 00:05:00,279 --> 00:05:02,039 Speaker 2: you know, I feel it's not really meant for me. 94 00:05:02,120 --> 00:05:04,240 Speaker 2: It can definitely be given to someone else, but I 95 00:05:04,320 --> 00:05:07,120 Speaker 2: just can't let go it. It feels like it feels 96 00:05:07,120 --> 00:05:08,839 Speaker 2: like I don't know a part of me, you know. 97 00:05:08,920 --> 00:05:09,360 Speaker 2: In a way. 98 00:05:09,880 --> 00:05:13,400 Speaker 1: It's so interesting. I'm always I'm I relate to that, 99 00:05:13,480 --> 00:05:16,080 Speaker 1: not that I'm a songwriter, but I relate to that heavenly. 100 00:05:17,520 --> 00:05:20,720 Speaker 1: But I'm always amazed by by singer songwriters who are like, oh, 101 00:05:20,760 --> 00:05:22,200 Speaker 1: and then I wrote this track for someone else, And 102 00:05:22,240 --> 00:05:24,359 Speaker 1: I'm like, but how do you how do you know 103 00:05:24,440 --> 00:05:25,280 Speaker 1: it's for someone else? 104 00:05:25,320 --> 00:05:25,840 Speaker 2: How can you? 105 00:05:25,960 --> 00:05:27,960 Speaker 1: How do you give that way? Isn't it interesting how 106 00:05:27,960 --> 00:05:31,520 Speaker 1: different people have different attachments to things. What is the 107 00:05:31,560 --> 00:05:33,840 Speaker 1: future looking like for you? And I feel what's coming 108 00:05:33,880 --> 00:05:36,160 Speaker 1: up after this? Obviously you're doing a lot of promotion 109 00:05:36,240 --> 00:05:38,560 Speaker 1: for Falling Forward, but what's coming up later in the 110 00:05:38,600 --> 00:05:39,000 Speaker 1: year for you? 111 00:05:40,320 --> 00:05:45,840 Speaker 2: Hopefully an overseas show. I'm yeah, it's something that I've 112 00:05:45,880 --> 00:05:48,560 Speaker 2: been warning for a while and it's been in the 113 00:05:48,640 --> 00:05:52,240 Speaker 2: talk since last year already. And yeah, there's a few 114 00:05:52,320 --> 00:05:54,520 Speaker 2: things that have been concerned or were just waiting to 115 00:05:54,600 --> 00:05:56,920 Speaker 2: hear a few things, so I don't want to say 116 00:05:56,960 --> 00:05:59,440 Speaker 2: anything or because I really want it to happen and 117 00:05:59,480 --> 00:06:04,120 Speaker 2: I don't want but yeah, that is the most probably 118 00:06:04,160 --> 00:06:07,839 Speaker 2: exciting thing that I'm looking forward to. I've also just 119 00:06:07,880 --> 00:06:12,760 Speaker 2: recently launched a merch line, so that's quite well. Yes, 120 00:06:12,839 --> 00:06:16,640 Speaker 2: And then in terms of my music, just looking at 121 00:06:16,680 --> 00:06:20,120 Speaker 2: doing more collaborations this year. I mean, if possible, you know, 122 00:06:20,120 --> 00:06:23,000 Speaker 2: if the artists that I want to work with agree 123 00:06:23,000 --> 00:06:24,960 Speaker 2: on it, I would really really love to do more 124 00:06:25,000 --> 00:06:27,040 Speaker 2: collaborations because I haven't in a while. 125 00:06:27,480 --> 00:06:30,080 Speaker 1: Who's who's on your dream list for collapse? 126 00:06:31,120 --> 00:06:35,040 Speaker 2: Sure? Well I would always say that, you know, she 127 00:06:35,240 --> 00:06:36,839 Speaker 2: Kina would always get the top of my list, but 128 00:06:36,880 --> 00:06:38,400 Speaker 2: I mean she, I don't know if else, I don't 129 00:06:38,440 --> 00:06:43,600 Speaker 2: know how our sounds would look together. But Neon dreams 130 00:06:43,760 --> 00:06:48,160 Speaker 2: a wlany Matthew Moles also since last year has been 131 00:06:48,200 --> 00:06:53,279 Speaker 2: a big one, and yeah, I can't even think of 132 00:06:53,279 --> 00:06:55,760 Speaker 2: there is there's a lot more there's also some overseas 133 00:06:55,760 --> 00:06:56,479 Speaker 2: ones as well. 134 00:06:57,000 --> 00:06:58,960 Speaker 1: Listen, I'm sure that whatever you do, you're going to 135 00:06:59,000 --> 00:07:01,000 Speaker 1: be enormously successful. Well, I see you out there, and 136 00:07:01,000 --> 00:07:03,679 Speaker 1: I see how hard you're working and putting this beautiful 137 00:07:03,720 --> 00:07:06,120 Speaker 1: music out there for us. Please, will you introduce your 138 00:07:06,160 --> 00:07:07,160 Speaker 1: latest chat for us? 139 00:07:08,880 --> 00:07:15,080 Speaker 2: Okay, everybody, my name is Anika Kijano and this is 140 00:07:15,240 --> 00:07:21,280 Speaker 2: falling forward. My nan loves on the way. 141 00:07:21,480 --> 00:07:24,160 Speaker 1: I gotta said, try again. 142 00:07:24,240 --> 00:07:27,480 Speaker 2: It'd be strong for me, my family,