1 00:00:00,720 --> 00:00:07,320 Speaker 1: Views and news with Clarence Ford. Share your perspective only bad. 2 00:00:07,400 --> 00:00:12,680 Speaker 1: He says, it's not Robin Old. It's Robin Old. Okay, 3 00:00:12,960 --> 00:00:14,480 Speaker 1: it's not old, it's old. 4 00:00:14,920 --> 00:00:15,840 Speaker 2: Opinions divided. 5 00:00:15,880 --> 00:00:17,160 Speaker 1: Clarence, Yeah, yeah. 6 00:00:17,280 --> 00:00:18,680 Speaker 2: You know. When I travel, I've did a lot of 7 00:00:18,720 --> 00:00:21,400 Speaker 2: travel the last twenty years to through West Africa, and 8 00:00:21,400 --> 00:00:23,280 Speaker 2: whenever I would speak to people, that's all, and they 9 00:00:23,280 --> 00:00:25,840 Speaker 2: couldn't eventually would just end up being mister Robin. 10 00:00:26,280 --> 00:00:26,520 Speaker 1: Yeah. 11 00:00:27,080 --> 00:00:28,120 Speaker 2: I like being mister Robin. 12 00:00:28,160 --> 00:00:28,560 Speaker 3: It's good. 13 00:00:29,880 --> 00:00:33,199 Speaker 4: Listen, man, it's great to have you back. And I 14 00:00:33,240 --> 00:00:35,680 Speaker 4: think for those people who don't know that I might 15 00:00:35,720 --> 00:00:38,720 Speaker 4: don't know. If you were around in the eighties, you'll remember. 16 00:00:38,880 --> 00:00:40,839 Speaker 4: There's all of women, Baby You've Been Good to Me. 17 00:00:40,920 --> 00:00:44,479 Speaker 4: That was produced by Kevin Shirley. Kevin later worked with 18 00:00:44,560 --> 00:00:46,960 Speaker 4: Iron Maiden and led Zeppelin. I think that just talks 19 00:00:46,960 --> 00:00:48,920 Speaker 4: to the pedigree from the eighties already. 20 00:00:48,960 --> 00:00:51,000 Speaker 2: Well, his his first album was my first album. So 21 00:00:51,159 --> 00:00:52,200 Speaker 2: we started off together. 22 00:00:52,400 --> 00:00:54,440 Speaker 4: There we go, There we Go, and and there's some 23 00:00:54,640 --> 00:00:58,080 Speaker 4: Hendrix in your music. There's some Celtic kind of sounds, 24 00:00:58,120 --> 00:01:01,160 Speaker 4: there's Muskandi, there's my tanga. That's a mixed bag for 25 00:01:01,200 --> 00:01:03,520 Speaker 4: a Scottish man born in Boswana and I was African. 26 00:01:04,440 --> 00:01:04,880 Speaker 5: That's true. 27 00:01:04,920 --> 00:01:07,000 Speaker 2: I mean, Maskandi cheers me up. It's one of the 28 00:01:07,000 --> 00:01:08,800 Speaker 2: few music forms that actually cheers me up and has 29 00:01:08,800 --> 00:01:10,800 Speaker 2: me dancing in the kitchen. Although no one will ever 30 00:01:10,840 --> 00:01:13,400 Speaker 2: see it. It's a it's my Scott's background. 31 00:01:13,440 --> 00:01:16,880 Speaker 1: I think, Robin, you're you're a festival just by yourself. 32 00:01:18,200 --> 00:01:20,440 Speaker 2: Well, thank you, I mean, but we've got we've got 33 00:01:20,440 --> 00:01:23,200 Speaker 2: a lot coming up on the Social Festival that's on 34 00:01:23,240 --> 00:01:24,320 Speaker 2: the first and second of May. 35 00:01:24,480 --> 00:01:26,679 Speaker 4: I know that, but I think it is going to 36 00:01:26,800 --> 00:01:29,560 Speaker 4: be sacrilege not to Yeah, you sing just a little 37 00:01:29,600 --> 00:01:32,319 Speaker 4: bit before we talk with twelve festival. 38 00:01:32,440 --> 00:01:34,080 Speaker 1: Well, we brought your guitar a long, so I don't 39 00:01:34,120 --> 00:01:35,280 Speaker 1: thing to cajole you into. 40 00:01:35,400 --> 00:01:37,640 Speaker 2: I just just think, you know, Claris probably wouldn't mind 41 00:01:37,640 --> 00:01:38,640 Speaker 2: if I played a tune. 42 00:01:38,440 --> 00:01:40,600 Speaker 1: Or of course I can the all day and listen 43 00:01:40,680 --> 00:01:40,960 Speaker 1: to you. 44 00:01:42,959 --> 00:01:43,640 Speaker 6: What should we played? 45 00:01:43,680 --> 00:01:47,000 Speaker 2: My old my old eighties run still some memories which 46 00:01:47,080 --> 00:02:05,880 Speaker 2: got me into Scope magazine. 47 00:02:00,440 --> 00:02:12,959 Speaker 5: Big moon fell off the sky and need light to 48 00:02:13,360 --> 00:02:15,960 Speaker 5: see by? Is your face? 49 00:02:16,960 --> 00:02:19,799 Speaker 7: I know so well? Is your church? 50 00:02:20,639 --> 00:02:22,240 Speaker 3: I can always tell. 51 00:02:22,960 --> 00:02:25,000 Speaker 6: So many people looking. 52 00:02:26,520 --> 00:02:28,200 Speaker 3: And so many turn away. 53 00:02:30,160 --> 00:02:37,000 Speaker 6: Maybe they are for something better, But will you stay? 54 00:02:38,040 --> 00:02:42,720 Speaker 3: You are run of women to me? There is something 55 00:02:42,960 --> 00:02:47,120 Speaker 3: of you. Never girl, I see you are run of 56 00:02:47,280 --> 00:03:00,280 Speaker 3: woman to me. 57 00:03:01,040 --> 00:03:06,640 Speaker 7: I know I have made just said, I admit there, 58 00:03:06,919 --> 00:03:10,880 Speaker 7: I haven't bed and God. 59 00:03:10,240 --> 00:03:15,840 Speaker 6: That takes some time to claim more and lose mine. 60 00:03:16,400 --> 00:03:20,720 Speaker 6: I know I've taken chances. Think it's something else of 61 00:03:20,919 --> 00:03:25,600 Speaker 6: someone you always turns out illusion. 62 00:03:27,639 --> 00:03:33,040 Speaker 7: I can get it from you. You all love woman 63 00:03:33,960 --> 00:03:38,520 Speaker 7: to me, there is something with you. Every girl, glassy, 64 00:03:39,000 --> 00:03:47,400 Speaker 7: you are all of woman to me, and you all 65 00:03:47,440 --> 00:03:51,480 Speaker 7: love and you love me. There is something on me, 66 00:03:52,160 --> 00:03:55,080 Speaker 7: every girl, glassy, you roll. 67 00:03:55,040 --> 00:04:07,440 Speaker 8: A woman to me, that's some memories. 68 00:04:07,840 --> 00:04:10,800 Speaker 4: And I would be introducing that song because my life 69 00:04:10,800 --> 00:04:13,840 Speaker 4: before came to talk was music radio and throughout the nineties, 70 00:04:13,880 --> 00:04:17,080 Speaker 4: I would play that song and yeah, I'm front of 71 00:04:17,120 --> 00:04:20,080 Speaker 4: me in the studio again. I'm sure it's triggered some memories. 72 00:04:20,240 --> 00:04:22,520 Speaker 4: Let's take a listen, there's a voice note. It's all 73 00:04:22,560 --> 00:04:24,680 Speaker 4: coming through Robin. 74 00:04:25,000 --> 00:04:29,120 Speaker 1: Yeah. Twenty albums later, the evolution complete. 75 00:04:30,200 --> 00:04:31,040 Speaker 3: No, No, I'm. 76 00:04:30,880 --> 00:04:31,920 Speaker 1: Still sliding out. 77 00:04:31,960 --> 00:04:33,760 Speaker 3: That's like your still things. 78 00:04:33,760 --> 00:04:37,200 Speaker 4: I want to do the harmonicustal part of the new 79 00:04:37,440 --> 00:04:38,839 Speaker 4: album ever Love and Wind. 80 00:04:39,520 --> 00:04:42,240 Speaker 2: Yes, there is not not as much. Ever, Loving Wind 81 00:04:42,360 --> 00:04:45,600 Speaker 2: is sort of a bit more layered from I use 82 00:04:45,680 --> 00:04:49,760 Speaker 2: that word. It's kind of got a bit more counterpoint 83 00:04:49,760 --> 00:04:51,160 Speaker 2: and harmony that sort of. I think it's a bit 84 00:04:51,200 --> 00:04:53,919 Speaker 2: more of a complex album. And it takes a few goes, 85 00:04:53,960 --> 00:04:55,880 Speaker 2: as I tell people that it takes if you go 86 00:04:55,920 --> 00:04:58,520 Speaker 2: to get in. But it's been going very well, and 87 00:04:58,800 --> 00:05:02,760 Speaker 2: I've been enjoying recordings cover songs other South African artists lately. 88 00:05:03,920 --> 00:05:07,920 Speaker 2: You know, we did Johnny Cause the Chemist, which which 89 00:05:07,960 --> 00:05:13,160 Speaker 2: which went very well. People like that from Yeah, and 90 00:05:13,200 --> 00:05:16,440 Speaker 2: I'm doing actually a Johnny Cleig song, I Call Your Name, 91 00:05:16,480 --> 00:05:18,960 Speaker 2: a ballad version of that tune. Johnny does it in 92 00:05:19,040 --> 00:05:22,360 Speaker 2: quite a chirpy kind of tamper way, and I've done 93 00:05:22,400 --> 00:05:25,160 Speaker 2: a sort of Morbalady kind of ambient version of it. 94 00:05:26,080 --> 00:05:29,800 Speaker 2: And I was just recorded a song by my good 95 00:05:29,800 --> 00:05:33,160 Speaker 2: friend mister Bill Knight, who's one of our folk legends, 96 00:05:33,279 --> 00:05:36,320 Speaker 2: and he's going to be playing at the at the 97 00:05:36,400 --> 00:05:40,160 Speaker 2: Sarsa Festival as well. He's got a song called who 98 00:05:40,200 --> 00:05:43,839 Speaker 2: Are the Africans, which I find very interesting because he 99 00:05:43,920 --> 00:05:46,440 Speaker 2: wrote it in a in a trench and Angola some 100 00:05:46,440 --> 00:05:50,440 Speaker 2: some fifty years ago, and it's just I just love 101 00:05:50,480 --> 00:05:52,080 Speaker 2: the song, so I'm go doing that. 102 00:05:52,080 --> 00:05:54,039 Speaker 1: That's a literal trench in Angola. 103 00:05:54,200 --> 00:05:57,560 Speaker 4: Yes, fifty years ago comes in literal trenches in our 104 00:05:57,640 --> 00:05:59,239 Speaker 4: in our history. We're going to talk about the south 105 00:05:59,440 --> 00:06:02,880 Speaker 4: Shore Music Festival and it goes down Friday May the 106 00:06:02,880 --> 00:06:06,400 Speaker 4: first and Saturday May the second at the mass Theater 107 00:06:06,440 --> 00:06:11,680 Speaker 4: in Musemberg, and it's a collaboration between Shorelines Songs and 108 00:06:11,720 --> 00:06:15,960 Speaker 4: the Cottage Club, focusing on local musicians and cultural custodians. 109 00:06:15,960 --> 00:06:18,360 Speaker 4: We're gonna ask Robin what that means. There's a voice 110 00:06:18,400 --> 00:06:20,040 Speaker 4: note in first, let's take a listen. 111 00:06:21,520 --> 00:06:28,400 Speaker 9: Religion. Yes, during that music on the radio now takes 112 00:06:28,400 --> 00:06:34,480 Speaker 9: me back to our eighties festivals and very nice, very 113 00:06:34,560 --> 00:06:35,160 Speaker 9: nice hearing it. 114 00:06:37,040 --> 00:06:40,240 Speaker 4: Absolutely, it just does trigger memories of my young days 115 00:06:40,240 --> 00:06:43,080 Speaker 4: listening to the radio as kid, as a university student, 116 00:06:44,000 --> 00:06:44,800 Speaker 4: and Robin. 117 00:06:44,720 --> 00:06:45,440 Speaker 1: Old was there. 118 00:06:46,800 --> 00:06:50,359 Speaker 4: Your festival features fourteen bands and solo artists two nights. 119 00:06:50,400 --> 00:06:51,080 Speaker 1: That's exciting. 120 00:06:51,279 --> 00:06:53,680 Speaker 2: Yes, yeah, I mean it's just it's quite an undertaking. 121 00:06:54,600 --> 00:06:57,520 Speaker 2: You know, Shoreline Songs and Cottage Club have been you know, 122 00:06:57,680 --> 00:07:03,880 Speaker 2: for years working on a genre that's kind of been 123 00:07:03,960 --> 00:07:08,960 Speaker 2: under under siege, and more recently with you know AI 124 00:07:09,279 --> 00:07:12,240 Speaker 2: and you know particularly dance forms. I mean, Cape Town 125 00:07:12,280 --> 00:07:15,360 Speaker 2: has got a very big dance music scene, and out 126 00:07:15,400 --> 00:07:17,120 Speaker 2: in the sort of deep South where we are, we've 127 00:07:17,160 --> 00:07:19,840 Speaker 2: sort of been pushed more towards the south of the Peninsula, 128 00:07:20,240 --> 00:07:23,800 Speaker 2: which is the singer songwriter kind of bunch. And what 129 00:07:23,840 --> 00:07:27,560 Speaker 2: we find is that singer songwriter energies, you know, they're 130 00:07:27,600 --> 00:07:30,720 Speaker 2: not necessarily mainstream, but they provide a backburn of a 131 00:07:30,720 --> 00:07:32,720 Speaker 2: lot of the industry. You know, we're all cheering, we're playing. 132 00:07:33,080 --> 00:07:35,080 Speaker 2: It's usually one or two people, you know, kind of 133 00:07:35,160 --> 00:07:39,480 Speaker 2: quite stripped down, playing acoustic instruments and so forth. And 134 00:07:39,960 --> 00:07:42,680 Speaker 2: it's something that while it mountain a go very mainstream, 135 00:07:42,760 --> 00:07:45,200 Speaker 2: is also very hard to get to get rid of 136 00:07:45,880 --> 00:07:48,440 Speaker 2: because you know, we can't be fired and we're not 137 00:07:48,480 --> 00:07:51,760 Speaker 2: reliant on big structures to keep it going. So it's 138 00:07:51,840 --> 00:07:54,240 Speaker 2: very much a you know, you get in front of 139 00:07:54,240 --> 00:07:57,080 Speaker 2: often quite small groups of people and play music and 140 00:07:58,120 --> 00:08:00,240 Speaker 2: it seems to be, you know, just a vibe and 141 00:08:00,320 --> 00:08:03,480 Speaker 2: growing actually out out our way. So there's a bunch 142 00:08:03,520 --> 00:08:06,800 Speaker 2: of bands on who have been playing all the various 143 00:08:06,880 --> 00:08:13,920 Speaker 2: roots forms. We've got mel Malish from from Cormicky, who's 144 00:08:13,960 --> 00:08:17,960 Speaker 2: a few mon singer songwriter, the Rosie Bruce Band. Rosy's 145 00:08:18,000 --> 00:08:20,800 Speaker 2: got a hell of a musical pedigree with their dad 146 00:08:20,800 --> 00:08:24,560 Speaker 2: being Cameron Bruce. Glenn Walter and the Porch Lights. I'm 147 00:08:24,560 --> 00:08:27,080 Speaker 2: saying Glenn Walter here be arguing about surnames. I don't 148 00:08:27,080 --> 00:08:31,280 Speaker 2: think he's a Glenn Walter are here by name. It's 149 00:08:31,280 --> 00:08:35,320 Speaker 2: probably Glenn Walter and the Porch Lights. And he does 150 00:08:35,600 --> 00:08:40,439 Speaker 2: a lot of Americana stuff. Jenny James and Neil Harvey, 151 00:08:40,520 --> 00:08:43,319 Speaker 2: who play have been playing folk music for many, many 152 00:08:43,400 --> 00:08:46,199 Speaker 2: years in the Cape. Nick Turner, John Ellis, Dave Stock, 153 00:08:46,280 --> 00:08:50,160 Speaker 2: Dax Butler, Jamie Jupiter, Alec Griffiths's the young up and 154 00:08:50,160 --> 00:08:53,640 Speaker 2: coming gunslinger on on the guitar. So there's a lot 155 00:08:53,640 --> 00:08:56,200 Speaker 2: of there's a lot of acts on and over two nights, 156 00:08:57,480 --> 00:08:59,080 Speaker 2: and yeah, we're looking forward to maybe it can be 157 00:08:59,080 --> 00:08:59,920 Speaker 2: something that can they can grow. 158 00:09:00,880 --> 00:09:01,760 Speaker 1: I have no doubt. 159 00:09:01,880 --> 00:09:03,800 Speaker 4: And I took the Mask Theater because the first thing 160 00:09:03,880 --> 00:09:05,959 Speaker 4: you think it's on the beach, You're like, okay, we're 161 00:09:05,960 --> 00:09:06,800 Speaker 4: getting into winter. 162 00:09:08,280 --> 00:09:12,359 Speaker 2: You kinda there's the reason why there isn't an international festival. 163 00:09:12,600 --> 00:09:15,680 Speaker 1: In May on the beach. Absolutely there's another voice, iriting, 164 00:09:15,760 --> 00:09:16,520 Speaker 1: Let's take a listen. 165 00:09:17,960 --> 00:09:21,320 Speaker 10: I remember Robin Old when I was fourteen or so, 166 00:09:21,720 --> 00:09:27,320 Speaker 10: nineteen eighty four eighty five at the Concert in the Park, 167 00:09:27,679 --> 00:09:31,240 Speaker 10: Massive concert in Joe burg Ellis Park, and me and 168 00:09:31,320 --> 00:09:34,760 Speaker 10: my friend Jackie were in the audience at the front 169 00:09:34,920 --> 00:09:39,040 Speaker 10: screaming at Robin Old, take off your clothes. 170 00:09:40,720 --> 00:09:43,600 Speaker 4: Okay, I'm sure you had lots of such kind of 171 00:09:43,679 --> 00:09:44,680 Speaker 4: groupies in your life. 172 00:09:44,920 --> 00:09:47,280 Speaker 1: Well, now she tells me, did you take off your clothes? 173 00:09:47,320 --> 00:09:48,200 Speaker 1: Did you know? 174 00:09:48,640 --> 00:09:50,240 Speaker 2: I used to? I used to get kind of I 175 00:09:50,240 --> 00:09:52,000 Speaker 2: had a scanty T shirt that I used to wear, 176 00:09:52,000 --> 00:09:54,199 Speaker 2: which gets remarked on quite a lot. But now a 177 00:09:54,280 --> 00:09:56,800 Speaker 2: bit of a mood situation, you know, I'm just gonna 178 00:09:56,840 --> 00:09:57,520 Speaker 2: keep my shirt on. 179 00:09:57,920 --> 00:09:59,439 Speaker 4: And that's why it plays in me. It's kind of 180 00:09:59,480 --> 00:10:01,679 Speaker 4: called as well Anger's Raids. We read used to get 181 00:10:01,760 --> 00:10:05,000 Speaker 4: Robin to played Roderbots High School back in nineteen eighty five. 182 00:10:05,880 --> 00:10:10,240 Speaker 4: So the South Shore Festival, it sounds as if it's 183 00:10:10,280 --> 00:10:16,120 Speaker 4: kind of intimate. It's described as a gathering of cultural custodians, 184 00:10:17,000 --> 00:10:19,400 Speaker 4: and it makes sense. There's so much creative, creative stuff 185 00:10:19,400 --> 00:10:20,720 Speaker 4: happening in the Deep South. 186 00:10:20,960 --> 00:10:25,440 Speaker 2: Yeah, well, it's an opportunity to try and put because 187 00:10:25,440 --> 00:10:28,560 Speaker 2: the Cottage Club has it is quite a small, intimate venue, 188 00:10:28,920 --> 00:10:31,720 Speaker 2: and we were talking about trying to get or everybody 189 00:10:31,760 --> 00:10:34,000 Speaker 2: that plays with it and comes in and supports on 190 00:10:34,320 --> 00:10:35,960 Speaker 2: a couple of nights and have a sort of a 191 00:10:36,000 --> 00:10:38,960 Speaker 2: festival and make something bigger of it. So that's the idea. 192 00:10:38,960 --> 00:10:41,280 Speaker 2: I mean, the mask is not huge. It's kind of 193 00:10:41,320 --> 00:10:43,200 Speaker 2: like one hundred and seventy seater, so we thought it's 194 00:10:43,240 --> 00:10:45,920 Speaker 2: not too ambitious, but still it's hard to get people 195 00:10:45,960 --> 00:10:49,480 Speaker 2: to live music, especially this kind of live music. So 196 00:10:49,520 --> 00:10:52,240 Speaker 2: that's kind of kind of how it's grown. And you know, 197 00:10:52,280 --> 00:10:55,120 Speaker 2: we're at optimistic and further down the road, maybe we 198 00:10:55,160 --> 00:10:58,120 Speaker 2: can get, you know, extend the amount of people to 199 00:10:58,160 --> 00:11:01,160 Speaker 2: play and broaden the open a little bit, you know, 200 00:11:01,640 --> 00:11:04,120 Speaker 2: Funny Clarence. You know you're talking toad Women now about 201 00:11:05,320 --> 00:11:07,880 Speaker 2: the park. It's something that would I would comment to say, again, 202 00:11:07,880 --> 00:11:08,600 Speaker 2: it's kind of weird. 203 00:11:09,320 --> 00:11:09,719 Speaker 1: Back then. 204 00:11:09,800 --> 00:11:14,000 Speaker 2: I remember playing with the Soul Brothers. I was on 205 00:11:14,160 --> 00:11:16,800 Speaker 2: just just on the same day as them and met 206 00:11:16,800 --> 00:11:20,000 Speaker 2: them backstage. And you know, back then we played green 207 00:11:20,040 --> 00:11:23,760 Speaker 2: Point Stadium, we played with the Rockets, Pacific Express. There 208 00:11:23,800 --> 00:11:26,719 Speaker 2: was a lot more diversity, if I must say, in 209 00:11:27,040 --> 00:11:29,280 Speaker 2: back then for some weird reason, maybe because we were 210 00:11:29,280 --> 00:11:32,600 Speaker 2: all kind of fighting the same thing. Now it seems 211 00:11:32,640 --> 00:11:36,200 Speaker 2: to be even with English African stuff, it's more comp compartmentalized. 212 00:11:36,720 --> 00:11:38,720 Speaker 2: And that's just something that I remark on with people. 213 00:11:38,760 --> 00:11:41,959 Speaker 2: You know, back then we played huge shows and with 214 00:11:41,840 --> 00:11:43,920 Speaker 2: a with a big mix up, and I think that's 215 00:11:43,920 --> 00:11:45,280 Speaker 2: something that we need to look at. 216 00:11:45,280 --> 00:11:50,480 Speaker 4: So we kindle absolutely find that that offering that just yeah, 217 00:11:50,520 --> 00:11:54,880 Speaker 4: brings us all together. Is that sixty four to cast 218 00:11:54,920 --> 00:11:57,400 Speaker 4: this little part? Is that still your weapon of choice? 219 00:11:57,720 --> 00:12:00,880 Speaker 2: A bit of a saw point there, Clar's I'm afraid 220 00:12:00,880 --> 00:12:05,520 Speaker 2: that it got lost along the way. I have a 221 00:12:05,520 --> 00:12:06,240 Speaker 2: poem about that. 222 00:12:06,440 --> 00:12:08,360 Speaker 1: But what was it about that? Because it went with 223 00:12:08,440 --> 00:12:09,600 Speaker 1: you for decades? Yeah? 224 00:12:09,679 --> 00:12:11,520 Speaker 2: Well I had it for years. I mean I had 225 00:12:12,080 --> 00:12:14,600 Speaker 2: twenty or twenty five good years playing out of it, 226 00:12:15,120 --> 00:12:18,640 Speaker 2: but I was I sold it as one does. And 227 00:12:19,520 --> 00:12:23,880 Speaker 2: I also, you know, it's I've actually got a poem 228 00:12:23,880 --> 00:12:26,040 Speaker 2: about this, and it's called the saddest poem ever written, 229 00:12:27,240 --> 00:12:29,559 Speaker 2: and it's for all the guys who lost the guitars 230 00:12:29,880 --> 00:12:33,520 Speaker 2: that they had, all those vintage It's a bit like 231 00:12:33,520 --> 00:12:35,320 Speaker 2: it was because you don't get them back, you know. 232 00:12:36,120 --> 00:12:39,200 Speaker 1: Yeah, and con'try kindle that sound as well with another one. 233 00:12:39,200 --> 00:12:40,960 Speaker 2: Well, you know, it is a little bit whether I 234 00:12:40,960 --> 00:12:43,000 Speaker 2: could do a Blindfeld test between my old sixty four 235 00:12:43,040 --> 00:12:46,920 Speaker 2: strat and offender squire, I don't know. You know, there 236 00:12:47,000 --> 00:12:47,560 Speaker 2: is a little bit. 237 00:12:47,559 --> 00:12:48,680 Speaker 1: There's an emotional attachment. 238 00:12:48,679 --> 00:12:50,040 Speaker 2: That's an emotional attachment. 239 00:12:50,120 --> 00:12:52,079 Speaker 1: Yeah, listen, we want to go out with a song. 240 00:12:53,000 --> 00:12:54,880 Speaker 4: So just again, where do we get our tickets for 241 00:12:55,480 --> 00:12:57,680 Speaker 4: the south Shore Music Festival. 242 00:12:58,679 --> 00:13:03,920 Speaker 2: Well, it's on quick Social official on cricket and there 243 00:13:03,960 --> 00:13:07,640 Speaker 2: will be links up on all the various communicators. Derrick 244 00:13:07,679 --> 00:13:13,559 Speaker 2: Craig who's a Shoreline Songs associate, Anthony, just myself, Bill 245 00:13:13,760 --> 00:13:15,520 Speaker 2: and Amanda who are putting it on. They will be 246 00:13:15,559 --> 00:13:17,439 Speaker 2: sharing all the stuff. But basically, go to. 247 00:13:17,400 --> 00:13:21,120 Speaker 4: Cricket, go to cricket and yeah, maybe you'll find some 248 00:13:21,160 --> 00:13:25,160 Speaker 4: more information online. But for now that sounds like something 249 00:13:25,240 --> 00:13:28,040 Speaker 4: to plan for and you have some time to make 250 00:13:28,040 --> 00:13:29,120 Speaker 4: the necessary planning. 251 00:13:29,600 --> 00:13:31,320 Speaker 1: It is happening on the. 252 00:13:32,480 --> 00:13:36,000 Speaker 4: First of second and may go and check it out 253 00:13:36,040 --> 00:13:39,199 Speaker 4: the south Shore Music Fest. Gotta a rap it there, Robin, 254 00:13:39,600 --> 00:13:41,240 Speaker 4: good to see you again. Are we going out with 255 00:13:41,280 --> 00:13:42,480 Speaker 4: a song? Tell us more about it? 256 00:13:43,120 --> 00:13:44,440 Speaker 2: Well, are we going out with love Kills? 257 00:13:45,200 --> 00:13:46,680 Speaker 1: Or I think so? Okay? 258 00:13:47,160 --> 00:13:49,840 Speaker 2: Love Kills was a song that actually won the som 259 00:13:49,960 --> 00:13:51,640 Speaker 2: Award before there was a soo with the very first 260 00:13:51,720 --> 00:13:54,560 Speaker 2: year it happens, and it's been sitting, it's never been 261 00:13:54,679 --> 00:13:56,920 Speaker 2: released again, and we just remark it and put it 262 00:13:56,920 --> 00:13:59,600 Speaker 2: out again that album and it's very much a Joe 263 00:13:59,600 --> 00:14:00,360 Speaker 2: but Rick return. 264 00:14:00,880 --> 00:14:03,240 Speaker 4: Yeah, and if you can't wait for the first of 265 00:14:03,280 --> 00:14:07,120 Speaker 4: a Robin Old performing at the Muscle Festival tomorrow in Scarborough, 266 00:14:07,200 --> 00:14:10,520 Speaker 4: I tell you that Deep South is active creatively,