1 00:00:00,000 --> 00:00:02,320 Speaker 1: This is your show, and has promised it's eleven thirty 2 00:00:02,320 --> 00:00:03,800 Speaker 1: on the button, which means we have to bring in 3 00:00:03,880 --> 00:00:06,280 Speaker 1: somebody who I am very excited to chat about. 4 00:00:06,280 --> 00:00:07,320 Speaker 2: It's been a long time. 5 00:00:07,440 --> 00:00:09,400 Speaker 1: I look at this person's journey and I think it 6 00:00:09,440 --> 00:00:12,200 Speaker 1: has been like a fantasy, Like was it actually real? 7 00:00:14,960 --> 00:00:15,320 Speaker 2: I don't know. 8 00:00:16,800 --> 00:00:18,560 Speaker 1: I thought that, you know, there'd be one song and 9 00:00:18,600 --> 00:00:20,960 Speaker 1: that'll be that that person's like one last chance. But 10 00:00:21,079 --> 00:00:27,360 Speaker 1: then I looked to the books and I thought, like, 11 00:00:27,440 --> 00:00:29,240 Speaker 1: tell me how he can be so talented? 12 00:00:30,080 --> 00:00:30,480 Speaker 2: I don't know. 13 00:00:30,600 --> 00:00:34,879 Speaker 3: You might know you're telling me slow down the. 14 00:00:35,040 --> 00:00:37,080 Speaker 2: Time some of the songs. 15 00:00:37,159 --> 00:00:39,519 Speaker 1: Right when I'm doing some gigs away from home, I 16 00:00:39,520 --> 00:00:40,720 Speaker 1: feel homesick without. 17 00:00:40,560 --> 00:00:43,760 Speaker 3: Him, your thousand miles. 18 00:00:43,479 --> 00:00:45,640 Speaker 1: Away from should be watching this now. I'm actually feeling 19 00:00:45,640 --> 00:00:46,640 Speaker 1: a rate in my face. 20 00:00:51,600 --> 00:00:52,040 Speaker 2: I don't know. 21 00:00:52,920 --> 00:00:58,440 Speaker 1: You want me this a high team, know you want 22 00:00:58,480 --> 00:01:01,720 Speaker 1: me to try and oh well it's been ro reggae. 23 00:01:02,000 --> 00:01:03,680 Speaker 3: Thank you so much for having me. That was the 24 00:01:03,680 --> 00:01:04,440 Speaker 3: best intro ever. 25 00:01:04,480 --> 00:01:06,640 Speaker 4: Listen, you're gonna struggle when the album comes out, and 26 00:01:06,680 --> 00:01:08,479 Speaker 4: it's just going to be this ten tracks that you're 27 00:01:08,520 --> 00:01:11,440 Speaker 4: gonna have to go through just before I get introduced. 28 00:01:11,720 --> 00:01:13,320 Speaker 1: No, but I'd like to do it, by the way, 29 00:01:13,360 --> 00:01:14,840 Speaker 1: so I know there's an album and then you've been 30 00:01:14,880 --> 00:01:17,520 Speaker 1: cooking on the album, Ben Rodriguez, but when you drop 31 00:01:17,560 --> 00:01:20,399 Speaker 1: your album, I love doing album drops on the show 32 00:01:20,440 --> 00:01:23,880 Speaker 1: because I think people need to understand the journey of 33 00:01:24,080 --> 00:01:26,000 Speaker 1: why these songs were picked and you can do that. 34 00:01:26,080 --> 00:01:29,400 Speaker 1: So please depencil me in album drop, Carl. 35 00:01:29,440 --> 00:01:31,000 Speaker 4: Actually, I'm kind of throwing you in the spot out, 36 00:01:31,040 --> 00:01:33,120 Speaker 4: but I actually wanted you to be not only just 37 00:01:33,120 --> 00:01:35,440 Speaker 4: the album drop, but also the MC in the album 38 00:01:35,480 --> 00:01:38,080 Speaker 4: because it's based on this whole little storyline of the 39 00:01:38,120 --> 00:01:40,080 Speaker 4: singer on stage, and I want you to be the 40 00:01:40,720 --> 00:01:43,360 Speaker 4: MC on that night that we create in the album 41 00:01:43,880 --> 00:01:46,000 Speaker 4: because I think who else can do a nice American 42 00:01:46,040 --> 00:01:49,360 Speaker 4: accent and be in a YouTube video for the music there. 43 00:01:49,600 --> 00:01:51,400 Speaker 3: So yeah, that's my pitch to you. 44 00:01:51,400 --> 00:01:54,400 Speaker 4: You cannot say no on LAB Radio, so I thought 45 00:01:54,440 --> 00:01:55,560 Speaker 4: that's the one way I'll trap you. 46 00:01:57,120 --> 00:02:02,640 Speaker 1: Wow, it's so cool that Ben Rodriguez on the stage 47 00:02:02,680 --> 00:02:04,800 Speaker 1: and you can say that this album is gonna be 48 00:02:05,120 --> 00:02:08,000 Speaker 1: something that I believe is gonna be life changing. Have 49 00:02:08,080 --> 00:02:10,520 Speaker 1: you seen the movie Interstellar. It's gonna be like that, 50 00:02:10,800 --> 00:02:14,000 Speaker 1: except a whole lot more. I'm gonna say, it's gonna 51 00:02:14,160 --> 00:02:16,239 Speaker 1: be like a black hole of talent. It's gonna suck 52 00:02:16,320 --> 00:02:18,240 Speaker 1: you in and take you to the other side of 53 00:02:18,240 --> 00:02:18,680 Speaker 1: the universe. 54 00:02:18,720 --> 00:02:19,480 Speaker 2: It's gonna be so cool. 55 00:02:19,560 --> 00:02:24,080 Speaker 1: So, Ben Rodriguez, this album is gonna be absolutely outstanding. 56 00:02:24,120 --> 00:02:26,360 Speaker 2: All right, So it's gonna be cool. Let's go. Is 57 00:02:26,360 --> 00:02:28,160 Speaker 2: that what I say? Is that what you were looking for? 58 00:02:28,639 --> 00:02:30,520 Speaker 4: We're gonna get a little bit more Nashville vibe, but 59 00:02:31,000 --> 00:02:33,000 Speaker 4: like all the more country albums is a little the country. 60 00:02:33,040 --> 00:02:34,760 Speaker 3: But that was like, that was beautiful. 61 00:02:34,800 --> 00:02:36,919 Speaker 2: Did you just spoiler your album? You say it's gonna 62 00:02:36,919 --> 00:02:37,440 Speaker 2: be more country? 63 00:02:37,440 --> 00:02:39,240 Speaker 3: You just only ever spoils stuff on the show. 64 00:02:39,440 --> 00:02:39,600 Speaker 4: I know. 65 00:02:39,680 --> 00:02:40,600 Speaker 3: I think it's a problem. 66 00:02:40,680 --> 00:02:42,840 Speaker 4: It's like every time i'm yeah, I get a call 67 00:02:42,919 --> 00:02:44,920 Speaker 4: from my agent off towards like you weren't supposed to 68 00:02:44,919 --> 00:02:45,639 Speaker 4: say that just yet. 69 00:02:45,720 --> 00:02:47,640 Speaker 3: I'm like, I'm sorry. Carl just takes it out of. 70 00:02:47,880 --> 00:02:50,240 Speaker 2: I'm sorry, says one of those things I like to 71 00:02:50,280 --> 00:02:52,679 Speaker 2: do with you. And I was gonna say, Ben Rodriguez, 72 00:02:52,760 --> 00:02:55,640 Speaker 2: is very cool to have you. That's what we're gonna do. 73 00:02:55,720 --> 00:02:58,840 Speaker 1: Is you know, it's country, and it's it's you know 74 00:02:58,880 --> 00:03:02,440 Speaker 1: what I am? Sometimes all right, you call my daddy 75 00:03:02,440 --> 00:03:02,800 Speaker 1: are good. 76 00:03:02,919 --> 00:03:07,000 Speaker 2: Thank you. That's exactly what got you back, got you back. 77 00:03:07,240 --> 00:03:09,040 Speaker 2: The audition is done, thank you, I got the gig. 78 00:03:09,160 --> 00:03:10,720 Speaker 3: Everyone Rano flows for. 79 00:03:12,200 --> 00:03:15,720 Speaker 1: Yes, being Rodriguez, I need to just a little catch 80 00:03:15,800 --> 00:03:18,320 Speaker 1: up session. Often people don't know what happens on the 81 00:03:18,360 --> 00:03:20,639 Speaker 1: other side of artists. We hear the music, we don't 82 00:03:20,680 --> 00:03:22,959 Speaker 1: hear the person too often, and I can only imagine 83 00:03:23,000 --> 00:03:24,560 Speaker 1: that you've been cooking up a storm with regard to 84 00:03:24,600 --> 00:03:25,000 Speaker 1: the album. 85 00:03:25,080 --> 00:03:26,600 Speaker 2: So let's do a quick catch up what you've been 86 00:03:26,639 --> 00:03:26,840 Speaker 2: up to. 87 00:03:27,320 --> 00:03:29,840 Speaker 4: It has been a few months of just in studio, 88 00:03:30,320 --> 00:03:33,280 Speaker 4: working on new music, just making sure like this album 89 00:03:33,480 --> 00:03:35,920 Speaker 4: is the absolute best it can be. Like the amount 90 00:03:35,960 --> 00:03:37,960 Speaker 4: of times that I've changed the track list on this album, 91 00:03:38,000 --> 00:03:39,840 Speaker 4: Like we write ten songs and then I come up 92 00:03:39,880 --> 00:03:41,640 Speaker 4: with something else, like no, no, take that song, I'll put 93 00:03:41,680 --> 00:03:44,200 Speaker 4: this one in, No take that song. So I feel 94 00:03:44,200 --> 00:03:45,680 Speaker 4: like it's never done and i feel like I'm never 95 00:03:45,680 --> 00:03:48,000 Speaker 4: gonna release it. But I'm trying to make sure that 96 00:03:48,040 --> 00:03:51,680 Speaker 4: it is set, and I've given myself a deadline that yeah, 97 00:03:51,720 --> 00:03:54,200 Speaker 4: I'm not gonna pass, and so we're we're trying our 98 00:03:54,200 --> 00:03:56,200 Speaker 4: best to get this thing done hopefully. 99 00:03:55,880 --> 00:03:58,440 Speaker 3: By June by June's released June. 100 00:03:58,680 --> 00:04:00,560 Speaker 4: I'm saying it now so that I don't pull back 101 00:04:00,600 --> 00:04:03,960 Speaker 4: on myself but you so you can keep me accountable. Fifth, 102 00:04:04,760 --> 00:04:07,120 Speaker 4: we're gonna say for now, but it might be pushed 103 00:04:07,160 --> 00:04:07,800 Speaker 4: back a little bit. 104 00:04:08,360 --> 00:04:10,000 Speaker 1: I don't want you to pressure on yourself. We're gonna 105 00:04:10,000 --> 00:04:12,360 Speaker 1: say June is a good market. It's a good bench 106 00:04:12,400 --> 00:04:14,640 Speaker 1: mark for if it's July. But the thing is, I 107 00:04:14,680 --> 00:04:16,560 Speaker 1: know for a fact that you you care so much 108 00:04:16,560 --> 00:04:19,120 Speaker 1: about the music and the product that I know that 109 00:04:19,200 --> 00:04:22,240 Speaker 1: your fans and people who support you, like me, will 110 00:04:22,360 --> 00:04:22,919 Speaker 1: be understand. 111 00:04:23,040 --> 00:04:23,840 Speaker 2: We'll be understanding. 112 00:04:23,920 --> 00:04:25,800 Speaker 4: Okay, And that's the whole thing is. I just want 113 00:04:25,960 --> 00:04:27,320 Speaker 4: it to be great for the fans. Like that's the 114 00:04:27,360 --> 00:04:29,160 Speaker 4: thing is, Like I can release all these songs right now, 115 00:04:29,200 --> 00:04:31,800 Speaker 4: but like I'm like, would they want more? 116 00:04:31,839 --> 00:04:33,360 Speaker 3: Would they want something better than this? 117 00:04:33,520 --> 00:04:35,920 Speaker 4: And I'm trying my best to make it as good 118 00:04:35,920 --> 00:04:36,720 Speaker 4: as I can for them. 119 00:04:36,800 --> 00:04:39,200 Speaker 1: Okay, this is fantastic. I mean, you just dropped Country, 120 00:04:39,440 --> 00:04:40,919 Speaker 1: so now I'm excited. 121 00:04:41,120 --> 00:04:43,560 Speaker 4: It's a little bit of a dangerous territory. I mean 122 00:04:43,600 --> 00:04:45,640 Speaker 4: it's not something I've ever done before. I don't know 123 00:04:45,640 --> 00:04:47,400 Speaker 4: if what the market's going to be like qpecially in 124 00:04:47,400 --> 00:04:49,880 Speaker 4: South Africa. But I'm excited and I hope people love 125 00:04:49,920 --> 00:04:51,320 Speaker 4: it as much as I because I kind of fell 126 00:04:51,360 --> 00:04:52,839 Speaker 4: in love with the genre as I started. 127 00:04:52,960 --> 00:04:54,920 Speaker 1: And yeah, okay, I want to give you a little 128 00:04:54,920 --> 00:04:57,840 Speaker 1: bit of a little little story on the side. There 129 00:04:57,880 --> 00:05:01,640 Speaker 1: was a UK artist that came down, Callum Scott. He 130 00:05:01,720 --> 00:05:05,880 Speaker 1: was down here and Callum Scott has a country song. 131 00:05:06,120 --> 00:05:09,640 Speaker 1: What And he was like Carl, I wasn't sure it's 132 00:05:09,640 --> 00:05:11,479 Speaker 1: going to work out here. And I've said, like trick 133 00:05:11,520 --> 00:05:16,599 Speaker 1: her country works, man, look at Shamoozy, look at it works. 134 00:05:16,680 --> 00:05:19,200 Speaker 1: Even Miles Smith got involved in the country. I'm just saying, 135 00:05:19,200 --> 00:05:21,919 Speaker 1: but there's a lot of and then locally, like you 136 00:05:21,920 --> 00:05:23,760 Speaker 1: know Taran Lamb. In fact, if you think about the 137 00:05:23,760 --> 00:05:27,839 Speaker 1: construct of our Afrikaans music industry, it follows the melody 138 00:05:27,880 --> 00:05:29,680 Speaker 1: of country. I mean that's so you can almost call it. 139 00:05:29,720 --> 00:05:32,000 Speaker 1: That's you know, our country. So I'm saying to you now, 140 00:05:32,480 --> 00:05:35,480 Speaker 1: don't doubt that country works. 141 00:05:35,600 --> 00:05:36,400 Speaker 2: It's a motive. 142 00:05:37,120 --> 00:05:40,560 Speaker 1: It is applicable to all scenarios and as South Africans 143 00:05:40,600 --> 00:05:43,080 Speaker 1: we get into so many different scenarios. You want the 144 00:05:43,160 --> 00:05:45,200 Speaker 1: music to to fit a bunch of them, even if 145 00:05:45,240 --> 00:05:48,440 Speaker 1: it's driving to the beach. Country works. If your heartbreak 146 00:05:48,520 --> 00:05:52,000 Speaker 1: country works, found new love, country works. If you're going 147 00:05:52,000 --> 00:05:54,400 Speaker 1: out to a party before then country works. 148 00:05:55,760 --> 00:05:57,799 Speaker 2: Yes, don't back down. 149 00:05:57,640 --> 00:05:59,080 Speaker 3: Even more country please do it. 150 00:05:59,640 --> 00:06:00,599 Speaker 2: Do it. That's gonna be. 151 00:06:00,640 --> 00:06:02,240 Speaker 1: And also, I know you wore that you wear the 152 00:06:02,279 --> 00:06:03,520 Speaker 1: cowboy hats and stage. 153 00:06:03,600 --> 00:06:05,280 Speaker 2: Dude, it's a matter of time. 154 00:06:05,520 --> 00:06:07,920 Speaker 4: I'm slowly manifesting it in, you know, I gotta get 155 00:06:07,960 --> 00:06:09,000 Speaker 4: the people ready for it. 156 00:06:09,080 --> 00:06:09,400 Speaker 2: Yeah. 157 00:06:09,440 --> 00:06:13,000 Speaker 1: So I'm so interested when while we processing the album 158 00:06:13,000 --> 00:06:14,960 Speaker 1: you say you write songs and then you go back. 159 00:06:15,480 --> 00:06:17,120 Speaker 2: That process is very fascinating. 160 00:06:17,160 --> 00:06:19,240 Speaker 1: I want to know in terms of you know, when 161 00:06:19,279 --> 00:06:21,280 Speaker 1: you do write a song in it's country and you 162 00:06:21,640 --> 00:06:24,520 Speaker 1: draw from different places, right, so I'm sure that this 163 00:06:24,640 --> 00:06:26,800 Speaker 1: album is going to have a bunch of different places 164 00:06:26,800 --> 00:06:29,200 Speaker 1: that you've been been to. Is that what you draw 165 00:06:29,279 --> 00:06:30,600 Speaker 1: upon when you're actually writing stuff? 166 00:06:30,720 --> 00:06:32,520 Speaker 4: Yeah, I mean I wanted the album to tell this 167 00:06:32,560 --> 00:06:35,440 Speaker 4: whole storyline. It's about the singer on stage that has 168 00:06:35,520 --> 00:06:37,280 Speaker 4: kind of made it as a singer, but fallen off. 169 00:06:37,320 --> 00:06:39,400 Speaker 4: Nobody knows his name anymore, and he goes into the 170 00:06:39,440 --> 00:06:41,599 Speaker 4: small town bar and kind of tells a story through 171 00:06:41,600 --> 00:06:43,800 Speaker 4: these ten tracks, and at the end of it, like 172 00:06:43,920 --> 00:06:45,599 Speaker 4: starts off with the crowd like kind of not knowing 173 00:06:45,600 --> 00:06:47,359 Speaker 4: what's happening. They're kind of clapping a little bit, and 174 00:06:47,400 --> 00:06:49,400 Speaker 4: at the end they actually like just fall in love 175 00:06:49,400 --> 00:06:50,039 Speaker 4: with this whole. 176 00:06:49,880 --> 00:06:50,719 Speaker 3: Story and whatnot. 177 00:06:51,120 --> 00:06:54,400 Speaker 4: And but through that it's comes through like experiences that 178 00:06:54,440 --> 00:06:56,159 Speaker 4: I haven't even experienced yet. But I kind of to 179 00:06:56,160 --> 00:06:58,760 Speaker 4: push myself into the future, saying, like, what happens if 180 00:06:58,760 --> 00:06:59,839 Speaker 4: the music doesn't work out? 181 00:07:00,040 --> 00:07:02,200 Speaker 3: What would that look like? And I wrote songs about that. 182 00:07:02,520 --> 00:07:06,039 Speaker 4: And yeah, so because it's kind of hard to write 183 00:07:06,080 --> 00:07:08,279 Speaker 4: songs when you've only had like two years of experience 184 00:07:08,320 --> 00:07:10,280 Speaker 4: in the industry, you know, so like there's not much 185 00:07:10,320 --> 00:07:11,880 Speaker 4: too right about. So I was like trying to push 186 00:07:11,960 --> 00:07:14,000 Speaker 4: myself forward into the future saying what if you know, 187 00:07:14,320 --> 00:07:15,360 Speaker 4: and that's been pretty cool. 188 00:07:15,880 --> 00:07:18,040 Speaker 1: I would like to know that you put it down there, like, 189 00:07:18,080 --> 00:07:21,440 Speaker 1: I mean, if Pern Rodriguez wasn't a musician, lets you 190 00:07:21,480 --> 00:07:23,840 Speaker 1: say if it didn't work out, like what's the fallback? 191 00:07:24,200 --> 00:07:27,040 Speaker 4: There is no fallback. There was a first plan was 192 00:07:27,040 --> 00:07:28,760 Speaker 4: I wanted to be an actor. When I was younger, 193 00:07:28,800 --> 00:07:30,120 Speaker 4: I wanted to be an actor before I wanted to 194 00:07:30,120 --> 00:07:32,280 Speaker 4: be a musician. For a long long time, I took 195 00:07:32,320 --> 00:07:33,240 Speaker 4: drama throughout school. 196 00:07:33,280 --> 00:07:33,520 Speaker 2: Cool. 197 00:07:33,640 --> 00:07:37,120 Speaker 4: But if the music doesn't work out, now there is 198 00:07:37,120 --> 00:07:40,240 Speaker 4: no plan B. I'm going full swing into the music, 199 00:07:40,320 --> 00:07:42,960 Speaker 4: I guess, yeah, trusting that God put me on this 200 00:07:43,000 --> 00:07:43,720 Speaker 4: path for a reason. 201 00:07:44,120 --> 00:07:45,320 Speaker 2: Yes, yes. 202 00:07:45,720 --> 00:07:48,560 Speaker 1: And the thing about a fallback is, I mean, the 203 00:07:48,600 --> 00:07:52,080 Speaker 1: great thing is that you never really falling Okay, you're 204 00:07:52,120 --> 00:07:55,200 Speaker 1: never falling back into anything. It's actually you just you're 205 00:07:55,240 --> 00:07:57,720 Speaker 1: going towards something different in the back. And I think 206 00:07:57,720 --> 00:08:01,320 Speaker 1: for you, because you are quite lover, I think that 207 00:08:01,400 --> 00:08:04,280 Speaker 1: if you fall anywhere, you just fall in love. And 208 00:08:04,320 --> 00:08:06,520 Speaker 1: that brings me to this song. Oh yeah, we go, 209 00:08:06,680 --> 00:08:10,200 Speaker 1: Hazel Eyes, great Injurer, You're most welcome. I'm here all 210 00:08:10,240 --> 00:08:12,760 Speaker 1: weak literally six days k it's thirty four point five. 211 00:08:13,000 --> 00:08:16,280 Speaker 1: So Hazel Eyes. I'm loving what this song is giving. 212 00:08:16,560 --> 00:08:20,440 Speaker 1: Thank you, my brother. You you look happy, you, I 213 00:08:20,480 --> 00:08:23,120 Speaker 1: know you are? You smiling from ear to ear. Tell 214 00:08:23,120 --> 00:08:26,640 Speaker 1: me about the inspiration behind Hazel Eyes. I feel like 215 00:08:26,640 --> 00:08:28,480 Speaker 1: it's more of a whose story, But you can tell 216 00:08:28,520 --> 00:08:30,480 Speaker 1: me about the song's construct and why. 217 00:08:30,280 --> 00:08:33,080 Speaker 4: This is it Hazel Eyes. As much as I'm very 218 00:08:33,200 --> 00:08:35,440 Speaker 4: very happy now, I came to it at me. Came 219 00:08:35,480 --> 00:08:37,520 Speaker 4: to me at a time where I was very sad. Yeah, 220 00:08:37,520 --> 00:08:39,600 Speaker 4: I was in the UK, I was touring for the 221 00:08:39,640 --> 00:08:42,040 Speaker 4: first time, and as much as it was super exciting 222 00:08:42,200 --> 00:08:44,360 Speaker 4: doing my thing and my music had taken me into 223 00:08:44,400 --> 00:08:47,319 Speaker 4: new countries now, it was also like a very surreal 224 00:08:47,520 --> 00:08:50,360 Speaker 4: feeling of like, Wow, the music is now real and 225 00:08:50,520 --> 00:08:52,959 Speaker 4: it's doing things in my life. It's taking me away 226 00:08:52,960 --> 00:08:55,360 Speaker 4: from the people I love, and I'm all alone out 227 00:08:55,360 --> 00:08:58,000 Speaker 4: in this country that I have no idea anyone else 228 00:08:58,040 --> 00:09:02,120 Speaker 4: here and I couldn't bring Felicia with me. I couldn't 229 00:09:02,120 --> 00:09:04,280 Speaker 4: bring my family with me to witness my first show, 230 00:09:05,040 --> 00:09:07,080 Speaker 4: and it was just like, wow, I hope that this 231 00:09:07,160 --> 00:09:09,280 Speaker 4: doesn't rip me away from the people and the things 232 00:09:09,280 --> 00:09:11,000 Speaker 4: I love, Like what happens in the future when it's 233 00:09:11,400 --> 00:09:14,920 Speaker 4: a thirty gig show across multiple countries and like, And 234 00:09:15,240 --> 00:09:17,840 Speaker 4: I remember just finishing a Peigne call back to home 235 00:09:17,960 --> 00:09:21,160 Speaker 4: and I was extremely like said, I was sitting on 236 00:09:21,200 --> 00:09:24,280 Speaker 4: the floor in my in my little hotel room in 237 00:09:24,320 --> 00:09:27,440 Speaker 4: the London, eating cereal straight out of the box, not 238 00:09:27,520 --> 00:09:29,720 Speaker 4: the most romantic setting, but we got to where we 239 00:09:29,760 --> 00:09:33,040 Speaker 4: are today, and yeah, I just thought, like, I hope 240 00:09:33,080 --> 00:09:35,280 Speaker 4: I don't lose the people in my life. I hope 241 00:09:35,320 --> 00:09:37,520 Speaker 4: I don't lose my Hayesel lives and like that's where 242 00:09:37,559 --> 00:09:39,320 Speaker 4: it literally came to me in that first moment. 243 00:09:39,440 --> 00:09:41,199 Speaker 3: Now sure I have a voice. 244 00:09:41,240 --> 00:09:43,880 Speaker 4: Note it's absolutely terrible, like of me coming up with 245 00:09:43,920 --> 00:09:47,680 Speaker 4: the melody for the first time. Yeah, it's shocking. But 246 00:09:47,720 --> 00:09:49,520 Speaker 4: if you would like me too, I can find that 247 00:09:49,559 --> 00:09:53,000 Speaker 4: and pull it up for you because okay, yeah we 248 00:09:53,080 --> 00:09:54,559 Speaker 4: got it. It's like, quickly grab it. 249 00:09:54,600 --> 00:09:55,320 Speaker 2: I think you should. 250 00:09:55,440 --> 00:09:59,199 Speaker 1: Sorry, no, I mean everything you mentioned live has to happen, 251 00:09:59,320 --> 00:10:01,760 Speaker 1: so I think as long as there's no swearing it 252 00:10:01,800 --> 00:10:04,320 Speaker 1: because I know some people are like that. I've noticed 253 00:10:04,320 --> 00:10:06,800 Speaker 1: so you are just I mean, this is why I 254 00:10:07,200 --> 00:10:10,360 Speaker 1: just enjoyed the fact that you're your pathway and from 255 00:10:10,360 --> 00:10:13,400 Speaker 1: the you know, the great thing about just you kind 256 00:10:13,400 --> 00:10:15,959 Speaker 1: of watched you grow into this industry. 257 00:10:16,040 --> 00:10:17,079 Speaker 2: I've literally from the. 258 00:10:17,000 --> 00:10:20,280 Speaker 1: Start to fast and I love the fact that I 259 00:10:20,320 --> 00:10:22,040 Speaker 1: was their day one because I've watched the fact that 260 00:10:22,080 --> 00:10:26,840 Speaker 1: you've become more and more settled in your style. Vocally, 261 00:10:27,600 --> 00:10:30,680 Speaker 1: I actually that's that's my favorite part. I like vocally, 262 00:10:30,720 --> 00:10:33,439 Speaker 1: I hear the change because you find your pocket, you 263 00:10:33,480 --> 00:10:35,120 Speaker 1: know what I mean. And you've found your pocket now 264 00:10:35,360 --> 00:10:37,280 Speaker 1: just so cool. And I'm looking forward to how that's 265 00:10:37,280 --> 00:10:39,160 Speaker 1: going to sound, because I know for a fact you've 266 00:10:39,160 --> 00:10:41,920 Speaker 1: got the best Shawn Mendes I've ever heard as a 267 00:10:43,880 --> 00:10:46,480 Speaker 1: how's that for a fallback voice? But just to hear 268 00:10:46,559 --> 00:10:49,240 Speaker 1: this voice that you've settled into in country. You're going 269 00:10:49,280 --> 00:10:51,440 Speaker 1: to have the soul, the raspiness where you need to. 270 00:10:51,559 --> 00:10:53,079 Speaker 1: It's going to be so good. But I'm looking forward 271 00:10:53,120 --> 00:10:53,520 Speaker 1: to the voice. 272 00:10:53,520 --> 00:10:53,720 Speaker 3: Note. 273 00:10:53,760 --> 00:10:56,960 Speaker 4: Yeah, well you'll hear now how much of song changes 274 00:10:57,640 --> 00:10:58,760 Speaker 4: from the first idea. 275 00:10:59,240 --> 00:11:00,720 Speaker 2: So before and off we're going to do live. 276 00:11:00,920 --> 00:11:02,640 Speaker 3: This is gonna okay, this is going to be great. 277 00:11:03,200 --> 00:11:06,120 Speaker 4: So just everyone listening, please understand that this was three 278 00:11:06,160 --> 00:11:08,200 Speaker 4: o'clock in the morning. I was extremely tired, and the 279 00:11:08,240 --> 00:11:10,480 Speaker 4: idea just popped into my head and I had to 280 00:11:10,520 --> 00:11:12,000 Speaker 4: record it so that I wouldn't forget it. 281 00:11:12,120 --> 00:11:13,360 Speaker 3: And this is what we got. 282 00:11:13,360 --> 00:11:15,520 Speaker 2: All right, bring it up to mic, let's go and 283 00:11:15,640 --> 00:11:20,120 Speaker 2: a hope I don't lose my hazel lines and. 284 00:11:23,080 --> 00:11:27,120 Speaker 3: Turn to boom boom. 285 00:11:27,160 --> 00:11:29,880 Speaker 4: As you can see, you have to understand the vision 286 00:11:30,040 --> 00:11:33,520 Speaker 4: like I was like boom boom boom because in my 287 00:11:33,559 --> 00:11:36,680 Speaker 4: head I could hear the trumpets and the violins and everything. 288 00:11:36,679 --> 00:11:40,000 Speaker 4: But it's hard to replicate that but yeah, there was 289 00:11:40,040 --> 00:11:41,920 Speaker 4: a vision. At that moment, I was like, I knew 290 00:11:41,920 --> 00:11:43,640 Speaker 4: exactly what the song was going to sound like. 291 00:11:43,920 --> 00:11:46,840 Speaker 1: I feel like more artists need to I want to. 292 00:11:46,880 --> 00:11:49,480 Speaker 1: I want to hear more first drafts I need because 293 00:11:49,520 --> 00:11:52,320 Speaker 1: the thing is, you hear these these these constructs man, 294 00:11:52,400 --> 00:11:54,800 Speaker 1: and I think it actually richens up the music for 295 00:11:54,880 --> 00:11:57,240 Speaker 1: me because I know where you are. There was I 296 00:11:57,240 --> 00:11:59,520 Speaker 1: heard something that's three am in the morning. You were 297 00:11:59,559 --> 00:12:03,800 Speaker 1: missing the loves of your life, your family, your partner, everything, 298 00:12:04,240 --> 00:12:06,520 Speaker 1: you know, And that's what we need to hear because 299 00:12:06,520 --> 00:12:07,960 Speaker 1: now we know where it stands. 300 00:12:07,960 --> 00:12:09,600 Speaker 3: Now you know where I started. And I think it's 301 00:12:09,600 --> 00:12:10,600 Speaker 3: also a little bit inspiring. 302 00:12:10,720 --> 00:12:14,360 Speaker 4: Like when I hear these finished works of these huge artists, 303 00:12:14,400 --> 00:12:16,199 Speaker 4: I'm like, how did they even get there? Yeah, and 304 00:12:16,320 --> 00:12:18,360 Speaker 4: I see like their first few steps. I'm like, Okay, 305 00:12:18,360 --> 00:12:21,000 Speaker 4: it's actually reachable, you know, like anyone can do this. 306 00:12:21,120 --> 00:12:22,680 Speaker 4: And so yeah, if you're listening and you want to 307 00:12:22,679 --> 00:12:24,800 Speaker 4: do music, it literally starts with the voice note and 308 00:12:25,080 --> 00:12:26,079 Speaker 4: you know, get into it. 309 00:12:26,240 --> 00:12:27,040 Speaker 2: This is gonna be good. 310 00:12:27,120 --> 00:12:28,880 Speaker 1: It starts with the voice note hey, and then it 311 00:12:29,320 --> 00:12:31,280 Speaker 1: could end anywhere you want to get. 312 00:12:31,480 --> 00:12:35,280 Speaker 4: End on the KFM Top forty that's where that's where 313 00:12:35,280 --> 00:12:35,800 Speaker 4: I'm aiming. 314 00:12:36,600 --> 00:12:41,720 Speaker 1: It actually could be just like this Indriguez, it's hazel eyes. 315 00:12:42,240 --> 00:12:45,120 Speaker 4: What on earth, Carl, Okay, wait, I gotta tell you 316 00:12:45,360 --> 00:12:48,360 Speaker 4: is what just happened. We've been working on a music 317 00:12:48,480 --> 00:12:50,440 Speaker 4: video for the past week and like we had to 318 00:12:50,480 --> 00:12:51,880 Speaker 4: shoot it. I'm telling him, like, yo, it was the 319 00:12:51,920 --> 00:12:54,040 Speaker 4: last minute we had to do this whole thing. I'm like, 320 00:12:54,120 --> 00:12:55,960 Speaker 4: I've struggled to come up with any ideas. 321 00:12:56,200 --> 00:12:57,480 Speaker 3: CHRL just whips out like the. 322 00:12:57,440 --> 00:12:59,720 Speaker 4: Best idea I've ever heard of my entire life, saying 323 00:12:59,760 --> 00:13:01,800 Speaker 4: like this piano is a metaphor, and it like jumps 324 00:13:01,800 --> 00:13:04,199 Speaker 4: between all these places and your family. And then at 325 00:13:04,200 --> 00:13:06,240 Speaker 4: the last minute, you look up in their Silicia's face 326 00:13:06,280 --> 00:13:08,080 Speaker 4: instead of the piano, showing that you've given up the 327 00:13:08,120 --> 00:13:08,880 Speaker 4: music for her. 328 00:13:09,120 --> 00:13:09,960 Speaker 2: Like what the hell? 329 00:13:10,080 --> 00:13:11,280 Speaker 3: You should be a director? 330 00:13:12,000 --> 00:13:14,400 Speaker 1: I just okay, you know what, it's actually your music. 331 00:13:14,440 --> 00:13:16,840 Speaker 1: Your music is telling a story. I think if anybody 332 00:13:16,880 --> 00:13:18,800 Speaker 1: cared to listen to it, they'd know what the music 333 00:13:18,840 --> 00:13:19,400 Speaker 1: video should be. 334 00:13:19,800 --> 00:13:20,679 Speaker 3: I'll listen to it properly. 335 00:13:20,880 --> 00:13:22,240 Speaker 2: Yea, no, no, no, no, not you. 336 00:13:22,600 --> 00:13:24,280 Speaker 1: I'm saying the people that should be directed. But I 337 00:13:24,320 --> 00:13:26,120 Speaker 1: think I think what you've. 338 00:13:25,960 --> 00:13:26,360 Speaker 2: Done with it. 339 00:13:26,400 --> 00:13:28,600 Speaker 1: You said, you've actually put together something which is is 340 00:13:28,760 --> 00:13:33,120 Speaker 1: like it's it's quickly like an hour to go sunlight, 341 00:13:33,160 --> 00:13:34,719 Speaker 1: and you did it. And I think I like the 342 00:13:34,760 --> 00:13:37,400 Speaker 1: authenticity of those quick music videos. But that song is 343 00:13:37,440 --> 00:13:40,960 Speaker 1: absolutely beautiful, Thank you so much. And I felt every 344 00:13:41,000 --> 00:13:44,400 Speaker 1: moment of it as well. And it's just, you know, 345 00:13:44,440 --> 00:13:46,199 Speaker 1: you need music like that. There's a lot of music 346 00:13:46,240 --> 00:13:49,360 Speaker 1: that has a different bit of energy to a different bpm, 347 00:13:49,440 --> 00:13:53,640 Speaker 1: but those tracks will always be epic. And in my 348 00:13:53,720 --> 00:13:55,439 Speaker 1: head that music video that I said to you, that's 349 00:13:55,440 --> 00:13:57,080 Speaker 1: all black and white and black and white. I know 350 00:13:57,320 --> 00:13:59,680 Speaker 1: you know, do you feel that too? It's a high 351 00:13:59,679 --> 00:14:01,920 Speaker 1: contra black and white. And I just said to Ben 352 00:14:02,120 --> 00:14:04,120 Speaker 1: Wile the music is playing, is that all those people 353 00:14:04,160 --> 00:14:06,120 Speaker 1: that he misses, you know, when he was at three 354 00:14:06,160 --> 00:14:08,480 Speaker 1: am in the morning in London. Like the piano kind 355 00:14:08,480 --> 00:14:11,160 Speaker 1: of circles all the way to there until that the 356 00:14:11,280 --> 00:14:13,680 Speaker 1: last bit over there and the piano disappears in Telicia's 357 00:14:13,720 --> 00:14:16,880 Speaker 1: face just looks up and she opens her her eyes 358 00:14:16,920 --> 00:14:19,359 Speaker 1: and then you can see it's really. 359 00:14:21,760 --> 00:14:22,760 Speaker 2: I just love it, man. 360 00:14:22,840 --> 00:14:24,680 Speaker 1: Like I have a visual thinker, so yes, I work 361 00:14:24,680 --> 00:14:27,320 Speaker 1: on an audio platform, but thinking visually is so important to. 362 00:14:27,280 --> 00:14:30,160 Speaker 3: This, so they ca that's beautiful. It's time I need 363 00:14:30,160 --> 00:14:30,720 Speaker 3: a music video. 364 00:14:30,760 --> 00:14:33,080 Speaker 4: I'm gonna call you and got your songs that you 365 00:14:33,080 --> 00:14:34,400 Speaker 4: can just give me the best idea. 366 00:14:34,480 --> 00:14:35,920 Speaker 2: I got you, I got you back, I got you 367 00:14:35,960 --> 00:14:36,280 Speaker 2: with no more. 368 00:14:36,400 --> 00:14:39,120 Speaker 1: I'm looking forward to the album out in June July. 369 00:14:39,560 --> 00:14:41,200 Speaker 1: I'm saying that to kind of giving you a buffer. 370 00:14:42,000 --> 00:14:45,280 Speaker 1: But you you've been honestly, I'm super proud of you 371 00:14:45,320 --> 00:14:47,400 Speaker 1: from all the way from the beginning till now. 372 00:14:47,960 --> 00:14:49,080 Speaker 2: This journey's been cool. 373 00:14:49,200 --> 00:14:52,400 Speaker 1: And the great thing is you've never said, oh I'm 374 00:14:52,400 --> 00:14:54,960 Speaker 1: Ben Ardriguez, I'm this type of artist. You are open 375 00:14:55,520 --> 00:14:57,520 Speaker 1: and that is actually the success, my friend, is that 376 00:14:57,560 --> 00:14:58,360 Speaker 1: you have an open mind. 377 00:14:58,560 --> 00:15:00,720 Speaker 4: Thank you so much, Carl. It's always a pleasure being here. 378 00:15:00,760 --> 00:15:03,240 Speaker 4: Thank you so much for having me anytime. Man, this 379 00:15:03,320 --> 00:15:05,320 Speaker 4: is Ben Rodriguez Hazel Eyes. 380 00:15:05,360 --> 00:15:07,000 Speaker 1: If you want to go stream it, stream it now 381 00:15:07,120 --> 00:15:09,320 Speaker 1: and close your eyes and think up a music video 382 00:15:09,360 --> 00:15:10,640 Speaker 1: and let it play in your head as it did 383 00:15:10,680 --> 00:15:14,160 Speaker 1: in mind. And just remember that June July there will 384 00:15:14,160 --> 00:15:17,560 Speaker 1: be an official album launch on this show the KFLM 385 00:15:17,640 --> 00:15:18,120 Speaker 1: Top forty. 386 00:15:18,240 --> 00:15:20,360 Speaker 2: Yes, I'm giving you this promise. We have to do it. 387 00:15:20,400 --> 00:15:22,480 Speaker 4: I mean, I made you the promise of you the MCS. 388 00:15:22,520 --> 00:15:23,880 Speaker 4: I guess now you've made me the promise. 389 00:15:24,080 --> 00:15:24,680 Speaker 2: Get it back. 390 00:15:24,680 --> 00:15:25,320 Speaker 3: We're doing it. 391 00:15:25,320 --> 00:15:26,440 Speaker 2: It's going to be so good. 392 00:15:26,520 --> 00:15:29,400 Speaker 1: Ben Rodriguez, Hazel eyes out now, Okay, before I let 393 00:15:29,400 --> 00:15:30,320 Speaker 1: you go, man, I'm so sorry. 394 00:15:30,320 --> 00:15:32,680 Speaker 2: Man, your Shawn Mende's voice. 395 00:15:34,160 --> 00:15:36,400 Speaker 1: Can you not do like a KFM Top forty Shawn 396 00:15:36,440 --> 00:15:39,040 Speaker 1: Mendes little interlude, little intro guitar. 397 00:15:39,160 --> 00:15:40,480 Speaker 2: Yeah no, no, but it's fine. You can do it. 398 00:15:40,520 --> 00:15:42,120 Speaker 2: Just I know you can do a freestyle. I believe 399 00:15:42,120 --> 00:15:44,560 Speaker 2: in you anything. 400 00:15:44,920 --> 00:15:48,080 Speaker 3: This is the Kffantafy