1 00:00:00,080 --> 00:00:03,280 Speaker 1: A poets, a guitarist, a singer, a musician, a man 2 00:00:03,320 --> 00:00:05,840 Speaker 1: of stature so adored in South Africa. That was a 3 00:00:05,840 --> 00:00:09,760 Speaker 1: snippet of the original Crucify Your Mind or Rodrigue's first 4 00:00:09,760 --> 00:00:12,440 Speaker 1: album called Fact, which came out before I was born 5 00:00:12,480 --> 00:00:15,480 Speaker 1: in nineteen seventy and I know for many people that 6 00:00:15,760 --> 00:00:18,280 Speaker 1: is the album, that's the one you probably know by heart. 7 00:00:18,600 --> 00:00:20,720 Speaker 1: I just want to comment, if you haven't listened to 8 00:00:20,760 --> 00:00:23,919 Speaker 1: the nineteen seventy one follow up coming from Reality, you 9 00:00:24,040 --> 00:00:26,279 Speaker 1: are missing out and you should make an effort to 10 00:00:26,320 --> 00:00:28,200 Speaker 1: go and look for it. While you're at it, though, 11 00:00:28,200 --> 00:00:31,360 Speaker 1: you can also explore the new album Essay for Rodriguez, 12 00:00:31,360 --> 00:00:33,760 Speaker 1: which sees some of our top local artists from ross 13 00:00:33,800 --> 00:00:37,159 Speaker 1: Lehmonth to carn Moreby to Doctor Victor and others covering 14 00:00:37,240 --> 00:00:39,720 Speaker 1: some of his most famous songs. It is a twenty 15 00:00:39,720 --> 00:00:43,320 Speaker 1: one track album and it also features Rodriguez's daughter Sandra, 16 00:00:43,400 --> 00:00:45,960 Speaker 1: who is joining us by a zoom from the USA 17 00:00:46,000 --> 00:00:47,960 Speaker 1: this afternoon. In Sandra, it's such a pleasure to have 18 00:00:48,000 --> 00:00:50,520 Speaker 1: you on the show. Thank you for I suspect getting 19 00:00:50,600 --> 00:00:52,599 Speaker 1: up quite early in the day on your side to 20 00:00:52,600 --> 00:00:54,920 Speaker 1: be with us this afternoon. And welcome to Cave Talk. 21 00:00:56,400 --> 00:00:58,920 Speaker 2: Thank you, Pippa Hudson. It is my honor to be here. 22 00:00:59,000 --> 00:01:02,040 Speaker 2: Thank you, keep talk, Thank you South Africa and rock 23 00:01:02,080 --> 00:01:04,600 Speaker 2: and roll is twenty four hours, so it's never early. 24 00:01:05,560 --> 00:01:07,760 Speaker 1: I love it, Sada, I've got to say right back 25 00:01:07,760 --> 00:01:09,760 Speaker 1: at you. An honor and a thrill for me, one 26 00:01:09,800 --> 00:01:11,800 Speaker 1: of the greatest thrills of my career to have the 27 00:01:11,840 --> 00:01:14,360 Speaker 1: opportunity to interview your father when he was in South 28 00:01:14,360 --> 00:01:18,120 Speaker 1: Africa many years ago on tour. I still pinched myself 29 00:01:18,200 --> 00:01:20,440 Speaker 1: that I got that opportunity and that I got to 30 00:01:20,440 --> 00:01:23,720 Speaker 1: see him in concerts several times. He was such a 31 00:01:23,800 --> 00:01:26,080 Speaker 1: larger than life figure for those of us who grew 32 00:01:26,160 --> 00:01:28,440 Speaker 1: up listening to his music. Of course, for you, he 33 00:01:28,560 --> 00:01:30,679 Speaker 1: was dad first and foremost. Tell us a bit about 34 00:01:30,720 --> 00:01:31,720 Speaker 1: what he was like as a father. 35 00:01:33,720 --> 00:01:36,399 Speaker 2: Well, he's a wonderful father, and he did have a 36 00:01:36,560 --> 00:01:43,280 Speaker 2: very unique personality. He was a unique individual, and I 37 00:01:43,440 --> 00:01:49,360 Speaker 2: say there was nobody really like him. I spent fifty 38 00:01:49,400 --> 00:01:54,000 Speaker 2: eight years shoulder to shoulder with the man, and it 39 00:01:54,120 --> 00:01:56,960 Speaker 2: was an honor to learn from his wisdom every day 40 00:01:57,280 --> 00:02:01,400 Speaker 2: and to be in the industry with him. Heartbreaking is 41 00:02:01,440 --> 00:02:05,640 Speaker 2: it can be? He said, be prepared for disappointment, rejection 42 00:02:05,800 --> 00:02:09,120 Speaker 2: and criticism. If you're going to go into music, it 43 00:02:09,160 --> 00:02:12,680 Speaker 2: will be part of the landscape as well as what 44 00:02:12,840 --> 00:02:16,919 Speaker 2: happened to us in South Africa. That moment in time 45 00:02:17,080 --> 00:02:20,120 Speaker 2: where you made it and you find the acceptance and 46 00:02:20,160 --> 00:02:23,560 Speaker 2: the love I mean in your audience. 47 00:02:23,480 --> 00:02:26,440 Speaker 1: That came so late for him? Was he a all 48 00:02:26,480 --> 00:02:29,000 Speaker 1: bitter or angry about the fact that it played out 49 00:02:29,080 --> 00:02:31,720 Speaker 1: that way? That you know, if only he had known 50 00:02:31,840 --> 00:02:35,000 Speaker 1: sooner how much his music was loved and respected here, 51 00:02:35,520 --> 00:02:37,640 Speaker 1: what his life might have been like that would have 52 00:02:37,639 --> 00:02:39,359 Speaker 1: been different, or was it something you think he kind 53 00:02:39,400 --> 00:02:40,120 Speaker 1: have made peace with? 54 00:02:41,880 --> 00:02:44,919 Speaker 2: Well, Peppa he his exact words was, he was too 55 00:02:45,120 --> 00:02:51,080 Speaker 2: disappointed to be disappointed. He was very, very distraught about 56 00:02:51,160 --> 00:02:54,160 Speaker 2: not making it, but he continued, he said, We're going 57 00:02:54,240 --> 00:02:57,320 Speaker 2: to stick with music. And the reason why he worked 58 00:02:57,360 --> 00:03:01,880 Speaker 2: so very, very hard is a busy bee knows no sorrow, 59 00:03:02,000 --> 00:03:05,160 Speaker 2: he would say. So he would keep himself occupied with 60 00:03:05,280 --> 00:03:09,880 Speaker 2: physical labor, which works, and music works to help that 61 00:03:10,080 --> 00:03:12,400 Speaker 2: angst that we all feel from time to time. 62 00:03:13,760 --> 00:03:17,360 Speaker 1: Now, how much did your life change after the discovery that, 63 00:03:17,480 --> 00:03:20,640 Speaker 1: in fact, he had been selling albums by the bucket 64 00:03:20,639 --> 00:03:22,760 Speaker 1: load in this part of the world. That in fact, 65 00:03:22,800 --> 00:03:26,919 Speaker 1: his music had reached a substantial audience, had touched people's hearts, 66 00:03:26,960 --> 00:03:30,280 Speaker 1: that that poetry he had poured onto the page had 67 00:03:30,320 --> 00:03:33,160 Speaker 1: reached an audience. Sata, Can you describe for us what 68 00:03:33,240 --> 00:03:36,000 Speaker 1: it was like for him to have that moment of 69 00:03:36,040 --> 00:03:38,520 Speaker 1: recognition and for you, as his daughter, to see what 70 00:03:38,720 --> 00:03:39,720 Speaker 1: that meant to your father. 71 00:03:41,360 --> 00:03:43,880 Speaker 2: It was very much like a fairy tale like you 72 00:03:43,920 --> 00:03:49,160 Speaker 2: would see the or somebody winning a lottery, like that 73 00:03:49,240 --> 00:03:52,800 Speaker 2: same kind of elation, like you know, But for me 74 00:03:52,920 --> 00:03:55,920 Speaker 2: it was finally, finally, finally he made it. I knew 75 00:03:56,600 --> 00:04:00,400 Speaker 2: these songs were golden songs. I knew they were qualities songs. 76 00:04:00,440 --> 00:04:03,240 Speaker 2: I knew that they were wonderful, and for me, it 77 00:04:03,320 --> 00:04:06,680 Speaker 2: was finally, at last, It's about time, thank you, And 78 00:04:08,440 --> 00:04:10,480 Speaker 2: it was it was all that. It was just a 79 00:04:10,520 --> 00:04:15,560 Speaker 2: matter of time. And the technology helped, you know, the 80 00:04:15,640 --> 00:04:20,000 Speaker 2: library helped, the Billboard magazine helped us discover it, Okay, 81 00:04:20,120 --> 00:04:21,720 Speaker 2: and of course the documentary. 82 00:04:22,040 --> 00:04:24,880 Speaker 1: Yeah, and I do remember reading the story that your 83 00:04:24,960 --> 00:04:27,080 Speaker 1: dad didn't even step up to watch the Oscars when 84 00:04:27,080 --> 00:04:29,919 Speaker 1: that movie was named best documentary featured. Was I believe 85 00:04:29,960 --> 00:04:32,320 Speaker 1: you who actually phoned him to tell him, Dad, we've 86 00:04:32,400 --> 00:04:33,600 Speaker 1: just won an Oscar. 87 00:04:34,400 --> 00:04:37,360 Speaker 2: That is correct, and my sisters and I even Reagan, 88 00:04:37,440 --> 00:04:40,599 Speaker 2: we all wanted to go to the Oscars. My dad 89 00:04:40,839 --> 00:04:43,960 Speaker 2: said he was with his his fan base, he was 90 00:04:44,680 --> 00:04:48,800 Speaker 2: doing his shows and he didn't want to take any 91 00:04:48,839 --> 00:04:54,120 Speaker 2: of the shine away from Malick Benjulou's masterpiece, who my 92 00:04:54,240 --> 00:04:57,120 Speaker 2: dad gave Malick all the credit for that, you know, 93 00:04:57,279 --> 00:04:59,640 Speaker 2: even though the songs were fifty percent of the soundtrack 94 00:04:59,760 --> 00:05:04,560 Speaker 2: and it's Rodriguez's story, but you know, Rodriguez wanted Malack 95 00:05:04,600 --> 00:05:05,520 Speaker 2: to have his time. 96 00:05:06,440 --> 00:05:09,760 Speaker 1: And yeah, I mean thank Evans that he was recognized 97 00:05:09,800 --> 00:05:12,280 Speaker 1: in the way he was. So many listeners commenting on 98 00:05:12,320 --> 00:05:15,360 Speaker 1: our WhatsApp line about how magical that music is and 99 00:05:15,400 --> 00:05:18,640 Speaker 1: the memories that evokes for them, and Jill saying, my 100 00:05:18,680 --> 00:05:21,800 Speaker 1: brother discovered Rodriguez in the army and introduced me to 101 00:05:21,880 --> 00:05:24,440 Speaker 1: his music when he came home from teaching college for 102 00:05:24,480 --> 00:05:27,040 Speaker 1: a holiday. As old these we went to see him 103 00:05:27,080 --> 00:05:30,080 Speaker 1: together at Grand West and it was an unforgettable memory. 104 00:05:31,160 --> 00:05:32,760 Speaker 1: We were probably there the same night, Jill, and it 105 00:05:32,760 --> 00:05:34,840 Speaker 1: was unforgettable for me as well. I think I was 106 00:05:34,920 --> 00:05:37,040 Speaker 1: lucky enough to see him three times in the end, 107 00:05:37,320 --> 00:05:40,160 Speaker 1: which our treasure. But Sandra let's I mean, first, y, 108 00:05:40,240 --> 00:05:41,880 Speaker 1: the first thing to say before we talk about the 109 00:05:41,880 --> 00:05:44,359 Speaker 1: new album is of course to say condolences to you 110 00:05:44,440 --> 00:05:46,559 Speaker 1: and the rest of the family on losing your dad 111 00:05:46,960 --> 00:05:50,440 Speaker 1: in August of twenty twenty three. But at the same time, 112 00:05:50,560 --> 00:05:54,000 Speaker 1: how beautiful to have found a way to bring his 113 00:05:54,080 --> 00:05:58,000 Speaker 1: legacy to life with artists here in South Africa who 114 00:05:58,360 --> 00:06:01,359 Speaker 1: respect the musician that he was. Whose idea was it 115 00:06:01,520 --> 00:06:04,440 Speaker 1: to put together the tribute album that we Nazi being 116 00:06:04,480 --> 00:06:06,839 Speaker 1: released called Essay for Rodriguez. 117 00:06:07,279 --> 00:06:10,400 Speaker 2: Well, I would have to give that credit to Graham Sindel, Gillett, 118 00:06:11,040 --> 00:06:15,960 Speaker 2: guitarists that toured with Rodriguez, who adores Rodriguez, and we 119 00:06:16,440 --> 00:06:19,719 Speaker 2: want to keep Rodriguez's music to the forefront. So there's 120 00:06:19,760 --> 00:06:25,440 Speaker 2: almost twenty four other wonderful artists who all enjoy Rodriguez 121 00:06:25,560 --> 00:06:30,200 Speaker 2: and we're happy to do this album. So I want 122 00:06:30,200 --> 00:06:32,240 Speaker 2: to meet them all individually. I want to hear the 123 00:06:32,360 --> 00:06:37,320 Speaker 2: Rodriguez story. I always love hearing every Rodriguez story, the 124 00:06:37,400 --> 00:06:41,679 Speaker 2: way it touches people, the way it inspires them. So 125 00:06:41,680 --> 00:06:47,120 Speaker 2: South Africa does that. They share those stories, the military especially, 126 00:06:47,880 --> 00:06:51,240 Speaker 2: and I say peace on Earth, you know I want, 127 00:06:52,360 --> 00:06:55,479 Speaker 2: But they's a whole other story. But yeah, I do 128 00:06:55,560 --> 00:06:59,000 Speaker 2: know about the conscription and the soldiers. I've heard many 129 00:06:59,040 --> 00:06:59,880 Speaker 2: of those stories. 130 00:07:00,200 --> 00:07:01,560 Speaker 1: Yeah, so in. 131 00:07:01,560 --> 00:07:05,400 Speaker 2: Both sides of the conflict, we're listening. So there you go, 132 00:07:05,480 --> 00:07:07,320 Speaker 2: we found a common ground with music. 133 00:07:07,520 --> 00:07:11,000 Speaker 1: Yeah, we are talking to Sandra Rodriguez for anybody who's 134 00:07:11,000 --> 00:07:13,840 Speaker 1: coming into this interview halfway. Sandra is the daughter of 135 00:07:13,880 --> 00:07:17,160 Speaker 1: the late Rodriguez, the music star whose music we adored 136 00:07:17,200 --> 00:07:21,000 Speaker 1: in South Africa, the subject of the movie Searching for Sugarman, 137 00:07:21,080 --> 00:07:24,760 Speaker 1: which won an Oscar for Best Documentary, and now the 138 00:07:24,800 --> 00:07:28,440 Speaker 1: subject of a tribute album called Essay for Rodriguez Narsandra. 139 00:07:29,200 --> 00:07:31,960 Speaker 1: An ambitious project bringing together some of the biggest names 140 00:07:31,960 --> 00:07:35,240 Speaker 1: in our local music industry, but also including your dad's 141 00:07:35,280 --> 00:07:38,200 Speaker 1: own voice and your voice, because of course many listeners 142 00:07:38,200 --> 00:07:40,640 Speaker 1: will know you toured with him, You were on stage 143 00:07:40,640 --> 00:07:43,600 Speaker 1: with him as a vocalist all those years. Tell us 144 00:07:43,640 --> 00:07:46,360 Speaker 1: a little bit about how this album was made and 145 00:07:46,440 --> 00:07:49,200 Speaker 1: some of the challenges you had to overcome working with 146 00:07:49,240 --> 00:07:51,800 Speaker 1: that many artists probably scattered all over the globe. 147 00:07:53,000 --> 00:07:55,920 Speaker 2: That is true. All I flew to San Diego and 148 00:07:55,960 --> 00:07:59,600 Speaker 2: recorded there my portion of the song. You'd like to 149 00:07:59,600 --> 00:08:04,160 Speaker 2: admit it, and it's been released, and the other songs 150 00:08:04,160 --> 00:08:07,920 Speaker 2: were recorded individually by each of the artists and then 151 00:08:08,120 --> 00:08:13,200 Speaker 2: compiled into the compulation. So and videos as well were 152 00:08:13,240 --> 00:08:18,400 Speaker 2: shot and then SYNCD with the lyrics. Some recorded live, 153 00:08:18,720 --> 00:08:23,200 Speaker 2: and each did a different approach to get the recording. 154 00:08:24,400 --> 00:08:26,600 Speaker 1: What is your hope for the album, Sandra? I know 155 00:08:27,040 --> 00:08:29,160 Speaker 1: we can talk about the subject of the royalties because 156 00:08:29,200 --> 00:08:31,800 Speaker 1: I know that, for once, the right thing is being done, 157 00:08:31,800 --> 00:08:34,040 Speaker 1: and the artists who've been part of this project have 158 00:08:34,160 --> 00:08:38,360 Speaker 1: pledged the royalties to the Rodriguez family, So at least 159 00:08:38,400 --> 00:08:41,200 Speaker 1: that little piece of historical wrong is being righted in 160 00:08:41,240 --> 00:08:43,560 Speaker 1: a small way. But it's much much more than that. 161 00:08:43,679 --> 00:08:45,680 Speaker 1: What is your hope in terms of the audience this 162 00:08:45,800 --> 00:08:49,080 Speaker 1: album reaches and who it touches. I mean, there are 163 00:08:49,120 --> 00:08:52,240 Speaker 1: going to be a huge number of existing Rodriguez fans 164 00:08:52,559 --> 00:08:54,480 Speaker 1: who will want to buy it and listen to the 165 00:08:54,520 --> 00:08:57,080 Speaker 1: new interpretations of the songs. But do you hope that 166 00:08:57,160 --> 00:08:59,839 Speaker 1: this is also a way of introducing new fans to 167 00:09:00,080 --> 00:09:00,680 Speaker 1: father's work. 168 00:09:01,920 --> 00:09:05,920 Speaker 2: Absolutely, I'm hopeful that it will introduce to a new audience. 169 00:09:06,640 --> 00:09:11,360 Speaker 2: I'm also hopefully that it'll redehrect him back to Rodriguez's originals. 170 00:09:11,440 --> 00:09:16,120 Speaker 2: Like songs often do when they're covered, you know, And 171 00:09:16,200 --> 00:09:19,400 Speaker 2: I hope it keeps Rodriguez alive forever, his music. And 172 00:09:20,000 --> 00:09:26,160 Speaker 2: he left me a very beautiful memories and that a treasure. 173 00:09:26,320 --> 00:09:29,160 Speaker 2: He left that music, so I can see him and 174 00:09:29,280 --> 00:09:33,640 Speaker 2: hear him. And I am the biggest Rodriguez fan of 175 00:09:33,679 --> 00:09:37,360 Speaker 2: anybody out there. I've always believed in my father. I 176 00:09:37,600 --> 00:09:42,679 Speaker 2: never doubted his talent where he belonged, what he deserved, 177 00:09:43,200 --> 00:09:46,160 Speaker 2: and it's always been, you know, rock and roll history, 178 00:09:46,200 --> 00:09:49,559 Speaker 2: and that's what he did, and that's what we did, 179 00:09:49,679 --> 00:09:54,080 Speaker 2: you know, because we did it together. And it was 180 00:09:54,160 --> 00:09:56,880 Speaker 2: upon his assistance that I got up there and did 181 00:09:56,920 --> 00:10:00,559 Speaker 2: those songs of mine. When he found out I wrote songs, 182 00:10:00,559 --> 00:10:02,080 Speaker 2: he said, you're going to get up there. You're going 183 00:10:02,120 --> 00:10:05,400 Speaker 2: to be my icebreaker. You're going to sing your songs. 184 00:10:05,440 --> 00:10:09,680 Speaker 2: So that he gave me the Moniker sk So somewhere 185 00:10:09,720 --> 00:10:13,040 Speaker 2: in his mind he believed in me as well. And I, 186 00:10:14,160 --> 00:10:17,400 Speaker 2: you know, did it for better or for worse. So 187 00:10:17,520 --> 00:10:19,960 Speaker 2: I'm happy to do music and sing anything. 188 00:10:20,360 --> 00:10:22,600 Speaker 1: Definitely for better in the version, in the opinion of 189 00:10:22,600 --> 00:10:24,440 Speaker 1: our listeners. I just want to share with you a 190 00:10:24,440 --> 00:10:27,480 Speaker 1: few more of the messages coming in Sandra Cathy's description 191 00:10:27,640 --> 00:10:30,560 Speaker 1: is that there has never been as amazing a poet 192 00:10:30,600 --> 00:10:33,880 Speaker 1: and musician, and as Rodriguez, a legend whose music will 193 00:10:33,960 --> 00:10:37,199 Speaker 1: last forever. Mark telling me I was sixteen years old 194 00:10:37,240 --> 00:10:39,480 Speaker 1: when I first listened to Cold Fact, and I still 195 00:10:39,520 --> 00:10:41,000 Speaker 1: love it. Well, I don't know how old you are 196 00:10:41,440 --> 00:10:43,199 Speaker 1: at the moment, Mark, but I can say I think 197 00:10:43,240 --> 00:10:46,080 Speaker 1: I was probably seventeen the first time somebody introduced me 198 00:10:46,080 --> 00:10:48,680 Speaker 1: to an Advarsity and it's still one of the most 199 00:10:48,679 --> 00:10:50,960 Speaker 1: played CDs in my collection, and I'm about to turn 200 00:10:51,040 --> 00:10:54,240 Speaker 1: fifty at a few months time. We also heard from Anita, 201 00:10:54,240 --> 00:10:57,719 Speaker 1: who says her children discovered her Rodriguez CDs when they 202 00:10:57,720 --> 00:11:00,800 Speaker 1: were teenagers and took them with them to university. She 203 00:11:00,800 --> 00:11:04,040 Speaker 1: says they've gone forever. Well, Anita, that's a great excuse 204 00:11:04,080 --> 00:11:07,200 Speaker 1: to go onto your nearest streaming platform and download the 205 00:11:07,240 --> 00:11:10,240 Speaker 1: new album Essay for Rodriguez. And while you're at it, 206 00:11:10,320 --> 00:11:12,360 Speaker 1: go and put a back order on a Cold, Fat 207 00:11:12,400 --> 00:11:15,160 Speaker 1: and Cold Fact and Coming from Reality as well. That 208 00:11:15,280 --> 00:11:17,800 Speaker 1: is definitely an album worth replacing if your children have 209 00:11:17,840 --> 00:11:20,960 Speaker 1: stolen it. In my view, Sandra, wonderful to have you 210 00:11:21,000 --> 00:11:22,920 Speaker 1: with us this afternoon. Thank you so much for making 211 00:11:22,920 --> 00:11:25,120 Speaker 1: the time to speak to us, but more importantly, thank 212 00:11:25,120 --> 00:11:27,840 Speaker 1: you so much for making this happen and being part 213 00:11:27,880 --> 00:11:30,840 Speaker 1: of this project to keep this wonderful music alive and 214 00:11:30,920 --> 00:11:33,720 Speaker 1: share it with a new generation of listeners. I'm so 215 00:11:33,840 --> 00:11:36,240 Speaker 1: thrilled that that is possible, and I'm so thrilled that, 216 00:11:36,320 --> 00:11:39,160 Speaker 1: even though it came so late in his musical career 217 00:11:39,200 --> 00:11:41,440 Speaker 1: and in his life, your dad did get to experience 218 00:11:41,480 --> 00:11:44,840 Speaker 1: the satisfaction of seeing people love his music and be 219 00:11:44,960 --> 00:11:47,720 Speaker 1: moved by his words. And I'm so glad that you 220 00:11:47,800 --> 00:11:49,680 Speaker 1: got to witness that as his daughter. Thank you for 221 00:11:49,760 --> 00:11:50,840 Speaker 1: joining us this afternoon. 222 00:11:51,120 --> 00:11:53,240 Speaker 2: Thank you kindly, Thank you to all listeners in to 223 00:11:53,400 --> 00:11:55,280 Speaker 2: keep Talk, and you Pipah, thank you