1 00:00:00,080 --> 00:00:02,400 Speaker 1: The book review. The thriller is a new one from 2 00:00:02,520 --> 00:00:07,040 Speaker 1: James Lee Burke, the Hadacle Boogie, which is the name 3 00:00:07,080 --> 00:00:10,440 Speaker 1: of a song traditional song from the South, sometimes called 4 00:00:10,440 --> 00:00:13,480 Speaker 1: the Hadda, called stump and so on, but the version 5 00:00:13,520 --> 00:00:16,360 Speaker 1: which is referred to in the book is by a 6 00:00:16,360 --> 00:00:19,280 Speaker 1: country in Western singer and it's called the Cadacoll Boogie. 7 00:00:19,520 --> 00:00:23,200 Speaker 1: It's the twenty fifth outing for Dave robi Show and 8 00:00:23,239 --> 00:00:27,440 Speaker 1: once again he is in partnership often strained partnership with 9 00:00:27,520 --> 00:00:31,000 Speaker 1: Cleat Percell. The crime at the heart of the Hadacolled 10 00:00:31,040 --> 00:00:34,400 Speaker 1: Boogie is the murder and dismemberment of a young black woman. 11 00:00:34,760 --> 00:00:38,640 Speaker 1: Her body is dumped on Roebi Show's property. But as 12 00:00:38,680 --> 00:00:44,080 Speaker 1: always in these James Lee Burke Robishow Cleeper Cell mysteries, 13 00:00:44,600 --> 00:00:46,720 Speaker 1: there is a crime which is more of a catalyst, 14 00:00:47,440 --> 00:00:52,919 Speaker 1: and the two pursue larger scale issues of justice and 15 00:00:53,040 --> 00:00:58,760 Speaker 1: Burke displays his extraordinary ability to inject electricity into prose. 16 00:00:59,600 --> 00:01:04,800 Speaker 1: The themes are familiar to previous books, the environmental devastation 17 00:01:05,240 --> 00:01:08,840 Speaker 1: that is happening in South Louisiana, the racial sins of 18 00:01:08,920 --> 00:01:13,720 Speaker 1: the United States of America, the blood wrenched, drenched legacy 19 00:01:13,760 --> 00:01:19,080 Speaker 1: which is everywhere in the South, and there is again 20 00:01:19,440 --> 00:01:22,679 Speaker 1: plenty of allusion to another world. Cleat Basil has genuine 21 00:01:22,720 --> 00:01:26,399 Speaker 1: They're not things he's imagining. You are asked to believe 22 00:01:26,400 --> 00:01:29,199 Speaker 1: that these are genuine conversations that he has with Joan 23 00:01:29,240 --> 00:01:32,279 Speaker 1: of Arc who has become a kind of load star 24 00:01:32,640 --> 00:01:38,920 Speaker 1: for him. And the way that Burke rhapsodizes about his 25 00:01:39,000 --> 00:01:43,520 Speaker 1: homeland on the horizon, lightning was striking the water, but 26 00:01:43,600 --> 00:01:47,760 Speaker 1: without sound, like gold wires in the bottom of clouds. 27 00:01:48,280 --> 00:01:51,040 Speaker 1: The last of the sunlight was like a cool fire 28 00:01:51,160 --> 00:01:57,040 Speaker 1: burning brightly inside the clouds. It's these immoral books. They 29 00:01:57,120 --> 00:02:02,600 Speaker 1: are books which are troubled by America's history and America's inability, 30 00:02:02,680 --> 00:02:06,920 Speaker 1: its refusal to confront that history. And it's set in 31 00:02:06,960 --> 00:02:10,760 Speaker 1: the early two thousands, and in an afterward Burke says 32 00:02:11,440 --> 00:02:15,079 Speaker 1: that he needed to set it there because there was 33 00:02:15,120 --> 00:02:18,080 Speaker 1: a feeling that the new century didn't bode well for 34 00:02:18,200 --> 00:02:20,760 Speaker 1: the US. The indifference to the melting of the Arctic, 35 00:02:20,800 --> 00:02:23,840 Speaker 1: the rising of the oceans, the sands of war blowing 36 00:02:23,840 --> 00:02:26,399 Speaker 1: in the midst the possible return of an evil man 37 00:02:26,440 --> 00:02:30,040 Speaker 1: in the Kremlin. And in two thousand and five, there 38 00:02:30,080 --> 00:02:32,920 Speaker 1: wasn't the possibility of the evil Orange Man returning to 39 00:02:32,960 --> 00:02:36,560 Speaker 1: the White House. But there we go. So there's a 40 00:02:36,639 --> 00:02:40,720 Speaker 1: sense of foreboding, a sense of grimness about the future, 41 00:02:40,880 --> 00:02:44,360 Speaker 1: and that Dave and Cleat are amongst a very small 42 00:02:44,480 --> 00:02:47,720 Speaker 1: band of very brave people who are fighting to keep 43 00:02:48,040 --> 00:02:50,560 Speaker 1: America on the right path. And if that all sounds 44 00:02:50,600 --> 00:02:55,880 Speaker 1: high faluting, it's not. It's there's a propulsive narrative which 45 00:02:56,000 --> 00:02:59,560 Speaker 1: takes you through and it's you know, it's all sorts 46 00:02:59,560 --> 00:03:02,440 Speaker 1: of stuff that's going on, and there's a lot, and 47 00:03:02,680 --> 00:03:11,400 Speaker 1: it's just absolutely fabulous. The Literary Thrill I Suppose is 48 00:03:11,480 --> 00:03:16,880 Speaker 1: a debut from an American author, Larissa pam Pham. She 49 00:03:16,960 --> 00:03:19,280 Speaker 1: had a book previous, but that was a collection of 50 00:03:19,480 --> 00:03:22,760 Speaker 1: essays and this one it's kind of metafictional in a way. 51 00:03:23,080 --> 00:03:25,360 Speaker 1: Is the central character in the book is a first 52 00:03:25,360 --> 00:03:29,480 Speaker 1: time author, Christine, who's on a book tour self arranged 53 00:03:30,000 --> 00:03:34,240 Speaker 1: in order to promote a book in which she talks 54 00:03:34,480 --> 00:03:38,280 Speaker 1: about a former art professor. And on this tour she 55 00:03:38,320 --> 00:03:42,040 Speaker 1: gets an anonymous email that's not how I remember it, 56 00:03:42,080 --> 00:03:45,640 Speaker 1: and she knows it is from her formous art professor, 57 00:03:46,040 --> 00:03:49,560 Speaker 1: and she did use her personal experience to inform the 58 00:03:49,640 --> 00:03:54,400 Speaker 1: novel and she is a little concerned about what might happen. 59 00:03:54,840 --> 00:03:57,640 Speaker 1: So they're two halves to the book. In the first half, 60 00:03:57,760 --> 00:04:01,840 Speaker 1: Christine connects with strangers and from people are from her 61 00:04:01,920 --> 00:04:06,080 Speaker 1: past on tour stops, and there's a lot of not 62 00:04:06,160 --> 00:04:08,040 Speaker 1: a lot of because it's a slim book. It's a 63 00:04:08,160 --> 00:04:14,360 Speaker 1: two hundred page book, and it's sparse and evocative, but 64 00:04:14,520 --> 00:04:17,479 Speaker 1: there are also meditations on art and women and art, 65 00:04:17,520 --> 00:04:22,599 Speaker 1: which again contribute to the narrative rather than overwhelm it. 66 00:04:23,240 --> 00:04:26,800 Speaker 1: And in the second half, she accepts an invitation from 67 00:04:26,880 --> 00:04:29,679 Speaker 1: Richard to come to his home on a remote island 68 00:04:29,800 --> 00:04:33,560 Speaker 1: off the coast of Maine, and what happens there as 69 00:04:33,600 --> 00:04:36,960 Speaker 1: they wrestle with the past and the degree to which 70 00:04:37,000 --> 00:04:42,120 Speaker 1: he accurately described that past in her novel form the 71 00:04:42,240 --> 00:04:48,240 Speaker 1: narrative thread of that second half, and the prose is elegant, 72 00:04:48,400 --> 00:04:54,200 Speaker 1: it's lithe it's ellergaic, and she muses with enormous impact 73 00:04:54,279 --> 00:04:58,599 Speaker 1: about life, about love, about interesting, about power, about art, 74 00:04:58,640 --> 00:05:03,000 Speaker 1: about writing, about survi, about agency. A writer with an 75 00:05:03,160 --> 00:05:06,679 Speaker 1: enormous amount of promise, certainly one to watch. The book 76 00:05:06,720 --> 00:05:12,720 Speaker 1: is called Discipline, and it's by Loisa pam Pham. And 77 00:05:12,760 --> 00:05:16,400 Speaker 1: then the nonfiction book is an absolute delight. It's called 78 00:05:17,520 --> 00:05:24,279 Speaker 1: The Tree of Life and subtitle is Solving Science's Greatest Puzzle. 79 00:05:24,720 --> 00:05:29,159 Speaker 1: And it's by an evolutionary biologist whose name is Max Telford. 80 00:05:29,640 --> 00:05:33,919 Speaker 1: And he attempts to take and succeeds, to my not 81 00:05:34,080 --> 00:05:40,520 Speaker 1: particularly expert ear and eye, he succeeds in taking the 82 00:05:40,560 --> 00:05:44,400 Speaker 1: Tree of Life from its very very very beginnings and 83 00:05:44,800 --> 00:05:50,280 Speaker 1: pointing out how it is all connected. Earliest life is 84 00:05:50,360 --> 00:05:56,920 Speaker 1: connected to contemporary life and to future life. He points 85 00:05:56,960 --> 00:05:59,640 Speaker 1: out that a tree on its own is like a 86 00:05:59,680 --> 00:06:04,839 Speaker 1: perfon pieced together jigsaw puzzle with no pictures on it. 87 00:06:04,880 --> 00:06:06,880 Speaker 1: So what he does with book, with this book is 88 00:06:06,960 --> 00:06:11,159 Speaker 1: take that perfect jigsaw puzzle and paint pictures onto it. 89 00:06:11,600 --> 00:06:13,920 Speaker 1: So the Tree of Life is a portal to the past, 90 00:06:14,720 --> 00:06:20,120 Speaker 1: and it's full of similarle and metaphor, and it goes 91 00:06:20,160 --> 00:06:24,920 Speaker 1: into really deep scientific detail about very technical things which 92 00:06:24,920 --> 00:06:28,000 Speaker 1: are not part of most people's common knowledge, but the 93 00:06:28,040 --> 00:06:33,240 Speaker 1: way that he creates illusions around them make them so accessible. 94 00:06:33,640 --> 00:06:38,480 Speaker 1: There's something called anumal crest cell, and he describes that 95 00:06:38,600 --> 00:06:44,320 Speaker 1: as a Bedouin warrior following invisible song lines. And what 96 00:06:44,400 --> 00:06:48,440 Speaker 1: he does is so he discusses worm anuses and the 97 00:06:48,480 --> 00:06:53,240 Speaker 1: importance of word worm anuses in the development of another 98 00:06:53,320 --> 00:06:56,200 Speaker 1: form of life which was slightly above the worm, which 99 00:06:56,240 --> 00:06:58,520 Speaker 1: led to another form of life, which led to another 100 00:06:58,560 --> 00:07:01,400 Speaker 1: branch of the tree, which then returned to the trunk 101 00:07:01,440 --> 00:07:05,080 Speaker 1: and up the trunk, And so it goes on his erudite, 102 00:07:05,120 --> 00:07:10,720 Speaker 1: he's informed, he's amusing, and at the end of this 103 00:07:10,920 --> 00:07:14,760 Speaker 1: it's again not a huge book, it's three hundred odd pages. 104 00:07:15,160 --> 00:07:18,400 Speaker 1: At the end of it you have a sense of 105 00:07:19,080 --> 00:07:23,800 Speaker 1: how John Matham, looking at himself in the mirror, has 106 00:07:23,840 --> 00:07:28,559 Speaker 1: a link back to these tiny microorganisms which started life 107 00:07:29,040 --> 00:07:33,120 Speaker 1: four billion years ago. Highly recommended for those who are 108 00:07:33,160 --> 00:07:37,400 Speaker 1: interested in reading popular science. The Tree of Life Solving 109 00:07:37,520 --> 00:07:40,840 Speaker 1: Science's Greatest Puzzle by Max Telford